Anyway let’s finally talk about
Dark Magic’s Cannibalism Motif
Dark magic has been compared to many things in fandom, most notably hunting by those who see nothing wrong with dark magic itself. However, I’ve always seen dark magic as been more adjacent to cannibalism — the consumption of self and others — as far as motifs and explicit explorations in canon go.
This is for a few reasons, most notably Sarai’s speech in 2x05. In it, she critiques the labelling of the Magma Titan simply as a monster, instead positing
Does it think? Does it feel? Does it have a family? Or is it the last of its kind?
Simply put: is the Magma Titan sentient like a “human” (whatever that means) and therefore is murdering it much more ethically complicated than we want it to be? Is seeing something as a monster — as dark magic parts — the easy way out of the problem we’re in? Harrow is able to extend not seeing some lives as inherently more valuable than others on the basis of birth and borders to Duren, but he is unable to do so with Xadia.
For example, if the Magma Titan is fully human in thought and feeling, but just speaks a different language — how would you feel if the spell had required an elf’s heart, meaning whichever unlucky elf they came across first would be slaughtered? What if it required an elven child’s body parts? Would you see the fault line then? Would you stare down the slippery slope and see the bottom?
While I think most dark magic spells that require only animals and plants and no magical creatures to be much more passable, even that is an ethical pit. What constitutes as an animal vs a sentient being in a world where some animals can talk? Is talking the basis for human intelligence, when plenty of humans do not talk and have routinely been ostracized and abused for it by society, seen as ‘less than’ to begin with? What if a magical creature is considered ‘sentient enough’ to not be magic parts in one kingdom, but not enough in another?
Dark Magic is inherently about finite consumption. You have the materials for one spell at any given time; if it is going to be performed again, you need a repletion of these materials. (The one exception we see seems to be Claudia’s snake bracelets, although who knows how they’re enchanted.) Season three ramps this up further by showing how you can consume dark magic and how it can consume you — literally — particularly in the case of Viren.
“He swallows your heart.
He swallows your mind.
He swallows your power.”
Translated dark magic spell from Aaravos when he and Viren are attacking Zym in the exact same way Ziard used in the 3x01 / 1x01 flashbacks with the sun birds. Time and time again, we see Dark Magic focus on parts and things rather than people. Dark magic, while it can use all parts in the body, even off handedly derides certain things and beings as useless. Additionally, organ harvesting every part of a person’s body is not the ‘winning’ solution here, either.
We see this in the way Viren, Aaravos and Claudia both treat other people like they’re inherently disposable (Rayla, the human soldiers - who although they fight, Ezran regrets and at least tried to give them a path; Kasef’s anger, the rulers’ lives, Khessa, Aaravos with Viren and Claudia, etc). We can also see this in the way Claudia only sees the parts of Viren she wants to, rather than seeing him for who he wholly is and who they are both becoming.
So what is cannibalism, exactly, as a motif? Well, at its core, cannibalism is a transgressive motif, per the violation of the self and of personhood, and very common in the Gothic literature space in particular, although it pops up everywhere. Feeding on human flesh is routinely seen as a bad thing in the source materials (using that term loosely) TDP draws upon, like Greek Mythology (the Minotaur, who is half human in nature and in birthright with a human mother; Tantalus, who slayed his children and fed them to the gods and was punished accordingly).
It also speaks to the religious Christian symbolism Viren is given in S3 (death and resurrection, parting a literal red sea, “only beloved son,” “do not be afraid,” etc). This lends itself perfectly to his God and martyr complex, believing so much in sacrifice of both himself and ultimately of others for ‘the greater good’ that only serves to incite more violence in the future. Christianity mythos is steeped in cannibalism with the body and blood of Christ being a literal belief in many denominations, including the one I grew up with (hi Catholicism). Furthermore, we see this cannibalism motif repeated more than once throughout the series:
CANNIBALISM is both a concept and a practice that may involve diverse themes of death, food, sacrifice, revenge, aggression, love, and destruction or transformation of human others. The many and varied examples of cannibalism are difficult to summarize, except in terms of the widespread idea of the human body as a powerful symbolic site for defining relations between oneself and others and marking the boundaries of a moral community. In violating the bodily integrity that prevails in ordinary social life, cannibalism signifies an extraordinary transformation or dramatization of relations between those who eat and those who are eaten. When it occurs in religious contexts, the act of consuming human substance commonly represents an exchange between people and cosmic powers, promoting union with the divine or renewing life-sustaining spiritual relations.
This is the crux of Harrow and Viren’s disagreement over the Soulfang spell and the breakdown of their relationship, as Viren continues to push the moral boundary of the castle community while Harrow has his eyes fully opened. Aaravos is similar, with violations of the body and consumption of the other being a crucial part to furthering his and Viren’s bond.
TDP in some ways takes it one step further, violating not just the body but the spirit and the soul in some of the worst dark magic spells, hollowing out not just the victim’s body as a site of trauma, but the spellcaster’s body as well.
We see this in Bloodmoon Huntress as the endgame. Kim’dael has been capturing and consuming elves - including children - for centuries, using their souls and bodies the same way Viren uses his butterflies. And we know from the coins and Through the Moon that souls used often in Dark Magic do not receive peace to the same degree as those who are allowed to rest, with both the assassins and the corrupted soldiers from the Storm Spire.
Dark magic destroys the world in an unsustainable way, as it can never be sustained by its nature; not in its ingredients, and not in the toll it takes on the user. Its endgame form, that we’ve already seen come to pass more than twice, is organ harvesting of children or innocent beings. The horror of cannibalism is desecration of the self through desecration of the other, of dehumanizing another person enough to use them on the most base level possible as food.
And well, that sounds like Dark Magic, to me.
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