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intoxicatingimmediacy · 4 years

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Visions Of Bodies Being Burned clipping.

clipping.'s second entry in their horror anthology collection follows up 2019's There Existed an Addiction to Blood by conjuring up an atmosphere that rarely allows a moment to catch your breath. Here the Los Angeles-based trio takes Apple Music through the record's many horrors.

Say the Name William Hutson: “I had always wanted to make a track using that phrase from the Geto Boys, and we had talked about doing a Dance Mania Chicago ghetto house track about Candyman. I always liked that idea of a slow, plodding, more dance-oriented track, using that line repeated as a hook.” Daveed Diggs: “We had always talked about how that line is one of the scariest lines in rap music, it's just really good writing. Scarface does that better than anybody. What we had was this very Chicago, these really specific reference points, to me, that I had to connect. That's how I saw the challenge in my head, was like there's this very Texas lyric and this very Chicago concept. Fortunately, Candyman already does that for you. It's already about the legacy of slavery in this country. So I just got to lean into those things.”

’96 Neve Campbell (feat. Cam & China) Jonathan Snipes: “This was actually the second thing we sent them—we made an earlier beat that had a sample that we couldn't clear. We wanted to make something that sounds a little more like jerk music and something that's a little bit more tailored for them.” WH: "We didn't have our Halloween, Friday the 13th slasher song. The idea was to not have Daveed on it at all, except to rap the hooks, and just to have female rappers basically standing in for the final girl in a slasher movie. But then we liked Daveed's lines, we wanted him to keep rapping on it.” DD: “It felt too short with just two verses. We were like, ‘Well, put me on the phone and make me be the killer.’” WH: “There's a Benny the Butcher song called '’97 Hov,' this idea of referring to a song by a date and a person that's the vibe you're going for. So some of the suggestions were like, '’79 Jamie Lee Curtis' or '’82 Heather Langenkamp.' But then with Daveed on the phone and making a Scream reference, '’96 Neve Campbell' made more sense.”

Something Underneath DD: “There's a whole batch of songs we recorded in New York while I was also doing a play, and so we'd work all day and then I'd go do this show at night. For a long time, there was a version of this one that I couldn't stand the vocal performance on. It's obviously a pretty technical song, and I just never nailed it and I sound tired and all of this. So it ended up being the last thing we finished.”

Make Them Dead WH: “We did ‘Body & Blood’ and ‘Wriggle,’ which both take literal samples from power electronic artists and turned them into dance songs. The idea for this was, let's do a song that instead of borrows from power electronics and makes it into a dance song, let's try to just make a heavy, slow, plodding thing that feels like real power electronics.” DD: “When we finally settled on how this song should be lyrically, it was actually hard to write. Just trying to capture that same feel. There's something about power electronics that feels instructional, feels like it's ordering you to do something. The politics around it are varied, depending on who is making the stuff. But in order to sit within that, it had to feel political and instructional, but then that had to agree with us.”

She Bad WH: “That's our witchcraft track.” JS: “Obviously, this ended up having some melodies in it, but it started as those, but it really is just field recordings and modular synths, and there isn't a beat so much and the melody is very obtuse in the hooks. It's mostly just looped and cut field recordings.” DD: “I've been moving away from something that we did in a lot of our previous records, like really super visual, like precise visual storytelling that feels really cinematic, where I'm just actually pointing the camera at things, so that was fun to try that again.”

Invocation (Interlude) (with Greg Stuart) WH: “It's a joke about Alvin Lucier's beat pattern music, his wave songs and things like that, but done as if it was trying to summon the devil.”

Pain Everyday (with Michael Esposito) DD: “I love this song so much. Also, I definitely learned while writing it why people don't write whole rap songs in 7/8. It's not easy. The math, the hidden math in those verses is intense. It kept breaking my brain, but now that it's all down, I can't hear it any other way, it sounds fine. But getting there was such a mindfuck.” WH: “So then the idea was it's in 7/8, it's about a lynched ghost, so the idea we had was a chase scene of the ghost of murdered victims of lynching.”

Check the Lock WH: “This was conceived as a sequel to a song by Seagram and Scarface called ‘Sleepin in My Nikes.’ That was a rap song about extreme paranoia that I always thought was cool and felt like a horror, like an aspect of horror.” JS: “This is the one time on this album that we let ourselves do that like John Carpenter-y, creepy synth thing.”

Looking Like Meat (feat Ho99o9) DD: “I think they reached out wanting to do a song, and this had always felt, we always wanted this to be like a posse track, kind of. This was another one that I wasn't going to write a voice for actually, we were going to try to find a better verse.” JS: “Which is why the hooks are all different—we were going to fill them in specifically with features, but sometimes features don't work out. This is like our attempt at making the more sort of aggressive, like a thing that sounds more like noise rap than we usually do.” WH: “The first thing on this beat was I bought 20 little music boxes that all played different songs, and I stuck them all to a sounding board and put contact microphones on it, and just cranked them each at the same time.”

Eaten Alive (with Jeff Parker & Ted Byrnes) DD: “I had been in this phase of listening to Nipsey [Hussle] all day, every day, and all I wanted to do was figure out how to rap like that. So from his cadence perspective, it's like my best Nipsey impression, which we didn't know was going to turn into a posthumous tribute.” WH: “And the rapping was also partly a tribute, just spiritually a tribute to No Limit Records. That's why it's called 'Eaten Alive,' which is named after a Tobe Hooper horror movie about a swamp.”

Body for the Pile (with Sickness) WH: “It already came out [in 2016]. It ended up being on an Adult Swim compilation called NOISE. We did it with Chris Goudreau, our friend who is just a legendary noise artist called Sickness.” JS: “We always thought that would be a great song to save for a horror record, and then years went by and we weren't going to include it, because we thought, ‘Well, it's out and it's done.’ We looked around and I don't know, that comp isn't really anywhere and that track is hard to find, and we really like it and we thought it fit really nice. When we started putting it in the lineup of tracks and listening to it as an album, we realized it fit really nicely.”

Enlacing WH: “The cosmic pessimism of H.P. Lovecraft is all about the horror of discovering how small you are in the universe and how uncaring the universe is. So this song was about accessing that fear by getting way too high on Molly and ketamine at the same time, then discovering Cthulhu or Azathoth as a result of getting way too fucking high.” JS: “My memory is that this was never intended to be a clipping. song, that you and I made this beat as an example of, ‘Hey, we can make normal beats.’” DD: “That Lovecraftian idea was something that we played in opposition to a lot on Splendor & Misery, so it was good to revisit in a way where we were actually playing into it, and also it definitely feels to me like just being way too high.”

Secret Piece WH: “We wanted to really tie the two albums together, so the idea was to get everyone who played on any of the albums to contribute their one note. So we assembled the recordings of dawn and forests, and then almost everyone who played on either of these two albums contributed one note.” JS: “We have a habit of ending our albums with a piece of processed music or contemporary music. We ended midcity with a take on a Steve Reich phased loop idea, and we ended CLPPNG with a John Cage piece, and then There Existed ends with Annea Lockwood's 'Piano Burning.' So we wanted something that felt like the sun was coming up at the end of the horror movie, a little bit.” WH: “That was the idea was that we were exiting, it's dawn in a forest. So dawn in a forest in a slasher movie or a horror movie usually means you're safe, right? The end of Friday the 13th one, the sun comes up and she's in the little boat, but that doesn't end well for her either. We did not have the jump scare at the end like Friday the 13th.” DD: “I pushed for it a little bit, but some people thought it was too corny.”

#clipping.#bill hutson #daveed diggs #jonathan snipes #clipping

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mikeshanlon · 5 years

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okay since i’m delusional and gay and love to overanalyze shit let’s talk abt reddie in the reunion clip!

okay so i’ll just start off with the most pepe_silva.jpeg point which is. it’s very inch resting that stanley’s empty seat is between richie and eddie. now, first and foremost, the seat is obviously a symbol for stan being absent and i love it (even tho im emo) bc it’s such a simple but effective way to convey it before the big Reveal at the end. Like theres obviously this empty space that you’re drawn to look at, it’s in the center of the frame. but as the scene continues and your pulled back into the easy dynamic of the losers, you sort of forget about it until ben’s asks where stanley is. And then you’re pulled in again until the fortune cookie bit. I think it’s a simple way to reflect the loser’s memory loss and really delivers the Blow of ‘it guesses stanley didn’t make the cut’ as the emotion ebbs and flows throughout the scene. Also im sure it just made it easier film, be able to see everyone, etc.

However, i do think it’s interesting that stanley’s space is between richie and eddie specifically. Bc what if they subconciously (or purposefully) put that space between them as a buffer. Like if stanley does show up there’s something between them that makes it all easier. We see that bev and ben reunite and sort of have this flashback of their first meeting, and become overwhelmed with emotion, so who knows what richie and eddie are remembering? We know they were close as kids. Maybe Eddie is remembering how he felt abt richie, and wow that’s not allowed to happen!!!! He’s ‘Straight’ he’s married!!!! He can’t let himself think about that shit. And maybe all the emotions between them are just too hard to deal with anyways. So, they put that space between themselves so maybe they won’t interact as much.

Of course, they do, they keep talking, and they reach over the table and Intricate rituals it up, and it’s like things are clicking back into place— all these memories, their banter, etc. But there are moments where this defensive (and jealous) edge come through. Going back to the marriage thing like. Oh god oh fuck...... Very Inch resting to include only those two talking abt the prospect of being married and their reactions. Eddie immediately goes on the defensive abt his marriage to Myra bc well, he knows deep down that it’s loveless and toxic and he’s mf gay and it’s all so performative so he feels the need to double down. And richie makes a joke abt eddie being gay and he kinda Snaps. And also says the word bro???? Which as @benflorian pointed out feels so ooc and it’s all very performative Comp Het like ‘let me establish im straight even tho i wore like rainbow booty shorts the whole summer when we were kids’ xnxnxn. We also see that defensive edge from Richie when he yells fuck you back.... it’s supposed to be joking but there’s that edge, that feeling that it’s a bit of an out of place reponse (richie is jealous that eddie is married) (and also like drunk).

And then richie says he’s married and eddie’s like Wh E n Wh aT ?1!1?1??1?? He seems Very Invested all of the sudden. Of course richie’s joking and says he married eddie’s mom, again that sort of familiar banter from the first movie, but i also wonder if it’s sort of a jab at eddie’s marriage— that it’s a joke, and that eddie like. Literally married someone exactly like his own mother.

Still we get those easy going moments, them smiling, richie saying he’s relieved to be here with all of them and looking in eddie’s direction, etc, etc. anyways everyone say thank you andy muschietti for enabling us to be delusional!!!

#it 2019 #reddie #emma talks too much #emma watches stuff #it

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totalvibration · 4 years

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55 Albums Released in 2019 That Splash Oat Milk In My Earl Grey

This year felt like slo-mo, a holding pattern and a fast-forward button stumbling towards unknown ends. I spent the early months in paternal bliss and sleep deprivation, caring for my newborn daughter, then spent the rest of the year running to slow down… to make the most of small moments with my family, to juggle that thing every lifestyle magazine calls the work-life balance, to know when I need help and being willing to ask for it, to making priorities with loved ones.

Also, after years of oolongs and a staunch no-milk-in-tea-except-milk-teas policy, I started putting honey and oat milk in my Earl Grey, an old tea standby that's felt warmly familiar in colder months. Similarly, I dug my heels into familiar-to-me gnarly metal, deep drone and abrasive punk this year, uninterested in poptimist takes on indie-rock. In an effort to maximize more time with new family and less with bulls***, I leaned hard into my Viking's Choice column at NPR Music (which went weekly!) to shout out underground debauchery and beauty to anyone who would listen.

Below are 55 albums (and a few reissues and archival releases) that hit me in different ways over 2019. No ranking, just links out to Bandcamp where available. They come paired with emoji because that's a thing I do on Twitter.

See also:

Viking's Choice: The Year In The Loud And The Weird (my annual year-end episode of All Songs Considered)

20 Punk Albums Released In 2019 That Flip Eggs, Pick Up Chains

20 Metal Albums Released In 2019 That Bluurgh Over Sick Riffs

A nine-hour playlist of 2019 jamz

But first, some stray thoughts:

Ta-Nehisi Coates' still-ongoing Captain America run has been extremely rewarding. A beloved superhero comes to terms with the line between patriotism and nationalism as Coates underlines that American progress often comes from reluctance.

Daniel Warren Johnson's Murder Falcon spoke to me not only as a metalhead who loves cartoonishly kick-ass violence, but also as a dude with a tender heart… that final issue still gets me in the feels.

Krzysztof Kieślowski's Three Colours is secretly a trilogy of movies about the loving, painstaking process of creation, specifically music. I'd never seen any of them until paternity leave (and a sleeping baby) gave me hours to binge long-neglected to-watch lists. In 1993's Blue, in particular, a composition mirrors the grief of Juliette Binoche in an exquisite performance.

Tiny Desk concerts I produced for NPR Music in 2019: American Football (with a children’s choir!), Thou, Erin Rae, Carly Rae Jepsen (sort of), Jimmy Eat World and Mount Eerie (videos coming in 2020).

There’s a gallery at Glenstone, a truly stunning museum experience, that’s literally just a room full of books, a sculpted wooden bench and a large window that looks out on the rolling hills of Maryland. I could spend hours there.

The second season of KCRW's Lost Notes, hosted by Jessica Hopper, built episodes like albums, sequenced with eureka moments throughout. See: the story of a teenage Farsi New Wave sibling duo and a difficult and necessary reassessment of John Fahey through the women in his life.

High Spirits (May 7, Atlas Brew Works) is such a force for good. Heavy metal singalongs about love, friendship and positivity. I feel like this band needs to tour with Sheer Mag to be fully appreciated by an unknowing audience.

Has your baseball team ever won the pennant with the sleeping baby on your chest? So many silent screams of joy in our household as the Nats not only won the National League, but the whole dang World Series. I haven't lived in a city/state with a baseball team that's gone to the World Series since 1995.

Circuit Des Yeux's Haley Fohr (Dec. 5, Hirshhorn) tuned her voice to feedback hum and the rest that followed felt like a wordless eulogy for 2019. I felt renewed by it.

I can't think of a prettier song released in 2019 than "This Time Around" by Jessica Pratt. It is saudade whispered into the wind.

This was my Linda Ronstadt year. Heart Like a Wheel, Canciones de mi Padre, her records with the Stone Poneys — the Queen of LA, with a voice that both bursts out of and melts into dusk, softened the edges of long days with an equally adventurous and easygoing spirit.

🚙 Petrol Girls, Cut & Stitch: In 2019, it was crucial — life-affirming and -saving, even — to make your own noise. "This is the sound / It moves in our bodies / It passes through time / Brings what came before us," Petrol Girls' Ren Aldridge screamed at the top of a turbulent punk record filled with compassion. That boundless philosophy resonated with me this year — to listen and absorb more deeply, to excavate the traces of memory in music.

👽 Blood Incantation, Hidden History of the Human Race: Simultaneously exists in the gaping maw of death-metal tradition and the galaxy brain of its future.

💾 Kali Malone, The Sacrificial Code: Seeks the solemnity of the drone in the pipe organ, but leans into the vulnerability pushed through the air.

🕹️ billy woods & Kenny Segal, Hiding Places: An album-length self-excavation that crawls through moldy memories in a brutal poetry that is at times darkly funny but mostly wrestles with personal and societal truths that'll leave you touched, shook.

📟 Holly Herndon, PROTO: One of our deepest thinkers went to the past to make music from the future.

🚨 Rakta, Falha Comum: Creepazoid emanations from a subterranean plane.

🐣 Sunwatchers, Illegal Moves: Ecstatic protest music summoning the beauty and rage of Alice Coltrane, Sonny Sharrock, Rhys Chatham and Hawkwind.

🏞 Bill Orcutt, Odds Against Tomorrow: The most engaging, radical, but surprisingly accessible solo guitar album of the year. Bill Orcutt's ragged-yet-tender guitar skronk gives shaggy texture to rapturous melodies.

🍕 Control Top, Covert Contracts: This hits some dance-punky Erase Errata sweet spots for me, but with the technical finesse of a power trio.

🚟 Real Life Rock & Roll Band, Hollerin' the Spirit: Applies minimalist techniques to rumbling, dueling guitar histrionics with a reckless, but locked-in energy. Never woulda thunk American Football and Henry Flynt could hoedown together.

🐠 Caroline Shaw & Attacca Quartet, Orange: Balances austere beauty with rumbling earth. Riveting music for string quartet.

💥 Mdou Moctor, Ilana (The Creator): Where ZZ Top bombast, Black Sabbath riffs and Tuareg trance rhythms swirl into an acid-rock stomp.

👑 Vagabon, Vagabon: Goes so many places, yet always returns home.

🎭 JPEGMAFIA, All My Heroes Are Cornballs: A neon-freaked feast blasted in slow mo and fast forward all at once.

🌆 Denzel Curry, ZUU: Dude's a metal rapper without a metal band, but if he ever started one, I'm down 100 percent.

💨 Whistling Arrow, Whistling Arrow: An avant UK supergroup of prepared guitar, violin, electronics and hypnotic percussion drinks deep of dark lagers and mossy earth.

🐸 101 Notes on Jazz: Things are getting hard around the boloney hole...

🐳 M. Sage, Catch a Blessing: Warm, fuzzy world-building from blocks of sound stretched and warped into a new nostalgia.

🚇 Mizmor, Cairn: Deliberate and patient in its annihilating pace; lumbering, yet regally melodic riffs echo into a chasm of feedback.

🌅 Takafumi Matsubara, Strange, Beautiful And Fast: Next-level grind from the Gridlink mastermind and friends. While No One Knows What the Dead Think picked up where Discordance Axis left off, Takafumi Matsubara shreds into the future.

🐎 American Football, LP3: A reunion that keeps on giving and growing. Impressionistic in its quietly bursting arrangements and attuned to the individual talents of its vocal guests, especially that stunning duet with Hayley Williams.

🔋 v/a, Seitō: In the Beginning, Woman Was the Sun: This compilation does for modern Japanese women in experimental music what P.S.F.’s Tokyo Flashback comps did for the Japanese psychedelic scenes of yore.

👗 Carly Rae Jepsen, Dedicated: Didn't hold together as much as I wanted, or play like E•MO•TION's late-night mixtape, but every time one of its singles popped up on a friend's playlist -- "Julien," "Want You in My Room," "The Sound" and especially the slow-burn synth-pop exhaustion of "Too Much" -- I'd think, "Carly Rae Jepsen is the Queen of the Song I Needed Right Now."

🌕 Rong, wormhat: Just bonkers. Boston's Rong channels the joyous chaos of Japanese punks Melt-Banana and the aggro skronk of Brainiac with a tad of Deerhoof's weirdo-pop hooks.

✊🏿 Sounds of Liberation, Sounds of Liberation / Unreleased Columbia University 1973: Free jazz and funk band deep in spiritual grooves. Killer performances all around, but such a trip to hear more from young vibraphonist Khan Jamal during his Drum Dance to the Motherland era.

🐬 Great Grandpa, Four of Arrows: If Sixpence None the Richer made an emo record, but only had Return of the Frog Queen on the mood board.

📳 Sarah Louise, Nighttime Birds and Morning Stars: One of my favorite guitarists right now. Digitally processes melodies and single notes in an electronic elation landing somewhere between Robert Fripp, Alice Coltrane and Terry Riley.

📮 Sarah Hennies, Reservoir 1: An immersive sound cycle in constant motion, a quiet rumble that slowly transforms in and out of a glorious clatter.

👣 Psychedelic Speed Freaks, Psychedelic Speed Freaks: Munehiro Narita essentially picks up where High Rise left off, still plays the guitar like it's about to blow up.

🍩 Town Portal, Of Violence: Most instrumental post/prog-rock puts me to sleep, but this Danish trio illustrates just how dynamic and sound-rich this music can be.

🛀 Jim O'Rourke, steamroom 45: An electronic excavation from the deep abyss. The 37-minute "Sigaretstraat" is a master class in patience, dynamics and sublime dissonance.

🎀 Cristina Quesada, I Think I Heard a Rumor: Multi-lingual, ultra-chic dance-pop with super-smart synth arrangements. Think: Tiki drinks and mod dresses.

⏹ John Luther Adams, Become Desert: Truly time-less music; as in, music without time.

⏏ Julia Reidy, brace, brace: Late night, longform excursions that offer an alternate Blade Runner soundtrack with frenzied 12-string, fuzzy synth glossolalia and an Auto-Tuned bummer haze.

🚞 A Million Dollars, I Love Your Voice and I Love You: Weird and warped twee-pop that woulda headlined Silent Barn.

📠 Priests, The Seduction of Kansas: Truth-telling and truth-seeking through a mangled disco haze and bleak New Wave romanticism.

🏭 Werner Durand with Amelia Cuni and Victor Meertens, processions: Majestic drones capture an undulating wonder with enveloping somnolence.

🎳 Sheer Mag, A Distant Call: The denim-and-leather-jacket-wearing standard bearers of truly independent rock and roll double-downed on their sound, but opened their hearts a bit more.

📒 Susan Alcorn / Joe McPhee / Ken Vandermark, Invitation to a Dream: Illuminates the flickering motions of exploration.

😱 Serpent Column, Mirror in Darkness: Pitch-black metal chaos with forceful melodies twisted into the tableau. Honestly? Deathspell Omega but skramz.

🏅 Pernice Brothers, Spread the Feeling: Joe Pernice digs into his '80s record collection to return with some of his most delicately written, winsome guitar-pop in years and tons of one-liners: "Love is a shoeless charlatan, a silver-tongued huckster with a sadist’s lipless grin."

🍓 Kalie Schorr, Open Book: Whip-smart, hook-twanged country-pop raised on MTV2 pop-punk and Sheryl Crow.

📀 Angel Olsen, All Mirrors: In a year where we lost Scott Walker, this felt like a torch passed from 1969.

😪 Mount Eerie, Lost Wisdom pt. 2: Phil Elverum draws us in evermore, revisiting a beloved album, mode and collaborator (the remarkable Julie Doiron), and molding them into his ever-changing songwriting and circumstance. Contains the most tender couplet of the year, which I'll carry with me always: "If ever the bonfire that I carry around could warm you again / I will be out here in the weather for you glowing."

🙉 75 Dollar Bill, I Was Real: Serious hypno-grooves from these drone excavators.

👢 Karen Marks, Cold Cafe: The early '80s artist behind the Sky Girl comp's broodiest track gets a few more songs of existential synth-pop and jangly post-punk. Just wanna put them on mixtapes for friends.

🍻 Haunt, If Icarus Could Fly: Synthesizes an earnest, studied love for '80s heavy metal with tons of guitar harmonies and can-crushing anthems, yes, but also a ton of heart.

🍖 Bob Dylan, The Rolling Thunder Revue: The strangest, most mystical and wild Dylan persona in all of its face-painted glory.

🌹 A Pregnant Light, Broken Play: Damian Master's endless creativity and shameless bravado coalesce into a rugged beauty. As always, riffs for days.

🦄 Fire-Toolz, Field Whispers (Into the Crystal Palace): Clashes New Age synthscapes, clubby raves, jazz fusion and metal shrieks into an idiosyncratic master's pure creation.

🌇 Maria W Horn, Epistasis: Quiet, yet forceful acoustic elements are wrapped in the sinews of technology to blur composition. A stirring mix of icy string drones and minimalist piano.

🐲 Soul Glo, The N**** in Me Is Me: Distills the rage and terror of living in America while being black with blunt force.

🍢 Mára, Here Behold Your Own: Snapshots of a time before parenthood rendered in garbled organ, ambient guitar loops and echoing lullabies. Felt this one deeply.

🚙 The Go-Betweens, G Stands for Go-Betweens: The Go-Betweens Anthology - Volume 2: There's a live KCRW version of "Quiet Heart" that just absolutely destroys me. Deeply thankful for the presentation and preservation that's gone into these box sets.

😈 Bat for Lashes, Lost Girls: A coming-of-age concept album about a teenage vampire gang that was somehow severely overlooked. Some of Natasha's most tender songwriting and a rich synth-pop world that'd make M83 jealous.

#2019 in music

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secretradiobrooklyn · 4 years

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SECRET RADIO | 10.19.20

Secret Radio | 10.19.20 | Hear it here.

1. Melome Clement & Tout Puissant Poly-Rythmo de Cotonou - “Gnon Nu To Min Lin”

One thing that consistently amazes me about this TP music is that it’s like listening to classic oldies

I just read that Melome Clement died right at the end of 2012. I hope that means he lived a long life.

2. Fela Ransome Kuti & His Koola Lobitos - “Wa Dele”

Absolutely awesome footage of Fela Kuti, some from before and after the period of this song. Hell, it opens with a shot of him hugging Ginger Baker. He’s clearly a massively charismatic guy. There’s great footage of the horn players too, and tons of amazing dancing, both onstage and (I think?) backstage. There is also one very bad moment in the footage that is super jarring… but I think on balance the footage gives a huge dose of color to an already colorful song — I know I fell in love with this song long before I saw these shots!

https://www.youtube.com/watch?v=FVYqMQ5PKXM

3. Panbers - “Haai”

One side effect of running a music magazine was that music would be sent to us, solicited, unsolicited or otherwise — and I loved it. Part of why I started writing about music was that I loved getting CDs in my literal mailbox. One set that arrived at Eleven before I got there was a beautifully made collection called “Those Shocking Shaking Days: Indonesian Hard, Psychedelic, Progressive Rock and Funk 1970-1978.” It wasn’t the kind of thing I was listening to, or for, at the time, but it made a certain impression. Now I’m amazed at how Indonesia, Turkey, Nigeria, France and Benin were pumping out great music in 1978 that all seems like they were part of the same scene… but they couldn’t have been. Right? Italians, Vietnamese, Cambodians, Estonians, Peruvians — just great music being made all over the planet at the same time. Wow.

4. La Femme - “Welcome America”

This band seems to me like a more modern version of the band Little Rabbits from the ‘90s-‘00s, whose music I totally love. I really like the spoken style of some French pop — like the lyrics aren’t being sung, they’re being announced. I get the impression that this is an indie sort of band in modern French music but not crossed over into the French pop stratosphere.

https://www.youtube.com/watch?v=KomjRIqlF7g

A Town Called Panic! soundtrack

If you haven’t seen this movie, we highly recommend it. Don’t even look it up, just pop it in at the top of your queue. It’s really weird and completely rewarding.

5. Serge Gainsbourg & Brigitte Bardot - “Initials B.B.”

This is one of the foxiest songs ever recorded, in my opinion. I mean, she’s beautiful and he’s beautiful for SURE, but also it’s written into the chords and arrangements. It’s so royal.

For the eye makeup if nothing else:

https://www.youtube.com/watch?v=VPOYtC1n5bE

Paige adds:

I should note, Chris and Christine when I dedicated this to Bridget, I was only thinking of the chorus “initials, initials, initials, B. B.” Immediately when it started playing, I realized I’d completely forgotten there were verses and that I have no idea what they’re saying. But considering it’s Serge and Bardot, there’s a high chance it might be a song for grown ups. So just the B.B. part is for Bridget.

6. Betti-Betti - “Guikolo”

From Bridget to Brigitte Bardot to another B.B.: Betti-Betti. I love the character and timbre of her voice, and the way the horn hits anticipate the beat — everything seems to be out ahead of the beat, it’s amazing. And this is only a hunch, but I think she does the amazing mouth drumming in the middle of the song. If anyone knows whether that’s actually her doing it, I would love to know. I feel like it happens in several of her songs. It just knocks me out every time.

7. Guided By Voices - “Hot Freaks”

This song will always be deep in the heart of my Seattle self. I feel like this is the moment that Guided By Voices became ineluctable.

8. Techniques Band - “And I Love Her”

So languid, so strangely refracted.

9. L’Oeil - “Bernadette”

This song comes from a collection called “Wizzz: French Psychorama (1966-1971), Vol. 1.” Everyone sounds so locked in together on the groove, the vocals can go off on their own TV comedy scene. I want to know more about this band.

10. William Onyeabor - “Tomorrow”

The rhythm of this song grows so gradually that you don’t even feel it growing ever more complex until the backing vocals start to wind around each other in an ascending ladder of harmony. Meanwhile, the lead vocal just keeps expressing an absolute truth about life: No one knows tomorrow.

11. Marie Lafôret - “A Demain My Darling”

Lijadu Sisters - “Sunshine”

This is such a pretty song in the verses… but then it opens up into an extended instrumental passage built around this perfect little guitar phrase. I assume great hip hop songs have been built around this sample, but I haven’t heard em yet. In headphones the instruments are being slowly panned around the room in different directions, which is pretty great as well.

12. T P Orchestre Poly Rythmo - “A O O Ida”

When I’m digging around for T.P. tracks I haven’t heard, sometimes a song really lands. I make a note, come back to it a few times, realize I’m into it, cue it up and realize that I should have recognized the song from its place on a comp or something I’ve already heard. But they sound so different from copy to copy! The version of “A O O Ida” here is from a recording of the 1976 original pressing. The version I knew but didn’t even recognize is on Analog Africa’s excellent “The Skeletal Essences of Afro Funk.” At first I thought they were entirely different takes, but they’re not — just really different EQs and mastering. I love all of Analog Africa’s remasters on all of their amazing, amazing compilations, but in this case I prefer the version here. It sounds so sharp and wild.

13. Teddy Afro - “Mar eske Tuwaf (Fikir Eske Meqabir)”

Teddy Afro must be the biggest entertainer in all of Ethiopia, and he is internationally revered as well. I first heard his music as background music in Ethiopian restaurants, but as I’ve come to explore more music around the world, I find his songs’ production to be really fascinating. He kind of floats over the top of a giant cumulus cloud of orchestral music and telling stories. In this case, he’s relating the story of Seble and Bezabih, the heroes of a famous Ethiopian story called “Love Until the Grave” that I gather doesn’t end well.

14. Salah Ragab - “Black Butterfly”

Josh Weinstein told us about Salah Ragab, and this song makes me feel like I’m living in a cartoon.

15. Giant Sand - “Temptation of Egg”

In Seattle I went to see Grandaddy at the Crocodile, opening for a band I’d heard of but never seen so figured I’d check out. Giant Sand was touring on this album, “Chore of Enchantment,” and I’d never seen anyone play both keys and maracas AND guitar while singing and somehow seem like he was barely doing anything at all. I got the CD but it didn’t seem like the same thing… until the day after I met Paige, when we found ourselves at my place and I pulled out this album. It unfurled like a genie from a bottle.

16. Blonde Redhead - “En Particuleur”

Blonde Redhead was for a long time my absolute favorite band to see live. I think the first time was at Under the Rail, and literally the second she first screamed I burst into surprised tears. The twins looked like one angel and one devil. John Goodmanson worked with them before he worked with Harvey Danger and I was honestly in awe of them. They were also my path into Serge Gainsbourg, for which I will always be thankful.

17. Michel Polnareff - “La Tribù (Hippy Jeeeh!)”

It’s amazing how many layers of reverb this recording is soaking in, which helps keep it super spaced out, along with that synth sound firing straight up out of the atmosphere.

18. Fabio - “Lindo Sonho Delirante”

Another find via Now/Again Records. The original cover for the single featured a photo of Fabio with his arms outstretched, enwrapped in text. The breathless, almost torn quality of the backing vocals is trés classique. Also, another great example of mouth drumming.

19. Os Bongos - “Lena”

*A great find own my quest to find Muxima! I love the guitar tone on this.

20. Avolonto Honore et l’Orchestre Poly-Rythmo - “Avi Yaman Houé”

Avolonto Honore belongs to that first group of four — plus of course T.P. Orchestre — from the original “Legends of Benin” that basically makes him a saint in our book. He’s definitely one of the most amazing-looking players among them. This track they’re working is a super deep groove… and then when the horns come in, they sound surprisingly like Adriano Celentano’s “Prisencolinensinainciusol.” I believe that is Papillon on the guitar as well, another top favorite musician ever.

21. Yuri Morozov - “Neizyasnimoe”

Johnny Fantastic is probably the person we know who knows the most about Russian history and culture. Also American presidents. He is who I want to talk Russian psych and underground music with. So far, I’ve mainly found cool stuff from Estonia, which is plenty exciting, but I feel like there must be a whole Muscovite weird-rock scene that we just haven’t met yet. What do you think, Johnny?

22. Flavien Berger - “La Fête Noire”

Via roundabout paths, this one gets totted up in Julian’s column. Thanks, Julian. This was one of the first batches of songs that Paige heard of French music made after the ’70s, and it clearly stuck. Sometimes she sings along with the ending, which is my favorite. One translated lyric that sticks out is “I leave the comings and goings of the souls / On the other side of the diving board”

Hailu Mergia - “Embuwa Bey Lamitu”

We have been so glad to have “Wede Harer Guzo” in our collection. Every track is a pleasure. Great for working creatively alongside.

23. Ram Jong Vak - “Twist (Dance Twist)”

More Cambodian pop wizardry.

24. Rocky Horror International - “Alltid Lys Hos Frankenstein”

I tried to convince Paige, when we were leaving our art castle on Cherokee, that we couldn’t have Halloween that year, because we were going to be way too busy. She agreed — and then got us tickets for “The Rocky Horror Picture Show,” the weekend before, which isn’t technically Halloween… and thank god! It was my first live Rocky, and I may not’ve ever done it if I didn’t do it then. Truly a singular experience, there’s nothing like it no matter how hard people try.

Paige adds: The church of Rocky!

25. Arsenal - “Bolero”

Still just reading about this track. One guy wrote in on a track, asking, “Is there any place in Russia where I can still buy this music? I have been searching all over the western planets, but no success so far.” Which made my whole existence feel different. The western planets? How far do you have to go to find a copy of this record?!

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librarified2004 · 7 years

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Here we go again...

This looked like fun. Hijacked from the amazing @the-random-fandom-one, so the actual title of this should be “@dammittmarie, you made me do another survey!” Reblog with your answers! I want to get more communication going in the writing community here. Answer one, answer some! Answer whatever you want to! 1. What was the first character you ever created? I’ve been writing stories since I could pick up a writing utensil. I think the first character I ever really put a ton of thought into, though, was this character I played in an MMORPG during undergrad. Her name was Lindarian, and her past was tragic: the half-elven child of an illegal union between a mortal and an elf princess, she was basically raised in seclusion only to watch her three older half-brothers and her parents be brutally murdered on her eighteenth birthday. Man, even before I knew what fanfiction was, I knew how to whump a character.

2. Is there a specific thing that made you want to start writing more? The MMORPG I played as an undergrad and grad student went down for good in about 2005, and after that, I stopped writing stories because there was no reason, really, to further develop that character. I got a job and started doing some professional writing--blogs and reviews and that kind of thing. Then I reconnected with an old friend who had written an entire book, and he started pushing me to do fiction again. I played around with some ideas, even published a short story, before I discovered fanfiction through a professional development class that I had to take. I can’t go back to school for my MFA in creative writing at this point, but I think writing fanfic is saving my sanity as well as giving me a sort of ad hoc, DIY MFA where I work at my own pace and set my own curriculum. Plus, some days it really saves my sanity. In the wise words of Lin-Manuel Miranda, I can pick up a pen and write my own deliverance.

3. Favorite character you’ve ever created? In the short story I published, “Swan Song,” I had this side character who existed simply to be my villain. I didn’t pay him much attention until very late in the creative process, when the editor said the big reveal was too abrupt. (He was right.) So I took that character out to coffee--literally, I took my laptop and a notebook to my favorite coffee place so I could have a distraction-free conversation with him--lit him a smoke (funny thing, I don’t smoke, but literally everyone in that story does and my smoker friends say I got that exactly right), and really, for the first time, tried to get to know him. I knew only the basics, but it turned out he had this whole past (tragic) and motivations that I’d never even seen. Knowing all this didn’t just change the reveal, it pivoted the entire story, and when I sat down to rework that reveal, the words just poured out. It turned out that he was rather an anti-villain and he ended up in an awesome place--if I ever write a sequel to that story, it will be his to tell. Nik, the villain of “Swan Song,” is my favorite because he taught me to look deeper, love harder, and never have a character unless you’ve taken the time to know them all the way down to their shoe size.

4. Do your stories tend to have only a few characters or a lot?

As few as possible. In fact, I kind of freak out a little bit when I realize I need another character to serve some purpose.

5. Do you sit down and plan out your worlds or just let them build themselves as you write?

Some of both, really. I tend to write a lot of fanfiction exchanges (or at least, that’s what gets published), and I always do a thorough canon review before I start plotting so I can get voices and world-building details right. My one published original short story is set in Moscow during WWII, and I did a bunch of research on that setting and time period before I went in, but I never really tried to force anything to fit. Interestingly, during revisions, I was able to go back and add date stamps to certain plot points based on my historical research. But that story also has a magic twist to it (it was for a fantasy anthology) and the magic part just came to me, no building required.

6. Do you ever meet people and want to write about them? Fictional characters, all the time. I love writing missing scenes. I don’t put much of real-life people into my characters (but I totally could--I work in a public library. Public libraries are literally the last remaining free resource in this country and my job is madness.)

7. What kind of environment do you do most of your writing in? Music or no music? Loud or quiet? In private or wherever? Depends on the day and the story. I have a novel in progress (which will never be finished, probably) and for that I have entire playlists of music for each character. But if there’s music, there can’t be words in a language I can understand, because I will end up singing along. No TV or movies, because I end up watching instead of writing. I like my backyard, and even better, my parents’ backyard. But when all else really fails, I’ll jot out whatever in the notes on my phone. I’m picky, but not picky at all. And if I’m on deadline, I will make that deadline come hell or high water or plague or fire or mass destruction.

8. Do the people in your life ever read what you write, or do you tend to not show them? Not fanfiction. I’m very, very protective of my writing in general. My mom was an English teacher (in fact, she was MY English teacher in tenth grade), and even when I was an undergrad getting my B.A. in English comp, she read all my essays with a red pen (after they’d been graded--and I graduated with a 4.0 in my major!). When I published my original short, she was so proud--and then she pointed out a glaring continuity mistake I had missed in about nine million rounds of editing. When I read my own stuff, I only see the mistakes, so I’m also shy about showing it to anyone else. That said, I have about a million partial fics rotting on my hard drive, phone notes, and Google docs, so someone might want to go after them if I ever shuffle off this mortal coil.

9. What inspires you? Oh my, so much. Music, other people’s stories, history, walks in the woods, the way the lights in the children’s room at the library change color. Literally everything. Probably the better question is who pushes me, and the answer to that is @dammittmarie, who got me into the school’s Dead Poets Society in undergrad (we met at midnight in the basement of the library and damn, we were cool) and the beautiful @rain-and-roses-in-the-city, who puts up with my crazy ideas, my headcanons, lets me play in her sandbox, and sometimes has even seen the partial stories I talked about earlier.

10. What’s the weirdest character you’ve ever created? Don’t really have one.

11. What’s the most boring character you’ve ever created? All of them, it feels like sometimes :)

12. Do you name your background characters? Do you even have them? I learned a hard lesson about knowing my characters, so now, if I can’t flesh them out, they don’t appear.

13. Are you one of the writers who writes in symbolism and specifically thinks about things like the color of a hat or that kind of thing? Or do you just pick those things at random? Sometimes. Not always.

14. Are there any authors you feel have influenced your style? Published authors, fanfic authors, ect. I learn things from everywhere. My gold standard for plot twists is the end of Harry Potter and the Prisoner of Azkaban, which made me screech out loud on an airplane years ago. I think the Hamilton fandom in particular is full of talent, and the WhamFam especially (you know who you are). And going back to @dammittmarie, she’s the one who made me unashamed of being a whump writer.

15. Were you a story teller before you could write? Yes! I devoured books as a kid, and handwriting came super hard to me. You couldn’t read my penmanship until I was in junior high, so I learned storytelling in the oral tradition first.

16. How many characters have you created? Not too many. I tend not to write OCs in fanfiction for fear of them coming out like total, obvious Mary Sues. There are maybe a dozen characters in “Swan Song.”

17. Do your stories tend to take place in the real world or in a fantasy world? Both? Neither?

That depends on the story

18. Do you tend to set your stories in the present or the past or the future? Do you think about when it’s set or does that not factor into the story?

Whatever works on a given day for a given story, I guess. I love, love, love the canon era of Hamilton, but I also like modern AUs if they’re done well. So yeah, whatever works.

19. What kind of things do you like to write? Poetry? Short stories? Novels? Fanfiction? Children’s Books? Nonfiction? Something else entirely? Fan fiction for pleasure. My professional life includes writing book reviews, blog posts on various topics, and newsletters, so fan fiction is escapism for me.

20. Do you like to do events like NaNoWriMo or the Three Day Novel, or do you prefer to do things at your own pace? Yes and no. In my professional life, I’m a volunteer blogger and reviewer on top of the demands of my day job, so I’m almost always on deadline for something. (Right this second is actually an exception--I wrote two articles this weekend and I’m deadline-free until at least April 1.) I tend to write fan fiction at my own (snail on a strong sedative’s) pace, but I have signed up for NaNoWriMo a few times, and I might do Camp NaNo in April because I have a 5k exchange piece due at the end of the month. And the one piece that I’ve published that wasn’t fan fiction actually got finished because I went to a signing where there were like six people and ended up pouring my heart out to this poor author. I told her I had a story and no idea how to start, and she told me to write 100 words a day for 100 days and tweet her my word count every day. If I missed a day, I had to start over. I made it to 100 days, just over 11,000 words, and that piece is good--you can even buy it on Amazon.

#survey #dammittmarie #writer confession

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marshmallow-the-vampire-slayer · 7 years

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MTVS Epic Rewatch #155

VM 3x04 Charlie Don’t Surf

1) Let’s be real, this episode is kind of a drag, and it’s only worth a watch for all the Logan angsty feels okay? Because of that, this should be ranty.

VERONICA: This is a bad idea. KEITH: No, it's not. VERONICA: You only thinks it's not 'cause you came up with it. KEITH: Ergo, how could it be bad? Math, sweetie. Me plus idea equals good.

Hm, what could this “idea” they’re talking about be...?

FYI, Logan is never a bad idea, okay?

3) Veronica is totally freaking out, and tbh, we can’t blame her considering one of the last times Keith and Logan were at the Mars’ home together this happened...

Keith certainly wasn’t - and to this day kind of isn’t - a member of the Logan Echolls Fan Club (I’ll get to the Keith/Logan stuff later) but Veronica had been dating Logan for a few months now, they were going steady, and didn’t Veronica want the two leading men in her life to get together and get along? Oh right. I totally forgot about Veronica’s need to compartmentalize. Never mind.

Anyway, it’s so cute to watch her freaking out and then to watch Logan tease her a bit...

LOGAN: Can I mention that my eyes adored you? I got it. No calling you bobcat, no talk of milky thighs.

...but then he sincerely reassures her...

LOGAN: Veronica? I won't say anything bad.

And not only does this calm her down, but it also makes her hold her hand out to him (a striking parallel to Logan holding his hand out to her when arriving at his house in A Trip to the Dentist...) in a “we’re doing this together, we’re a team” sort of way. I’m here for this shit, Rob Thomas. 100% in.

Also, this whole scene is a nice reversal of the “meet the parents” typical scene. It’s usually the person meeting their significant other’s parent the one on freak-out mode, not the other way around. But it makes sense that Logan is the collected one here (although I’m 100% he wasn’t all that collected on the inside...). Logan might be a jackass occasionally, and he certainly was a smartass to Keith on more than one occasion. But he’s not stupid. And more importantly, he loves Veronica and he knows how important her dad is to her, so he’s certainly not going to do anything to ruin the evening for either of them. At least, not on purpose...

4) Of course, that reassurance didn’t last long...

Keith was rather amicable - though not exactly friendly or warm - and he was asking the standard “father-meets-boyfriend” questions. The thing is, Keith and Logan have a shared history. He wasn’t really meeting his daughter’s “new” boyfriend. Keith had had an idea of Logan built in his head for years now, some of it based on fact, some of it based on prejudice and a definite transfer of guilt because of Aaron’s actions. It’s both OOC and IC for Keith, though. On the one hand, I don’t think we ever see him hold on to his preconceived notions of a person as hard as he does regarding his perception of Logan. On the other hand, it kind of makes sense that he’s always on guard regarding Logan because he can tell how much Veronica cares for him, and therefore he understands that Logan - knowingly or not - has the power to hurt Veronica like nobody else. Oddly enough, he seems to believe Veronica is blind to Logan’s flaws, while Veronica - just like Keith - holds Logan to higher standards than any other of her boyfriends. Like father, like daughter, I guess.

So yeah, Keith is amicable enough, and he’s not really asking any tough questions. And even though Veronica seems to be overreacting at first, I get it. Because there’s something in the way Keith regards Logan and the tone of his voice that is kind of telling you he’s setting Logan up to take the bait and prove how much of a screwup he is and how wrong he is for Veronica.

Regardless, Logan was doing quite well. He was answering Keith’s questions sincerely and respectfully while still being Logan.

VERONICA: Where is this going? KEITH: My end game is to find out what classes Logan is taking. LOGAN: Just core stuff, you know, sociology, freshman comp. Mass com, which is kinda coming in handy. You know, apparently being the offspring of a murderer doesn't get old. I'm getting all these interview requests. Larry King wants me to come on with O.J.'s kids. KEITH: Oh, you thinking about it? LOGAN: No. KEITH: Why's that?

5) We all die a little bit inside as Logan looks back and forth between Keith and Veronica when they’re lovingly bantering right? I mean, he’s so happy to see the two of them interact in that way because that’s exactly the kind of relationship he wished he’d had with his parents or with any family member, which is the whole point of this episode. Correction. It’s one of Logan’s traits as a character. Throughout the series and the movie, Logan is desperately looking for familial relationships, for that kind of love. It’s really sad, actually. Here’s this boy who is always wearing his heart on his sleeve for the world to see, who falls for the mildest show of affection because he’s so desperate to be loved, and time and again he’s deceived and used. But that doesn’t deter him. (I think that’s why he held on to Carrie, she was the closest thing to family he ever had. So, can Logan have a family, please? Outside of Veronica, I mean.)

Anyway, a lot of feels about this whole opening scene, okay?

6) It’s nice to see Veronica trying to mend fences with Parker. At first, I thought Parker’s beef with Veronica was a bit exaggerated. But then again, Parker didn’t know who had raped her but she still needed someone to blame, which is totally valid even if her blame was misplaced on Veronica. Anyway, it’s good to see Veronica opening up about her past and to promise Parker she wants to help her. More of this, always.

7) “Do you remember me by any chance?”

Uh, duh? Raise your hand if you watched “Just Shoot Me” and shipped these two...

8) Dick going to Veronica’s is priceless...

EITH: Can I help you? DICK: Do you know which one of these is Veronica's? Oh, guess so. This is so freaky. I've totally been to this complex before. We had to pick up our maid here once. Is Veronica home? KEITH: Honey? DICK: Ah, it's like a little kitchen area, huh? Oh, it's so awesome. VERONICA: If you're not gonna shoo it out with a newspaper, I'm stepping on it. DICK: Hey, buddy. Hope it's not weird me just showing up. I can't believe I've known you forever and you've never had me over. VERONICA: You left a flaming bag of dog poo in front of our door one time. That was kind of a play date.

9) See? This is the kind of thing that bothers me... if you’re going to have a character have her head shaved, then you gotta have her be bald and/or wear a wig. A decent wig, if possible. After all, she’s out wearing it. But man did they give up quickly on the wig thing...

Beginning of 3x02

End of 3x02

Beginning of 3x04

Clearly, that’s Julie’s hair, but at least they kind of made it look like a wig? A super real wig? Very unlike the one she was previously wearing?

Middle of 3x04

All pretense is dropped and Parker looks as if her head had never been shaved at all?

10) I do love the lobster anecdote Keith told Harmony, but I also get Veronica’s reaction: why does this woman I’ve just met know this very personal anecdote about me that barely anyone knows about? Of course, she knows why.

HARMONY: Veronica, the liberator of lobsters? LOGAN: Awe, I never knew. VERONICA: A single lobster, once, from the Chart House when I was seven. He tells that one to all the new clients.

I deeply enjoy Logan’s reactions throughout this whole exchange...

11) So I get that this exchange and Dick’s shady attitude and reply...

VERONICA: What happened to your hand?

DICK: Window fell on it. Whatever. (...)

VERONICA: Logan said you showed up at his place the night of Parker's rape, all wrecked, saying you screwed up.

...were in order to set up Dick as a suspect, but tbh who really bought Dick as a red herring this season? I mean, what were the odds of a second Casablancas being the season’s Big Bad? That would’ve been lazy writing. At the same time, if Dick hadn’t been set up as a red herring at the beginning of the season, there really wouldn’t have any purpose for him in the show...

12)

VERONICA: I need to talk to you. I followed the trust money all the way down the rabbit hole. The payments are going to a person named Charlie Stone. Do you know who that is? LOGAN: No, should I? VERONICA: Yeah, probably. Charlie Stone is your brother.

13)

VERONICA: Here's his number.

LOGAN: Yeah, and what am I supposed to do?

He didn’t even think about it, he was that desperate for some sort of family connection. Poor baby.

14)

NANCY: They set up this boo room so they could fondle girls as they went through. So, we dressed up as rats and strategically put rat traps on all of our gropable parts.

15) Disclaimer: I’m this guy.

16) And then, “Charlie”...

Gotta hand it to him, though, he did his job well. I mean, he knew exactly how to get to Logan, he read him really well and he knew what kind of things to say to make him open up. So he’s a douchebag, but a smart douchebag.

It’s really sad, though, that Logan falls so easily for his act.

LOGAN: You surf? CHARLIE: As often and as long as I can. LOGAN: Man, we are brothers.

17)

VERONICA VOICEOVER: I have options. I could be excited for Logan. Thrilled even that his new brother is such a keeper. Or, I can be me.

Don’t hate me for what I’m about to say, but... I think on some level Veronica was happy she was right. There’s something about the way she decides to let Norman know she caught him that makes me wonder if she ever considered Logan’s feelings when confronting him. Like, she was reveling in confronting Norman and uncovering his true identity, showing off how smart she was (or how much smarter than him she was...) Regardless of how it would affect Logan, she loves being right, and the P.I. in her was telling her something was off about this Charlie guy, so she followed her instinct. Now, I’m not saying she wouldn’t have felt relieved if she had been wrong. But a part of her would’ve been disappointed her instincts failed her. Does this make any sense?

18) Of course, just before everything goes to shit, we get this scene...

LOGAN: So, it's Christmas, right? The entire family unit is around... Which was rare. And I'm, I don't know, I'm nine and Aaron hands me a gift, but he notices the box has been re-wrapped, you know, so he knows I peeked. I'm nine years old; he's re-gifting me a fruit basket. He starts shouting about how I've ruined Christmas. CHARLIE: Oh, my God. LOGAN: Yeah. And he, uh, he tells me I'm not opening another gift until I eat all twelve pears in the box. CHARLIE: Damn, man, the scissors incident, the drained swimming pool episode, now the box of pears. LOGAN: Yeah. So, I'm eating the pears and taking my time, taking these dainty bites...the man comes unhinged. Takes these pears and just starts shoving them down my throat one after another. And then...and I'm choking but he doesn't stop until my mom holds a cheese knife to his throat. To this day, I puke if I smell a pear.

In a couple of days, Logan had opened up to “Charlie” about his entire history of abuse by his dad. Like, this is the most private thing about Logan, and he’s completely honest about everything, probably more honest than he’s ever been with anyone before - Veronica included. And we get to hear this, and we’ve seen some things before and heard comments about others (just like here we hear about the scissors incident and the drained swimming pool episode, both of which I’m equally interested and not interested in learning about...) but it’s like seeing the tip of an iceberg of shit (a shitberg?), you know? There’s so much more shit below it, and we will never really know everything about Logan’s childhood.

Also, this sort of explaines why we always see Logan eating apples, right?

19) Of course, after their heart-to-heart, there’s a tiny blonde waiting to rain on their parade...

VERONICA: Hi, Logan. Hi, Norman Phipps.

LOGAN: What did you call him?

VERONICA: His name. Norman Phipps. At least, that's the name of the guy who rented his rental car and a quick google check reveals that Norman Phipps is a contributor to Vanity Fair. Thank God for mobile wireless, huh? So, Norman, how's your story coming.

NORMAN: It's great. In fact, I'm almost there. Just one thing, Logan. That fruit basket? Was it from Harry and David? God is in the details. Ah, please take a swing. It'd make a great lead.

Btw, Logan punching Norman in the face is twice as rewarding for me because I hated Gilmore Girls’ Logan. #notsorry

20) And then this...

VERONICA: I'm so sorry. I should've just left it alone.

A) What does she mean by that, though? That she shouldn’t have followed the money trail and found out about Logan having a brother? Or that she shouldn’t have continued digging after Logan met “Charlie”? B) There’s something about the way he looks at her as if he doesn’t truly believe she’s sorry? Or as if this is a very Veronica thing to do? Both, probably.

21) I can’t help but find this speech about “looking for the truth” a bit ironic coming from Veronica herself...

VERONICA: I was looking for the truth and I found it. You wanna nail someone to the wall, just to have someone nailed there, or do you want the person responsible to pay?

I mean, ultimately, yes, Veronica does look for the truth. But she also makes the mistake, on numerous occasions, of nailing someone to the wall just to have someone nailed there. I would love to say this is Veronica growing up and learning from her mistakes, but I think the rest of this season will prove otherwise, so...

22) He literally had just met the guy and he gave him his grandfather's watch? Like, we know how much his grandpa meant to Logan (remember the lighter?). It breaks my heart that he was so gullible...

LOGAN: I was hoping you could bust some of it out again and help me find Norman Phipps.

VERONICA: Why?

LOGAN: Well, I gave him a pocket watch that belonged to my grandfather, the only decent member of my family. 'Course, he died when I was five, so who knows. Still, kinda burns thinking of Norman having it.

23) I’m fine, I’m fine...

VERONICA: The reporter acted alone. He was tapping Charlie's line when you called. Your real half-brother is innocent.

LOGAN: And I was so quick to believe that guy. And, you know, I look at you and your dad, you know, that thing that you have. I never had that.

VERONICA: You couldn't have known.

LOGAN: No, I'm sure that won't matter to him.

24) And of course, Logan being Logan, he has to try again...

ANSWER MACHINE: Hi, this is Charlie. Please leave a message. LOGAN: Hey, Charlie, it's Logan again. Uh. Listen, I'm sorry about all the messages... Yeah, I guess I thought I'd give it another shot. Fourth time's a charm, right?

#Veronica Mars #VM #Kristen Bell #Matt Czuchry #Logan Echolls #Charlie Stone #MTVSepicrewatch #VMrewatch2015 #Charlie Don't Surf #recap #vmrecap

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nicosroom · 7 years

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Nico’s “52 list”

The aim of the 52 list are to set down a “to-do” list of sorts in order that

I don’t get overwhelmed by everything I’ve ever wanted to do (and therefore never do anything);

and to weed out things I don’t actually want to do with my life (as in, if I don’t do it at the end of 2017, I have to decide if I want to put it on next year’s list or just admit I’ll never do it).

Here it goes--

1. Learn to poach eggs - perfecting them is an ongoing process, but I have the basic technique down; follow the saga on Twitter

2. No sugar in smoothies or oatmeal for two weeks - January 23-February 5. My plan is to maintain sugar free smoothies, but some oatmeal just needs sugar, okay?

3. Practice blow drying my own hair approximately once per week. Despite how little I do it, I really do enjoy wearing my hair straight once in a while. Typically, I have it dried straight at the salon after a haircut. I’m far too clumsy and impatient to do it myself. But, this year, I want to practice so that just maybe I can do more things with my hair than letting it air dry and throwing it up in a bun when I get tired of it falling in my face.

4. Try Penzeys Spices. It was everything.

5. Day trip to Yellow Springs, OH.

6. Visit Old Schoolhouse Winery in Eaton, OH.

7. Visit Hanover Winery in Hamilton, OH. It may be the best kept secret in Butler County.

8. Buy an immersion blender at the KitchenAid summer sale. I bought an immersion blender and then some.

9. Use sumac in a recipe. Almost two years ago, Catherine and I were cooking from Ottelenghi’s Jerusalem cookbook for my shoddily run cookbook club. It seemed like a ton of the recipes called for sumac. After a couple attempts, Catherine finally located it at the international market and she gave me ziploc snack-bag filled with sumac. Have I used sumac one single time since she gave this to me? No. This has to change in 2017. It took a while, but I have now.

10. Save $15 per week. Is it cheating if I automated this?

11. Buy a membership at the Cincinnati Art Museum. Student memberships are $30 per year. That’s like the smallest fraction of my discretionary spending budget that I could ever imagine.

12. Make cannellini bean and lamb stew from Jerusalem. Check it out. I’ve been cooking out of this book Spring 2015 and it took me all this time to realize they sell lamb stew meat in very neat packages in the regular meat section at Kroger. This whole time, I keep looking for it at the international market, but they only have fancy lamb cuts that seem overwhelmingly expensive.

13. Take more baths. I recently have been rereading The Bell Jar. Old Esther Greenwood may be kooky, but Plath sure made sure Esther knows a thing or two about taking baths. **This is basically over. I probably took three baths in the month and a half after I made this list. Now, I’ve moved into an apartment that doesn’t even have a tub. Too bad!

CANCELLED 14. Go speed dating. Jen & I did a little research and we found that “Predating” seems to be the only speed dating service in the area. And they separate their groups into “25-35″ and “27-39,″ charge $39 to participate, and hold a session like once a month at a really inconvenient time, like 7 pm on a Tuesday. I’m highly dissuaded. Ladies should be able to speed date for free. The way I see it, reparations for sexism and patriarchy.

14. Make a leche flan from scratch. It’s my very favorite imperial dessert. I devour it at Filipino holiday parties and I always save room for it when I eat out at an American Mexican restaurant. But, I should try to make my own, at least once.

15. Download and create a profile on a dating app. Check out my assessments of Coffee Meets Bagel and Tinder.

16. Watch Blue Hawaii

17. Try some place new for brunch once a month.

January: Sleepy Bee Cafe (Blue Ash (Cincy))

February: technically I failed. I only went out for brunch one time and it was at First Watch. But, at least, I tried a new location? The one in West Chester.

March: Spice Kitchen (Cleveland)

April: Triple header - Holly’s Homemade Eats & Sweets (College Corner, Indiana); Bellevue Bistro (Bellevue, Kentucky); Hang Over Easy (Clifton (Cincy))

May: Sugarcreek Restaurant (Sheffield Village, Oh)

June: Rising Sun Cafe (Yellow Springs, Oh)

July: Treaty City Cafe (Greenville, Oh)

August: another new First Watch location (Secor Rd, Toledo)

September: another new First Watch location (Montgomery, AL)

October: Chik’n Mi (Louisville, KY); Keystone Bar & Grill (Covington, KY location)

November: Doodles (Lexington, KY)

December: Asiana Korean Restaurant (West Chester, OH). I guess this isn’t quite a brunch place, but I ate an delicious eggy beef stew, Yukaejang and we ate there at 11 am, brunch time.

18. Visit downtown Waterville, OH. It’s a small town adjacent to the city of Toledo. I pass through it whenever I drive back and forth to the city from my mom’s new home on the farm. One of these days, maybe I’ll check out the local business scene, the metroparks, and the possibilities.

19. Get a desk that I like and will use. Although people say I have a nice desk, I disagree. I found it near the dumpsters at the apartment complex next door. It does its job, but I don’t love it.

CANCELLED. 20. Complete a Whole 30 reset. Though I remain curious, after much research, I decided that the reset is a terrible idea.

20. Watch Up.

21. Go to a live NFL game. Hopefully not the Bengals…unless they play a really interesting team…or, I can’t afford anything else.

22. Learn hollandaise sauce. Look.

23. Make an eggs benedict dish for breakfast -or lunch/dinner, I suppose. Perhaps a classic with English muffins, but maybe something like a salmon or fried green tomatoes benedict.

24. Make my bed every day for two weeks. I’ve read that this is a habit of highly successful people. I think it would be really good for my “working from home” vs. napping problem.

25. Make a TV-watching schedule. In college, I read some advice that you should schedule when you’ll watch TV and you should only watch TV then. I read that before the days of Netflix instant video. With Netflix, and especially after I moved into my own place, I formed a habit of “watching TV” as background noise while I do any number of things - wash the dishes, cook, fold the laundry, wash my face. As such, I get a lot of stuff done and also take in a lot of pop culture at the same time. But, I also see where this is an extremely counterproductive habit. Such as when I start a new 43 minute episode, but it only takes 20 minutes to wash dishes…and I watch the whole thing…Specifying the TV watching time gives you something to look forward to and provides some space to relax (unlike watching TV while simultaneously doing chores). The schedule should also put an end time on your TV watching. I’m gonna try for an hour Sunday-Thursday, likely between 8-9pm and make Friday and Saturdays open for watching a running list of movies I’ve intended to see. Check out my schedule and what I’m watching!

26. Make roasted pine nut hummus from scratch. Big brand pine nut hummus is so good. But after those hummus recalls by both Sabra and Trader Joe’s, we are in a trust no one situation. I shelled out $24 for a 3lb bag of pine nuts at Costco and I’ll be making my own hummus all year long.

27. Do a cleansing face mask once a week for four weeks.

28. Exfoliate lips once a week for four weeks. Will 27 & 28 stay weekly habits??

29. Color (in my adult coloring book) for 15 minutes before bed, Sunday through Thursday night for two weeks. I started 2017 hoping this could be a nightly habit. A late night here, a phone call with a friend there, a “oh, I forgot to make a lesson plan” on this hand, or a “just-too-tired today” on the other and suddenly I haven’t touched my $22 coloring book in more than two weeks. Alongside some of the above plans and habits on this list, maybe I can do this if I am a little more flexible and realistic. So I’ll shoot for work nights for two solid weeks and see if I can then turn it into a more definite routine.

30. No tech after 10 pm, Sunday through Thursday for one week.

31. Read Ta-Nehisi Coates, “The Case for Reparations” from The Atlantic. You’d think this is easy; it’s an article from The Atlantic, after all. But when I made a PDF of this thing it was 62 pages long. That feels like a short term commitment and I’ve got to put it on the calendar one of these days (after comps).

32. Cook a Julia Child recipe. I made her hollandaise. I like the way she makes one feel empowered to do it, like its the most natural thing in the world. Not like Masterchef, where you’re doomed to fail from the start.

33. Go on a solo weekend trip. Details here.

34. Go to one of those miles long/wide antique malls. I pass by them often on my highway drives around the state and I fantasize about completing my Corelle and Pyrex butterfly gold collections. Somehow the timing is never right - I’m in a hurry, or they’re not open, or whatever excuse I can think up. Some local possibilities: Ohio Valley Antique Mall (Cincinnati’s largest, apparently, in Fairfield), Riverside Antique Mall (over 100 dealers on the scenic Ohio River; Cincinnati), and Heart of Ohio Antiques (according to their website, America’s largest antique destination just an hour away from me in Springfield).

35. Visit Grand Lake St. Mary’s/Celina, OH. I passed by this lake/state park last summer when I drove up US 127 until it connected with US 24. It’s a grueling drive compared with taking the fast-paced highway, but I saw so many tiny towns that might be interesting to visit. Grand Lake St. Mary’s looks like a nice beachy getaway. Though it probably gets busy and touristy in the summers, I bet the weekdays are quiet enough for me to enjoy a day or an overnight here. Perhaps this is a good candidate for that solo weekend trip I noted above.

36. Make tom kha gai. Thai coconut soup with mushrooms (and maybe chicken). So good, so good.

37. Go to IKEA. I was impressed.

38. Go to another distillery on the Kentucky Bourbon Trail. In 2012-13, I went to Four Roses, Wild Turkey, Woodford Reserve, and Maker’s Mark. In 2014, 2015, and 2016 I took trips South in which I drove right through all the places in Kentucky where I might stop off to finish the trail, but I did not stop once - not even for Jim Beam, which is right next to the highway! In 2017, I should go to one, at least. Will I finish the Bourbon Trail or my dissertation first? Stay tuned!

39. Whole 30 Prep: Phase out yogurt for two weeks. I haven’t bought any yogurt since. The question remains, when will I tackle cheese?

40. No alcohol for two weeks.

CANCELLED. 41. Whole 30 Prep: No grains for one week.

41. Go see Fiona the hippo at the Cincinnati Zoo.

CANCELLED 42. No peanut butter, soy, and legumes for two weeks.

42. Go to Miami football and hockey games. I lived in Oxford for 5 years and did neither of these. My only incentive once I move to Cincinnati will be crossing it off this list.

43. Make a meal with a spaghetti squash. I’ve eaten spaghetti squash of course, but I’ve never bothered to roast/dismantle/serve one on my own. This year, I’m finally making that Southwestern Stuffed Spaghetti Squash recipe I pinned about three years ago.

44. Ride the carousel at the Banks in Cincinnati. I tried to do this a couple summers ago, but I showed up 30 minutes after closing time. Time to try again! And some of the carousel characters are pigs!

45. Find red wines that I like. I’m a dry white wine drinker - which puts me in some difficult situations sometimes. Working wine tastings since 2013, I’ve learned some favorites - Raffy Grand Reserve Malbec, Haka Tempranillo, Brion Cabernet. That is, I’ve learned expensive taste. I haven’t stopped working on this, but here are few winners so far.

46. Eat at J. Austin’s. It’s this restaurant I/we pass by every time we drive through Hamilton on the way to somewhere else. One of these days, J.Austin’s should be my/our destination, just to check it out.

47. Get a couch. I’ve managed to live seemingly on my own for five years and never have bothered to get a couch. I was walking around the Salvation Army on April 7 and I impulsively bought a couch.

48. Visit the American Sign Museum - I’ve made it to most of Cincinnati’s museums by now, but not this one. In 2017, it’s time.

49. Visit two new U.S. states - I chatted with a guy in the dating app about his goal of visiting all 50 United States before he turns 50, prompting me to list the states I’ve been to and steal his idea entirely. After eliminating all the states I’ve driven through but had no meaningful interaction with (Mississippi, North Carolina, Connecticut, Rhode Island, Maryland, Virginia) and the ones I don’t remember (like South Carolina, where we lived when I was an infant), I’ve got 21. I was in panic mode - how will I get to 29 states in the next 22.5 years? For the next five or ten years, I think I’ll try to hit at least two a year. In 2017, I have my sights set on Missouri and Arizona. Can anyone recommend some interesting border towns?

Phoenix, AZ trip is booked! Oct. 25-31

50. Have four artist dates. An artist date is a solo date with an artist/artwork. You go by yourself and the point is to just spend time with the artwork without the pressures to talk to other people about it or work on/around their schedules. When you go it alone, the only schedule you have to worry about is yours. Now that I think of it, I should have called “artist date” every time I made the mistake of dragging my ex-boyfriend to a military history museum and then feeling rushed because he didn’t want to read everything on every plaque like I did. This is precisely the problem artist dates solve. Dates can range from visiting exhibits and galleries, artist talks or performances, concerts or movies, spending the entire day reading a book, or listening to music in the peace of your own home without any other distractions. I heard about artist dates from Janice MacLeod (author of Paris Letters) and had planned to have one every month during 2015. Life got busy and all kinds of excuses not to have artist dates turned into no artist dates by the middle of the year. I set the bar lower this year, at four, hoping I can do this once a quarter.

February 19, 2017 - George Takei’s Allegiance

May 13, 2017 - Citizen by Claudia Rankine

June 2, 2017 - Jordan Peele’s Get Out

December 7, 2017 - Tom Hanks/Emma Watson/Dave Eggers, The Circle

51. Learn to sew on a button. Whenever my buttons need help I take the clothes to my favorite seamstress and pay $4 for the repair and make who knows how many carbon emissions driving over to her place.

52. Watch Star Wars. I’ve never seen it, so I have no idea about the allusions, the “Star Wars nights” at sporting events, or the Cold War metaphors about race, gender, and nation. I wasn’t very impressed.

#52 list #2017 #goals #travel #explore #nicos52list #52 list project #new year

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