episode 5 has left me considering the different - and similar - ways taeyoung and kwonsook think about themselves, and how they respond to pain/violence.
kwonsook calls herself a monster, someone who goes crazy in the boxing ring. that monster, she says, was created by her father, and her father used abuse, violence, and emotional manipulation to create that monster. he didn’t treat her like human, so it’s no surprise that the way she talks about herself when she boxes is as if she’s discussing an animal: she gets cornered, gets scared for her life, and lashes out to kill. she calls herself a monster with resignation; it’s not what she wanted to be, but she knows it’s what she was. she ran away to escape that monstrosity, to live as a human, doing good things, but that part of her never really died.
taeyoung, too, calls himself a monster. he’s a SOB, he does thing no one with an ounce of humanity would do. he seemingly has no qualms about what he does, perhaps because he can always justify it to himself, always has an exit prepared for when things really get bad (until, i’m sure, he doesn’t). like kwonsook, taeyoung accepts the label of monster, accepts his own inhumanity, even if they are inhuman in very different ways. whereas kwonsook wants to break away from that monstrous part of her - she’s only returned so she can free herself from that part of herself permanently (and if she finds a way to box without a monster, then...) - taeyoung embraces it. it’s through being a monster that he’s found success, how he secures futures for his athletes, and how he’s able to ‘solve’ their (and his) issues. monstrosity was not imposed on taeyoung, but (due to what we know so far) is something he chose for himself (although the factors surrounding this part of his past are decidedly murky).
in this episode, taeyoung and kwonsook also demonstrate similar responses to violence and (emotional) pain. when taeyoung upsets kwonsook by working with her father behind her back, he offers her an outlet for her anger by punching him. later on, after ahreum has already slapped kwonsook, instead of lashing out, kwonsook offers to let ahreum hit her again if it will make her feel better. in parallel responses, both ahreum and kwonsook debate taking that opportunity to hurt, but decide not to (kwonsook because she’s taking a chance on taeyoung, or moreso giving him another one, and ahreum because she decides that she doesn’t owe kwonsook that, that kwonsook is beneath her in terms of boxing, no longer on her level).
kwonsook learned to respond to pain at a young age. in boxing, you can’t flinch from the hit - you have to learn how to take the pain, absorb it, and get back up to hit again. outside of the rink, kwonsook absorbs the pain, but she doesn’t hit again. she’s experienced firsthand what her hits can do to people, and that terrified her. after all, she only boxed so that she could protect her mother. so when confronted with violence and pain, she takes the hit, because pain is what she knows and understands. it’s the emotions behind it that are hard for her. pain is easy for kwonsook, because she’s used to living through it, surviving it; beneath it, she’s always empty. she’s never really cared about boxing; it was what she had to do. the lee kwonsook that was a boxing genius was a monster she ran from, after all. but in order to break away from that monster, she has to come to understand the emotional investment of her fellow female boxers. before, they were just her opponents, never her friends, but now she has to face their own feelings about the sport, the passion they have for boxing that she never felt. like ara said, she didn’t feel happiness about winning, and kwonsook has never lost, so she’s never had to live with that humiliation, either. how her feelings will change in relation to boxing will likely be a reckoning for her.
taeyoung, on the other hand, is confronting his fair share of non-boxing sanctioned boxing. even though kwonsook is the boxer, it’s taeyoung who’s been touched by ‘true’ violence in this present timeline. his life is quite literally on the line, which has been shown again and again. he’s been ambushed by her father, threatened, blackmailed, and beaten up by chairman nam’s guys. he lives on the edge, anxious at every shadow, which is chewing him alive. to him, kwonsook’s anger is much easier to deal with. he knows she might hurt him, but his potential to hurt her is so much more (and if he does, in that case he’d find her anger justified, and probably let her beat him to death or something if what we’ve seen of his feelings for her is an indication of anything), and she might hurt him, but she’d never hurt him as much as other people in his life at the moment would (i.e. by killing him, or hurting the people he cares about). taeyoung is used to weathering the storm of other people’s dislike; he’s the scumbag, and he does bad things, deserves other people’s anger when it’s directed at him.
both taeyoung and kwonsook want to resolve things through violence. i think it’s telling that despite being two emotionally aware people, they both consider other people’s feelings to be so easily taken care of. they want the quick, instant pain, and then they want to get it over with. because the violence is what they’re used to, and to a degree it’s what they both think they deserve. however, what lies beneath that, what doesn’t go away with a single hit, is much harder for them to confront and understand.
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The train is oddly crowded this morning, bodies packed tightly together, the conductor's voice distorted over the speakers as she squeezes through. It feels like it took ages to get here, legs moving to its own maddeningly slow beat. Feels like she’s late, but she can’t catch a breath to check her phone. She forces her way into a spot beside the corner seats, holding onto the metal strap as she tries to find the trains’ schedule on her phone. Maybe an alternative route would help her get out faster. But the screen won’t budge from the lockscreen’s time.
00:00.
Shit, maybe it was busted, that couldn’t be right. Her eyes quickly lift to the gentleman beside her, his phone’s outstretched in his palm as he reads something on his screen. Ah, she can’t see the print of the time from this angle. “ Hey, sorry, I – ” The words die at her lips, her body jerking backwards when his faceless visage meets her own. It’s just an empty canvas of skin, all the hair over her skin standing at attention. Her mouth hangs, a strangled gasp withering in her throat as she stumbles back into the train’s walls. “ Wh–? ” Panic grows fierce in her as she turns to find other individuals, someone else who sees what she does. But all she finds are a sea of vacant faces, faced towards her.
A scream works its way out her mouth as she turns around to escape to the next cart, shakily grappling at the door to make it through to the other side. But unlike the last cart, this one was disturbingly quiet, the advertisements against the walls and top borders a sea of eyes. And everyone is still. So still. The conductor's voice distorts and echoes. “ Do you remember me? I don’t want to be forgotten. ” Dread wells in her stomach as every faceless reanimates and turns to her to stand.
“ You promised … don’t forget me. ”
The echoes continue, the voice a disembodied, discordant blend of hundreds of others. She can’t find her own voice, her own hands clawing to find her knife, a blade, something. But her pockets are empty. All she can find is her phone staring uselessly back at her. Slick with the blood between her hands. “ I - I remember. ” She tries to say, but nothing comes out. She steps back shaking her head, trembling digits stained. In the corner she catches her reflection within the doors windows; her mouths missing. Bloodied fingers desperately claw at her throat and face in search of it. Her reflection ripples through the glass and extends its palms to wrap around her throat. She can't scream for help without a mouth. Without a voice. It feels like waters flooded in her lungs; drowning from within, nails digging into flesh in a silent plea for mercy. And as consciousness slips, her knees give out, darkness bleeding into her vision. There's a crowd of them now, empty faces, all watching on as she fades. The last hollow echo the only thing she can cling to.
“ We’re all forgotten here. ”
03\ ??? dream drabbles
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Same anon- wasnt trying to imply that with blossom either! Just wanted to say that it could've been read that way and could be triggering to some, and the fact that no one speaks up felt off, even if its against the code. I've never read the more recent books either, so by the way the posts were spaced it felt like the series goes Df battle > Tempest > Ashfur in the span of a few moons, meaning blossom went from one horrible event to another and was still feeling isolated and shameful. Sorry if anything came off as confrontational or mean!
As for the 'why dont they leave?' thing, I think we all default to how Ravenpaw actually DOES leave and we just apply the same logic. As humans we naturally draw connections, and if we see a situation where a whole clan turns on one cat, we ask why didn't they just do what Ravenpaw (or Dovewing iirc) did and decide they can't deal with this and it's better to move on. It's a pattern that we itch to see fulfilled: Tigerclaw turns everyone on Ravenpaw so he leaves, Dovewing gets her whole clan telling her to do better so she leaves, Blossomfall gets named as a traitor and repeatedly gets dishonor titles to remind her of all her faults- why do cat not leave???
But yeah, if Blossom got to heal, i retract my statement entirely. I just was going off the logic that she felt isolated/cut off and that being told she's better off invisible would just shove her further into that belief. I do wanna ask, do you know what the thing Blossom spoke up about that got her slapped with the title?
Ah, I see! Let me clear up the order of events so far;
ThunderClan's Tempest, shortly after the Great Battle, dealing with the Clan moving on. Contains some parts of the canonical Dovewing's Silence but mostly Bramblestar's Storm
AVOS, with Blossomfall joining the Kin and being rescued sometime towards the end. Still working out some kind of incident where her kits are either stolen, or have to be retrieved-- the sire is not known
Squirrelflight’s Horror, a book about how Bramblestar turns a tense political situation into an excuse to leverage his power to abuse his deputy after feeling slighted.
TBC, which is at least a year after AVOS, with all of Blossomfall's children now being young warriors and her life coming back into order
So Blossomfall is having a pretty long journey here! Her life has been rocky and she can be a really nasty person, but she was brought back into ThunderClan because she is still loved. There are people who really want to see her get better.
And as for when she gets Clearface'd, I'm torn on it either being the first sign and SUPER shocking because it was just the normal amount of Blossom-sass, OR it coming right after the death of Bristlefrost and she argued that
"Bristlefrost was a codebreaker but who cares! She was a warrior of ThunderClan! There's no way that StarClan--"
And then interrupted and quashed with the title.
So, first option, to demonstrate Bramblefake's new level of malice at the earliest possible point and use Bristlefrost's death as the "turning point" of the arc where cruelty becomes violence,
Or, as a direct response to Bristlefrost's death, and the moment where there begins to be suspicion, because Bramblestar is NOT this good at naming.
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!!!!!!!!! I don't want to turn my camera so people don't see Qiaoying Village (but these two are directly looking down to the village from atop a hill next to it) if they haven't seen it yet. Now, I know through Yelan's signature dish, that Yanshang has a delivery route directly to this village. Like I knew this, but seeing people here has me absolutely buzzing. Also, also, also, also, also. I'M BUZZING. BUZZING!! I'd put all of this under a read more, but I need it for the actual little spoiler tied to a HC (non-canon-based) at the bottom, so excuse my mania.
AAAAAAAAAAAAAAAA IT'S CRUMBS OF MY GIRL. But also!!! This makes me so happy, it's not just a casino at night, it truly is a proper teahouse during the daytime. Aaaaaaa, I'm not a 'I'm right!!!' kind of person, but it's just... it's just nice to be like 'Okay, I'm on the right track' It's like a little confirmation that she clicks, and makes sense to me, you know? God, but also, I'm so proud. She's so multi-layered and multi-faceted and this is kicking so much more motivation into my heart even if I didn't need any more (and just need my brain to calm down after months of severe stress so I can focus), but god, she's just such a good one. I love her immensely, for so many reasons. But just, this whole thing isn't even ambition, because WE LITERALLY KNOW that she isn't ambitious per se (since she refused the position of Tianshu, even if part of the reason why is also because she doesn't want to be tied down to Liyue Harbor), she simply wants Liyue and its people to be safe (like so many who live in it, I LOVE THIS REGION WITH SUCH A BIG PART OF MY HEART, guys), it's also why she patrols the Chasm. Ugh, ugh, ugh.
Also, a little liberty of a HC that isn't tied to canon, and I wouldn't suggest peeking under the read more unless you don't care about very minor spoilers (it doesn't touch on the main SQ at all, it's tied to 'The Roaming Abode', ultimately tied to a house at a tiny distance from the village itself). So if you haven't played that specific WQ yet, don't peek! But, 1005 headcanon that Yelan has 'purchased' property here, and let me talk about it under the read more.
The Roaming Abode is a WQ that starts with a little girl who tells you that her grandfather has gone missing, or rather that he's gone to get 'blessed waters' from Mt. Xianluan for this 'divine plant' that he claimed he kept in his yard that needed that kind of water. Throughout this shorter quest, you learn that this man died (and you're left to question who the little girl is, or whether she's a little girl at all), and left behind a home in Qiaoying Village. This is what's said about both the man and his home by Uncle Luo:
Uncle Luo: He was an outsider, and we discovered that he was a bit... touched in the head the moment he arrived. He claimed that he'd picked divine herbs, but the pharmacy couldn't recognize them — much less buy them from him. Uncle Luo: But he had no other skills, and couldn't make the Mora needed to feed himself, so he had to knock on doors to ask for help. We took pity on him, and decided to feed him. His house was also built using Mora the villagers pooled together.
And then continues:
Uncle Luo: No one expected something that terrible to happen to him afterward, but once it did, everyone thought that this must've been him repaying us by protecting the village! Uncle Luo: Everyone thanked him, and thus people have been reliably caring for his own home. We're almost there, by the way.
This is the house, and the view from it. Now, I think most of us know that when a house isn't lived in, it'll inevitably fall into disrepair, no matter how much people may try to take care of its exterior and even cleaning inside if possible. A house needs to know the kind of maintenance that you can only truly give it when it's lived in. So, it's a little headcanon that as Yelan actually has a good tie to Qiaoying Village, and especially as she ages (and in my main verse, develops a tie to Fontaine), that she comes to negotiate and purchase this. Not out of greed whatsoever, but because she comes to thoroughly enjoy its environment (and if you know of her lines in the teapot, Yelan greatly enjoys tea drinking and the social aspect of it through which she learns about people), and also because it's a shame to let things get neglected to a point where they may perish at some point (I mean remember, most of Liyue consists of ruins). It's not a base of operation like Yanshang is, but it is simply a home, along with the one she has some distance away from Liyue Harbor, or she may simply replace one with the other.
Also, important to note: on top of all the above, this also works in the favor of the village in general, as now the cost of its maintenance will no longer have to keep coming from the villagers who take care of it (just like the mora to build it came from them), it will come from Yelan, which can be done through the likely decently substantial profits of Yanshang.
And to note: no, she doesn't 'take it over' as she did with Yanshang Teahouse, she literally purchases it, which also feeds money into the local community. Which is something that, based on the references above in terms of her character, Yanshang's new reputation, her loyalties, her foci— I'm confident in saying wholly fits her character.
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Asleep/Unconscious/Comatose
"Oh my god. Clint? Hi, Clint?" (also for Clint wow picturing. TK doesn't have anyone else's number and Clint's phone was destroyed so it's only TK in the hospital room 😭)
“…TK?”
Groggily, he tried to take in the room. It was too bright, everything was a little fuzzy around the edges, and he was struggling to focus on anything for longer than two seconds at a time, but he tried. Something was wrong. Something was really wrong, here. He wasn’t sure where he was, or what had happened, or what exactly was going on, but he knew that much.
Natasha. Coulson. Kate. Cap. Their faces floated sluggishly through his mind. He should be seeing one of them, shouldn’t he? TK wasn’t the one that was supposed to be here with him.
Not that he wasn’t happy to see TK, but shouldn’t someone else at least be here too?
“Where…wha’s…?” With a groan, his eyes squeezed shut. He lifted a hand to rub at them, only to feel something tug. Furrowing his brow, he looked down, stared at his hand—something was sticking out of the back of it. A long, skinny tube disappeared under some tape, the other end attached to…something. Clint frowned. What was that doing there? Things didn’t belong in his hands.
Wordlessly, he moved to pull it out.
@parameddic (x)
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