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#like his thought was get king boo then team up to get dark moon
pianokantzart · 2 months
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Seeing @keakruiser making AUs in a bullet point storytelling format inspired me to take a crack at my own AU that I've been thinking about for a bit. What would happen if, in The Super Mario Bros. Movie, after Mario and Luigi are separated, Mario was the one who ended up in the clutches of Luigi’s eventual arch nemesis, while Luigi teamed up with some of his own close allies to go rescue him? Essentially The Super Mario Bros Movie, but with the brothers' roles reversed. So, without further ado...
The Super Mario Bros. Redux (Pt. 1)
Part 2 Part 3 Part 4 Part 5 Part 6 ________
The beginning is much the same as it was in the original Super Mario Bros. Movie until they are separated in the warp pipe, with two exceptions: 1. When their van breaks down, Luigi's first instinct is to take the tool kit and try to fix the motor (mechanic Luigi, my beloved). But before he can get a good look, Mario insists that there's not enough time, and heads to the job on foot. Luigi closes the hood of the van and follows him. 2. After Mario leaves the dinner table, the focus goes to Luigi's conversation with his dad rather than Mario holed up in his room.
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"What did I say?" "''You're bringing your brother down with you'?" Luigi asks, finally able to get a word in now that his uncles have shut up. "Why would you say that?" "Luigi, be honest. How much did that commercial cost? How many new clients has it gotten you? Huh?" "It's only been a day! And Mario'll figure something out. He always does." Luigi insists, taking his brother's plate of pasta and picking it free of mushrooms. "I just want to help him out along the way."
Pio sighs and pinches the bridge of his nose. "You can't hide in your brother's shadow your entire life, Luigi. One of these days you're gonna have to man up and start making your own decisions." Luigi doesn't answer, he simply finishes removing the mushrooms from Mario's plate, and gets up from the table to deliver the food to his despondent brother.
After Mario and Luigi attempt to save Brooklyn, after they end up in the warp zone, and after they are ripped from each-other's grasp, Mario is dragged into an unsettling looking pipe surrounded by purple smoke and overgrown with gnarled branches.
Luigi flies onward, emerging from a pipe inside what looks to be another sewer, not too different from the one back in New York. No sooner does he regain his senses does he find himself dragged away by a powerful blast of suction. Flying backwards through the air, he stops suddenly as his back clogs the nozzle of a strange vacuum-like contraption being carried by a little old man.
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"Oops! Sorry, Sonny! I thought for certain you were gonna be a ghost!" the old man apologizes, releasing Luigi from the vacuum's suction with a flip of a switch. He reaches into his pocket and pulls out a small device that loosely resembles a hand-held vidoegame console, reexamining the numbers flashing on the screen. "When my readings showed that pipe 983 had suddenly reactivated, I thought for sure King Boo was trying to use it to send his band of ghosts to Sarasaland!"
Before Luigi could ask one of the thousands of questions on his mind, the old man introduces himself: Professor Elvin Gadd (E. Gadd for short.)
Luigi introduces himself in return, then asks about his brother. He tells the professor about their situation in detail, describing the warp pipe that Mario had disappeared into.
E. Gadd tsks sadly and shakes his head. He explains that particular pipe leads to "Evershade Valley," and though the valley used to be perfectly habitable, ever since King Boo shattered The Dark Moon nobody who has set foot in that land has ever returned.
"Wait, what do you mean? Who's King Boo?" Luigi asks "Well! You truly are out of the loop!" E-Gadd chuckles, "Then again... I remember how little I knew when I first arrived in this world." He continues to talk while leading Luigi through the underground, casually clearing a path for them with the powerful blowing and sucking functions of the vacuum. "King Boo is nothing less than the lord of ghosts! He is the master of illusions, the reigning tyrant of the undead, the loather of all living flesh, and– at the moment– the sole ruler of Evershade Valley."
This description unsettles Luigi. He retorts that if that's the case, he has to get to Evershade Valley as soon as possible. As frightened as he is, he's never been so frightened that he couldn't help his brother out of a tough spot, and he knows Mario would do the same for him in a heartbeat.
"Well! In that case I suggest you stick with me for a bit. And keep those tools with you." The old scientist gestures toward the tool bag Luigi had dropped on the ground in the mayhem, "I may have a few uses for them."
Just as Luigi comes to the question of where they are currently, Professor E. Gadd opens a sewer cover and leads him out into the middle of a big bustling coastal city in Sarasaland. Think the Daisy Circuit from Mario Kart, but way larger and more crowded (and missing the romantic statue of course.)
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Luigi struggles to keep up with the elderly scientist, who weaves his way effortlessly through throngs of turtle men, snake monsters, insect soldiers, giant sentient heads made out of stone, and a vast array of other strange and fascinating pedestrians.
"Stop your dilly-dallying, youngster!" E. Gadd eventually calls, getting fed up with Luigi's slow, bewildered pace, "I've got a meeting in The Birabuto Kingdom, and my train– our train– leaves in fifteen minutes!" "Birabuto Kingdom?" Luigi asks, allowing himself to be shoved along, "What's that? What about Evershade Valley?" "So impatient! Do you think I'd send you into such a place unprepared??? No no, first I'm going to perfect my equipment, then I'll help you find your brother."
E. Gadd purchases their tickets and they board the crowded 64 Express. Once seated, Luigi's eyes are immediately drawn toward the window. He stares out, deep in anxious thought as the train chugs along, traveling from the coastal city into a desert landscape.
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Then, we switch over to Mario. Standing up and dusting himself off, he looks around to find himself in the gloomiest place he'd ever seen... for the little he is able to see. There is a thick purple mist hanging in the air, and the path before him is shrouded in the branches of a forest long dead.
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Loudly calling out his brother's name on the off-chance he was somewhere nearby, Mario follows a light in the distance until he stumbles across a lone boo. More confused than frightened, and feeling a little sorry for the white specter shyly covering its face, Mario bends down for a moment to examine it, assuring "hey, don't worry! I won't hurt you, I'm just a little lost is all."
Suddenly, he is ambushed by a colorful trio of ghosts: a greenie, a slammer, and a hider. He tries to fight back, but every time he attempts to shove them off or swing his fists he phases right through them.
His attackers knock him around a bit until Mario succeeds in slipping away. Now in a panic, he continues rushing toward the distant light, far faster and more recklessly than before.
Eventually, he gets close enough to discover the glow was coming from the lit windows of an old mansion. He enters and – for the little good it will do – shuts the door behind him.
He wanders the halls for a long time, roaming from room to empty room, all the while haunted by the shadow of something following him. Something big.
At last, he reaches a towering portrait room. Unlike the rest of the mansion it is teeming with life, full of frightened faces pressed against picture frames, begging for help.
Mario is frozen in a moment of fear and confusion, but quickly snaps out of it. He rushes to the nearest portrait– an image of a strange little mushroom man– to ask what is wrong and what he can do.
Before the toad can give a coherent answer, the eerie presence that Mario had felt when he first entered the mansion casts a looming shadow over him.
He turns around and raises his fists in helpless hopes of defending himself. The candles of the surrounding sconces go out all at once, and in the pitch black darkness a cacophony of cackles fills the air....
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istadris · 11 months
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Hello!
Ok, so...if it wasn't a problem, do you have something you would like to share about "Accidental Ghost King Luigi"?
I saw that you mentioned it and it really caught my attention, a lot of thoughts came up when I finished Luigi's Mansion 3 and I love expanding them.
So most of the ideas were discussed here, but I can scrounge up some more.
TL;DR for this AU : E.Gadd passes away, leaving in his will everything he owns to Luigi, who is now probably the richest man in the mushroom kingdom between the estates, the cash and the employees, living or not. (Spoilers alert : once Luigi realizes exactly how much he owns, he freaks out so much he hides under his blanket for several hours, with Mario patting the bundle and occasionally slipping snacks under it).
Then once he calms down enough, he wants to give everything away but it turns out to not be that simple, explains the Toad in charge of giving the will to Luigi:
"What if I DON'T want all of this ??"
"I don't know about the ready money or the coffee shop, but by all ghost and Boo laws, you are the rightful master of these places that you earned through Right of Conquest until someone else comes to dethrone you."
And it turns out, yes, by beating King Boo three times, on his haunting ground, with the last time being a direct challenge to Luigi and his kin, Luigi effectively conquered him, with all of his ghosts and Boos. And King Boo was a very powerful ghost. Luigi is now King Luigi.
"Why was E.Gadd even the owner of these places then, he wasn't the one chasing ghosts there !"
"Oh, he wasn't the actual owner of anything: before the dark moon incident, the ghosts were not agressive and let him play around, and afterwards, he acted as your steward to maintain your domains in your absence"
"Wait, is that why King Boo keeps coming after me ? Not just by revenge?"
"Oh yes, definitely, you dethroned him three times, that's a bad number for a spirit."
Peach, who has to deal regularly with a king ruling over a place where 90% of roaylty dealings involve kidnapping : "oh, Luigi dear..."
Except E.Gadd comes back. As a ghost. And he's still obsessed with science, but now without any of these pesky mortal ethics or boundaries. To the point his experiences go from "eyebrow-raising in the methods but ultimately for the greater good" to "mad scientist except this one is perfectly aware of what his potential enemies can do and acts accordingly."
At first he seems relatively reasonable...until Luigi refuses to give him back Gooigi AND the rest of the ghosts, too. Maybe he has grown fond of his new "subjects", or maybe he senses giving E.Gadd full control of the ghosts is a bad idea.
"My boy, do you think you could use my own creations against me ? I know them better inside out than you can ever do !!"
E.Gadd doesn't take it well.
E.Gadd is now very curious and vindicative towards this meddling new Ghost King who dares to get in the way of his research.
E.Gadd issues a challenge. And by challenge we mean that he takes possession of Luigi's territories. Probably kidnaps Mario & co, AND Polterpup (he knows how to capture ghosts, and he knows how helpful the ghost pup is to Luigi). Oh, and he steals and breaks all existing Poltergusts.
Now Luigi is stuck in a dangerous place with a mad ghost after him, unarmed, alone...except for King Boo, still stuck in his container, that he managed to grab on the way out of the laboratory.
King Boo is angry at Luigi for stealing his title, but he certainly isn't going to let the professor beat HIS nemesis!! What will the rest of the spectral community say if the one who defeated him loses his new title so fast?? Luigi isn't sure about the logic behind this reasoning, but he'll take any help he can get.
So now it's the team up of the century, and by that I mean King Boo snarking and loudly complaining from his container, asking again and again to be let out, while Luigi tries to survive and to keep KB inside the container (he has enough on his plate, he doesn't want another mad ghost after him); all while KB actually guides Luigi through the mysteries of ghosts and spectres, as well as the intricacies of the Ghost King title. But even after King Boo manages to get out of the container at some point, he still sticks by Luigi. You can guess why.
A Very Important Plot Point: King Boo gets frustrated by how much time Luigi takes and decides to shove some spectral power in him to level the field.
That's a fun surprise : King Boo's spectral essence boosts up Luigi's Thunderhand (that he had stopped using due to how taxing it was on his body; but now the Boo power helps circumventing this energy tax). KB acts as the new "source" and makes it way more potent, especially given his own affinity with lightning.
"Isn't that cheating ?"
"Have you even MET ME ??? Here, have some of my power, it should AT LEAST give you a boost so you won't die right after touching a gho-"
*huge thunderbolt crashing on the house frizzing everything electrical device*
"....WHAT WAS THAT"
"Uh....it never did that before."
"WHAT DO YOU MEAN "IT NEVER DID THAT BEFORE ?? YOU COULD HAVE TOLD ME YOU HAD LATENT MAGICAL ABILITIES!!?? WHY DID YOU NEVER USE THEM AGAINST ME !!!???"
Later, when they manage to free Mario, KB eyes Mario suspiciously for a loooong moment as both brothers look in hope.
Then he shrugs : "Nah, not gonna happen"
"What?? Why ??"
"It's more fun if Luigi gets my power, he's my nemesis. Just ask Bowser to lend you fire powers next time you see him"
"That's ridiculous, with everything at stake..."
"More seriously, you are NOT my nemesis. You did NOT deal with my powers as intimately as Luigi did"
"Don't put it that way please"
"Even if I wanted to provide you power, Mario is much weaker to my powers, he wouldn't be able to harness them."
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legobiwan · 11 months
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I find it interesting that king boo and dimentio see luigi as the bigger threat or nuisance in king boos case seems like the most dangerous villains tend to focus more on luigi than mario also what are your thoughts on antasma?
I think King Boo in particular is interesting as he went from having no particular opinion about Luigi (you get the feeling that he would have captured whichever brother had entered the mansion first in LM1) to holding a festering hatred of Luigi by the time we hit the third LM game. You almost get the sense King Boo regarded Luigi as a someone laughable until he actually fought through the entire mansion and beat King Boo. And I think at that point, King Boo just fixated on Luigi as this seemingly cowardly, anxiety-prone, far less famous of the Mario brothers who brought down his ambitions Three Whole Times. By the time we hit LM3 (and I haven't played Dark Moon yet, have only watched some cut scenes for writing purposes), it strikes me that King Boo doesn't give a damn about Mario or Peach or the Toads, only their value in luring Luigi through what I would contend is a drawn-out, premeditated gauntlet of 15-ish levels of ghoulish battle. It's almost like he wants to watch Luigi beat these ghosts who he obviously holds zero regard for, only so he can finally top this nemesis of his and assert his dominance over the ghostly population. Wild stuff.
On the other hand, we have Dimentio, our favorite bastard magic man. Unlike King Boo, the minute Luigi came into his orbit, you get the feeling Dimentio was gunning for him. (Whether or not Dimentio had scouted out Luigi and the gang prior to the Chaos Heart's arrival is up for debate, but it does raise the interesting question of why Luigi was marked to be brainwashed while Peach and Bowser and Mario were left to their own devices. Now, was this the Count's own idea due to what was written in the Dark Prognosticus or was DImentio whispering in his ear? I'm not entirely certain, but by the time Luigi/Mr. L came to Castle Bleck, Dimentio would have been tracking him, to phrase it as Dimentio would, like a bloodhound denied his nightly dinner).
All this is to say, Dimentio was laser-focused on Luigi and worse yet, because Dimentio is a cunning, manipulative asshole, he read all of Luigi's insecurities that got blasted about in his Mr. L form like a child's picture book. For Dimentio, I think, he sees not only a tool but someone who could ultimately be swayed to his side, had he the time. A man of a terrible potential he doesn't even realize, anxiety masking a hundred and one other emotions Luigi either can't or won't recognize. (I've mentioned this elsewhere, but I am 100% convinced Luigi's anxiety is, to a degree, a coping mechanism so he doesn't have to deal with the more complicated, sometimes darker emotions and thoughts whirling around his head).
I have yet to play M&L: Dream Team, but I have seen some takes on Antasma and his relationship with Luigi, who seems play a pivotal role in this game. I'm excited to get to this one (it's one of the next on my list after I finish Thousand Year Door! That and Dark Moon!) so I'll have to report back once I've gotten into it.
But I would say to your assertion that the more dangerous villains are drawn to Luigi -
Let's think about it this way. Mario is a known variable. He's a hero, he's incorruptible, at least according to the stories. His role is to beat the bad guys, to stand in their way, to protect and be the guardian of the moral high ground. The villains want to defeat him.
Luigi, however, is a little more complicated. He shares the same desire to protect as Mario, to be the hero and stand on the moral high ground but...we see the way he acts in the Paper Mario series, the overblown language, the way he wants to be included, the way the Toads treat him, the way he's referred to so often as number two, the way his anxiety is out in the open. Luigi presents as someone a lot more malleable than Mario is, as someone who could not only be defeated, but exploited. And, of course, each time Luigi defies those expectations because he's a lot stronger and braver than he presents (although he's always complicated). And it's the type of thing where I imagine it's partially that the villains feel their egos are bruised by their defeat coming from the "other brother," on one hand, and on the other, there's that promise they see in Luigi, whether or not he'd actually betray his brother, but they see those shades of grey in him, see something they could use and it has to be alluring to them.
(Not to mention Luigi's penchant for magic - the Thunderhand, his weird negative dimension thing in the Smash Brothers series, his dream capabilities - unlike Mario, Luigi's abilities tend to fall into the more fantastical and in tandem with his engineering skills, have the potential to make him so, so powerful. If He Ever Tapped Into That Side of Himself.)
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year2000electronics · 3 years
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Tumblr's being weird and won't let me find the Dark Moon rewrite post. I think there was one where you explained the story behind it, at least?
I JUST HAVENT MADE A FULL POST ON IT IM SORRYYYY but i can do bullet points of what’s going down
- so basically this kinda comes from a place of me like. liking dark moon but wishing it had more Characters. so it started with making boss ghosts and then kinda escalated
- so the plot is luigi is looking for e gadd after he went missing in a place near the mansion called evershade valley, unfortunately along the way we see a flash of lightning, a scream, and then cut to darkness
- it fades back in and it’s revealed that luigi is now... a GHOST!! oh no! (this would be the main ‘gimmick’ of the game like how mansion 3 had gooigi as a big selling point)
- he realizes he’s in a lab and he’s been captured by a ghost researcher named professor evershade who said his ghostly dna seemed different somehow so he wanted to see more
- luigi explains the situation and asks if he can help him contact e gadd but all lines to him are dead- evershade theorizes that he must have been taken by the same spectre that turned luigi into a ghost, and luigi immediately goes ‘KING BOO....’ bc who else does he have beef with.
- evershade suggests that if they defeat the four rulers of the nearby mansions they can assemble the dark moon, an artifact that will make sure no ghost will be able to cause their own mischief again
- luigi agrees, and in the meantime evershade says he can try to work on a way to see if he can change luigi back from a ghost
- he uses the same teleportation device e gadd does in dark moon to get luigi in and out of evershades lab, and luigi usually winds up in the small garden which leads to the four mansions
- (meta talk here- the multiple mansion exploring and evershades appearance are meant to kinda trick the player into thinking that it’s a ‘different character same purpose’ scenario, like how both goombario and goombella are tattling goombas)
- (you also get access to regular luigi after clearing one or two rooms in the first mansion- this serves as a bit of a tutorial segment for ghost luigis abilities and how youll be able to switch between ghost luigi and regular luigi to accomplish different tasks)
- ghost luigi probably has the power of a portrait ghost himself, so would have abilities such as the ability to scare other ghosts into fleeing a room or scaring them into doing stuff for him (which would serve as both a puzzle solution and a short-term solution for any segments where you may be stuck as ghost luigi), there are also other abilities like passing through walls (but most new rooms will be VERY dark so it would be hard to suss out details), spectral wind, etc. regular luigi is the one able to catch ghosts though, and regular and ghost forms will often interact in puzzles like a slightly less co-op based luigi and gooigi system
- the first mansion, gloomy manor, is a pretty standard mansion, it’s very old and filled w cobwebs. the boss is a spider-themed ghost, madame moufette. she says the mansions been lost to time and now only the spiders and ghosts live there
- the second mansion, haunted towers, is... actually only a one floor lobby. it’s only when you take the elevator that you realize the entire building is underground and it leads you to a literal icy bunker where an arctic ghost, macready, has spent ages under the bunker and is convinced that a light wielding beast is hunting him down
- the third mansion, treacherous mansion, is a house of illusion, led by a chess-playing ghost named rook. there are stuff like portals, tv static, living suits of armour, the like. rook’s message to luigi is that not everything is as it seems in evershade valley
- luigi comes back from treacherous mansion and gives evershade the third piece of the dark moon, which is when evershade reveals he had the fourth piece of the dark moon all along- and. here’s where things get fucky wucky i’m so sorry
- evershade lifts his goggles and takes off his hat and reveals that HE’S luigi from the future. after the events of mansion 1, luigi eventually decided to become an apprentice to e gadd and became a full time ghost researcher. things don’t seem so different at first but unfortunately e gadd game-overs and so luigi is left all on his own. which is a bummer. with his mentor gone luigi throws himself into his work, neglecting going on adventures with mario to a point that he just stops getting invited... (took mario a VERY long time to stop asking though. make no mistake) over time he becomes a bit of a recluse and his curious and observant nature kinda becomes a hunger for knowledge... he wants to know just what the strange and unusual is and what makes it tick. he also starts using professor evershade as a pen name bc ‘dr mario’ gets people asking about his research for the wrong reasons. though not only does he become more curious but he gets very very bored. ghosts are just poltergeists, tricksters... they’re nothing without a leader. luigi tries to bring back king boo, he invents all sorts of things to try- but the one thing the professor did that he didn’t was invent that damn portrait machine (which has rusted and broken with time- it’s been like, 20-25 years at this point).
- basically, what starts out as ‘i need to bring king boo back so i can have a proper rogues gallery of ghosts to study’ turns into ‘i need to bring king boo back but why would i even defeat him? this is great for paranormal studies’ so yeah. now evershade would like to see the ghost world at its fullest power
- he time travelled back to the past to try and convince e gadd to free king boo (yes he made a time machine hashtag smart) but e gadd fights back, destroying the portrait machine he built. evershade is Angry about this and decides if he won’t help him... perhaps someone else will. his ‘time machine’ is actually a large building that affects all of evershade valley, so it, how it was 20 years into the future, was brought into the past. his backup plan was to trap luigi in evershade valley by turning him into a ghost and making him collect the dark moon shards that he had always wanted but couldn’t get (his ghost researching skills are fine but his ghost hunting skills are out of shape. he could have done that in the first place but he kinda wanted to see his old mentor again.)
- the dark moon itself is an artifact split into four parts bc its effect on ghosts is too much to stand, even for ghosts- it’d give whoever owns it absolute power over the paranormal world and its residents, so the four mansion ghosts have taken it upon themselves to protect them (evershades original plan also involved teaming up with king boo to defeat the ghosts and take the dark moon for themselves)
- (actually, the fourth mansion ghost is polterpup! the dark moon piece WAS in his collar but a certain evershade stole it after the doggy lets his guard down around luigi
- evershade, using the dark moons power, casts a blacklight into king boos painting and finally frees him, offering him ultimate power and ruling over ghosts if they work together as a team. king boo finds this hashtag funny so he’s like ok
- then, luigi gets teleported out of the lab before he can try and stop them. polterpup points him towards where evershades lab has been all along- the fourth and final mansion, old clockworks
- in there luigi finds e gadd being held hostage, where he reveals evershade was trying to threaten him into freeing king boo
- as ghost luigi you also experience side effects of the dark moon in this final dungeon, like controller inputs not working or luigi needing to stop and wrestle off a headache
- so yea... final boss is basically king boo fighting you and evershade cheering him on and you need to counter king boos attacks so that they hit the dark moon and destroy it
- luigi sucks up king boo.... LOL
- evershade is defeated and he doesn’t even have an evil monologue he just kinda stares at luigi unimpressed like ‘really? this is the route you’re taking’ and luigi silently just kinda grabs onto e gadd and whatever toads are in this game. and neither of them say anything
- somewhere in old clockworks a clock goes off, and all the rest of them do too (the one time you hear every clock in sync). fade to white and e gadd and luigi wake up in an empty field where a construction worker asks if they’re ok. pan out to reveal evershade is gone and there’s apparently a construction crew hoping to build four brand new buildings here in this valley
UM THATS IT LOL.... it’s rly overcomplicated i know. i’m sorry.
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cloveroctobers · 4 years
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ROBERT “BOBBY” MCKENZIE —
IG info/bio : @/returnofdamckenzie | 426k followers | @/mclitgs2 is my forever boo🤟🏽😍 while @/cardib is my WIFE! She just doesn’t know it yet ❤️ support my work & be part of my family: @/bobbymckcares
24 (25) years young
Born in Dundee, raised in Glasgow, Scotland
Jamaican father named Badrick who is a African studies professor
Caucasian/Scottish mother named Catriona who used to be a au pair but now works as a receptionist in senior living — one eye is honey hazel and the other a dark brown
It was difficult growing up in a school that didn’t accept Bobby being biracial, it resulted in bullying to the point where he needed to switch schools (A lawsuit was also in place) The next school was slightly better but Bobby slowly learned to accept himself as it was not something he could control and not something he would want to in the first place. He was proud of where he came from and never thought he was better or less than anyone else, that wasn’t how he was raised
He’s an only child, his parents thought about adopting (and fostering) but with Bobby they had their hands full and he was just enough for them
His family is very family-oriented so he would never have to feel lonely since they gave him a lot of attention, slightly making him spoiled but he was also around his cousins & spending time with them as well
He’s extremely close to his younger cousin (only by a few months) Femi who he views as his sister. They’ve been through a lot together and are always there for each other so it only makes sense
Most likely an active kid always up to some sort of shenanigans whether it’s by himself or with his group of friends, “why would you do that Bobby?” “Don’t ask why but ask, why not!?”
Definitely suffered some broken bones, concussions, & sprain injuries but would never show signs of pain...guys got a high pain tolerance that’s for sure
Fan of films/series “stand by me” & “the goonies” & “scooby doo” since he feels they relate to his life??
Hospital caterer and loves making those feel better with food that he’s created. If he can’t put a smile on patients face with words then he feels like he can show them with food
Food is an art to him. He went to school for culinary & it’s very important for him to show how much it is to him. He picked up the craft from of course his family, who always used food for numerous of things: to bring people together is one of them
Perfected Jerk haggis, it is now he favorite dish next to desert & breakfast!
I’m struggling to figure out what sign he maybe? He’s very playful which may come off as childish at times, which makes me think of Leo? (Maybe Gemini?) Only because they usually hold onto their childhood as best as they can, very generous, & give their energy to you but I also don’t see him being a fire sign at all? So maybe very little Leo in his chart. I also feel like he might be a bit of an empath? He knows when situations around him don’t feel right, knows how to read the room, and always wants to help others by lighting things up.
Idk but I’m feeling he’s libra sun + Gemini moon + Leo rising? Who knows
Probably lived in a 2 bed flat with his old uni mate. It was small and a bit shit but it was their shit and they made the best of it
Now lives in a stone cottage or farmhouse with MC that was built in the 1900’s & is slightly haunted. He’s decided to call them Duncan??? But he believes they’re a good spirit, maybe even a friendly ghost!? since he got comfortable with the bizarre happenings in the new flat & it doesn’t seem like they want to hurt them
Lottie offered to bring her ouija board next time she visited—Bobby declined
House is mostly neutral based but three of the rooms in the flat are covered in ridiculous patterned walls or furniture much to MC’s distaste but, “what’s yours is mine” right? No. But Gary approves!
Has two dogs: a terrier & a collie since MC wasn’t down for getting a sheep
They do have chickens to raise their own eggs tho!
Definitely the kind of significant other that will ride on the cart when they’re out grocery shopping, will make you breakfast in bed, & will send you memes while he’s at home and you’re out or even when he’s at work and you’re at home, let’s you put his arm to sleep when you’re laying on it in bed (big ass head gang!), definitely chooses the candles from bath & body works that smell like food items (majority of them suck let’s be honest)
Probably smells like cucumber, melons, lemons, and eucalyptus
Has your wedding date in his IG bio & is proud
Annoys Gary & Lottie with his food pics, “oh, Not this shit again! 😡 looks brilliant, but enough!”
Has zoom/FaceTime movie nights with Marisol & MC who stopped feeling like she was third-wheeling months ago
Talks to hope & Noah (in the background) as much as he can. Feels like they’re his inspiration for love, even tho he’s the only one married out of the villa
He values marriage just like his parents do and often has Sunday dinners with them & MC ofc
Probably has relationship guide books and only reads them out of boredom but finds fascinating facts/advice if he pays attention & tries to apply it to his relationship with mc. If it works, it works! & If it doesn’t, you can’t say he didn’t try!
Works long hours but will still come home to cook for MC or brings leftovers from the events he’s catered (most are for the hospital but occasionally he’ll do other events)
Has a separate IG for his work
When WAP dropped, he almost lost his shit. Even tried to get MC to do the challenge with him, he’s pretty bad but MC eventually learned it just for him 😜
Is thrilled that Cardi made the best decision EVER on divorcing offset, “are you thinking of leaving me now?” “... I might.” “BOBBY!” “Haha, I love you!
Absolutely loves Christmas!!! It’s his favorite holiday and he loves giving back to everyone in his life. Usually he’s working overtime for the holidays & it makes him emotional due to the stories he hears & he puts a little extra love in his food
Goes all out for Christmas. Tries to buy/make everyone something. Even if he doesn’t really care for them...he’ll at least send them a x-mas card, if they keep it or burn it it’s entirely up to them—if he knew about it he’d probably be a little sad not gonna lie...he’s a soft king
Once bought Lottie black crocs with spooky pins , “are you joking Bobby?!” He knows she secretly loved them
Uses salt and peppermint in his dark hot cocoa...
Rather make deserts for Christmas than the food, he feels like it’s his duty
King of giving the thumbs up, especially when situations have gone to shit. He’ll still shoot them up with a smile or a grimace
Always inviting someone somewhere. “Bobby, hun. You’re 4-6 hrs away and it’s 1 am.” Hope groaned after listening to his bright idea, thinking something bad happened. “Ah, you could still make it if you tried, lassie.” “I’m gonna hang up now. Good night, bonkers man.”
Needs constant reminding when to get his locs touched up & moisturized
Either has a trampoline or a funhouse jumper in his backyard (maybe both) “we’ve got the space and this is better than a pool, or almost!”
Wants children, a whole footie team! There’s no specific time frame for him, when it happens, it happens
Used to cool & wet temps & loves vacationing in Greenland. Sure the hot weather he experienced in the villa was awesome & something different than what he’s used to but you can’t take the scot out of the man. So he typically sticks to places that are similar in temps, that way he doesn’t have to change his clothing choices much
Loves a good bath. Bubble baths are better than bath bombs to him, PERIOD!
Loves bubbles so much he put too much laundry detergent in the wash (does this on purpose now) and came back home to the dogs and room covered in it. Do you think he cleaned it up before MC came home? No. He decided to have a bubble party in the room with a Caribbean playlist playing in the background
MC definitely posted about it the first time & joined him for a bit, dreading the work that came with cleaning it all up. Now whenever Bobby needs a bubble party, he knows what to do. MC preferred him to have his little bubble party in the tub but 50% of the time he chooses not to listen & they leave him to pout & clean it himself
Likes to hold hands with fingers interlocked. When it’s cold and if you’re both wearing hoodies, he’ll slide his hand inside the arm of your hoodie to help keep you warm
Canon: His version of a snack is spaghetti hoops on toast & can eat that for the rest of his life & be content
If he didn’t end up marrying MC, probably finds his significant other working as a nurse at one of the hospitals he caters to or a volunteer at a old folks home
Never had a serious relationship, very few hookups, was either always placed in the friend zone or there was one person he wanted to be serious with but they rejected him and continued loving someone else who treated them like shit—so he kinda swore off of relationships and just flirted a bunch and kept his love life non-existent
Fav ice cream? Rocky road ice cream with one scoop of cotton candy & one scoop of cookie butter blue
Doesn’t believe in measuring when it comes to culinary. He uses his eyes as his measurement, could be a bad thing, could be a good thing, that’s up to you
If he’s up at night, he’s eating something sweet. A nice glass of single malt scotch whiskey + a splash of coconut milk (🤢) with a slice of angel food cake & he’s out like a light
Absolutely loves shopping for the kitchen, finds immense joy in doing so. If you lose him in a store, one of the places you’ll most likely find him is in the kitchen decor area
Owns a bagpipe & wants to get better at it, even tho he scared the living shit out of his dogs & chickens
Wears his shades quite a bit even tho the weather is hardly sunny and mainly windy & damp
Will hold the door for strangers even if they don’t say thank you
He’s open when it comes to music. Will listen to anything but feels like the music has to be a purpose for something...Everything he does in his day to day life has to feel like a soundtrack to him since in his mind he’s daydreaming about his life being made into a movie. Who isn’t?
He thinks wentworth Miller should play him in a film and that kid from blackish should play him when he was a wee lad, Marcus Scribner
Always keeps a positive attitude because he knows what it feels like to feel low and he doesn’t want anybody else in the world to feel like that so he wants to uplift and if he can try to be someone’s happiness he’ll gladly be that— which isn’t always the right move, he learned
Listens to: Rotimi, Shaggy, Sean Paul, Skip Marley, H.E.R., Jhene Aiko, Jorja Smith, UMI, The Kooks, The Killers, Cold War kids, Milky chance, Blood Orange, The 1975, Vampire Weekend, Bad Suns, BRYSON TILLER, Kilo Kish, & Ella Eyre (although he misses her old music)
Celeb crushes? Cardi B is his mfkin celeb wife okay?! Nobody else comes above her! He also thinks FKA twigs is pretty & super talented, sevdaliza!, Tia & Tamera, Iman, and brandy from the 90s makes him swoon
Anthem = jaden, “Boys and Girls”
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snazzy-suit · 5 years
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Luigi’s Spectral Services, or Luigi: Liaison of Ghosts (snippet)
The latest footage of Luigi’s Mansion 3 has inspired me to re-visit an AU I’d been casually working on. 
Basically, after the events of LM: Dark Moon, Luigi slowly becomes more and more comfortable around ghosts to the point where he’s rarely bothered by them anymore (the artwork of Luigi hanging out with the ghosts in the end credits was what inspired this AU in the first place). In fact, he starts a business that focuses on building a more positive relationship between spirits and mortals. Luigi will still capture ghosts if they are causing trouble and can’t be reasoned with, but he tries to find more peaceful solutions whenever possible. As he’ll often tell people, he’s more of a mediator than a ghost hunter nowadays. 
But don’t think Luigi’s newfound courage is universal. He’s still afraid of things like monsters, awkward social situations, door to door salesmen, etc. so that much hasn’t changed. Luigi will always be our lovable chicken of a dork.
tldr; Luigi’s braver around ghosts. He’s just trying to help.
Anyhoo, this is a snippet from one of the many drabbles I have floating around on google drive. I hope to start posting this series on Ao3 soon. It’s not going to be a full length story, just a bunch of loosely connected one/two shots that take place in this AU.
==
Ethereal laughter abruptly floods the foyer—the distinct sound undoubtedly belonging to a gaggle of Boos. A nearby grandfather clock booms to life, its chimes growing progressively more warped with each thundering gong. An array of cuckoo clocks takes this as their cue to join in on the dissonance. Picture frames and grand portraits rattle on the walls with the intensity of an earthquake.
Luigi watches as a line of candles spanning the left and right side of the room gradually ignite with violet colored flames. A faint tinkling sound draws the plumber’s attention to a massive, elaborate chandelier hanging high above him in the center of the foyer. As it ignites with its own ghostly light, he takes several large steps back, ensuring that he is clear of the fixture’s fall radius should the spirits decide to indulge in yet another haunting classic. Luigi observes this all play out in quiet exasperation.
Boos—always ones for the dramatic.
“Hey, um, I don’t mean to be rude, but can we wrap this up? It looks like it’s going to rain soon and I didn’t think to bring an umbrella—”
The din suddenly stops. Then, just as abruptly, an old umbrella falls in front of the plumber, causing the latter to jolt in surprise.
“…Really? All this racket, and that’s the thing that startles you?”
Luigi looks up from the unexpected offering to find the king of all Boos himself hovering just out of reach. Behind the spectral monarch looms a row of Boos all clutching noise makers (was one of them carrying a kazoo?) and random house-hold items. Each of the spirits wears expressions with varying levels of disappointment. King Boo, however, just seems unimpressed.
“Um…thanks for the umbrella?” Luigi ventures, not really knowing how to respond.
King Boo merely rolls his eyes and waves a stubby arm to dismiss his loyal subjects. They depart with a groan, letting their things drop to the floor in a noisy clatter.  
“Ever since you grew a spine you’ve been absolutely no fun, you know that?” the monarch grumbles.
“I’m…sorry?”
“Don’t patronize me,” he growls drawing nearer, “Now, to what honor do I owe this little visit, hmm?”
Luigi blinks, forgetting himself for a moment, before snapping back to attention.
“Oh! Right.” He retrieves the envelope and extends it to the looming spirit. “I’m here to deliver this letter from Princess Peach.”
King Boo arcs a brow at the offering and slowly accepts it with a questioning gaze.
“That ditzy damsel had you come all this way to give me mail? Doesn’t she have Toads to handle such a menial task? Why not send one of them?”
“She did,” Luigi gives the Boo a pointed look, “They never came back.”
“Hmm. They sound incompetent. The princess didn’t have to bother you just because one little fungus baby couldn’t do their job. She could have just sent another one.”
“She sent eight.”
“That many? How tragic.”
“Can you please let them go?”
“I’ll think about it.”
Luigi runs a hand down his face; they’d come back to it later.
“Fine. Let’s just focus on the letter for now,” he sighs.
King Boo hums noncommittally. He turns the envelope intangible and removes the carefully folded letter, tossing the former away where it bursts into supernatural flames before raining down into a tiny pile of ash. Luigi stares after the remains with pinched brows.
“…was that really necessary?”
“I don’t have fingers.”
“That’s not…never mind.”
The ghostly monarch unfolds the parchment and carefully reads over its contents. Luigi awkwardly, but patiently, shifts in place while he waits for the Boo to complete their scrutiny. He takes to examining the antique umbrella with dull interest.
“You’re inviting me to play tennis?”
The plumber jumps at the abrupt question, the query sounding impossibly loud in the near silent mansion. In his surprise he accidentally triggers the umbrella’s opening mechanism, startling him further. King Boo’s magenta eyes flash with amusement.
“It’s bad luck to open those indoors, you know,” he cackles.
“So I’ve heard,” Luigi retorts, sounding flustered as he struggles to close the device.
“I should consider adding umbrellas to my haunts,” the monarch muses aloud, “Are you alarmed by other weather protective gear, dear Luigi? Rainboots? Mittens, perhaps? Oooo how about a sled? I know that last one isn’t technically meant to protect you from the elements, but you mortals sure did make a big deal about one in a comedic film I saw several decades ago.”
“That wasn’t a comedy.”
“Really? Are you sure?”
“Very.”
“Interesting. It would seem mortals and Boos have different ideas of what constitutes as humor, because there’s no way this,” he holds out the letter, shaking it with emphasis, “isn’t a joke.”
“Why would it be a joke?”
“How could it not be?” the king scoffs. “You want me to team up with Bowser in a doubles tennis match against you and your brother. Why in stars name would I want to do that?”
“It’s for a charity fundraiser.”
“You say that like I care.”
“I don’t get it…I thought you’d jump at the chance to beat me and Mario.”
“Under different circumstances, you would be correct,” King Boo agrees, “but not if it means sharing the credit with that walking soup dish.”
“Oh come on, it’s for a good cause!”
“Still don’t care. It sounds positively boring, anyway. Do you honestly expect that people will pay to watch such a snooze fest?”
Luigi gives the spirit a bewildered look.
“It’s the Mario Bros. against two of the Mushroom Kingdom’s biggest villains. How is that boring?”
King Boo’s eyes narrow dangerously.
“…I’m in a fairly good mood, so I’m going to pretend you didn’t just lump me together with that hack,” he hisses, “But to answer your question, it’s because what you’re proposing is played out. Heroes vs. Villains, seriously? Why would anyone want to fork over coins to see something that happens on a near weekly basis? Worse, it would be on a tennis court of all things. Talk about dull!”
Luigi’s shoulders hunch as he heaves a weary breath.
“What would you suggest we do instead?”
King Boo almost seems surprised by the question, like he didn’t expect the plumber to value his input. The spectral monarch falls into a brief, contemplative silence as Luigi patiently waits for a reply.
He begins to regret asking when a devious grin suddenly stretches across the king’s face.
“I’ll participate in your silly little game on one condition,” the Boo purrs, fangs flashing in the lavender light of Luigi’s torch.
“…and what’s that?”
“You and I are on a team.”
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airadam · 3 years
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Episode 139 : Safe & Sound
"Give your mama enough money to bury ya."
- E-40
We've just about dragged ourselves to the end of the year whose name shall not be spoken, and we're not out of the woods just yet. The winter is drawing in, and so we have not a festive selection, but one which in many parts sonically fits the season. There are some deep album cuts, B-sides, and mixtape tracks here, making it one of those months where pretty much everyone is going to learn at least one new tune! Get those headphones connected and let's go...
Twitter : @airadam13
Twitch : @airadam13
Playlist/Notes
E-40 : I'ma Teach Ya How To Sell Dope
The title of this track from "Revenue Retrievin' : Day Shift" wrong-foots you, because this is A-grade "B-side of the game" material, as Ice-T would say. If you ever thought the drug game was glamourous, E-40 lets you know that it's a dangerous, paranoid, and depressing dead-end - even for the few who live long enough to make a bit of money. 
The Cool Kids : Tires (Instrumental)
This had just the right slow pace, boom, and space to form a bridge between the tracks on either side. The vocal version appropriately comes from the 2009 "Merry Christmas" EP and features Boldy James, but this instrumental is available as part of the "Gone Fishing : Instrumentals" mixtape (despite not being on the "Gone Fishing" album, so far as I'm aware!)
Jane Child : Loot$ville
Take the rhythm section alone and you could imagine someone like Above The Law or The Dogg Pound getting busy on this track. It's been a very long time since the release of the "Surge" LP, the last from Jane Child, but it still stands up! Child's production and playing skills, alongside those of Cat Gray have this instrumental growling along at the low end, and then her vocal elevates the whole package into a quality song.
Jay-Z : Where I'm From
A clear standout from "In My Lifetime, Vol.1", this is one of the tracks for the streets, and a stark contrast to the many songs on the album that were obviously aiming for mass appeal. Jay lays down the facts of life in Brooklyn's Marcy Projects over a menacing beat from D-Dot and Amen-Ra, with DJ Premier contributing the cuts.
Scarface : The Fix / Fixed
I decided to blend the opening and closing tracks from Scarface's "The Fix" LP here, since both are excellent, but also very short. Scarface and Mike Dean handle the production, and it would surprise many to know that Scarface is also the singer here! This musical motif was re-used by the great Pimp C for UGK's "Still Ridin' Dirty", which also featured Scarface - another track to check out.
Sean Price ft. Buckshot and General Steele : Apartheid
This tune from "Imperius Rex" is the exact kind of darkness and coldness that matches the current season, especially in a year like this. Crummie Beats provides the score, and Sean is accompanied by two of the absolute foundation BCC members to go all the way grimy with it. Check the video - as well as all the artist guests, Sean's wife Bernadette and daughter Shaun both make appearances.
Mad Cobra ft. The Geto Boys : Dead End Street (Instrumental)
From the early 90s, when all sorts of Hip-Hop groups were trying to add a little Jamaican flavour (to wildly varying effect), there were a few artists from JA with the budget to cross over the other way. This 12" had multiple versions of the GB-featuring gun tune headed by dancehall don Cobra, and this is the thumping instrumental to the main mix.
Bronx Slang : Copy That
Jerry Beeks and Ollie Miggs are back with a new single, which just had to be shared here. Beeks has been doing his thing for a long time and continues to tweak and refine his approach - his flow here is alternately conversational and then more dense, and shows a real level of comfort expounding on serious subject matter on the mic. Grab this either as a single or on the "Bronx Kill" mixtape!
Ghostface Killah ft. Trife : Be Easy
The horns on "Copy That" brought this track to mind, and it's a worthy follow-up. One of the big singles from "Fishscale", it's a triumphant Pete Rock blast flipping "Stay Away From Me" by The Sylvers (this info is already out there), and Ghost leading the charge over the top with an assist from Trife in the hypeman role.
Phat Kat ft. T3 and Black Milk : Danger
All the Detroit on this cut, which has appeared in a few places - Phat Kat's "Carte Blanche" LP, Black Milk's "Sound Of The City", and even the "Saint's Row" soundtrack. As "SOTC" was released two years before the Phat Kat album came out in 2007, I guess that kind of makes it Black Milk's track and may explain why he's on the first verse - although Phat Kat is a beast on the third verse cleanup. Black Milk is on the beat, of course.
Dilated Peoples : Clockwork
I'd somehow forgotten that DJ Premier had done this beat for Dilated, but it's a great bi-coastal collaboration between him and this LA crew! The "Expansion Team" LP, their second, is full of heavyweight production, with Alchemist, Da Beatminerz, and JuJu from The Beatnuts among the boardsmen on the project. This track bumps but has a kind of thriller film soundtrack energy at the same time, and Rakaa and Evidence do it justice on the mic.
Fingathing : You Fly Me
The pairing of bassist Sneaky and world-class turntablist DJ Peter Parker was not the kind of thing that was at all common when they started out, but their original concept went from sensational live performances to quality recorded output. This number comes from the first full album, "The Main Event" (which was preceded by the "2 Player EP"), and is a glorious mix of bass and strings with some jazzy drumming action.
Zo! ft. Phonte : Everything She Wants
Now this is how you do a cover version! The last track recorded for "...just visiting three", this was a left-field idea from Zo that Phonte loved, as he'd always loved the original Wham track and wanted to remake it himself! It's much slower than the original, and as Zo points out, it helps to maintain the focus on the lyrics, which were some of George Michael's best from that era. The multi-talented Phonte kills it on the lead vocal (as well as some choice ad-libs), and Zo has the beat sliding and slumping, with a great switch-up at the end if you go and get the full version... 
Freeway & Jake One : The Product
I hadn't played "The Stimulus Package" for ages, but it's still really good. When this was released, it seemed like an idea from a bygone era to pair one MC with one producer for a whole album, but one that was very welcome. Philadelphia's Freeway's addiction-themed lyrics are pretty much timeless, and as is usually the case, Jake One's beat nods to tradition while not being bound by it.
Sadat X & El Da Sensei ft. Bumpy Knuckles : 3 Rounds To Spar
Wall-to-wall rugged MCs right here, with the pairing of Sadat and El joined by the king of the third verse, Bumpy Knuckles for a pure mic workout over some heavy boom-bap (which is never a perjorative round here) by Divine Drummah - a producer I could only find this one credit for, but who definitely cooked up a track with the appropriate weight for the MCs on it. If you check the full version from the "XL" album, you can enjoy the intro where you hear the main sample in a more open form before the chops and drums come in.
Boot Camp Clik ft. Twanie Ranks : Smile In Heaven
This one probably snuck past most of you, as it was buried on the end of the Black Moon "Rush" 12" and didn't appear anywhere else except the "Collect Dis Edition" compilation in 2003. It turned up when I was digitising vinyl and I thought it was a fitting one to play mood-wise, with the contemplative street lyrics and the sombre vibes of the Beatminerz' instrumental underscoring it all. Twanie Ranks adds to the whole with his reggae-styled vocals at the end of the hook sections.
K-Def : The Final Thrill
One of those guys you could describe as a producer's producer, New Jersey's K-Def quietly has an amazing discography! I went back to his "Willie Boo Boo" album for this one, which is so short I had to loop it up a bit to make it long enough to work here - that said, there's no downside to hearing a beat like this for a little longer :)
Tribeca : Charlie Hustle (Pony Express)
With a sample that almost everyone will recognise, even if you can't name it, Tribeca does double duty as MC and producer on this 2003 12". On the mic, he takes on the persona/viewpoint of the former baseball player Pete Rose, who was banned from the major leagues for gambling, and as such is also excluded from the Baseball Hall of Fame (the "Cooperstown" you hear mentioned). When it comes to the production, he pounds the MPC in his characteristic fashion to supply the low end to complement the piano track. 
Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!
Check out this episode!
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eddycurrents · 6 years
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For the week of 23 April 2018
Quick Bits:
Abbott #4 gives us the penultimate issue to the series, dropping all the pieces together to put Abbott on the path to discovery what is going on with all the death and paranormal stuff. The layouts from Sami Kavelä just elevates the storytelling to the next level.
| Published by BOOM! Studios
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Aliens: Dust to Dust #1 is a fairly visceral beginning to this new min-series written and illustrated by Gabriel Hardman (with colours from Rain Beredo). It starts in terror as Maxon begins seeing violence outside his window and finds a facehugger attached to his mother, and just explodes from there with the colony world of LV-871 overrun by xenomorphs. 
| Published by Dark Horse
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Avengers #690 brings both “No Surrender” and this volume of Avengers to an end, serving as a coda to the series, tying up some loose ends, saying some goodbyes--especially as many of the X-Men characters seem to be going back home--and setting up some of the things to come. This has been a great story, with some wonderful art along the way, that well-encapsulated this era of the Avengers while presenting a fairly widescreen epic. 
| Published by Marvel
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Big Trouble in Little China: Old Man Jack #8 is the big confrontation with Ching Dai and it’s...not what you’d expect. Great art as usual from Jorge Corona.
| Published by BOOM! Studio
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Bloodborne #3 is filled will existential dread. Particularly with the idea of that unknown, unseen terror hanging above your head, waiting to pounce. And of monsters being everywhere.
| Published by Titan
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Cyber Force #2 continues the slow burn rebuilding and reintroduction of the team and their antagonists, with this issue mainly focusing on Velocity discovering the extent of her powers and revealing the updated version of Killjoy. Like the first issue, much of the story is similar, but the details get fleshed out a bit more and the look of the characters tends to be a bit different. It does highlight the differences in comics storytelling between today and twenty-five years ago. What used to be told in a handful of panels or a throwaway line now takes half an issue.
| Published by Image / Top Cow
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Deep Roots #1 is another stellar debut from Vault, with absolutely gorgeous artwork from Val Rodrigues and Triona Farrell. The story...is a bit Swamp Thing-y, but not. It’s strange. Dan Watters excels at strange.
| Published by Vault
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Doctor Strange #389 continues this necessary chunk of the “Damnation” event, revealing how Strange exited the depths of hell in order to get back to Las Vegas. Its structure is a bit odd, given that it’s actually told as a flashback, breaking with how the arc has been presented up until now, and it skips over what actually happens in Damnation #4, but it’s still entertaining. Donny Cates adds quite a few bits of reactive humour and the art from Niko Henrichon continues to be astounding.
| Published by Marvel
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Doctor Strange: Damnation #4 concludes the event. I’ve enjoyed it overall, with some great moments spread across the constituent parts, but the main series itself has been told in a fairly oblique manner, leaving important details up to the tie-ins of Doctor Strange and Johnny Blaze. I don’t mind, personally, but if you’re only reading Damnation, it would feel a bit choppy. I am hoping that the tease of more Midnight Sons bears fruit. Some great art again from both Rod Reis and Szymon Kudranski. 
| Published by Marvel
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Dungeons & Dragons: Evil at Baldur’s Gate #1 returns the adventuring party home and has them scatter almost immediately, leaving Minsc and Boo to find their own misadventure about the city. Being Minsc and Boo-centric, Jim Zub opts for a story that’s a little sillier than usual, but it’s very welcome.
| Published by IDW
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Exiles #2 is a rather fun comic, finishing up the gathering of the team, as they hop from realities under threat from the desiccated corpse version of Galactus that is the Time Eater. The differing realities that Saladin Ahmed is playing with here transcends earlier versions with the inclusion of Wolvie, allowing for a radically different interpretation and style of comics not often included in these kinds of reality hopping stories. It gives a nice bit of comic relief and allows Javier Rodríguez to further flex his artistic muscle. Between stylistic changes, layouts, and panel transitions, this is a damn good looking comic. Rodríguez, Álvaro López, and Chris O’Halloran are making the art as adventurous as the story.
| Published by Marvel
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Gasolina #7 returns with Amalia and Randy hiding out and playing house with Amalia’s nephew, who is still somehow alive with one of those alien bug things in him. It’s still kind of weird how Sean Mackiewicz is presenting this mix of oddities with a more standard crime narrative, where the aliens/whatever-they-are are just about the least important thing. It’s a nice approach, drawing out the more “normal” aspects comparatively.
| Published by Image / Skybound
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Grass Kings #14 drops one hell of a bombshell in this penultimate issue. Matt Kindt, Tyler & Hilary Jenkins are ensuring that this series goes out on a high note.
| Published by BOOM! Studios
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Hunt for Wolverine #1 is a pretty good start to this event, even if ultimately the premise of Wolverine missing--when he’s been hopping around the Marvel Universe just missing anyone--is a little ridiculous. I mean, if he still has an Infinity Stone, despite the recent flowchart in Infinity Countdown #2, it makes a bit of sense, but otherwise... Anyway, Charles Soule, David Marquez, and Rachelle Rosenberg put together a great lead story, setting up the mystery of Logan’s missing body, and it remains to be seen how and why he actually came back. The second story, from Soule, Paulo Siquiera, Walden Wong, and Ruth Redmond then essentially sets up the spin-off series with the different teams looking for Wolverine.
| Published by Marvel
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Ice Cream Man #4 serves up another cone of seriously strange horror. Like if you made beer-flavoured ice cream and topped it with bits of chocolate-covered grasshopper. This one features an outing between an estranged friend and the friend’s deadbeat dad after his funeral and it just gets more bizarre from there.
| Published by Image
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Jeepers Creepers #1 is not something I ever expected to see. Although the first two movies were relatively successful, at the very least as cult horror flicks, I would have thought the surprisingly released third film and Victor Salva’s reputation killed the chance of this as a viable property that anyone would want to associate with. But here we are. In any event, Marc Andreyko pens an interesting story. Aside from the nods to the films like the Creeper’s truck, we mainly follow a grad student as he searches for connections between the Creeper and Aztec mythology. Not a bad premise, even if it feels like it’s coming from left field. The art from Kewber Baal, with colours by Jorge Sutil, is also pretty nice.
| Published by Dynamite
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Kill or Be Killed #18 takes a bit of a sidestep as we head toward the series’ conclusion. I love when Ed Brubaker starts laying out the steps in a crime, or in a case as it were, and this issue follows the task force assigned to solving Dylan’s murders, especially in the wake of the death of the copycat they closed the case with. It’s interesting how the clues are presented and followed and as usual Sean Phillips and Elizabeth Breitweiser make it look gorgeous.
| Published by Image
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KINO #5 begins the second arc, changing tone a bit as the series takes a darker turn with ChrisCross taking over the art duties here. Gone are the throwback styles of old comics and now we’ve got some stranger things as Alistair Meath has realized that he’s in some sort of simulation or...something. It’s an interesting shift, even with the introduction of Meath’s family in the real world, as the series seems to take on a more realistic, and slightly darker, tone, even though the real world sequences aren’t much different from what Joe Casey wrote in the previous issues.
| Published by Lion Forge / Catalyst Prime
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The Mighty Thor #706 is a beautiful farewell to the Lady Thor, with some drop dead gorgeous artwork from Russell Dauterman and Matthew Wilson. This is a wonderful capstone to Jason Aaron and Dauterman’s run with Jane Foster and it will be interesting to see where Aaron goes next with the continuing war of the realms and the return of Thor Thor.
| Published by Marvel
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Moon Knight #194 features some really nice guest art from Ty Templeton as Max Bemis pens a tale about a particularly dark period of Marc’s childhood. It’s a good single issue story dealing with some very heavy subject matter.
| Published by Marvel
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Pathfinder: Spiral of Bones #2 features some really nice art from Tom Garcia and Morgan Hickman, as the story shifts to Valeros’ predicament of being dead and being mistaken for a particularly nasty individual. I enjoy how Crystal Frasier is expanding upon the Pathfinder concepts for the afterlife and Valeros’ situation is fairly funny, even if dire.
| Published by Dynamite
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Sacred Creatures #6 was worth the wait. I know this series doesn’t get a lot of press, and often slips its schedule, but what Pablo Raimondi and Klaus Janson are crafting here is some pretty heady stuff, with reinterpretations of biblical epics and an entirely different take on the Nephilim and the Seven Deadly Sins (of which we learn there was an eighth this issue, Vanity, although vanity is usually just an example of pride). It’s good, it’s dense, and it’s beautifully illustrated.
| Published by Image
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Strangers in Paradise XXV #3 keeps Katchoo on the path to find Stephanie Kelly. I love Terry Moore’s humour and this issue has it in spades.
| Published by Abstract Studio
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Thanos Annual #1 is a collection of mostly dark humour stories of Thanos as told by a motley crew of creators, including the recently departed Thanos creative team of Donny Cates and Geoff Shaw, and a number of other luminaries like Al Ewing, Chris Hastings, Frazer Irving, Katie Cook, Kieron Gillen, and more. It’s a fun set of stories, also serving as a bit of bridge to the forthcoming Cosmic Ghost Rider mini-series.
| Published by Marvel
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Witchblade #5 goes deeper in the darkness that has rooted itself deep within New York City’s underworld as Alex investigates a dirty cop, unveiling a web of corruption. We also get a really nice reveal at the end of the issue.
| Published by Image / Top Cow
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X-Men Blue #26 unleashes more of Miss Sinister’s Mothervine plan across the world with secondary and tertiary mutations occurring, along with old depowered X-Men regaining powers. This feels bigger than something that’s just confined to one X-book, which is a testament to the level of storytelling Cullen Bunn is bringing here. While there are timeline quibbles, especially with Venomized going on currently that has already brought the original five back to Earth, it is entertaining to see Polaris’ new team in action.
| Published by Marvel
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X-O Manowar #14 is one of the most beautiful and heartbreaking things you can read this week. Matt Kindt, Ariel Olivetti, and Dave Sharpe return Aric to Earth, but not to home.
| Published by Valiant
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Other Highlights: All-New Wolverine #34, Archie #30, Babyteeth #10, The Beef #3, Black AF: Widows & Orphans #1, Crossroad Blues, Cult Classic: Return to Whisper #2, Days of Hate #4, The Despicable Deadpool #299, Factory #2, Giles #3, Harrow County #30, Hillbilly #9, Hit-Girl #3, Incidentals #8, Invincible Iron Man #599, Jim Henson’s Labyrinth: Coronation #3, Legion #4, Lockjaw #3, Lumberjanes #49, Mighty Morphin Power Rangers Annual 2018, Now #3, Old Man Hawkeye #4, The Pervert, Peter Parker: The Spectacular Spider-Man #303, The Prisoner #1, Reactor #3, Redneck #12, Regression #9, Rick & Morty #37, Saga #51, Shadowman #2, Sheena: Queen of the Jungle #8, Songs for the Dead #2, Spider-Gwen #31, Star Wars: Darth Vader #15, Star Wars: Doctor Aphra #19, Throwaways #13, Venom #165, Venomized #4, The Wilds #2
Recommended Collections: The Damned - Volume 2: Ill Gotten, Dead of Winter: Good Good Dog, Fear Agent: Final Edition - Volume 1, Goldie Vance - Volume 4, Hack/Slash: Resurrection - Volume 1, Heavy Vinyl, Jessica Jones - Volume 3: Return of the Purple Man, KINO - Volume 1: Escape from the Abyss, Lazarus Sourcebook Collection - Volume 1, Mighty Morphin Power Rangers - Volume 5, Spirits of Vengeance: War at the Gates of Hell, Star Wars: Darth Vader - Volume 2: Legacy’s End, Stumptown - Volume 2: The Case of the Baby in the Velvet Case
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d. emerson eddy wonders.
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