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#i swear this band leaves me in shambles every single time
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Another day, another listen of the entire Amazing Devil discography while losing my honest to goodness mind.
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pinkchanelbag · 3 years
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— there’s no one else; chapter two. 
a jean kirstein x reader mafia au.
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series summary: a boy caught in a web with his survival depending on balancing niceties between his predators. a prim girl on thin ice that leads down the path of least resistance. no one too close and no one too far, no allegiance unquestioned, and no child whose value and future goes without evaluation like a playing card that determines their worth. to be destined for big things is more like being doomed to them, but that’s the way it goes. it’s just family matter.
chapter summary: the party begins.
wc: 1.9k.
cw: still nothing lol
note: putting this out short notice cause it’s JEANBOYS BIRTHDAYYY BABYYY anyway enjoy heeheee and my apologies for the slow plot thus far i swear it picks up trust me bro.
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the venue is obnoxiously grand. the garden is more akin to a football field than anything else. there is no central lighting, but rather pure white string lights everywhere, everywhere. tucked behind and underneath tables and wrapped around trees and laying in the overhead greenery and in the bushes that act as walls. wherever you look, your eyes are strained, and you’re sure the dining hall can be seen from the moon. 
speaking of the dining hall, the organizers cleverly blocked off the front entrance to the building so that one is forced to walk the expanse of the entire garden—surely to ooh and aah at its elegant taste—in order to get inside through the back door entrance. in other words, having to greet every single member of the family before so much as putting your clutch down. 
you apply a friendly, attentive expression to your face each time pieck stops to greet someone new, having mastered the art of being engaged but not so engaged it’s troublesome, while in reality being completely disengaged in any way. as pieck converses with a bulky man drinking wine and you pick apart the key points (“we don’t got the ammo to make deals with top contractors—legal team in shambles—not good to have a weak spot”), really you are letting your eyes wander over the shrubbery which has been trimmed to perfection. yes, the lights are a pain and the band is too loud so early in the event, and there is not enough walking space between the bushes so people squeeze together to reach the large clearing of the garden. a perfectly obnoxious party, except you can’t help but appreciate the greenery. somehow, it is the only thing about this evening that doesn’t seem ridiculous. or maybe you’re just unusually irritated tonight. 
your eyebrows knit so slightly at this realization. why are you being so disagreeable? impatience and intolerance seem to grow in your chest for no particular reason. you make a note to identify the source of your mood, and quickly resolve it. there’s work to be done.
karina braun is a kind, opinionated sheep of a woman. she is liked by all, and not because she’s particularly easy to like, but rather because she’s hard to hate. stuck in her times and not having much intellectual value, she is possibly the most important woman in all the families. being the mother of reiner braun and the head of the braun-galliard family, gives her luxury without responsibility. you’ve only met her once before, and she possessed the kind of ignorance many privileged older women have. but still she’s kind, so you can’t justify how she makes you weary. 
her birthday, funnily enough, constitutes one of the very few gatherings that frowns upon trying to discuss family matter during the events, unlike a young girl’s birthday. it has to do with respect, you suppose. 
you spend your first half-hour at the party hovering around pieck as she makes small talk with associates, becoming increasingly nervous at your lack of breakthrough in communication with the family. you know the most important thing is your encounter with karina, and that will open up further talks with others, but you stall to approach her, imperceptibly steering pieck further away from the centre table where the older woman sits. not yet. 
“are you going to keep leading me through the same semi-circle, or are you just going to go talk to her?” pieck asks calmly. you curse her intelligence in your mind. 
“i’m just nervous,” you murmur, smiling politely at a group of men at a distance that eyes you like the business deal you are. 
“you should be, but that doesn’t change that you have to do it.” your eyes flick to look at the woman beside you for a moment. her expression is not encouraging or consoling, nor is it unsettling. it’s fitting. what you and pieck have is less than friendship but more than acquaintanceship. often you feel as thought she’s reading your emotions like an open book, which can be scary considering how many of them you really hide. but if and when she sees them, she doesn’t seem to care, whether they’re incriminating or worthy of sympathy. she sees you, and that is all. it’s not a comfort, nor a curse. 
“what are you waiting for?” she says, but it’s a genuine question rather than a push to complete the task at hand. you realize you’re waiting for porco. you want porco at your side. you want his strength and his jagged-edged ambition, and the forcefulness that makes you do the things your heart has no energy for.
“i just think it would be better if the boys were here,” you breathe. again, pieck sees your meaning, and your fright, and leaves it be. 
for the next eternity, you drink champagne and stretch back your memory to know if all parties are this boring once you become an adult, or if the braun family has a particular talent for making you crave the sight of paint drying. the closest thing to entertainment—and not the hired folk who attempt to call themselves singers—is gabi’s voice, which can be heard no matter where in the garden you stand. she tells stories, strikes up arguments, and gathers food and drink with her friends, all at top volume. for some reason, you don’t find amusement in this either, and really start to worry about this attitude problem you’ve got this night. to add on, porco’s meeting seems to stretch painfully long. it was a short-notice meeting, which either meant something very very good or very very bad—more so when he told you he was being picked up for it by reiner, colt, and annie. some of the most important family members gathering for an emergency meeting means trouble. your anxiety bubbles in your stomach, and you worry that your not approaching the woman of the hour is reaching a point where it might be seen as—rude. 
the guests are alerted that dinner is ready. it’s not long before each person has situated themselves along the tables that line the large garden. the seating plan is loosely maintained, but you have nowhere near the entitlement to mingle among other tables. you find yours and stay at it, and it’s only then that you get an idea of just how many people are at this event. each table is packed, holding roughly six people, and there are too many to count in the chaos, but they create a semi-rectangle in three respective rows. you make out countless bodies but few faces, just an endless sea of tuxedos and lovely dresses. at the front of the garden is the head table, where karina sits alone save gabi’s bouncing body going back and forth. your table is is only a few feet from hers, but you take a seat that puts your back to her front so you don’t make the unforgivable mistake of accidental eye contact. you’re to sit with porco, and his table—the galliard table—is the one closest in importance to the braun table. you are the only one at the table, further reminder of porco’s tardiness. the longer you fiddle with the white cloth on the surface, the more you worry about what exactly the meeting could mean. 
and then pieck comes and sits across from you without a word. as always, you know it’s only family matter—the concern that you look out of place—motivating her and not your obvious discomfort, but you’re grateful nonetheless. 
as the servers stream into the garden like white-clad troops armed with dome platters, a champagne glass’s unmistakeable ding ding ding catches the attention of the guests. a table near karina’s opposite side, not quite flanking her but near enough to display some importance. a man stands with his glass raised, looking unfitting for the position with the way his arm hesitantly dips and re-straightens. bertholdt, yet another notable name in braun-galliard (and it’s your job to know all the names), seems to be the only person around able to give the welcome speech. it’s easy to listen only selectively to the announcements and shoutouts, disregarding all the thank yous and remember whens and listening in for honored guests (who are honored because they’ve proven themselves useful). luckily for you, bertholdt’s clumsy speech has a clear distinction between the two categories, his eyes downturned to cards in which he lists off important guests and whatever thing they did to end up on he list before him. 
“a special welcome to general theo magath of the mexican military, who has been so generous to the family’s trade routes…” bertholdt’s words are careful, partly because of the nature of the things he is sharing, but also because all his actions have been careful since his fall from grace. formerly one of the most reliable heavy men in the family, bertholdt’s reputation was shot to hell when an important—very important—family member was killed on his watch. despite having happened years and years ago now, it took extensive efforts to just convince the higher-ups that he wasn’t in bed with the killer. it’s common knowledge that bertholdt’s incident was the first and last time someone “had it easy” from braun-galliard due to his close friendship with reiner himself. 
“an especially relieving guest to see here tonight—“ 
and—finally—the stragglers stalk into the clearing. like most others, you hear of their arrival from the ripple of murmurs long before you see them, seeing as their whereabouts are blocked off by tables and bushes. a few people stand up, but are quickly beckoned to sit down again and redirect their attention to the speaker, who clears his throat nervously. 
“carry on, bertholdt,” reiner’s affecting voice breaks through the space, and it’s enough to settle the audience, or at least have them pretend to pay attention while the late-comers shuffle through the outskirts of the tables to find their seats. bertholdt proceeds slowly. 
“…a person i’m sure we will all come to rely on during this chaotic time…”
you catch the first glimpse of porco as he turns the final corner of the rectangle, reiner walking before him and colt and annie just behind. reiner is the first to arrive to his table, the invitees seeming to hold their chests a little taller for the family’s true head—in every way except on paper—as he slides into his seat and presses a kiss to his mother’s cheek. 
“…a great legacy behind him and a bright career ahead, and we’re surely glad he’s kicked it off in our company…” bertholdt goes on. you and porco’s eyes meet, and immediately you know something is the matter; you’re just not sure if it’s fury or ecstasy in his gleam. 
colt and annie find their seats in the table just after yours, and finally porco is near enough to see—and ignore—the look of alarmed curiosity on your face. he arrives to the table, giving pieck a look of “we’ll talk later,” and briefly stopping behind your chair. his calloused hands are on your arms for a moment, running up and down comfortingly. 
“—a happy welcome to—“
“hey, doll.”
“—jean kirstein.” 
and your eyes flick away from porco’s and into the crowd of faceless bodies, and the anxieties that kept your brain buzzing with life halt and collapse to the floor of your mind like dead flies.
jean? 
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