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#this is rambley and I’m posting it right before I go to sleep so who knows how coherent it is
shaykai · 4 months
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I think Durge would be more possessive than Gortash is
Like yeah Gortash is also possessive, he’s a tyrant, he grew up in a place where anything that was nice wasn’t his and never would be. Even when he’s older, he holds onto things like someone threatened them. But the point is that he has things now that are his.
Durge has nothing that’s really, legitimately and only theirs
Anything they do have is a gift that Bhaal allotted them, and it mine as well be a threat for if they step out of line
But then they meet Gortash, and he’s important. They need him for their plan to work, killing him early would ruin everything. And yeah sure, he’s Bane’s Chosen and to admire him the way Durge does is beyond foolish, but foolish or not, Gortash is still alive
They promise he’ll die by their hand, (because even when it’s not Bhaal’s they cannot push their luck) but it will be at the end of the world when they’ve succeeded. And until then, he is Durge’s, the one thing they have that Bhaal cannot, not yet
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TPWP Introspective
Hey guys!! So, as you noticed, there was no update today either, like I had commented that I may try and do if possible. The reason I didn’t post today, though, is because I remembered that I wrote a little introspective thing about TPWP a few days ago that I wanted to post before the next chapter, if possible. I spent the last hour and a half intermittently touching it up (while also talking to friends, ha). I wrote this after waking up at five in the morning and not being able to go back to sleep, so I was fairly tired and rambley when writing it, ha. 
Anyway, this is pretty long discussion about something that’s bugged me about TPWP for a little while, which is why I’ve made Taka so sexual despite not really thinking he would be like that in canon. In my attempt to write about that, my exhausted self also went into another problem I have with TPWP, which is the fact that neither Taka nor Mondo are really like their canon selves anymore. And while that was a purposeful thing, I never could pinpoint why, and I think I managed to in this post, so there’s that, ha. 
Now, it’s getting late and I’m very tired, so I’ll add my introspective thingy in a read more. It’s about 5k words and goes over a lot about Taka and Mondo’s interpretation in TPWP. 
Hey all! So, I wanted to go over something that’s been bugging me for a while in TPWP, though no one else seems annoyed by it. But I kind of am, so I just wanted to… I don’t know. Discuss it in case anyone else also has problems with it, but just isn’t bringing it up in comments. And the thing that I wanted to talk about is the fact that I’ve made Taka and Mondo so sexual in this story, despite this not really striking me as something Taka, in particular, would be like. In order to discuss all that, though, I have to go through a bunch of other explanations about what my main goal in this story has always been, as a kind of backstory. So, buckle up, my friends. This is a doozy.
 See, while I didn’t have much of an idea when I started writing, the one thing I knew I wanted to play around with was the idea of dismantling Taka and everything that makes him tick. In the game, he is shown as a strict, passionate, highly motivated character, spending so much time studying and trying to better himself that he lost sight of who he is other than that. He doesn’t have friends and confesses to Makoto that he doesn’t even understand how people make friends through connecting over things like television, since he’s so detached from anything other than his goals. The writers even comment on how he is almost mad with his passion and righteousness. 
 That whole persona seems so unattainable to me. I’m someone who seeks ‘perfection,’ right? I’m a perfectionist and it burns me so much to know that no matter what I do, there will always, ALWAYS be faults in the things I create. I put myself and my creations against others and always find myself lacking. It burns me and makes me feel so… I don’t even know. Unhappy.  Upset. Things like that. And I’ve gotten much better with this over the years, right? I accept that my work will not be perfect, and that anything I can create is enough since I created it and I enjoyed creating it. But the feeling is still there. The unhappiness. The discontent. 
 So, when I saw Taka and his madness to become better, I wanted to take that and see if I could deconstruct it. If I could break Taka down to his core, expose all of the secret little things inside of him that he must be hiding to present such a ‘perfect’ front, and turn it on its side. To give Taka reasons for his madness to better himself and then take it apart. Or, in other words, the entire premise I had for this story was to take Taka and break him down. And then, then I would build him back up. Into something less ‘perfect,’ less rules oriented, but a hell of a lot happier. Because in canon… Taka didn’t really strike me as happy. Not based on the things he would say to Makoto in both free time events and the school mode. 
 In order to do that, of course, I had to completely break apart the things that made him so rule oriented in the first place. And to someone who has spent almost their entire life building up this one persona, that sort of thing can be terrifying and uncomfortable. And it can lead to a lot of confusion and scrambling afterwards. 
 Chapter 17 was where I made the biggest break for Taka. I’d been chipping away at him for the first 16 chapters, and then 17 was the one where I took my sledgehammer and went to town. That chapter was the one in which Taka realized just how unhappy and discontent he had been growing up. He’d always stuffed that down and ignored it in order to keep going, forcing himself to ignore his pain so that he could become all that he wanted to be. He wasn’t even conscious of doing this since it was so deeply engrained in him by that point. Like I said in the very first chapter, Taka would run so fast and so fervently from his insecurities growing up that he didn’t even notice that they were occurring within him. Or if he did, he ignored them until it all went away.
 In chapter 17, Taka stopped being able to run. His feelings for Mondo created a huge rift inside him and he didn’t know how to handle it. And then, after his conversion with his father, he realized that he’d been forcing everything down for all of his life, to the point that he didn’t know who he was. He wanted to be an upright, moral individual, but how could he be if he is in love with a man? How can he be when he can feel such impure, base desire for someone, a man especially? And I’m not saying that there is anything wrong with a man loving a man, not at all! Just… it went against the carefully constructed morality Taka, personally, had spent his entire life forcing himself to abide by, and that was a huge blow to him. He couldn’t comprehend it and he just… fell apart. 
 But he didn’t fall apart alone. Mondo was there to catch him as he fell, was there to help gather the pieces, and Taka latched onto that. He didn’t know what was happening or why, but he knew that Mondo was a vital component to all of it. In a way… Mondo was everything to him. 
 The main point is that I wanted to break Taka’s character apart, mostly because I cannot imagine someone being that moral and upright while not being completely miserable (or without actually being completely immoral, like all those people who preach righteousness while actually doing horrible things behind the scenes without care). There’s a sort of misery in enforced righteousness, especially considering how horrible the world can be. I liked Taka and I wanted him to be happy. And I couldn’t, for the life of me, imagine him being the way he was portrayed in the game and also being happy. Maybe that’s just me projecting, but… I don’t know. 
 But deconstructing years of a carefully constructed persona is— like I said— terrifying. And for someone like Taka, whose entire life plan was crafted around a certain image? I can only imagine that would be like jumping off a plane into a black, inky darkness, no idea where you’re going to land. But Taka did that, because the only other option was to continue living with intense unhappiness, lying to himself to keep his sanity. But the problem with lying to yourself is that it gets so much harder once you know the truth. It can be done, of course, but it leads to even more unhappiness and pain and Taka… Taka realized that he didn’t want that. He didn’t want to be in pain anymore. He… he wanted to be happy. Which is an incredibly hard thing to accept when you’ve spent years silently accepting your own unhappiness as a fact of life. 
 As such, everything that has occurred since chapter 17 has been Taka’s attempt at constructing a new personality, in a way. A personality that marries the beliefs and goals he has always had while also combining them with a new sense of happiness and contentment in his life that before now he’s never felt. And this… this is so, so hard for him to do. 
 And it gets harder when his and Mondo’s relationship shifts. When he gets a taste of something he’d previously not allowed himself to ever, ever feel. Which brings us to the questions of why, exactly, I put so much sexual content into this story, despite it not seeming like something Taka would really want to do in canon.
 Because… it’s not about pleasure. Right? It was never about pleasure or desire. It was about Taka allowing himself to feel something that every human feels (or, you know. Not every human. But a lot). It was about making Taka acknowledge that he is feeling these ‘impure,’ ‘sinful’ desires and allowing him to feel it. And, of course, this can be overwhelming. Taka has never allowed himself to feel these sorts of things before, had always pushed them so far down he couldn’t even see them. So far down he could pretend they weren’t there. 
 But they were. They always were. Taka can feel desire and attraction. He can feel them just fine. The whole point of the sexual content was to show Taka that it is okay to feel like that and that it’s not wrong or immoral. That Taka can feel attracted to someone, a man especially, and not feel ashamed. But more than that, it’s about allowing Taka to acknowledge that can be who is he in general without shame. That he doesn’t always have to be ‘perfect’ or infallible. That he can just be… Taka.
 The biggest problem in all of this, however, is the fact that Taka is not the only character in this story. He’s not the only one going through a metamorphosis. Because Mondo? Oh, you can bet your sweet behind I was making Mondo go through his own metamorphosis, too. 
 Because everything I said about Taka up until now? I also feel about Mondo. I view Mondo’s tough guy, biker persona just like I view Taka’s upright, moral one. It’s a facade. Something that is hiding what is truly going on under the surface. It protects their soft, gooey innards, keeping them both safe whilst also providing them a sense of being. Of belonging. 
 But it’s not healthy. Hiding behind a persona, not letting your true emotions show. It’s unhealthy and leads to, you know… pain and unhappiness. And Mondo… Mondo also strikes me as a somewhat unhappy character. His disconnect in the game is less towards other people, however, and more towards himself. Makoto acknowledges many times after speaking with Mondo during free time events that he has a hidden side to him. A softer, ‘cuter’ side that he tries (and fails, ha) to keep hidden. 
 Like with Taka, I wanted to break Mondo’s carefully constructed persona and remove this hidden person inside him. I wanted to bring that person to the surface, finally allowing Mondo to stop feeling like he has to hide behind anger and rage and being ‘strong’. I wanted… I don’t know. To allow Mondo to not feel so ashamed of his weaker side, I guess. 
 This was a lot harder to do than with Taka, though, for a couple reasons. One, I was not writing from Mondo’s perspective in TPWP, which means all of his metamorphosis was being seen through the eyes of another. Which is not always easy to portray, sadly. For another, Mondo has a huge reason to keep his inner self hidden and locked away. Taka’s reason is shame and a desire to prove himself, right? This, in my eyes, is fairly simple to deconstruct. All you have to do is find a way to remove the shame and realize that it’s okay to feel what you feel. And yes, this is challenging, but… it’s not impossible. 
 Mondo, though? What’s keeping Mondo back isn’t just shame and a desire to prove himself. No. What’s holding Mondo back is guilt. Mondo feels guilty for his weakness. He feels guilty that his supposed ‘weakness’ killed his brother. He feels guilty that this same ‘weakness’ is preventing him from telling the truth, from accepting the responsibility for his supposed crime. Mondo, in many ways, hates himself. In this story, at least. And guilt is a much, much harder emotion to deconstruct than shame. There’s also the fact that I made Mondo an abuse survivor, which adds another element into this all that I won’t get into since this whole thing is already much longer than I’d initially intended, oof. 
 Anyway. The point here is that both Taka and Mondo are going through this metamorphosis at the same time. And I did this purposely since I wanted to have them help each other grow. Right? Because I view Taka and Mondo as very similar characters. They both have a need to prove themselves and a sense of inner righteousness that guides them in what they do. They just took opposite paths in their expression of these things. But ultimately, at their core, Taka and Mondo are very similar in my eyes. 
 Honestly, that’s part of why I had them hate one another in the beginning (on top of the fact that they didn’t get along in the game at first either, ha). That was each of them seeing themself in the other, and absolutely hating what they saw. Because they hate themselves. Because they cannot stand the persona they’ve created. Because it’s such a painfully false front that it’s almost offensive to them to see it on another. 
 Chapter ten was my way of letting them acknowledge a sense of self love for the first time. By accepting the other as flawed, but still fundamentally good, it allowed them to see themselves in a somewhat positive light for the first time. To accept that this person they once hated with all of their heart is… not that bad when it comes down to it. And not only are they not that bad, but they’re actually kind of amazing, really. 
 I… hm. I don’t really know where I’m going with this. I am very tired and am kind of just rambling at this point. I guess I just… I wanted to acknowledge that I’ve changed both of these characters a lot from canon, Taka especially. And this change has been expressed in a great way in Taka’s increased sexuality. And that I know this, that I know this isn’t really what canon Taka would act like, but that’s kind of the point. As much as I love Taka as a character, he’s kind of one dimensional. All of the characters in Danganronpa are. I think, in a way, they’re meant to be. But when you spend time with them, during the free time events and the school mode, you begin to see a slightly more well-rounded picture. 
 But it… it still feels a little flat to me. A little hollow. So, in this story, I just… wanted to flesh out these characters that I like and see so much potential in. I wanted to take them, give them tragic backstories, and see if I could find a way to give them balance. To keep them somewhat the same as they once were, to not fully remove their canon aspects, but not have that be their sole, defining characteristic anymore. Taka is still the Ultimate Moral Compass, and Mondo is still the Ultimate Biker Gang Leader. But that’s not all they are. Not by the end of the story. 
 Now, did I succeed in my plan? I… honestly, I don’t know. This entire thing was never something I consciously thought of while writing. It was more… a desire of mine, which might be why I’m having such a hard time describing it here, ha. It’s up to all of you to determine if I succeeded in writing these characters in a way that respects their canon characterization, while also adding a sense of balance within them. 
 Also— not to sound pretentious (though I know I am, oof. I always am when dead tired, sorry)— but in a way, this whole story was a metaphor for self-acceptance and self-love. And allowing yourself to find peace in who and what you are, no matter what. I made Taka and Mondo literary parallels in this story for a reason, giving them similar backstories (Taka was abused by bullies and neglected by his father; Mondo was abused by his father and neglected by his mother. Mondo’s brother died, leaving a hole in his heart; Taka’s mother died, leaving a hole in his heart. Taka watched his grandfather fall from grace and used that as a catalyst to ‘better’ himself, thus hiding all the unpleasant and unsavory aspects about himself; Mondo watched his brother die and used that as a catalyst to ‘better’ himself, thus hiding all the unpleasant and unsavory aspects about himself… etc.) to showcase this metaphor, in a way. 
 And it… it was to show that them helping the other grow symbolizes allowing yourself to grow, too. It symbolizes taking all the harsh and ugly parts of yourself that you hate, seeing it in another person, and realizing you actually love them, really. It symbolizes showing kindness to yourself for your faults, something I personally struggle with. By having Taka and Mondo love one another so fiercely, even without fully knowing why… it symbolizes, in my mind, letting you love yourself. 
 And, like… I know how pretentious this sounds, ha. And I don’t think I really succeeded in portraying all of this, unfortunately. But I just… I don’t know. I love the idea of Taka and Mondo and I wanted to write a story where they love one another unconditionally, while at the same time learning to love themselves too. 
 In many ways, I wish I had made this story take place over the span of a longer amount of time. Three months is just… it’s too quick to do everything I wanted to do in this story. Like I’ve said before, this story was never meant to be so long, word count wise. And a lot of what I wrote about here was not really planned when I started writing. While I wanted to deconstruct Taka, I didn’t really realize how long that would take, oof. Or what it all would entail. I thought three months would be plenty of time in universe, but then more and more things started happening, and by the time I realized it would need more time to progress naturally, I had passed the point of no return, pretty much.
 If I could do this story all over again, I think I’d make it take place over the span of a year instead. I’d start the school year in April, like it’s supposed to be in Japan, and extend the amount of time Taka and Mondo were enemies. I’d have them become friends shortly before summer break and when they come back, have them go through the beginnings of their friendship like I had it in the story, but allowing it more time to progress. Taka and Mondo would still have their fight on Halloween, since that’s kind of an important aspect of that chapter, but they’d have had a longer time to be friends before that occurred. And then, after that, they’d have their physical relationship progress a lot more naturally and less hurriedly, the relationship spanning from perhaps right before winter break begins to the end of the school year in Japan, which is March. It would give them more time to come to terms with everything and accept themselves. 
 Part of me honestly kind of does want to change around TPWP to do this, but it would change a lot of fundamental parts of the story, which would be a lot of work. And if I was planning on publishing this story, I’d definitely do it since I think it would fix a lot of the problems that I have with how this story progresses. Three months is not long enough to completely deconstruct your entire personality, really. A year is a lot better and makes more sense to me. But, as it stands, I… I like TPWP. Is it perfect? No. But… that’s kind of the point? Nothing is perfect and if I allow myself, I’ll keep digging myself into more and more holes with this story, and at some point, I just… have to acknowledge I did the best I could and move on. Also, I do think that having it take place over three months isn’t completely unrealistic. Not with how unhappy both Taka and Mondo already had been. And there are some things that would be unrealistic if it took place over a year, too, so… eh.
 I really don’t know where I’m going with this anymore, dear god. I’m going to go back to my original point real quick and hopefully finish this now hour long, rambling rant I’ve for some reason been going on. Jeez. 
 So. The purpose of the sexual content in this story. It— like a lot of other things in this story— was more meant as kind of like… a metaphor. It’s not about the sex, it’s about self-acceptance. Taka spent so many years denying himself and his sexuality, fearing it and feeling ashamed of it. By allowing himself to be sexual and intimate with Mondo, he’s accepting that aspect of himself and embracing it. But, because he spent so long denying it, he doesn’t quite know when it’s too much. He’s spent his life pushing down his discontent and discomfort to become what other people want him to be, and as such, he doesn’t quite know where his own boundaries lie. 
 And I’m going to be quite honest with y’all: Taka doesn’t enjoy the sexual acts quite as much as he thinks he does. No, I’m not saying that Mondo is taking advantage of Taka, or that Taka hates what they’re doing, not at all! Just… Taka feels uncomfortable with the things he and Mondo are doing, but because he enjoys the sensation and enjoys being close to Mondo, he pushes down the feeling of discontent, like he’s done all of his life. He just… doesn’t know what else to do. He knows he likes being close to Mondo, knows he enjoys the things they do together, but can’t quite put his finger on the fact that he doesn’t really enjoy being sexual. That he only likes the sexual acts because it’s the only way he can be close to Mondo in the way he wants, both physically and— in a way— emotionally. 
 And part of Taka does realize this, right? The deep, deep, hidden part of himself that only comes out at night when everything else is silent. I call this the ‘introspective’ part. But this is a hard part of yourself to access and acknowledge. Especially when you’re young. I, personally, am a very introspective person. It’s why I can write about emotions and feelings decently, and why I am currently writing this little introspective about TPWP. But it was a lot harder for me when I was a teen to realize what that introspection meant. It’s why I didn’t realize I had undiagnosed anxiety until I was eighteen and in college, which was ironically a lot easier for me than high school was. It took me being out of the situation I was in to look at myself and realize exactly why I felt what I felt, even though I knew I felt that stuff much earlier. 
 Taka’s still in his bad situation, though. He’s still struggling with the desire of what he wants and what he’s forcing himself to settle for. And, basically, he doesn’t understand why he’s unhappy at being sexual. He knows on a base level that he is, but he can’t quite place his finger on the why. Which is, as I’ve said, because it’s not really what he wants. He’s settling for having Mondo in whatever way he can because he thinks he has to. But it’s not what he wants, and it’s honestly killing him inside to be so close to his desired outcome, but not have it. He hates that the only way he can have Mondo is in such a shallow, debased way, but he’s forced himself to believe that this is all he will ever have, and that he must be happy with it or else he will lose it, like he’s lost every good thing in his life before that point. And the thought of losing what he and Mondo have is just… it’s too much for him. He’s still figuring himself out, still building his new personality from the ruins of the old, and he kind of needs Mondo to help prop him up as he does this. 
 (Which is, by the way, unhealthy in a relationship. It’s very codependent and can lead to some negative outcomes in its own right. But this rant of mine has been going on for almost two hours, so I’m not going to get into this right now. Just know that I know, and that it’s not intended to be portrayed as a good thing. None of Taka’s coping mechanisms are, which is why they all fail in the end, leaving him discontent. But as of now, Taka kind of needs Mondo, so he’s overlooking the potential negative outcome and is just allowing himself to have Mondo. Make sense?) 
 In the end, the only way for Taka to fully come to terms with everything that is swirling within him is to have Mondo acknowledge the love they share for each other, since he can’t accept everything about himself until Mondo does. He needs Mondo to look at him, look at his flaws, and say ‘I love you no matter what. You are not perfect, but I still love you.’ And while Mondo has done this to some degree, it’s not the love Taka not-so-secretly desires. But, like I said earlier, Mondo is going through his own metamorphosis and isn’t quite at that stage yet. 
 All of this comes to a head in the last three chapters of TPWP. Does everything get resolved by the end? No. Of course not. There’s just not enough time for that. Discovering yourself takes years, really. And you never finish. Even if I had elongated the amount of time this story takes place to a year, there still would be things unresolved when the story ended. 
 That being said, the main problems both Taka and Mondo are going through reach a conclusion. I don’t want to go too much into this to prevent spoilers, but just know that everything I brought up here? Gets some form of acknowledgment in the last chapters and gets some manner of resolution. And everything else was initially intended to be resolved in sequels, which may or may not be written, who knows. But TPWP ends in a way that even without further writing from my part, I firmly believe that all of y’all can see where Mondo and Taka will go from here. That it won’t be easy, but that they will eventually figure themselves out. 
 So… yeah. That insanely long and complicated rant boils down to this: Taka and Mondo being sexual is not really about them being sexual but is about them understanding and accepting their love not just for one another, but for themselves, too. It’s a catalyst. And I didn’t go over Mondo’s views on this all, and I won’t since this has gone on so long (plus I’ve not written Mondo’s perspective on those chapters yet, so even I don’t fully know, though I have ideas), but believe me when I say it’s more than just sex for him, too. That’s one of the reasons why I didn’t really want to categorize this story as explicit at first, since it’s never been about the sex to me. It’s… more than that. 
 I don’t know if any of this made any sense, but I think I’m going to stop now. Maybe I’ll go back when I’m less tired and expand on this (and I’ll let y’all know if I do, writing after this break if I added anything or not) (I added a little to some parts and took out a couple of parts, but mostly this is the same thing I wrote between 5 and 7 am when I couldn’t sleep, ha), but for now, I’ll leave it. 
  ~
And— final thing (that I added after trying to fall back asleep and failing, ha)— maybe I’m being more pretentious about my writing than it deserves. Maybe I’m saying all of this to try and excuse the flaws in my writing, like I always do internally. But… I don’t know. This is legitimately the sort of thing that went through my head whilst writing. I knew I wanted to put these elements in my story, even if I wasn’t consciously thinking about it, but trying to do all of that is just… hard. And I’m limited as a writer, I’ll acknowledge that. My thoughts are too big for my head and trying to write them all down is complicated for me. It’s why this little introspective is so long and rambling. It’s my way of trying to not just get you all to figure out what I mean, but also get myself to understand it. Because, while I know what I mean on an abstract, metaphysical level, I don’t really understand it all myself in a concrete, definable level. And this rambling is me trying to make sense of that. Does… does that make any sense at all? Or is this just gibberish? I don’t know. I think I understand it, but I have no idea if anyone else will. ¯\_(ツ)_/¯ 
 Anyway. I hope this didn’t come across as too pretentious or like I’m trying to show off how ~~intellectual~~ I am. That’s not my intention at all. It’s just… it’s how I think. And it’s how I show myself to the world, in a way. My written work is always so personal to me. I put a lot of myself into my work, sometimes intentionally, but often unintentionally. And I’m not saying I went through any of what I put Mondo or Taka through. In fact, almost none of it relates to my life at all. I was never abused by anyone, nor was I bullied in school. I have a fairly good relationship with my parents and was well liked by my classmates, even when I didn’t really go to class often due to illness. I am not impoverished, nor have I ever really faced high expectations from family or the people around me. I’ve never really had to anguish over my sexuality, since I accepted myself as asexual pretty easily, though I still struggle to be open about it with everyone. And I’ve never lost a loved one.
 So… no. It’s not that I’ve gone through what the characters have gone through. But… the emotions. The feeling. All of that… it’s me. Even if it’s imagined or created, I feel everything that I write and put down. It’s why angst comes more naturally to me, since I’ve felt a lot of negative emotions in my life. And most of it is self-inflicted. Like… I mentioned that I never had high expectations from family, but I did from myself. I expected so, so much from myself, and I still do. And while I was always well liked by my peers, I still felt alienated from them, like I… I don’t know. Didn’t really belong. And I feared that if they ever got to truly know me, THEN they’d hate me, and that was just… I don’t know. Too much for me. The thought that these things could happen. That I could have good things and then, through my own personal failings, lose them. 
 These fears are where I come from when writing. My fear of being hated and isolated. My fear of never being enough. My fear of letting everyone down. My fear of always being alone and losing the people I love. I write about it in my stories and I… I find a way to fix it. To show myself that even if something like that did happen, it… it can get better. You can still be loved even if you are flawed and kind of broken inside. And maybe I don’t believe that I ever will find love, maybe I can’t believe that anyone would look at me like that if they truly got to know me, but it’s still nice to read about it. To see my fears in characters I love and have them be okay in the end. It’s why I always like to have at least somewhat happy endings in my stories. I need to see that it’s okay. That even if the worst-case scenario happened… I’d still be okay. 
 (Also, I know people are going to ask this, but please know that yes, I am okay. I get like this sometimes, where I think a lot about stuff, and it can be overwhelming, which is why I write it down. It’s funny that I’ve never had a diary or journal, since it seems like something that would help me, but writing things down for my personal perusal never made sense to me. It’s why I always post things like this. It’s really personal, but it helps me feel better. Like I’m being understood in some way. So, just… know that I’m doing alright. I just wanted to try and explain something that has been bugging me in this story for a while now that I finally found the words for. And by letting it out into the world, I can remove it from my chest, I suppose. But introspection doesn’t really upset me much. It’s cathartic more than anything. Painful and confusing while going through it but relieving once it’s done. All I ask is to be heard, that’s all. And understood if possible. If you’re willing.)
 (Also also, please know that I wrote this little introspective several days ago while very tired, and I’m over this burst of emotions by now mostly. So, again, I’m really okay. And I’m not pulling a Taka, trying to pretend I’m doing alright when I’m not. I do mean it, ha.)
 (Also also also, but y’all can see where I get my writing style from when looking at this, ha. This is basically my thought process written down, which is why TPWP is written the way it is. I write like I think, which is long, rambling, and emotive. Just a little fun fact. ^-^)
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boomerang109 · 3 years
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*looks at my fic, which hasn’t been updated in 4 weeks (other than edits because i Didn’t Like It) and i’ve now driven myself into a horrible writers block immediately after outlining the entire thing possibly because i have outlined the entire thing and i forgot where i was going with this but am i sending it anyway yes i am please god tell me to write someone threw my motivation out the window and it’s all muddy now and i don wanna touch it oh god what even is that metaphor see what i mean about the writers block anyway ily cant wait for the next chapter of wwda get it out when you can don’t stress ily bye*
don’t tell me why my brain is like “yes we can answer this but we’ll combust if we look at any messages.” there’s no logic but i’ll get around to your messages and everyone else’s there. (to everyone waiting for like two sentence answers who’s seeing me post paragraphs, i’m sorry. the braincell does not function)
the way that i’m in YES! i can help! mode even tho i myself am lowkey in writer’s block which means i’m not qualified at all ajfhjghfgfdjghj
first of all: outlines are just to guide you. they stress me the fuck out too (which is why i’ve refused to put my wwda outline to paper, despite the fact that this means the timeline is absolutely fucked. like it’s in my brain, but if i put it on paper i’ll try to stick to it and i’ll freak out--see my month long break when i had an “outline” for chapter four). you can have goals for chapters (ie, lay groundwork for foreshadowing/character development/etc) but overall? just let yourself sit in front of the computer and vibe. don’t think about where you’re going, just think about where you are. 
“i don wanna touch it oh god what even is that metaphor see what i mean about the writers block“ this? this is you judging yourself while you write and i don’t want to see ANY of that shit. writing is a process and editing is a thing, but when you’re doing your first draft you just gotta word vomit. sorry that’s a gross phrase but that’s what i do. and honestly? most of wwda is barely pieced together word vomit. idek why anyone likes it, but they do. and even if they didn’t--nothing would exist if you don’t put something to paper to start with.
apparently this advice doesn’t apply to everyone (i still can’t process @hella1975 ‘s writing technique like what the actual fuck) but for me one of the big things with writer’s block is starting where i want to start and just writing whatever fucking scenes i want. idk if that makes sense so i’ll put it into the context of wwda. so when i was still in my fucking intensive class i wasn’t writing cause i didn’t have time except for like a few minutes before bed at like 3am. now at 3am i’m not gonna write suki and azula being rivals cause i can barely handle that dynamic when i’m Focused. but at 3am i’m sad as fuck and i generally like to peruse the ao3 dadkoda tag, so instead i just wrote my own dadkoda scenes for much later (although they’re not actually that far off) in the fic. are they gonna need some editing cause i was just like ‘maximum angst even tho this scene is supposed to be about healing’? yes. yes i was. now the other day on the plane (when i really should’ve been working on an essay i didn’t end up finishing) i was like okay, i need to work on something actually relevant to chapter 12. but i’ve worked myself into a corner with my azula & iroh scene so i didn’t want to deal with that bullshit on two hours of sleep and also being called “miss” and other female terms in the airport got me all in the gender feels so i was like oh! i’ll write some more enby aang! and i wrote this like gorgeous passage or two on aang’s gender feels. and yeah, it probably makes no sense for aang cause i wrote it from a pov that was too much me and not enough aang, but the point still remains. i skipped to a part of the chapter that was important to me. and then i realized that aang could be having these thoughts in the context of another scene which led to . . . and there i was with somewhat of a complete thought for the chapter. 
also along those lines, if you’re having writer’s block you gotta look at that block. what’s wrong? is there something wrong with the story up to this point? is there something you don’t like about where you’re going? is there something you really want to write that you’re not letting yourself write? 
cause the thing is, we’re not professional authors. we’re fic writers. we do this for fun cause we love the characters. so if you’re not loving the characters for some reason, you shouldn’t force yourself. take the pressure off yourself. this fandom is so supportive, they’re not going to rush you (literally look at the fact that even as you say you’re excited for wwda you also tell me not to stress) and remember to apply that to yourself. it’s okay to need a break, whether that’s cause the vibes are off or cause you’re tired or any other reason. 
i tried to write a bunch of different thoughts cause i know different things work for different people, i hope at least one of these ideas help. i literally haven’t looked at wwda even though i really want to be writing (and i still haven’t been reading fic). sometimes our brains just don’t cooperate. and yeah, i could sit here and yell at myself and go “what the fuck boom you’ve been looking forward to writing for literal weeks and now you have time and you’re doing other stuff what is wrong with you” and sometimes it’s really tempting to give into that. but the truth is i don’t usually do as much work as i did the past few weeks on as little sleep as i got so i’m really fucking tired. and so i’m giving myself a break. and i’m just not emotionally prepared to read fic cause--oh oops i hadn’t admitted to myself until right this second that i was avoiding fic cause i’m suppressing my feelings that kinda hurt wtf this wasn’t supposed to become therapy hour wtf. but as dumb as all that feels to put, i’m not gonna delete it cause i’m sure you’re gonna read it and say something along the lines of “it’s okay to rest and wait to read/write if that’s what you need!” cause you’re a nice person. so say those things to yourself IF that’s what you need. but if you’ve been sitting in bed for weeks and don’t have any reason not to write, maybe it’s time to word vomit. or if you have a problem with your story maybe you should look at that. just, do whatever works for you but be gentle with yourself. give yourself the same kindness you give others. whenever i’m not sure how to handle something (or how to treat myself ig), i’ll ask myself how i would give advice to a friend. so maybe try that. look at yourself, your writing process, your fic like it’s a friend’s and be like hmm. what would i recommend my friend do? and if weird rambley advice that probably displays my many years of therapy is helpful to you, then know my inbox (and my messages that i swear i’ll answer some day) are always open. i’m not gonna read this over cause i know if i do i’ll be too embarrassed to post so i’m just hoping it’s helpful. much love <3
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Sleepless Nights
So....this is my first ever blog post. Some pretty exciting shit. I don’t really know how this is supposed to work but I figure it’s what I make it and I choose to make it like my own personal online diary. Only a diary complete strangers on the internet from all over the world can read but hey YOLO right? 
Now where I usually prefer writing my diary/journal entries out by hand and in a cute little leather book that sits on the cardboard box next to my bed that I use as a nightstand. For some reason I just really felt like making a blog dedicated to the random thoughts and ideas that run through my mind. Also, I plan for this to be a place free of judgement where I can bitch all I want about the woes of university. A place where I can be myself without fear of people thinking I’m weird because no one reading this knows me personally and can use it against me IRL. 
Ah sweet victory.
Victory of what exactly, I have no idea.
Anyway, I figure it best to introduce myself I guess. For anonymity's sake, I’m going to omit some info because ya’ll don’t need to know my whole life story really. And to be honest, I’m very afraid of stalkers among almost everything else in life so yeah.
I’m Sunny, native Canadian (and I don’t mean I’m apart of the Native community, I was just born and raised in Canada so don’t be getting your panties in a twist about it). Just beginning my university experience, albeit slightly late and behind others of my graduating class but that’s okay. I’m from a small town where I lived with my mom and sisters, I relocated to the city for school and this is me trying to cope/adjust to my new life. 
I enjoy reading and writing as well as partaking in sports like soccer, baseball, rugby, cheer, etc. I’m huge into film and television but more so trivia and fun facts then the technical stuff, I am not a film major. Horror films/television are one of my favourite genres next to fantasy and action/adventure, I like the adrenaline from jump scares and suspense because it brings excitement to my boring life. I’m also really big on history, have been since I was a young kid because I think it’s really interesting to see how different life was in different centuries. Also I think it’s super cool seeing historical figures being played out on TV and knowing that those people actually once existed. 
I honestly can’t think of the things I dislike right now, which I guess is kinda good because dwelling on the negative is bad for your health kids!
Also, I’m a super huge true crime junkie/dork. Something about the minds and crimes of criminals fascinate me and has since I was a kid, to say my parents worried about me as a child is an understatement. So if you tag me or @ me in a true crime post or something (I don’t know how it works on this site) I will 9 out of 10 times respond of reblog t or something. 
The Sidemen are my babies and I’m in love with all of them. They’re great for making you feel better on a shitty day and I love spending my time being in school and watching documentaries while procrastinating a paper that’s due in a week. 
That’s basically me in a nut shell, don’t really know what else to say but I guess if ya’ll have questions and give enough of a fuck to send them to me I’d definitely answer them. But that’s also if anyone is actually even reading this. 
I started writing this post because in all honesty, I can’t sleep and it’s almost two in the morning where I’m at. I’m used to it by now because for the past maybe eight months to a year I’ve not been able to sleep unless I’m completely wiped out. Also doesn’t help that my roommate (who I love dearly, don’t get me wrong) is always insisting on sleeping with her fairy/tea lights plugged in and those motherfuckers light up the whole goddamn room. I don’t have the heart to ask her to unplug them when she goes to bed, the semester’s almost over so its pointless. 
But that’s not the only thing occupying my mind at the moment, I may or may not be looking for apartments/condos with two girls I met in January by the end of the week. It scares the shit out of me to be brutally honest. I don’t do well with change and I was planning to live on residence again next year but if this goes well that won’t be the case anymore. Change is a scary thing but it’s necessary in order to learn and grow as a person and I know this but I also know that that doesn’t change how scary it is. 
But also doing scary shit is what life’s all about right? 
I’m just worried about having roommates in general, about us having problems and clashing and all that. One of the girls I may be moving in with is very forward and speaks her mind without giving a shit about what anyone else thinks. I am very much the opposite, I grew up in a very confrontational house hold so I’ve had enough of it to last me nine life times. So I tend to stay on the quiet side and keep my opinions to myself unless I feel its necessary or someone actually wants to hear it and won’t get all pissy about it. 
I’m also worried about getting tired of the social interaction, I’m an introvert and spending time with people for long periods of time makes me anxious and drains me. But despite all of this, every situation has its silver lining and I get excited thinking about it in my situation.
I’ve never lived in my own place before so that’s super exciting and I’m just excited that I’ve made friends since being here. Both very good things, also I feel like it will force me to come out of my shell more, and one of my potential roommates is with a guy who’s a bodybuilder and encourages her to go as well. She’s becoming a huge gym junkie and that I feel like will also be motivation for me to go as well, I’d also get a gym buddy out of it so that’s be awesome. 
I know it will be a good thing but there has been a lot of change happening within the last three months for me. It’s just all been very overwhelming as it would be for anyone, especially a teenager whose year has been all change and quick last minute decisions. 
Any of you have similar experiences? Lets swap campfire horror stories, it’ll be fun I promise. 
Anyway, this has been very long and rambley and all over the place but hopefully I’ll get better at this in the future. I don’t really know how to end this but I guess I’ll just leave it with if you have any cool true crime stuff or history or movies or edits, anything like that, don’t hesitate to share it with me! I’d love to see it.
-Sunny out
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