#sezgin boynik

[garadinervi]

OEI # 90-91: Syntax & Hammer of Tautology. Concrete and Visual Poetry in Yugoslavia, 1968–1983, Edited Jonas (J) Magnusson & Cecilia Grönberg, Guest edited by Sezgin Boynik, OEI Editör, Stockholm, 2021 [rile*, Bruxelles-Brussel]

#graphic design #typography #art #concrete poetry #visual poetry #magazine #cover #magazine cover #oei #jonas (j) magnusson #cecilia grönberg #sezgin boynik #oei editör #2020s

[polymnia-herzberg]

CALLIGRAMMES

A calligram is a set of words arranged in such a way that it forms a thematically related image. It can be a poem, a phrase, a portion of scripture, or a single word; the visual arrangement can rely on certain use of the typeface, calligraphy or handwriting, for instance along non-parallel and curved text lines, or in shaped paragraphs. The image created by the words illustrates the text by expressing visually what it says, or something closely associated; it can also, on purpose, show something contradictory with the text or otherwise be misleading, or can contribute additional thoughts and meanings to the text.

Calligrammes is noted for how the typeface and spatial arrangement of the words on a page plays just as much of a role in the meaning of each poem as the words themselves.

From Sezgin Boynik's "Publishing as Scaffolding":

As Regis Debray, in one of his more recent texts on the "typographic soul of socialism", claimed: "The professional typographer occupies a special niche within the ecosystem of socialism, the key link between proletarian theory and the working-class condition; herein lay the best technical means of intellectualizing the proletariat and proletarianizing the intellectual, the double movement that constituted the workers' parties."

[kowazoo]

AGIT-PUNK : Exhibition about The Pop Group concert in Helsinki in 1980

Agit-Punk: Exhibition about The Pop Group concert in Helsinki in 1980

by

Rab-Rab Press

at

Paja Gallery (Kalasataman Seripaja), Vanha Talvitie 9, Helsinki.

In August 1980 the leading British post-punk band The Pop Group played in Helsinki at a festival organised by Spartakiadit, an association linked to the Communist Party of Finland.

The exhibition at Paja Gallery actualises this rare encounter between Punk and the left, emphasising the immediate, nonconformist, frontal agitation as a new form of poetics.

Whilst in correspondence with The Pop Group's singer Mark Stewart, before his sudden passing, he suggested focusing on the lyrics, which are the key to what he called “the praxis” of The Pop Group. The title of the album they performed at the Spartakiadit festival tells much about the urgency of their practice: “How much longer do we tolerate mass murder?”

Reworking the slogans of The Pop Group, the exhibition suggests that the anti-war and anti-capitalist messages of the band are as relevant today as in 1980 during Nato’s militarisation of Europe.

With silkscreen posters and archival materials, Rab-Rab Press (featuring Lilou Angelrath, Sezgin Boynik and Samu Elmeri Montonen in collaboration with Ott Kagovere and Jan Konsin) presents this unique history as a teaser to the forthcoming book in Punk Research Series.

[marcogiovenale]

"oei", april 10 and 11: moving mountains & mounting transitions 

“oei”, april 10 and 11: moving mountains & mounting transitions 

Moving mountains & mounting transitions 2 days on “editorial thinking” with OEI at Index – The Swedish Contemporary Art Foundation This event will be live-streamed via Index’ Twitch channel: www.twitch.tv/indexfoundation Saturday April 10 and Sunday April 11, 14:00-17:00 On the occasion of the exhibition Editorial Thinking at Index, OEI magazine organizes a two-day event, inviting artists,…

View On WordPress

#Alice Centamore #Axel Andersson #Cecilia Grönberg #concrete #concrete poetry #editorial thinking #Index - The Swedish Contemporary Art Foundation #Jacob van Ruisdael #Jan van Goyen #Jonas (J) Magnusson #Lytle Shaw #Meindert Hobbema #Michalis Pichler #mountaineering #Negative Geology – A Cultural and Technical History of Early European Mountaineering #New Grounds for Dutch Landscape #Nils Olsson #OEI #Pierre Paulin #Sezgin Boynik #talks #vispo #visual poetry #Walter Benjamin #Yugoslavia

[thefloatingindex]

OEI #90-91 Sickle of Syntax & Hammer of Tautology: Concrete and Visual Poetry in Yugoslavia, 1968-1983 (2021) Sezgin Boynik (ed.)

1. OPLÁ-STICK: Passion According to Paolo Scheggi (1969) 2. Goran Đorđević, Processes in a Square System, 186 (1975) 3. Goran Đorđević, Processes in a Square System, 198 (1975) 4. Milorad Stojević, Dometic, no. 5 (1978) 5. Slavko Matković (1972-1978) 6. Franci Zagoricnik, Problemi literatura, no. 118-120 (1972) 7. M. Valent, M. Tisma, G. Tokic (from Verbo-Voco-Visual, 1980) 8.  Slobodan Karamanić, Communism? (2020) 9. G. Kunaver, E. Zagoricnik (from Verbo-Voco-Visual, 1980) 10. Miroljub Todorović, Signalizam, Gradina, Niš (1979)

[tkwc]

Uncanny Interdependence: Remembrance and Disremembrance of The October Revolution

An exhibition by Ilya Orlov, a symposium, and a city walk

Symposium Participants: Bini Adamczak, Elena Agudio, Sezgin Boynik, Esther Leslie, Minna Henriksson, Michele Masucci, Aimo Minkkinen, Paul O’Neill, Ilya Orlov and Nora Sternfeld

City walk participants: Minna Henriksson, Ritva Hartzell and Jyrki Siukonen

Curator: Joanna Warsza Associate Curator: Giovanna Esposito Yussif

MUSEUM OF THE MUSEUM

Exhibition by Ilya Orlov

Opening: Friday 29.9.2017 |17.00–20.00 Exhibition Dates: 30.9–22.10.2017 Thursdays & Fridays, 14.00–18.00; Saturdays & Sundays, 12.00–16.00 Address: Sörnäisten Rantatie 1 E 61, 00530 Helsinki  

“Museum of the Museum” is an exhibition by Helsinki-based artist Ilya Orlov, dedicated to the history of the Lenin Memorial Room, a museum that opened in Hakaniemi Square in 1976 and closed in 1993. Shortly before the October Revolution, Chief Kustaa Rovio of the Helsingfors police sheltered Lenin in this room for several weeks so that he could avoid prosecution by the provisional government. Here Lenin worked on his book State and Revolution and prepared for the uprising. Upon the museum’s closure in 1993, the apartment was sold to a private individual. For this research-based exhibition, Orlov has rented another apartment in the same building, where he will recreate the museum for three weeks in October 2017 to coincide with the centennial of the revolution.

Object loans: The Lenin Museum (The Finnish Labour Museum Werstas, Tampere) and Helsinki City Museum.

UNCANNY INTERDEPENDENCE

Symposium, 30.9–1.10.2017, with Bini Adamczak, Elena Agudio, Sezgin Boynik, Esther Leslie, Ritva Hartzell, Minna Henriksson, Michele Masucci, Aimo Minkkinen, Paul O’Neill, Ilya Orlov, Jyrki Siukonen, and Nora Sternfeld

This year marks the 100th anniversary of both Finnish independence and the October Revolution. These two events are closely linked, even dependent, on one another, although in both countries these topics are sensitive and painful. The one-day symposium will address whether and how these events should be remembered, disremembered, or simply reconfigured within the current political context. It will trace the fate of Lenin’s museums in Finland and ask whether the October Revolution should have some kind of memorial. What is the legacy of Alexandra Kollontai—a Finnish-Russian revolutionary and advocate of free love? Can some form of communism still provide a working theory for everyone? Participants will convene  in Paasitorni, the historic Helsinki Workers’ House building in Hakaniemi, to discuss these matters.

The singularity of a revolution provides a point of departure to think about how radical transformations are possible. These moments of change derive from a complex constellation of interconnected struggles where politicization traverses the social to arrive at the crest of uprisal. However, it is erroneous to assume that the concealment of collective struggles (especially those that move against exploitation and oppression toward equality and liberation) implies that they have been successful. Ironically, their historical erasure allows political gains to neutralize what still remains to be accomplished. This irony lies at the core of a meaningful articulation of memories and their capacity to remain present. One hundred years after the Bolshevik Revolution and the Finnish independence that followed, the interdependence of these events are like a ghostly memory that still echoes an uncanny fragility. The need to remember the demands of these collective struggles is as urgent as questioning what has been learned and still needs to be learned in order to revive their unfinished processes.

UNCANNY INTERDEPENDENCE is an invitation to think beyond national forms of memorialization in a discussion with individuals engaged in thinking critically and reading widely about this revolutionary time and its traces, claims, and contemporary forms.

See more here for the program.

Participants

BINI ADAMCZAK (Berlin) is a writer and artist working in the visual and performative arts. She coined the term “circlusion,” which means the opposite of penetration. Adamczak’s recent book Communism for Kids (MIT Press, 2017) provoked a massive shitstorm among the US far right. Forthcoming are two books on the Russian Revolution, The Gender of Revolution and How Could the Russian Revolution Have Worked? ELENA AGUDIO (Berlin) is an art historian and curator. Her research is focused on the sharing and exchange of knowledge and skills across disciplines and cultures. Since 2013, she has served as the artistic co-director of SAVVY Contemporary in Berlin. She is also the artistic director of the Association of Neuroesthetics (AoN): A Platform for Art and Neuroscience, and is currently a curator-in-residence in Helsinki. SEZGIN BOYNIK (Helsinki) is a theoretician and publisher. He completed his doctoral studies on the political nature of Yugoslav Black Wave cinema and has published essays about structuralist films, cultural nationalism, hard-core punk, and conceptual art. Boynik is an editor of Rab-Rab: Journal for Political and Formal Inquiries in Art. GIOVANNA ESPOSITO YUSSIF (Helsinki) is a curator and art historian. Her practice is focused on rooting alliances between sites of production, situated knowledges, and collaborative models of inquiry. Her research is driven by questions intersecting memory and chronopolitics; embodied, divergent, and dissident knowledges; interdependencies; and nomadic belongings and futurities. Currently she shares a collective practice with NÆS - Nomad Agency /Archive of Emergent Studies and Night Schoolers. RITVA HARTZELL (Helsinki) is a retired Finnish teacher, writer, and civic activist. She has actively campaigned for erecting a Lenin monument in Helsinki. She has also campaigned for environmental issues and is currently working to better the living conditions of Eastern European Roma people. She is the author of Roskankerääjän päiväkirja (Waste Collector’s Diary, Robustos, 2011), Kova jätkä (Tough Guy, RADIUM-Kirjat, 2014), and the forthcoming Leninin morsian (Lenin’s Bride). MINNA HENRIKSSON (Helsinki) is a visual artist whose often collaborative work engages with discussions arising from anti-racist, leftist, and feminist struggles. Since 2006, she has pursued a theoretical engagement on nationalism together with Sezgin Boynik. Co-editor of the book Art Workers: Material Conditions and Labour Struggles in Contemporary Art Practice (Self-published, 2015), Henriksson is also active in the collective study group Night Schoolers and the leftist artist association Kiila. She has exhibited her work in the Lenin Museum in Tampere. ESTHER LESLIE (London) is a professor of political aesthetics at Birkbeck, University of London. Her books include Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde (Verso, 2002); Synthetic Worlds: Nature, Art and the Chemical Industry (Reaktion, 2005); Derelicts: Thought Worms from the Wreckage (Unkant, 2014), and Liquid Crystals: The Science and Art of a Fluid Form (Reaktion, 2016). She runs a website with Ben Watson: www.militantesthetix.co.uk MICHELE MASUCCI (Stockholm) is an artist, writer, and PhD candidate at Karolinska Institutet and the Vienna Academy of Fine Art. His research interests include Italian political philosophy, feminist theory, and theory of science. He is currently a guest lecturer at Konstfack CuratorLab, where he has organized a reading group on the life and work of Alexandra Kollontai in preparation for an exhibition of Dora Garcia at Tensta konsthall in 2018. Masucci has translated political theory from Italian to Swedish and regularly contributes to various art journals and political magazines. AIMO MINKKINEN (Tampere) is a researcher and Director Emeritus of the Lenin Museum in Tampere. Since the 1970s, he has published numerous articles on Lenin in scientific publications both in Finland and abroad. Minkkinen has held different positions at the Lenin Museum since 1980: from 1989 to 2014 he was the acting director of the museum. Since retiring he has continued his research; Lenin: Helmirasia (Wanhatkirjat.fi, 2014) is his latest book on Lenin. PAUL O’NEILL (Helsinki) is a curator, writer, and scholar of curatorial practice, public art, and exhibition histories. O’Neill has recently been named artistic director of Checkpoint Helsinki. He was the director of the graduate program at the Center for Curatorial Studies, Bard College, from 2013 to 2017. O’Neill’s books include The Culture of Curating, the Curating of Culture(s) (MIT Press 2012), and he is currently working on the co-authored Durational Aesthetics: Time and Contemporary Art (Bloomsbury Press, 2018). ILYA ORLOV (Helsinki/St. Petersburg) is an artist, historian, and PhD candidate at the Academy of Fine Arts Helsinki. His artistic research is informed by critical theory as well as avant-garde and conceptual art practices. He has exhibited at the State Museum of Political History (St. Petersburg), the National Center for Contemporary Art (Moscow), the Moscow Museum of Modern Art, and the Tretiakov Gallery (Moscow). He also participated in Manifesta 10 (St. Petersburg). Orlov is a member of the editorial board of Rab-Rab: Journal for Political and Formal Inquiries in Art. JYRKI SIUKONEN (Helsinki) is an artist and researcher based in Tampere, Finland. He has exhibited internationally since 1982 and published widely on topics ranging from early modern philosophy and the 1920s Soviet avant-garde to non-verbal thinking in sculptural practice. Siukonen was a Gregory Fellow in sculpture at the University of Leeds from 1995 to 1996 and a professor of sculpture at the Academy of Fine Arts Helsinki from 2006 to 2009. NORA STERNFELD (Helsinki/Kassel) is a professor of curating and mediating art at Aalto University in Helsinki, co-director of the /ecm master program in exhibition theory and practice at the University of Applied Arts Vienna and a designated documenta professor at the Kassel School of Art and Design. She is part of trafo. K, an office for art education and critical knowledge production based in Vienna, and Freethought, a platform for research, education, and production based in London. She publishes on contemporary art, exhibition theory, education, the politics of history, and anti-racism. JOANNA WARSZA (Berlin/Warsaw) is the head of CuratorLab at Konstfack in Stockholm and the artistic director of Public Art Munich 2018. She has curated the public program of Manifesta 10 in St. Petersburg, the Georgian Pavilion at the 55th Venice Biennale, and the Checkpoint Helsinki exhibition “Finnish Landscape” at the Seurasaari Open-Air Museum in 2016. She recently edited a reader on boycotts in contemporary art entitled I Can’t Work Like This (Sternberg Press, 2017)

#BINI ADAMCZAK #JOANNA WARSZA #NORA STERNFELD #JYRKI SIUKONEN #ILYA ORLOV #PAUL O’NEILL #AIMO MINKKINEN #MICHELE MASUCCI #ESTHER LESLIE #MINNA HENRIKSSON #RITVA HARTZELL #GIOVANNA ESPOSITO YUSSIF #SEZGIN BOYNIK #ELENA AGUDIO #uncanny interdependence #museum of the museum #october revolution

[fanzineist]

Fanzineist Vienna Art Book & Zine Fair 

24-26 May, 2019

Nordbahnhalle -  Leystraße 157, 1020 Vienna, Austria

Project Directors: Deniz Beşer & Deniz Güvensoy

Supported by: Bundeskanzleramt Österreich, Kulturabteilung der Stadt Wien (MA 7), ÖH - Österreichische Hochschüler_innenschaft, Nordbahnhalle,  TU Wien, Klima Energie Fonds. HochschülerInnenschaft an der Universität für angewandte Kunst Wien (hufak)   Contributed by Stockholm Performance Art and Istanbul Performance Art

2019 Exhibitors

3 kittens from moon (Vienna, AT)                                              

Akulka (Moscow, RU)

Are We There Yet Magazine  (Vienna, AT)

Auslöser (Vienna, AT)

Bahoe Books (Vienna, AT)

Bernhard Cella - Salon für Kunstbuch (Vienna, AT)

Carlos Vergara (Barranquilla, CO / Vienna, AT)

Carol Barbour (Toronto, CAN)

Colleen Anderhub (London, UK)

Damocle Edizioni (Venice, IT)

DEPOSIT (Budapest, HU)

DIN - Drawn Into Narrative ( Vienna, AT)

Dirty Flower Press (Berlin, DE)

Edition Dostal (Vienna, AT)

Epileptic Media (Vienna, AT)

Eva Jaroňová (Brno, CZ)

FOMO (Istanbul, TR)

Franz the lonely Austrionaut (Vienna, AT)

Handshake (Valencia, ES)

Heyt be! Fanzin (Istanbul, TR / Vienna, AT)

Hurrikan Press (Budapest, HU)

Industrias Doc (Barcelona, ES)

Jack Kollektiv  (Vienna, AT)

Kristian Ujhelji (Vienna, AT)

Kudla Werkstatt (Prague, CZ)

Livor Mortis Zine (London, UK)

Mass Control Superviolence (Vienna, AT)

mischen  (Vienna, AT)

MOSHI (Baden, DE)

Moshpit  (Leipzig, DE)

Multiple Spirits  (Tokyo, JP / Vienna, AT)

Nase Zine (Vienna, AT)

pAф (Vienna, AT /  Sofia, BG)

PageFive (Prague, CZ)

Pirol (Vienna, AT)

Rada Nastai (Berlin, DE)

Risotop Verlag (Leipzig, DE)

RRevue / Schnösel mösel (Leipzig, DE)

Sakura (Vienna, AT)

Tales of Narwhales / by Katja Hasenöhrl (Vienna, AT)

Taumatropo Libros (Vienna, AT)

TheHiddenRiver (Munich, DE)

TLTRPreß (Berlin, DE / Prague, CZ )

UnterPalmen (Vienna, AT)

Viktoria Strehn & Erik Norden  (Vienna, AT)

Volcano Club (Marseille, FR)

Well Gedacht Publishing  (Vienna, AT)

ztscrpt (Vienna, AT)

————————————————————————————————————–

FANZINEIST EXHIBITIONS:

Fanzineist Vienna Art Book & Zine Fair  International Art Book& Zine Exhibition:

Eva Fenz, Yusuf Murat Şen, Lucky Punch Press, Die Brueder Publishing, Torso Zine,  Olga Stefatoy,  Jens Besser,  Sezgin Boynik (Rab Rab Press), KLD Repro,  DEFACED by Olivia Browne, Flowyage, Livor Mortis Zine, New Poetic of Labor, Lena Wurz, Sophia Hembeck, Lex Kartane, (AIWS), Out of Darkness Fanzine, Zeynep Beler, Emin Yu, Lupemacanudo, Michael Dietrich, Asta D., Miss Eve, Irena Silic, Lolli Editions, Lea Schnell & Lena Wittman, Emekci Sair, James Turek, Father Zine (Valdir Ramos), Henry Jaepelt, Elmonstruodecoloresnotieneboca, Kati Szilagyi, Thomas Wellman, Lukas Verstraete, Roni Fahima, Benjamin Courtault, Gözaltı Fanzine, Suimasen Turkey, Dinçer Dökümcü, Erdem Varol, Arzu Arısoy, Onur Girit, Hrisitina Tasheva, Stefan Alexander, Ruben Malia, Pietra Publications, Rurality (Null Set Magazine & SLAG Magazine), Judith Erwes, Hugo Tripper (Publiko), Fail Books,  and many mores.  

———————————————————————————————————

Heyt be! Chronology & Mini Zine Archive from Turkey

Curator & Installation: Deniz Beşer

Turkey has a long tradition of censorship but Zines are documents and snapshots of society without the censored voice. The installation displays Heyt be! Fanzin’s all issues, some selected zines and other forms of selfpublications from Turkey, going back to the 1990s to today

Heyt be! Chronology & Mini Zine Archive from Turkey: Mondo Trasho, Spastik Eroll, Nase Zine, Çizgi Fanzin, Heyt be! Fanzin, Fomo fanzin, Santigrad100, Paslı Teneke Fanatik Magazin, Taxidermia Fanzine, Güzel, Shadow Of A Doubt, Efkar Records, Mirror Selfieholic, Falçata, Why Has Nobody Noticed This, Diplo Docus, Medya Tavırs Fanzine, Hayta, Anarşist Vegan Queer Gün, Eblek Hardcore, Ver Leftere,Yelloz, Genedoğum, Haylaz Eroll, Fanzin Literarü, Frozen Kuken 45 C, Sünnet Fanzin, Mono Propaganda

——————————————————————————————————–

Data Loam Book Prototype, 2019

(FWF-PEEK project Data Loam: “Sometimes Hard, Usually Soft. The Future of Knowledge Systems.”)

http://www.dataloam.org/

Artists:

Maximilian Gallo

Monica C. LoCascio

Ivonne Gracia Murillo

Istem Özen

—————————————————————————————————————

Istanbul Performance Art: Antonio Irre, Marija Griniuk, Pınar Derin Gençer, Roi Vaara, Viviana Druga.

—————————————————————————————————————

Stockholm Performance Art: István Kovács, Jasmin Schaitl.

—————————————————————————————————————

#fanzineist2019

[futuristika]

[Sezgin Boynik] Devlet ve burjuva kültüründen kopuş https://futuristika.org/sezgin-boynik-devlet-ve-burjuva-kulturunden-kopus/ Nagehan Uskan'ın Sezgin Boynik'le gerçekleştirdiği; coğrafyayı, arkadaşlığı, sesi, fanzinciliği, situasyonistleri, punk'ı, RabRab'ı, yıkıcılığın inşasını kat eden üç bölümlü söyleşinin ilk kısmı. #Rabrab

[booksfromthefuture]

Noise After Babel – Sezgin Boynik, Minna L. Henriksson Designed by Adriaan Van Leuven

#book design #graphic design #typography

[gdbot]

booksfromthefuture: Noise After Babel – Sezgin Boynik, Minna L.... http://ift.tt/2xM5ckh

#gdbot #nicanel #nicanel.

[inspirimgrafik]

Noise After Babel – Sezgin Boynik, Minna L. Henriksson Designed by Adriaan Van Leuven

rebloged: http://booksfromthefuture.tumblr.com/

[codaculturesg]

Summer School as School: Experience of Interdisciplinary Educational Program in Kosovo, Prishtina

Albert Heta, an artist and curator, will present his work and the work of Stacion—Center for Contemporary Art Prishtina and the program for Summer School as School, a unique collaborative international art and education platform based in Prishtina, Republic of Kosovo.

Originally inspired by the case of Kosovo, where the education system was structured in the mid-1970s, Summer School as School is designed to unite and disseminate critical knowledge and address relevant challenges of today, implementing new models and possibilities in art education and artistic collaboration. It is a unique collaborative international educational platform based in Prishtina, as a progressing model; developing an interdisciplinary curriculum and engaging practitioners from the region and beyond in sharing knowledge and expertise with international students and the public.

About Summer School as School

Hosted by Stacion, the 2019 program of Summer School as School will revolve around 13 courses, the public program with lectures, conferences, performances, film school program, DJ sessions and exhibitions by artists, writers, and scholars, including: Julieta Aranda, Inke Arns, Franc Ashiku, Zdenka Badovinac, Margot Bouman, Sezgin Boynik, Eva Birkenstock, Boris Buden, DJ Tahira, Keti Chukhrov, Charles Esche, Patricia Falguières, Lek M. Gjeloshi, Tone Hansen, Koh Nguang How, Hristina Ivanovska, Ana Janevski, Sami Khatib, Elzbieta Matynia, Ari Benjamin Meyers, Suzana Milevska, Nebojsa Milikić, Miran Mohar, Cesare Pietroiusti, Renaud Proch, Petrit Pula, Armina Pilav, Bernhard Rüdiger, Anri Sala, Renata Salecl, Gasper Tamas, Marina Otero Verzier, Jelena Vesić and Gëzim Visoka, amongst others. The program is held August 5 – 21, 2019.

Additional information about the program is available here: http://www.stacion.org/

Image credit: Franc Ashiku, Mueji i të rejave, 1969, tempera on paper, 99 x 70cm. Poster design: DZG.

Facebook event page

#art #contemporaryart #talk #singapore #kosovo

[okurtv]

Pera Film, Yugoslav Deneysel Sinemasını Mercek Altına Alıyor Sinemecra.com

https://sinemecra.com/etkinlik/pera-film-yugoslav-deneysel-sinemasini-mercek-altina-aliyor/

Pera Film, Yugoslav Deneysel Sinemasını Mercek Altına Alıyor

Pera Film’in Yugoslav Deneysel Sinemasının Form ve Politikası programı, sosyalist Yugoslavya’da 1963-1987 arasında üretilen ve daha az bilinen deneysel sanatçı filmlerini bir araya getiriyor. Pera Müzesi’nin “Balkanlardan Gelen Soğuk Hava” sergisi kapsamında sunulan ve Sezgin Boynik...

via: https://sinemecra.com/etkinlik/pera-film-yugoslav-deneysel-sinemasini-mercek-altina-aliyor/

[netmyname-blog]

Hakim Chinnery DE

New Post has been published on https://nerret.com/netmyname/hakim-chinnery/hakim-chinnery-de/

Hakim Chinnery DE

Hakim Chinnery DE Top Web Results.

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www.vivote.gov St. Thomas/St. John Cancellation List Dec 17, 2015 … De Wayne W. Linda. Gloria P. … Shantel. Chevaune A. Francis. Hakim. Kishma. Kishna. Shamara K. Sheldon S. ….. Chinnery-Holloway. Denvil.

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#Hakim Chinnery

[ebookindiroku-blog]

Yeni Nesil İçin Mondo Trasho Arşivi Ebook

Yeni Nesil İçin Mondo Trasho Arşivi Birileri için Türkiyede üretilmiş ilk ; kültür, sanat, edebiyat fanzini olarak algılansa ve böyle lanse edilmekten zevk alınsa da : « üreticisi » ve yaratıcısı tarafından verdiği röportajlarda « fanzin » tanımı ve tabirine sığdırılmamış ve bu sıfatla da tanımlanmaktan kaçınılmış (örneğin bkz; Türkiye’de Punk ve Yeraltı Kaynaklarının Kesintili Tarihi 1978-1999 -Editör Sezgin Boynik | Tolga Güldallı) çoklu sanat disiplinlerinin oluşturduğu, dev bir kapital sektör olan fotokopiyi hızı ve diğer baskı metodlarına nazaran ucuz olduğundan sebep bir üretme biçimi olarak seçen kağıt bir düşünsel yapı formu olan Mondo Trasho tek-bir cilt halinde ! 1991’den günümüze !

Yeni Nesil İçin Mondo Trasho Arşivi Ebook

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[worldfoodbooks]

OPEN TODAY 12-7 PM. NEW IN THE BOOKSHOP: FORMS OF EDUCATION: COULDN’T GET A SENSE OF IT (2017) “Three years ago, during a talk at a university, a student asked me, “What is the relationship between your work and your teaching?” I realized then that there was none. I might teach experimental forms and aesthetic vernaculars, but the way I taught it looked like any other art class from Mumbai to New York, part of that dominant sameness that is global art education. Also, my work happens neither in the studio nor through “research”, but in ways that I could not quite name back then. I usually would describe it, and sometimes still do, as “looking like ethnography from the outside” with important differences in purpose and method, observational, and then, Boalian or rooted in experimental histories of theater and film. It struck me that I could not teach all of this, in practice and in a way that encompassed all the surprise, boredom, hesitation, fear, improvisation and pleasure that the process can produce. I resolved to change the form and spirit of what and how I taught.” -Beatriz Santiago Munoz excerpt from her text The Third Teacher. With texts, essays, and art by: Gregory Sholette, Eunsong Kim, Pablo Helguera, Duba Sambolec, MFA no MFA, Shelly Asquith, Roee Rosen, Aurora Harris, Ted Heibert, Mohamed Ali Fadlabi, Beatriz Santiago Muñoz, Marjetica Potrč, Escuela de Garaje, Vancouver Institute for Social Research, Judy Chicago, Bisan Hussam Abu-Eisheh, Diego Bruno, Clare Butcher, Chus Martinez, Sezgin Boynik, Audun Mortensen, Aeron Bergman & Alejandra Salinas, Irena Boric, Sondra Perry & Nicole Maloof, Robert Paul Wolff, Chris Kraus, Martha Rosler, Tadej Pogačar, and Walid Raad. Edited by Aeron Bergman, Alejandra Salinas, Irena Borić Available today in the bookshop and via our website. #worldfoodbooks #formsofeducation (at WORLD FOOD BOOKS)

#worldfoodbooks #formsofeducation