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#like. love the series. but i think it’d be a lot more impactful if phoenix and miles LOOKED as young as they were
apollos-boyfriend · 2 years
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i love phoenix wright but GOD i wish phoenix and miles were drawn more to look their age. i saw an edit once where someone slimmed down miles’ shoulders to look more realistic and it made SUCH a big difference. he actually looked like he was in his mid 20s
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Season 4: What do we know?
What with it being summer break during a pandemic, I am quite bored. I’ve decided to take a look at what we know about the upcoming season.  It turns out, we don’t really KNOW a lot. What do we know then?
1) There appear to be nine episodes, and the first one is (currently) titled The Hellfire Club. This is all based on the Stranger Writers Twitter account. Nine episodes would be welcome, as last season felt a bit rushed to me.  As for the Hellfire Club, that’s where we can really only speculate...which I will happily do here because, again, I’m bored and starved of content. The Hellfire Club was first a reference to organizations in 18th century Britain or Ireland. They seemed to be hedonistic in nature, and some possibly existed as a mockery of religion. They basically congregated to have a safe place to escape social taboo. From the information I was able to find, they seemed relatively benign. There’s no evidence they were Satanic or anything malicious, though rumors were abound of evil magic and other goings on. From my readings, I get the sense they were basically like stereotypical frat houses of today: excessive indulgences in food, drink, and sex, along with weird rituals and pledges of loyalty and secrecy. I struggled to connect this to anything that could occur in Stranger Things. Hellfire Clubs as the rumors of the time saw them may fit into the supernatural aspects of the narrative, but it would be a very obscure reference. It could be a secret organization investigating things that would otherwise be frowned upon (the occult and/or supernatural). It could be a club or organization that others see as bad, like perhaps a school clique of outcasts, but it’d be quite something for an 80s kid to know the reference. To them, they’d probably more likely associate it with a comic book. The Hellfire Club was also the name given to a villainous group first shown in Uncanny X-Men #129. It is ostensibly an international elite social club, but is more or less a front for an group of powerful people, including several powerful mutants, to use their wealth and power to secretly influence world events. They were introduced during the Dark Phoenix storyline, as members of that organization tried to bend the Phoenix to their will in order to make use of her power. So, perhaps the Hellfire Club (likely named by one of our comic-loving boys) is made up of antagonists looking to capitalize on Brenner’s work. Brenner himself could very well be behind it all. The main issue I see here is that this would require not only revealing this to the viewers in the first episode, but also to the kids in order to allow the name. 2) Hopper is...somewhere This is old news by now, but we know Hopper hasn’t been reduced to goo like everyone else exposed to the Russian experiment. Where he is remains a mystery, though they seem to want us to think Russia and that he is the American mentioned by the guards. It’s not outside the realm of possibility that he could have slipped through the gate (intentionally or not) and ended up in Russia. It would make me wonder why the show played its hand so early though. They may have just said “screw it” when so many people noticed there were no remains like with everyone else who got blasted. It may also be a misdirection. I’m not a huge fan of those, as I think having to be blatantly deceptive is cheap writing, but I’m also not a writer. What we do know is that part of the plot will have to involve finding and rescuing Hopper, wherever he is. 
3) Murray knows something that would be of interest to Joyce
In an easter egg after Season 3, we were treated to Murray’s answering machine message. Writers know that a number of fans will call a phone number (or go to a website) provided on a show or movie and often set up supplemental material to go with it. Along with scolding his mom for calling him when she isn’t supposed to, he also includes a message for Joyce. This shows that he was anticipating her call, suggesting that they had remained in contact. Murray is intentionally vague about a discovery he made, but refers to it as an “update” and “not good or bad, but something.”  What we can get out of this is that Murray has been working on something of interest to Joyce, possibly at her request. What could interest Joyce that an investigative reporter would want to work on? The obvious answer is Hopper’s whereabouts, but that would imply that she thinks he’s alive. Perhaps she wanted to be sure that her family is safe from government agencies, Russians, and the supernatural.  The part that stands out to me is that it’s “not good or bad.” You’d think Murray would have some idea of what he discovered. This could just be a way for them be all “hey, Murray’s gonna be involved next season” without giving anything away. 4) The party will be split, at least at first I mean, this is basically a given, but, since it’s something we know, it should be included here. The Byers and Jane have left Hawkins for parts unknown. Jane presumably is going with them, but keep in mind her aunt is still out there. However, if Jane were to be going to live with her aunt then her goodbye wouldn’t be quite so impactful. Becky Ives is shown to live relatively close to Hawkins given the ease with which Jane gets there. Mike’s conversation with Jane where he invites her and Will over for the holidays suggests he expects them to be living together. We may not have seen the last of Jane’s biological family (or Kali for that matter), but she’s almost certainly going to live with the Byers, at least initially. With the emphasis the series has put on not splitting the party, we can expect them all to reunite somehow. However, the initial action would have to occur separately unless the entire season occurs during the course of a visit. This was all I could think of in terms of known information. Everything else would simply be speculation. I’m not opposed to that, but that would be for another post at another time. Please feel free to fill in any gaps I’ve left or correct any mistakes I’ve made (politely I would ask). 
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mistiedwagonfyre · 4 years
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M(erry) Monday: Just Some Get to Know You Stuff...
So I got these from moonysmind so I should probably @ them... 
@moonysmind-blog
Ok, let's get this party started! 
1. Do you prefer writing with black or blue pen?
Blue if I'm writing something, black if I'm outlining a paper. But overall, black pens are my go-to just because I have more of them. I seriously need to stock up on blue pens... Also, who uses a red pen for anything other than corrections just because that's the way they've been taught? 
2. Would you prefer to live in the country or the city?
The Country. Or somewhere in the middle. I just feel like I'd be able to manage less people over more people and get to know them more personally. And, let's be honest, the country has gorgeous skies and sprawling fields and meadows. And it feels like you could take a deep breath and just absorb the atmosphere. 
3. If you could learn a new skill, what would it be?
Balance. It would help in everything because yours truly is a ball of clumsy fluff.
4. Do you drink your tea or coffee with sugar?
Heh, I drink hot chocolate with marshmallows so...
5. What was your favourite book as a child?
Anything I could get my hands on. I. Love. Books. My favorite series as a kindergartener was the Magic Tree House tho.
6. Do you prefer baths or showers?
Depends on my mood. Baths are for when I've got tons of time to just relax  and get my mind off things and showers remind me of rain and I love them too. I take showers more often but that doesn't mean anything.
7. If you could be a mythical creature, which would you choose?
This is a hard one cuz I love all things mystical and magical... 
My immediate thought was a dragon but they get killed a lot in the myths and they're almost always stuck guarding something. Then I was like, ok then. What about a phoenix? So ya, I'd be a phoenix. Don't get me wrong, I'd totally go with all the mythical creatures and just cycle through them all, just if I had to choose just one it'd be a phoenix. Maybe, since I'd technically live forever, I could meet every single mythical creature ever. That'd be pwetty cool...
8. Do you prefer reading paper or electronic books?
Paper. It's what I've grown up with. I know, classy me. Also, there is nothing quite like the smell of a new book. Just sayin'.
9. What is your favourite item of clothing?
Punny t-shirts. All I'm gonna say.
10. Do you like your name? Would you ever change it?
Yes. If I had to change it, I'd love to be Reyna or Luna. Otherwise, I'm keeping it.
11. Who is a mentor to you?
Mostly myself. I taught myself to draw, anyhow. If not me, my mom or my newest art teacher or my neighbor. 
12. Would you ever want to be famous? If so, what for?
Yes and no. I want to inspire people (whether with art or my quirky personality) but don't want the pressure that popularity and fame brings. 
13. Are you a restless sleeper? 
If being a night owl counts as restless, then yes. If being a deep sleeper when I am actually asleep doesn't, then no.
14. Do you consider yourself a romantic?
Considering I like guys who are chivalrous and funny... yes?
15. Which element best represents you?
Water. I'm chill until all my suppressed emotions rush out. You can't hold back the ocean forever. And you can't prevent the inevitable: Me being weird. Just ask my sister, she thinks I'm insane (which is probably accurate). Also, I may seem shallow on the surface, but I can actually be very deep sometimes. I could go on and on about my relationship with water, but that's a tale for another time.
16. Who do you want to be closer to?
Everyone. I love strengthening relationships with people. It makes the group stronger as a whole.
17. Do you miss someone at the moment?
Always.
18. Tell us about an early childhood memory.
I'd love too, but then storyteller Mistie will appear and this list will become infinitely longer. You'll have to ask me in my questions tab if you really want to hear one. 
19. What is the strangest thing you have eaten?
Can't decide which is weirder: Watermelon with taco seasoning or raw onion with mustard... Both are equally delicious in the summertime at a BBQ.
20. What can you see outside your bedroom window?
A ladder, some rocks, and a dead vole. My old room had a much better view... 
21. What are you most thankful for?
My Savior
22. Do you like spicy food?
Not particularly, no. 
23. Have you ever met someone famous?
Alex Boyé. He went to a really unsanitary restaurant before he came to our house one time and puked all over our newly waxed floors. I feel bad for him. Everyone but him knew not to eat at that runofthemill A&W on the way up. He still put on a mini concert for us tho and that was pretty considerate of him, because he did it even though he can't have felt like doing it.
24. Do you keep a diary or journal?
Yup. I've got entries from back in kindergarten, amazingly. Granted, back then I wrote in pictures.
25. Do you prefer to use pen or pencil?
Pencil. I'm human, I make mistakes.
26. What is your star sign?
Well, I was a Pisces. But then they discovered that there are more stars in the sky, just like there are more fishes in the sea, and just bunched a bunch of Pisces together so now I'm Aquarius. I'm still a Pisces at heart tho.
27. Do you like your cereal crunchy or soggy?
Crunchy. Better texture. Soggy cereal is oatmeal in my mind and if you want oatmeal, you actually make oatmeal, not let your cereal sit out for who knows how long. 
28. What would you want your legacy to be?
Legacy is a tricky thing. You've gotta know what people are gonna think of you down the line. I want mine to be simple: she wasn't afraid of who she was and what others would think of that. She was herself, and that's all that matters. I feel like that's the best legacy I could have for the future generations who will grow up in a world of trial and tribulation.
29. Do you like reading? What was the last thing you read?
ABSOLUTELY! I just finished Lodestar from Keeper of the Lost Cities. I shoulda read these books years ago but they're still fan-freaking-tastic! 
30. How do you show someone you love them?
I guess my love language is acts of service or whatever. So I'd probably serve them and do tons of sweet things for them. 
31. Do you like ice in your drinks?
No, it makes it all watery. Blegh.
32. What are you afraid of?
Lots of things. I just only realize when they come along and forget what they are afterwards. Sure, it may seem nice, but it makes the terror of coming into contact with them once more infinitely more terrorizing. But bugs are extremely horrifying. And so are arachnids.
33. What is your favourite scent?
Rain with freshly mowed grass and newly printed books at a campfire with Smores by the seashore. No one will ever be able to create this magnificent scent. 
34. Do you address older people by their first or last name?
Depends on how close we are.
35. If money was not a factor, how would you live your life?
Does this mean that everything is free? Well I'm gonna stockpile food and stuff and then ship them off to 3rd world countries. I'd try to save as many lives as possible. Or I could go there in person to deliver said goods... Yup. I've decided that that's what I'm gonna do!
36. Do you prefer swimming in pools or in the ocean?
Pools have a veil of safety but the ocean is much more beautiful and alive. Also, the smell of chlorine is gross. And the taste. Blegh.
37. What would you do if you found $50 on the ground?
If it looks old and worn and dirty like it's been there a while, imma take it. Chances are whoever lost it has been long gone so I can actually take that $50 w/o feeling guilty. Otherwise I'd leave it there.
38. Have you ever seen a shooting star? Did you make a wish?
Heh, I used to wish on airplanes, satellites, and planets because I thought they were 'special stars'.
39. What is one thing you would want to teach your children?
To be kind, even when it is inconvenient. I don't know how many times someone has held the door open for me even when it seemed much more convenient for them to just go inside where it is warm and just let me open the stupid door on my own. 
Maybe I'd teach them that even the smallest acts can have the biggest impact. One of the two. Probably both.
40. If you had to have a tattoo, what would it be and where would you get it?
Heh, you're talkin' to the girl who doesn't want her ears pierced. No way in heck am I getting a tattoo.
41. What can you hear right now?
Music and the sound of my thoughts.
42. Where do you feel the safest?
In a book.
43. What is one thing you want to overcome/conquer?
Darkness and fear.
44. If you could travel back to any era, which would you choose?
The one with Michelangelo, Leonardo, and all those other guys that the ninja turtles were named after.
45. What is your most used emoji?
It's not even an emoji. It is literally XD. Either that or (^^) 
46. What is your favourite season? Why?
Torn between winter (snow), spring (life coming into bloom), and fall (all the pwetty colors).
47. How would you spend your ideal day?
On a window seat during a thunderstorm either sketching or reading a book all wrapped up in a blanket. Preferably with a cat. Sipping warm apple cider or hot chocolate with marshmallows.
48. Describe yourself using one word.
Me.
49. What do you regret the most?
Not realizing certain things sooner.
50. Invent your own word. What does it mean?
Crushyblushy (adj. n.)
The general mannerisms an individual enacts around people that they like (specifically in crush and/or love situations).
syn: awkward, quirky, shy, blushy
ant: confident, flirty, aplomb, able
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juunedai · 6 years
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despite me loving arc-v with all my heart, objectively, arc-v is NOT the best ygo series.
OKAY this was written at first as a reply to someone who said that a lot of yugioh fans are blinded by nostalgia and that arc-v was the best yugioh series and although i LOVE arc-v i really really disagree with that opinion so i replied with my two cents in a brief youtube comment about why i thought arc v had a lot of bad writing but honestly like 5 seconds later i decided that i would never be able to get my point across that way so here’s my expanded mini-essay on why arc-v sucks
huge arc-v spoilers and tiny 5ds spoilers under the cut
honestly arc v's pacing was really bad and the synchro arc went on for too long, causing everything afterwards to be rushed. most of the characters were turned into plot devices instead of people (see: bracelet girls. serena and yuzu had tons of potential but in the end serena’s whole personality was erased and all yuzu did was yell “yuya” like her life centered around him or something - like she wasn’t affected by the ordeal personally at all. the other two had like. only a little personality and were overall kind of boring and it sucked too because i had high hopes for rin and ruri)
yuya actually sorta became a mary-sue near the end of the show (the world warps around him, everyone cares about him even when most have no reason) (see: shun kurosaki, in the end he literally said yuya’s name and talked about yuya more than his own damn sister, who was his entire mission, he just kept talking about how great yuya was despite having no emotional connection, and i get that its supposed to show how much of an impact dueling in peace can have on people, but it just didnt Work) 
in arc-v everyone was super one-dimensional?? we never really saw different sides to their characters (well, minus yuya, the only one whose character was like. properly properly developed). everyone else either had a super-rushed, underdeveloped character or was a plot device (see: edo phoenix, a character canonically shown to be stubborn, magically changed by the Great Yuya in one duel. i know his heart was “swaying” and all that but even afterwards you would still have doubt in your newly joined side, especially when you’ve been so stubborn and so brainwashed by authority for so long). everyone else is a plot device pretty much
 nobody was... “bad”. nobody paid for any crimes unjustly commited. (see again, edo phoenix, one of my favorite characters in the entire series but he was literally a military commander who ordered soldiers to card tons of innocent people). i think this is another branch of that “peaceful dueling” thing, and how dueling should induce peace and smiles and violence is bad, etc. etc., but this isnt very effective when people who have literally committed war crimes go unpunished because “oohh peace there shouldn’t be violence”. 
and they tried to be deep??? they tried?? with their whole “don’t be afraid, don’t cry, just smile and move on!” or like. saying that everything can be solved with peace and happiness and smiles like. nice thought but. hmm idk. and just holding back your tears and smiling and ignoring it and moving on is kinda... bad for you like it’s gonna come back to bite you in the butt later
like!! there were good things!!! i love the show because it had a goldmine of potential. 4 dimensions? 4 yuyas? yuya dealing with losing yuzu? the synchro dimension showed great character for yuya and yuzu honestly, and sora’s whole arc about switching sides was awesome and like. well paced. reira/layra’s whole character was so intriguing to me, and his relationship with reiji and the whole thing was just. awesome. and like, yuto and the xyz kids having to deal with their home being ravaged... i dunno the whole show was just. ugh. so much potential and that was what dragged me in but they WAY dragged out the synchro arc thinking they had time for the rest and that was their mistake. 
 in my opinion 5ds is probably the best one, as it actually has a consistent plotline/character development, strong female characters (they're doing good with aki so far, but i haven't finished the series so im not sure yet), and they're not scared to deal with real-world issues, like classism, poverty, etc, the main characters are all literally criminals, but they're still portrayed as people, and thats what's important. and 5ds actually has some pretty insane moments and quotes!! like. despite being a “dark” show it’s hilarious with their humor and although characters are portrayed as hurting or sad you get to also see their funny side, or their happy side! the characters actually have substance and there are some pretty good quotes and moments from it too. like
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these are all genuinely hilarious/heartfelt moments that show the different sides of the characters!!
basically arc-v was so filled with potential but it is FAR from the best series. if you ask for my ranking, from best series to worst series it goes like this (keep in mind zexal will not be included because i haven’t watched it):
- yugioh s0 (toei version) (one day i’ll write an essay on this its SO good)
- yugioh dm, yugioh gx, yugioh 5ds (they’re all on the same level because they’re the Original 3 and it’d be doing them injustice if i tried to rank them)
- yugioh arc-v (:D)
- yugioh vrains (this series is actually good and i reccommend watching it it’s only ranked lowest here because it’s not finished yet)
anyway thanks for coming to my ted talk.. and goodnight
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kierongillen · 6 years
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Writer Notes: The Wicked + The Divine Christmas Annual #1
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Spoilers, obv.
There's a backbone of Specials which I consider essential to WicDiv's plot. This is one of the main reasons we've ended up putting the Specials trade into the schedule before the last trade in the series rather than after it – as fractally as WicDiv is structured, this is information you should know before the end rather than after it.
They also work off a weird time-switched aspect – so they're read at the time of publication (for single readers) and also at the latter point in the story (for trade readers). In other words, they're revealing different information and to different import depending on whether you read them as they're released or as they're collected.
Which is an interesting challenge.
The Christmas Annual is the first Special which doesn't work like this. Looking at the schedule, we thought it healthier to add an extra month to the gap between arcs. The next arc is six issues, as is the one after that. We decided to add another special, and then saw what would be fun to do.
This was a boon for me. The problem is never not having enough material, y'know? The difference between something I'd like to do and something that is essential I do is narrow. Jamie had the idea of going back to periods we skipped and showing some of their key moments. I initially kicked against it a little, but when the thing I was trying proved too hard to make work, it seemed the simplest thing to do for me, and seemed a cute gift to the fans in a year that's been pretty fucking brutal.
(That we rarely get happier than bittersweet speaks to me, really. All happiness is tinged with sadness. “I love you” is married to “and one day we will all be dead”.)
But it was also a fun time. We got a gang of our favourite people together and did a bunch of short stories. Most of all, I got to write a bunch of people I haven't written for a while. I've missed them.
How were the stories chosen? Rapidly! The main limitation was not choosing anything which would spoil anything in Imperial Phase: Part Two. The Specials are designed to be spoiler-free for any trade which isn't released when it's released. We also wanted to show a bunch of kissing and similar social activities, as for a book which has as much emotional and sexual stuff driving the characters, there's relatively little on panel.
I wrote 'em, showed them to the gang, and then we worked out who we could ask to draw them. I was expecting I would remove several of them, but they all ended up going in, with tweaks in some cases in the story's focus. In terms of the characters selected, I definitely paid attention to characters who had relatively little screen time – so, Lucifer, Inanna and Tara.
Jamie's Cover
Using a bought Photoshop filter, this actually a lot more work than Jamie was expecting. It is wonderful though. It is to my eternal regret we never actually arranged it as a Christmas Merchandise thing. This is a delight to me. Really, we're aware that Jamie doesn't do many playful covers, so this was an opportunity we grasped with both hands. For all the iconic drama, there's also a playfulness to WicDiv that doesn't always show up on the covers.
Kris Anka's Cover
It's a Christmas Annual in the mode of a British Annual – in that these are annuals released at Christmas rather than having Christmas as a major theme per se. Anyway, despite all that, Inanna and Baal in hot make-out beneath the mistletoe is an absolute joy. I am pleased we get to do this.
IFC
The main editorial note to Designer Sergio was “Tackier! Tackier!”
The photo was taken in North London cocktail bar “Every Cloud.” Jamie is probably drinking some manner of Old Fashioned. I think I'm drinking some kind of Buttered Rum-containing cocktail. Chrissy draped the only decorations she could find over our heads.
1-6
Kris Anka! Jen Bartel helped out on inks on this as well, due to time constraints. Kris is currently on a Marvel Exclusive, so we had to get permission to do this story. Marvel said yes, so thanks to them enormously.
Yes, if you examine the timeline, Valhalla was certainly erected quickly. And yes, “Erected quickly” is a major theme in this story.
It's one of the lighter stories in the issue – obviously delineating what we know about Baal to this moment says a lot, and the same for Inanna.
I tried to write the scripts to the artists, but I also was interested in leaving it open for them to express things in their own ways. Generally speaking, I let the artists choose how to show the characters in a sex scene, as I want to see their own interpretation. It was a delight to see Kris go as far as he did here.
We did wonder whether we'd be okay with showing hard cocks. We're told that hard cocks are fine, but ejaculation is the problematic limit. I'm glad it's not an issue. This is a hot scene, but it's primarily a romantic one.
I love what Matt is doing with the panel on page 5 – the pinks and purples of Inanna here.
Baals expression on the first panel is very funny, as is the confidence in panel 3 of it.
7-8-9-10
There's seven stories, but several were just two pages. We realised the best way to do it would be to group the shorter of the long ones with the short ones so all collaborators get 5-6 pages each. This makes it much easier with trade royalties down the line, and organising 5 artists (plus colourists and flatters) is a significantly easier one than organising 7 (and their associated collaborators).
This is the first of the stories coloured by Tamra Bonvillain. I've never worked with Tamra before, but we loved her work, approached her, and she said yes. Thanks for joining us on this journey.
The artist here is Rachael Stott, who is probably best known for her Doctor Who work, but is about to do Motherland for Vertigo with Si Spurrier, which looks excellent.
There was quite a lot of careful balloon work here, to try and guide the eye and provide the necessary exposition (or really, reminders – all this is building upon or just showing events that have been alluded to earlier.) The eye-guiding is key – for example, due to a minor quirk of the first two panels, the Shard is hidden by the column which means that the view in the second panel feels instantly wrong. We end up disguising the shard with the dialogue so it's far less noticeable.
This event is alluded to by Lucifer in issue 3 of WicDiv.
The penthouse is the one we see in issue 1, which I presume is rented by the Pantheon for their purposes.
Writing Lucifer after all this time was a pleasure. Well, pleasure may be the wrong word. She's herself, and she's always very able to show bits of herself. Lucifer says things that no one else in the cast does, which is obviously one of her huge problems.
Yes, the first panel of page 9 did make me think of an OBJECTION! style WicDiv Phoenix-Wright-esque game.
The panel is also a place where we really had to do the work to put this in continuity – the obvious assumption would be that Baal is pissed off about Lucifer sleeping with Sakhmet, which is only really a minor cause of WTF-ness.
That Lucifer explicitly fucked with Baal and Inanna was hinted at early in WicDiv and made explicit in WicDiv 23. Inanna didn't consider the relationship exclusive, as he doesn't see why anyone would automatically assume a romantic relationship is exclusive. Inanna's great weakness is not always realising that everyone is like him.
The “You're a bad person” ties off why Lucifer and Sakhmet never slept together many times, also mentioned in issue 3. Sakhmet, I suspect, just doesn't like the complications and drama. She is deeply averse to complications.
The last three panels are classic comedy steady-angle shots. That the sprinklers aren't visible led to adding an alarm sound at lettering, to avoid the possible assumption that Baal made it rain indoors or something.
Reading this I find myself thinking about Lucifer in the Special versus Lucifer in the Annual – in the sense that we're seeing her much more humanly, which is leaning into what makes her comic (and awful). The last three panels are not ones you could imagine in The Faust Act, as seen through Laura's star eyes. Nice fucked off expression in the last panel from Rachael.
11-12-13-14-15
Chynna Clugston Flores is just one of my indie comic crushes. Blue Monday is basically one of those key links between 90s and 00s comics. Bryan Lee O'Malley pitched Scott Pilgrim as Blue Monday meets Dragon Ball Z. We pitched Phonogram and Blue Monday meets Hellblazer. She's a wonder.
As such, writing for her was a dream, and I was explicitly writing for her. While this is much more rigid in terms of panel shapes than Chynna would write for herself (the steady angle on the two people in the front seat is very much me trying to write a sort of claustrophobic talking heads kind of set-up) but I'm really exploring a very Chynna type place.
I've been thinking of Dionysus as a “Umar” for a while. When thinking up Dio, the image of writer Umar Ditta leading the Thought Bubble dancefloor was definitely in my mind, and I thought it'd be fun if they share a name, despite being very different dudes. (Not least that Umar could bench Dionysus now.) I asked Umar, and he said yes, so Umar he is. His first comic Untethered has just come out, and is well worth your attention.
This is the second sort of story in the special. One is just showing some key things which impacted the rest of the book, which were usually sexy funtimes. The other was showing some key relationships in the pre-pantheon lives. We've said that Dio was a friend of Baph and Morrigan, but never actually showed what that meant. It was good to get it here.
For those studying the timeline, this is the same day as Hazel become Amaterasu. It would also be the same day Dio takes a photo of Morrigan, and Cameron sits in the tunnel waiting for Morrigan. Busy day!
If I call out my fave Chynna moments, we're going to be here forever. Cameron with his sign on the rain is a joy. Honestly, this is such an odd thing – it makes me imagine what a Blue Monday set in the Midlands would be like.
There was a panic when page 12 arrived and I thought that Chynna had (for some reason) reversed all the seating orders in the car and had the car riding on the wrong side of the road. This is obviously a disaster, because the only way this story works is the characters' speaking order is based upon where they're sitting. But then we realised that the page had been flipped in the dropbox for some reason. Phew.
The quote is from Young Avengers 13, which came out a week or two before this arrived. Yes, I know.
(The question who wrote YA13 in this universe, when Kieron Gillen's career ended with Phonogram: Rue Britannia, is open.)
Page 13 was designed to be a mood break of the lived-in autobio, and Chynna really goes for it, in terms of the leaves and the panel breaking. Not using techniques in the whole piece makes them especially meaningful when they turn up. Tamra also did wonders in the colouring, going for the spooky autumnal reds, teals and purples.
(Tamra and Matt basically split the issue near 50:50.)
This is definitely a more Morrigan way of publicising gigs rather than standing outside shitty clubs and passing out flyers.
The WHAT!? panel is everything I could have hoped for.
The “Oh god. He puns. Morrigan fucked a punner. A wet punner's in my car.” immediately made me feel that I'm trying to channel a Warren Ellis character.
The off-panel MOTHERFUCKER is also a delight.
16-17-18
Emma's one of my favourite people, but I haven't worked with her since a B-side in the second issue of Phonogram: The Singles Club, with a Kate Bush short story. (EDIT: Plus in the Young Avengers Afterparty, which I’d blanked. This is the second time that’s happened to an artist from that. Which, given the time period I was writing that, is unsurprising). So it's lovely to get back with her, and she does some of my favourite work in the Special. Do go and have a look at her Breaks, which she draws and co-writes.
When Tara has had so little panel time, trying to work out how to approach her is key – and Emma manages to find a place which is clearly her, but also informed by Tula's iconic take. Matt also brings us much of those choices to the page in the colours.
It's useful, as this story almost acts as a prequel to issue 13. It's essentially the first time Tara pitches what she wants to do to Ananke, a moment which is at least alluded to in 13.
I wrote the story originally as two pages – specifically, the last two pages. I talked about it with Editorial Assistant Katie, and she noted it's a shame we never actually see Tara happy ever. Which struck me as true, and a problem – at least in part this Special is about showing different sorts and times of happiness. So I added the first page, which is my best pitch for Tara at her most positive. This is the unspoken stuff that's under the surface in issue 13, and Tara talking about the drive is one of her main bits of happiness. I talk about how the cast are all me in different ways? Tara definitely includes the part of me which never feels better than after having written something I think is good. I've certainly done the “if get a disease which means I have six months to live, have I got time to finish writing WicDiv?” maths.
Much like issue 13, I wrote considerably more captions than are used on the first page. You write it like a diary entry and then edit to the core.
I always say that an artist can make the script their own, and that I try to write to the minimum number of panels. Of all the artists in the script, Emma's the one who added most panels. This looks great, and is very much a part of her style.
Quick call-out to Clayton in the second panel of page 17: that tiny string of notes positioned either side of those captions is beyond perfect.
The last page is all kinds of sad. Perhaps unsurprisingly, I'm pleased with how the masks work on the page.
19-20
Second Rachael story. She's an enormous Lucifer fan, so was very excited to do this.
This is as simple as the stories get, in terms of a tiny yet meaningful continuity insert. This was there already, but I felt underlining it and reminding people of it at this point in the narrative is meaningful for obvious reasons.
(I had things I wanted to do in Imperial Phase II which I never found space for – or when I did find space, felt off and wrong.)
Writing Laura captions again after all this time was definitely a thing which took a while to find again. But I liked it.
(Spangly New Thing has captions to the fore again, for various reasons, so them as a formalist element is certainly on my mind.)
21-22-23-24-25-26
This absolutely was formative Indie Crush mode. Carla Speed McNeil's Finder was one of my initial loves when I came into comics in the early 00s. It's just astounding stuff. I'd suggest starting with Mystery Story, I suspect, but there's two big omnibuses of it, and I'd recommend just getting them. She's continuing doing other Finder stories alongside her work elsewhere.
It was originally 5 pages, but Carla suggested an extra page. I'd deliberately left an extra page space in the issue, in case anyone wanted more space... and Carla grabbed it. Good work.
When writing this, I was thinking of Carla's storytelling... but I also realised that a part of Carla's storytelling is to warp and make her own. Seeing what she would do with my script was a big part. I wanted the Carla magic applied, and she did – the extra page is a big part of that.
Notice how Tamra uses the palettes to distinguish the two different settings. Eleanor in the dark and Hazel in the light seems pretty useful, right?
That Lucifer and Amaterasu were friends and knew each other were one of the elements of the background I never had a chance to really run with, for obvious reasons. In the same way as I wanted to do some Dio/Baph pre-scenes, doing a Lucifer/Amaterasu: The Early Years appealed.
H's fanart was mentioned in issue 15, I believe.
As much as it's a dual story, it's really more about Lucifer. Amaterasu may not even appear to really aware of how much she's been slighted in the story. Or maybe she is? It is Eleanor's perspective. This is also the first dialogue we've ever had as Eleanor, rather than Lucifer reporting Eleanor. The resentment and anger is so much cleaner, the saying the unsayable aspect with less glitter.
Hazel is right. Eleanor is mean.
Adding a page appealed for various reasons, but at least part of it was that it's the only in-story chance to see a Lucifer performance. There was an alternate cover in the first arc, but it's not the same – though it's probably the same performance. We've talked about her Brixton performances before, and this is there. This would be a gig that Laura saw, as previously referenced.
The last page (and final panel of page 5) is a take on a scene that's already on canon – specifically, the story as reported in the WicDiv Magazine Special.
The last-minute panic of the issue was Jamie realising we'd forgotten to have Amaterasu’s facepaint on her in the final panel, so that was a quick patch from Tamra. Phew.
The “I'm sorry” panel is A+.
As an example of the Carla Speed McNeil of it all, the last montage of shots is her addition, which brings a visual closure to the sequence.
27-28
Back with Emma Viceli, with a missing scene after issue 8. The actual core details were alluded to in issue 10, but this actually takes us there. If you remember, at this point Inanna and Baal are no longer in any way romantically involved, but fucking the best friend of someone you were with is almost always drama. The purple and red colouring seems to make that be the subtext there.
We checked Laura's age here repeatedly, to ensure she was 18 in these images. It would be actively illegal if we messed up.
Clearly my fave thing is the call back to issue 4's PLAY IT COOL gag.
This issue's structure came after all the art started coming in. It's a mix-tape curation – in terms of what's the best order to take people on a journey. Things like Kris' story being first seemed obvious – his was the alternative cover after all, featuring Inanna and Baal, which makes it a de facto lead story. That this story is furthest along in the timeline made it a suitable end, plus that we open with Inanna/Baal. The real thing is that it's a story which ends with something resembling a concluding beat. “This is going to be complicated” feels like something that ends an issue in the way that many of the stories don't. I suspect the only other credible option was Chynna's story, with Dio/Baph riding off down a motorway. What feels like it could be an ending? What feels like Closure?
IBC
The titles were all added in the last minute, when we realised the best way to actually discern which story was which for the credits was to actually give them a title.  
SUMER LOVING was miscorrected to SUMMER LOVING at every stage of production, and had to be changed back every time. There is no love for Sumerian humour in the modern comic market place.
Anyway – off for the season now. The Imperial Phase II trade drops in January, followed by The Wicked + The Divine 1923 special in February and the new arc in March.
Thanks for reading.
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