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#funniest character evolution I swear
missabnormal · 2 years
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Despite being one of the most popular Gotham Rogue, it’s so hilarious to me that Riddler is one of the most inconsistent written villains out there. Today he’s a domestic terrorist, but two months later he’s an insecure silly riddle man, and then four months later he’s Joker but with riddles, and then a year later he’s an trashy influencer, and between all of that he’s either a relatively polite man or a perverted creep that is a bit too close to being the writer’s self-insert. Does he have black, brown or red hair? Does he have tattoos and/or scars partly or all over his body? Is he being possessed by a demon or is he just like that? Who knows! Literally no character has been such a true embodiment, in and out of comics, of their gimmick. 
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Hi! I love everything that you write and heh I am a fan! 😄 tbh this is my first time requesting something on Tumblr! If you don't mind and if I am not being a bother...can you write about how the guys would react If MC suddenly starts making meme references? I don't know how I got the idea but I am REALLY curious. And love you! :D
Hiya! Tyvm for the kind words, and apologies that this took a while! I hope you have the chance to enjoy it regardless ❤️❤️❤️ Love you too, sweet pea! I promise to get to the next request you’ve sent ASAP~
Aight but this would be hilarious because the range of the reactions is just ungodly. I will be putting this under a cut after Napoleon so I don’t clog up everyone’s dash, but all the suitors are included below otherwise! 
Comte is the one that recognizes a few, but didn’t really stay in modern times long enough to be as well-versed as a Gen Z kid might. Regardless he finds the wittiness and absolute chaotic fuckery to be delightful, and will 100% support the harmless nonsense. It never fails to get a laugh out of him
Mozart that first day be like: “Buzz off MC I hate you” MC, because she likes swinging bats at wasps’ nests: “Well that’s not very cash money of you” Mozart: ?????????? Comte, giggling in the bg like the secret fae he is This one’s just because I’m petty, but after the events of Comte rt I just imagine them encountering Vlad again and MC’s just “I lived bitch.” while Comte is flipping him off behind her lkjahgkjhdsg
Comte @ Leo when he finds the latter under his desk: Had it not been for the laws of this land, I would have slaughtered you.  MC: wheezing from the hallway as she’s about to give him his letters
MC: So how was your day, honey? Comte: Good, good--briefly had to go beastmode upon the punk that pilfered my lint roller MC, biting her lip to keep from laughing: So does Leo still have his kneecaps? Comte: for now.
Comte, @ literally anyone upsetting the MC: I won’t hesitate, bitch
Comte: Be careful with my emotional baggage, it’s designer
MC: What if I was evil and ran towards you at very fast speeds Comte: My arms are strong, I would catch and hug you
Leo and Dazai are the ones that don’t have a single reference point but are filled with so much dumbass chaos energy that they just. Understand immediately???? Nobody knows how or why, but they just catch on so fast--adapt the language in a matter of weeks. Never underestimate the power of combined boredom, depression, and humor
I swear to god I just see MC taking them their Blanc/Rouge and being like “here you go sir, one enslaved moisture” and they just go fucking hog wild from day one. MC starts impersonating Theo when he leaves the room around Dazai, like fake deep voice “you all only hate me because you do not like me and I am mean to you. grow up.” Or like the MC meets a baby on her travels with Leo around town and she holds them and says v seriously and sagely “So you are Baby? I have heard tales of your exploits.” and Leo about loses his shit right there. They both think MC is the funniest person alive--they’ve never been more eager to throw a ring at someone in their entire life.
Also a bonus for my beloved Dazai:  MC, facing even the slightest inconvenience (like dropping her fork) in the most dramtic voice possible: Life is not daijoubu. Dazai: wheezing
MC, after watching Theo turn down a woman at the bar in the meanest way possible: bro quit letting the darkness consume you u r scaring the hoes Dazai, literally rolling around on the ground, half-drunk and dying:
MC, walking alongside Dazai and stopping to stare at her reflection in the River Seine. Dazai’s expecting some sad or twisted shit, since people often feel comfortable talking about those things around him, but instead she just: “Oh, it’s you. The source of all my problems.” And he about falls into the river from shock HAHAHA
At this point don’t be surprised if his next book is about an absolute madlad woman similar to MC
Napoleon finds it to be a delightful quirk more than anything? He doesn’t really understand it, but he finds it funny when they change their voice for effect or speak in exaggerated tones. If it’s just comprehensible enough for an outsider to understand--or Sebas gives him context--chances are it’ll send him into a laughing fit
For this one I just imagine MC singing that Ratatouille meme song obnoxiously bad while cooking, and Napoleon and Comte are just so wildly amused by it bc it makes zero sense and it’s only vaguely French at this point
MC @ Napoleon while they’re cooking brunch: Can I offer you a nice egg in these trying times?
MC, conflicted because she’s tired and wanted to sleep in but also got to see Napo’s cute sleeping face for a few hours: For my next stunt, I’ll wake up at 5AM on the day I can sleep in. Sebas: Early to bed and early to rise makes a person healthy, wealthy, and wise MC: early to bed and early to rise makes me a massive bitch Napoleon: laughing in agreement
Isaac is the type to be bewildered and concerned at first (especially when he hears the more nihilistic ones hoOOOoooOO BOY) but eventually begins to understand it’s some bizarre attempt at humor (that hurts Zack baby). While some part of him laments that it reminds him of Dazai and he’s secretly jealous of how she and Dazai bond over it, he will sometimes join in the chaos when the mood strikes him and he’s feeling mischievous
Isaac: How are you feeling? MC: Oh, I’m not Isaac: seconds from dialing 911 Isaac: Are you okay? MC: Oh yeah dw I just suffer from that syndrome where your neutral expression makes you look like you’re an angry serial killer Isaac: say sike rn
Isaac, tutoring MC and correcting something:  MC, muttering while redoing it: The risk I took was calculated, but man am I bad at math. Isaac: unable to help a laugh
One time MC was avoiding Isaac for fear of hurting his feelings and he just confronts her like: Isaac: back by unpopular demand, me! What’s wrong, MC pls MC was so hecking proud of him
Isaac, telling MC about a recent discovery he learned at uni from another professor: bones typically heal stronger after they’ve been broken--so long as they’re set properly, of course MC, looking him dead in the eyes: So what you’re saying is that I should break every bone in my body until I become superhumanly powerful? Isaac: please do not, no
Mozart and Jeanne are just. Totally lost. Why are you talking like that??? Why are you making “crab hands”???? They don’t understand. Maybe never will. They reach a point where they just kind of laugh and shake their heads, endeared by the oddity after they’re used to it and have determined it isn’t a threat/insult. 
MC: It’s a cold and it’s a brooooken, Waluigi. Waaaaluigiiiii...waaaahluigi..... Mozart: surprised, then starts snickering and playing along on the piano
Arthur, asking MC very personal questions out loud because he is an idiot sometimes: Soooo MC, are you a top or a bottom? MC: I’m a threat. (If he asks a second time, the response will be “Wouldn’t you like to know, weatherboy.”) Jeanne, fighting a smile:
MC, about to punch an asshole: Your free trial of being alive has ended Jeanne, seconds from laughing for the first time in 100 years:
Also, because I genuinely can’t help myself. You know that knight meme like “Parry this you fucking casual.” I cannot stress enough that it is literally the personification of Jeanne’s entire character. I’m not even joking.
Arthur and Shakespeare are utterly fascinated by the rapid evolution of wordplay and the sheer hilarity. They will ask all about these so-called “memes” and ask for examples of them if MC can show them (either somehow accessing her phone or drawing them). MC draws Arthur the knife cat meme and he about a s c e n d s at the hilarity of it all, points and yells THEO IS HOLDING THE KNIFE. He is correct. They will be delighted and follow along eagerly, and--god forbid--will make their own based on late 19th century struggles.
Is this where Shakespeare got the idea for “What, you egg? stabs him” and “You are a saucy boy.”? I’m too scared to ask. Don’t even get me started on “The Fool jingled miserably across the floor.” That one is just too on the nose...
I can’t even imagine what would happen to Shakespeare if MC like translated vines and memes into Ye Olde English around him. Imagine she’s at one of those noble balls and hears rumors of these two guys living together and they’re so obviously gay and he says “And those gents w’re roommates.” And in the most false surprised tone ever MC just replies “oh mine own god, those gents w’re roommates.” Imagine having a wife that’s just as hilarious as you are and hits you with all the force of a bag of wet mice every time you speak in retaliation, he’s going into palpitations.
Every time Arthur does smth stupid MC just: “I Pretend I Do Not See It.”
Vincent is tickled pink by MC’s penchant for finding joy and/or amusement in nearly everything they do, and he smiles gently when he sees them muttering and laughing to themselves. He wants to be able to join them in what they love, but he has a harder time following along and understanding the darker humor sometimes. Mostly gets confused??? Please give him the easier ones to mimic and laugh when he tries--or just include him in your jokes MC. He’s babie your honor...
But he also. Will not. Stand any kind of self-deprecation or borderline verbal self-harm. He’s usually very easygoing and calm, but for whatever reason that stuff makes him go deathly quiet and upset.
MC, after something goes horribly wrong, hugging Vincent: Oh Vince, we really in it now Vincent: giggling a little despite his worries, relaxing
MC: Theo stop simping for Vincent that’s my job
MC, when Theo leaves the room and she gets Vincent all to herself: The evil is defeated.
MC: And this is where I would put my will to live...if I h a d one! Vincent: ;-; MC: oh shit, oh fuck, I was only kidding Vincent wait (MC was subsequently lectured and loved on for many hours)
Theo is conflicted because on the one hand, he loves to see you smiling and having fun. On the other, you’re clowning as hard as Dazai and Arthur and he can only handle so many monkeys in his circus. Most of the time he will roll his eyes and be the straight man of this comedy, but you might find him cracking a smile--or accidentally letting a chuckle slip past his lips now and again.
MC, after meeting Theo: I’m a nice person, but I’m about to start throwing rocks at people.
Theo, those first days: Oh? You’re approaching me? Instead of running away, you’re coming right to me? MC: I can’t beat the shit out of you without getting closer.
Theo: Every time I ask MC to explain “vibe check” to me she hits me with some kind of improvised weapon
MC, after the “incident” (you know the one): This year, I lost my dear lover Theo Theo, in the distance: QUIT TELLING EVERYONE I’M DEAD! MC: ;-; sometimes I can still hear his voice...
Sebastian is last because oh boy. OH BOYYYYY I LOVE HIM. Okay so the way I see this happening with Sebastian is just. So wild. Because at first he’s t r y i n g so hard to be the proper butler man. He does not meme. But then he starts to drift closer to what Niles from The Nanny was, where he’ll quip and joke in private or when the situation is just beyond the amount of absurdity he can handle without making a snarky comment. Everyone in the house can’t fathom how Sebas and MC got so close so fast, but there are points where they’re just “Are they even speaking English anymore???” It’s 11 times funnier than normal because Sebas almost never smiles or laughs when memeing, the deadpan quality of his playing along sends MC every time
Has ABSOLUTELY said “HEY. PANINI HEAD. ARE YOU EVEN LISTENING TO ME???” jokingly when MC made a mistake in the kitchen. They laugh about it for y e a r s
MC: I can’t date someone who keeps a lamb as a pet, that’s so weird Sebas, brushing Lotte in front of MC: MC: MC: Okay, I will make an exception because she looks very polite
MC and Sebas, fully aware of the fame some of the men will reach in modern times: We will watch your career with great interest.  (I s2g that’s like half of Sebas’ rt right there I’m crying)
Sebas rt with Lotte be like that 500 dollar Mareep meme: “sometimes a family can be just a boy, his gf, and their 500 dollar two foot tall Lotte”
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togetherinspirit7 · 6 years
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[FAN ACCOUNT] 171230 INFINITE Begin Again - Day 2
Hi all! Before I start with the second day things, I wanted to add some first day things that I forgot when I posted. So, I forgot to mention how cute the opening vcr is. It is so cute! It’s like the mature version of the end of ‘White Confession’ where they all bring presents. Then it ends with them outside with sparklers and it’s just so pretty~ Besides that I also forgot to mention that the stage this time around is a lot higher than ‘That Summer 3′ which makes viewing so much better. I remember I was in a similar spot for TS3 and could only see from their knees up, but I could pretty much see everything this time around! Also, I forgot to mention that they were telling us not to push each other cause it hurts them to see us get hurt. And Dongwoo was like, ‘You wouldn’t want to see us pushing and hurting each other, right?’ and he pushed Woohyun a bit and Woohyun almost fell out of his chair for real lol. It was cute but I swear I saw the flash of fright in Woohyun’s eyes lol. Also, as the boys were doing their intros, Dongwoo stopped crying and was back to his energetic self, which Gyu later teased him for by saying, ‘He was just crying a few minutes ago!!’ lol. Dongwoo was very energetic all night, the boys had to calm him down a few times lol. He kept dancing while they were talking and they were like ‘Whoa whoa’ lol. I also forgot that while talking about Sungjong’s solo songs they mentioned ‘Good Morning’ and tried to get Sungjong to sing it but he was like, ‘Uhhh’ so they tried to get Inspirit to sing but it was super quiet so everyone was laughing. Speaking of solos, did I mention Dongwoo’s pelvic thrusting??? Or Woohyun copying him? Well yeah, that. And it was amazing. Oh and I remember a bit of what they were talking about during the Instagram section. The question was about what they do after they wake up. Myungsoo checks to see if his eyelids are doubled or not lol. Namu said he needs to put on makeup and that’s what prompted Sunggyu to tease him about getting ready and the difference between Myungsoo and Woohyun lol. Tbh, it seemed like the first day was a bit like a rehearsal. They changed a lot for the second day. Keep reading for more second day shenanigans!
So I had a much better experience for the second day, although the meet itself was an hour shorter than the previous day. I did see a lot more intentional, rude pushing by fan in front of me, but luckily my area was quite tame. So the biggest take away from day 2 was the fact that they changed quite a lot of stuff. The boys had their hair done, some minor costume changes, chair changes, confetti changes, bg changes, and most importantly... they completely cut out 1 whole hour of talking time. It was most likely because 3.5 hours is quite long in itself but also because Myungsoo had the MBC Drama Awards to attend at 9pm (the meet ended around 8:30). So they didn’t do the dice talk AT ALL! They also did only about half the questions in the Golden Bell section too. They also got rid of the Inspirit Chance, I guess since it didn’t help them anyway lol. Oh and I’m not sure if it wasn’t working yesterday or I didn’t notice or people just weren’t wearing them, but the LED bands lit up automatically and even vibrated at certain parts of the show. Kind of like what the SM artist bands/lightsticks do. Another cute thing the boys (mostly Woohyun) did was instead of saying 2018 in the normal Sino-Korean numbers, they used the Pure Korean way of saying it instead because 18 sounds like the f-bomb a bit if pronounced incorrectly. (There are 2 counting systems, one using pure Korean and the other based off of Chinese characters).
Anyway, these next few things might be out of order, but I’ll try to organize it as best as I can! I think it was some time at the beginning, Woohyun started doing this dance and the members all freaked out cause Woohyun was giving out spoilers. Dongwoo had to hold him back lol. And judging by the members’ faces, it was a real spoiler lol. Since they skipped the dice part, the beg of the meet went by really quick. 
Before the solos, they were teasing Sungjong for having the highest fees for his stage. They said since he has all these props and a hat and stuff, his fee was highest. They also tried to get us to sing ‘Good Morning’ again but... crickets. Sorry Sungjong! But it’s hard to know a song that was never officially released! Also, there was another mistake at the beg of Myungsoo’s solo. He sat down and looked offstage and was pointing to his mic. Apparently they forgot to turn it on. Then I guess they told him they turned it on so he made like an okay sign and tested the mic, all while the bgm was still going. Hopefully, his stage will go smoothly today. Woohyun said someone gifted the song to him, but I can’t remember the name he said. Dongwoo also said he helped take part in making his song with someone, but once again, I’m not too sure who. Sunggyu said that Nell’s Jonghwan wrote the song for him, but he wrote all the lyrics, and he made it clear that he does not want to name the song ‘Laser’ lol. He was just like, hard no lol. Sungyeol said that he wore a different jacket (it was a big blue furry one similar to Dongwoo’s red one) today because he saw Dongwoo’s jacket from yesterday and told the stylists he wants that one lol. So cute. They made a joke about how they look like the Korean flag and that it works out cause Dongwoo is red and red is on top and since he’s the hyung, he’s on top lol. Yeol also revealed that he was curious about who’s stage was actually the most expensive so he asked and it was actually Yeol’s lol. He said he didn’t realize the fireworks were that expensive and that his new jacket added onto the total lol.
The instagram section was next and this time they only answered one question. It was if they had daughters, who would be the most loving to their daughter. Sungjong said that you’d think it would be Woohyun but.. and after hearing that Woohyun got all mad lol. But Sungjong said he think it’d be Sungyeol. Sungyeol agreed and said he wouldn’t even let her wear a skirt and everyone was like NOOO. Sunggyu said it definitely wouldn’t be him and that he hasn’t even thought about having kids. Dongwoo said he would want sons and daughters and that he wants 5 kids who all have different interests. Woohyun told him good luck on finding a wife lol. Sunggyu said he thinks Myungsoo would be really good to his daughter. Soo agreed and said that he would totally treat his son differently than his daughter. He’d be really worried with a daughter but really tough on the son lol. Yeol joked that Myungsoo would hate to have a son like Yeol. Someone (maybe Myungsoo) said that Sungjong would be good to a daughter and Sungjong agreed kinda blatantly as he does lol.
Like I said before, the quiz section was cut super short. They did the ‘Korean’ class, like last time and the first answer was ‘Second Invasion Evolution Plus’ and everyone was like wtf! But the thing is they didn’t give it with any spaces inbetween the words so Sungyeol was complaining lol. The second answer was ‘Be Back’ and it was hilarious cause Dongwoo wrote all kinds of things that started with ‘BB’ and Woohyun wrote ‘Babo for inspirits’ and Sunggyu wrote ‘Big Bang’ LOL. Everyone was like wth! The ‘Science’ section was a pic of Dongwoo’s ear, which everyone got wrong. Sungjong really thought it was his and Dongwoo was surprised it was his. He said he has more earrings than in the picture and was almost in denial that it was him lol. The next pic was an outfit pic of Sungyeol. The ‘Music’ section was Infinite F’s ‘I’m Going Crazy’. Gyu and Jong tried to cheat a lot by asking Inspirit. Namu was cute and kissing the dolls and having the dolls kiss each other and kiss him and Yeol was staring at him with this judging look lol. So Dongwoo lost again lol cause he got 0 points. But he said it’s boring to punish him cause he lost yesterday so he convinced everyone, very easily, to punish the second place loser, Sunggyu. So he spun the wheel and got ‘Fashion King’ like everyone wanted. He went off stage to change and the boys stole a few more dolls to throw into the crowd. Sungyeol came back on stage after getting more dolls and said that Sunggyu’s costume was hilarious and to try to film it secretly lol. Then Woohyun said to film freely since it was okay in this section. So as you prob know by now, Gyu comes out wearing a Mario costume and he had to perform ‘Entrust’ and ‘Cover Girl’ like that. Also, Sungyeol tried to get his dolls to the 2nd floor again but to no avail.
During the next ment, Gyu tried to sneak off stage to change but Dongwoo dragged him back and made him dance ‘The Eye’ in the costume lol. He said he doesn’t mind but didn’t wanna wear the mustache cause it was hard to breathe, so Woohyun told him not to breathe lol. Gyu had previously tossed the hat out to a fan but the members wanted him to wear it so they asked the fan if they could borrow it and that they’d give it back to her. Then Dongwoo put it sweetly on Gyu’s head and that’s how we got the funniest vers of ‘The Eye’. Dongwoo was excited cause he said we’ve never done a Halloween or Christmas party but now it’s like we have lol. At the last ments, we were all cheering and congratulating Myungsoo for his Newcomer Award nomination. Yeol said that everything we’ve been wanting (for the dice and wheel) had come true so hopefully this will too. During the last ment, there was another airplane event. Namu picked one up and was reading the instructions printed on the paper out loud. He said, ‘Please write down a message filled with love for Infinite... this paper is blank.’ LOL 
All in all, even though it felt a bit less interactive than usual, it was a good time! Sunggyu was a lot quieter than normal and it did feel a bit more routine event-like than the usual free for all Infinite style, but I had a much better experience. I know I’m writing this really late, but hopefully it interests someone out there! Once again, make sure to show your love to our boys and Happy New Year everyone! May 2018 be the year of INFINITE!
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mastcomm · 4 years
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‘The Good Place’ Finale Finds the Meaning of Life: ‘Yep, Nailed It’
Michael Schur swears he didn’t name Michael, the avuncular architect played by Ted Danson on Schur’s metaphysical sitcom, “The Good Place,” after himself. The character was actually based on St. Michael the Archangel, who according to Christian tradition is involved in the final judgment of souls.
But the parallels are undeniable. Over four seasons on the NBC comedy, both Michaels spent their time devising elaborate, twisty fictions and trying to settle on a suitably just plan for the afterlife.
“That character is some sort of a showrunner — he’s writing scenarios and putting people in different positions,” Schur said recently. “I gave up trying to argue and have just accepted the fact that my subconscious will live on the show.”
“The Good Place” is ending this week, wrapping up Thursday night on NBC with the series finale followed by a live panel discussion, hosted by Seth Meyers, with Schur and the cast — Danson, Kristen Bell, William Jackson Harper, Jameela Jamil, Manny Jacinto and D’Arcy Carden.
The concept for the series began with Schur’s ideas about a standard for divine justice — a point system measuring earthly behavior — that led to a deeper dive into moral philosophy before ending up as a bright, heady mix of puns, cartoonish tortures (chain saw bears, a particularly invasive species of spider) and wide-ranging inquiries into the nature of human goodness.
The problems with the point system quickly became apparent, a pattern that repeated itself over and over, onscreen and off, as the writing staff wrestled with both the story and their own notions about ethics and metaphysical reward. Last week’s penultimate episode found the core group finally reaching the actual Good Place, only to find that it, too, had its flaws.
“We never felt like we had a better idea than anybody else,” Schur said.
But they did come to some conclusions. In a telephone interview, Schur discussed them, the show’s inadvertent political parallels and, yes, those pesky spiders. These are edited excerpts from the conversation.
(Note: While Schur wouldn’t discuss the series finale, this interview includes spoilers for earlier episodes of “The Good Place” as well as, weirdly, “Star Wars: The Rise of Skywalker.”)
Your original point system quickly fell apart. So did you figure it all out by the end?
Yep, nailed it. [Laughs.] The second you conceive of any system of what happens after you die, you then realize, oh, there’s a million flaws with this. The history of philosophy is people saying, “Hey, you know how we believe this? Well guess what, this sucks — we’ve got to revise it.” This show is no different. We were constantly proposing theories and then realizing how flawed they were.
Does the finale offer any kind of answer?
I don’t know that we have an answer, but the show ended up taking a position, and it’s something close to Aristotelian virtue ethics. What matters is that these things matter to you. You’re going to fail over and over again, and you’re going to encounter decisions that have no answer. Anything you do is problematic and causes someone somewhere some amount of pain or sadness or suffering.
And because you’re doomed to fail, what matters isn’t that you do everything right. What matters is that you try. When you make a mistake, you apologize and then you try something else. The show is suggesting that the real victory of being alive is just putting these things in the front of your brain and attempting all the time to be a better person than you were yesterday.
The culture is full of people who seem to be attempting the opposite. You’ve been outspoken about political issues, in particular, were you ever tempted to incorporate more pointed satire within the show?
No, for two reasons. No. 1, the characters all died before the 2016 election, so we got off on a technicality. Granted they did later un-die and go back to Earth, but we never had to mention Donald Trump’s name because they lived in blissful ignorance of the fact that he had been elected.
But the more important reason was you end up making political comments without directly making political comments, by discussing the nature of moral philosophy. When they’re redesigning the afterlife in the ninth episode of this season, the problem they identify is that people can commit crimes that aren’t by their essence cruel, and yet they’re punished in a way that is cruel, and that asymmetry is problematic.
What we’re talking about is mass incarceration. We’re not trying to — we’re talking about this ridiculous afterlife system that we invented, but this is a direct analogue to the problem of mass incarceration. We realized early on that in discussing any set of moral problems, even in the extreme abstract, you’re going to end up running alongside the car of some modern-day issue.
That said, there have been jabs implied by, say, the spinelessness of the Good Place Committee.
That’s the most pointed we ever got. That’s just pure frustration with a certain kind of politician who holds the concept of fairness and making people on the opposite side of the aisle feel good above all else, including just the basic fight for what is right and good. So yeah, that is a bit of an ax-grinding exercise.
Do you think the show had a villain? Even a guy like the überdemon Shawn (Marc Evan Jackson) has a growing self-awareness by the end.
In a tangible, TV-character way, Shawn was the villain. But I think the villain of the show, if there is one, is probably something like a belief that you’re special, or that you don���t have to follow rules or that your problems are bigger than someone else’s. Everyone in the show had some kind of personal Achilles’ heel — for Eleanor it was selfishness, for Chidi it was indecision and for Tahani it was glory-seeking. All of those things are related to the same thing, which is self-obsession.
The show was still a comedy, of course, and some of the funniest lines involved the Bad Place’s creative torture methods. Did you have any favorites?
The ones that were the silliest. Butthole spiders came up over and over again — I don’t know who pitched that the first time, but that became our baseline. The tricky thing about talking about torture is it’s the least funny subject in the world. So it always had to be really silly, like chain saw bears.
But my favorite ones were more specific. Like there’s a joke where Shawn gets zapped into a room and he looks around and he says, “Oh, dammit, I was right in the middle of torturing William Shakespeare by describing the plot of the ‘Entourage’ movie.” That one I loved. There was also one in those webisodes we made where he’s torturing Emily Dickinson by playing her the Joe Rogan podcast.
That’s a delicious treat to give a writers’ room: “We need 50 things that Shawn could be doing right now.” We would write 25 of them in about 40 seconds and then pick our favorite.
The story was tightly serialized and got pretty convoluted. What was the hardest thing to pull off?
I had never worked on a show that had a giant concept behind it. Giant concepts are great for pilots and terrible for shows because once you’re past the giant concept, it’s like, well what the hell happens now?
So I didn’t even pitch the show until I knew what the whole first season was, because you can’t maintain a consistent world for too long unless you know where you’re going at all times. If you don’t know, you’re going to do something at some point that derails you or that becomes inconsistent in the long term.
For example, in the last “Star Wars” movie when J.J. Abrams was trying to course-correct for the previous movie, the opening crawl says “Palpatine is alive” and you’re like, “What’s he talking about? Palpatine hasn’t been in the story at all.” And now this whole story is about Palpatine. Those three movies weren’t broken as one giant thing, so they had to bluntly knock stuff aside that didn’t fit into where they wanted to end up.
The “Star Wars” comment is going to be the one thing here that goes viral.
I don’t know why we’re talking about “Star Wars” now, but I guess it’s my fault. Look, I will see every “Star Wars” movie that’s ever made, but it is a little jarring when they have to explain stuff in a direct way like that. Say what you want about George Lucas’s movies, but at least he was executing a certain vision.
Because we were a year ahead at the beginning, that let us be a year ahead every year. By the time we started the first episode of any season, we already knew what the last episode of that season was going to be, so we didn’t ever do anything that was wildly inconsistent or that had to be maneuvered around. That was the hardest part of it, and also the most necessary part of making the show.
In what ways did “The Good Place” evolve that were surprising to you?
Well, there was a gigantic evolution of what the show actually believed, which was interesting. I wrote this long document to all the writers at the beginning that laid out the stuff I’d been reading and the basic ideas we’d be discussing. And I wrote a note that basically said, “At some point this show needs to figure out what it believes. There’s a lot of theories out there and they’ve been discussed for thousands of years, and if things work out and we stick around long enough, the show has to take a position.”
But I didn’t know what that position was going to be. So what ended up happening was by writing the stories and figuring out what interested us as a group, the show ended up having a philosophy about what matters. And that was really fun — it felt like a four-year conversation among a lot of really smart and funny people about what’s the best way to just approach the impossibility of being alive. And that was delightful.
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‘The Good Place’ Finale Finds the Meaning of Life: ‘Yep, Nailed It’
Michael Schur swears he didn’t name Michael, the avuncular architect played by Ted Danson on Schur’s metaphysical sitcom, “The Good Place,” after himself. The character was actually based on St. Michael the Archangel, who according to Christian tradition is involved in the final judgment of souls.
But the parallels are undeniable. Over four seasons on the NBC comedy, both Michaels spent their time devising elaborate, twisty fictions and trying to settle on a suitably just plan for the afterlife.
“That character is some sort of a showrunner — he’s writing scenarios and putting people in different positions,” Schur said recently. “I gave up trying to argue and have just accepted the fact that my subconscious will live on the show.”
“The Good Place” is ending this week, wrapping up Thursday night on NBC with the series finale followed by a live panel discussion, hosted by Seth Meyers, with Schur and the cast — Danson, Kristen Bell, William Jackson Harper, Jameela Jamil, Manny Jacinto and D’Arcy Carden.
The concept for the series began with Schur’s ideas about a standard for divine justice — a point system measuring earthly behavior — that led to a deeper dive into moral philosophy before ending up as a bright, heady mix of puns, cartoonish tortures (chain saw bears, a particularly invasive species of spider) and wide-ranging inquiries into the nature of human goodness.
The problems with the point system quickly became apparent, a pattern that repeated itself over and over, onscreen and off, as the writing staff wrestled with both the story and their own notions about ethics and metaphysical reward. Last week’s penultimate episode found the core group finally reaching the actual Good Place, only to find that it, too, had its flaws.
“We never felt like we had a better idea than anybody else,” Schur said.
But they did come to some conclusions. In a telephone interview, Schur discussed them, the show’s inadvertent political parallels and, yes, those pesky spiders. These are edited excerpts from the conversation.
(Note: While Schur wouldn’t discuss the series finale, this interview includes spoilers for earlier episodes of “The Good Place” as well as, weirdly, “Star Wars: The Rise of Skywalker.”)
Your original point system quickly fell apart. So did you figure it all out by the end?
Yep, nailed it. [Laughs.] The second you conceive of any system of what happens after you die, you then realize, oh, there’s a million flaws with this. The history of philosophy is people saying, “Hey, you know how we believe this? Well guess what, this sucks — we’ve got to revise it.” This show is no different. We were constantly proposing theories and then realizing how flawed they were.
Does the finale offer any kind of answer?
I don’t know that we have an answer, but the show ended up taking a position, and it’s something close to Aristotelian virtue ethics. What matters is that these things matter to you. You’re going to fail over and over again, and you’re going to encounter decisions that have no answer. Anything you do is problematic and causes someone somewhere some amount of pain or sadness or suffering.
And because you’re doomed to fail, what matters isn’t that you do everything right. What matters is that you try. When you make a mistake, you apologize and then you try something else. The show is suggesting that the real victory of being alive is just putting these things in the front of your brain and attempting all the time to be a better person than you were yesterday.
The culture is full of people who seem to be attempting the opposite. You’ve been outspoken about political issues, in particular, were you ever tempted to incorporate more pointed satire within the show?
No, for two reasons. No. 1, the characters all died before the 2016 election, so we got off on a technicality. Granted they did later un-die and go back to Earth, but we never had to mention Donald Trump’s name because they lived in blissful ignorance of the fact that he had been elected.
But the more important reason was you end up making political comments without directly making political comments, by discussing the nature of moral philosophy. When they’re redesigning the afterlife in the ninth episode of this season, the problem they identify is that people can commit crimes that aren’t by their essence cruel, and yet they’re punished in a way that is cruel, and that asymmetry is problematic.
What we’re talking about is mass incarceration. We’re not trying to — we’re talking about this ridiculous afterlife system that we invented, but this is a direct analogue to the problem of mass incarceration. We realized early on that in discussing any set of moral problems, even in the extreme abstract, you’re going to end up running alongside the car of some modern-day issue.
That said, there have been jabs implied by, say, the spinelessness of the Good Place Committee.
That’s the most pointed we ever got. That’s just pure frustration with a certain kind of politician who holds the concept of fairness and making people on the opposite side of the aisle feel good above all else, including just the basic fight for what is right and good. So yeah, that is a bit of an ax-grinding exercise.
Do you think the show had a villain? Even a guy like the überdemon Shawn (Marc Evan Jackson) has a growing self-awareness by the end.
In a tangible, TV-character way, Shawn was the villain. But I think the villain of the show, if there is one, is probably something like a belief that you’re special, or that you don’t have to follow rules or that your problems are bigger than someone else’s. Everyone in the show had some kind of personal Achilles’ heel — for Eleanor it was selfishness, for Chidi it was indecision and for Tahani it was glory-seeking. All of those things are related to the same thing, which is self-obsession.
The show was still a comedy, of course, and some of the funniest lines involved the Bad Place’s creative torture methods. Did you have any favorites?
The ones that were the silliest. Butthole spiders came up over and over again — I don’t know who pitched that the first time, but that became our baseline. The tricky thing about talking about torture is it’s the least funny subject in the world. So it always had to be really silly, like chain saw bears.
But my favorite ones were more specific. Like there’s a joke where Shawn gets zapped into a room and he looks around and he says, “Oh, dammit, I was right in the middle of torturing William Shakespeare by describing the plot of the ‘Entourage’ movie.” That one I loved. There was also one in those webisodes we made where he’s torturing Emily Dickinson by playing her the Joe Rogan podcast.
That’s a delicious treat to give a writers’ room: “We need 50 things that Shawn could be doing right now.” We would write 25 of them in about 40 seconds and then pick our favorite.
The story was tightly serialized and got pretty convoluted. What was the hardest thing to pull off?
I had never worked on a show that had a giant concept behind it. Giant concepts are great for pilots and terrible for shows because once you’re past the giant concept, it’s like, well what the hell happens now?
So I didn’t even pitch the show until I knew what the whole first season was, because you can’t maintain a consistent world for too long unless you know where you’re going at all times. If you don’t know, you’re going to do something at some point that derails you or that becomes inconsistent in the long term.
For example, in the last “Star Wars” movie when J.J. Abrams was trying to course-correct for the previous movie, the opening crawl says “Palpatine is alive” and you’re like, “What’s he talking about? Palpatine hasn’t been in the story at all.” And now this whole story is about Palpatine. Those three movies weren’t broken as one giant thing, so they had to bluntly knock stuff aside that didn’t fit into where they wanted to end up.
The “Star Wars” comment is going to be the one thing here that goes viral.
I don’t know why we’re talking about “Star Wars” now, but I guess it’s my fault. Look, I will see every “Star Wars” movie that’s ever made, but it is a little jarring when they have to explain stuff in a direct way like that. Say what you want about George Lucas’s movies, but at least he was executing a certain vision.
Because we were a year ahead at the beginning, that let us be a year ahead every year. By the time we started the first episode of any season, we already knew what the last episode of that season was going to be, so we didn’t ever do anything that was wildly inconsistent or that had to be maneuvered around. That was the hardest part of it, and also the most necessary part of making the show.
In what ways did “The Good Place” evolve that were surprising to you?
Well, there was a gigantic evolution of what the show actually believed, which was interesting. I wrote this long document to all the writers at the beginning that laid out the stuff I’d been reading and the basic ideas we’d be discussing. And I wrote a note that basically said, “At some point this show needs to figure out what it believes. There’s a lot of theories out there and they’ve been discussed for thousands of years, and if things work out and we stick around long enough, the show has to take a position.”
But I didn’t know what that position was going to be. So what ended up happening was by writing the stories and figuring out what interested us as a group, the show ended up having a philosophy about what matters. And that was really fun — it felt like a four-year conversation among a lot of really smart and funny people about what’s the best way to just approach the impossibility of being alive. And that was delightful.
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