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mostlysignssomeportents · 5 years

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2019 Hugo Award finalists announced

The 2019 Hugo Award nominees have been announced; the Hugos will be presented this summer at the 2019 World Science Fiction Convention in Dublin, Ireland.

Normally, I find that I've read and reviewed a huge slice of the year's finalists, but this year is different; I've done a lot less reading lately, partly because I wrote two books in 2018 and partly because the new EU Copyright Directive ate my life for about 10 months in the past year.

I was a little sad to be so far behind the curve when I saw the new list, but then I realized that this meant that I had a bunch of really exciting books to add to my to-be-read pile!

One notable inclusion: the Archive of Our Own fanfic archive -- a project of the Organization for Transformative Works (for whose advisory board I volunteer) -- is up for "Best Related Work."

Congrats to all the nominees!

Best Novel * The Calculating Stars, by Mary Robinette Kowal (Tor) * Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager) * Revenant Gun, by Yoon Ha Lee (Solaris) * Space Opera, by Catherynne M. Valente (Saga) * Spinning Silver, by Naomi Novik (Del Rey / Macmillan) * Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella * Artificial Condition, by Martha Wells (Tor.com Publishing) * Beneath the Sugar Sky, by Seanan McGuire (Tor.com Publishing) * Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com Publishing) * The Black God’s Drums, by P. Djèlí Clark (Tor.com Publishing) * Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com Publishing) * The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette * “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018) * “The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018) * “Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018) * The Only Harmless Great Thing, by Brooke Bolander (Tor.com Publishing) * “The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November- December 2018) * “When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story * “The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018) * “The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018) * “The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018) * “STET,” by Sarah Gailey (Fireside Magazine, October 2018) * “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018) * “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series * The Centenal Cycle, by Malka Older (Tor) * The Laundry Files, by Charles Stross (most recently Tor.com Publishing/Orbit) * Machineries of Empire, by Yoon Ha Lee (Solaris) * The October Daye Series, by Seanan McGuire (most recently DAW) * The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press) * Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work * Archive of Our Own, a project of the Organization for Transformative Works * Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books) * The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube) * An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953- 2000, by Jo Walton (Tor) * www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio) * Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story * Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios) * Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel) * Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics) * On a Sunbeam, by Tillie Walden (First Second) * Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics) * Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form * Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance) * Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios) * Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios) * A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night) * Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures) * Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form * The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment) * Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC) * Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records) * The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC) * The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC) * Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Professional Editor, Short Form * Neil Clarke * Gardner Dozois * Lee Harris * Julia Rios * Lynne M. Thomas and Michael Damian Thomas * E. Catherine Tobler

Best Professional Editor, Long Form * Sheila E. Gilbert * Anne Lesley Groell * Beth Meacham * Diana Pho * Gillian Redfearn * Navah Wolfe

Best Professional Artist * Galen Dara * Jaime Jones * Victo Ngai * John Picacio * Yuko Shimizu * Charles Vess

Best Semiprozine * Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews * Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini * FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert * Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler * Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff * Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine * Galactic Journey, founder Gideon Marcus, editor Janice Marcus * Journey Planet, edited by Team Journey Planet * Lady Business, editors Ira, Jodie, KJ, Renay & Susan * nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G * Quick Sip Reviews, editor Charles Payseur * Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast * Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace * The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe * Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams * Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch * Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders * The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer * Foz Meadows * James Davis Nicoll * Charles Payseur * Elsa Sjunneson-Henry * Alasdair Stuart * Bogi Takács

Best Fan Artist * Sara Felix * Grace P. Fong * Meg Frank * Ariela Housman * Likhain (Mia Sereno) * Spring Schoenhuth

Best Art Book * The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz) * Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published) * Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press) * Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications) * Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books) * Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)

John W. Campbell Award for Best New Writer * Katherine Arden (2nd year of eligibility) * S.A. Chakraborty (2nd year of eligibility) * R.F. Kuang (1st year of eligibility) * Jeannette Ng (2nd year of eligibility) * Vina Jie-Min Prasad (2nd year of eligibility) * Rivers Solomon (2nd year of eligibility)

Lodestar Award for Best Young Adult Book * The Belles, by Dhonielle Clayton (Freeform / Gollancz) * Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books) * The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books) * Dread Nation, by Justina Ireland (Balzer + Bray) * The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic) * Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

https://boingboing.net/2019/04/02/dublin-worldcon.html

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leeandlow · 5 years

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Authors Guadalupe García McCall and David Bowles on the Mexicanx Initiative at WorldCon

Each year, WorldCon (the World Science Fiction Convention) gathers fans and creators of science fiction and fantasy. Among many things that happen at WorldCon is the awarding of the Hugos, something like the Oscars for speculative fiction. The first convention took place in New York City in 1939, and every year after, it has been held in a different city, organized by volunteers. In 2018, Worldco…

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#david bowles #guadalupe garcia mccall #hugo awards #mexicanx initiative #worldcon #worldcon 76

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ebookporn · 5 years

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1st Mexican woman to EVER be a Hugo Awards Finalist

Congratulation to Libia Brenda, the 1st Mexican woman to EVER be a Hugo Awards Finalist, Pablo Defendini, Julia Rios, and John Picacio the artist with the biggest heart and juevos to pull off the Mexicans Initiative for their nomination for Best Related Work: www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76

#mexicanxinitiative #librarians #teachers #linguistics #writers

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tehanifarr · 4 years

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Amigos!!! Dos de mis ilustraciones están en la lista para los nominados de los Chelsea Awards, de Ciencia ficción y Fantasía!! Que emoción! 🥳 Guess what? 😍 two of my artwork Illustrations have been chosen for the Long list suggestions up to the Chelsea Awards of Scifi and Fantasy Art!! This really made my week☀️, This weekend I was congratulating other fellow artists I really admire for making it into this list, and some where congratulating me back, and I didn’t even think about it, I just thought it was congratulations for me finally getting internet up here haha! until I checked the page latter on at night and OMG! two of my illustrations where chosen from the submitted artworks, and could go to nomination for the awards! 😱 For me this is a pretty exciting thing! And really made my day and even did a little celebration piruet to myself 🥳💃🏻🙈 And even more excited to see several Mexican and Mexican American Artists I love and admire so much also considered! You can see the full categories listed here: https://bit.ly/ChesleySuggestionList2020 Now what's next? If you're an ASFA Member you have a very small window of time to suggest your favorite artists for inclusion to this list and for the final nominations, they can be in this list or any artist you love but you didn't see here. Congratulations and super good luck to all my friends who made it to this short list, specially for my Mexicanx Initiative brothers and sisters 💪🏼🇲🇽 Literally still celebrating inside 😍💃🏻😍 . #chelsea #chelseaawards #longlist #art #scifi #darkfantasy #illustration https://www.instagram.com/p/CDxedG-pm8z/?igshid=1iz2monmlc31p

#chelsea #chelseaawards #longlist #art #scifi #darkfantasy #illustration

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amazingstories · 6 years

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LGBTQ Initiative for WorldCon76

Amazing Stories supported John Picacio’s Mexicanx Initiative, a program to help fund Mexican author, artist and fan attendance at Worldcon in San Jose.

Now Chuck Serface is doing the same for the LGBTQ community, and Amazing Stories has donated to this program as well.

Give it a look!

Over the decades, marginalized groups have felt reticent about attending Worldcon, and understandably so. To…

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viajandosobrelibros · 5 years

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Ayer en el marco de la Worldcon, 77th World Science Fiction Convention, se dieorn a conocer a los ganadores de los premios Hugo y los premios Lodestar Award y John W. Campbell

Los premios Hugo 2019 se entregarán en el WorldCon de este año, que se celebrará en Dublín, Irlanda, entre el 15 y el 19 de agosto. No se olviden de bajarse el calendario que hicimos en Viajando Sobre Libros de ACA para poder tener todas las fechas de entregas de premios literarios. Aquí les dejo la lista completa de los nominados para los premios de este año y comenten si leyeron alguno.

Best Novel

The Calculating Stars, by Mary Robinette Kowal (Tor) GANADOR

Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Revenant Gun, by Yoon Ha Lee (Solaris)

Space Opera, by Catherynne M. Valente (Saga)

Spinning Silver, by Naomi Novik (Del Rey / Macmillan)

Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella

Artificial Condition, by Martha Wells (Tor.com publishing) GANADOR

Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)

Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)

The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)

Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)

The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette

“If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018) GANADOR

“The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)

“Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)

The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)

“The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)

“When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story

“The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)

“The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)

“The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)

“STET,” by Sarah Gailey (Fireside Magazine, October 2018)

“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)

“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018) GANADOR

Best Series

The Centenal Cycle, by Malka Older (Tor.com publishing)

The Laundry Files, by Charles Stross (most recently Tor.com publishing/Orbit)

Machineries of Empire, by Yoon Ha Lee (Solaris)

The October Daye Series, by Seanan McGuire (most recently DAW)

The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)

Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager) GANADOR

Best Related Work

Archive of Our Own, a project of the Organization for Transformative Works GANADOR

Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)

The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)

An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)

http://www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76(Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)

Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story

Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)

Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)

Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics) GANADOR

On a Sunbeam, by Tillie Walden (First Second)

Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)

Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)

Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)

Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)

A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)

Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)

Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony) GANADOR

Best Dramatic Presentation, Short Form

The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)

Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)

Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)

The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)

The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC) GANADOR

Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Editor, Short Form

Neil Clarke

Gardner Dozois (GANADOR)

Lee Harris

Julia Rios

Lynne M. Thomas and Michael Damian Thomas

E. Catherine Tobler

Best Editor, Long Form

Sheila E. Gilbert

Anne Lesley Groell

Beth Meacham

Diana Pho

Gillian Redfearn

Navah Wolfe (GANADOR)

Best Professional Artist

Galen Dara

Jaime Jones

Victo Ngai

John Picacio

Yuko Shimizu

Charles Vess (GANADOR)

Best Semiprozine

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews

Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini

FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert

Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler

Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff

Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien (GANADOR)

Best Fanzine

Galactic Journey, founder Gideon Marcus, editor Janice Marcus

Journey Planet, edited by Team Journey Planet

Lady Business, editors Ira, Jodie, KJ, Renay & Susan (GANADOR)

nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G

Quick Sip Reviews, editor Charles Payseur

Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast

Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace

The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe

Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams

Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch

Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders (GANADOR)

The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer

Foz Meadows (GANADOR)

James Davis Nicoll

Charles Payseur

Elsa Sjunneson-Henry

Alasdair Stuart

Bogi Takács

Best Fan Artist

Sara Felix

Grace P. Fong

Meg Frank

Ariela Housman

Likhain (Mia Sereno) (GANADOR)

Spring Schoenhuth

Best Art Book

The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz) GANADOR

Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)

Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)

Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)

Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)

Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)

Además de los Hugo tenemos estos dos premios manejados por by Worldcon 76 :

Lodestar Award for Best Young Adult Book

The Belles, by Dhonielle Clayton (Freeform / Gollancz)

Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books) (GANADOR)

The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)

Dread Nation, by Justina Ireland (Balzer + Bray)

The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)

Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

John W. Campbell Award for Best New Writer

Katherine Arden*

S.A. Chakraborty*

R.F. Kuang

Jeannette Ng* (GANADOR)

Vina Jie-Min Prasad*

Rivers Solomon*

NOTICIAS: GANADORES DE LOS HUGO AWARDS 2019 Ayer en el marco de la Worldcon, 77th World Science Fiction Convention, se dieorn a conocer a los ganadores de los premios Hugo y los premios…

#dublin2019 #hugo awards #John W. Campbell #premios hugo #worldcon

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theamazingstories · 5 years

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(Note: voting closes in a bit more than ten days from now on 7/21/19. Membership sales (required for voting rights in most cases) also close soon. Visit the Dublin in 2019 website for more information.)

This being a Monday, and Mondays being slow, I figured it was about time to share my 2019 Hugo Awards Finalist Ballot, which ballot will be used to help tally the vote for the 2019 Hugo Awards, which will be presented – for the first time ever – in my ancestral lands of Ireland.

(Start at 30 seconds in; the important part comes at 54 seconds)

Sadly, I will not be in attendance, but I am a supporting member and therefore, get to vote.

Below are screen captures of the individual categories and my placements (the Hugo Awards use a preferential voting system where you rank your picks).

The Retro Hugo Awards follow the contemporary Hugo Awards.

Some general comments: I don’t vote for works I’m not personally familiar with, which happens for one reason and another; I also don’t consider reading an excerpt from a longer work to be sufficient exposure to judge it properly.

This also means that I don’t necessarily rank everything in a category.

There are a handful of categories I didn’t vote in or opted to select No Award for – excercising my Ghu-given right to “vote” by not selecting anyone or picking No Award to indicate that I disagree with the inclusion of the category in the awards.

This is not pique over disagreeing with a categorie’s inclusion when I campaigned against its inclusion but lost the vote. It’s actually three reactions: 1. I really don’t think that it should be an award category, find it problematic for various reasons and see it as more (eventual) trouble than it is worth – which gets a “No Award”; 2. I disagree with the category but don’t care enough – or think it harmful enough – to bother with it and 3. I’ve no interest in the category and therefore can’t vote because I really don’t engage with it. Let those who do decide who should win without interference from me.

Note: the screencaps are a bit difficult to read, so the email summary of my ballot is included after them. I’m showing the screen caps first because the summary only includes those Finalists that I actually voted for.

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This category, over time I think, is going to cause problems, what with the possibility that a “series” can find itself up for the award in multiple years; not to mention some possible entrants getting short shrift because of availability & etc.

Hoo boy. I completely disagree with the Administrators on the eligibility of Archive of Our Own – not because it showcases “fan fic”, but because it is not a “new” work and has not been updated sufficiently broadly enough to be eligible. Making a website that updated some back-end capabilities eligible is like making The Moon is a Harsh Mistress eligibile again because they changed the type font in a new edition. Further, I am deeply concerned about A: AO3’s members deliberately misconstruing their individual status AND B. even more concerned about large internet “tribes” being able to sway the vote and using their numbers and reach to possibly negate the regular membership’s vote*. And, finally, this category needs to be refined in future to refocus it on academic and critical work within the field.

As stated earlier, if I don’t engage, I don’t vote – but, while I have mild reservations about this category’s inclusion, they’re not strong enough to want to deny others their fun.

It’s really, really difficult to figure out who did what in this category. I believe that editorial work should be awarded, I just think we need a better way to do it. What that might be, I’ve no idea,. so, therefore, I stay mum.

Another category whose inclusion I heartily disagree with. I am PERSONALLY far better off because when I began reading science fiction, there were no distinctions made over what was or was not appropriate for me to read. I believe this is an artificial, marketing-based divide, is detrimental to young readers by suggesting limitations and that we should not be basing awards on marketing categories.

*I’ve been vocal on the AO3 “controversy”. Early on I asked that they detail the “sufficient” changes made to the site that would make it eligible in a year in which it was not first produced. (In fact, I think its TEN years AFTER it was first created that we are being asked to vote for it. As if The Martian appeared on the ballot AFTER the film rolled out, in a year in which the novel itself was not first published in English.)

I am not objecting to “new voters” coming into the fold here. We absolutely want that. What I am finding issue with is an internet community that does not normally engage with the awards doing so to get their “thing” a win. Just like the gamer gaters that were recruited by the Sad and Rabid puppies. (No, they are not pups; some of their actions are ‘puppy-like’.)

If this kind of thing becomes common (and I suspect it may), the awards turn into a defacto “popularity” contest: how many people who never heard of the Hugo Awards before can we get to vote because their “friends” are up for an award?

But putting that argument aside for a moment: the public display on the part of AO3 members (yay, all of my fan fic works are now Hugo Nominees: I’m a Hugo Finalist author – gonna put that right up on my website!) AFTER being informed that they are not entitled to such honors individually, is, to me, more than enough reason to not vote for it.

Prior coverage of this debate here

Finalist Vote Summary:

Novel:

The Calculating Stars

Trail of Lightning

Space Opera

Novella:

Artificial Condition

The Tea Master and the Detective

Binti: The Night Masquerade

Novelette:

“The Thing About Ghost Stories”

The Only Harmless Great Thing

Short Story:

“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat”

“The Court Magician”

“The Secret Lives of the Nine Negro Teeth of George Washington”

Related Work:

Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction

An Informal History of the Hugos: A Personal Look Back at the Hugo Awards

Ursula K. Le Guin: Conversations on Writing

http://www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76

The Hobbit Duology (documentary in three parts)

No award

Dramatic Long:

Spider-Man: Into the Spider-Verse

Sorry to Bother You

Black Panther

Avengers: Infinity War

Annihilation

A Quiet Place

Dramatic Short:

The Good Place: “Janet(s)”

The Good Place: “Jeremy Bearimy”

Editor Short:

Gardner Dozois

Neil Clarke

Semiprozine:

Strange Horizons

FIYAH Magazine of Black Speculative Fiction

Fireside Magazine

Beneath Ceaseless Skies

Uncanny Magazine

Shimmer

Fanzine:

Rocket Stack Rank

Galactic Journey

Journey Planet

nerds of a feather, flock together

Fan Writer:

Foz Meadows

James Davis Nicoll

Alasdair Stuart

Fan Artist:

Spring Schoenhuth

Series:

No award

New Writer:

Jeannette Ng

Lodestar:

No award

The Retro Hugo Awards

(The older I get, the closer the Retros come to being THE Hugo Awards….)

Yes, seems that this year I have a ‘thing’ for Don Wollheim, Eric Frank Russell and C. L. Moore.

(Pretty sure I’ve always had a thing for them.)

Symbiotica (EF Russell) makes me laugh. Every. Single. Time. I think it takes the prize for most vomitous novelette in the history of the genre (though Sturgeon’s The Girl Had Guts comes a very close second). And by vomitous, I don’t mean on the part of the reader. I mean, more people vomit in that story than in any other.

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Summary

Retro Novel:

Conjure Wife

Earth’s Last Citadel

The Weapon Makers

Gather, Darkness!

Perelandra

Retro Novella:

“Attitude”

“Clash by Night”

The Little Prince

“We Print the Truth”

Retro Novelette:

“Symbiotica”

“Mimsy Were the Borogoves”

“The Proud Robot”

“Citadel of Lost Ships”

“The Halfling”

Retro Short Story:

“Q.U.R.”

“Yours Truly – Jack the Ripper”

“Doorway into Time”

“King of the Gray Spaces” (“R is for Rocket”)

“Death Sentence”

Retro Graphic Story:

Flash Gordon: Fiery Desert of Mongo

Buck Rogers: Martians Invade Jupiter

Wonder Woman #5: Battle for Womanhood

Retro Dramatic Long:

Phantom of the Opera

Münchhausen

Heaven Can Wait

Batman

Retro Dramatic Short:

Super-Rabbit

Frankenstein Meets the Wolfman

The Ape Man

Der Fuehrer’s Face

Retro Editor Short:

Donald A. Wollheim

Mary Gnaedinger

Dorothy McIlwraith

John W. Campbell

Raymond A. Palmer

Retro Pro Artist:

Margaret Brundage

Hannes Bok

J. Allen St. John

Virgil Finlay

Antoine de Saint-Exupéry

William Timmins

Retro Fanzine:

The Phantagraph

Le Zombie

Futurian War Digest

Guteto

Voice of the Imagi-Nation

Retro Fan Writer:

Jack Speer

Morojo (Myrtle Douglas)

Wilson “Bob” Tucker

Donald A. Wollheim

Forrest J. Ackerman

Art Widner

The 2019 Hugo Awards – Publisher’s Picks (Note: voting closes in a bit more than ten days from now on 7/21/19. Membership sales (required for voting rights in most cases) also close soon.

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