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spicyveggiesub · 1 year

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[ENG] Revue Starlight -The LIVE- #4 Climax Pamphlet Interview

Happy 6th anniversary to Revue Starlight! I managed to finish translating this interview just in time. Among other fun things, the cast of #4 left a message to each of their characters, and it's very sweet :') Translation under the cut.

Q.1

What do you think the highlight of this play is?

Mimori Suzuko: The brilliance of youth. The anxiety and anticipation of facing the future with graduation just around the corner! This world is huge, so do your best! Don't give up, Stage Girls! Without realizing it, you'll end up wanting to encourage them like that... for sure!

Kadoyama Yoko: After all, it's the Revue. It'll light a fire in the hearts of everyone who has watched and supported the plays up until now, without a doubt!

Ozaki Yuka: The theme is "Climax", so each of the Stage Girls must choose their own futures and part ways with their friends, and personally, I can relate to a lot of the feelings they're going through. Plus, there are interactions between members of the three schools of Seisho, Siegfeld, and Seiran that we haven't seen yet, so it'd be great if you paid attention to that.

Tomita Maho: It's "Climax", so there are a lot of moments that make you feel nostalgic. Please look forward to it! (laughs)

Iwata Haruki: Everyone's different paths! The different thoughts everyone's having with graduation just up ahead... and the Revue this time sure is a sight to see!!

Ikuta Teru: For Futaba, the highlight is that I'm using the most physical strength so far this time...! We're renewing the standard of what makes you feel like "there's no way Starlight can surpass this", and it's really difficult, but I'm able to feel the growth Futaba and I are experiencing together each time we practice, so every day is really fulfilling. I'll charge through with a fighting spirit!!!

Koizumi Moeka: Just like the title, it's loaded with a feeling of "Climax"! In #4, what will the Stage Girls fight against, and how will they overcome it? And there's maybe a Revue that will hit hard for the people who know about the plays so far...?

Q.2

Please tell us about your favorite song or line from the Starlight stage plays so far, as well as any related memories!

Koyama Momoyo: "Gunjou [Ultramarine]" from #2 is super super cool! It's so beautiful!!! Oh... Karen didn't sing in it, but... I watched over everyone from the back during every performance! I remember just itching to join in.

Koizumi Moeka: Through the words I said to Hisame-chan in #2, "It'll be colorful as always", I learned about Nana-chan's middle school days, and it gave me an opportunity to think once more about how Nana felt when she went to Seisho. She loves everyone in Seisho, but she also loves Hisame-chan, who she met in middle school.

Tomita Maho: I think it'd be "3･7･5･1･0", which we sang every time. When I hear it, it makes me feel like, "Stage Starlight is starting!"

Ozaki Yuka: "Grand Symphony", the curtain call song for Siegfeld's first stage play. During each performance, when all of our eyes met, everyone's expressions were brilliant, and I can't forget that moment. With the strong message of the lyric "I've made my decision to live on stage", it's a song that gives me a lot of encouragement.

Nomoto Hotaru: "I'll become the star of everyone's lives!", Yukishiro Akira's line from Delight. It makes me think "she's such an idiot~", but I can't hate her, and I can't help but think that it'll actually come true. I think it's a line that really represents Akira, and I've always loved it.

Itou Ayasa: The song "Position Zero e! [To Position Zero!]" from #1 is catchy, and the acting-like choreography was fun, so it left a deep impression on me. The lyric "I want to aim even higher" was so memorable that I thought the title was "I want to aim higher". (laughs)

Shiina Hekiru: The line "No matter which path you choose to advance on, the curtains of your lives will remain open". Once they enter this industry, these kids in the same class will make different decisions for their lives and go their separate ways. It's up to each person which path they choose, and there's a sight they can only see after they've made that decision.

Q.3

Episodes about your graduation ceremony/memories of graduation

Koyama Momoyo: Just like how Karen looked up to Starlight, I also had a play that I'd admired since I was a child, and the final audition for that play overlapped with my high school graduation ceremony...! I chose the audition, and in the end, I successfully passed. I was set to appear in the play of my dreams! I remember thinking, "You really don't know when your life is going to change, huh..."

Sato Hinata: On the day of my elementary school graduation, I didn't have any stick-on body warmers at home, so I attended with a non-sticky warmer on my stomach, and right before I received my diploma, it fell, and it was so embarrassing. I'll never forget it. I'll also never forget accepting the diploma while gripping the warmer in my right hand.

Haruki Iwata: I happened to be working on my Bachelor's thesis during the #1 revival, and during rehearsals I had everyone from the cast and staff fill out the questionnaire for my thesis...! I graduated thanks to everyone's help!! (laughs)

Mimori Suzuko: On the day of my high school graduation, there was snow piled on the ground, which is rare for March in Tokyo, and before I got to school, I fell on my butt and my skirt was soaked through...! I borrowed a spare skirt from the nurse's office and participated in the ceremony. It was a girls school, but I was popular with my juniors (laughs) so after the graduation ceremony, all of the buttons on my blazer were gone. Even the buttons on my sleeves♪

[T/N: It's a middle/high school graduation tradition for girls to ask guys they like for the second button on their blazer (more here), but if you're as (understandably) popular as Mimorin that extends to the rest of the buttons too.]

Ito Ayasa: I did a homestay abroad for two weeks in March just before graduation, and having stuffed myself full with all the food there before coming back, the photos from my graduation ended up being something incredible (laughs).

Aiba Aina: I remember staying up until midnight putting on flashy false nails, and then waking up at 5 AM to do my hair and makeup by myself as best as I could, but then it was ruined pretty quickly when I cried.

Q.4

A message to the members of your school

Maho Tomita: Every time we spend time together for a play, I realize how truly happy I am spending time creating plays together with all of you! Thank you so much for coming into my life♡

Ikuta Teru: I L O V E Y O U !!!!!!!!!!!!!! LET'S HANG OUT TOGETHER AS NINE AGAIN, OKAY!!!!!!!!!!!!!

Aiba Aina: I really can't thank you enough for coming into my life and becoming my friends. Thank you so much. When I couldn't do various things, without caring about anything like age or background, everyone gave advice to everyone, and including the ensemble cast, I just love Seisho's vibes. Let's keep sticking together from now on and forever! J'aime beaucoup tout le monde! [I love all of you so much!]

Nomoto Hotaru: To the Edel juniors. Yuka-chan and I are both doing our best as Edels. Let's stand on stage together as five again.

Kadoyama Yoko: I love you. Let's keep standing on stage together.

Shiina Hekiru: Keep on struggling. And, do not regret the path you have chosen.

Q.5

A message to the character you play

Koyama Momoyo: To Karen. The view I see from the stage with you is always colorful and radiant. I'll work hard to not lose to your brilliance, Karen! From here on as well, let's continue leaping into a yet unseen, beautiful future together! From Momoyo.

Mimori Suzuko: You went off to London without telling Karen again, I see...! The way you always decide where to go based on however you're feeling—I don't have that kind of proactiveness, and it sure is incredible. And the teacher did say that actresses are always selfish, so I think it's a good thing.

Maho Tomita: Let's go eat some yummy baumkuchen next time!!!

Sato Hinata: To Junna-chan. I can still vividly remember the moment we met. Your personality was so similar to mine, and I was a kid who thought it would be easier to give up when I was losing to someone. Since then, over the years, I was able to see many of your expressions, and before I realized it, I had gained courage from you. In order to make a decision, you need to take a big step forward, and in order to take that big step, you need an even larger amount of courage. But, Junna-chan, you taught me that taking that step can allow you to feel how big the world is. Thank you so much!! And let's keep doing our best from here on out! I hope you will continue shining brilliantly on stage with wonderful friends.

Haruki Iwata: I think you're feeling unsure about a lot of things on your new path, but you're a Stage Girl who's many times stronger than you think you are! May you continue shining on stage with strength, lovingly, and beautifully.

Koizumi Moeka: A lot of time has passed since we first met, Nana. I wonder if I've grown a bit since I met you? Up until now and from now on as well, my star is Daiba Nana, you and only you. I'll work even harder in hopes of being able to stand next to you proudly one day. Please watch over me, always.

Aiba Aina: Thank you for always pushing me forward. It's thanks to you, Claudine, that I could meet treasured friends and staff members, and overcome various obstacles! I'm really, truly happy to be able to play you, Claudine. You're "the best woman in the world" in my heart! I'll continue to work hard while looking up to you! Merci♡

Ikuta Teru: Futaba, I truly think you're amazing for deciding to go to Seisho with just a single word from Kaoruko, and then graduating from there and aiming for a new stage with your own will. I'm always learning from your hardworking and single-minded attitude. I'll do my best with all my strength so I won't lose to you! Thanks for always showing me a wonderful view!

Ito Ayasa: With how strong you are at your core, I'm sure you'll be fine no matter where you go from here on, Kaoruko. I'm looking forward to seeing your beautiful dancing in the future as well! Almost as much as Futaba-han is, I'm your number one fan too♡

Nomoto Hotaru: You're wild and free, and just live honestly on the stage, and you're so annoying, but I love you!!

Ozaki Yuka: Michiru, having walked with you thus far, I have so much respect for you and your charming personality that's hard to guess from your appearance. Please allow me to continue portraying your thoughts about acting and feelings about Akira, as dearly as I can. I'll keep working hard and aiming for greater heights in sword fighting, dancing, and acting so you won't be ashamed of me, so even when you're in Germany, let's do our best together♪ I'm worried that people will see you as a kid in Germany, Michiru~(laughs)

Kadoyama Yoko: There are so many people in this world who love you. Be confident and push forward towards your dreams. I will always be on your side.

Shiina Hekiru: You're lucky to have such wonderful students. The things you can pass down to them because you're you—please wrap them up nicely with deep love and strictness.

(JP text)

#revue starlight #shoujo kageki revue starlight #interviews #yoko's message to hisame made me cry the first time i read it.

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nakanotamu · 11 months

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Saki Akai announcing her retirement like really really sucks don’t get me wrong but it’s all of the stuff around it that’s overwhelming me. Himeka JUST retired, Yuka’s leaving Japan. And even more than that, seeing fans talk about her going for 10 years like she’s a grizzled veteran who gave us an epic, historic run, as if any man retiring after only 10 years isn’t seen as a shockingly, sadly short career. We really, really do so desperately need more Takako Inoues starting in the 80s and wrestling for decades and not talking about quitting and Mayumi Ozakis just going and starting their own fucking promotion. We deserve women who wrestle for dozens of years, who are allowed to start families without needing to completely disappear from the public eye or devote their entire being from then on to solely motherhood. Because the depressing reality is that even if I could just immediately stop caring about wrestling, it’s not even a wrestling problem, it’s a caring about women at all problem.

#an interview with Tam also dropped today where she implied she might be close to retirement/might retire once she drops the belt so #big grain of salt bc she's been saying she could be close to retirement the entire 6 years I've followed her but it always hurts #whenever the Tam retirement does come idk if I'll be totally fine bc I've already lived with the fear for so long #or if it will fundamentally destroy me as a person but. No middle sliders #whatever it's just one more thing. I'm also spiralling about how all the queer shit in wrestling always has to be so IYKYK and #how badly I wish it could just be shouted loudly and undeniably but that just doesn't happen so. What's one more thing to feel bad about

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historyhermann · 11 months

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Otaku Elf Review

Otaku Elf, also known as Edomae Erufu, is a fantasy comedy anime. It is based on a seven-volume manga illustrated and written by Akihiko Higuchi. Directed by Takebumi Anzai, it is produced by C2C, a studio founded in April 2006. This post will have spoilers.

Reprinted from Pop Culture Maniacs and Wayback Machine. This was the thirty-fourth article I wrote for Pop Culture Maniacs. This post was originally published on June 5, 2023.

This series focuses on a sixteen-year-old named Koito Koganei (voiced by Yuka Ozaki). She becomes a shrine maiden, known as miko, at a shrine in Takamini after the death of her grandfather. As a result, she becomes the caretaker of Eldarie "Elda" Irma Fanomene (voiced by Ami Koshimizu). Elda is an immortal and beautiful elf summoned from another world. Koito encounters challenges as Elda is an otaku and hikikomori/shut-in who fears going outside the shrine following an unpleasant interaction many years prior. Even so, she attempts to get Elda to enjoy life outside the shrine.

Originally, I had not been planning to write a review of this series because I'm already reviewing nine other series this season, either about magical girls (Soaring Sky! Pretty Cure and Tokyo Mew Mew New), legendary warriors (Unicorn Warriors: Eternal), VTubers (Kizuna no Allele), a yuri-themed cafe (Yuri Is My Job!), golf girls (Birdie Wing), idols (Oshi No Ko), or other subjects (Alice Gear Aegis Expansion and Skip and Loafer). One motivation for writing this review was because of Sailor Moon, which I'm currently watching, for the first time. It features Rei Hino as a shrine maiden, when she isn't Sailor Mars.

The animation style, comedy of an immortal elf being an otaku meeting a normal person, and the centrality of food, drew me in. The latter is primarily grounded in the cooking by Koyuzu (voiced by Hitomi Sekine), the younger sister of Koito. The same can be said for Koito and Elda's stories often becoming intertwined. Also, there are characters which are portrayed as "cute", like Koito's friend Koma Sakuraba (voiced by Haruka Aikawa).

I liked that every episode of Otaku Elf has some story about past Japanese culture, especially from the Edo period. Of course, Elda does all she can to impress Koito no matter what. This is despite the fact that although she has a laptop, she doesn't know how to use a cell phone. When she does use it, she texts so much that she angers the spirits! Elda does not know everything, however, and doesn't pretend she is all-knowing. She is wise, but not omniscient.

Yordeilla "Yord" Lila Fenomenea (voiced by Rie Kugimiya) and Himawari Kohinata (voiced by Teru Ikuta) are a good addition to the series. Yord is a dark-skinned elf, who is bad at directions, and has an absurd rivalry with Elda over an equivalent of tic-tac-toe. Dr. Akane Sasaki (voiced by Yumi Uchiyama) was similarly a positive character. In fact, she is shown in the seventh episode with Kadoi, getting drunk at a bar, with both of them as an interesting pair of characters together.

There is undeniable yuri subtext in this series, specifically between Koito and Elda, especially shown in the fifth episode. Otaku Elf has a degree of intimacy it can turn to and expand in each episode. As such, the series centers on the importance of spending time with others above everything else. In that way, Otaku Elf is special.

In marked contrast to Birdie Wing, the value of studying, and education as an extension, is emphasized through Koito's intense studying in the sixth episode. The importance of taking breaks and not over-extending oneself is an interrelated theme.

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I like the slice-of-life nature of Otaku Elf. This makes it different from magic-themed series such as Healer Girl and Management of a Novice Alchemist. Similarly, it is nothing like recent slice-of-life anime. The latter includes Let's Make a Mug Too, The Aquatope on White Sand, Teasing Master Takagi-san, and Laid-Back Camp.

The series differs from YuruYuri, Gabriel DropOut, Is the Order a Rabbit?, Kin-iro Mosaic, Non Non Biyori, K-On!, and Azumanga Daioh, in the same genre. Elda is a living history resource, who is good at origami, but can have awful nightmares. There's occasional casual alcoholism. But, it isn't as present as it is in Bocchi the Rock!. The latter features a sick bassist named Kikuri Hiroi, who spends most of her money on booze.

The seventh Otaku Elf episode was one of the best in the entire series. It primarily focused on Koyuzu and her desire to spend more time with her sister, Koito. Some of the funniest sequences in the episode was when she charmed people in a wholesale market so she could get fish for free.

The latter episode was only rivaled by the eighth episode. It focuses on Elda meeting another elf, named Haira (voiced by Mamiko Noto). Some of the best parts were having the historical remembrance shown in anime style resembling wood block art. The episode features another miko, named Komari, the same age as Koito. Haira is an elf with beauty only matched by Elda. She is older than Elda and Yolde, treating them as her younger sisters. The episode implied Elda is a lesbian, as she said she liked all the teahouse girls during the Edo period.

By the end of the episode, it is clear that the series is uncritical of the fact that Komari was a social influencer and that Haira was a gambler. Even though Komari was critical of Haira for gambling, she tells Koioto that if Haira is doing what she likes, it is ok. On the one hand, this makes sense as Komari had been with Haira since she was young, allowing her to take candid photographs.

On the other, Otaku Elf, by saying that Haira's desire to be a gambler is ok, implies it is a non-issue and downplays it as a problem. Most gambling is prohibited in Japan. There are exceptions for some motor sports and horse racing. The latter is something that Haira said she wanted to do during the episode.

There is an ample culture of gambling in the island nation. The island has a difficult relationship with it. There is inconsistency between reality and law. Some have pushed to completely legalize gambling across the island. Even so, some people, and groups, have objected to expanded gambling in Osaka. They have argued that crime and addiction (to gambling) will rise as a result. Those caught gambling illegally in Japan can face fines or jail time. This hasn't stopped gambling from becoming pervasive, nor the millions afflicted with gambling addiction. The series could have done a better job with this topic.

Despite the problematic approach to gambling, the series often highlights the importance of remembering the past and preserving it. In the ninth episode, Elda reads a manga that has been published for over 30 years. She reorganizes her room due to a ceiling leak (with the help of Koito) and finds an old videotape. Often series only focus on new technology. They act like anything deemed "analog" isn't worth bringing up. In some cases, there is a blend of the "old" and "new". In the case in Steven Universe, a videotape of the protagonist's mother (Rose Quartz) plays an important role in the series.

Similarly in Otaku Elf, Koito sees a videotape for the first time, and goes to her grandmother, who has an old Betamax player, excited to watch a tape of something recorded from before she was born. She learns that her mother, shown on the tape, was also a miko of Elda as well! In a typical scene, Elda embarrasses Koito. She thinks she will be picked up in a "bridal style" pose and runs away as a result. The latter is part of the ongoing yuri undertones of this series, even though Elda and Koito have more of a master-student relationship than anything that is romantic.

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Otaku Elf is much more than a series with endearing character dynamics. It has a protagonist (Elda) who deeply cares about the town she lives in, a neighborhood of Tokyo, I believe. Unlike some other anime this season, such as Alice Gear Aegis Expansion, there's no fan service. Nor are there any characters which are "one-off jokes". In fact, the series, in some ways, counts as an isekai. It has a "genuineness and pleasantness" which evades many anime these days.

The show's animation studio is known for producing over 16 series, including two I'm familiar with: Hitori Bocchi no Marumaru Seikatsu (based on a manga by Katsuwo who also wrote Mitsubishi Colors) and Wandering Witch: The Journey of Elaina. None of the story elements in either of those series are present in this series.

The voice cast of Otaku Elf is just as strong as the show's opening song. Ami Koshimizu, who voices Elda, also voices the caddy of Aoi in Birdie Wing (Amane Shinjо̄), Mizuki Nakahara in Lycoris Recoil, Makoto Kino/Sailor Jupiter in Sailor Moon Crystal, Shiori in Princess Connect! Re:Dive, Yang Xiao Long in RWBY: Ice Queendom, and Konomi Yurikawa in Yurikuma Arashi. Yuka Ozaki, the voice of Koito, has lent her voice as Asuka Toyama in BanG Dream!, while Hitomi Sekine, voice of Koyuzu, voiced characters in Teasing Master Takagi-san, Konosuba, and Ms. vampire who lives in my neighborhood.

Haruka Aikawa, the voice of Koma, previously voiced a character in Shikimori's Not Just a Cutie. Mamiko Noto, voice of Haira, voiced a supporting character named Kazuki Kosuda in B Gata H Kei - Yamada’s First Time, Hakko in Canaan, Elsa in Gunslinger Girl, Kanon's mother in Love Live! Superstar!!, Shimako Toudou in Maria Watches Over Us, Gin Todo in A Place Further Than the Universe, and Saki Arima in Your Lie in April, and many other roles.

All in all, Otaku Elf is highly relatable to the hundreds of thousands of shut-ins in Japan, which the government believes is a "new social issue", and those elsewhere in the world. It might even draw in an audience from anyone who is living at "home" with their parents, or others living a "hermit-like" existence, being social recluses from society.

In any case, I recommend this series highly. I hope that it receives a second season, even though that is unlikely considering the last nine series by the same studio have not been renewed. Often, companies try and limit corporate risk by planning out each season for only 11-13 episodes. If the show is a success, "additional seasons can be ordered" as noted by Justin Sevakis.

Otaku Elf is currently streaming on HIDIVE.

#otaku elf #pop culture #reviews #birdie wing #videotape #yuri #betamax #steven universe #bocchi the rock #gambling #vhs #hidive #alice gear aegis #voice actors #renewal #anime #Youtube

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theanticool · 2 years

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Medals Round Up for Women’s Freestyle

Japan Finishes with 5 Gold medals (Yui Susaki, Mayu Mukaida, Tsugumi Sakurai, Nonoka Ozaki, and Mira Morikawa). They also picked up a silver medal (Ami Ishii) and three bronze (Yuka Kagami, Masako Furuichi, and Sakura Motoki). They medaled in every weight class where they had a representative (they didn’t have a 53 kg wrestler). While Yui Susaki continued her reign atop as the best women’s wrestler in the world, want to give special shout out to Tsugumi Sakurai (21) and Nonoka Ozaki (19). Sakurai knocked off an Olympic gold medalist in Helen Maroulis. Ozaki managed to repeat as champion despite being a teenager. Crazy stuff.

USA finished with three gold (Tamyra Mensah-Stock, Dom Parrish, and Amit Elor). They picked up a couple of silver medals (Helen Maroulis and Kayla Miracle). And they got two bronze (Sarah Hildebrandt and Mallory Velte). Mensah-Stock continues her dominant run, adding to that already impressive trophy case. Breakout star for Team USA was Amit Elor, 18 years old and only gave up 2 points all competition.

Finishing it out, Moldova won a gold medal (Anastasia Nichita). Turkey also won a gold (Yasemin Adar) to round everything out.

#uww #wrestling #results #wrestlebelgrade

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sweetcandy-1998 · 6 months

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尾崎由香

#尾崎由香 #ozaki yuka

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geidaicomposition · 5 months

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Campus Concert 2023

Dates: Friday, November 17 & Tuesday, November 21, 2023 14:00 -

Venue: Sogakudo Concert Hall Admission is limited to university personnel (*1) and those invited by the Composition Department (*2). *1 University personnel must also apply for admission in advance. *2 Those who have been admitted by the Composition Department with prior application.

Program:

Friday, November 17 − Day 1 −

1. Rikuto Fujimoto: Neue Harmonie - Based on Paul Klee / Neue Harmonie (1936) -

Cond. Neo Fukudome A.Sax. Mikiya Hojo Vib. Ryo Saito Cb. Miku Nagasaka Pf. Sakura Watanabe Dr. Maki Koyama

2. Yudai Shigemori: TRIO for flute, oboe and piano

Fl. Yuri Kamakura Ob. Gentaroh Sakai Pf. Mami Takeuchi

3. Chiharu Suzuki: Sonatine for clarinet and piano

Cl. Rio Ishida Pf. Yui Amano

4. Kana Asanuma: daydream

Fl./A.Fl. Yuri Kamakura Vn. Reika Shimizu Vc. Rei Takatsuki Hp. Sonoka Shida

5. Koga Yano: 3 Phonetic Compositions for 8 players

Cond. Koga Yano Sop. 1st Mayu Sangu 2nd Rina Terasaki Alto 1st Ayumi Ishiyama 2nd Chika Ishiyama Ten. 1st Shunsuke Itaya 2nd Yuga Handa Bass 1st Shinji Tsukada 2nd Kakeru Sugita

6. Asuka Yokogawa: The Wind Forest

Cond. Asuka Yokogawa Fl. Kaisei Oshima Cl. Rio Ishida Perc. 1st Mei Murase 2nd Kotaro Kikuchi Va. Himari Yui

7. Miumi Watanabe: Sextet pour les vacances d’été

Cond. Shinnosuke Ito Fl. Chihiro Ruike Ob. Gentaroh Sakai Cl. Takuma Sato Hr. Shiori Tajima Bsn. Miki Yamashita Pf. Chitose Ishida

8. Motoki Masuda: Time Scale for piano

Pf. Riito Shimata

9. Yumi Ozaki: Petites Pièces pour piano

Pf. Yui Amano

Tuesday, November 21 − Day 2 −

1. Shunsuke Tabata: Through

Cond. Shinnosuke Ito Fl. Kaisei Oshima Vn. Kaoruko Yoshida Vc. Rei Takatsuki Pf. Kazuma Maki Perc. Yuya Homma

2. Moeki Omura: Candlelight for 8 players

Cond. Hiroyuki Nishimura Cl. Rio Ishida B.Cl. Yuna Suzuki Vn. 1st Reika Shimizu 2nd Aiki Takahashi Va. 1st Riko Eto 2nd Moeko Kikuta Vc. Shiho Takada Pf. Hayato Tomizawa

3. Eijun Tsutsumi: “How about you?”

Vn. 1st Shiyu Taniyama 2nd Kanako Azuma Va. Tamaki Asano Vc. Mone Tanikawa Pf. Rin Aoyagi

4. Ikuro Ono: Unubore (Vanity)

Tuba. Ikuro Ono Pf. Rin Aoyagi

5. Yuka Miyake: Breath, Movement, Space for percussion solo

Perc. Yujin Honda

6. Kazuma Maki: Wasurenagusa

Vn. Yota Nakamura

7. Ryosuke Kikuchi: TRANSITUS, PROGRESSUS, COMMENTUM

Cond. Hiroyuki Nishimura Trp. Shunsuke Imada Cort. Miwa Sekine Trb. 1st Ken Aoyagi 2nd Nao Kaneko 3rd Riho Wakui B.Trb. Rikuto Ishii Org. Masaki Shiozawa

8. Saki Takaba: The Victor

Cond. Hiroyuki Nishimura Bar. Kaito Fujita Ob. Gentaroh Sakai Cl. Karen Nobe Trp. Shunsuke Imada Perc. Tatsuya Homma Cb. Ikumi Maruchi

#2023english #educationalenglish #concertenglish #recentenglish

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