[My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home.]
How we react to them, and whether we keep our composure.
The main point is a question of context. In some sense it should be a choice between playing for a club or being left behind in a situation. Players who are known to be a good fit for the opposition are considered on their terms.
[My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home. My baby's taking me home.]
[You're obsesssed and distressed 'cause you can't make any sense. Of the ludicrous nonsense and incipient senescence. That will deem your common sense useless. This aint no recess!]
[And as the weeks and months ensued. I tried to make myself of use. Tilled and planted, but could not produce —. Not root, nor leaf, nor flower, nor bean; Lord! It seemed I overwatered everything.]
[Lamb in a Hole -- how are we starting it off? So, we got to roast our veal bones. So dispose To future good our past and present woes. How long we gonna let this go? An hour at 450. Got it.]