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#icons ruggero
ksevilla · 8 months
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karol sevilla icons ❤️
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ussers · 1 year
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karol sevilla+ruggero
ruggaroIifes (i maiusculo no lugar do l)
artruggaroI
teamruggaroI
ilyruggaroI
fvsruggaroI
foruggaroI
ifruggaroI
ruggaroIuv
eu faço divulgação de produtos da shopee, caso vocês se interessem vou deixar o link aqui embaixo
link
E se caso você tiver interesse em ter R$ 10,00 reais de desconto nas suas compras da shein é só usar meu código de referência BR08005Y (vá no seu perfil e clique em minha indicação)
🚨 O código é para compras acima de 200 reais.
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suspiria76 · 1 year
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Farewell Ruggero Deodato. Thank You especially for CANNIBAL HOLOCAUST (My all time favourite Film) and for showing the Darkness within Us all.
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erosioni · 1 year
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Michael Berryman and director Ruggero Deodato on the set of Cut and Run (Inferno in diretta), 1985. 
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morgansplace · 1 month
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LISTENER ICONS . part two
I redesigned some of my listener icons today and decided to do a second part! all the icons were made by me :) I miiight end up doing a part three if this gets attention and I finish some more icons up. Who knows!
in order, from left to right, we have;
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Charlie Lane [smartass] ; Malcolm Griffin [doc] ; Conan Sawyer [ivan's baby]
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Reuben Foster [seer] ; Dominick Rees [bestie] ; Lucien Dév [cutie]
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Ruggero Marte [honey] ; Viper Beoul [bright eyes] ; Dimitri Nabatov [my love]
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bethiewhimsy · 1 month
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how about 9, 14 and 30?!?
HIIII <3 tyvm for the ask hehe
9) a song that makes you happy
(there’s SO many but i went with the Iconic Answer)
14) a song you want to play at your wedding
(you know a few of them so i had to dig around in my mind for one i haven’t told you before) (at least i don’t think i have)
30) a song that reminds you of yourself
(this is always the first song i think of,, so,,,, sorry for the obligatory will wood song.)
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Any opera recs for a musical theater nerd who keeps wanting to check opera out and hasn’t gotten around to it yet?
ooh!!! as a lover of both opera and musical theater, YES!!!
so here are some basics:
-any operetta or light opera basically ever. some of the best: gilbert and sullivan. johann strauss’ die fledermaus (the bat). franz lehar’s die lustige witwe (the merry widow). any jacques offenbach operetta, ESPECIALLY orphée aux enfers (orpheus in the underworld, aka the one with the famous can-can) or la vie parisienne (the parisian life). leonard bernstein’s genre-defying candide.
-speaking of which, there are a LOT of good, reasonably short american operas out there. george gershwin’s porgy and bess (the source of MANY standards, most notably “summertime”) premiered on broadway, actually. so did gian carlo menotti’s the saint of bleecker street. others i’d recommend: menotti’s the medium, carlisle floyd’s susannah, kurt weill’s street scene. all of these are pretty intense/tragic though. my fave in a lighter vein is bernstein’s trouble in tahiti, which i saw live once and it was DELISH.
-giacomo puccini and his contemporaries are a GOLD mine for musical-loving opera newbies. they’re reasonably short operas, they’re INTENSE, they’ve got amazing scores. so:
puccini’s la bohème: yeah, rent is based on it. however: VERY MUCH NOT THE SAME. (bohème is better imo.)
puccini’s tosca: you want an intense night at the opera? this one has EVERYTHING. it’s a straight up thriller. basically everyone dies. the music is glorious.
i’m not a huge fan of puccini’s madama butterfly but miss saigon is based on it, so there’s that i guess.
puccini’s il trittico: three short (1 hour) operas with three wildly different moods: il tabarro (the cloak) is a thriller, suor angelica is about a nun Going Through Some Shit and is DEVASTATING, gianni schicchi is a side-busting comedy and also has that iconic aria “o mio babbino caro”.
pietro mascagni’s cavalleria rusticana (rustic chivalry) and ruggero leoncavallo’s pagliacci (clowns) are a frequent double bill. they’re both INTENSE short operas about infidelity and passion and revenge and murder. and they both have tunes you will recognize.
-other recommendations:
-wolfgang amadeus mozart’s die zauberflöte (the magic flute), which has lots of spoken dialogue and hit tunes. MAJOR caveat however: you’re better off picking a production that plays much more fast and loose with the dialogue and lyrics because the original is uh…HUGELY racist and sexist! look up the pacific opera project’s nintendo-themed production on youtube.
-gioachino rossini’s il barbiere di siviglia (the barber of seville). hilarious as shit. so many shenanigans. can be a little long for a newbie but yeah. plus: TUNES.
-gaetano donizetti’s l’elisir d’amore (the elixir of love), don pasquale, la fille du régiment (the daughter of the regiment), and lucia di lammermoor. the first three are hilarious comedies, the last one is a tragedy of bloody murder with an ICONIC mad scene for the soprano.
-giuseppe verdi’s rigoletto and la traviata. both pretty short (~2 hours or so). both have iconic tunes and great stories. the latter is more or less the basis of both pretty woman and moulin rouge.
-georges bizet’s carmen. SO MANY HIT TUNES YOU WILL RECOGNIZE. also the basis of carmen jones.
-maurice ravel’s l’heure espagnole (the spanish hour). it’s a short opera about a woman who juggles three lovers by hiding two of them inside clocks in her husband’s clock shop. it’s risqué and funny and fun and does not get done enough.
-if you like WEIRD german stuff: richard strauss’ salome (which i love, but it’s disturbing as fuck) and elektra (which i don’t love but respect people who do) and alban berg’s wozzeck (SUPER weird and disturbing) are all in the 1.5-2 hour range and have been known to make unexpected fans of newbies. but do not attempt these unless you’re willing to experience a total mindfuck.
i hope that helps some! fellow operablr members pls feel free to add anything i may have overlooked 💗
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opera-ghosts · 9 months
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OTD in Music History: Tenor Enrico Caruso (1873 - 1921) -- arguably the most famous and beloved operatic tenor of all time -- dies in Italy. Over the span of a legendary 25 year professional career, Caruso sang to great acclaim at major opera houses all across Europe and the Americas, and appeared in a wide array of roles drawn from the Italian and French operatic repertoire. In fact, he sang more than 850 times with the New York Metropolitan Opera (both at the Met and on tour) alone! One of the first major singing talents to be commercially recorded, Caruso released approximately 250 recordings between 1902 and 1920 -- earning millions of dollars and becoming the first true musical superstar of the modern recording era in the process. Caruso also appeared in two (silent) films: First, in 1918, he played a dual role in "My Cousin" for Paramount Pictures, which included a sequence depicting him on stage performing one of his most iconic roles: Canio the clown, who sings the famous aria "Vesti la giubba" from Ruggero Leoncavallo's (1857 - 1919) hit opera "Pagliacci" (1892). Then, in 1919, Caruso played a character called Cosmo in a film entitled, "The Splendid Romance." Producer Jesse Lasky paid Caruso a whopping $100,000 to appear in these two efforts -- but "My Cousin" flopped, and "The Splendid Romance" was apparently never released, and is now considered to be one of the many "lost" silent films from that era... When Caruso died suddenly of peritonitis at the age of just 48, it was cause for international mourning. Italian King Victor Emmanuel III (1869 - 1947) opened the Royal Basilica of the Church of San Francesco di Paola for Caruso's funeral, which was attended by tens of thousands of mourners. Caruso's embalmed body was then preserved in a glass sarcophagus at Del Pianto Cemetery in Naples and displayed for nearly a decade (!) so that his legions of fans could continue to pay their respects... PICTURED: One of the many swiftly-executed caricatures that Caruso (who was also a gifted visual artist) famously accomplished over the years. This example is a rather mischievous-looking self-portrait, which he signed and dated to London in 1901.
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slpublicity · 11 months
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SCREAMBOX June Streaming Line-Up Includes HOLLYWOOD DREAMS & NIGHTMARES, NIGHTMARE ON ELM STREET, SUBSPECIES Franchise
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SCREAMBOX has revealed the new films that are joining the horror streaming service in June, including Hollywood Dreams & Nightmares: The Robert Englund Story, A Nightmare on Elm Street, The Mangler, Day of the Dead, Rabid, The Collector, Jethica, and the Subspecies franchise.
SCREAMBOX's month-long celebration of horror icon Robert Englund kicks off today with the addition of Wes Craven's A Nightmare on Elm Street, Tobe Hooper's The Mangler and Night Terrors. Other Englund films currently streaming include Galaxy of Terror and The Funhouse Massacre.
The evil vampire Radu comes to SCREAMBOX with the entire Subspecies series on June 2. Sink your fangs into all five entries in the Gothic horror franchise, from the original 1991 cult classic to the exclusive streaming debut of the brand new installment, Subspecies V: Bloodrise.
Celebrate #RobertEnglundDay on June 6 with the SCREAMBOX Original documentary Hollywood Dreams & Nightmares: The Robert Englund Story. This intimate portrait of the horror icon features interviews with Englund, his wife Nancy, and such genre favorites as Tony Todd, Kane Hodder, Lance Henriksen, Bill Moseley, Eli Roth, Lin Shaye, Heather Langenkamp, Mick Garris, Andrew Divoff, William Katt, Jeffrey Reddick, Corey Taylor, and more.
Hit the road with SCREAMBOX Exclusive Jethica on June 13. Callie Hernandez (Alien: Covenant) stars in the darkly comedic genre-bender about a pair of friends who seek help from beyond the grave to get rid of a stalker.
SCREAMBOX Original surrealist body horror film New Religion drops on June 20. The Japanese festival favorite follows a grieving mother who must decide how far she's willing to go to connect with her deceased daughter.
Other June additions include: George A. Romero's '80s zombie classic Day of the Dead; David Cronenberg's original Rabid along with the Soska sisters' recent remake; Marcus Dunstan's home invasion shocker The Collector; Roadgames with genre royalty Jamie Lee Curtis; The Haunting of Molly Hartley starring Haley Bennett (The Equalizer) and Jake Weber (Dawn of the Dead); and Deathcember, a horror anthology with segments from Ruggero Deodato (Cannibal Holocaust), Lucky McKee (May), and Pollyanna McIntosh (The Walking Dead).
Start screaming now with SCREAMBOX on iOS, Android, Prime Video, Roku, YouTube TV, Samsung, Comcast, Cox, Philo, and Screambox.com.
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ruggeropellegrin · 11 months
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Iconic USA Chapter 1 Part 1 - The first months
Thinking back at those years from 2017 through 2020 when we lived in Texas, I basically see these ‘outstanding meaningful moments’: The first months: July to October 2017 Ruggero and Marta settling in, our new home, town, city, State, and Country COVID in Texas Going back to Europe I’ll develop Iconic USA in four Chapters, following the structure above. All four chapters carry with them…
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View On WordPress
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upinflamesicon · 3 years
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[requested] tini + ruggero
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ksevilla · 8 months
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karol sevilla icons ❤️
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stuffskarol · 4 years
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icons ruggarol/lutteo
like/reblog this post if you save!
(c) lunasfresa on twitter
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ruggetina · 6 years
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like or reblog
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archivruggarol-blog · 6 years
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gomezwithbtr · 3 years
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RUGGERO & SELENA
Tweet to @gomezwithbtr
Like & reblog if you use/save
Credits to the headers
Thanks ♡
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