#keiko 2nd album

[putschki1969]

【1/23】KEIKO 「Yūyami no Uta」 Online Sign Event

If you have time, be sure to tune in for the live broadcast of Keiko’s 2nd Online Sign Event! In celebration of Keiko’s upcoming physical single release, she will be holding two online sign events (as she did previously for her album release of “dew”). If you have pre-ordered the target products at the target shop within the target period, you will either receive one out of two original photo designs or one of the cover images with your name and Keiko’s handwritten signature. The present will be shipped together with the ordered product. The sign events will be live streamed on the KEIKO Official YouTube Channel for everyone to watch (Find all the details HERE). Tweet by Keiko

■ Date and time #2 Event: January 23, 2024 19:00- (JST) ※The broadcasts are scheduled to be archived for one week.

Let's all listen to Kalafina's "Seventh Heaven" album today to celebrate their 16th Anniversary. That's what Keiko is listening to today.

#kalafina #keiko #video #online sign event #corazon #夕闇のうた #yūyami no uta #corazon online event #Youtube

[albedofantastica]

9.9.2023 Release Albedo Gravitas / luminescence

Albedo Gravitas are derived from the improvised duo group called Albedo Fantastica of Keiko Higuchi and Sachiko established in 2015 joined by Shizuo Uchida to be a trio. The kaleidoscopic voices of Higuchi and Sachiko intermingling with the piano, bass, electronics and melodica, seem to stagnate and cut up the space which to result to create their only unique improvisation. They have been constantly performing in Tokyo and released their first album Eihwaz from the French label An’archives in 2021.

This very latest one is their first studio recorded album ever. The music here appears to be a roaming in the tranquil darkness, breathing deeply and tracing the spiritual vein of gold while spotting luminescence.

artist: Albedo Gravitas title:  luminescence format: CD label: Musik Atlach number: MA020 price: 12USD

TRACKS: luminescence fossa vein of ore

Albedo Gravitas 2nd ALBUM RELEASE PARTY September 9, 2023(sat)@Okubo Hikarinouma open 19:00 start 19:30 charge 2000yen +1drink Albedo Gravitas guest: 清水麻八子＋田畑満 / 森重靖宗＋赤い日ル女

Albedo Gravitas Albedo Gravitasは2015年に結成されたヒグチケイコとSachikoの即興デュオグループAlbedo Fantasticaに内田静男が加わり派生したトリオである。ヒグチケイコとSachikoの変幻自在なヴォイスにピアノ、ベース、エレクトロニクス、メロディカ等が絡み、空間を淀み引き裂くような独特の即興演奏。都内でコンスタントにライブを行い、2021年にはフランスのレーベルAn’archivesよりファーストライブアルバムEihwazを発表。 今作は初のスタジオレコーディングアルバムである。静かな暗闇の中の彷徨のように深く息をつき、燐光を見出しながら魂の鉱脈を辿る。

清水麻八子＋田畑満 清水 麻八子（シミズマヤコ） 大学卒業後NewYorkに渡り リンカーンセンターのAlice Tully Hallに於いて“BlackShips”芸者役でデビュー。 その後オーストリア・ウィーンにてSona Gazarian女史の下で研鑽を積みウイーン国立音楽大学マスターコース修了。 帰国後上野耕路オーケストラのボーカリストとして活動。映画・ドラマの挿入歌や、坂本龍一プロデュースコンサートに出演。 映画「音量を上げろタコ！何歌ってんのか全然わかんねぇんだよ！」では、主演の阿部サダオ、吉岡里帆への歌唱指導の他、ゆめうつつ役としての映画出演と劇中歌を担当。 杵屋弥吉の創作長唄「赤い月」にサロメ役として国立劇場に出演。その他日本武道館での国歌独唱。

田畑 満（タバタミツル） 京都出身。 1982年より音楽活動開始。 これまで、のいづんずり / BOREDOMS/ Leningrad Blues Machine / YBO2/ZENI GEVA / Acid Mothers Temple /ガセネタなど、常に日本の音楽シーンの重要バンドで活躍しつつ、海外ツアー、多数のセッションも精力的にこなし、自宅録音によるソロ・アルバムも国内外のレーベルよりリリースしているギタリスト。現在はZZZoo、20Guilders、Tigris Flowers、RQRQ、痛郎、ザ・スターリンのイヌイジュンとのドラム＆ベース・ユニットINUY & TABBIE、lemonsoursなどのグループで活動。twitter, Instagram, Facebook

森重靖宗＋赤い日ル女 赤い日ル女 / Akaihirume 歌手。自作曲の演奏のほか、多様な発声による即興表現や声そのものを素材に、単独での演奏や様々な分野の表現者と共作、共演活動をしている。 森重靖宗 / yasumune morishige 音楽家。声、エレキベース、ピアノ等の楽器を用い、即興演奏を中心に音楽活動を行う。灰野敬二率いるロックバンド、不失者のベーシストとしても活動。

#albedo fantastica #keiko higuchi #sachiko #albedo gravitas #uchida shizuo #SoundCloud

[keiko-higuchi]

ヒグチケイコ 9月ライブのお知らせ keiko higuchi shows in september

●September 9th, 2023 (sat) 

Albedo Gravitas 2nd ALBUM RELEASE PARTY @大久保ひかりのうま okubo hiikarinouma

open: 19:00/ start: 19:30 

charge 2000yen +1drink

Albedo Gravitas

guests:

清水麻八子 mayako shimizu＋田畑満 mitsuru tabata / 森重靖宗 yasumune morishige＋赤い日ル女 akaihirume

ひかりのうま:https://hikarinouma.blogspot.com/

東京都新宿区百人町1-23-17-B1 

●September 22nd, 2023 (Fri)

"Rumble#31" at 幡ヶ谷 Hatagaya FORESTLIMIT

start: 20:00 

charge: 1500yen +1drink

DJ:

小林径

Jun Kitamura

Live:

Archeus

fuelphonic

kyosuketerada

forestlimit: forestlimit.com

東京都渋谷区幡ヶ谷2-8-15   

[musikatlach]

Albedo Gravitas / luminescence September 9, 2023 ON SALE

Albedo Gravitas are derived from the improvised duo group called Albedo Fantastica of Keiko Higuchi and Sachiko established in 2015 joined by Shizuo Uchida to be a trio. The kaleidoscopic voices of Higuchi and Sachiko intermingling with the piano, bass, electronics and melodica, seem to stagnate and cut up the space which to result to create their only unique improvisation. They have been constantly performing in Tokyo and released their first album Eihwaz from the French label An’archives in 2021. This very latest one is their first studio recorded album ever. The music here appears to be a roaming in the tranquil darkness, breathing deeply and tracing the spiritual vein of gold while spotting luminescence.

artist: Albedo Gravitas title: luminescence format: CD label: Musik Atlach number: MA020 price: 2100yen, 12USD

TRACKS: luminescence fossa vein of ore

Albedo Gravitas 2nd ALBUM RELEASE PARTY September 9, 2023(sat)@Okubo Hikarinouma open 19:00 start 19:30 charge 2000yen +1drink Albedo Gravitas guest: 清水麻八子＋田畑満 / 森重靖宗＋赤い日ル女

Albedo Gravitas Albedo Gravitasは2015年に結成されたヒグチケイコとSachikoの即興デュオグループAlbedo Fantasticaに内田静男が加わり派生したトリオである。ヒグチケイコとSachikoの変幻自在なヴォイスにピアノ、ベース、エレクトロニクス、メロディカ等が絡み、空間を淀み引き裂くような独特の即興演奏。都内でコンスタントにライブを行い、2021年にはフランスのレーベルAn’archivesよりファーストライブアルバムEihwazを発表。 今作は初のスタジオレコーディングアルバムである。静かな暗闇の中の彷徨のように深く息をつき、燐光を見出しながら魂の鉱脈を辿る。

清水麻八子＋田畑満 清水 麻八子（シミズマヤコ） 大学卒業後NewYorkに渡り リンカーンセンターのAlice Tully Hallに於いて“BlackShips”芸者役でデビュー。 その後オーストリア・ウィーンにてSona Gazarian女史の下で研鑽を積みウイーン国立音楽大学マスターコース修了。 帰国後上野耕路オーケストラのボーカリストとして活動。映画・ドラマの挿入歌や、坂本龍一プロデュースコンサートに出演。 映画「音量を上げろタコ！何歌ってんのか全然わかんねぇんだよ！」では、主演の阿部サダオ、吉岡里帆への歌唱指導の他、ゆめうつつ役としての映画出演と劇中歌を担当。 杵屋弥吉の創作長唄「赤い月」にサロメ役として国立劇場に出演。その他日本武道館での国歌独唱。

田畑 満（タバタミツル） 京都出身。 1982年より音楽活動開始。 これまで、のいづんずり / BOREDOMS/ Leningrad Blues Machine / YBO2/ZENI GEVA / Acid Mothers Temple /ガセネタなど、常に日本の音楽シーンの重要バンドで活躍しつつ、海外ツアー、多数のセッションも精力的にこなし、自宅録音によるソロ・アルバムも国内外のレーベルよりリリースしているギタリスト。現在はZZZoo、20Guilders、Tigris Flowers、RQRQ、痛郎、ザ・スターリンのイヌイジュンとのドラム＆ベース・ユニットINUY & TABBIE、lemonsoursなどのグループで活動。 ⚫︎Twitter ⚫︎Instagram ⚫︎facebook

森重靖宗＋赤い日ル女 赤い日ル女 / Akaihirume 歌手。自作曲の演奏のほか、多様な発声による即興表現や声そのものを素材に、単独での演奏や様々な分野の表現者と共作、共演活動をしている。 森重靖宗 / yasumune morishige 音楽家。声、エレキベース、ピアノ等の楽器を用い、即興演奏を中心に音楽活動を行う。灰野敬二率いるロックバンド、不失者のベーシストとしても活動。

#sachiko #keiko higuchi #SoundCloud

[cdbrainrecords]

Keiko Mizukoshi - Heart (LP, Album)

Keiko Mizukoshi – Heart (LP, Album)

Vinyl(VG+) Sleeve(VG+) Insert(VG) Obi(missing) / missing Obi 帯なし / コンディション　盤 : Very Good Plus (VG+) コンディション　ジャケット : Very Good Plus (VG+) コンディションの表記について　  [ M > M- > VG+ > VG > G+ > G > F > P ] レーベル : Polydor – MR 3190 フォーマット : Vinyl, LP, Album 生産国 : Japan 発売年 : 1979 2nd Album ジャンル : Funk / Soul, Pop スタイル : City Pop   収録曲 :  A1. 星ものがたり A2. シーサイドメモリー A3. ほほにキスして A4. 歌って死ねるなら A5. 水彩画 A6. そっとカモメに B1.…

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[kyotakumrau]

2020.09.27 Rolling Stone Japan - interview with SUGIZO - translation (selection)

SUGIZO talkes about how he met his friends and why was it important to him now to release a live album

Original text: Joe Yokomizo

Photos by Keiko Tanabe

Translation: kyotaku

SUGIZO is releasing the first live album in his solo career, 'LIVE IN TOKYO', on September 30th. This work delivers the two day birthday performance 'SUGIZO 聖誕半世紀祭～HALF CENTURY ANNIVERSARY FES.～' that was held last year on July 7th and August 2nd at Nakano Sunplaza, giving you a chance to not only enjoy the live atmosphere but also the magnificent collaboration with his sworn musician friends.

It's a masterpiece I'd love many people to listen to, but it might be surprising to people who only know SUGIZO from LUNA SEA and X JAPAN and not his solo work.

In this interview we will get to the bottom of it, discussing the live album, the foundations of SUGIZO's solo work and his music, and the history with the artists who joined the project.

ー It's the first time in your career you're releasing a live album, which is very unusual now that the video releases are so common. You were that happy with how those 2 days turned out?

I was planning to release a live album from before. I heard from my staff they wanted to release the material from this half century celebration, but because I've released live video works so many times I thought it's time to change my approach.

I feel that young people nowadays are not really familiar with live albums. These times we can easily watch live videos everywhere including YouTube. But back in our childhood the live album from the artist we were indulging in was a real prize. For me it was YMO, JAPAN and PiL. Miles Davids or Frank Zappa also had quite a few live releases. And, Deep Purple or Peter Framptom also had famous live albums, even as I wasn't influenced by them. With such artists, live albums in 70s and 80s were treated as extremely valuable. I have a lot of admiration for those times, so I was hoping to eventually be able do it myself.

－ I see. Before we talk about the content, I wanted to ask you when did you encounter the so called psychodelic trance music that is the foundation of your solo music?

In the mid 90s. First, I was really into hardcore techno or minimal techno in early 90s, speaking of the ambient world like The Orb or 808 STATE, I really love the scene of that time. And few years later, at the same time when I started my solo activity, European drum n bass or abstract hip hop were very popular, I was quite influenced by the club culture and music around then, and then naturally I gave myself to trance.

The first rave I went to see was Vision Quest in 2001, and from then I got even more into it. The feeling of life in the perfectly linked music and the flow of universe, like dancing with the rising sun and chilling in the afternoon, my instincts were telling me that people had a connection with this kind of music from the ancient times. Not the music from the cities, the music with roots in nature. Kind of primitive music. I found great value for music there.

◆Then they discuss JUNO REACTOR, learning what kind of rhythm feels good, how working with a South African percussion team Amampondo helped them grow spiritually, especially thanks to the drummer Mabi, SUGIZO's chase of the 'black groove' to finally understand East has its own good points; he can be proud as Japanese and SUGIZO's solo activity reflects everything he's learnt.

Next, Joe asks SUGIZO for a primer of his solo work, SUGIZO lists 'Misogi', 'FATIMA', 'DO-FUNK DANCE' and 'Lux Aeterna'◆

meeting Kyo（DIR EN GREY/sukekiyo)

－ Remarkably for each of two days you invited guest vocalists. All of them are musicians you're very familiar with, could you tell us first about how you got to know Kyo (from DIR EN GREY/sukekiyo)?

From the start I was close with some people they know and their staff members. So I went to see their show and we were introduced. It was surprisingly recently, like around 2005 or 2006.

－ What was your impression when you saw DIR EN GREY for the first time?

It was the first time I felt threatened by a younger band. I'm sorry for saying this, but I haven't felt threatened or impacted by any of the younger artists, within this genre. That's why I was quite surprised with how great they are. What they're expressing, their worldview are incredible. At that time I could feel that their performance or sound are not there yet, but I could already feel the intensity of what was pouring out of them, the endless possibilities.

I was especially looking at Kyo thinking 'he's a genius'. There's no theory or detailed reasoning with him. He's just doing things by instinct. But he's good with words, good at drawing, as an artist he can express himself in so many different ways. Then, when I met him in person he was just so pure and innocent, doesn't it seem like he's not greedy at all? So it was a shock of 'a genius like this exists?'.

－ It was Kyo who wrote the lyrics for your collaboration song 'Zessai', was it a request from you?

Yes. Thinking to sing the best it'd be better if that person writes the lyrics, and when I asked [Kyo] he happily did. When I sent him a 2nd stage Mix demo asking 'it will be like this, what do you think?', he already had the singing (melody) put in. And the lyrics have been done too, when I asked 'woah, that's the actual thing?', he replied 'yup, I've done them'. It's the same with DIR. Thus, he's a genius. When an image comes to his mind he cannot wait. It all felt so fast. He's really a phenomenal creator.

－ How was the performance at the Half Century Anniversary?

I felt he definitely is someone who follows his instincts. When you stand on the stage and things get serious it totally doesn't matter if you're younger or older (as in how long you've been working in a music business). Of course there was no stage fright, I felt as a performer he's just huge, and at the same time it felt like there was mutual respect. It felt like it would be a waste to let it just finish like that. That's why I'm very happy that we can release the collaboration from the stage [on the live album].

◆Next, they talk about TERU and TAKURO (from GLAY), followed by Kiyoharu (I'm skipping here a lot)◆

－Kiyoharu said 'I've performed on various stages so I can't imagine myself losing, but when playing together with SUGIZO the pressure is very different'. Often when two different performers stand on stage together sparks will fly.

The same thing can be said about RYUICHI and SUGIZO, the spark/heat of the collision of a guitarist and a vocalist is often very attractive. In a way there's also the aesthetics of traditional rock, that the combination of Kiyoharu and SUGIZO might be able to embody this spark's attractiveness. That's why the collision on the stage makes me shudder, but also it's possible to blend together. With [the combination of] Kyo and SUGIZO there's no blending together, it feels different. And with TAKURO・TERU we're different type of people. When Kiyoharu is on stage I feel he's the same species as me.

－ It's interesting that the character of all those three groups of musicians is totally different.

That's true. I think it's amazing I could have a line-up like that, it's really by chance that they are my good friends coming from the same genre.

◆they finish the interview talking about the sound and working with Dub Master X, sound mixing for the album, SUGIZO wants the live sound to have intimate, close feeling◆

一 So how was it to complete a live album without compromising on anything?

It's a live album, but it it makes me feel like I was able to create a 'SUGIZO's Best Album'. 2 years I go I released what was meant to be my biggest compilation, but obviously the sound from the studio and from the concert have totally different types of energy. As someone who's been performing on the stage for a very long time, I'm really glad to able to pack that energy for the first time officially on an album. Of course live performance has less precision than the studio album, but performance has way more energy.

Another thing is that as you know it is difficult now to perform due to the pandemic. I haven't played live for half a year, when thinking about it, it's the first time in my music career to not play any shows for this long. That's why I'm really yearning for the stage performance, the live show. When I was still doing them it was something obvious, but now that I can't, making this album made me keenly aware how important concerts are in my life and how much I need them; and to tell the truth working on this live album was like saving myself in a way. Obviously a live album can't rival the real thing. Not even a live dvd nor a live stream can match the excitement of being there [at the show], but I worked on this album hoping to let you feel at least some percent of that feeling. At any rate, I'm really grateful to be able to create a work like a live album that inspired me so much as a child.

Btw 絶彩 feat. 京 [LIVE IN TOKYO] available here

#sukekiyo #kyo #京 #sugizo #interview #translation #kinda #絶彩 #dir en grey #sugizo half century anniversary fes

[saxophonerika319]

『BREIMEN / Play time is't over』

BREIMENの前作「TITY」から約1年ぶりの新作が遂に完成!

今作は、前作アルバムリリース以降、各メンバーが様々なアーティストのサポートを行い培われてきた高い演奏力を武器に、ソウルやファンクをベースとしたポップなサウンドと、存在感のあるヴォーカル高木の歌がマッチした傑作となった。様々なミュージシャンはもちろん多数の著名人がファンを公言し、多くの絶賛の声が届くBREIMENのここから先の飛躍に要注目!

2021.5.12.

BREIMEN

2nd Album

「Play time isn't over」

Release

---------------------------

TRACK LIST

1. aaA

2. utage

3. ナイトクルージング

4. 赤裸々

5. Play time isn’t over

6. 色眼鏡

7. ツモリツモルラバー

8. Noise

9. Zzz

---------------------------

BREIMEN

Bass.Vocal. 高木祥太

Guitar. サトウカツシロ

Keyboard. いけだゆうた

Sax.Flute.Vocoder. ジョージ林

Drums. kanno so

All Music & Lyrics by 高木祥太

Rap Lyrics of the Second Verse of M6 by サトウカツシロ

All Arrangements by BREIMEN

Trumpet & Flugelhorn by Ryosuke Johnny SUDO [M5,6]

Clarinet by Erika Uchida [M5]

Chorus by 佐々木萌 (エドガー・サリヴァン) [M3,5,7]

Band Recording Engineer :

Yu Sasaki [M1,2,4,5,6,7,9]

Kei Shiraishi (Sound Base KiTi) [M3]

BREIMEN [M1,8]

Vocal Recording Engineer :Tomomi Ogata (MUSIC FOR MUSIC)

Mixing Engineer : Yu Sasaki

Mastered by : Wax Alchemy

Band Recorded at :Studio Horizonte [M1,2,4,5,6,7,9]

Sound Base KiTi [M3]

ROOM🏠 [M1,8]

Vocal Recorded at :FORSTA（MUSIC FOR MUSIC）[M1,2,3,4,5,6,7,9]

ROOM🏠[M8]

Mastered at : Wax Alchemy

Guitar & Bass Technician :津嶋 亮佑 (TCGAKKI Artist Support Team)

Vocal Direction : 佐々木萌 (エドガー・サリヴァン)

Art Direction & Design : GROUPN

Photography : renzo masuda

Camera Assistant : Rui Itou

Lightning Director : Hitoshi Sato

Lightning Assistant : Keiko Yamada / nishimura ryoma

Hair & Make - up : Riku Murata

Stylist : Minoru Sugahara

Advisor : ユキタツヤ

Artist Manager : Jumpei Fujii

Senden bucho : TOKIO ENTERTAINMENT

A&R/Promotion：Ayano Nakada / Takeshi Matsuhashi / Masami Ito（SPACE SHOWER MUSIC）

#ptio #breimen

#Youtube

[mistress-of-the-obvious]

FictionJunction Music Member News

Some fairly new and old news that some people may not know.

Yuki Kajiura is slated to work on a new Madokoa Magica anime entitled Magia Record: Puella Magi Madoka Magica Gaiden. She has recently completed 18 new songs. Whether it’s for Madoka Magica or some other project is unknown. She is continuing to work on additional songs with the Front Band Members. The Composers Summit Concert featuring some of the greatest video game and anime related composers will happen on December 28. Yuki Kajiura, the Front Band Members, Konno’s strings, along with Kaori Oda, Joelle, and Yuri Kasahara will perform. She is releasing a new single with Aimer for the anime Fate Stay Night Heaven’s Feel Part II Lost Butterfly. The song title is “I Beg You.” It’s scheduled to be released on January 9th. The Flying Dog anniversary event will happen on February 2nd featuring FictionJunction Yuuka. On the February 3rd, 17th, and 23rd are new FictionJunction Station Fan Talk Events. On April 24th Sword Art Online Alicization OST will be release with the second OST being released on July 24th. She will be featured in this month’s Lisani! volume 35 and has done two online interviews you can find here: https://www.famitsu.com/news/201811/16167737.html https://www.gamer.ne.jp/news/201811160073/

Kaori Oda has announced on Twitter she is currently in the studio working on a new album. She has also announced a small acoustic tour around March of next year, which will be Tokyo, Nagoya, and Osaka. In May she intends to go on another tour. In late October she released a single with Mao. The song is called “Can’t Stop Love,” for the visual novel More Love. She will also in the concert event The Score Re;fire #1 ~WILD ARMS Vocal Songs Concert~ scheduled for December 15th. Lastly she will also be at the Yucat x Eggman: Diva 3Man volume 6 on January 21st. In more personal news she revealed she celebrated Yuriko Kaida’s birthday with Yuki Kajiura (no mention of Keiko, but a good chance she was there considering how much she loves Yuriko), and had drinks with Joelle and Yuki. You can see that post here: https://lineblog.me/odakaori/archives/13206078.html She also went to see Shinji Kakijima’s 25th Anniversary Live and had her picture taken with him late last month. She also got a haircut (nothing particularly drastic). Traditionally haircuts symbolize change and a break with the past, which considering her break with Spacecraft feels rather fitting. She also just got her nails done in a pale pink.

Koichi Korenaga is extremely busy! In late October to November 1st, Jungapop (which also has Jr.) did a small tour. This was for a newly released anniversary album 20+1. They also recorded some new songs in September. On November 10th he did a seminar on music equipment. He performed alongside Jr. for his solo 50th Anniversary on November 16th.  On November 23rd, he’s performing with others at the Rock ‘n Roll Yokohama Club. He has three tour dates for Crystal Kay for December 2nd, 3rd, and 6th. He is performing for NOKKO on December 19th and 25th (his birthday). He also is performing for Ami Ozaki on December 14th, 17th, and 24th. In his personal life, he had corrective eye surgery early this year, has been having physical therapy on his shoulders and arms (from his long guitar playing), and just celebrated his mother’s birth or death anniversary. The photo contained flowers and a cross necklace with Jesus hanging on it on a decorative cross. He states something along the line that he knows she’s in heaven as she was a good Christian. He also went to see the new movie about the rock band Queen.

Tomoharu Jr. Takahashi just performed his special solo 50th Anniversary for his 50th birthday on November 16th. This also included his Jungapop friends including Koichi Korenaga. In addition, he just released his first solo album.

Joelle has some concert dates lined up. She performed on November 9th and on October 21st. She has two more scheduled, one for December 19th and another for December 22nd. Some of these have her good friend George Nagata. She also just performed at 5:00AM for a local television station in her hometown of Akita. It was also her birthday in late October.

Yuriko Kaida released an EP called Portia earlier this year. She also went on vacation to Hanoi, Vietnam back in September with a close friend.

Remi and Koichi Korenaga worked on some songs for the anime Non Non Biyori Vacation. It seems she also worked on Boruto: Naruto Next Generations Soundtrack 2 released on November 7th. She seems to have been doing a lot of recording this year.

Rie Akagi has a Latin jazz concert trio scheduled for November 30th. She also responded to Hikaru’s twitter post on her eating rice.

Eri Itou performed in a musical called Musical Award that went from October 31st to November 4th.  She is also in a Christmas album that was released on November 14th. It was her birthday on November 16th.

Drummer Kyoichi Satou and keyboardist Hirotaka Sakurada will do a concert with others on January 22nd.

Hiroshi Konno has been recording and performing at various places with his strings unit. Much of the recording is likely for Yuki Kajiura. He also received Jr.’s album and a shirt.

#fictionjunction #fictionjunction music #fictionjunction station #yuki kajiura #Aimer #Kaori Oda #Koichi Korenaga #Tomoharu Jr. Takahashi #Joelle #Yuriko Kaida #Remi #Remi Tanaka #Rie Akagi #Eri Itou #Eri Ito #Eri Itoh #Kyoichi Satou #Kyoichi Sato #Hirotaka Sakurada #Hiroshi Konno #kalafina #Front Band Members #Front Band Member #FBM

[progtracks]

KOENJIHYAKKEI:  1st row: Ah (vocals) /  Keiko Komori (saxophone); 2nd row: Taku Yabuki (keyboads) / Tatsuya Yoshida (drums / vocals)  / Kengo Sakamoto (bass / vocals); bottom insert: Kei Koganemaru (new guitarist!)

--------------------- -----------------------

PROGTRACKS NOTE:  Yes, there is a tie-in to The Progressive Tracks Show... to be announced soon!  But for now... read below.

- Mike “ProgTracks” Pollack

-------------------- ------------------------

GREAT NEWS FOR ZHEUL FANS!

Help bring Koenjihyakkei's upcoming album, "Dhorimviskha", to vinyl as a Gatefold Sleeved Double LP. Visit: www.kickstarter.com/profile/skingraftrecords

The Kickstarter campaign goes live on Tuesday, June 5th, 2018 and will run for just two weeks! This is just a sample of what will be found across the album's 7 tracks:  SOUNDCLOUD - "Dhorimviskha Digest" Audio Preview

The new KOENJI HYAKKEI album will be released by Magaibutsu and SKiN GRAFT in 2018. The Japan CD release will be on 27th of June 2018 from Magaibutsu. A worldwide CD release in partnership with SKiN GRAFT Records will follow in August 2018. If the kickstarter is successful, supporters will receive the album early!

TRACK LIST:

1. Vleztemtraiv (10:18) 2. Levhorm (9:12) 3. Zjindhaiq (7:32) 4. Phlessttighas (6:22) 5. Djebelaki Zomn (9:49) 6. Palbeth Tissilaq (6:09) 7. Dhorimviskha (11:47) Total Time 61:09

Go to the Kickstarter Campaign

"Some bands you just have to hear. Japan's KOENJIHYAKKEI (aka Koenji Hyakkei aka Hundred Sights of Koenji) are just such a band. Headed by vocalist / composer / drummer extraordinaire Tatsuya Yoshida (of the renowned bass and drum duo RUINS) and emboldened by overcharged reeds, glittery keyboards and a soaring front-woman speaking in somersaulting tongues, KOENJIHYAKKEI blend progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of rock in opposition."

A few key things to understand about KICKSTARTER and CROWDFUNDING:

• Kickstarter is an all-or-nothing platform. If we don’t raise the funds before the end of the campaign, we get $00- and the album will will not be released on vinyl.

• If you pledge support, you won't be charged until the end of the campaign, and even then - only if the campaign is successful.

• You actually get something tangible in return for the investment. We can accept pledges from all over and will ship rewards worldwide.

Even if you don't have a turntable, you can pledge funds and get a the CD version or Digital Download in return. And you'll get it before the official release date!

You can see a complete list of rewards, preview some of the artwork and make a pledge / pre-order at this direct link HERE. We'll continue to post updates at the Kickstarter page as the campaign goes on.

The band and I appreciate that funding a campaign such as this requires a bit of a leap of faith. If the community sees us through to a successfully funded campaign, we'll do our best to meet or exceed everyone's expectations. Please help us spread the news, we've only got two weeks to see this through. Below are links to some assets that can be used to help get the word out.

Thanks Everyone!

Mark, Tatsuya and all of Koenjihyakkei

( Kengo, Keiko, Taku, Kei and Ah )

Go to the Kickstarter Campaign

#Prog #Zheul #Koenjihyakkei #Japan #Progressive Rock #Prog Rock #kickstarter #vinyl #new album #Skin Graft Records #Progressive Tracks #KPTZ #Progzilla #FM #Radio Show

[hadi-sama]

Kalafina Bingo - 10th Anniversary Live Setlist Predictions

Okay! So this is going to be my first post on Tumblr! I really like this challenge! My predictions are based on a lot of factors; including fan votes, participating musicians, occasion, my own votes as well as my 6th sense xD , and the fact that this live will most likely be filmed meaning that there’s a higher chance for songs that have never been filmed to appear! Here are my predictions:

1. Oblivious: Their debut song, It has to be there and very likely the first in the setlist.

2. Kimi ga Hikari ni Kaete Iku: I would call this Keiko’s debut song, this is where we heard her take a good lead. I really reeeeeeeally hope they sing it.

3. KantanKatan: This has to be performed! To a lot of fans this is their fav song from the new single, and it has not been filmed so far so yeah.

4. Serenato: I think this will win first place in the vote! TONS OF FANS voted for this! Plus it’s Wakana’s fav song from SH. I’m curious to see how they perform it!

5. Storia: One of their “signature(ish)” songs, a lot of fans like it (not me though xD). Akagi-san <3

6. Hikari no Senritsu: A very successful and fan-favourite song, I love it. Also Akagi-san.

7. Hyakka Ryouran: Well, their latest single. It has to be performed, and the girls love it so much. My new personal favourite Kalafina song :’) Akagi-saaaaaaaaan is gonna kill it!

8. Red Moon: My 1st vote went to this masterpiece. One of my absolute fav songs. I hope Wakana and Hikaru perform this better than their dead Arena performance. Please :(

9. ARIA: Tons of votes went to this, plus it’s Hikaru’s signature song. I’m sure she wants to show ppl that she can still rock this song. I’m curious, and I know Hikaru is gonna kick ass.

10. Progressive: Not really a fan of this song, but also a lot of votes went to this. Would be a nice change though.

11. To the Beginning: Eh well do I have to explain xD?

12. Tsuioku: My 2nd vote. Love this song to pieces, and I want my eyes and ears to experience this live.

13. Sandpiper: One of my favs, I reeeeeeeally hope they perform it! Also I’ve seen a good amount of votes for this song.

14. Märchen: This needs to be performed with the FLUTE! Plus they didn’t perform it enough. Akagi-san ^_^

15. Magia: THE Kalafina song xD. Nuff said.

16. Destination Unknown: My 3rd vote. This song makes me CRAZY xD. A song that gets the crowd going, And the girls enjoy performing it!

17. Blaze: An easy song to perform after that explosive set, plus this song has been well-received in Japan.

18. Ongaku: Staple in all their lives. Everybody loves it, including the girls

19. Signal: This is like one of their vocal showcase songs, it has to be performed. Plus accordion is there so yeah xD.

20. Kimi no Gin ni Niwa: Also a fan-favourite song, and there has to be another accordion song.

21. Far on the Water: Cuz not enough songs have been performed from their FotW album, a nice song to start after the encore.

22. Alleluia: THE Keiko song, her time to shine.

23. Sprinter: A fan-favourite song, and a perfect goodbye song </3 I am sure it will be there.

Announcements etc: I think they will announce an acoustic release and a world tour. Maybe a new single? I also think they will make the crowd do something.. I don’t know I just feel like they want the crowd to get involved in their 10th anni.

That’s about it! I hope my setlist will be accurate :D

#Kalafina Bingo #Kalafina #10th Anniversary #Setlist #Jpop

[putschki1969]

Yuki Kajiura New Album  「PARADE」Details Revealed

Finally we have a tracklist for this upcoming release!

FictionJunction ALBUM「PARADE」

【Release date】 2023/04/19

【Product specifications】

First Press Limited Edition (CD＋Blu-ray) ￥ 6,600 VVCL 2147~2148

Regular Edition (CD) ￥ 3,300 VVCL 2149

Pre-order link:　https://fictionjunction.lnk.to/0419AL_parade

【Tracklist】 ■DISC1: CD 01. Prologue 02. ことのほかやわらかい (Koto no Hoka Yawarakai) 03. 夜光塗料 feat. ASCA (Yakō toryō) 04. Beginning 05. もう君のことを見たくない feat. rito (Mō Kimi no Koto wo Mitakunai) 06. 櫂　feat. Aimer (Kai) 07. 蒼穹のファンファーレ feat. 藍井エイル&ASCA&ReoNa (Sōkyū no fanfāre) （”SAO” 10th Anniversary Theme Song） 08. 八月のオルガン feat. LINO LEIA (Hachigatsu no Organ) 09. それは小さな光のような feat. KEIKO (Sore ha Chīsana Hikari no you na) 10. from the edge feat. LiSA （”Demon Slayer” Ending Theme） 11. moonlight melody 12. 世界の果て feat. 結城アイラ(Sekai no hate) 13. Parade

M 01,02,04,11,13 feat. KAORI/KEIKO/YURIKO KAIDA/Joelle

■DISC2: Blu-ray ・「Parade」Music Video ・「Yuki Kajiura LIVE vol.#16～Sing a Song Tour～」 01. overture 02. Beginning 03. 記憶の森 04. Distance 05. Fields of hope 06. 宝石 07. 凱歌 08. moonlight melody 09. ひとりごと 10. 約束 11. 花の唄 12. I beg you 13. wonderland 14. 春はゆく 15. eternal blue 16. stone cold 17. ユメノツバサ 18. 目覚め 19. zodiacal sign 20. maybe tomorrow

Ohhh, very excited about this release (despite the abundance of artists I do not care for XD). We are actually getting a music video for “Parade” which is a brand new track! I LOVE FictionJunction’s version of “Beginning” so I am happy to see it included here. Not expecting much from “Prologue” but I am definitely looking forward to “ことのほかやわらかい“  (which is another new song as far as I know? According to YK, Keiko likes to call this song “cinnamon roll-chan so I am guessing it is ultra sweet?). “それは小さな光のような” still hasn’t grown on me but it’s great that Keiko is getting her very own solo track alongside high-profile artists such as LiSA and Aimer. More power to her, YAY!  

The Blu-ray content isn’t too exciting considering that all of this was broadcast on Streaming+ already but hey, I don’t mind having an official release for it.

『30th Anniversary FictionJunction Station Fan Club Talk＆Live vol.#2』Additional Tokyo Performances

On top of the already announced fan club exclusive events, there will be four additional performances taking place in the Tokyo area. 

[Tokyo additional performance] May 28 (Sun) TIAT SKY HALL, Tokyo 1st Stage: Open 12:15 / Start 13:00 Talk & Live & autograph session (★ FC members only) 2nd Stage: Open 16:15 / Start 17:00 Talk & Live & autograph session (★ FC members only) June 17 (Sat) TIAT SKY HALL, Tokyo 1st Stage: Open 12:15 / Start 13:00 Talk & Live & autograph session (★ FC members only) 2nd Stage: Open 16:15 / Start 17:00 Talk & Live & autograph session (★ FC members only) https://www.tiatskyhall.jp

Source: https://fictionjunction.com/information/9699/

#yuki kajiura #kajiura yuki #news #keiko #kaori #yuriko kaida #joelle #LiSA #Aimer #ASCA #rito #LINO LEIA #Aira Yuki #ReoNa #Eir Aoi #wish they could have squeezed a Hikaru cameo in there somehow #PARADE #fictionjunction #fictionjunction station #FJS

[michaelcosio]

The official “A Good Look” music video – from the album and Netflix Original Anime film: SOUND & FURY – available now

Director: Jumpei Mizusaki

Unit Director: Shinji Takagi

Mechanical Design / M4 Storyboard: Daisuke Sajiki

Look Development:  Elsa Nakamichi

CGI Director: Takafumi Utsunomiya

Animation Director:  Takashi Ishikawa

Modeling Lead: Midori Kato

Additional Design:  Huang Chong Ya (Studio5), Tina Wang (Studio5)

Modeling: Suzu Kobayashi, Risa Okada, Benio Sugibayashi, Takeshi Ishiuchi, Thibault Tresca, Ada Ke (Studio5), Chen Li Ju (Studio5), Li Wei Tzu (Studio5), Yu Ting Wang (Studio5), Chen Yu Wei (Studio5), Han Tsung Chun (Studio5), Yoshi Wakayama

Animation: Kenta Yoshino, Syunya Iwamoto, Kentaro Moteki, Takeshi Ishiuchi, Masaki Takahashi, Yuya Matsuzaki, Syogo Konishi, Sari Nagano, Yuki Nakajima, So Nagata, Yu Chi Han (Studio5), Hung Tsai Lin (Studio5), Lu Chiao Wen (Studio5), Tang Haowei (Studio5)

Effect / UI Design:  Yuta Matsumoto

Key Animation: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas, YukiHino (Liden Films), Hiroyasu Oda (Launch Box)

In-between Animation / Ink and Paint: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas

In-between Animation: Sayaka Ishizuka (Liden Films), Tomoki Urata (Liden Films), Wang Xintong (Liden Films), Miyu Ohkubo (Liden Films), Lin Tzu Hao (Liden Films), Kouhei Hirasawa (Liden Films), Makoto Eto (Launch Box)

Ink and Paint: Yoshiha Nakamura (BeLoop), Reia Tanaka, Akihiko Uezuka, Ayaka Tetsuoka, Akari Tomari

Supervising Color Designer: Satoko Kimura

M4 Color Supervisor: Akira Hashigami (BeLoop)

Art Director: Yuji Kaneko (aoshashin.inc), Ken Nakamura (aoshashin.inc)

Art Setting / 2nd Key Animation: Yoshihiro Sono, Susumu Mamura

2nd Key Animation: Daisuke Sajiki

Background Art: Souta Kameyama (Aoshashin.inc), Ryoutaro Ueda (Aoshashin.inc), Taro Goto (Aoshashin.inc)

Texture Artist: Elsa Nakamichi, Benio Sugibayashi, Tomoe Nakano, Shiori Kato, Tsubasa Goto, Natsuko Takao, Yasuko Miura, Hiromitsu Saito, Yuki Narita

Compositor: Tomoe Nakano, Chen Yun An

Director of Photography: Jumpei Takatsu (LIDEN FILMS)

Cinematography: Mami Takamura (LIDEN FILMS), Tomoaki Suzuki (LIDEN FILMS)

Production Managers: Haruko Kitakura, Kaori Satake

Production Cooperation: Kohei Fujiwara, Chug Yi Jui (Studio5), Tomohiro Toyozono (Studio5), Kei Shimobayashi (LIDEN FILMS)

Producer: Kaori Satake

Episode 4: Dance Part Director: Elsa Nakamichi

Co-Director / Animation: Kenta Yoshino, Syunya Iwamoto, Takeshi Ishiuchi, Yuya Matsuzaki, So Nagata, Thibault Tresca

Animation Cooperation: Studio5

Animation Lead: Lin Yi-Ju (Studio5)

Dance Animation: Liu Jia-Wei (Studio5), Shen Yi-Shin (Studio5)

Flip Board Images: Daisuke Sajiki, Yasuko Miura

CG Production Assistant: Masaki Takahashi, Syogo Konishi, Sari Nagano

Backgrounds: RUNPU

Background Graphics: Shunsuke Ohyama (RUNPU), Kazunori Nakahara (RUNPU)

Effects: Yuta Matsumoto

Cinematography: Elsa Nakamichi, So Nagata, Tomoe Nakano, Chen Yun An, Thibault Tresca

Dance: SOLID CUBE

Choreographer / Dancer: Keiko Fukushima

Casting: Nami Harada

Coordinators: Yuki Ikegaya

Producer: Takayuki Sasaki

from SturgillSimpson

[keiko-higuchi]

ヒグチケイコ７月ライブのお知らせ　keiko higuchi shows in july

●July 22nd, 2023

archeus presents

波打つ神経の行方 where the waving nerves go vol.5  @ Yellow Vision (阿佐ヶ谷 Asagaya)

open: 19:00/ start: 19:30

charge: 2500 yen + drink

archeus 2nd album 九相図 Kusozu : nine death stages release party

archeus: ヒグチケイコ keiko higuchi (vocals) + 内田静男 shizuo uchida (4 strings) + TOMO (hurdy gurdy)

秋山徹次 tetuzi akiyama (g) + キャル・ライアル cal lyall (g)

Yellow Vision: http://www.yellowvision.jp/

東京都杉並区阿佐谷北2-2-2-B1   tel: [phone]

●July 29th, 2023 (sat)

nothing is real vol. 42 @ Apollo (下北沢 shimokitazawa)

ヒグチケイコ ソロ keiko higuchi  solo (piano, voice and vocals)

open: 19:00/ start: 19:30

charge: 2000 yen + drink

APOLLO: https://www.apollonoise.com/

東京都世田谷区北沢2-9-22-B

[reginadolin]

Sturgill Simpson "A Good Look" (Official Video)

The official “A Good Look” music video – from the album and Netflix Original Anime film: SOUND & FURY – available now SOUND & FURY Album Available Now: https://ift.tt/2lI84uk A GOOD LOOK'N TOUR ON SALE NOW: https://ift.tt/38OsFjj Subscribe to Sturgill Simpson’s YouTube Page: https://www.youtube.com/channel/UCMY-GtVQQFrk2JuPrkjC95w Credits: Director: Jumpei Mizusaki Unit Director: Shinji Takagi Mechanical Design / M4 Storyboard: Daisuke Sajiki Look Development: Elsa Nakamichi CGI Director: Takafumi Utsunomiya Animation Director: Takashi Ishikawa Modeling Lead: Midori Kato Additional Design: Huang Chong Ya (Studio5), Tina Wang (Studio5) Modeling: Suzu Kobayashi, Risa Okada, Benio Sugibayashi, Takeshi Ishiuchi, Thibault Tresca, Ada Ke (Studio5), Chen Li Ju (Studio5), Li Wei Tzu (Studio5), Yu Ting Wang (Studio5), Chen Yu Wei (Studio5), Han Tsung Chun (Studio5), Yoshi Wakayama Animation: Kenta Yoshino, Syunya Iwamoto, Kentaro Moteki, Takeshi Ishiuchi, Masaki Takahashi, Yuya Matsuzaki, Syogo Konishi, Sari Nagano, Yuki Nakajima, So Nagata, Yu Chi Han (Studio5), Hung Tsai Lin (Studio5), Lu Chiao Wen (Studio5), Tang Haowei (Studio5) Effect / UI Design: Yuta Matsumoto Key Animation: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas, YukiHino (Liden Films), Hiroyasu Oda (Launch Box) In-between Animation / Ink and Paint: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas In-between Animation: Sayaka Ishizuka (Liden Films), Tomoki Urata (Liden Films), Wang Xintong (Liden Films), Miyu Ohkubo (Liden Films), Lin Tzu Hao (Liden Films), Kouhei Hirasawa (Liden Films), Makoto Eto (Launch Box) Ink and Paint: Yoshiha Nakamura (BeLoop), Reia Tanaka, Akihiko Uezuka, Ayaka Tetsuoka, Akari Tomari Supervising Color Designer: Satoko Kimura M4 Color Supervisor: Akira Hashigami (BeLoop) Art Director: Yuji Kaneko (aoshashin.inc), Ken Nakamura (aoshashin.inc) Art Setting / 2nd Key Animation: Yoshihiro Sono, Susumu Mamura 2nd Key Animation: Daisuke Sajiki Background Art: Souta Kameyama (Aoshashin.inc), Ryoutaro Ueda (Aoshashin.inc), Taro Goto (Aoshashin.inc) Texture Artist: Elsa Nakamichi, Benio Sugibayashi, Tomoe Nakano, Shiori Kato, Tsubasa Goto, Natsuko Takao, Yasuko Miura, Hiromitsu Saito, Yuki Narita Compositor: Tomoe Nakano, Chen Yun An Director of Photography: Jumpei Takatsu (LIDEN FILMS) Cinematography: Mami Takamura (LIDEN FILMS), Tomoaki Suzuki (LIDEN FILMS) Production Managers: Haruko Kitakura, Kaori Satake Production Cooperation: Kohei Fujiwara, Chug Yi Jui (Studio5), Tomohiro Toyozono (Studio5), Kei Shimobayashi (LIDEN FILMS) Producer: Kaori Satake Episode 4: Dance Part Director: Elsa Nakamichi Co-Director / Animation: Kenta Yoshino, Syunya Iwamoto, Takeshi Ishiuchi, Yuya Matsuzaki, So Nagata, Thibault Tresca Animation Cooperation: Studio5 Animation Lead: Lin Yi-Ju (Studio5) Dance Animation: Liu Jia-Wei (Studio5), Shen Yi-Shin (Studio5) Flip Board Images: Daisuke Sajiki, Yasuko Miura CG Production Assistant: Masaki Takahashi, Syogo Konishi, Sari Nagano Backgrounds: RUNPU Background Graphics: Shunsuke Ohyama (RUNPU), Kazunori Nakahara (RUNPU) Effects: Yuta Matsumoto Cinematography: Elsa Nakamichi, So Nagata, Tomoe Nakano, Chen Yun An, Thibault Tresca Dance: SOLID CUBE Choreographer / Dancer: Keiko Fukushima Casting: Nami Harada Coordinators: Yuki Ikegaya Producer: Takayuki Sasaki Follow Sturgill Simpson: Website -https://ift.tt/1tdI6br Spotify: https://ift.tt/3aPxWci #SturgillSimpson #AGoodLook #SoundAndFury

[cdbrainrecords]

Keiko Mizukoshi - Heart (LP, Album)

Keiko Mizukoshi – Heart (LP, Album)

Vinyl(VG+) Sleeve(VG+) Insert(VG+) Obi(VG+) / with Obi 帯つき / コンディション　盤 : Very Good Plus (VG+) コンディション　ジャケット : Very Good Plus (VG+) コンディションの表記について　  [ M > M- > VG+ > VG > G+ > G > F > P ] レーベル : Polydor – MR 3190 フォーマット : Vinyl, LP, Album 生産国 : Japan 発売年 : 1979 2nd Album ジャンル : Funk / Soul, Pop スタイル : City Pop   収録曲 :  A1. 星ものがたり A2. シーサイドメモリー A3. ほほにキスして A4. 歌って死ねるなら A5. 水彩画 A6. そっとカモメに B1.…

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[eastridgecowgirl]

Sturgill Simpson "A Good Look" (Official Video)

The official “A Good Look” music video – from the album and Netflix Original Anime film: SOUND & FURY – available now SOUND & FURY Album Available Now: https://ift.tt/2lI84uk A GOOD LOOK'N TOUR ON SALE NOW: https://ift.tt/38OsFjj Subscribe to Sturgill Simpson’s YouTube Page: https://www.youtube.com/channel/UCMY-GtVQQFrk2JuPrkjC95w Credits: Director: Jumpei Mizusaki Unit Director: Shinji Takagi Mechanical Design / M4 Storyboard: Daisuke Sajiki Look Development: Elsa Nakamichi CGI Director: Takafumi Utsunomiya Animation Director: Takashi Ishikawa Modeling Lead: Midori Kato Additional Design: Huang Chong Ya (Studio5), Tina Wang (Studio5) Modeling: Suzu Kobayashi, Risa Okada, Benio Sugibayashi, Takeshi Ishiuchi, Thibault Tresca, Ada Ke (Studio5), Chen Li Ju (Studio5), Li Wei Tzu (Studio5), Yu Ting Wang (Studio5), Chen Yu Wei (Studio5), Han Tsung Chun (Studio5), Yoshi Wakayama Animation: Kenta Yoshino, Syunya Iwamoto, Kentaro Moteki, Takeshi Ishiuchi, Masaki Takahashi, Yuya Matsuzaki, Syogo Konishi, Sari Nagano, Yuki Nakajima, So Nagata, Yu Chi Han (Studio5), Hung Tsai Lin (Studio5), Lu Chiao Wen (Studio5), Tang Haowei (Studio5) Effect / UI Design: Yuta Matsumoto Key Animation: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas, YukiHino (Liden Films), Hiroyasu Oda (Launch Box) In-between Animation / Ink and Paint: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas In-between Animation: Sayaka Ishizuka (Liden Films), Tomoki Urata (Liden Films), Wang Xintong (Liden Films), Miyu Ohkubo (Liden Films), Lin Tzu Hao (Liden Films), Kouhei Hirasawa (Liden Films), Makoto Eto (Launch Box) Ink and Paint: Yoshiha Nakamura (BeLoop), Reia Tanaka, Akihiko Uezuka, Ayaka Tetsuoka, Akari Tomari Supervising Color Designer: Satoko Kimura M4 Color Supervisor: Akira Hashigami (BeLoop) Art Director: Yuji Kaneko (aoshashin.inc), Ken Nakamura (aoshashin.inc) Art Setting / 2nd Key Animation: Yoshihiro Sono, Susumu Mamura 2nd Key Animation: Daisuke Sajiki Background Art: Souta Kameyama (Aoshashin.inc), Ryoutaro Ueda (Aoshashin.inc), Taro Goto (Aoshashin.inc) Texture Artist: Elsa Nakamichi, Benio Sugibayashi, Tomoe Nakano, Shiori Kato, Tsubasa Goto, Natsuko Takao, Yasuko Miura, Hiromitsu Saito, Yuki Narita Compositor: Tomoe Nakano, Chen Yun An Director of Photography: Jumpei Takatsu (LIDEN FILMS) Cinematography: Mami Takamura (LIDEN FILMS), Tomoaki Suzuki (LIDEN FILMS) Production Managers: Haruko Kitakura, Kaori Satake Production Cooperation: Kohei Fujiwara, Chug Yi Jui (Studio5), Tomohiro Toyozono (Studio5), Kei Shimobayashi (LIDEN FILMS) Producer: Kaori Satake Episode 4: Dance Part Director: Elsa Nakamichi Co-Director / Animation: Kenta Yoshino, Syunya Iwamoto, Takeshi Ishiuchi, Yuya Matsuzaki, So Nagata, Thibault Tresca Animation Cooperation: Studio5 Animation Lead: Lin Yi-Ju (Studio5) Dance Animation: Liu Jia-Wei (Studio5), Shen Yi-Shin (Studio5) Flip Board Images: Daisuke Sajiki, Yasuko Miura CG Production Assistant: Masaki Takahashi, Syogo Konishi, Sari Nagano Backgrounds: RUNPU Background Graphics: Shunsuke Ohyama (RUNPU), Kazunori Nakahara (RUNPU) Effects: Yuta Matsumoto Cinematography: Elsa Nakamichi, So Nagata, Tomoe Nakano, Chen Yun An, Thibault Tresca Dance: SOLID CUBE Choreographer / Dancer: Keiko Fukushima Casting: Nami Harada Coordinators: Yuki Ikegaya Producer: Takayuki Sasaki Follow Sturgill Simpson: Website -https://ift.tt/1tdI6br Spotify: https://ift.tt/3aPxWci #SturgillSimpson #AGoodLook #SoundAndFury