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#excuse me its 1 am and i was thinking about utena
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KILLING THE FATHER WILL NEVER BE ACHIEVED IF IT MEANS BECOMING THE FATHER HIMSELF
(father=authority=god=dios)
utena wins by only being utena
not by being a prince
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drink-n-watch · 4 years
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I’ve never spoken about this before but did you guys know that Crow is the one that adds in all the links in these posts? Even when I’m the one hosting, Crow just goes through my paragraphs and adds all the relevant links without ever being asked and without ever even mentioning anything. He just sort of naturally does it. To help me out and give you all a better experience. Some people are like that. They gravitate towards helping whenever they can in any way they can. If the rest of us are lucky enough, we can meet someone like that. There’s a name for it…
Thank you Crow, I do appreciate these little things. I’m sorry it took me so long to say something.
You’re most welcome! I don’t even notice I’m doing it anymore; it’s kinda automatic. In the back of my mind, I worried that I was taking liberties with your text, which wasn’t at all what I intended to do! Glad it came across in the right spirit!
Oh, I’m bold, there will be spoilers, etc…
  I’m writing this before Crow reads it but I bet he’s gonna hem and haw and play it down. Of course he is. He isn’t the sort to hoard credit. And he’ll find some excuse to blow it off, like say that I must be in a particularly good mood. And maybe I am, ‘cause this was a fantastic episode! Doesn’t change that I really appreciate what Crow does.
So, do I send the small, unmarked bills to the same address as usual? You were even more kind than usual, so I feel like I should include a bonus or something…
  One thing I appreciate is when a series has some reverence for its own lore and history. This is why I love subtle throwbacks. Like the opening scene of this episode which recalled the first moments of the series. Just that already had me in a happy place. But when I saw that Froppy and Uraraka were in fact fighting and holding their own, well I just cheered.
It was fantastic to see the ladies front and center like that. And kicking behind at it! The scene was a short opening tag but it gave me all I needed. The action was fluid and fun to watch. The girls were efficient, powerful and worked very well together. And their mentor, Ryuko, who was on screen for less than a minute, somehow manage to come off as one of the best hero mentors in the series. She gave encouragement and tangible practical advice that was easy to follow and understand. Plus she let the students do the actual work but made sure everything was under control. I am impressed by this agency! One of the best pro heroes, possibly aside from Eraserhead, I’ve seen so far!
It was great to see Froppy and Uraraka again! Froppy was her usual cool, efficient self, and even though she was nervous, Urakaka showed how far she’s come in her training too. 
I’d read some Tweets where fans were talking about Ryuko, and I tried not to pay attention because I didn’t want any spoilers. I came away with a vague idea that we should expect great things from her. Based on everything you noticed about how she handled herself and the students that were her responsibility, I think I see signs of greatness.
Or tragedy. They could be setting up a non-core cast member who we grow to love. Just before her final encounter with Overhaul. Seriously, the more I see of that guy, the more worried I become on behalf of our heroes…
That was a lot of text about the little scene before the opening credits. This episode wasn’t about the girls. And normally I might think that’s too bad. The fact that I don’t should clue you in on how this post is about to go.
If you remember, 3 1-A students had been contacted by members of the Big Three. Tsuyu and Uraraka by Neijire (who seems delightful) and Kirishima was contacted by the usually reserved Tamaki. It seemed odd from the start for someone so introverted as to feel the need to constantly hide his face to reach out to someone, and someone as loud and boisterous as Kirishima at that. Only it wasn’t, because as it turns out, Tamaki is smarter than me… But we’ll get back to that.
Tamaki is currently under the tutelage of pro hero and Totoro lookalike, Fat Gum, and he has enlisted Kirishima to join the agency. And what a time to be a professional hero! Behind the scenes Overhaul and Shigaraki seem about ready to strike a deal.
Watching these two together was chilling, but what struck me most was just how calm Shigaraki was. I thought the loss of All for One would have broken him, but it doesn’t even seem to have phased him. In fact he sounded more confident and mature than ever before. I have a feeling that’s a very bad thing…
I think his earlier encounter with Overhaul affected him quite a lot. I got the sense he actually felt responsible for the survivors like Himiko and Mr. Compress. Instead of hurling himself in a despairing fury, he’s regrouped and has begun to exert some self control. As you said, that’s a very bad thing!
In order to secure his place in this wild new world and protect his assets (I have a feeling this guy doesn’t really have allies), Overhaul has devised a plan which would let people considerably boost the power of their own quirks for a short period and also render other incapable of using their quirks for some time. Both through the use of drugs. A devious plan indeed. Super strengthened villains against powerless heroes. I guess we’re about to find out if the quirk makes the man.
Or woman!
But at least the heroes know about this plan now. Now that Fat Gum, Kirishima and Tamaki have been confronted by it. In their first actual chance to work as a trio, our heroes easily catch a group of villains trying to escape after a robbery. Well Fat catches most of them and Tamaki takes care of the one that manages to get through. It’s a very smooth operation, both heroes are obviously quite skilled.
Everything should have ended there. Bright headlines the next day and Kirishima feeling a little bummed he didn’t get to do anything. That was all it should have been really. It was dumb stupid lack of luck that made it so that one of Overhaul’s minions, some guy so far down the line that Overhaul’s probably never even herad of him, happened to be in the crowd of onlookers. Just some guy frustrated by his lack of power, bitter at the display of skill right in front of him, and possessing the one thing that could destroy that power, at least for now. A gun capable of shooting drug capsules. And one manages to hit Tamaki straight on. Of course there are two more Heroes there and Kirishima immediately jumps in to avoid Tamaki getting hit again. Kirishima’s hardening skills makes him ideal as a human shield and the second capsule bounces off him without having the chance to inject anything. This is when I started realizing Tamaki was smarter than me. Kirishima really is a hero, wouldn’t you say?
Yeah, and we see that in all its awesome glory in a few moments. He moved almost like Izuku, before he even received his Quirk, had moved to protect Bakugou. It’s not something he did to look good. It’s something he did simply because of who he is.
At this point the situation isn’t quite clear. The first batch of villains have been handed off to the police. The gunman has run off and Kirishima took to the chase. Tamaki seems unhurt so Fat is about to follow the other two but suddenly it becomes apparent that the boy can’t summon his quirk. It just won’t work.
I’ll give it to Tamaki, he was upset, of course, but he really reacted calmly all things considered. I must say, I like Tamaki a lot. The cast needed an Eeyore to even it out!
Not only that, but did you notice that Fat Gum listened to him instead of continuing to speed off? I’m really glad we got to meet both Fat Gum and Ryuko this episode. They seem like the middle class of heroes — people trying to live up to their calling and pass on their wisdom to the young ‘uns. Just good folk!
It will be nice to have someone like Tamaki to balance the relentless (and sometimes exhausting!) positivity from Izuku and even Mirio and Neijire (or maybe especially those last two!). 
The focus changes to Kirishima and this minor villain. He’s just some guy with a weak quirk who saw his team of villains get taken down without being able to do anything. He’s a bad guy, for sure. He’s also just a guy who wants to help his friends and needs to get stronger to do so but doesn’t know how. His fears, and frustration perfectly echo those of every UA student. And Kirishima is a big softie, so his sympathies get immediately engaged.
But there’s a job to do and a confrontation to win, and villains don’t play fair — what would be the point? When Kirishima obviously has the upper hand, the other guy (I should really look up his name – I couldn’t find it; even in the Fandom Wiki, the closest think I could find was a page about Trigger, the drug) decides to play his trump card and injects himself with something that immediately makes him way stronger.
I don’t know if you’ve ever seen Utena, Crow, but seeing that guy with all the blades through him really reminded me of the symbolic imagery in that show.
It was impressive. Even more impressive with that it cut into Kirishima! I admired how calm he remained, even as the blades were cutting into him. His calm under pressure it going to serve him well!
So this is it. Big decision time. The proper thing for a student hero with no real practical experience would be to fall back and get reinforcements. That sounds reasonable. But there are bystanders around and this guy doesn’t look like he’s about to go peacefully anywhere…
I always liked Kirishima. I like nice guys and he was a bright smiley good natured type. I figured that’s why I liked him. Also I like redheads. That wasn’t it, though. I was a bit slow to pick up on it but, Tamaki knew all along. There are a few general types of heroes in My Hero Academia. The cool and reasoned ones like Eraserhead and Tamaki, the efficient result oriented, slightly power hungry ones like Endeavor and Bakugo, the practical ones like Uraraka and Froppy; and then there are the optimistic idealist dorks like Mirio, All-Might, Deku and… Kirishima.
This kid is a hero to the core and it’s completely unrelated to his ego or circumstances. He’s just an uncomplicated straightforward good guy. The type I scold for their lack of foresight and roll my eyes at their single mindedness; and hold in my heart relieved that there are still heroes out there. Determinators are not a particularly interesting character archetype but I don’t hate them. Not at all. I always liked Kirishima, this little sequence, made me admire him.
He not only stayed put to actively protect the bystanders. He tailored his attack to attract the villain’s blades! Sure, he had just powered up and was reasonably sure the blades couldn’t skewer him, but only for another 30 or 40 seconds. And he had no way to know for sure that his strength was enough. Yes, he was so dedicated to protecting everyone he just did it. 
Did you notice the minor flashback we got? The one where he drew inspiration to charge “forward like a horse?” To me, it was the most astonishing thing I saw in this episode, and it ranks right up there in the whole series.
It was Bakugou! He actually inspired someone! I was absolutely astounded.
You what? The very few instances of Bakugo we’ve seen have been mostly positive. His presence also seems to have calmed down Deku  and spur on Todoroki. I wonder if the writers are trying to make a tiny character rehabilitation.
Kirishima manages to hold his own but it takes pretty much everything he’s got. At the very end, Fat manages to catch up and cut off the bad guy’s escape. It was an exhausting fight but a very enlightening one. Not only did Kirishima get a chance to figure out what type of hero he wants to be, but it also got everyone a little closer to figuring out the villain’s plan. But is it already too late?
The first step to thwarting a trap is to be aware of the trap… I think I learned that in Dune.
During those last moments of the evening, Kirishima and Tamaki get to chat a bit. Tamaki clearly tells Kirishima how much he reminds him of Mirio. I don’t think Kirishima caught on though. It’s a nice compliment for sure, but coming from Tamaki it takes on a whole new meaning. Tamaki idolizes Mirio and considers him an example of what a hero should be. He didn’t randomly pick some loud first year to help with their internship, he chose someone who he thought worthy. And he is saying as much. Even if Kiri might not understand it just yet. I hope these two can partner up for a while. They make a good odd couple.
They’ve certainly learned that they can rely on each other. There’s nothing like a dangerous fight to learn someone’s character!
This whole quirk nullifying storyline has a lot of very personal implications for Deku. On the one hand he is potential the most experienced and best placed person to fight without a quirk, having grown up quirkless. On the other, gaining One for All is possibly the most important defining moment in his life, and losing it again might break the boy. Either way, it would make sense that having his quirk locked up would hit Deku drastically differently than anyone else. Man! I can’t wait to find out which way he goes!
I’m betting this is how it’d go: His emotional devastation would almost overwhelm him, even as his tactical mind was working out alternate solutions. Plus, there’s that burning desire in his very soul to be a hero. He charged that blob that was attacking Bakugou, after all! He’d end up being less effective but really well organized — while being depressed about it.
I know I was subtle about it but this was my favorite episode so far. I am pumped! What did you think Crow?
I thought it would be hard to beat the exhiliation I felt during Izuku and Mario’s confrontation with Eri and Overhaul, but you know what? Kirishima’s fight was vintage My Hero Academia. Not only that, but seeing some of my other favorite characters back in action was a joy. Outstanding episode over all.
I’m also dying to see what Ryuko’s power is! 
me too
My Hero Academia s4 ep68 – I Want to Be Strong I’ve never spoken about this before but did you guys know that Crow is the one that adds in all the links in these posts?
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Me Ranting About a Bad Magical Girl Meme
So on discord an acquiatance-friend shared a magical girl meme about how “SJWs” ruined MG anime for the “West” that got me so angry that I need to rant about it here. 
Their friend (that showed to them) sadly couldn’t find an original version so here’s one with some rapid-fire responses for reference
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I think that really most of the appearance ones are good and dealt with though I need to personally say “lolfuckyou” for “sexy girls and guys”. 
Let’s look at the others?
mostly apolitical beyond same ethnicity
The points in the response are accurate but we can go much further. If having one, broadly speaking (setting aside outliers like Anthy who don’t count I guess) ethnicity is perceived as a political statement (and I don’t disagree it is one essentially), what are we supposed to make of the messages like “have compassion for people even if they’re different?” that when possible, people should always strive for non-aggressive solutions and try to talk things out, even if in the end an aggressive solution is sometimes required? 
If the inclusion of a single ethnicity is a political statement, what should be made of the constant reminders by magical girl anime that gay people exist (more on this later) and that they are people with their own struggles and should be treated just as fairly as everyone else? 
Or themes and messages like that people shouldn’t be judged for superficial differences that really don’t matter, and that people should always strive for forgiveness, even for people that they have distaste for?
What about Utena’s portrayal of an unjust system that essentially perpetuates itself through the lack of desire of people at the top to tear it down and allows for people like the Student Council to have dominion over the rest of the school? Or how Utena’s story very, very frequently is used to deconstruct common shoujo tropes and expose their sexist undertrappings? Hey, remember that time in Huggto that Masato told Emiru that she shouldn’t play the guitar because it wasn’t “for girls” and Lulu is portrayed as justly taking Masato a-fucking-part? Surely no political implications there!
What should be made of episodic points like Miki utilizing Utena’s own critique of the dueling system removing Anthy’s autonomy for his own selfish ends, to the point of repeating it basically word for word? Or how about that scene in Sailor Moon that is basically devoted to softly criticizing Japanese academic culture? 
I can’t believe I’ve gone this long without noting that the blending of femininity and the masculine, in saying that one can be “girly” and still have the ability to save the day and defeat the villain (very very often without any sort of male aid), something soundblasted at the climax of Huggto that “anyone can be a Precure” is ridiculously political at its core?
(psst the SJWs are coming from inside the house) 
P.S. I love how Star Twinkle Precure managed to arguably make this out of date even at the time of its creation. 
generally leaves Yuri to the fandom
lol okay here have a couple canonical manga pages
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oh and here’s an actual movie screenshot
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(This is roughly an encapsulation of the entire scene btw I’m really not cherry-picking with this one)
Things the Ace Memester is also conveniently forgetting
1. That time in the manga that Chibiusa and Hotaru’s relationship is directly paralleled by Usagi herself to her and Mamoru’s?
2. How Saki and Mai, and Itsuki and Tsubomi, and Setsuna and Love, and Kanade and Hibiki and Lulu and Emiru (excusing the two examples I already gave) are so super clearly supposed to be love interests that it’s borderline text? And on the male end you have the super obvious basically transparent subtext in the Sailor Moon R movie. You also have to deal with Seiya’s super clear interest in Usagi and Usagi’s interest in... basically everyone. 
3. How about the time Regina used the nearly explicitly romantic Japanese word for love in reference to Mana in Doki Doki Precure? Or that time in the manga Rikka explicitly imagined Makoto and Mana getting married? Or that other time in the anime where Rikka talked about how life would be actually genuinely meaningless if she didn’t have Mana in it? How that’s an actual thing she really says?
4. If i’m allowed to include adult-oriented MG anime, how about how Togo from Yuki Yuna is explicitly stated in the extended materials to have a crush on Yuna (as if the show isn’t obvious enough about it)? Or how Nanoha and Fate live together and adopt a kid? Or Homura and Madoka and the subtext Kyouko and Sayaka have going on? Or the canon lesbians in Magical Girl Raising Project that get killed off to show how gritty the show is, but certainly exist? I’e gone this long without even mentioning Utena and Anthy or Shiori and Juri. 
Like “generally” is doing so much heavy-lifting that the poor soul collapses due to the weights simply being far too heavy to be held up with any sort of intellectual honesty. 
“better art and animation”
If you only watch the super-streamlined and high-budget shows, maybe?[1] But like, I am old enough and have enough residual memory to recall how Crystal got lambasted in its first season for its low-grade animation quality, ignoring the often wonky animation in the original franchise.
Like, if you don’t see the poor animation in MG anime, it’s often because of all the short-cuts animators really clearly take to disguise it, typically pouring pretty much all their budget into the important scenes that people really do need to remember. Sorry, I don’t make the rules.
“Original ideas and no parodies” 
1. Hey, remember how much inspiration Naoko got from the tokusatsu shows she loved for Sailor Moon? And how things like the team dynamics and color scheme of shows like Precure are so obviously cribbed from the team dynamic in Sailor Moon? 
2. Hey, remember how Futari wa (even though this one does die), Splash Star, Fresh, Suite, Doki Doki (arguably), Princess, and Huggto have eerily similar redemption arcs for one (or more in Splash Star’s case) of their villains? 
3. Hey, remember how basically every season of Precure has a “the Cures are going to break up!?!” episode?
4. Or how plot elements of Princess Precure (like the Haruka-Kanata dynamic) are really clearly inspired by Utena? 
5. Or do you want to talk about how Nanoha was pretty clearly inspired by Cardcaptor Sakura at points? Or how adult-oriented MG anime quite often cribbed from Madoka tonally, thematically, and even in terms of character/plot beats? (MG Raising Project is often the most blatant about this.) 
6. If we’re talking about “parody”, see above vis a vis Utena and shoujo tropes. 
Like oh my god there’s so many examples that I’ve forgotten some as I’ve tried to write this up.
In sum, can reactionaries who want to co-opt MG anime please get out of this fandom? They’re really not wanted. 
1. Though I recall all the nitpicking that Madoka’s animation got back in its time. 
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