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quentinsquill · 4 years

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Fic: “Minor Mendings and Mistletoe” (The Magicians)

Minor Mendings and Mistletoe

Fandom: The Magicians

Rating: PG

Word Count: 3,057

Warnings: None

Summary: It’s Christmas at the Physical Kids cottage, and Quentin uncovers a piece of Eliot’s past that his friend forever thought lost. Can he make a connection with his crush and discover the truth about his magical abilities at the same time?

Author’s Notes: This is based on a drawing by @highkingfen that completely inspired me! I thank her for allowing me to write a fic based on her wonderful art. Check that out here, along with a bunch of other original and amazing designs at her Redbubble shop, FillorianQueen! Comments and kudos are magic and as always, enjoy!

Minor Mendings and Mistletoe

By Lexalicious70 (aka QuentinsQuill)

“Do we really have to do this?”

Quentin turned from opening several large cardboard boxes to see Eliot standing at the Physical Kids cottage bar, pouring himself a glass of wine and making a show of looking spectacularly bored.

“Come on, El! It’s Christmas!”

“Well technically, it’s February 15th, at least out in the real world,” Eliot replied. Margo opened one of the boxes and began to unwind several strings of multicolored lights as she scoffed in reply.

“Since when do you worry about life outside of Brakebills?” She asked, and Eliot frowned.

“Since you want to turn our cottage into some kind of cheesy Rankin Bass cartoon?”

“What’s so bad about Christmas?” Quentin asked as he unpacked a large artificial tree. “I like Rankin Bass animation.”

“Oh, you sweet summer child,” Eliot sighed, then narrowed his eyes at Quentin as he opened his mouth to reply. “And don’t you dare compare me to the Grinch!”

“If the green fursuit fits,” Quentin muttered as he slapped dust from the front of his sweater. Eliot downed his wine, refilled his glass, and stepped out from behind the bar.

“By all means, proceed,” he said as he headed for the front door. “Just don’t ask me to participate!”

“Wow,” Quentin sighed as Eliot slammed the door behind him. “Who took a dump in his eggnog?” He asked Margo, who plugged in a string of lights and nodded as they came to life.

“Don’t mind El,” she said. “He’s not the biggest fan of Christmas.”

“How come?” Quentin pulled the legs of the tree stand open. While he’d only been living in the cottage for five months, he’d spent enough time with Margo and Eliot to feel like he’d gotten to know them as friends. Granted, he was a bit scared of one and was crushing hard on the other, but they felt like friends just the same. They had even tried to help him find his magical discipline, but to no avail.

Margo paused to pour herself a glass of wine and then filled one for Quentin as well.

“Without going into detail, El didn’t have the most ideal of childhoods. When you think of Christmas, what comes to mind?”

“I don’t know, uhm . . . snow? Going crosstown to check out the lights in Manhattan? Skating at Rockefeller Center with my dad when I was little?”

“Sounds like stuff right out of a Christmas movie,” Margo nodded. “But El’s parents were less about Christmas fun and more about the religious aspect of it. Lots of praying, lots of church services, and not a lot of decor.”

“That sucks,” Quentin nodded as he constructed the tree and began to fan out the branches. “But he’s an adult now . . . he can celebrate any way he wants!”

“I guess he doesn’t want to. Maybe he’s not okay with the memories it brings up, Q.”

Quentin paused and glanced over at Margo.

“How bad can church be?” He asked. “My dad is a lapsed Protestant so we didn’t really go once I turned like, ten, but . . .” He trailed off at Margo’s pointed expression. “Oh. You mean his parents . . .?”

“It’s not for me to give you details, Quentin,” Margo replied. “But let’s just say that some of the first magic lessons Eliot truly applied himself to was how to repress unpleasant memories.”

Discomfort twitched in Quentin’s stomach and he fell silent to focus on shaping the tree. Most of the cottage occupants had drifted away from the decorating efforts, leaving Margo and Quentin to unpack all the boxes. The ornaments had been collected from previous students who had left them behind and they now filled a cardboard box that used to contain a build-it-yourself desk.

“Damn!” Margo said suddenly from one corner. “Q, do me a favor?”

“What’s up?” Quentin asked as he finished assembling the tree.

“There’s an extension cord thing--one with all the plugs--up in El’s closet, up on the shelf above where he hangs his shirts. Grab it for me, would you?”

“Go in Eliot’s closet? Uhm--”

“Yes, go in his closet! Don’t worry about it, I’m giving you permission.”

Quentin glanced up the stairs. He knew Eliot had gone off somewhere to mope or flirt or whatever he did to avoid Christmas, but closets were personal things and the thought of stepping into that space, full of Eliot’s clothes, his scent, made Quentin’s heart vibrate against his rib cage like a frightened parakeet.

“Quentin! I’m standing on my fucking head over here!” Margo said from the corner.

“All right, okay! I’m going!” Quentin turned and headed up the stairs to Eliot’s room. There were only six people occupying the cottage this semester, so Eliot had only closed his door instead of locking it. Quentin turned the knob, guilt pricking his conscience.

Quit being so jumpy, he told himself. Margo told you to come up here, it’s not a big deal, so just grab the cord and don’t be so stupid!

Stepping into Eliot’s room was, for Quentin, like entering a space full of possibility. He took in the bed with its plum-colored duvet, the nightstand mirror edged with photos of Eliot and Margo, and, to Quentin’s great surprise, one of himself. He stepped closer to examine the image and saw himself asleep on the cottage couch, a Fillory and Further book spread open across his chest. He wore his Brakebill’s shirt, tie, and blazer, but the tie was undone and his hair hung in his eyes.

When the hell did he take this? Quentin asked himself. And why?

The possibilities were too overwhelming to contemplate at that moment so Quentin turned to the closet instead. The doors were tightly closed and Quentin swung them open. They folded aside and the smell of Eliot’s cologne, a mix of ocean water and sandalwood, wafted out, along with the scent of fresh clothing. Quentin glanced around like a guilty child sneaking cookies out of the kitchen before he leaned in to sniff at one of Eliot’s cardigans. It was well-worn, almost on the verge of shabby, but the fabric was softer than a baby’s blanket with repeated washings and Quentin allowed it to touch his cheek a moment before he pulled back and glanced up at the shelf above his head. He murmured a few lines of Arabic and let the magic fill him before he rose into the air, light streaming from his fingertips. He pointed them at the shelf and he saw the extension cord right away, coiled up in one corner. There were also a few dusty-looking hat boxes, a stack of magazines with nude men on the cover, and--

“QUENTIN!” Margo roared from the bottom of the stairs, and Quentin gasped as he lost his focus on the spell and the light sputtered and died. He pitched backward and gave a yelp of dismay as he grabbed the nearest surface--the closet shelf. The thing came free of its braces and Quentin shielded his face as he tumbled to the carpet and the contents of the shelf and the slat itself rained down on him.

“Shit!” He gasped as the slat slammed into his right knee and two of the hat boxes spilled open as they hit the floor. The erotic magazines fluttered down around him like wounded bats and Quentin blushed at the array of nudity scattered there.

“What the fuck are you doing up here?” Margo demanded from the doorway. “What was that--oh, Jesus!” She snapped as saw Quentin laying among the ruins of Eliot’s closet shelf. “Haven’t you ever heard of a stepladder?”

“It’s your fault!” Quentin shot back as he got to his feet. “I was looking for that cord when you screamed at me! It broke my concentration!”

Margo rolled her eyes.

“I swear, you are the most fragile forest-type creature I have ever met!”

“I didn’t say it scared me, I said you broke my concentration!” Quentin began to gather the spilled contents of the hat boxes which, to his surprise, did not contain a single hat. Instead, Quentin found himself picking up jewelry, unopened packs of cigarettes, dozens of matchbooks, and a few items that defied description (at least in Quentin’s realm of experience) but looked personal enough to make him blush again. Margo picked up the shelf slat and replaced it, shoving the ends back into the casters. Quentin stacked the magazines and handed them over, and she gave him an amused look before tucking them back into their proper place. He glanced around to make sure he hadn’t missed anything and spied a smaller, square box that had tumbled almost all the way under the bed. Quentin bent over to pick it up and something inside gave a chiming rattle of broken glass. Margo glanced up.

“What’s that?” She asked, wiping a lock of hair from her eyes, and Quentin bit his lower lip.

“Whatever it is, I think I broke it,” he said. “Shit.” He popped the top open and peered inside to find a white-and-blue Christmas ornament, broken into at least four pieces. The outside was decorated with painted glass and overlaid with glitter. “It’s a Christmas ornament,” Quentin groaned. “Oh shit, Margo . . .”

“Maybe we can fix it, Q, let’s not panic!”

“What do you think he has it for? You told me he doesn’t even like Christmas!”

“Who knows. El can be secretive, even with me.”

“I think I have some clear glue in my--” Quentin censored himself, knowing Margo would give him that mocking smile of hers if she knew he owned a crafting kit, “--in my room. I’ll take in there, see if I can fix it before Eliot gets back.”

“All right, I’ll see what I can do about the tree,” Margo nodded as she left the room. Quentin carried the box into his room and shut the door before he opened his desk and took out a hinged wooden box with a hand-painted dragon on the cover. Inside was a crafting kit with a set of acrylic paints, scissors, rulers, a pencil set, and other crafting items. Quentin pulled a tube of clear glue from the box and went to inspect the ornament again, sliding the pieces from the box with care. It was broken into nearly even sections, almost like one of those chocolate oranges Quentin sometimes got his dad for the holidays, and he fit the edges together carefully. His stomach sank a moment later when he realized several small pieces would be missing, even if he did glue them. He wiped a hand over his mouth.

“Shit! Shit, shit . . . what am I gonna do?” He asked himself, imagining the look of hurt and anger on Eliot’s face when he saw what was obviously an heirloom, broken beyond repair because of his first-year clumsiness. Shame and panic burned in his throat and then his eyes flew open as a sensation began to fill his chest, like he was taking a breath big enough to inflate a bounce house. He’d felt this way his first day at Brakebills, when he’d made the cards fly around the room, but this was different--this was a warm glow that wore a halo of power, and he raised his hands without directing them. He watched, amazed, as his fingers and wrists worked and the broken sections of the ornament rose into the air, spun around each other, and them knitted themselves into place. The metal fastening that fit into the top of the ornament seemed to give a joyous leap before fitting itself in with a small popping noise. Quentin turned his hands, palms up, dark eyes wide and full of wonderment, as the delicate glass bauble set itself into them.

“Holy shit,” Margo’s voice said from the doorway, and he started and turned, holding the ornament to his chest.

“Did you see that, or did I imagine it?” Quentin asked, and Margo grinned.

“I saw it! You found your discipline, Q! The way your hands worked in a spell you couldn’t possibly know yet?”

“But what does it mean?” He asked, and Margo beckoned him.

“Come on . . . I”ll show you.”

Quentin paused long enough to put the ornament back into the box and carried it with him as Margo led him back downstairs, where she took out a leather-bound book.

“This is a listing of all the disciplines and their meanings . . .” She flipped a few pages and then traced a finger down one before she tapped a paragraph with a lacquered nail. “Here! Repairer of small objects.”

Quentin looked over her shoulder.

“That’s it?”

“Small broken objects are attracted to you, especially those that want to be repaired.” She glanced at the box. “I guess that includes Christmas ornaments.”

The cottage door opened a moment later and Margo and Quentin looked up to see Eliot sweep in, along with a gust of cold air. He unwound his dark woolen scarf and then paused, his eyes widening when he saw the box sitting on the coffee table near the Christmas tree.

“What the fuck--what do you think you’re doing with that? DId you go through my closet, Quentin?” He snapped, and Quentin took a step forward.

“El please, don’t be mad, I can explain if you just give me a minute--”

Eliot pulled a gilded pocketwatch from his vest, clicked the face open, and nodded.

“Starting now.”

“We were putting up the tree and-- and well, Margo asked me to get an extension cord from your closet so I used a spell that let me reach it, but uhm--I fell and other stuff fell too, including that box and--and I’m so sorry, I know I messed up but--” He retrieved the box and offered it to Eliot. Eliot snatched it away but then paused as he saw the ornament inside. He stared at it and then staggered a few feet to the couch, where he sat down hard. Quentin gave Margo a worried glance.

“El? What’s wrong? Did I screw it up? I wasn’t exactly in control of the spell, Margo said it’s my discipline--fixing small things, I mean. I’m sorry I broke it . . .”

“You didn’t.”

“Uhm--what?”

“You didn’t break it, Q. It was already broken. It has been, for years . . . ever since I was seven years old.”

“El . . . I don’t understand,” Quentin said, sitting down, and Eliot blinked tears from his eyes.

“When I was seven, my Grandma Dottie lived with us. She was my father’s mother, but infinitely more kind. This ornament belonged to her grandmother, then her mother, and then her. She always waited until the tree was nearly finished and then she’d hang it up. That Christmas, she asked me if I’d like to help her hang it. I was real excited because it seemed like such a big deal--you know how it is when you’re a kid and an adult asks you for help. I picked it up and ran to her--and tripped over an empty box.” Eliot sighed. “The ornament hit the corner of her rocking chair and broke.” He closed his eyes a moment. “I’ll never forget the look on her face. I might as well have slammed her heart into the floor. She tried to act like it was all right, mostly so my father wouldn’t punish me. Not that it stopped him.” Eliot took the ornament from the box, his big, elegant hands cradling it. “She died two months later, of a stroke. Died in her sleep. I helped my father make her coffin.” He held the ornament up to the light. “I hid the pieces in my room for years and then took them with me when I left home. I would try to use my telekinesis on them but they would never mend right. Either they would knit and then fall apart or the glass would bulge in all different directions. I put it in my closet, hoping one day I’d learn magic that would help me fix it.” Eliot looked up at Quentin and smiled. “Or that the right kind of magic would come along. I guess it finally did.”

“Do you want to put it on our tree?” Quentin asked with hesitation, and Eliot shook his head.

“No, Q. I want us to.”

“Us?”

“Yes,” Eliot rose and offered Quentin his free hand. The younger magician blushed, hope rising in his heart, as he and Eliot went over to the tree. Quentin fanned out an empty branch and curved it upward to give the ornament more stability while Eliot slipped a hook into the top of the holder. He hung it while Quentin held the branch steady, and Margo cleared her throat. Eliot glanced over and she tipped her eyes toward the ceiling, where a sprig of mistletoe orbited. Eliot followed her gaze and grinned.

“Looks like we’re standing under the mistletoe, Q.”

Quentin glanced up and his heart quickened its pace.

“Looks that way.”

“Well then. Who am I to stand in the way of holiday tradition?” Eliot bent his head down and claimed Quentin’s lips, causing the younger man to give a short gasp. He gripped Eliot’s forearms as he was kissed for nearly half a minute. When Eliot finally pulled away, Quentin kept a grip on his arms so he wouldn’t fall into the tree. Eliot tugged him into a hug and whispered in his ear.

“Merry Christmas, Quentin Coldwater.”

“Merry Christmas, El,” Quentin smiled as he watched the ornament wink in the glow of the Christmas tree’s lights, a minor mending that meant little to the world outside but repaired and illuminated a room of memories in Eliot’s heart.

THE END

#my fic #Queliot #Christmas fic #The Magicians AU

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New Post has been published on https://shovelnews.com/30-movies-worth-watching-in-seattle-this-weekend-nov-15-18-2018/

30 Movies Worth Watching in Seattle This Weekend: Nov 15-18, 2018

Widows is a damn fun thriller from an artsy director.

You’ve got many options for movie thrills this weekend, from Steve McQueen’s spectacularly cast Widows to the creepy/comedic classic Beetlejuice. For artsier fare, don’t miss Frederick Wiseman’s new documentary on small-town America, Monrovia, Indiana. Follow the links below to see complete showtimes, tickets, and trailers for all of our critics’ picks, and, if you’re looking for even more options, check out our film events calendar and complete movie times listings.

Stay in the know! Get all this and more on the free Stranger Things To Do mobile app (available for iOS and Android), or delivered to your inbox.

Beautiful Boy I’ve never been a parent or a junkie (yet!), but I found a lot that resonated in Beautiful Boy, a low-key film based on a pair of interconnected memoirs from father and son David and Nicolas Sheff. David (Steve Carell) chews himself up over son Nic’s (Timothée Chalamet) spiral into meth and heroin addiction, asking what he could have done to prevent it and wondering how he can fix it. Nic, meanwhile, copes with not only his body’s betrayal but with the disappointment he feels, both self-directed and from his patient, confused father. From Beautiful Boy’s perspective, Nic is really only guilty of having a curious mind, while David, a good father in every recognizable way, might have simply waited too long to show his beloved son some tough love. The performances make the whole thing sing. Carell and Chalamet both do expectedly good work, and they’re matched by Amy Ryan as Nic’s mother and Maura Tierney as his stepmother. Beautiful Boy is driven by the real-life horror of watching a loved one succumb to drugs, but it’s a family drama devoid of most of the genre’s manipulative qualities, substituting them with honesty, empathy, and fully drawn human beings. NED LANNAMANN Meridian 16 (Regal) & Oak Tree

Beetlejuice Newly dead Adam and Barbara Maitland aren’t down with the Deets family, who moved into the couple’s home after their unfortunate passing and don’t seem at all phased by the Maitlands’ attempts at scaring them out of it. Enter rotten, pervy Betelgeuse (“Beetlejuice”), who sells himself as a bio-exorcist capable of getting rid of their living pests, though he turns out to be a dangerous nuisance who’s more trouble than he’s worth. Tim Burton’s first film (and my first Tim Burton film, too) is on-point with vibrantly weird visuals, quick-witted comedy, and strong before-they-were-big-stars performances from (goddamn he looks young) Alec Baldwin, Geena Davis (extra dimply, woman-next-door funny), a teenage gothed-out Winona Ryder, and Michael Keaton at his comedic one-liner-throwing best—like, has he ever been this good? It’s bizarre yet delightful and still tons of fun three decades later. Even the dated special effects retain their charm. LEILANI POLK Central Cinema Friday–Sunday

Bohemian Rhapsody I heart Queen. The song this film is named for was on the soundtrack of my youth. But early reactions to the film biopic (that’s more about Freddie Mercury than the British rock band he led) have been mixed to bad. The New York Times’ Kyle Buchanan tweeted that Bohemian Rhapsody “is a glorified Wikipedia entry but Rami Malek plays Freddie Mercury (and wears his wonderful costumes) with incredible gusto.” Our own Chase Burns was not a fan at all. (“The 15-minute long shit I took during the middle of the movie was more nuanced than the straight-washed hagiography peddled in that movie theater.”) In sum, enter at your own risk. LEILANI POLK Various locations

Boy Erased This film features the most prolific twinks of our time: Troye Sivan, Lucas Hedges, and Nicole Kidman. These three gays will dazzle the screen in this year’s most star-studded gay flick—oh wait, Troye Sivan is the only gay among them. Lucas Hedges has said he’s “not totally straight, but also not gay and not necessarily bisexual,” and Nicole Kidman, despite being the world’s most famous twink, is surprisingly a 51-year-old Australian woman. While think pieces on Hedges’s sexuality will probably dominate the conversation around Boy Erased, it looks like a cute holiday movie about gay conversion therapy. Go see it! CHASE BURNS SIFF Cinema Uptown & Meridian 16

Can You Ever Forgive Me? In Can You Ever Forgive Me?, Melissa McCarthy stars as real-life best-selling biographer Lee Israel. But this isn’t a life of literary glitz and glamour that you’re imagining after such a juicy introductory sentence! After falling on hard biographer times, Israel turned to a life of writerly crimes, forging letters from long-dead authors to make just enough cash to pay her rent, take her cat to the vet, and aggressively drink. This all sounds sad, I know, but there’s warmth underneath, thanks to Israel’s friendship with the charming, equally self-destructive Jack Hock (Richard E. Grant). McCarthy, who’s made a career of portraying loud women, is a different kind of jerk here—a real person who lashes out not for laughs, but because life is hard and she knows she’s making bad choices. ELINOR JONES SIFF Cinema Egyptian & AMC Seattle 10

Cinema Italian Style The Cinema Italian Style is a weeklong SIFF mini-festival featuring the best in contemporary Italian cinema. This final day, watch Euphoria, about two very different brothers who come together in difficult circumstances. SIFF Cinema Uptown Thursday only

Dr. Seuss’s The Grinch If you’ve ever wondered how the jammy vocals of Benedict Cumberbatch would sound coming from a neon-green Seussian monstrosity, you have your chance in this visit to Whoville. This time, the Grinch has a doggy sidekick named Max. Angela Lansbury voices the Mayor and Rashida Jones does Donna Lou Who. Various locations

Fantastic Beasts: The Crimes of Grindelwald Twee hunter Newt Scamander returns for more J.K. Rowling-inspired exploits. Of the previous Fantastic Beasts film, critic Bobby Roberts wrote: “It is eager to please and amaze, but undersells its spectacle until that spectacle becomes perfunctory. It milks sentiment drier than the Arizona desert Newt’s trying to get to. It’s a goofy blast of kid-lit in love with Looney Tunes-inspired adventure—except when it’s a sour metaphor for child abuse and intolerance that owes one hell of a debt to Stephen King’s famous prom queen.” The new one has Johnny Depp as the titular dark wizard. Various locations

First Man The space stuff is great. When La La Land director Damien Chazelle’s biopic about Neil Armstrong focuses on NASA’s insanely ambitious and dangerous plan to put a man on the moon, it thrums with thrill and threat—from the astonishing scope of space to the claustrophobic confines of the command module, the best parts of First Man are worth experiencing on the biggest screen possible. Ryan Gosling offers an excellent turn as Armstrong, but even Gosling can’t liven up the story’s more pedestrian elements, which largely involve Armstrong’s relationship with his wife (Claire Foy) and his stoic mourning of his daughter. First Man bears the familiar curse of the biopic—it somehow feels both overlong and unsatisfying—and never quite escapes the shadow of The Right Stuff, Philip Kaufman’s remarkable 1983 film that told a similar story with more grace and smarts. Still: the space stuff is great. ERIK HENRIKSEN Meridian 16 & AMC Pacific Place

Free Solo This highly praised, dizzying documentary reveals the heart-stopping journey of Alex Honnold as he conquered Yosemite’s El Capitan wall without ropes or safety gear. You don’t need to be a climber to be thrilled at this glimpse into human accomplishment. Various locations

Hep Cats Cats in movies have symbolized everything from elegance to curiosity to evil, but sometimes they are simply their wonderful selves. Hep Cats delivers a handful of these ailurophilic flicks, like Harry and Tonto, a charming road movie about a man and his cat forced to leave their Upper West Side apartment. It stars Art Carney, who won an Oscar for the role. JOULE ZELMAN Northwest Film Forum Saturday only

HUMP! Film Festival The 14th Annual HUMP! Film Festival, the world’s biggest and best porn short film festival, premiers in Seattle, Portland, and San Francisco this November! After the opening festival concludes its run, HUMP! will hit the road in 2019 and screen in more than 50 cities across the U.S. and Canada. HUMP! invites filmmakers, animators, songwriters, porn-star wannabes, kinksters, vanilla folks, YOU, and other creative types to make short porn films—five minutes max—for HUMP! The HUMP! Film Festival screens in theaters and nothing is ever released online. HUMP! films can be hardcore, softcore, live action, animated, kinky, vanilla, straight, gay, lez, bi, trans, genderqueer—anything goes at HUMP! (Well, almost anything: No poop, no animals, no minors, no MAGA hats.) DAN SAVAGE On the Boards

Meow Wolf The adorably named Santa Fe artist collective Meow Wolf caught the fancy of George R.R. Martin, who helped them take over a disused bowling alley for an epic art exhibition. But success comes with its own struggles. Enter their world and find delirious, DIY inspiration. Northwest Film Forum Thursday only

Mid90s Mid90s tells the story of 13-year-old Stevie (Sunny Suljic) who, after he’s rejected and bullied by his older brother Ian (Lucas Hedges), finds new role models in a crew of skaters led by the wise and magnanimous Ray (Na-kel Smith). Stevie’s willingness to repeatedly fall on hard concrete as he tries to maneuver a skateboard that looks half his height endears him to his newfound friends. The resultant feelings—and the film’s title—places Mid90s squarely in Hill’s nostalgic memory, where he both dramatizes and idealizes the kids’ adventures. SUZETTE SMITH Various locations

Monrovia, Illinois The amazingly prolific documentarian Frederick Wiseman (Ex Libris, In Jackson Heights, National Gallery, and 40 more films!) explores a tiny American hamlet steeped in old farming traditions and periodic ceremonies, like church services, Town Council meetings, Freemason rituals, weddings, and funerals. Northwest Film Forum Friday–Sunday

Mystery Train Exactly one year ago, I was walking down a street in Memphis, Tennessee, when I had what is known as a Proustian experience (or what literary critics call an “involuntary memory”). But in Proust’s novel Remembrance of Things Past, the involuntary memory sends the narrator, Marcel, to a town he visited as a boy (Combray). My memory, which was triggered by crossing a street, sent me to a film, Jim Jarmusch’s Mystery Train, which is set in Memphis and concerns young Japanese lovers who are obsessed with American popular culture. The couple walks around Memphis a lot. And while I walked around Memphis, I found myself walking, not through my Memphis, but theirs. This movie does not have much of a plot. CHARLES MUDEDE Grand Illusion Thursday only

Narcissister Organ Player The feminist body-shocker Narcissister, who carries out her performance art mostly naked and masked, muses on her Moroccan, Jewish, and African American roots and her intense relationship with her mother in this absurdist, experimental documentary. Northwest Film Forum

Night Heat They proliferated in anxious postwar America and still occasionally return to brood and smolder onscreen: films noirs, born of the chiaroscuro influence of immigrant German directors and the pressure of unique American fears. Once again, the museum will screen nine hard-boiled, moody crime classics like this week’s Night of the Hunter, one of the most unusual and thrilling films ever to come out of Hollywood. The veteran actor Charles Laughton took inspiration from the stylistic extremity of German Expressionism to film this hallucinatory tale of a psychotic preacher pursuing two young children who know he’s murdered their mother. Clear your Thursday night schedule for this one. Seattle Art Museum Thursday only

Night on Earth Five cabbies and five passengers around the globe share funny, weird, and intimate moments in Jim Jarmusch’s quirky classic—a little inconsequential, but charming and beautifully acted. Thanks to Roberto Benigni’s performance, you’ll never look at a pumpkin quite the same way again. Grand Illusion Thursday only

The Old Man and the Gun Based on a true story, the latest from David Lowery (Ain’t Them Bodies Saints) reteams the filmmaker with Robert Redford, who plays Forrest Tucker, the charming, handsome leader of a trio of geriatric bank robbers. Forrest’s partners in crime are Teddy (Danny Glover) and Waller (a fantastic Tom Waits). Like one of Forrest’s disarmingly polite robberies, The Old Man and the Gun starts out pleasant and sweet before revealing hints of darkness—each of these characters is deeper than they first appear, and one’s never quite sure what any of them are going to do next. Lowery is happy to tag along, capturing lives that are polished by time and dented by experience but remain bright and sharp with wit and passion. Watching Redford have this much fun is, as always, a goddamn delight. ERIK HENRIKSEN Admiral Theater

Overlord While carrying out a vital pre-D-Day mission, a ragtag bunch of American Dogfaces stumble across a small French village that’s just packed to the rafters with secret Gestapo experiments. (Note: In what may be a controversial move in this day and age, the Nazis are unequivocally depicted as the Bad Guys.) Genre mashups are often content to rest on their high-concept laurels, but this J.J. Abrams production is very willing to do the grunt work, solidly establishing its war movie bonafides—an early paratrooper sequence is genuinely alarming—before transitioning into full-tilt body horror. (This is an extremely moist movie.) If this sounds even remotely like your sort of thing, Overlord’s combination of heavy artillery and horrid creatures should prove to be pretty irresistible. When it comes to B-Movies, nasty, brutish, and short all count as positive traits. ANDREW WRIGHT Various locations

Ponyo You can pretty much guarantee that anything with Hayao Miyazaki’s name attached to it will be superbly wrought, fantastically animated, and delivered with a fine dose of poignant storytelling. He has left a fine legacy of films in his (no longer retired, for now) wake, including Ponyo, which has its 10-year anniversary this year and is being celebrated in a series of screening events across the country. This anime fantasy is loosely based on The Little Mermaid (Hans Christian Andersen’s version, not Disney’s), about an austere, potentially malevolent warlock/sea king whose young amphibious daughter runs (swims) away from her home. Sosuke, the little boy who scoops her from the waves, believes she’s a goldfish, names her Ponyo, and introduces her to a small slice of his world before her father finds her and brings her back to their underwater kingdom. But Ponyo’s taste of food and friendship fuels her next escape, setting off a chain of events that will change her (and Sosuke) forever. This film gets me choked up every time. LEILANI POLK SIFF Cinema Egyptian Saturday only

Prospect Is this the first major work of Northwest science fiction? Indeed, it imagines a moon that is like the evergreen forests that surround Seattle. The whole planet is green—gothic green. And the light on this strange moon is sharply slanted like Northwest light. The superb film is about prospectors (a father and daughter) looking for a root-made gem that will make them rich. The daughter, however, is keen to get off the planet because the line to it is about to be shut down. But her father is money-mad. If he does not make it here, he will never make it anywhere in the galaxy. Translucent insects float through the air. There are other money-mad prospectors in the endless forest. You do not leave this planet without paying a big price. Money is the root of all evil. CHARLES MUDEDE Meridian 16

Sadie The latest from local filmmaker Megan Griffiths (Lucky Them, Eden) has a perfect Northwest feel. Sadie is 13 and lives with her mother in a dilapidated trailer park. Sadie worships her absent father while being impossible with her harried mother. She is smart and precocious, trying to come to an understanding of how the world works, but the adults around her have their own problems. The film shows the way adults communicate with kids, never talking to them directly, trying to fool the kid and themselves. This leaves young people with half-ass ideas, and they run with them without really understanding the situation, with mixed results. The film has a great cast: The wonderful Melanie Lynskey plays the mom, with Sophia Mitri Schloss as Sadie. GILLIAN ANDERSON SIFF Cinema Uptown Sunday only

Seattle Turkish Film Festival The Turkish American Cultural Association of Washington will present the sixth annual edition of their community-driven, volunteer-led festival featuring a rich panorama of new Turkish films. For the final weekend, check out Something Useful, an intense drama about two women, one of whom has a grim mission, who meet on the train; The Legend of the Ugly King, about the Kurdish actor/director Yilmaz Güney; and Taksim Hold’em, about a man determined to play his weekly poker game despite the massive anti-government protests taking place outside. SIFF Film Center Friday–Saturday

SHRIEK!: Thirst The class focusing on women and minorities in horror is back with a screening and discussion of Park Chan-wook’s Thirst, about a saintly Catholic priest transformed into an insatiable blood-drinker and sex fiend by a risky medical experiment. Here’s an excerpt from the review Lindy West wrote at its release: “Thirst is a horror movie, albeit a silly one. Actual scares are few to none—instead, Sang-hyun’s painfully earnest consternation at trying to live as an ethical monster (losing his priestly virginity, daintily sipping a comatose man’s blood straight from the IV) make it a funny, cartoonish, and strangely sweet fable about ethics versus instincts: ‘Is it a sin for a fox to eat a chicken?’ Unfortunately, Thirst drags on for a punishing gazillion hours—ethical monster shacks up with manipulative harpy and the complications pile up like bodies (because, you know, they literally are bodies)—and you feel like you’ll never see your home or your mom or the precious golden sun again.” It might not be the most positive of reviews, but you’re guaranteed to get a good discussion out of it with organizers Evan J. Peterson and Heather Marie Bartels. Naked City Brewery Sunday only

Suspiria Call Me by Your Name director Luca Guadagnino’s reinterpretation of Argento’s film Suspiria is a precisely choreographed mindfuck, and progressing through the film’s six acts feels like peeling off layers of an onion until you reach the reeking core. It’s swift, brutal, and breathtaking, but it’s also frequently bogged down by overcomplicated subplots and distracting details. The original premise remains the same—ancient ballerina witches trying to live forever by sacrificing students—but this time around, the Markos Dance Academy is located right next to the Berlin Wall in post-World War II Germany, and Susie Bannion (a very meh Dakota Johnson) is a runaway Mennonite from Ohio. Whatever parallels Guadagnino hoped to draw between the traumatic aftermath of the Holocaust and the bloody chaos going on inside the coven ends up feeling more confusing than profound. CIARA DOLAN AMC Pacific Place & SIFF Cinema Uptown

A Star Is Born If you’re entering the theatre simply desiring a couple solid musical numbers, then your $15 will not have been spent in vain. Unfortunately, the movie falls flat as only a two-dimensional vignette of common misogyny can. Ally, the lead character played by Lady Gaga, is a woman who knows she has talent but needs to hear that she is sufficiently pretty to be an appropriate vehicle for said talent. Like any woman vying for a piece of the proverbial pie, she is just one man away from success. One man to lead her, to mold her, to push her through to the finish line. This man-shaped void is filled by her father, her husband, her manager, her producer, her choreographer, and her photographer, all of whom take credit or receive credit from other men for her creative output and appearance. A Star Is Born is a classic tale, meant to be mutable, fluid, to adapt within each age it is reimagined. But the flaws of the inherent narrative are too real, too every-day damaging to continue being told in the form of a cinematic fantasy. KIM SELLING Various locations

Voyeur Presents ‘The Prowler’ The November edition of VOYEUR brings “one of the bleakest noirs ever made,” Joseph Losey’s The Prowler, about a man who’s determined to get what he feels society owes him—an unhappily married woman played by Evelyn Keyes. Scarecrow Sunday only

Widows Arriving a week before Thanksgiving, Widows is an overflowing plateful of entertainment, piled high with juicy plot, buttery performances, and plenty of sweet genre pie. It’s a mash-up of pulp and prestige that shouldn’t work well on paper but plays out tremendously well on-screen. Director Steve McQueen (12 Years a Slave, Shame) cowrote the twisty script with novelist Gillian Flynn (Gone Girl, Sharp Objects), and while the interconnected webs of Chicago’s crime underworld and its racially charged local politics contain more than enough intrigue, the performances are what’ll grab you. I mean, just look at this cast: Harry (Liam Neeson) leads a crew of career criminals (including Jon Bernthal and Manuel Garcia-Rulfo) in a heist that goes disastrously wrong, leaving their widows Veronica (Viola Davis), Linda (Michelle Rodriguez), and Alice (Elizabeth Debicki) with a serious problem when crime boss Jamal Manning (Brian Tyree Henry) and his enforcer brother Jatemme (Daniel Kaluuya) demand they return the stolen money. The real fun is watching McQueen, Flynn, and this ridiculously large talent pool of actors lay the groundwork for a slick, rich, tantalizing thriller, and then connecting all the dots. NED LANNAMANN Various locations

Also Playing: Our critics don’t recommend these movies, but you might like to know about them anyway.

The Girl in the Spider’s Web

Instant Family

Nobody’s Fool

The Nutcracker and the Four Realms

Venom

Stay in the know! Get all this and more on the free Stranger Things To Do mobile app (available for iOS and Android), or delivered to your inbox.

Source: https://www.thestranger.com/things-to-do/2018/11/15/35633515/30-movies-worth-watching-in-seattle-this-weekend-nov-15-18-2018

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June brings a slew of new TV shows and films to stream on a number of different platforms.

“Orange Is the New Black” returns to Netflix for its fifth season, while Amazon is debuting several original projects of its own.

Hulu subscribers can stream favorites including “Legally Blonde” and “Ace Ventura: Pet Detective,” as well as the season premiere of “The Carmichael Show,” which is also available on iTunes.

For the complete lists from all four services, see below.

Netflix

June 1

“1 Night”

“13 Going on 30”

“Amor.com (Love.com)”

“Arrow” Season 5

“Burlesque”

“Catfight”

“Catwoman”

“Chingo Bling: They Can’t Deport Us All”

“Days of Grace”

“Devil’s Bride”

“Full Metal Jacket”

“How the Grinch Stole Christmas“

“Intersection”: Season 2

“Kardashian: The Man Who Saved OJ Simpson”

“Little Boxes”

“Mutant Busters”: Season 2

“My Left Foot”

“Off Camera with Sam Jones”: Series 3

“Playing It Cool”

“Rounders”

“Spring” (“Primavera”)

“The 100”: Season 4

“The Ant Bully”

“The Bucket List”

“The Queen”

“The Sixth Sense”

“Vice”

“West Coast Customs”: Season 3

“Yarn”

“Young Frankenstein”

“Zodiac”

June 2

“Comedy Bang! Bang!”: Season 5, Part 2

“Flaked”: Season 2 – NETFLIX ORIGINAL

“Inspector Gadget”: Season 3 – NETFLIX ORIGINAL

“Los Últimos de Filipinas”

“Lucid Dream” – NETFLIX ORIGINAL FILM

“Saving Banksy“

“The Homecoming: Collection”

June 3

“Acapulco La vida va“

“Blue Gold: American Jeans”

“Headshot”

“Three”

“Tunnel”

“War on Everyone”

June 4

“TURN: Washington’s Spies”: Season 3

June 5

June 7

June 9

“My Only Love Song”: Season 1 – NETFLIX ORIGINAL

“Orange Is the New Black”: Season 5 – NETFLIX ORIGINAL

“Shimmer Lake” – NETFLIX ORIGINAL FILM

June 10

“Black Snow” (“Nieve Negra”)

“Daughters of the Dust”

“Havenhurst”

“Sword Master”

June 13

“Oh, Hello On Broadway” – NETFLIX ORIGINAL

June 14

June 15

“Marco Luque: Tamo Junto” – NETFLIX ORIGINAL

“Marvel’s Agents of S.H.I.E.L.D.”: Season 4

“Mr. Gaga: A True Story of Love and Dance”

June 16

“Aquarius”: Season 2

“Counterpunch” – NETFLIX ORIGINAL

“El Chapo”: Season 1

“The Ranch”: Part 3 – NETFLIX ORIGINAL

“World of Winx”: Season 2 – NETFLIX ORIGINAL

June 17

“Grey’s Anatomy”: Season 13

“Scandal”: Season 6

“The Stanford Prison Experiment”

June 18

June 20

“Amar Akbar & Tony”

“Moana”

“Rory Scovel Tries Stand-Up For The First Time” – NETFLIX ORIGINAL

June 21

“Baby Daddy”: Season 6

“Young & Hungry”: Season 5

June 23

“American Anarchist”

“Free Rein”: Season 1 – NETFLIX ORIGINAL

“GLOW”: Season 1 – NETFLIX ORIGINAL

“Nobody Speak: Trials of the Free Press” – NETFLIX ORIGINAL

“You Get Me” – NETFLIX ORIGINAL FILM

June 26

June 27

“Chris D’Elia: Man on Fire” – NETFLIX ORIGINAL

June 28

“Okja” – NETFLIX ORIGINAL FILM

June 30

“Chef & My Fridge: Collection” (2014)

“Gypsy”: Season 1 – NETFLIX ORIGINAL

“It’s Only the End of the World”

“Little Witch Academia”: Season 1—NETFLIX ORIGINAL

“The Weekend”

Hulu

June 1

“The Carmichael Show”: Season 3 Premiere

“2 Days in the Valley”

“Ace Ventura: Pet Detective”

“Ace Ventura: When Nature Calls”

“Aeon Flux”

“All Over the Guy”

“Apocalypse Now”

“Apocalypse Now Redux”

“Barnyard”

“Black Rain”

“Blow Out”

“Blue Velvet”

“Bolero”

“Boogeyman”

“Boogeyman 2”

“Boogeyman 3”

“Bullwhip”

“Burnt Offerings”

“Chaos”

“Charlotte’s Web”

“Con Air”

“Dances with Wolves“

“The Deep End of the Ocean”

“De-Lovely”

“Desperado”

“Desperate Hours”

“Double Team”

“Dragon Eyes”

“Drunken Arts and Crippled Fist”

“Drunken Monkey, Floating Snake”

“El Gringo”

“The Fatal Flying Guillotine”

“Fighting of Shaolin Monks”

“Fire in the Sky”

“Fled”

“The Freshman”

“Free Willy”

“Gangs of New York”

“Ghost Rider”

“The Glass House”

“Hammett”

“The Hanoi Hilton”

“Harriet the Spy”

“Heartbreakers”

“Henry & Me”

“The Ides of March”

“Ingenious”

“The Invincible Armour”

“In the Line of Fire”

“Invincible Obsessed Fighter”

“It Could Happen to You”

“Joe Dirt”

“Kangaroo Jack”

“Last Action Hero”

“Legally Blonde”

“Legally Blonde 2: Red, White and Blonde”

“Legends of the Fall”

“Little Man Tate”

“Lost in America”

“Madeline”

“The Mechanic”

“The Medallion”

“Mo’ Money”

“Money Train”

“Moscow on the Hudson”

“Mr. Mom”

“Muppet Treasure Island”

“Muppets from Space”

“The Muppets Take Manhattan”

“Of Cooks and Kung Fu”

“On the Waterfront”

“The Out-of-Towners”

“Over the Top”

“Peggy Sue Got Married”

“The Philly Kid”

“The Prince of Tides”

“The Queen of Versailles”

“Random Hearts”

“Regarding Henry”

“See No Evil, Hear No Evil”

“Seven Years in Tibet”

“Shivers”

“Silverado”

“Starman”

“Stash House”

“Strategic Air Command”

“Stray Bullets”

“Tracker”

“Transit”

“Underworld”

“Underworld Evolution”

“World’s Greatest Dad”

“World Trade Center”

“XXX: State of the Union”

“Zoom”

June 2

“Black-ish”: Complete Season 3

June 3

“Dumb: The Story of Big Brother Magazine” (Hulu Documentary)

June 4

June 5

“Arbitrage”

“A Case of You”

“North”

June 6

“Rizzoli & Isles”: Complete Season 7

“Tyrant”: Complete Season 3

June 7

June 8

“What Happened Last Night”

June 9

“Girl Most Likely”

“Free the Nipple”

June 11

June 13

“American Ninja Warrior”: Season 9 Premiere

“Spartan: Ultimate Team Challenge”: Season 2 Premiere

June 14

“Cocaine Cowboys”

“Control Room”

June 15

“Bayou Maharajah”

“Family Mission: The TJ Labraico Story”

“The Girls in the Band”

“The Hunting of the President”

“Outatime”

June 16

“Cardinal”: Complete Season 1

“The Strain”: Complete Season 3

“Asmodexia

June 17

“Kundo”

“Star Trek: Beyond”

June 18

June 22

“Little Big Shots: Forever Young”: Series Premiere

June 23

“Hollywood Game Night”: Season 5 Premiere

“Manny”

“Song One”

“Tarzan”

June 26

June 29

“Ong Bak”

“Ong Bak 2”

“Ong Bak 3”

June 30

Amazon

Available on Prime

June 1

“2 Days in the Valley”

“Aeon Flux”

“All Over the Guy”

“Apocalypse Now”

“Apocalypse Now Redux”

“Black Rain”

“Blow Out”

“Blue Velvet”

“Bolero”

“Bowling for Columbine”

“Bruce Lee Superstar”

“Bullwhip”

“Burnt Offerings”

“Chaos”

“Chinese Hercules”

“City of Gods” (“Ciudad de Deus”)

“Commando 2: The Black Money Trail”

“De-Lovely”

“Desperate Hours”

“Dragon Eyes”

“Drunken Arts and Crippled Fist”

“Drunken Monkey, Floating Snake”

“El Gringo”

“The Fatal Flying Guillotine”

“Fighting of Shaolin Monks”

“Fire in the Sky”

“Fled”

“Gone Baby Gone”

“Hammett”

“The Hanoi Hilton”

“Heartbreakers”

“Ingenious”

“The Invincible Armour”

“Invincible Obsessed Fighter”

“Lady of Burlesque”

“The Lady Says No”

“Lady Windermere’s Fan”

“Little Man Tate”

“Madame Behave”

“Magnolia”

“The Mandarin Mystery”

“Marihuana”

“The Mechanic”

“The Medicine Man”

“The Memphis Belle”

“Merry-Go-Round”

“Million Dollar Kid”

“Mind Over Murder”

“Miss Polly”

“Mission to Glory”

“The Monster Walks”

“The Most Dangerous Game”

“Mr. Mom”

“Mrs. Scooter”

“Murder at Midnight”

“Murder with Music”

“Night at the Follies”

“Nomads of the North”

“The Old Corral”

“One Exciting Night”

“One from the Heart”

“The Out-of-Towners”

“Outlaws of Sonora”

“Over the Top”

“Palooka”

“The Patchwork Girl of Oz”

“Payoff in the Pacific”

“The Philly Kid”

“Pinto Rustlers”

“The President’s Mystery”

“Prison Break”

“Private Buckaroo”

“The Queen”

“The Racketeer”

“Reaching for the Moon”

“The Red Rope”

“Regarding Henry”

“Revolt of the Zombies”

“Rex the Devil Horse”

“Riders of Destiny”

“Riders of the Whistling Pines”

“The Road to Hollywood”

“Roarin Lead”

“Robin Hood of the Pecos”

“Romola”

“Rough Book”

“Royal Bed, The”

“Saddle Mountain Roundup”

“The Savage Wild”

“The Scarlet Letter”

“Shadows”

“Shaolin Drunk Fighter”

“Shaolin vs. Lama”

“Shivers”

“Silver Blaze”

“Silver Horde”

“Six Gun Trail”

“Slightly Honorable”

“St. Benny the Dip”

“Stash House”

“The Strange Woman”

“Strategic Air Command”

“Submarine Warfare”

“Svengali”

“Swing High, Swing Low”

“Target for Tonight”

“Tarzan and the Green Goddess”

“Tarzan of the Apes”

“The Salesman” – AMAZON ORIGINAL

“The Tank”

“The Thief of Bagdad”

“Those We Love”

“Tomake Chai”

“Tormented”

“Tracker”

“Transit”

“True Heart Susie”

“Tumbleweeds”

“Wanderers of the West”

“War Comes to America”

“Way of the West”

“West of Nevada”

“White Orchid”

“Winterset”

“Within Our Gates”

“The Woman in Green”

“The Woman of the Town”

“World Trade Center”

“Yellowstone”

“Zis Boom Bah”

June 2

“Noor

“So Far

“The Closing of Winterland

“The Grateful Dead Movie

“Truckin’ Up to Buffalo”

June 4

June 5

“20th Century Women”

“Arbitrage”

“Ocean’s Eleven”

“Ocean’s Twelve”

June 7

“Aftershock”

“Brand New Testament”

June 8

“Art of the Steal”

“I Am Not Your Negro”

“Daniel Tiger’s Neighborhood: Tiger Family Trip”

June 9

“Girl Most Likely”

“An American Girl Story: Summer Camp, Friends for Life” – AMAZON ORIGINAL

“Le Mans: Racing Is Everything”: Season 1 – AMAZON ORIGINAL

June 11

June 12

June 17

June 22

“Paterson” – AMAZON ORIGINAL

June 29

“David Lynch: The Art Life”

“Arthur: D.W. & the Beastly Birthday”

June 30

“All or Nothing”: Season 2

“Danger & Eggs”: Season 1 – AMAZON ORIGINAL

Streaming on Amazon Video

June 4

“I’m Dying Up Here”: Season 1

June 6

“Beauty and the Beast”

“CHIPS”

June 17

“Turn: Washington’s Spies”

June 18

“American Gods”: Season Finale

June 23

June 25

iTunes

June 1

“The Carmichael Show” (Free Season Premiere)

“The F Word with Gordon Ramsay” (Free Series Premiere)

“MasterChef”: Season 8

“Big Star Little Star”

June 2

“Life”

“Vincent N Roxxy” (in theaters now)

June 5

“Fear the Walking Dead”: Season 3

June 6

“Beauty and the Beast”

“Tickling Giants” (iTunes exclusive)

“CHiPs”

“Land of Mine”

“Stitchers”: Season 3

June 9

“Queen of the South”: Season 2

“King of the Road”: Season 2 (Free Season Premiere)

June 10

“Wynonna Earp”: Season 2

“Dark Matter”: Season 3

June 11

“Orphan Black”: Season 5

“Idiotsitter”: Season 2

June 12

“Claws”

“American Grit”: Season 2

June 13

“Power Rangers”

“Trainspotting 2”

“Belko Experiment”

“John Wick 2”

“Three Generations”

“Superhuman”

June 16

“Wilson”

“Once Upon A Time In Venice” (same day as theaters)

June 17

“The Great British Baking Show”: Season 4

June 18

“TURN: Washington’s Spies”: Season 4

June 19

“Kevin Hart Presents: The Next Level”

“Granchester”: Season 3

June 20

“Smurfs: The Lost Village”

“Kong: Skull Island”

“The Zookeeper’s Wife”

“Table 19”

“Resident Evil: Vendetta”

June 21

“Wrecked”: Season 2

“Queen Sugar”: Season 2

“The Bold Type”(Free Series Premiere)

June 22

June 23

“The Bad Batch” (same day as theaters)

“The Night Shift”: Season 4

“The Mist”

June 24

“Playing House”: Season 3 (Complete Season)

“The Bureau”: Season 3

June 26

June 27

“The Fate of the Furious”

“Personal Shopper”

“Last Men In Aleppo” (iTunes exclusive)

June 29

“Younger”: Season 4

“Cleverman”: Season 2

“Big Brother”

June 30

“Their Finest”

“Inconceivable”

“Who Killed Tupac?”

31 May 2017 | 9:18 pm

Source : ABC News

>>>Click Here To View Original Press Release>>>

(adsbygoogle = window.adsbygoogle || []).push({}); June 01, 2017 at 03:48AM

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