#the disc war finale is a perfect stream i take no criticism

[kumaradosha]

I’m seeing a whole lot of bad takes and ignorance of past/present content and lack of critical thinking or ability to understand character motives regarding this most recent Dream SMP lore. So please, allow me to lay down some facts, some sense, and also some speculation of my own. This’ll be really rambly, because I’m tired, and I want to say a lot. Rewatching ALL the streaming perspectives now, my thoughts start here:

Considering Sam doesn’t want to enter the cell to dirty his hands himself, he clearly has some aversion or moral qualms about torturing prisoners, but Quackity has convinced him to go along with it. Quackity spends a lot of time before he goes into the cell repeatedly making sure Sam won’t have a change of heart and intervene, which indicates Sam probably has some misgivings. Quackity feels he has to remind Sam that this is for the greater good and to stand back and let him do his thing and that this will probably be the last time. These are all reassurances and instructions that would not be necessary if Sam were known to be totally cool with it all already.

Sam believes the stringent measures Dream put in place for the prison are just desserts for him to suffer, but Techno doesn’t deserve the same cruelty, because Techno didn’t enact those rules. And that’s why Techno gets baked potatoes from Sam, and Dream doesn’t. Sam clearly believes this harsh treatment is justified, because Dream was going to do it to someone else. He thinks he’s being just. Of course, allowing the torture, though not his idea and not really comfortable to him, was still crossing a line, considering physical torture was not something Dream did to his victims (and besides, there’s the argument that not everything a criminal has done is morally correct to be done to the prisoner regardless). That, he was convinced, was for the greater good, to get the revive book. Quackity manipulated him; he thinks he’s doing what’s best, but no, of course that doesn’t make him right or his hands clean.

Sam wanted the dog dead because it’s a security risk, especially with Quackity entering the cell with two other people. He killed it later for the exact same reason. Y’all act like nobody else has ever killed an animal in Minecraft RP; get it together. Is Sapnap also evil? Tommy? He killed his own cat. Random animals are not treated with the gravity you guys are giving them; it makes no sense to call out this one time.

When Techno raised the point that he would be fine if Quackity killed him, because Dream could just bring him back, Dream countered with his warning that Techno doesn’t want to experience death, judging by how messed up it made Tommy. What motive would he have to argue that, aside from actually caring about Techno’s well-being? If Dream was only thinking of himself, he would benefit from Techno being willing to die and be brought back to life by him, giving him an easy reason not to give the resurrection knowledge to Quackity. I honestly can’t think of a reason he would argue other than the fact that he doesn’t want Techno to die even temporarily or experience death--that he cares. Interesting...

Dream hiding in the escape tunnel to make it look like he disappeared too was 5,000 IQ, but he didn’t do it just to be silly or smart. Quackity literally threatened to kill Dream when he came back. Dream HAD to pretend to disappear, because he was legitimately in fear for his life. You saw how terrified he was when Sam found him, how he just immediately begged him not to tell Quackity. He was afraid Quackity would come back and kill him before Techno managed to come back and break him out. He believed that would be his fate and had to make a last ditch attempt to avoid that outcome.

Phil confirmed on stream that the blueprints Techno was led to via coordinates are for the prison. Not Tubbo’s missing nuke, like I’ve seen speculated.

“Steve is your polar bear” was written on stream during the “Prison Podcast” Technoblade lore. This is not a mystery. Dream said he wrote it down when Techno started talking about Steve rescuing them.

If Sam doesn’t approve of Quackity killing Dream, why doesn’t he just tell Quackity Dream is still in the prison but not allow Quackity in anymore? Quackity needs Sam to lead him inside, to let him in. Since when did he have any power against Sam to force him to let him in? I don’t understand why Sam has to keep it a secret just to keep Dream alive. Just don’t let Quackity into the prison anymore. Clearly it was a bad idea, since all these security risks happened while Quackity was getting a free pass to not follow the rules of the prison.

Dream casually walking in the way of Sam’s pickaxe to disrupt his swing once Sam almost had the bell broken gets me every time.

The rapport between c!Dream and c!Sam in prison fascinates me. Clearly Dream is much bolder with Sam than Quackity and still seems to trust his sense of duty to a degree. Sam is also more malleable, convinceable, his fatal flaw being actually listening and talking to Dream, even after it clearly messes with him psychologically. He let Quackity manipulate him, too, and he compromises too much. That might seem weird to say, considering the harsh conditions he has Dream in, but. He does give in to a few things.

I’m wondering if Dream wanted to go to the courtyard hoping it was less secure and easier for Techno to break him out of.

Sam has no reason to lie and gaslight about Dream being the one to suggest raw potatoes and sealing up the courtyard. That’s not in his character to do. So clearly Dream suggested these things. In fact, we have proof. Search for the clip of Dream revealing a teaser for future lore, with him telling Sam the hole in the courtyard ceiling for the light is a security flaw. He straight up says that. Update yourselves. Furthermore, are the recordings we have of Dream suggesting nicer features for the prison even lore? Are they in-character, or was it cc!Dream and Sam making plans? I’m genuinely asking, because I don’t remember/am not sure. In any case, clearly the plans changed at some point, and they were Dream’s idea.

Dream said he didn’t realize how bad it was until after he experienced it. This could very well be a lie. However, it could also be a wake-up call. We just don’t know. Dream clearly possesses low empathy, and every person at some point doesn’t fully realize how poorly another being can feel in a bad situation. Sometimes it actually does take experiencing it yourself to realize how it feels. People can do cruel things to others before the empathy fully clicks. It is possible that Dream really does only now understand how harsh his plans were. Unfortunately, it’s just as likely he doesn’t care and is pretending to, because he has a history of acting, lying, and manipulating. We just do not know, and I think that’s part of the fun, the speculation. Note that none of this is excusing what he’s done; that bores me. I just like understanding characters and their psychology and motives.

Sam is ASKING if Dream had this prison built for Tommy. He is suspicious that that is the case. Dream did not TELL him this, because OBVIOUSLY Sam would have absolutely nothing to do with building a prison he knew Dream meant for Tommy. So no, Sam thought it was for something else. And guess what? It was. Back during the disc war finale stream, Dream told Tommy and Tubbo that the prison was originally intended for someone else (maybe multiple people, the number was not specified), but that he changed his mind and would now put Tommy in it (ha ha punny). Tubbo asked who it was originally intended for, and Dream wouldn’t tell him, preferred to keep it a mystery. Dream had zero reason to say this if it weren’t true. In fact, it would have been more impactful to pretend (or admit) he intended it for Tommy all along. Think of the horror, or even the betrayal finding out Sam, his friend, helped make it. So yes, there is every indication that it is the truth--Dream meant the prison for someone else at first.

And Dream didn’t argue with Sam’s accusations, because why WOULD he? If he didn’t tell Tubbo who it was for, he wouldn’t tell Sam now. Plus, he wouldn’t want to argue with Sam, make him more heated and less sympathetic, and risk him deciding to tell Quackity Dream was there after all. Dream has no reason to speak up. Let Sam think what he wants. Dream’s silence does not mean confirmation. This is not a new thing with him. He keeps things mysterious, and there is a lot about his planning and mindset he does not disclose.

Now, whether Dream made the prison harsher before or after he decided he wanted Tommy in it is up for speculation. We don’t know that timeline.

Anyway, Sam’s speech about Dream getting what he deserves is really delicious. All these people out here mocking Dream fans for Dream still being in prison (like Techno’s not imminently coming to break him out, hello?) and being told off by Sam, yet plenty of us are enjoying it, too, like?? Bruh, what kind of Mary-Sue-touting asshole likes characters who are flawless who never go through strife? Can’t be me. I love watching my favs through triumph AND despair, so this is all just a win for me, thanks.

It is possible to sympathize with a bastard who is highly flawed and wrong AND to understand his motivations without justifying his actions AND to realize he deserves punishment (though to what degree I don’t care to argue). All the black and white morality and taking one extreme stance of “this character is perfect!” OR “this character is wholly evil and only ever does things to be sadistic!” and polarizing the community is cringe, yo. You need to calm down. Enjoy the ride or like...get off?

Anyway, Dream is my favorite, Techno is my second favorite, I adore Sam, I really enjoy Quackity, and the SMP wouldn’t be the same without Tommy. So much love for all of this creative work and its creators. I’m having a blast.

#Dream SMP #DSMP #Dream #DreamWasTaken #Technoblade #Awesamdude #Quackity #TommyInnit #Tommy Innit #fandom discourse #Dream SMP lore #Dream SMP theories

[hamphobicbasil]

Could u elaborate about the dsmp story being bad? Not a rabid/brain dead fan, just genuinely curious and I enjoy reading people's rants lolol

oh you dont know the floodgates you just opened

a few things:

1. despite not liking the creators of the dsmp anymore, I don't actually hate most of them. [the ones that are particularly unsavory fall outside of this of course] so all that I'm saying i truly mean in a critical sense towards the story, its also just all purely my opinion as someone who enjoys fictional and fantasy stories and who like criticizing works to see what it does well and what it doesn't do well

2. for clarification I'm going to use the c![name] to indicate when I'm talking about the characters. Don't get me wrong, I think its annoying too but its the only way I'm gonna be able to write this thing without getting something across the wrong way yknow?

3. I stopped watching the streams after November 16th, [save for one Techno one but I closed out after a particularly bad story beat lol] and so all information coming afterward is all second hand from either me seeing people on twt talk abt it or people dming me. All i really know is up to dream's imprisonment and some stuff past that.

4. This is mostly aimed towards the "main" story, so stuff abt the badlands, eggpire, and whatnot are briefly mentioned.

anyways uh, i'll try to be brief but also include enough information to get why i feel the way i do on some stuff across

A. Performances Alright obviously these people are all streamers, so obviously they might not be the best actors, and hell no one is even asking that of them. However, when you're telling a story that's based on the audio with the visuals kinda coming to a second, it's gotta be pretty strong. I will say, some of the best actors in my opinion are Wilbur, Tommy, and Tubbo. I would include Ranboo but I never watched any of his story bits or story streams so I can't say much. Wilbur and Tommy are excellent in selling their character's emotions and feelings, when I watch the stream I don't feel like I'm watching an rp but an actual thought-out story yknow? And one of my favorite Tubbo examples was in the Hog Hunt video whenever Techno attacked him, he sounded genuinely afraid and I believed everything his character was feeling.

However, unfortunately, not everyone is gonna be that good. And I'm gonna say it; Dream and Techno have to be the worst out of the entire cast. I understand Techno's whole character is this monotoned badass, however, when really emotional moments hit I feel like he never lets that fall, and a lot of intense moments just ring hollow. And I'm sorry but Dream's attempts at being intimidating leave me laughing whenever I watch them. It feels like he watched that one scene from The Marriage with Adam Driver and Scarlett Johannson and said "Oh this is what good acting looks like! Just yelling." His whole "I don't give a FUCK about Spirit!" speech isn't as great as people keep making it out to be. And whenever he tries to act coy when being a villain it feels like a guy reading the script for the first time, a bit like he's trying too hard. I have more problems with his character but his portrayal certainly doesn't help.

Everyone else is fine, and I don't feel strongly either way about a lot of them.

B. The "Lore" Okay first off, I can't be the only one who thinks it's silly that people are calling the dsmp's story "lore" when it's not, it's the fucking story. Lore indicates backstory to either the world or the characters, which a lot of the streams don't really pertain to. This is a really petty section but god it's a weird pet peeve of mine.

Other than the misusage of "lore" vs "story", the actual lore and world-building of the world are so lackluster that new elements can be introduced whenever and it often feels cluttered or not well thought out at all. And here's the thing, I feel like if the writers sat down just for a few minutes to establish world rules and general history, a lot of this could be solved! but so much is made up on the spot that it starts to feel like they're grabbing at straws to keep people invested, trying to reach that next high and intense story beat without actually earning it.

C. The Egg / Eggpire This is a pretty minor note since I was only invested in the Egg storyline for a little bit, but god it's so underused that it's almost embarrassing. Bad has provided this super interesting antagonistic force that's infecting the SMP, can control people, and who one of our main character is immune to, and it's just never used or even talked about again? Now I understand if he wanted to keep it to a side storyline only, however, to introduce this borderline eldritch creature and force within the world and then never have it dealt with is so weird.

D. The Writing Oh boy this is. kinda a big one. Now I'm not gonna lie, it's pretty obvious I have a bias for the Wilbur writing over the current team [that consisting of Dream, Quackity, and Tommy mostly]. I don't this his writing is perfect by any means, the characters constantly bringing up traitors got obnoxious after a while, and writing Hamilton but in Minecraft really isn't the modern Shakespeare or anything. However, I think his exploration of characters and plot progression was a lot more thought out and well planned, like he actually had two brain cells behind the story yknow? The current team I think fails to be as emotional or even impactful, things happened too fast and my god was everything drowned in angst for so long.

Don't get me wrong, you gotta have your characters face hardships to make them reach their goal believable, but some of the shit they put the characters through just felt like too much. From c!Tubbo's constant comparison to c!Schlatt [who btw, fucking ordered his death and kept him from his friends in a nation he felt trapped in] and on a side note, i kinda really fucking dislike the "c!Schlatt dad!!" au's or the au's where c!Tubbo inherits some of Schlatt's features, it would be like c!Tommy getting a c!Dream mask after his exile, it's feels so weird yet people eat that shit up for some reason.

But god, did c!Tommy get the brunt of it all and in retrospect after his final death, it kinda feels really fucking gross. Now obviously, I'm not trusting any of these people to write decent mental health representation, but c!Tommy's PTSD and how it was explored was just degrading. [Specifically the scene in that one Techno stream where he saw the final control room from the first war, and had a flashback / panic attack where he started calling out for c!Dream. I understand this is an actual thing people with PTSD will experience, but it felt so fucking stereotypical it got on my nerves. I actually had to close out of the stream because it made me feel sick, fiction shouldn't leave you feeling that way.] And don't get me started on how they basically reused the formula from the previous arc. [Problem introduced -> Tensions rise as things start to fall apart -> Big confrontation -> Exile -> Return from Exile -> Blowing up L'Manberg, again.]

And speaking of characters-

E. Character Arcs, or the lack of them In my genuine opinion, some of these characters' arcs are so disappointing. Especially c!Tommy's. I'm not one to believe that he was a "selfish" character or anything, however, his goals were simply set on his discs and maybe c!Tubbo, he didn't have much outside that. However, L'Manberg gave him something to care about, he gave up his discs for it and he fought for it tooth and nail, I think it taught him to open up to others and trust more. It was a great character arc for him to have, seeing him still fight even after his first exile alongside c!Wilbur, to return safely to the nation that he and his found family had built.

But then his second exile happened, and I feel like all of that was undone.

c!Tommy's exile genuinely pisses me off for so many reasons. It's not that characters can't have their low points after reaching a major change or feeling like they've "completed" their arcs or anything, but it's more of the fact that it seems like he's never going to heal that feels like a spit in the face, especially to people who might have had setbacks like that before. Progress isn't linear, sometimes things happen and you get knocked back down, it can take a while to get back up, but I don't think c!Tommy's character is ever going to be allowed to get back up. From c!Dream, who pretty much was a constant abuser in his life, killing him then reviving him, and his still fractured relationship with c!Tubbo, which by the way I have a had time believing they would still be friends after all that happened, it feels like he can never get a win and it's generally kinda a shit way to treat your characters who have been abused. Of course, not all abused characters are going to get happy endings, I'm not trying to dictate that they all should, but c!Tommy deserves one and the fact that it's so obscure feels shitty.

Side note: we still don't have a canon reason to give a shit abt the discs. Like I'm sorry but without some sorta connection to the MacGuffin why should we give a shit about him getting them other than "he wants them lol". Like hell, I would even accept the classic "they were the last gifts from his parents" or something, but we still don't have a reason.

c!Tubbo also lacks a fulfilling arc as well, from someone who started out as a yes man, he has progressed a bit into having his own interests first, but besides that sometimes his character makes me so. depressed. He's easily one of the most pushed around and hated characters within the story, all for being a kid who didn't know what to do and he's in the same vein as c!Tommy; these kids can't get a break. Also, his anti-violence beliefs morphing into the "lets kill c!Techno lol!" bit was so out of place and without proper build-up it was like. what. And now he's building nukes?? god c!Tubbo makes me so sad because he's kicked around constantly and never given a chance to grow.

Another small note, I also don't really enjoy c!Techno at all. Besides the previously stated reasons of lack of emotions when they're really needed, I find his character to be weirdly pretentious. He talks as if he's constantly been betrayed and hurt but I personally, don't see it? Like, I think one of the main examples was the Pogtopia vs. Manberg war, yknow he wanted to end the government but they just reinstated it after they won = c!Techno upset. But this doesn't make sense to me because why did he think otherwise? The entire time c!Tommy had talked about taking back their nation and starting again, so the fact that c!Techno suddenly thought there would be a sudden change is, to put it bluntly, kinda fucking stupid. I don't want to say that he "plays the victim" or anything because that feels a bit harsh, but his character feels so far up his own ass that I can't enjoy him.

I have a major grip with c!Dream as well, but that's getting it's own fucking section.

F. L'Manberg This is a quick note before we get into the, forgive me for this, endgame, of this entire rant, since the next two sections are tied together. But god, L'Manberg makes me upset because it feels like they gave up on it.

Don't get me wrong, I understand that it is supposed to be c!Wilbur's "unfinished symphony", the thing that destroyed a once charismatic and widely loved man, his attempt at power that utterly ruined him. But the fact that it just got blown up in the end after everything and left to rot felt like such a waste of time. From the first war, to Pogtopia, to even c!Tommy's exile, it all felt fucking worthless in the end, and the story is actively closer to how it was when it started now more than ever. I wished it was actually allowed to exist and continue to be a peaceful place in what is a chaotic world, but no it was just snuffed out because why dedicate to this concept of finding others you can band together with and feel safe. fuck that noise apparently?

G. The Villains Now villain-wise, I'm only talking about c!Dream [during the first war], c!Schlatt, and c!Wilbur. And believe it or not, this is actually mostly positive.

Now I'm not gonna lie, c!Dream as a staring antagonist wasn't bad actually, he posed a genuine and threatening opposition to L'Manberg, even if we didn't know his real intentions or motivations as to why he was against it. He's lucky in this sense because he didn't have to be good, he had to be passable. If anything, he felt more like an anti-hero than a tyrant or traditional villain, and my god do I wish he kept this theme going forward.

Now quick disclaimer, I don't like JSchlatt as much as the next guy, he's an adult man who should know better than to joke about some sensitive topics and act the way that he does. But the one thing I'll ever give him is that damn, was he a good actor for his character.

Now here's the thing, c!Schlatt wasn't particularly deep at all. He had no real motivations behind his exile of c!Wilbur and c!Tommy other than getting competition out of the way, had no reason to act the way that he did and yknow? that's fine. The reason why he worked was from his performance alone, he was actually intimidating. When he came onto the stream and was doing his typical bad guy stuff, it was actually intense to see what he would do. Whenever he would almost catch c!Tommy back in Manberg, whenever he would begin to pressure c!Tubbo, it put you on the edge of your seat and it felt like everything would change at the drop of a pen. He's a villain to be a villain, and this works out because he's just charismatic and well put together enough to make it interesting, even without the backstory or motives.

c!Wilbur however, is much more tragic, and the best villain of the story. He essentially was the "mentor turned evil" trope and it felt terrible watching him descend into madness, unable to trust barely anyone except for c!Techno and c!Tommy. Hell, in the end I think he still cared about them both, despite losing everything. Sure, he blew up L'Manberg, but there was still a smidge of the old c!Wilbur in there made everything he did feel melancholic. His death at the hands of his father after achieving his final wish was chilling, and something I still think about.

Until yknow, Ghostbur came back way too soon to let people feel his loss as a character within that world. And then he got revived, pretty much-undoing everything that moment meant for his character lol.

And then there's the worst one:

H. Dream. I'm going to be completely honest, c!Dream is one of the main reasons why I dislike the current dsmp stuff so much. Outside of his actions as a person, the way Dream decided to write his character as this overpowered madman of the dsmp really just. destroyed any intrigue that he could've had. Perhaps this is from my growing dislike towards him, manifesting into a bias towards his character, but god I cannot fathom why people try to insist he's interesting when he has as much depth as a fucking puddle.

And here's the thing, I'm not even entirely against c!Dream being a villain, hell I think he would've been great as an anti-hero if anything. Make him sympathetic but not through c!George to get your precious "DNF" points or anything, but show him actually caring about the people within the dsmp, including c!Tommy and c!Tubbo. This would make his rival status with them just a bit more complicated, sure they're enemies, however, he doesn't want to hurt or kill them, and there's still a level of friendship there that keeps them bonded when things get super bad. This could've been super interesting to see, the first villain of the story receiving a sorta redemption arc then descending into madness as he started to fixate on being a god. This is all how I feel personally, but god do I feel like it would've been better than his current character, and hell would've worked with how he was during the Pogtopia arc, before the war that is. I'm not trying to tell Dream how to write his own character, but there are so many other ways he could've done the madman seeking to become god rather then. whatever the hell we got.

Because instead, we got this power-mad asshole who does things... because he can? And that's one of my major issues: he tries to surround his character in mystery to make him "intriguing" but it's kinda like c!Techno, it comes off as pretentious. Not only that, but you cannot keep waving around this mystery of a backstory without ever actually revealing it. I know the story isn't over, but c!Dream is effectively at his lowest point, now would be the time to reveal his backstory. But no just keep it in the dark and keep everyone guessing, that's totally fun and not at all tiring and annoying. (sarcasm, if anyone needs it)

And back to his performance, he doesn't sell this aloof, cynical and strategic warrior that has perfected the blade or some shit, he comes off as some angry guy yelling on reddit. which i don't need to tell you, isn't intimidating. It feels like he's trying to have c!Schlatt's intimidation combined with c!Wilbur's depth, but instead he's like a little brother who's trying to hard to mimic his older brother and is kinda embarrassing himself.

but other then that i dont feel too strongly abt the dsmp lol

but seriously, these are the main complaints I have abt the story tbh, I could probably talk about more but I wont because man. this is probably gonna get me in trouble if any of the hyper-dsmp fans actually read it.

#wow this is long #txt #anti dsmp #anti dream #dsmp crit #dsmp critical #yeah im tagging it i dont give a shit #dream crit #dream critical #the story is shit yo!

[on-literal-mars]

The Narcissism of Wilbur Soot: Ghostburs real unfinished business.

Wilbur Soot effectively manipulated a bunch of children into fighting a war for him. This was the first ‘official’ arc of the Dream SMP and even though it’s been months and months since it happened, so many things still tie back to it. L’manberg: a country more power struggle than nation, Tommy’s discs and their importance, and Wilbur Soots selfishness. This post will be broken down into four parts for four symptoms of narcissistic personality disorder that fit Wilbur the best. There will also be a final section dedicated to Ghostbur and his unfinished business on the SMP.

Having an exaggerated sense of self importance:

Wilbur is a showman. He is useless unless he has an audience. It’s introduced from day one as he cultivates an army over the shared dream of freedom, again when he holds an election and reads out the results, and finally when he doesn’t blow up L’manberg until Phil comes. How many times does Wilbur go into the button room by himself? I think on stream maybe 3-4 times. That’s 3-4 times that he doesn’t do what he says he’s gonna do and it’s because someone like Wilbur needs an audience.

He can’t do anything by himself, he hates himself too much, the only time he achieves anything is when he manipulates others to get it done for him. Think about it. How many times has Wilbur sung out for his nation and called it “My L’manberg” like he built it himself? Like he actually fought in the battles instead of standing off to the side and urging his child army to ‘keep fighting’. He’s encredibly entitled. Which brings us to our next point:

Having a sense of entitlement:

Wilbur believes that everything is owed to him. Dream is a tyrant for telling him not to sell drugs on SMP land. People should be allowed to do what they want.

Wilbur should be allowed to do what he wants.

And he wraps this idea up with a bow and calls it ‘freedom’. He elects himself president without any hesitation and is surprised and insulted when Quakity runs against him. I’ve already touched on how he obsesses over L’manberg and destroying it. A narcissist looks at life with complete tunnel vision. The only thing they care about is what will benefit them and what will make them feel better. So the logic behind Wilbur wanting to destroy L’manberg was never ‘they took it from me, I want to destroy it so they can’t have it’(because even that requires some level of empathy) but more ‘It’s mine. If it isn’t mine, then it can’t be any bodies’.

it was always his L’manberg. His unfinished Symphony. It was his way of taking back control. Here’s one thing you have to know about Narcissists, they are rampant control freaks. And if they can’t control you or you are no longer benefiting them, they will destroy you.

Being preoccupied with fantasies about brilliance, beauty, or the perfect mate:

We’ve never seen Wilbur(Ghostbur is a different story) interact romantically but we have seen how he treats the ones he’s supposed to love. Fundy is a perfect example. I could go on and on about how Wilbur gave Tommy more attention because Tommy was always willing to stay under Wilbur while Fundy always tried to go against him but that’s a post we’ve all seen a hundred times(in all fairness, very good posts). I present you another outlook: Wilbur neglects Fundy because he sees too much of himself in him. Like, oh I don’t know, Fundys want for control and authority. He wants attention because he’s just as much of a showman as his dad.

And Wilbur can never share the stage. He is incapable of it, his thinking is too black and white. Regardless, his relationship with both Fundy and Tommy(towards the end) showcase how manipulative and abusive narcissists often are. Now notice how pretty Wilbur tries to make Pogtopia? I know towards the end he was fine to let all those buttons litter the place but think before that. You could argue that Wilbur worked so hard on it because he wanted a cosy place to stay for him and Tommy but it simply isn’t true.

We know this because when Technoblade tries to put railings around the stairs Wilbur breaks them down. He wasn’t intentionally being malicious, you’ve got to understand that narcissists just never think about anyone but themselves. He simply didn’t care if Tommy or Techno( or tubbo who eventually did)fell off the stairs and hurt themselves. It didn’t matter. The railing just didn’t go with his aesthetic. Wilbur made Pogtopia so nice so that he could feel in control.

He did it to convince himself that it was some nice vacation home instead of a stone prison being used as a fugitive hide out. He was absolutely delusional.

Inability to take responsibility:

Right away I bet you can see how this lines up with Ghostbur, huh? It ties back to black and white thinking, as well. His famous phrase ‘indepenance or death’, calling everyone in Manberg traitors because they hadn’t immediately dropped everything to join Pogtopia, and how he kept making destroying L’manberg the final option. He knew from the beginning that he was going to destroy it. The second he built the button room the countrys fate was sealed. Wilbur is never wrong.

He knows what’s best for his country. But here’s the thing: Wilbur has always done things indirectly or through someone else. He does this to avoid direct criticism. Criticism cripples narcissists, it is their worst fear. But blowing up L’manberg would leave no room for anything else. It would be Wilburs fault and no one else’s.

That’s why he has Phil kill him. It wasn’t out of regret or shame, it was one last act of selfishness. He left them with crater for a country and didn’t even say goodbye. And even in his final moments it was “they all want you to, look at them, they want me dead”. He was a coward and died like one. He died to try and escape criticism and responsibility. But death has a funny way of catching you off guard.

Some final symptoms of narcissistic personality disorder before we move into the Ghostbur section:

React with rage or contempt and try to belittle the other person to make themselves appear superior

Have difficulty regulating emotions and behavior

Experience major problems dealing with stress and adapting to change

Have secret feelings of insecurity, shame, vulnerability and humiliation

(This isn’t an official definition but Dr. Ramani Durvasula says that Narcissists are characterized by lack of empathy and deep insecurity. Keep that in mind.)

Ghostbur:

Ghostbur to me is very child like. Ghostbur pulls some pranks but is never intentionally malicious, just works his hardest to make everyone happy. He is innocent and playful and doesn’t like to talk about serious things. We could see him as Wilbur back when he was a little kid. Before the effects of abuse start to kick in. Everyone says that Phil is canonically neglectful, I’m not sure where this comes from but I believe it.

As childlike as he is, it isn’t like he’s the ghost version of kid Wilbur. Wilbur was an adult when he died. He’s so childlike because that’s what Wilbur was on the inside; a child who never matured properly. L’manchild takes a whole different meaning now lmao. Ghostbur is Wilbur without the walls he puts in place to protect himself. That’s why he’s cold all the time: he’s finally being exposed to all the things he tried to hide from.

Wilbur acts like a child throughout majority of his time on the SMP. He gets angry when he doesn’t get his way, expects everyone to kiss his ass and take care of him, and throws tantrums when all he should’ve done was compromise(the way people blame George or Quakity for Schlatt getting elected but Wilbur could’ve just taken down the American-ban). And doesn’t that sound just like the points I made earlier? Ghostbur isn’t the sad alter ego of Wilbur that some try to paint him out to be, he’s literally just Wilbur without the bullshit. He wasn’t the father of a nation he was an abused kid who never grew up. He ran from his problems to the very last second but now he doesn’t have a choice.

That is Ghostburs unfinished business. He must finally allow himself to be wrong. Only then will he be able to move on. And shit, with the way he keeps forgetting the bad stuff he’s done, perhaps he isn’t meant to. Perhaps this is supposed to be his hell and he’ll be trapped in constant pain for all of eternity. It would make sense wouldn’t it?

Death was like: hah, you want to act like you did nothing wrong? Fine, I’ll help you out.

That’s the problem with black and white thinking. Too much of anything will eventually become bad for you. Ghostbur is gonna realize that he can’t float around L’manberg for the rest of time and actually accept the fact that maybe everything is his fault. Atleast Wilbur actually got his wish, I suppose. Dead men can’t take responsibility. Dead men can only exist in hell forever or let go and move on.

#dream smp #fundy mcyt #wilbur soot #wilbur corruption arc #jschlatt #lmanberg #pogtopia #ghostbur #someone should pay me for this

[spryfilm]

“Pacfic Rim: Uprising” (2018)

Action/Science Fiction

Running Time: 111 minutes

Written by: Emily Carmichael, Kira Snyder, Steven S. DeKnight & T.S. Nowlin

Directed by: Steven S. DeKnight

Featuring: John Boyega, Scott Eastwood, Cailee Spaeny, Jing Tian, Adria Arjona, Zhang Jin, Rinko Kikuchi, Charlie Day, Burn Gorman

Voice: “What is a Jaeger? A Jaeger is the pinnacle of human invention. When the monsters came we did now wait for heroes to fall from the sky and save us, we saved ourselves. Innovation is our superpower. What is a Jaeger? It’s you times a thousand. Tall as a mountain with a beating heart that burns as bright as the sun, enabling us all to become the most heroic versions of ourselves.”

Critical Commentary:

How times change, after the release of “Pacific Rim” (2013) a Guillermo del Toro directed piece of science fiction that wanted to straddle the worlds of Wells and Lovecraft, that featured some of the hottest up and coming stars of that year in Charlie Hunnam, Idris Elba as well as some fine characters actors in Ron Pearlman, Max Martini, Clifton Collins Jr., Burn Gorman and Charlie Day, it seemed the stories of Kaiju’s and Jaeger would never have another outing. With an outsized budget of US$200 million dollars and a really rather middling box office of US$411 million (most coming from International markets) there was little appetite for a sequel. Come 2018 with the more expensive actors as well as production people replaced by what really are B and C actors we now have a sequel in “Pacific Rim: Uprising” (2018), with a budget far less at US$150 million (even less when factoring in inflation) this has not been the hit that the studio (Legendary /Universal) or the producers had hoped for. With all the best intentions in the world, no matter how much story or plot that is attempted this potential franchise is still built around monsters fighting giant machines, which is of course its greatest strength, but also remains its greatest weakness, as does the unbelievable amount of collateral damage that is caused in every single action set piece of which there are more than a few, maybe too many as it transpires.

This sequel co-written and directed by Steven S. DeKnight who is possibly best known as a genre television writer has never been at the helm of a movie either as writer or director – for most of “Pacific Rim: Uprising” he makes a decent enough fist of it, although I do question handing the reigns of such a large budget to someone with very little actual experience. Where the lack of ideas as well as originality does show is in the general story and action that appears onscreen as well as the plot reasons as to why there is even a need for this sequel, when the original itself was not only uninspiring but very middle of the road with no real genre flourishes or originality beyond the fact that there were giant machines fighting giant monsters. I have pointed out continuously that just because there is a great idea for a movie, and don’t get me wrong the general conceit behind both ‘Pacific Rim’ movies is very good, it is the small details that make that good idea into a great film. Unfortunately, there is just too much of a plot to fit comfortably into the modest running time and budget. What is amusing is that it is the exact opposite problem that the first movie had, not enough plot, too much confusing fighting and issues with the world building as well as clearly defining not only the antagonists but too little seen of them and their location.

“Pacific Rim: Uprising” is set ten years after the Battle of the Breach, former Jaeger pilot Jake Pentecost – son of deceased Kaiju War hero Stacker Pentecost – makes a living by stealing and selling Jaeger parts on the black market. After he tracks part of a disabled Jaeger’s power core to the secret workshop of fifteen year old Jaeger enthusiast Amara Namani, both are arrested and are given a choice between the prison or return to PPDC as an instructor with Amara as his recruit.

Upon arriving at a Shatterdome in China, Jake starts training Jaeger program cadets with his estranged former co-pilot Nate Lambert. Nate and Mako reveal to him that the Jaeger program is threatened by Shao Corporation’s drone program. Mako is due to deliver a final assessment to determine the authorization of the drones at a PPDC council meeting in Sydney, but is killed by rogue Jaeger Obsidian Fury before she can report. Her death prompts the PPDC council to authorize the drone program and order their immediate deployment. Upon destroying its reactor, they find that Obsidian Fury was controlled by a Kaiju’s secondary brain, which testing shows was grown on Earth.

What is the stand out element for me, in fact for pretty much the entire movie is the casting (as well as co-producer) of John Boyega who proves he is going to be a big star of the future outside his ‘Star Wars’ appearances, which is no mean feat, as type casting is not just a thing of the past. Here Boyega has to live up to the memory of not only his characters father but the fact that his father was portrayed by the fantastic Idris Elba who maintains a presence in all the movies he has appeared in. Boyega in this movie is equally charming as well as being caddish, a boy growing into a man, even while he is teaching others far younger than himself. Therein lies one of the problems with the movie, which is the fact that this movie relies far too much on younger actors as well as the miscast Scott Eastwood who while he has pedigree (his father is Clint Eastwood) is not a great actor at all – the only saving grace is that his father matured with age as an actor so there is hope for him yet. The two actors that seem to know what movie they are in as well as stealing the show are the holdouts from the previous instalment in Charlie Day and Burn Gorman who are at opposite ends of the spectrum in terms of performance but complement each other exceptionally well. As for the rest of the cast they are mostly unknowns who serve a purpose but are really just filling to the massive CGI fights that take place for a majority of the running time.

Of course the real stars of this movie are the Jaeger’s and to a lesser extent the rival Kaiju’s who are all CGI creations. Carrying on from the previous movie the world has already been built and it is obvious to see that the bulk of the budget has gone on rendering these giants of destruction. My only real criticism is that the actual world that these giants operate in is pretty drab, faceless and lifeless. It seems like the flaws of movies like “Man of Steel” (2013) and “Batman v Superman: Dawn of Justice” (2016) have been ignored here, as we are witness to hundreds of buildings in multiple cities being destroyed with little time being spent on the human cost or even the social cost which is a major mistake on the filmmakers part – surely audiences are beyond this, perhaps this is a reason why the movie is bland as well as fairly unsuccessful at the box office.

One of the aspects of the movie that is unforgiveable, something Marvel movies learnt after “Iron Man 2” (2010) is the setting up of sequels before the first or second movies are good enough or successful enough to earn these on their own. So we see in the closing moments of the movie a blatant attempt to set up another ‘Pacific Rim’ instalment which is ludicrous as this one was never going to be able to spawn one with these filmmakers attached. This, coupled with a rather too expansive plot means that this movie at times is a hard watch as it really does bite off more than it can chew in terms of establishing brand new characters as well as new versions of antagonists from the previous movie, again while dangling even more story for a sequel.

The question in my mind is simply should this be viewed in cinemas and I would say that “Pacific Rim: Uprising” is worth a watch but maybe at home on Blu-ray or a streaming service. This is a movie that in the ‘old days’ would have been a direct to video release at best, which would have been a nice surprise especially with the edition of John Boyega. So wait and watch at home, you will enjoy much more.

Technical Commentary:

Vital Disc Stats:

Universal brings “Pacific Rim: Uprising” to 4K Ultra HD Blu-ray as a two-disc combo pack with a flyer code for a Digital Copy. The triple-layered UHD100 disc sits comfortably opposite a Region Free, BD50 disc inside a black, eco-vortex case with a glossy slipcover. At startup, the disc goes straight to a menu screen with an image of the cover art and music playing in the background.

The Video: 

There is no doubt that the picture is alive with the range of colors available when viewing this 4K Ultra HD Blu-ray, it has a with a lavish HEVC H.265 encode that never seems to shortchange the movie.

As soon as the movie begins it is easy to identify within the picture the rich greens, electrifying blues, and splendid full-bodied reds, which complement the over the top visuals, giving it just the right feel for the story it is telling. The Jaegers all look amazing on a large screen TV, they shine and shimmer never losing their majestic awe that should be standard when watching Sci-Fi life this. What I love to witness though are the backgrounds that shine as clear as anything else, the skyscrapers, water, signs and of course the Kaiju themselves. Most impressive has to be the actual breach where viewers can be bewitched by the ecstatic mix of blistering yellow, fiery orange, vibrant crimson and flaming magenta.

The 4K presentation also comes with perfect contrast that’s consistent and well-balanced while also delivering intensely hot, radiant whites, from the super-hygienically clean suits of Liwen Shao and the bright sterile labs to the luminously brilliant glow of various light sources and the soft, fluffy clouds.

Brightness levels are rich and luxurious with blacks that reveal superb gradational variances between the numerous shades, nicely separating the gear and straps from the rest of the uniforms. Silky, midnight shadows penetrate deep into the screen without hampering the finer aspects of the background, providing the 2.39:1 image with a stunning, cinematic appeal and three-dimensional quality. Shot exclusively on the Arri Alexa camera system with a max 3.4K resolution, the freshly-minted transfer, upscaled from a 2K digital intermediate, arrives in the nick of time with razor-sharp definition in every scene.

  The Supplements:

Audio Commentary: Director Steven S. DeKnight rides solo for this fairly informative commentary on various aspects of the production, the performances, visual effects and overall story.

Becoming Cadets (4K, 6 min): A few minutes on Amara’s fellow recruits.

Unexpected Villain (4K, 6 min): Interviews on one character’s surprise twist.

Bridge to Uprising (4K, 5 min): Cast & crew interviews on connecting the sequel to the first.

Next Level Jaegers (4K, 5 min): Closer look and technical discussion on the new mecha characters.

The Underworld of Uprising (4K, 4 min): Discussion on the first act & surviving in the aftermath.

Hall of Heroes (4K, 3 min): John Boyega comments on specific details of each Jaeger.

I Am Scrapper (4K, 3 min): Brief look on the small Jaeger and its role in the movie.

Going Mega (4K, 3 min): Some time on the mother of all Kaijus.

Secrets of Shao (4K, 3 min): Focused on the ruthless businesswoman.

Mako Returns (4K, 2 min): Pretty much exactly as the title implies.

“Pacific Rim: Uprising” is out now on 4K Blu-ray, Blu-ray & DVD.

4K Blu-ray review: “Pacfic Rim: Uprising” (2018) “Pacfic Rim: Uprising” (2018) Action/Science Fiction Running Time: 111 minutes Written by: Emily Carmichael, Kira Snyder, Steven S.

#4k blu-ray reviews #4k bluray #Adria Arjona #Burn Gorman #Cailee Spaeny #charlie day #Emily Carmichael #Jing Tian #john boyega #Kira Snyder #Pacfic Rim: Uprising #Pacfic Rim: Uprising 4k bluray #Pacfic Rim: Uprising bluray #Pacfic Rim: Uprising dvd #Pacfic Rim: Uprising review #Rinko Kikuchi #Scott Eastwood #Steven S. DeKnight #T.S. Nowlin #Zhang Jin