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#kinnporsche ep 7
liyazaki · 2 years
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touch me- remind me who I am. -stanley kunitz
kinnporsche | ep. 7
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#but who told them they could be so cute??? (pt.1) (pt2.) (pt.3)
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so he basically spoiled it for us but we didn't notice.
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nemesis-21 · 2 years
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What I love the most about KimChay is how we as the audience are taken out of the dark mafia drama alongside Kim.
Kim always expects the worst of people. He was raised in a world where everyone has some ulterior motive and that no one should be trusted.
He was expecting Porchay to be harboring some dangerous secret. But then to Kim's surprise, all it was was some innocent thing trying to hide the fact that he has this massive crush on Kim.
It's almost like you can see Kim's relief (and a little bit of joy) when he realizes this. Finally something and someone is exactly who they say they are: just a young fan.
And the show does this for us too with the color palette and lighting on screen. Even the music, pacing, and shot compositions are different compared to the rest of the show.
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itmightrain · 2 years
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i adore him your honor
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fairhairedkings · 2 years
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kim to porchay after finding his little kim shrine: so do you like anyone?
porchay: yeaaaaah
kim, fixing his hair, clearing his schedule: so what’s this person like? handsome right? amazing at stuff? rate out of 10
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jeffysatur · 2 years
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porsches expression going from "nice kinn appeared and now i dont have to deal w whatever that vegas shit was and hey possessive kinn hot af tho" to "hold on this mf really thinks i was here voluntarily he still doesnt trust me" is just Exquisite
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liyazaki · 2 years
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a scene™: on rage, regret & yes- joy
I already wrote a tag novel on this but I can't get this scene out of my mind & it deserves a deep-dive, so- buckle up, kids.
the heartwrench started in earnest when Vegas stormed out of the bathroom and Kinn turned to- or on to- Porsche. look at the small but striking journey Porsche's expressions go through here:
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I'm praying to the BL gods that we get some BTS commentary on this moment in particular because there's so much that could be happening with Porsche here.
maybe in his tipsiness he was just happy to have Kinn there before the reality of Kinn's rage hit him. maybe it was some of that gleeful sass in response to Kinn's jealousy that we saw earlier in the ep.
or it could have a darker meaning: is that little smile a knowing one? a confirmation of the doubts about Kinn's sincerity/intentions that have been brewing in Porsche since he found out about Tawan?
regardless, all are loaded/potentially devastating possibilities.
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Kinn and Porsche then exchange slaps and verbal barbs, but it's much more than the sum of its parts. they both have so many fears, insecurities and lack of trust in each other (and themselves, too) that they've been carrying around since this intoxicating, terrifying thing between them started.
the powder keg was already loaded & ready to explode- the altercation with Vegas was just the spark that lit it.
I'm glazing over the rest of the argument to the aftermath because that's where things really get narratively delicious. I've always been a sucker for a good chase- the idea that someone not just wants but needs you to the extent that they'd pursue you- and Kinn's desperate need for Porsche to stay with him is on full, aggressive display here.
he moves so quickly after Porsche that it comes off as an instinct, not an intentional choice- a magnet chasing its opposite polarity.
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there's this moment against the mirror where they continue to struggle against each other, but it couldn't be more half-hearted. the mutual stare-off is intense as they size each other up. Kinn is a brick wall of determination, but we all know Porsche could easily get out of his grip & that room if he wanted to. which way is he gonna go? the tension in this moment was palpable (all hail MileApo for acting their damn faces off).
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and then, Porsche caves- literally. he curls into himself in a defensive posture against the mirror, clearly pissed about giving into this insufferable man he loves- but he does it anyway, because it's Kinn. one of the hallmarks of their relationship is how mutually weak they are for each other, despite all the reasons they "shouldn't" be.
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once Kinn realizes Porsche is staying with him- at least for the moment- this deep, yawning regret paints his expression, tinged with a sort of loneliness (not surprising after the life he's led), replacing the rage. there's a different sort of tension here now- this feeling of walking the edge of a knife, knowing one wrong word or move could end the fragile sort-of peace.
Kinn's terrified in this moment: not just at the possibility of losing Porsche for good, but the past repeating itself. of how the world seems stacked against his happiness- maybe even how he himself (and what he's had to become/endure) stands in the way of it.
Kinn didn't wax poetic here because, in my opinion, he can't: he's in the midst of a total emotion onslaught, holding onto this man who's become so precious to him for dear life. but he has to say something, do something, so he goes for simplicity: I'm sorry.
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we linger here for a minute, the camera purposefully moving in Kinn's direction then Porsche's, the mirror giving us a full 180 view. again, the ball is in Porsche's court. the choice is his.
I've said it before, I'll say it again: Porsche is a mirror, reflecting back whatever he's given (or not given), which makes the use of mirrors here all the more chef's kiss. Porsche also needs words to go along with actions, so as small as that apology was- it's exactly what he needed to hear.
he didn't want this fight, he didn't want that kiss from Vegas- he wants to stay with Kinn, be with Kinn, in spite of everything they're up against. there are so many layers here, but it's really pretty simple: it's love. stupid, wonderful, intoxicating love.
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I love how slowly Porsche turns to Kinn here- it says "I'm not fighting; I'm not fleeing." and Kinn turns with him, again moving with him like he can't help himself.
and then: Porsche fully faces Kinn and my heart stopped. this isn't an expression we've seen him wear in front of anyone: it's soft but feels like a raw nerve. naked, vulnerable- it says, "you did wrong. I'm hurting, but I'm here. now show me how you really feel. heal what you hurt." Kinn strokes his hair with a breathless sort of wonder, not quite believing his luck that he's still there.
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and then, the moment that shoots this scene into the stratosphere for me: Porsche doesn't move. this constantly-joking, light-hearted gremlin of a man doesn't do a thing to ease the tension- and he's so right for that.
he lets the silence stretch on, and Kinn takes his cue: this is his moment to demonstrate his deep remorse and affection for Porsche. so- he starts worshipping him. smartly, he doesn't move in for a kiss first- this would put them on too equal footing- not until they both get caught up in the heat together.
when they do kiss, Porsche grabs Kinn's chin and gently pulls him away, and Kinn nods to him in reassurance. I like to think he's saying it's OK to surrender, that he's safe with him- and once again, that was all the reassurance Porsche needed.
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damn Tumblr's 10 image limit to hell because Kinn's expressions of pure, utter joy when Porsche touches him back is just incredible. Porsche mirrors (heh) that joy right back, delighted in his ability to make this man weak in the best possible way. it’s a beautiful, sexy sliver of happiness in the middle of the unstable chaos that is their reality- and really, their relationship.
and afterwards, when Porsche grabs Kinn as tightly to him as he can, Kinn in near-tears pressed against his shoulder? Porsche's face tight with his own emotions and empathy for the man in his arms? there's this feeling of inevitability; that they couldn't pull themselves away from each other if they wanted to...come what may.
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POETIC CINEMA, my friends. poetic, smutty cinema.
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Porsche
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just kinnporsche and their hands tangled together since day one 🥺❤️
find me on twitter: @mynameis_evi
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thatgirl4815 · 2 years
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Dominance
There is obviously much more to be said about that last scene, but I find it interesting how Kinn puts himself in the dominant position--constantly putting himself above Porsche, caging him between his arms--up until Porsche slaps him. Then he naturally (and what looks to be subconsciously) looks up at Porsche for the rest of the scene. I think the majority of it is motivated by his mistake/wanting to prove how sorry he is. But I also think part of it is a reflection of the guilt he showed last episode. He took advantage of Porsche when he was unable to properly consent once before, but he’s giving Porsche all the control here. When Porsche turns around to look at him, Kinn’s still got his arms on either side of him, but it no longer feels like he’s forcibly caging him in; the motion conveys something gentler. It’s as if he’s pleading with him not to leave, to understand all the baggage he carries, and even though they haven’t worked through these trust issues, what happens after conveys all the desperation and vulnerability they feel with each other--perhaps more than the words ever could. Not to say that they don’t need to have an actual conversation about their issues, but in the heat of the moment, I think the mood change transitioned nicely.
Here, we see them face to face, height to height. No one is looking up at the other. This is just before Kinn puts himself in a lower position. The most vulnerable position he could possibly be in, a position he probably hasn’t allowed himself to occupy since Tawan (or, dare I say, maybe ever).
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And that golden light shining through the back, overcoming the green warning light pervading the scene? The way it illuminates the space between them as they meet each other’s eyes?? The way their gazes search every part of each other’s expression, taking it all in??? There’s an understanding there.
They will doubtlessly exchange more harsh words with each other before the season is over, but in my opinion, this moment where they look at each other is proof that they will be able to overcome it all. 
(***I’ve finally gotten my thoughts together a bit more on the cinematography and color of this scene, which I’ve written more about here.)
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hael987 · 2 years
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These shots though *chefs kiss*
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Vegas in the background with his gaze firmly fixed on Porsche, the object of his “desires”. Porsche lit up all in green, symbolising Vegas’ all consuming envy. Porsche being prominently framed within the circle, like standing in the middle of a target. The circle shows a more narrowed focus, confining his movements- everything on the periphery is blocked, there’s a clear direction and intent.
Porsche is prey being looked at through a rifle scope and Vegas is about to start hunting.
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homo-ousios · 2 years
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The minor family’s vibes are fucking correct ok. Premium top shelf aged 12 years energy, from Vegas wearing red velvet at 8 in the morning to the bead curtains and green shutters, dudes in half open Hawaiian shirts with semiautomatic weapons, the courtyard dining table, all the terracotta tile and dark wood and playing cards and liquor, the neon sub-lit statue of the Virgin Mary, like may i go live there now
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