rating Lovejoy songs based on how aspec they are
(disclamer: a lot (most) of these are a stretch. but nothing is more powerful than an aroace who wants representation.)
Are You Alright?
Taunt: off to a bad start- the only remotely-aspec-if-you-squint line is 'did anybody ever say no to you?' which implies that the singer is rejecting the subject of the song. why? aromanticism or asexuality, maybe. along with the general theme of running away in this song, although that's also a reach. 1.5/10.
One Day: again, not much. the song is about the singer's romantic partner not being good for him, which is a pretty common topic for a song. the idea of wanting to be in a relationship despite it not being good can apply to aspec people, but overall this song doesn't give much. 1/10
Sex Sells: now we're getting somewhere! I see this song as a story that 'call me what you like' and 'it's all futile! it's all pointless!' are also about: an asexual alloromantic and allosexual aromantic trying to make a relationship work. in this song, it's obvious that the singer and the subject want different things from the relationship- the more relevant of this song is that the subject prioritizes sex, which the narrator does not want. pretty aspec! 7/10
Cause for Concern: honestly, this song's got nothing. a banger, but not aspec. 0/10
Pebble Brain
Oh Yeah, You Gonna Cry?: definitely less to go on, but I hear this song as the singer helping his friend to break up with her boyfriend by implying they have the beginning of a relationship. maybe a sort of prequel to the 'sex sells' story. 4/10
Model Buses: the lines 'you're just scared/you're just scared of the future' is often something paraphrased by aphobes, invalidating their orientation by saying things like 'you're afraid of growing up' and 'you're afraid of commitment'. pretty aspec, but it is only a couple of lines that probably weren't intended to be read this way. 3/10
Concrete: not much of anything. 0/10
Perfume: that's what I'm fucking talking about. 'seems like all her friends/abruptly fell in love/and she was in the dust/darling, life was streaming past/so she learned to lie/she learned how to pretend/a drama in the futile/a means to an end'. it's aro! it's aro. to quote the writer of the song, 'you aromantics need to read my lyrics! listen to it's all futile! it's all pointless! and figure out what it's about. and perfume.' super aro, however it's only half a verse. 8/10!
You'll Understand When You're Older: same deal as 'model buses'. a lot of aspec people, particularly teens, are invalidated by being told that they are late bloomers. 3/10
The Fall: love this song, there's nothing aspec though. 0/10
It's All Futile! It's All Pointless!: aro. it's SO aro. see the quote above about perfume and iafiap. also, an entire verse explicitly about not being in love! subject is almost definitely alloaro. and general themes of doing what society tells you, despite you being unhappy with it. 11/10, aro anthem.
Wake Up & It's Over
Portrait of a Blank Slate: not super aspec. however, 'how do you all make it look so easy?/open your hearts up so quickly, it scares me' sounds arospec to me! 4/10
Call Me What You Like: this is the last song of the story that starts with 'sex sells'. some especially aspec lines include 'you could kiss the skin from my lips if it makes you feel good/not sure if you want it, not sure if you need me, too'. the first line implies that the narrator is indifferent towards sex and/or romance, and engages in it only if his partner wants to. in the second line, he wonders if his partner values him in the relationship. 'I'm not made for you/but what else is new?/oh lord, she tells me that it's nothing/I really hope it's nothing' to me references the narrator and the subject experimenting to figure themselves out- 'what else' could be new is romantic feelings. the narrator hopes there aren't any. 6/10
Consequences: One of my favorites, but there's not much here. Maybe 'I wish I tried more/wish I tried more/wish I tried' in reference to a romantic relationship, which some aro people can relate to by thinking that if they had 'tried harder' to be in love, the relationship would have worked. Kind of a stretch, though. 1.5/10
Warsaw: at first glance, there's not much but if we look closer... the subject is unhappy in her current relationship, (a common theme in Lovejoy's songs) and is sleeping with strangers, which is the same situation as 'call me what you like' and by extent iafiap, in which the subject is likely alloaro. 'the place that she got her first kiss is now a vaccination clinic' also supports that the subject of this song is the same as the one in iafiap, cmwyl, and sex sells- same meaning as 'what was your thought when you realized you'd never feel naïve love again?'. (I know I said cmwyl was the last in the story- I feel like this isn't solid enough to definitely be a part of it). my argument's a bit weak. 5/10
Scum: 'no matter how much you think you love him/you'll still flinch when his blood pool touches you.' can't figure out how to explain this one, but you get it. 'maybe he'll be jesus/maybe he'll be jesus this time.' 'jesus' in these lines might mean The One- maybe this person will be the one, maybe this relationship will be the one. I'd group this song in with model buses and you'll understand when you're older, just a couple one-off lines. 3/10
It's Golden Hour Somewhere: 'they'll tell you this is normal/they'll tell you this is love/I'm not sure if the stuff I want is even worth the price it comes'. again, can't describe it, just seems aspec. 2/10
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