#it makes them feel like regular teenagers and it fleshes angela out more

[alto-tenure]

hershel layton and angela ledore's friendship is so important to me you have no idea

#professor layton #hershel layton #angela ledore #like. idk if you get it but it just. it matters to me!! #i mean. i have always been a sucker for a platonic f/m relationship #it really makes both of them feel more like regular teenagers #like i mean. it's just normal for them to be friends!! and there is zero romantic tension!!! #they're friends! and layton is the *only* person in stansbury that they don't try to imply had feelings for angela at all #and that's probably for other reasons but it just #it makes them feel like regular teenagers and it fleshes angela out more #they're similar in some ways and it makes their friendship really great like they both have this understanding of each other #not to wear my ran/lay shipper hat or anything but like. there's a couple points where layton and angela are even compared #in their respective bonds to randall #they have the mutual understanding that they're both able to like. handle? randall #i don't like the phrasing of handle but i can't think of anything else #they have a comfortable bond with each other as teens that feels...lived-in #and then as adults you can still see those foundations but they're both changed #she didn't know how to give up and he didn't know how to hope at the time #it's just. so important. they could have neglected it but instead they chose to give this friendship to us! #brotp: quiet contemplation and coexistence

[bamfdaddio]

X-Men Abridged: 1981 - the Body-Swap

The X-Men, those body-swapping mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. We’ve been untangling that history for a while, but sometimes, you really want a more in-depth look. Interested? Then read the (un)Abridged X-Men!

(Uncanny X-Men 151 - 152) - by Chris Claremont and Josef Rubinstein

Emma Frost and her frenemy Ororo Munroe have not been getting along! One fateful evening, as the two quibble away, they mysteriously switch bodies and minds. Talk about your Freaky Friday! What lessons will they learn, walking a mile in one another’s shoes? And will they be able to switch back, or will they stay in each other’s bodies forever? Mutant Monday, coming soon to a cinema near you. Starring: Elizabeth Banks, Angela Bassett and Elliot Page. (PG-13)

For a moment, we’re in a proper period drama: a letter delivers ill tidings!

I love that Kitty’s parents are so self-involved that it took them A WHOLE YEAR to realize that it’s weird that Kitty is the only non-adult attending the Xavier Institute.

I can only assume the mailman interrupted a pool party of some kind? Or a communal shower? I get why Kurt would not swim a lot - all that fur - but did Scott wear that while they were splashing around? Was it a beach volleyball competition where one half got to wear swimsuits and the other half superhero costumes? Most importantly, was Scott’s costume always this tight?

Not that I’m complaining, mind you.

The awful thing is that Kitty’s parents are transferring her to the Massachusetts Academy, not realizing that headmistress Emma Frost is, in fact, a terrible human being. Charles, uncharacteristically, says that changing their minds telepathically is a line he does not cross (any more) and half the viewing audience bursts out in laughter. More importantly, last they saw Emma, she was kind of dead-by-Phoenix, so it might be better there this time? Kitty does a Classic Teenage Stomp-Off and Storm comes to comfort her. Kitty cries that life is unfair (“My parents are only doing this because they’re splitting up”) and Ororo tells her that yes, life is unfair. You just gotta roll with the punches as best you can.

To be fair, bald men are technically all cheek, so it doesn’t matter where you kiss them.

While I enjoy the relationship Kitty has with the other X-Men (Scott gave her a compliment! Logan told her his name!), especially the mother-daughter-bond she shares with Ororo, the whole Piotr-thing always gives me pause. Even if we’re being very generous with age, Kitty is, what? 14 going on 15? And Piotr is… 19? At best? I get why Kitty would have a crush on him: he’s a gentle hunky giant: at fifteen, my teenage ass would have felt the exact same viz-a-viz Colossus’ upper arms. The fact that Piotr reciprocates feels skeevy, though, especially because they’re always treated like star-crossed idiots these days.

Skee-vy.

Ororo drives Kitty to Massachusetts, where her young ward is greeted by someone named Muffy and whisked away for orientation. All seems well. Ororo stands in a parlour, surveying the grounds and considering that they should have fought harder for Kitty. Still, nothing seems too wrong just yet: this Academy just seems very preppy.

Not-at-all-dead Emma takes her cue and jumps out, saying (essentially): “Surprise motherfucker.”

There’s a flash of light, and then...

I’m willing to bet that Emma’s EVIL journal has the following to-do-list: - Steal Storm’s body. - Experiment with her powers. - See how good Storm looks in white. (Leather? Fur?! Both!??) - REWARD: Smoke break.

I wonder if Emma’s plan hinged on being able to body-swap with Storm, or whether any X-Man would have sufficed. Was her original target Xavier? Cyclops? What if one of Kitty’s parents had brought her to Massachusetts, would she have taken Kitty instead?

In a locked cell, Storm wakes up in Emma’s body and is horrified. I wonder why Emma didn’t take any more precautions. Couldn’t the guy who made the freaky friday-gizmo also make a power dampener to nullify not!Emma’s telepathic abilities? Or did Emma count on her victim being so utterly incapacitated by her mind-powers that they’d be driven mad? (This would actually tie in with some of Emma’s later-revealed history: when her powers first emerged, she also got locked away in a padded room because of her madness.)

Emma is not wrong, by the way: Storm can’t get a handle on Emma’s powers. What follows is possibly the sweetest moment in an arc filled with sweet moments:

This arc isn’t drawn by any of the regulars - not Byrne, not Cockrum - but Josef Rubinstein brings his own kind of panache to the pages. I love the way he draws women’s faces: in a story that’s all about women, their faces are actually distinguishable. Kudoz.

Emma, meanwhile, coordinates with Sebastian Shaw to execute the second part of their two-pronged attack on the X-Men. They both laugh evilly in their phones while the mansion is attacked by Sentinels! These androids take out Cyclops and Xavier with some sleeping gas and knock out Nightcrawler, but the rest of the X-Men manage to trounce these robots. Then ‘Storm’ appears! She zaps the rest of the X-Men (and Amanda Sefton), successfully finishing their master-plan.

It’s not entirely clear what the Hellfire Club wants with the X-Men this time, but I’m assuming it’s more experimentation to improve the sentinels? Eh, doesn’t matter! Nefarious Hellfire Club is nefarious.

The real Storm, meanwhile, comes to claim Kitty, forgetting that she looks like the one and only Emma Frost. Kitty spooks and Storm accidentally reaches out, knocking her out telepathically. Whoops! Storm takes Kitty and flees in a car, while Emma gives chase. (How dare Ororo run off with her body, which is absolutely the kind of hypocritical hilariousness we all love Emma for.)

Kitty awakens and jumps from the car, causing Storm to swerve and...

JETSTREAM!? Speaking of which, where are the Hellions in all of this?

Kitty sees that an unconscious ‘Emma’ is about to burn to a tender and moist little crisp and she is faced with the hero’s dilemma: would you save a villain that would never save you?

Emma, meanwhile, has realized the downside to body-swapping: somebody else gets to run around with your body too. Shaw, of all people, talks her down from her anger.

You can’t just introduce a persona exchange gun to the plot WITHOUT EXPLAINING WHERE THE FUCK YOU GOT IT FROM.

My favorite detail is that Emma keeps calling Kitty brat, like she’s some sort of Pokémon-villain.

Kitty, meanwhile, has saved ‘Emma’ and tied her up with a special knot. Storm tries to convince Kitty, going for the “ask me something only Storm would know”, but Kitty’s all: “Duh, you’re a telepath.” Ororo insists, but the thing that clinches it is when she breaks free of her ties without breaking a sweat. That knot was taught to Kitty by Ororo and she’d be the only one who knew how to break out of it.

Storm and Kitty recruit Stevie Hunter to come pick them up and during the ride, Storm-being-angry-mother!Storm convinces Kitty more than anything else:

After all, Storm was voted most likely to say: “If you don’t stop this nonsense immediately, I will turn this Blackbird around, so help me God!”

Ororo and Kitty sneak inside. Ororo even uses Emma’s telepathy to help her pick a lock after phasing through a door. (Kind of funny: Kitty’s still such a neophyte that she can’t even phase with anyone else yet.) Emma, meanwhile, taunts the captured X-Men, presenting herself as the new white queen:

Anybody feel the inclination to point out that the Hellfire Club did this exact same thing last year, except then they tried it with a redhead?

I secretly suspect that the Hellfire Club’s plots always revolve around seducing X-Men to their side and dressing them up in sexy lingerie. (Which: fair.) There’s also a subplot where the guys Wolverine cut apart last year want to exact revenge on him for being made bionic, but eh. We’ll start paying attention to them when they become actual Reavers.

Kitty phases through the locks of the X-Men, freeing them, and a kerfuffle ensues. Emma starts using Storm’s powers, but they grow out of control. Colossus tosses Shaw out of the window - which should just be company policy, really: all Shaws should be defenestrated - where he’s promptly hit by a rogue thunderbolt.

When he doesn’t get up, Emma starts to lose it. The weather goes wild. Storm intervenes, using her telepathic power to help calm down Emma (and the raging storm), but she also manages to get a hold of the swap-gun. There’s a zap, and with a satisfied sigh, the status-quo is restored again.

My favorite implication is that, apparently, Emma decides which school Kitty attends and not her parents.

While this little arc is neither the most iconic nor the most profound of 1981 -- those would be Days of Future Past and I, Magneto, respectively -- I still love this for a couple of reasons.

As a lover of Freaky Friday, 17 Again and the new Jumanji-film, I just have a soft spot for body swap plots. (Hi Psylocke!)

It focuses on the Xavier Institute as a school, planting seeds for the upcoming New Mutants.

It is very female-driven without beating you over the head with it. (Looking at you, Birds of Prey.)

It has three definitive main characters, who all get fleshed out in fun and interesting ways. It starts the trend of robbing Ororo of some of her powers and tossing her into against-the-odds circumstances, only for her to come out on top.

It solidifies the Storm/Kitty mother/daughter (or older/younger sibling) dynamic. Kitty is a believable teenager when it comes to Storm - clever and kind, but also looking for answers and prone to rash decisions - and I love how much they care for each other.

Jean/Storm-friendship-callback, yay!

Emma gets fleshed out as a villain. Resourceful and petty, powerful and vain. It’s no wonder she’s one of the break-out antagonists of the X-Men, because, like Magneto, Claremont is not afraid of giving her depth. Arguably, she is the most three-dimensional of the Hellfire Club at this point.

Yay! And fuck completely sensible plots, if you don’t know what to do with your plot, just introduce a random persona exchange gun. Let’s use it on Xavier and Legion in Way of X next!

#x-men abridged #abridged x-men #x-men #storm #professor x #kitty pryde #uncanny x-men #emma frost #cyclops #nightcrawler #stevie hunter #colossus #sebastian shaw