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#what is consistency let me draw my self-indulgent character traits
canarydraws · 1 year
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Hey y’all, here are some process stages for one of the more recent illustrations I did!
My sketches have never been very detailed. I remember being inspired for a pose while scrolling through pintrest and just threw some lines down on a page. I think more about the general pose and feeling I want more than the worry of anatomical correctness because I know I’ll fix it as I go.
In the next stage I establish stronger more contrasting colors and start to define the form of some shapes. The anatomy is still bad so at this point I’ll start to use the warp tool to move things around and adjust proportions. I also end up using the selection tool to cut various parts of the figure apart in order to put them back together in a way I like (I do not recommend doing this lol the sooner you can establish a solid foundation the better because it’ll save you a lot of work as you go. I just have a really hard time seeing my mistakes until I have something visual to work off of.) I alternate using the warp tool and selection tool and painting again and again until I get something relatively presentable like what I have at stage 3!
At this point all I have left are color adjustments and tweaking some small details. I usually don’t make such drastic color changes at the end of my work because I’ll have found my desired pallet through rendering. However with this one I wasn’t yet sure if I wanted a strong blue bg to contrast the orange of Lucéena’s eye or if I wanted the eye itself to be the main point of color. I knew I wanted the eye to stand out so I thought it was worth trying some things. That’s also why I decided to leave some parts messy in the final piece. I wanted the most well-rendered area to be Lucéena’s face to bring attention to that new shines eye she has.
I hope this was interesting and insightful!
With every illustration, I start off with a loose sketch. At this stage I’m not worried about perfection, my lines are more to serves as composition guides so I know where things will roughly go. If there are parts of the illustration that I know I want to put a lot of detail into (such as the face) I will often give that part more time. Then, I jump into colors by laying down flats behind the lineart and then beginning the process of refinement with a new layer on top. At this stage I would have 4 layers, 1 as the bg color (the blue expanse), 2 as the flats of the character, 3 as the line sketch, and 4 as the rough detailing. After this the number of layers I uses depends on how much of the illustration I want to preserve from itself or how many layer filters I end up using (to tweak color and lighting). Still, my illustrations always start with these 4. Once I get to a rendering point similar to stage 2 I start worrying more about the “correctness” of my structure and how I can make the anatomy more realistic. To do this, I like to duplicate then merge all of my layers, excluding the bg layer. Now I have my character one one whole layer and the expanse of blue on another. I have the individual layers still on hand if I want to refer to my og sketch but at this point having them all as one is easier to work with because to tweak the anatomy of a character I usually cut them up into parts and move/warp them to be more precise. Is this the most effective method? Probably not, but I rely a lot on the warp tool to get the exact shapes that I want. And seeing shapes for me is a lot easier when I have some color and value to work with. (I’m not a very “line visual” person if that makes sense XD) The rest of my process is a combination of rendering and adjusting details with the warp tool. At the very end I did some color adjustments (seen between stages 3 and 4) to see if I could get them closer to the initial feel that I wanted. Because I drew this to showcase Luceena’s new magic eye I wanted that to be the focal point of the illustration. So not only is that the place I put the most detail into, it’s also where I wanted the most color to be. I thought that having a blue bg would contrast nicely with the orange of her eye, but I ended up desaturating the whole piece and let that one note of color stand by itself. Lucéena also received her eye in the Shadowfell so the grey, drab vibes ended up fitting perfectly!
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comicteaparty · 4 years
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November 13th-November 19th, 2019 Reader Favorites Archive
The archive for the Reader Favorites chat that occurred from November 13th, 2019 to November 19th, 2019.  The chat focused on the following question: 
When reading a new webcomic for the first time, what qualities are more likely to turn you into a long-term fan?
carcarchu
Definitely creativeness and how unique the overall concept is. If i think i can pretty much guess how the story is going to play out I'm less inclined to stick around and tune in every week (though i might queue up a bunch of chapters and binge it if i still like it enough). If a story keeps me on my toes and there's cliffhangers every chapter it makes me want to come back every week to find out what's going to happen next and that consistency makes me want to stay until the very end. Also i tend to read mostly romances so if i really like the ship that the comic is pushing i'm much more likely to keep reading it
Cronaj
For me, it's character development. While the art style or plot concept might draw me to read a comic initially, it is the characters that make me stay. If I feel like the characters have realistic enough motives or emotional journeys, I start to see them as real people. I cry with them, laugh with them, and mourn with them.
Batichi
I need to get a good idea of the 'hook' in the first 20 or so pages. I really need to know if the comic itself knows what it wants to do before it's really started. It can be through set up or character intros or world building like Chirault http://chirault.sevensmith.net/, or even a good random encounter like in Ghost Junk http://ghostjunksickness.com/ to get me into the action really fast, or starting In Media Res like O Sarilho http://sarilho.net/en/ . I need to know the creator knows where the story is going in some capacity or I'm worried the comic will quickly stagger into a hiatus. Technical parts can still be a bit wonky as I know from experience most creators need some practice, but I still need an idea they're getting to (without having to read the about page)
Most comics I've read that kept me going always seem to have really well thought out starting points that continue all the way till the end.
keii4ii
I look at how the narrative treats lawful characters. I usually have a hard time relating to chaotics, regardless of how well they're written (I may come to care about a chaotic character, but I'm gonna need something else to keep me reading until that happens). If the narrative portrays lawfuls as interesting and worthy of attention, and gives them compelling arcs that let them shine, yeah, that's probably my jam! Related to above though not the same: I love it when slow, quiet moments are given importance and handled well. (Related since quiet and lawful overlap?) Not just downtime so people can catch their emotional breath before the next set of busy scenes... but important enough to be seen as the focus of their own, if not of the story! This should show quite clearly in my own comic if I'm doing my job right...
keii4ii
Sombulus (http://sombulus.com/) by @Delphina is a notable example of treating lawful characters with respect, even though the comic as a whole has this wacky chaotic fun vibe. When I was first making my way through the archive, I greatly enjoyed the first adventure with townspeople turning into literal walking fruits, bread, etc. But then the trio went to talk to Tenge, and I was relieved that the narrative didn't "side with" the chaotic, irresponsible (though still 100% lovable -- I love you too, Astyr!!) main character. The comic managed to portray Tenge as being uptight without feeling unfair to me, a lawful. That is SO rare to see! (Sombulus as a whole does a great job at treating characters from the entire lawful-chaotic spectrum with both fairness and fondness. It is one of my favorite things about the comic. )
Delphina
(I saw I got pinged so I scrolled up to see what the question was, but I went too far and I thought you were saying Tenge was your favorite magical boy and I was dyiinnnggg @keii4ii )
keii4ii
(Tenge is totally my favorite magical boy too, now that you put it that way )
Delphina
Thank you! And thanks for the compliment on the lawful/chaotic dichotomy. Balancing how those kinds of personalities work together and how they're both strong in their own ways is really fun for me, and I'm glad it's showing in Sombulus!
DanitheCarutor
What can keep me reading depends on the comic. The hook can either be character interaction, the character's themselves, the setting, or the plot. With characters, how the they handle themselves and one another, how they think, how they talk, how they walk, how they DaNCe, how TheY LOVE! Lmao! But nah, I'm really big into character details, which individualizing characters to the extent that I like is rare in comics so I settle for standard stuff. As long as I can distinguish them, and they're interesting, I'm chill. Setting? A super fun thing for me, I love it when creators go batshit with their setting lore and world building. Of course even when the setting just pure aesthetic, when it comes to it being the hook for me as long as it's weird and crazy, something a little fantastical or cosmic I'm digging it! Plot. This is the one I least care about... as weird as that sounds. The story can be an insane mess as long as it's a fun and enjoyable mess, but when story does hook me it is usually an interesting, super intriguing take on a preused concept either with the use of visuals or writing. (Which every concept has been used, originality is technically dead) Some examples are: The Prometheite https://tapas.io/series/Prometheite - A sad Frankenstein story about a woman losing her partner to a fatal illness. Hookteeth https://tapas.io/series/Hookteeth - A lovecraftian/cosmic horror romance with merfolk. (Not much to say about this one, Lovecraftian stories in themselves are weird and awesome imo.) SUPERPOSE https://tapas.io/series/SUPERPOSE - A sci-fi comic heavy on character interaction, and looks to be something other than the usual in space, on a different planet, or a story where the sci-fi is just a setting. (To be honestly, I'm mostly into how the story is presented visually. It feels very theatrical.)
Sometimes I stick with a comic purely for the aesthetics, I'm a sucker for eye candy. LIke Seluda https://tapas.io/series/seluda - A normal-ass high school story, but the visual presentation is SOmething else! Very 60's-70's drug trip, the style of speech used by the MC is very surreal, if not a little long winded at times. I would chalk my interest in this comic up to characters and art, but mostly art.
keii4ii
Related: Astyr supplying the non-sequitur lines to keep that one machine going was also a favorite moment of mine. This is probably just me but I found it genuinely heartwarming to see him able to contribute simply by being his chaotic self, even without his magic. @Delphina
FeatherNotes
Honestly character design and a memorable interaction are easy hooks for me. I do like a good investment in world building however, it really helps for easy immersion and definitely makes it more enjoyable to read! The moment I see a creator indulge in some good backgrounds and lore, I'm pretty much sold! Phantomarine and o sarilho are really good examples of all those things http://www.phantomarine.com/ https://sarilho.net/en/
Cap’n Lee (Flowerlark Studios)
I read a really wide variety of comics. I’m not sure I can pinpoint exactly what trait it is that hooks me, besides just ‘good writing’. I like comics that have believable, relatable characters, well thought-out plots, and good character development. I’m immediately turned away by heavy reliance on tropes, stale, cookie-cutter characters, or achingly slow progression. If it’s well written and well-paced, there’s a good chance I’ll stick around and keep reading. Also, a bit opposite of what Keiii was saying above- I love a good rogue. The better the chaotic character, the more likely I am to be drawn in. I love stories that explore the moral grey area, that have villains with good redemption arcs, and have heroes that are deeply flawed but grow and learn. If the hero is always 100% on the good side and the villain is always 100% on the bad side, I’m more likely to lose interest.(edited)
FeatherNotes
Ohh yes agreed on that
keii4ii
@Cap’n Lee (Flowerlark Studios) I believe we may be looking at two sides of the same coin! I wouldn't be interested in reading about the Honorable and Immaculate Lawful Heroes Against The Forever Evil Baddies, either. Greyness -- or to describe it differently, "stories not picking a side" -- is something I like seeing as well, just through a more lawful lens. Back to the Sombulus example, it's one thing to portray a noble lawful hero. But Tenge was portrayed as being uptight, without making it feel like a jab at lawful readers. He has room for growth, but so does everyone else in the story. Reading Sombulus I feel like he can learn to become a happier person without becoming someone else. Lawful doesn't mean perfect nor boring, and that's something I really appreciate seeing.
Cap’n Lee (Flowerlark Studios)
That’s very true! I like when lawful characters aren’t perfect, though I gravitate more towards chaos, lol.
keii4ii
(Tienar may not be my tippy top favorite Ashes character (not yet sure who my fave is!) but I am definitely partial to him and his lawfulness. )
Pakky
i love chaotic lawful characters. one of my favorite characters was from a long dead webcomic called destress where the main character was lawful but also psycho. it was pretty fun to watch
sssfrs
I dont read a lot of comics but I love loveable rogue characters
FeatherNotes
Love me those chaotic stupid types too My comic's main char is one of them and it definitely makes for interesting interactions!
sssfrs
I like the dynamic my characters have. The leader of the group is smart and responsible, the second in command is smart and kind of lazy, and everyone else is completely chaotic, evil, or stupid
So the leader is herding cats
Glowbat (Aloe)
I think what really grabs my attention and chains it to the radiator usually is when there's a noticeable overarching thesis or themes to the comic that the creator is mulling over via the story. Usually as a result it really tightens up the whole story and seeing characters of all kinds representing different stances on the thesis and acting in ways directly reflecting that is neat.
keii4ii
^ Cohesiveness!!!!
Glowbat (Aloe)
Yeah!
Cronaj
I think it's interesting how most of us are drawn in with character development, even if the specific types of characters we enjoy are different.
keii4ii
^ Yeah, I fully admit that just because a character is well written/believable, doesn't guarantee I'll be invested in that character. I definitely have my types, as well as a horribly narrow and specific taste range
Glowbat (Aloe)
also the other thing that really draws me in is if you put a hot character with pointy shark teeth in I will read the entire comic always
Cronaj
I think my taste range is pretty broad with the characters I like, narrow af in regards to art styles
It's a horrible affliction really
@Glowbat (Aloe) lol, do you read Castle Swimmer?
Glowbat (Aloe)
...maybe
Phin (Heirs of the Veil)
I think what hooks me, when I start reading new webcomics, is how diverse and interesting the cast is and I think I'm more likely to stay on a superficial level if not everyone is conventionally attrative. Other than that, strong character writing and strong motivations for the characters that are already there in the beginning.
Cronaj
Character development!
Deo101
Things that keep me around are like... If I can read it, honestly. Like if i can follow whats happening consistently then i can get into it. Also! Depending on how it treats women, lgbt people and disabled people really makes or breaks my overall enjoyment. I like character driven stories most but I can enjoy other things and get into them, its nit very consistent for me
All about clarity and respect
Cap’n Lee (Flowerlark Studios)
Oh, yeah, the author respecting their characters and / or groups of people is a big must for me.
So I agree with Deo 100% on that
Deo101
Oh, and also how much they respect their readers and trust that i can follow things without holding my hand through it!
Cap’n Lee (Flowerlark Studios)
^^^that too! I am not a fan of over-explaining(edited)
Cronaj
I will say, the way female characters are portrayed does affect my overall enjoyment as well. For example, if a woman is so boring and placeholder (i.e. just there to help a man or be a romantic interest), as I like to call, suffering from "girl" syndrome, I really hate it. This is why I can't watch a lot of anime, because often the female characters don't matter.
Cap’n Lee (Flowerlark Studios)
Also, @keii4ii I think you may be the first person ever to say you like Tienar!
keii4ii
omg noooo Tienar I WILL ROOT FOR YOU, MY EAGLE
It's not that I agree with him a lot. I just really appreciate that he's there
Cronaj
But yeah, if a comic can't pass the simple Bechdel Test....
Cap’n Lee (Flowerlark Studios)
Hahaha, well, he’s definitely There
keii4ii
Re: the balance of clarity vs not over-explaining, that can be tricky!!
I too don't like over-explaining, but what I find to be just clear enough may be unclear to some, or too confusing,
Deo101
Yep :// so that one is really not on the author so much as just "if I dont know what's up or if I feel its dragging on i wont like it"
Jts not the kind of thing that you can do right for everyone
keii4ii
Agreed
Deo101
What my indicators for "is this respectful?" "Is this clear?" Etc are gonna be wayyyy different from other people's so its hard to say exactly what keep me reading
keii4ii
This is actually something I've been thinking about a lot. For Korean webcomics, the comment section generates a lot of engagement, and one result is that reading comprehension becomes a group activity. Particularly observant comments become highest voted, so even less observant readers can follow along by reading the comic and the highest voted comments. I feel that makes some stories more accessible than they would've been without that comment section culture.
Deo101
I wish that were commonplace lol
keii4ii
ME TOO
Their comment section is active enough that one time, a reader asked for toilet paper (they were stuck in a public restroom stall at Incheon airport, and only had like 20 minutes before their flight) and they actually got TP in time
But yeah, it's not just the activity level that I'm envious of. It's the group effort reading comprehension
I value it as a reader (I am not the most observant), and want it as a creator
Deo101
Yeah wow that sounds awesome and would also help me SO MUCH because I struggle a lot with following things...
keii4ii
OMFG
Before reading the sentence to the end
Deo101
Remembering, knowing what's going on or who is talking, picking up on subtle hints... Can't do that lol
keii4ii
I thought you were going to say "because I struggle a lot with public restrooms with no TP" sorrryyyyy
Cronaj
Hahahaha
Same
Deo101
Hahahahhaha
I usually just ask whoever is next to me if that happens
Cap’n Lee (Flowerlark Studios)
I wish western audiences were that engaged. Usually the top voted comments I see are either puns (fair, because puns are awesome) or thirsty (less nice, but if it’s a thirsty pun I admit to laughing out loud sometimes)(edited)
Deo101
Yeah same lee :/
I've been getting like .1% of my readers commenting and ive been like. Is my writing just not conducive to an interactive environment? This convo should probably move out of reader favorites. Creator babble it is! Lemme go over there w it
keii4ii
There was this thriller webcomic in which the MC was trying to assassinate 4 corrupt politicians for personal grudges. He already got three of them. The last one receives a large, round-shaped flower pot as a gift from his supporters. 3-4 weeks later (IRL I mean), it is revealed that the third target/victim was cut up into pieces, but they couldn't find his head. One reader pointed out "THE FLOWER POT!!!!!!" and I would not have been able to make that connection without that comment. I mean the flower pot thing was revealed the next update anyway, but it was nice to have that comment, and another highest voted comment even specificed "go to [this specific update] for the scene in which he receives the pot"
(The head was in the pot)
Deo101
Thats so fun
Cronaj
Oh my God... It's brilliant
DanitheCarutor
@Pakky221 Distress by Blankd, right? I loved reading that comic back in the day! It's sad that the comic got discontinued, but I have to say I'm enjoying the WIP work for the stuff the creator is working on now. Regarding the conversation about characters, I think I'm the niche person in the crowd. Unless the character themselves or the situation they're in is an obvious mouthpiece thing for someone venting their racism, sexism, homophobia, whatever political views, etc. I don't reeeeally care how characters are treated or used? I've always seen them as tools, even in childhood I was disillusioned about seeing them as real people, so it's hard for me to get emotionally invested in how the author treats them. I don't even care about my own characters outside of portraying their problems, personalities, and situations decently. Probably not a good mindset to have, and it'll probably dox me some points on the "good creator" scale, but it's just my thing I guess. Lol
Bland characters are a pain, though! If you can legit replace your character with a rock, and it would have the same impact or be a livelier option, then... that's kinda sad. (Unless your character has some kind of legit issues relating to appearing bland, or they're sort of the butt of a joke.)
Pakky
@DanitheCarutor o: i don't have any way to follow the creator. the blankd tumblr has been inactive for so long but i agree. Bland characters are my least favorite. There's a lot of comics out there that have some pretty plain main characters that are realllllly hard to relate to.
DanitheCarutor
Aah! Blankd's Twitter is still active, they're working on a game right now, and they've done a few -ahem- adult comics since stopping Distress. https://twitter.com/blankd_ec
Yeah, with bland characters I'd like to think the author is trying to make that type of Sue that anyone can put themselves in? But it ends up turning into the opposite because they're so dead on arrival that no one can relate.(edited)
snuffysam
kind of related to the idea of "i should have an idea of where the story is going at the start", but one other thing that keeps me reading is "the story gets there". like if the comic opens with an old man telling a young knight that she has to travel across the land and slay a dragon, cool! if i continue reading the comic for six months and they're still in the same conversation, i'm probably dropping it! like i get that comics update at different rates, but if you have like one page every two weeks you should probably make sure something interesting happens in the first 20 pages. and the sorts of comics i absolutely love are when, like, the stories actually move forward. like, if i can re-read a comic and feel nostalgia for the earlier scenes, that's how i really turn into a superfan.
Capitania do Azar
The group effort in this chat already pointed some very important points: that not all characters are conventionally attractive (tho I like that, it's not something that would make me stop reading if it were absent), well developed women and LGBT+ characters, and characters with strong motivations that are apparent, make sense in the context of the story and are known to us from the begining. That said, if the comic consistently treats me, as a reader, as if I were not very smart (by constantly overexplaining things, pointing again and again at the obvious, making me go through walls of text because world is more important than character and you need to read a bible to get through chapter 1), I'll probably not engage for too long. I gotta say that the visual style is also a very important factor. I am willing to look through what I consider to be minor issues (like small inconsistencies in drawing/scenario or characters being offmodel) for as long as it doesn't interfere with my immersion in the story. However, some visual styles are a big no-no for me, and I discover that I can't look past those and enjoy a story
Q @CecilieQMT making WAYFINDERS
This chat is very good - also for a first-time webcomic creator. As a reader, I'm almost a little ashamed to say that I'm very picky. Not because I don't like comics, because I LOVE COMICS, but becase I'm so goddamn busy all the time. Everything is constantly competing for attention, and for a comic to be able to hold that attention, it needs to be something extra special. For me, that's an engaging and developed visual style, a plot that gets going quickly, and a sense that the story has been planned. I love that so many different comics exist, I just can't read all of them and also be a creator.
RebelVampire
As a reader, I'm almost a little ashamed to say that I'm very picky. Not because I don't like comics, because I LOVE COMICS, but because I'm so goddamn busy all the time.
I think that's an important sentiment all creators should remember. People are busy. And like, not even just comic creators. I'm talking about basically everyone. Which means good and bad things. Bad thing is that it makes creating a highly competitive market because people are going to be super picky just for lack of time to be un-picky. But the good thing is it means the people who do choose to read your comic are picking it out of all the other comics that they could read with their limited time. And that right there is pretty special.
Cronaj
@RebelVampire That really is a beautiful sentiment.
@Q @CecilieQMT making WAYFINDERS I am also very picky about comics, which is part of the reason I'm so picky about my own work. This is why if an artist doesn't seem professional enough for me, I don't want to waste my time reading the comic, because maybe the writing is unprofessional too. I know I'm missing out on a lot of good content, but as you said, I don't have the time to read a comic and be disappointed when I'm further into it.
keii4ii
I too am picky about stuff, and it's not even because of quality. My tastes are a far bigger factor. Just because I don't read something doesn't mean I think it's bad!!
Cronaj
That is also true
Tastes also play a huge role into why I read or don't read something, not just the "quality" of the art
kayotics
I don’t think I’ve answered the question yet but I’ve been lurking. The first thing to grab me that might turn me into a long term fan is the art style. I don’t think the art is the most important factor but I need to be able to follow along, and if it’s not a style I’m interested in I probably won’t start it. The second thing is the writing in general. I like characters the most, more than world building. So interesting interactions are where I get the most enjoyment. The story could go almost anywhere but if I don’t like the main character I really won’t like the story. So the thing that will keep me going the most is a likeable main cast. And I don’t mean flawless, because that gets boring, but characters that I enjoy seeing fail, and then pick themselves back up again.
DanitheCarutor
So I slept in it and realized when I was talking about plot for my answer, it was actually themes... because I didn't talk about anything relating to plot. Lol shows how professional I am. With pickiness, is it weird that I'm more picky now that I'm jobless than when I was working fulltime? When I was pulling 10-11 hour work days I was literally a drifter, so they never had anything for me to do. I would find anything I could get my hands on to make the time go by faster, so I read as many webcomics as I could. Now I have all day to catch up drawing pages, trying to find a new job, helping my mom with chores, and doing obligatory family bs. I also want to try making some kind of revenue off my drawings/comic, so I've been trying to get in the groove of doing more things. (Which is difficult because pages take almost all my drawing time.) It's hard to find the time to sit down and read a comic now since staying productive is mandatory. Uuuh Tl;dr: I can empathize with being picky due to lack of time.
Q @CecilieQMT making WAYFINDERS
THat's the creator struggle, right? In creating, so much time is spent creating, that it can be hard to find time to consume
Q @CecilieQMT making WAYFINDERS
Ooh, yay!
Deo101
I think also as creators, we tend to have a hard time -if not an impossible one- seperating our work from what we read. I Know I tend to look at other things as a learning experience in some way, either thinking "how would i do this different?" Or "what about this can i apply to my work?" Which makes reading a different, more tiring experience
We may tend to* this might just be me i will admit
DanitheCarutor
@Q @CecilieQMT making WAYFINDERS It is! Sometimes I get so focused on the creating aspect that I forget to do all the other important things like advertising, socializing, promoting other people. Like playing video games, reading comics is an absolute luxury time waster so I don't do it as often as I could anymore.
Aw man! I do that too, Deo! Although it's something I actually enjoy? Something about analyzing a piece of media, and applying what you would do with it is fun.
Deo101
Oh I absolutely do enjoy it! But it takes more time and is draining for me
Cronaj
Definitely makes it harder to enjoy what we're reading
DanitheCarutor
Aauh yeah, that's true. Analyzing does take a lot of brain power and energy.
Deo101
Yeah :/ so to find a story i can really get immersed in is incredibly rare now...
Cronaj
I do this with books I read too(edited)
It's an awful habit
DanitheCarutor
Over analyzing everything is something I've been doing literally since childhood, so I'm used to it. My brain never shuts off unless I'm drawing.
Cronaj
I find myself wanting to rewrite other people's stories
Don't be like me
Deo101
I do it too and i think its just kind of how you think about things when you're a writer
DanitheCarutor
Pff oh no, I've done that too. Not so much now, but in elementary school whenever I watched a show or movie I hated, I would rewrite it.
Deo101
When you pick apart what you dont like or analyze what you do iy lets you apply those things to yiur own work. Its a valuable skill to have and i think its kind of automatic
Cronaj
Even my favorite authors of all time... I end up going back on a reread and wanting to change things that didn't work out so well
DanitheCarutor
It's a really good skill that not enough people have... at least my coworkers are pretty lacking in the critical thinking department. They say it's healthy to question, analyze, and long to improve.
Deo101
Some people are, and that's okay! Those are the people I hope are reading millennium ;)
Jk lol
DanitheCarutor
Lmao! Yeah, it's okay to be a person of simplicity, as long as they don't tell me the hyper-realistic Lion King remake is better than the original.
Deo101
Ahhahahahaha
Cap’n Lee (Flowerlark Studios)
I analyse every format of story I consume automatically . Comics, books, movies, etc. I find that it doesn’t take me away from immersion, but it DOES take away my emotional investment. I’m enjoying the story plenty, but I’m less likely to feel attached to a character or be sad when they die. It’s a very rare story these days that will actually give me feelings over the fate of the characters.
FeatherNotes
I can totally see that too though, esp with the crazy amount of works being produced, you def have to do some curating in a sense to see where you will make that emotional investment too
DanitheCarutor
Aaah I get that with horror movies! Lol But in seriousness, I'm the same way for the most part. My immersion is perfectly intact (unless something stupid happens), but my care investment in characters does waver. Usually it's easier when the characters are really weird, and catch my eye, like the corpse man in Swiss Army Man. I got super invested for some reason when he learned how to walk, then when he died again because his friend wouldn't fart in front of him. But normally, nah I don't feel much, especially for death but my views on that are kinda skewed to begin with.(edited)
So I realize I'm really into surreal comedy, if a character can actually make me laugh I'm more invested in their wellbeing.
keii4ii
Analytical reading is great. Though I rarely find myself wanting to fix other people's stories. I have creative tunnel vision and genuinely have no desire to work on anything other than the OTP (One True Project)
Same goes to my own ideas really? I get ideas but auto-filter them out, as I have 0 desire to work on them.
Cronaj
You are blessed lol
Every five minutes, I'm sitting there trying to convince myself to work on ONLY ONE PROJECT AT A TIME.
"Oooh! That's a cool idea! I should E x P l O r E that!
kayotics
I try to not analyze shows or comics unless I REALLY love them or I find them boring and want to be interested in them. For example: I’ll analyze the hell out of Full Metal Alchemist because I ADORE it, but the analysis stage came much later after finishing the comic. If I’m not engaged with a series then I’ll analyze what would make me more interested. I hardly ever try to rewrite other people’s stories
Deo101
Yeah i dony try to rewrite its more of a "what about this didn't i like and how can i avoid doing that in my own work?"
FeatherNotes
ohhh yes agreed Deo
kayotics
Oh yeah definitely. I will sometimes think about that, but usually it’s if something is really bugging me
Deo101
Yeah I partly do it because people sometimes just don't take "idk i didnt really like it" for an answer and I gotta explain. Also its kinda like a puzzle and I like puzzles
kayotics
Oh, on the topic of the question: one other thing that will hook me is whether or not the writing is exciting. For example, I mentioned being bored by some comics, but that doesn’t mean I’m looking for action all the time. What I’m looking for is for there to be something to latch on to. The most mundane story about laundry could be interesting to me if it’s written in a way that engages me.
A really good example of engaging writing in a mundane story is probably Sakana? https://www.sakana-comic.com/ The characters just. Work in a fish stall. But the story holds my interest even in the quiet moments because it’s crafted in a way that keeps developing the characters.
Cap’n Lee (Flowerlark Studios)
I can’t turn off my analysis mode. It just happens as I’m watching / reading in the background of my brain and there’s no control switch. Sometimes I wish there was so I don’t correctly predict the ending 1/4 of the way through and spoil it for myself. (I’m no longer allowed to make predictions along with my friends when we watch movies together).
Deo101
^^^^ SAME. BIG SAME.
My mom and sister are like that too so we all guess the ending and my dad gets lile >:( I Kno youre right and it's ruined now >:((
Cap’n Lee (Flowerlark Studios)
But agreeing with the above, I don’t want to fix another person’s story. I’m just always asking ‘What made this scene so effective?’ and ‘what made this part not so effective?’. I also map writing patterns, formulas, and file away ‘tells’ in my head as I go.
Me and my friends all like to talk during movies: making snarky comments or predictions. I’m just no longer allowed to do the latter because I will ruin the ending. XD
Deo101
Ahahahahahaha
Yeah I can't go to theaters I've been shushed so much. But its so hard not to talk for me
FeatherNotes
that's a very important skill to have with analysing things to the point of deconstructing them in your own work and making more effective narratives too! it's good to be aware of the content that you consume and really understand what made the work speak/effect you the way it did. Honestly these conversations are much more enjoyable to have than just 'my fave character is that bc they are funny' and it ends there (no shade on simply enjoying things here tho! I def do the same) but yea! being aware to that degree is a good skill for writing
sssfrs
@Glowbat (Aloe) You should read my comc
I’m sorry I’m like this I’m just so focused on what I’m working on its the only thing in my whole brain right now.
You said you like stories with themes and my mind was like themes? my story has themes
keii4ii
Calm down man! XD Though I can relate to brain being 100% focused on your OTP (One True Project)
sssfrs
I love analyzing media. I get bored of reading or watching things really quickly if I feel like I’m starting to understand the central message. Or maybe bored isnt the right word- more like satiated? If the work is really cohesive and Ive gotten the overall message I feel like ive fully enjoyed the media and had a good time
Like analyzing it is enough and then reading is just bomus
bonus
I’m so sorry
FeatherNotes
it's okay to be really into your own work haha! love that passion to keep you going--!
also the OTP acronym is rly cute omg
sssfrs
One True Project I just realized you saidb that that is really cute
Like I said I stop reading if I feel like I have the gist of something(edited)
I think its cool that a lot of us are saying we analyze things all the way and were also making our own stuff like does working on making your own thing cause you to view the details of the construction of the story in a different way?
DanitheCarutor
Like, does being analytical make us construct our stories differently than others? If so I wouldn't say it does for myself, but my visuals tend to get way overly detailed. To the point where important stuff tends to get drowned out, which is something I've been trying to work on. <_<'
keii4ii
It would definitely help with self-editing/ revisions, for one thing.
I don't think you need to be analytical every time you consume a story, but it helps to be able to turn analytical mode on?
Deo101
yeah for me its kind of always on unfortunately. if not when im watching then definitely after having finished
DanitheCarutor
Yeah, turning it off is near impossible. Ah thinking about it, I guess being overly-analytical kiiinda affects my story? (If that's what sssfrs meant) I remember some readers who've said they go back and forth to connect plot details, and the guy who does Webcomic Relief did a super small review where he went nuts analyzing everything. Even down to the reason behind my use of medium. Since I like analyzing I guess I subconsciously made a comic that can be analyzed, or something. Or maybe it's not actually that deep.
keii4ii
That makes sense, though. That we make comics that can be enjoyed the way we enjoy other stories.
I'm not much of a theorizer, so my comic isn't really optimized for theorizing. Though some people have still managed to come up with really cool theories!
DanitheCarutor
Pff I think every piece of media has those theorizers, it's just fun to do for some no matter if they're analyzing some deep piece or Blues Clues. I imagine those types of fans are fun to watch as a creator whether your work is geared for analysis or not.
Oh uh, I forgot to mention. Let me know if I'm getting a little out there, or getting off topic too much. Socializing properly is still something I'm trying to work on, along with the etiquette.
Cap’n Lee (Flowerlark Studios)
Yeah, I can’t turn off analysis mode either. It’s always running in the background.
sssfrs
I was saying more the other way around, like having experienced the process of creating a story, you think more about the work that goes into it and how the various pieces all come together in a different way than someone who's only ever consumed media linearly would be used to seeing it.
It could go the other way around too though that's interesting, then it's like "what drives people to make stories"?
RebelVampire
For me, there are three qualities that usually hook me in with a new comic. 1) An interesting premise. Not to say I think premises need to be unique, but it's more of a question is do I think it'll explore the premise in an interesting way. For an example, Maiden of the Machine https://maidenmachine.com/ It's not like steampunk is new or anything, but I really wound up liking the premise of it both being a romance and about high society politics with the steampunk setting. So, that drew me in a lot to keep reading. 2) A good balance of themes and story. I'm not a huge fan of comics that are more interested in exploring their themes over their story. I prefer stories where the narrative is the focus, and the theme feels like a natural consequence of the narrative. My example for this is actually the recent Week Long Bookclub comic Missing Pieces https://www.webtoons.com/en/challenge/missing-pieces/list?title_no=192867 I actually wasn't sure I was going to like it first, but I was super hooked once I started. There were lots of interesting themes to explore around death and revenge, but at the end, the story let me decide how to feel and focused on the narrative. 3) Theory-fodder stories. If there is lots of stuff to theorize about and that is easy to overanalyze based on the most miniscule of evidence, I'm pretty sold. This is the fact that really got me with Galebound http://www.galebound.com/ There were so many small hints and tidbits, both in the story and supplemental material, that I overread and overthought the heck out of this comic. I do wanna note, the things I look for and what hook me are arbitrary and based only on my personal preferences. There are a crap ton of objectively great webcomics out there that I have no interest in reading as a long term fan. Not cause they're bad, they just don't have things I'd personally enjoy reading in terms of being part of the comic's fandom.
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mariana441510-blog · 6 years
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