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lochsides · 3 years

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evermore: Track-by-Track review

I didn't think I'd be writing another review for a Taylor Swift album so soon after folklore but here we are. Truthfully though, evermore feels more like a figment of my imagination than a real album, and as a result this album has been a grower for me. When Taylor said evemore would be the sister record to folklore, I was curious as to the distinguishable differences between the two, because Taylor wouldn't simply give us the same album twice. evermore is, strangely, both the wild younger sister that's more experimental and the wise older sister with a mature outlook on life. Where folklore was a product of isolation, evermore is a product of creativity and that can be felt in the music.

I’ve written my thoughts and theories on each song, and bolded my favourites, below the cut, if you’re interested. I also included my current ranking at the bottom.

Taylor has been very good at picking leading singles for the folklore/evermore era. willow is brilliantly catchy while maintaining the alternative folk sound that she established in folklore. Her vocals suit the song so well, especially on ‘follow’/“hollow” in the chorus. They pair so beautifully with the mesmerising production. The reason this song is one my favourites is purely because of the rhythm and the guitar. The lyrics are, for once, a bonus. As an entry point to evermore, willow does not ease the listener in, the song instead throws the listener in the deep end — which I feel was intentional, as Taylor said evermore was the product of wandering further into the folklorian woods.

champagne problems is easily my favourite song on this album. Storytelling is Taylor's biggest strength as a songwriter and I think this song is a achingly beautiful example of what an emotive storyteller Taylor is. It would be so difficult for me to pick a favourite lyric from this song but I love how she sets in train in the opening line, "you booked the night train for a reason, so you could sit there in this hurt / bustling crowds or silent sleepers, you're not sure which is worse." The accompaniment is gorgeous and the composition of the bridge is breathtaking. Every time the bridge plays I get chills.

gold rush was a grower for me. I'm still not a fan of the intro/outro but I enjoy the production in the rest of the song once the beat kicks in. I think it's one of the more experimental sounds on evermore but it's very catchy. I won't even talk about how the chorus called me out with "I don't like slow-motion, double vision in a rose blush, I don't like that falling feels like flying 'til the bone crush."

'tis the damn season is the non-holiday-holiday song that still has a classic sound and production. I know this song is Dorothea's perspective but I get a lot of illicit affairs parallels with this one as well: "don't call me baby" / "you could call me babe for the weekend", "what started in beautiful rooms ends with meetings in parking lots" / "the road not taken looks real good now, time flies, messy as the mud on your truck tires".

tolerate it is a hard song for me to review because I literally zone out every time I listen to it. I think it's my brain's way of protecting me from toxic relationship trauma 🙃 but it's another gut-punch track five, what else is new? I mean she literally said "now I'm begging for footnotes in the story of your life, drawing hearts in the byline, always taking up too much space or time," and broke my nervous system.

no body, no crime is the best country song Taylor has ever written, period. The sirens at the start, the storytelling, the way it sounds like an old-school murder-mystery movie. HAIM on the backing vocals were great, though I do wish they had at least a verse of their own. That's literally my only critique of this song. It's that good.

There's so much maturity in Taylor's outlook on happiness. I connect this song to her tarnished relationship Sc*tt/BMG and how she's happy after leaving but she was also happy during the time she was with them. I really enjoyed the simple addition of the piano and the way it built up to add depth to the production. Taylor's delivery of the line "no one teaches what to do when a good man hurts you and you know you hurt him too" really hits me.

dorothea is a really nostalgic, retro school-dance-vibe, kinda playful song with a personality, which I adore. The production is absolutely timeless. I woke up today with the chorus stuck in my head. I think "if you're ever tired of being known for who you know, you know, you'll always know me" is fun word play and I'm a nerd of that type of thing. (Side note: to me, this song feels very reminiscent of her friendship with Karlie Kloss, right down to the "selling makeup in magazines.")

coney island gives me desolate, abandoned theme park vibes. The simplicity of the production only enhances it. It's everything I could've hoped for in a song titled "coney island" and featuring The National. Matt Berninger's vocals are absolutely astounding. What does it say about me that my favourite aspect of this song is the feeling of despair laced into its bloodstream.

ivy is another favourite but what did I expect from a song filled to the brim with longing and mentioning the crescent moon? The instrumentation and her vocal styling is similar to willow. There are also lyrical parallels of "... your freezing hand, taking mine" / "I'm begging for you to take my hand" and "how's one to know I'd meet you where the spirit meets the bone" / "I never would've known from the look on your face" and she echoes both those sentiments in a different way after the respective bridges and I wonder if that's intentional. Knowing Taylor Swift, probably.

cowboy like me belongs in the center of a country/folk/slow blues Venn diagram. It's the perfect blend of the three genres. Marcus Mumford's back vocals sound so good with Taylor's. "We could be the way forward, and I know I'll pay for it" and "the skeletons in both our closets plotted hard to fuck this up" are great lyrics.

I'm not all about the way long story short stars but the song quickly settles into its skin. This is easily the most pop-sounding song on evermore but it's still somewhat experimental in comparison to Taylor's existing discography and I think it's cool that she can find space to experiment within a musical space that she has all but mastered. Say what you will but Taylor Swift knows how to make hits no matter the genre. The lyrics "he's passing by, rare as the glimmer of a comet in the sky and he feels like home" reminds me so much of Call It What You Want.

marjorie gave me chills on the very first listen when Taylor sings about how her grandmother left her backlogged dreams to her. I love that they used her grandmother's actual vocals in the background, that's a really heartwarming detail. This song comes with some really solid advice too. It just feels very personal. I love the way production builds on "what does didn't stay dead" right to the bridge, which is my favourite part of the song.

closure is easily the most experimental song on the album with that the scratch tape sound and those drums. I love the sheer pettiness in her tone and the lyric "don't treat me like some situation that needs to be handled" is brilliant. That said, this is probably my least favourite. I think it's a cool song but just not for me.

evermore has some of the most beautiful lyrics on the album. "I replay my footsteps on each stepping stone, trying to find the one where I went wrong" and "barefoot in the wildest winter" are some of my favourites. I'm not a big fan of the sudden shift in tempo on either end of the bridge but Justin Vernon's falsetto makes up for it. The production is otherwise beautiful.

Note that the bonus tracks are currently at the bottom because they have not been released yet.

#taylor swift #evermore #reviews #music #ts

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glassworkspiderlilies · 7 years

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one step forward, one step back

Persona 5 | Goro Akechi, Haru Okumura | AO3 Summary: Haru helps Goro through a moment of darkness. It works for the moment, anyway. Notes: Prompt for this one was “hug”! Relevant Mementos dialogue here.

The moment he steps into Leblanc, the downpour starts.

He closes the door quickly, looking back for a moment to observe the sheer force of rain. The clouds had been threatening to break all day—it was lucky that he made it to his destination without being caught within the storm.

“You cut it close, eh?” Sojiro says from behind the counter, a wry smile on his face. “Guess I have two customers for the next couple hours, then.”

As Goro walks to his usual spot, he nods his greeting to the other person sitting at the counter a seat away.

“Hello, Okumura-san,” he says with a smile, which she returns.

“Hello, Akechi-kun,” she replies, “Lucky break out there, huh?”

“Indeed,” he agrees, then notices the little pink box sitting in front of her. “A gift?”

“Of sorts. For everyone, though, not for me,” Haru says sheepishly, opening it and showing him its contents. Inside are cookies shaped like flowers, some of them beautifully decorated with icing. “I was experimenting, and thought I’d bring them for everyone to share, but…”

She looks outside, at the thick sheet of rain obscuring the view.

“It’s probably safer to stay at home today, huh?” Goro finishes her thought for her.

Haru nods.

“Akira-kun and Mona-chan went out to buy some books earlier. Futaba-chan was really excited when I said I brought cookies, but even though she’s just down the street it would probably be better to wait until the rain lets up at least a little bit, if she’s that determined to come by.”

“If she tried right now she’d probably get pummeled and swept away by all that water,” Sojiro chuckles, but then frowns a little as he also gazes outside. “Sheesh, it’s really coming down…business will be slow today. Anyway, coffee for the two of you? And Haru-chan, set aside two of the chocolate and almond ones for me, will you?”

The two confirm their coffee orders, and Haru reaches into the box to pull out the requested cookies and sets them on a napkin. She slides the box towards Goro afterwards with a smile.

“If they’re to your taste, please have some,” she says shyly, “I made a few different kinds and would love feedback, if you’re willing.”

Goro smiles and selects the topmost cookie in the box, which happens to be one beautifully iced with small floral details and lacework. He examines it before looking back at Haru.

“These are…exquisite,” he says, “I’d rather admire it than eat it, to be honest.”

Haru laughs. “The experimenting also included working with royal icing. It’s quite fun, and therapeutic. Well, if the designs aren’t too complex.” She smiles and looks sheepish again. “I confess that is one of the few presentable ones.”

Goro raises the cookie in a bit of a salute before he takes a bite. It’s pleasantly chewy, and not overly sweet despite the icing. There’s another flavor he can’t quite name—some type of spice, surely—but it’s a nice touch.

“It’s delicious,” he says, after he’s finished chewing and notices Haru’s expectant look.

She smiles, but before she can say anything, Sojiro places their coffees in front of them.

“Should be expected,” Sojiro says, pouring a cup of coffee for himself. “Haru-chan’s gotten pretty good at making coffee and pastries.”

“Oh, no, but I’m nowhere near as good as you or Akira-kun,” she protests, though she flushes a little at the compliment.

Sojiro smiles wryly as he lifts his cup.

“I should hope not, you might run us out of business,” he says, chuckling, but then studies her with a thoughtful expression. He takes a sip of coffee before continuing. “You know, you don’t have to have the same flavor we do, Haru-chan. You have your own touch, and it’s a good one.”

She ponders his words for a moment before tilting her head.

“I’ll…take some time to think about that a bit more,” she says solemnly, and Sojiro chuckles again.

“Alright, then. I’m gonna do some dishes and prep work in the back; you two enjoy yourselves. Give me a holler if you want more coffee.”

With that, Sojiro plucks the cookies Haru set aside for off the counter and brings them with him into the kitchen.

Haru and Goro glance at each other and smile politely. It’s a little awkward—they don’t talk to each other very often, as they don’t seem to have very much in common or any similar interests to bond over more extensively. But they mutually acknowledge that they aren’t going to force a conversation at the moment; Goro turns his attention to the TV, while Haru reaches into her bag resting on the seat and brings out a notebook, textbook, and pencilcase.

They pass about thirty-five minutes in relative silence, save for the background noise. After a while, Goro glances over at what Haru is doing. She seems focused on taking notes, the occasional small diagram littering the page amongst bullet-points of information. She writes quickly and in very small letters—he can’t see what she’s writing, but she also seems to have an eye for leaving white space amongst the page so that they are less overwhelming to look at later.

He smiles a little; it’s method and style that looks terribly picturesque—one that he isn’t used to seeing, though it’s not as though he’s seen several peoples’ notes before.

He has seen Sae-san’s notes, primarily preliminary notes on cases that she prefers to handwrite because it allows her to visualize things better before she types up a final version on the computer. The pages are crammed full of writing, extra things scribbled in the corners in addition to the text on the lines. The majority of the notes are impeccably neat, though the quality starts slipping a little once Sae-san has been working for extended periods of time. Makoto’s is similar—he’s seen her school notes before, when he’s stopped by the Niijimas’ apartment briefly— though her handwriting is a little more fluid, with a little more bend and looping to her letters.

Goro’s own notes are almost unreadable to anyone else—his handwriting looks neat outwardly, but people have trouble actually reading what he’s written. At present, Sae-san is about the only one who can read his handwriting without trouble. But there’s also the fact that he doesn’t organize things particularly well—he knows his own files and papers, knows what his own notes refer to, even though things written on the same sheet might not correspond to one another. Someone else might find it quite a puzzle to piece the information together, were they to take his notes.

That suits Goro just fine.

He hasn’t noticed he’s staring until Haru lets out a little sigh—not one of frustration, but simply tiredness—before she puts her pen down and traces the rim of her coffee cup with her finger.

“It’s good to take a break every now and then, you know,” Goro comments mildly, feeling compelled to say something. His words are hypocritical, he runs himself to the ground as a lifestyle, but she doesn’t know that.

She turns to give him a half-smile, though it comes out more as a wince.

“It is,” Haru agrees, “But there’s so much I need to learn in as short of a time as possible…”

She trails off, but she doesn’t need to explain much more. The general populace knows the gist of her state right now—with her father dead and her being the largest shareholder of the company, Okumura Foods was facing internal strife in terms of people battling for control of Haru’s power, or attempting to make her give it up.

“That sounds…difficult,” Goro says, knowing it is an understatement.

Haru looks at him, silent for a moment, as if measuring him. He blinks, briefly taken aback by her sudden scrutiny, before Haru glances away. She rests her hands on her lap, lacing her fingers together.

“It is,” she admits, sounding pained. “Akechi-kun, how long have you been working as a detective?”

Goro pauses before answering, thinking back to when he could claim he officially became a detective.

“I’d say about two years or so?”

“I see. I am sure that you went through your own difficulties during that time, so please forgive me for saying this—but there is a part of me that is…a little envious of you.”

Goro raises an eyebrow, curious at what she means, and Haru finally meets his eyes.

“You’ve been at your craft for awhile,” she states, “Detective work is about solving cases, yes, but there are other processes involved in that, with the police and recordkeeping and interviewing. It’s more laborious than people know based merely off of watching your interviews, or crime dramas, or suchlike . But during those two years, I’m sure that you grew as a detective and became more comfortable in the role, perhaps learned knew skills to aid you in your work, and you certainly must have honed existing ones. The longer you work at something the better you become, after all.”

She pauses, gritting her teeth for a moment before continuing.

“I did not have that. All those times I was at my father’s side…and I have nothing to show for it. It is true that some of it could be blamed on my father—after all, I was not allowed to attend meetings of worth or do anything directly in relation to the company. Most of the time, I was for image—to talk to his guests, build connections…to be a bridal candidate for sons of his business partners.”

She sounds a little bitter at the last part, but she sighs and shakes her head.

“But I also could have insisted more—either in learning what he did, or asking him to spend less time at work—had I been less eager to please. I…might have been searching for his approval—maintaining my grades, being charming to his guests…accepting Sugimura-san as my betrothed without complaining. But in doing so, I may have only pushed him further into what he became.”

Haru’s eyes are distant and pained, and suddenly, Goro’s throat is dry, his throat tight. Her story is familiar, too familiar, and he balls his hands into fists to hide the fact that they’re trembling.

(Mothers who aren’t his Mother, fathers who aren’t his Father—what do those words mean, anyway?—eyes, cold and judging, constant and circulating…no one could say he wasn’t smart, not with how quickly he learned to devote himself to an image of himself he created, but intelligence didn’t help cuts or bruises…

Learning to breathe quietly, a fear of dark spaces—yet a comfort in them, which act was better? Which would have made them happier? Had it become like this because he was wrong, because he did it all wrong, could he start over—)

“Akechi-kun!”

Haru’s voice is sharp—not panicked, but geared specifically to get his attention—and snaps him out of the past immediately, but while his mind knows where he is now, his body doesn’t seem to be cooperating.

“I’m sorry?” Goro says, intending for it to be a polite apology for zoning out, but something about the tone must be wrong because Haru’s eyes are even more worried after he speaks. He tries to repeat himself, licking his lips in case their dryness is the reason why his voice isn’t coming out. He fails again, once more, twice more, and he stares at his hands so that he doesn’t have to meet Haru’s gaze.

It takes him a moment to realize that he’s shaking, not just his hands, but his entire body is trembling violently. Stop, he tries to command himself, it’s a sign of weakness, and he knows where weakness gets you—

“Akechi-kun,” Haru says, softer this time, as she slowly slides off of her seat. She takes cautious steps towards him, though he’s closed his eyes and can’t see her anyway.

“Please,” Goro croaks. He can’t bear this public humiliation, even if it’s only the Okumura heir, but suddenly he is unsure of what his own plea means, what it’s for. His breath is coming too fast, or too slow, he can’t tell, only that he needs to stop, before—

“Akechi-kun, will you let me touch you?” Haru asks carefully. Startled, Goro raises his head. She’s standing in front of him now, brown eyes grave, but even with her usual smile gone her manner exudes comfort. It takes him a moment to register what she’s asking. He wants to say no, wants to ask why she would ask such a thing when she barely even knows him. He wants to tell her not to look at him, to leave him be—

“Yes,” he whispers instead, and Haru takes his hands in hers.

The contact is warm, even through his gloves, but she carefully tugs them off and entwines her fingers with his, grip firm. The warmth is almost shocking, but he tightens his own grip as if he can absorb more of her heat that way.

“I was taught a magic chant for ramen the other day,” Haru says quietly. “It went something like…veggie-garlic-extra-extra…”

She says it very slowly, and repeats it once more before Goro catches onto the pattern. He breathes, in and out, in and out, following the rhythm of her words. She says the silly chant until his breathing becomes a little more even, though he’s still shaking. He lets go of her hands soon after, and attempts to straighten his posture.

“I’m sorry,” he says, clearly this time, “I don’t know what came over me.”

Lies, he knows exactly what happened, though he’d never been in someone else’s presence before when it’d happened. Haru tilts her head, her body language inquisitive, but her eyes aware. Goro’s lips tighten, though he knows he must not make a very convincing figure right now at all.

“Akechi-kun, will you let me do one more thing?” Haru asks, and holds out her arms.

Goro looks confused, and mimics her stance, unsure of what it means.

“I…suppose?” he answers, when she doesn’t move without a response.

Oh, he thinks, when she moves in and wraps her arms around him firmly, chin resting on his shoulder. He hesitates before doing the same, hands hovering over her back for a moment until he finally rests them on her gently, completely out of his element.

“I’m trying to grow camellias this year,” she tells him, “I did a lot of research on what kind of soil they prefer, and I found that they do best in more acidic soil rich with organic matter. I’ve plenty of compost to help with that, and I could obtain extra fertilizer if necessary as well…”

She continues talking and he relaxes in her hold, all but burying his face in her hair. She smells like jasmine, her sweater and her hair both soft against his cheek. He is half-paying attention to the details of what she’s saying, but he knows she’s only chattering for his sake. He’s stopped trembling, and ultimately feels like he’s returned to a normal—or at least manageable—state after a while. But he gives in to himself and stays in Haru’s embrace just a little bit longer before pulling away.

Haru observes him, and he gives her a weak smile.

“Thank you,” he says, even though saying so means fully acknowledging what just happened. He can’t meet her eyes. “I…”

He wants to make excuses again, but before he can begin doing so, Haru slides a finger under his chin and tilts his head up gently.

“Akechi-kun,” she says, smiling softly, the corners of her eyes turning upwards. “I am your friend, and you may ask me for anything you need.”

He clenches his teeth, unable to find the words to express what he’s feeling. Haru releases him, though she doesn’t go back to her seat yet.

“Would you like another cup of coffee? I was going to ask Boss for another one, myself,” she says, and Goro merely nods, though caffeine might not be the best at the moment.

Haru calls for Sojiro, and when he steps out from the kitchen he doesn’t act like he’s aware anything happened since he left the counter, though Goro knows that he must. The café isn’t that big.

He’s thankful for the owner’s silence.

Goro drinks his second cup of coffee a little too quickly, though he appreciates the scalding heat sliding down his throat and into the pit of his stomach. He takes his leave soon after that, claiming that he has work that he should get back to now that the rain has let up, and Haru and Sojiro give him friendly goodbyes.

Just before he closes the door, her glances at Haru, who meets his gaze evenly. She gives him a hint of a smile and inclines her head, and Goro clicks the door shut.

When he gets back to his apartment, he doesn’t bother turning on the lights as he strips out of his outside clothing and into more comfortable attire and throws himself onto the bed. He pulls his blanket over his hand and curls up in the darkness, thoughts swirling, Haru’s words echoing in his head.

I am your friend, and you may ask me for anything you need.

If only she knew. She wouldn’t have said such a thing if she knew who he really was, what he’s done.

He curls tighter once he realizes a tear is sliding down his cheek, burying his face into the pillow. No more weakness, he vows, or tries to. He recalls Haru’s warm hands, how he showed a raw part of himself that she accepted without judgment, the easy comfort that she provided him with no strings attached.

A tiny hidden part of him feels relieved, that perhaps showing weakness isn’t so bad—

No, the greater part of himself says, with gritted teeth and nails digging crescents into his palms. Considering that is already a step towards disaster. If he becomes comfortable with help, then that will lead to seeking it, and it will only bring ruin. Really, he’s already halfway there, with being in this position at all.

He needs to remember what he’s here for and fix the grave mistake that he’s made by shutting that tiny voice up.

Some sleeping pills and a while later, he falls into a fitful sleep, remembering the scent of jasmine, dreaming briefly of flowers.

#persona 5 #harugoro #haru okumura #goro akechi #gold wings trembling #fanfiction #this one is also long #i regret making new titles when i post these on my writing blog #i always get stuck #but take it anyway. maybe i'll change it later #also summarizing is??? hard??? because these are just kinda like...slice of life-y interactions??#hhhh well i brought this upon myself so. SHRUG

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mymindincaseyoucared · 6 years

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So come on begin on your way to a healthier you, and revel in relaxing while this device does the job and right away you'll be having a more energetic, thinner, fitter lifestyle.

To learn more regarding this device, click on here! You do not need to be wealthy to have this excellent house steam sauna. This unit boasts a few exclusive attributes that are valuable, which you could enjoy from the privacy of your house.

With different 800wsteam generator and tub design, this item is extremely safe for the consumer.

This space saver weighs significantly less than 12lbs, and includes a gray jar with your choice of pink or blue trimming. It fits into a house in addition to a little apartment.

The setup framework is designed to take to finish. It has a diagram, once the framework is complete set the cover on the top and it is ready to use.

The one thing you'll need before undergoing the advantages of this affordable unit are some tap water, a seat and a towel.

Durherm makes a number of the very best private saunas, and have a look at the terrific rates! This steam sauna's health advantages are recorded. They've been a part of living for decades. The health benefits are somewhat shocking even though their effects are many.

They are used by people today they rely on them relax, eliminate weight, relieve stress, to alleviate pain, increase their blood flow and enhance their immune systems.

This version is able to help you realize your objectives. This house unit is constructed from nylon it uses less power and may be folded and stored when not being used.

This unit comes so that you can't ever get to warm every 10 minutes which goes around an hour. It plugs into any wall socket, and the framework is simple to erect.

This version is a way for one to benefit from the properties of steam that will assist you unwind at the end of the day and relax.

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