#like what is mines thought process when daigo does something So Daigo | Explore Tumblr Posts and Blogs

rasenkaikyo · 7 years

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The gentle flame of a candle broke through an all-encompassing darkness before her. Beyond the veil at the limit of the candle’s light, the hull’s gentle creaking permeated as it rocked in the sea. The scent of salt and wood were abundantly clear as the Raen took it in for soft moment, before she turned her gaze back to a piece of paper, held delicately in her hands.

She was ever fond of folding paper into forms and shapes, of flowers and birds, to take her mind off any unease of the moment.

She continued this for a while, as she kept her peace beneath the deck of the small hours. It wasn’t until the shuffle of approaching steps that she broke her concentration - she grabbed her candle and raised it to meet that of a standing older gentleman, dressed in subdued robes not unlike her own. “<Lady Daigo? Is aught amiss?>” The hyur inquired. He was a welcome face.

Hinako smiled up at him, then gently shook her head. “<Motouji... No, there is nothing of the sort. I suppose I simply cannot sleep.>”

She carefully set her candle down on the floor while Motouji placed his beside, settling cross-legged opposite the lady. “<You, as well?>” Motouji would ask, ever thoughtful in tone. “<It is not the rocking of the ocean that uneases you, is it?>”

“I can neither confirm nor deny that,” Hinako quipped, maintaining a hushed tone. She glanced over to a small animal, a tapir, slumbering at her side as she patted it gently. Her eyes, the brilliant pink against the light of the flames, were ever warm yet pensive.

“<You can feel it, though, yes?>” she added. “<This presence of mono unlike that which I have ever felt back in Doma, and it has been growing ever more intense by the passing bell.>”

”<Yes,>” Motouji nodded. ”<I am told that it is not unheard of for outsiders to these lands are wont to experience distinct changes in the air around them; almost oppressive. Indeed, Eorzea draws near.>”

Hinako watched the candles’ flames flutter in the dark. She could hear the low rumble of thunder from beyond the ship, and the patter of rain beginning to grace the hull. “<We have come so far, all of us... The heavens have blessed us that we would arrive, be it on a merchant ship.>

“<It will not be much longer now,>” Motouji said. “We are expected to arrive before sunrise at a coastal settlement called ‘Vesper Bay’ -- as our countrymen before us have done. Beyond that is the prospering city of Ul’dah, although word has it that they do not take kindly to refugees.>”

Hinako slowly nodded back. “<Like Hingashi, like Radz-at-Han. No, I know this will be different. Even if this city of ‘Urudaa’ does not take us in, we shall find another place among the land. If Eorzea enjoys as much freedom from the Empire as to believed, then I am certain there will be a way.>”

Finally, Hinako’s gazed locked back with Motouji as she added, “<Perhaps we can finally stop wearing these uncomfortable cowls, as well.>”

Motouji chuckled, bemused. “<Ah, yes, they are quite ratty, aren’t they? We will, most certainly. We just need to keep fa--”

A heavy, booming sound burst through the ambience. Too sharp to be thunder.

A crash. Hinako’s tapir woke with a start.

Cacophony rained from above as the sounds of shouts and hurried footsteps quickly came to the awareness of Hinako and Motouji. They bolted to kneel as the hatch to the hold opened wide. A man’s voice rang out: “OI! We ‘ave a brigand problem out ‘ere!!! You easterners bes’ stay in there if ye wanna stay safe, we can ‘andle this!!” The hatch slammed shut thereafter.

Hinako and Motouji returned looks to each other: hers was stern, his at unease but nonetheless in compliance. Exchanging nods, they snuffed out their candlelight.

Hinako rose out on to the deck, her staff in one hand and her tapir underneath her opposite arm. Outside, there was no indication of safety. The rains were coming down harder as chaos reigned on board, the crew manning cannons against a foreign vessel off of portside. Iron balls flew past, some crashing against the hull. Men were wounded, and Hinako rushed to a man to offer her aid.

The ragged man groaned, “What are ye, a healer...? Ye shouldn’t be out here...!” Hinako merely uttered a near-silent cant as she emitted a white light against the man’s wound. Looking up, she could see that the enemy was looming closer, attempting to board. She could see the men against the void as lightning crashed in the sky; brutish men, with painted faces...

Blades clashed. Shots were fired. Hinako rose and shifted her stance, biting her lip. They were so close. How were they going to get out of this with their lives? She could not mull over their options for long as she gazed upon a man, one of the pirates, coming over the rail. They made eye-contact; his eyes as a man driven mad.

She held Bakusan close to her bosom and closed her eyes. Now was not the time for doubts. She needed to clear her mind.

“Arai,” she uttered. In an instant, an aggressive jet of water burst forth from Hinako and hit the man dead on, sending him reeling back and tumbling onto the ship from whence he came. As she could see the man attempt to right back up, Hinako neared closer. “Jishin,” she said next as she swung her cane out, lobbing a conjured stone and hitting the man square in the face. With a surprised grunt, the man fell to the deck, out cold.

She had little time to react for another raging brute swinging out at her from her flank, but a third force caught them both unawares, slashing the pirate across the torso and knocking him back. Hinako gasped, “Kaya!”

The young shinobi nodded in affirmation. She was rattled but tried to maintain her confidence. “<We’re going to see this to the end, Lady Daigo! These savages mean nothing!!>” With that, she bolted forward to confront another brigand.

Hinako sighed and closed her eyes. “<Grant mine and my own your earthen protection...>” Her skin briefly felt hardened, and Kaya could feel the same. Hinako could only take a couple of paces forward when another shout broke out amidst the chaos. “FIRE BENEATH TH’ DECK!”

“SEVEN HELLS! ABANDON SHIP!”

“HINAKO!!”

She barely had time to process before the explosion. Gunpowder?!

Time seemed to slow down, everything growing silent. The wind bore against her body as she tumbled in the air.

Lower La Noscea, Cedarwood

A farmer at the Red Rooster Stead, risen early for the today, stretched at a cliff face. “Ugh, bloody winds, today....”

The sea wolf looked out at the land and the sea beyond. Squinting, something caught his attention -- “What in the...” A light out in the horizon, flickered brightly against the grey skies of early twilight. He gestured, “Uhh, hey lads? Are ye seein’ this?”

A lalafell hoisted himself to join the roegadyn and looked outward. “...Oh, Navigator forfend. Surely, that’s a fire out at sea! That can only mean...”

The sea wolf farmer nodded. “Aye. We need t’ get the Yellow Jackets, an’ now. We might be dealin’ with pirates. Let’s move!”

Eastern La Noscea, Bloodshore

Rain continued to fall as agitated waters lapped against the beach. A water-logged Hinako staggered onto the sand, Bakusan following close behind. She staked her cane in the ground as she fell to her knees. She clutched a piece of wood lodged off-center in her gut. Her energy waning, her world growing dark, she strained to once utter an old cant amidst labored breaths. Her life depended on this one last spell.

“<B-...Baku... forgive...>” Finally, she fell to her side and rested in the wet sands, as the waters crashed around her. Bakusan could but nudge her gently, before beginning to squeak, crying out among the waves.

#ffxiv #final fantasy xiv #ffxiv rp #balmung #au ra #hinako daigo #writing #non-canon

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todayisafridaynight · 1 year

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Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)

I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.

I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.

Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.

For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.

I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.

The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.

And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.

There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.

You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.

There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.

But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.

There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.

The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.

Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.

I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.

Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.

I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.

I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.

Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.

Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.

So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.

One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.

He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.

I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.

There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.

And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.

It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.

I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.

But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.

I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)

It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!

As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.

The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!

About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.

To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.

As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).

Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).

Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).

Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.

#long post #fave #snap chats #i have more notes down here hi LMAO #honestly i do wonder what Just A Guy masato wouldve been like.. tho tbf before The Murder masato /was/ kind of Just A Guy #an insecure guy with issues sure but i doubt he wouldve gone on to do anything criminal/abhorrent had it not been for That Night #ah but speaking of That Night and arakawa and jo having to talk about it if always wanted to go into that on my own time #i guess more appropriately put it as portray how i imagine that scene went down but thats somethin i can think of another time #and that reminds me ! absolutely no pressure about the commission btw take all the time you need !#im excited to get to it when you are ready though i wont lie but again it's no pressure! im not going anywhere :)#honestly ill be real somehow with all of the films and movies ive seen i didnt get to catch nakai and tsutsumi together on other projects #i know they starred in Musashi together but i didnt realize their co-starship went deeper!#trying to watch japanese medias so hard sometimes because while most of it i can find easy #trying to find movies like 47 Ronin in Debt was arduous and others like Fly Daddy Fly are just impossible 😷#oh well- that just means i have to be extra grateful for the films i have access to #speaking of tsutsumi's characters' mortalities tho ngl one of my favorite roles he plays is toru from Pure (1996)#and him Spoilers dying via metal pipes still guts me it makes me laugh more than it should ☠️☠️#then there's the 'fakeout' deaths from Meishi Game and Why Don't You Play In Hell #or. at least i /think/ the latter was a fake out.... im p sure hirata's just so delusional he's imagining everyones alive #unimportant tho Again im just prattling down here LMAO #one more thing i wanna ramble on is about how jo and arakawa handle aoki's abuse- and its going back into personal anecdotes oopsie #more specifically on how arakawa becomes the main subject of aoki's anger because jo is considerably more docile #at the very least it reminds me of whenever one of my sisters would be in trouble so they'd dodge home leaving my to get yelled at LMAO #rip RGGJo hes stuck in a coma PLEAAASE truly in nature with a tsutsumi character to just. Die ☠️#and lest i neglect catboy canon sawashiro please im howling. that just reminds me of the post bout the sad and old catboy #do i sound insane i think it was the one where theyre sitting at a bar and after drinking they just knock their glass off the table #anyway poor sensitive nose jo cant take him anywhere- allergies are probably going to act up or something lmao #but im running out of tags at this point. thank you for allowing me to talk so long- and im always happy to hear from you !

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