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normal-thoughts-official · 4 years

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magnus is this notorious pirate famous in the caribbean with everyone talking about him because of how successful he is. his quartermaster is definitely raphael (his care for his clan and how he cares for others solidifies this thought process) and their ship has some corny name that raphael pretends to hate but definitely loves. europe thinks that magnus and his crew are demons(racists fucks) meanwhile theyre out here being nerds who enjoys navigating the seas and ruining racists job prospects+

+cat and ragnor live on nassau with magnus bringing back supplies they sell(we love the blackmarket here). the lightwoods are brought into this world bc their parents send them off to nassau to try and expand the family's business and gain profit off of this lawless place which refuses to be governed by anyone. malec meets at like the local inn where maia works at also where izzy meets her and by association The Polycule)and is just attracted to each other right then and there with bad flirting. once they become settled in, alec and izzy becomes like disillusioned with following what their parents expect of them and start to actually do what they wish. because he's dramatic, alec probably asks ragnor who settled down from pirating for more lessons in sword fighting (hes not unexperienced but theres a difference from fighting on land and on water)

eventually magnus hears about this cue them dramatically learning how to fight on like this cliff top with their swords connecting (we love euphemisms for sex) and them bonding over magnus' book collection he has and them no longer doing what their parents expect of them (im imagining asmodeus as this well traveled trader or something who only cares about money rather than having humanity) and even though magnus is this pirate which is a profession that the "civilized world" looks down on, he's like the epitome of actually having morals and caring about people (pirates were known to drastically impact the slave trade as they often freed slaves and let them join their crew or they worked directly with maroons and indigenous people).

i imagine their first kiss to be when theyre training and someone has a sword pressed against the others neck because theyre horny bastards and they accept only the dramatics. their proposal/matelot is potc levels of dramatic with them fighting an enemy crew alongside The Polycule(the most badass and queer crew out there) and like halfway through alec is just like marry me and then next thing they know it raphael is officiating their marriage around dead people before they go on to have a better and more planned out wedding on shore (had to get some of this out now before i went too deep, The Poycule is definitely something i paid attention to most considering how big and complex the group is)

ugh not to add to an already huge post but

you are totally right about raphael being his quartermaster! raphael is a great leader and he cares so much for his people and he is one of the few people magnus obviously trusts, even as they have their differences. only other person i could imagine as magnus' quartermaster would be cat but like! raphael is perfect for the job! also i love the idea that he pretends to hate the corny name, he has to pretend to hate magnus' puns and jokes on principle but really he loves it

also "meanwhile they are all nerds" accurate, the whole ship is just a whole mess of people having fun and being family we love that for them

and ok not to slut for the polycule but i'm slutting for the polycule i just. aaa want to know so much more about them. i know you said they were already with maia but idk i can see many of them being part of magnus' crew? especially meliorn and tbh clary lmao she seems the type who would love adventure like that (i'm going with fanon clary here mostly) and i can see simon in both but i can also definitely see simon being in the inn with maia (god i have a half baked au that includes that) because being in the sea all day? no thank you. and they are just this nice local couple that helps all the pirates because fuck the racist law

also it's hilarious because they are so warm and welcoming and the lightwoods get there and simon is like "oh-oh. incoming" and maia is all like "what the fUCK do you want"

which lowkey backfires because izzy is just like "oh she's so fierce, i love her" and is already like, halfway in love doing the head tilt and huge grin thing (she's not creepy about it, just like, she likes it, you know? especially because in this AU izzy was raised as a Rich Girl so she's expected to be all that fragile useless white woman ideal and yada yada and she's not here for that so she's attracted to the idea of women like clary and maia)

and just like ghhgggghhh not to slut but i love the idea that they are in the inn and meliorn raphael and possibly clary are always in the sea so like! sweet reunions! not that they are usually going super far lmao mostly just stopping the slave trade and protecting the caribbean and shit, but that's a few months in between visits and i picture that at some point when they are getting to nassau raphael is just like, vibrating (you know, as much as he allows himself to) and magnus just smiles knowingly, happy that his boy has found people he's so happy with

and raphael getting into the inn and being like "simon! maia!" and simon and maia being like "raphael! meliorn!" and just crashing into this big group hug and it's all laughs and meliorn twirls maia and she giggles and simon kisses raphael's cheek and is all worried about them both (plus clary) because god what the fuck kind of shit did they get into this time, are they hurt? if he's broken another leg he's gonna- and raphael laughs and says "no, cariño, i promise all i have with me are gifts" because he's not gonna travel the caribbean and not bring stuff for his partners. so it's him and meliorn showering maia and simon in gifts and pretty and maybe stolen things (maia in particular takes such great joy in learning that her pretty new bracelet belonged to some racist bitch) like spoils you know? lmao, and looking at them it's like they haven't seen each other in years or something but no it's been like a month and it's always like that

and alec and izzy are just watching that, mouths slack, shocked, but highkey yearning for something as free as that, that loving family and that open love and meliorn's genderfuckery and just everything about them! and alec "conceal don't feel" lightwood is kind of frowning and goes "are they always like that?" to which magnus, behind him, answers "yes" and then he turns around and they stare at each other and magnus quickly goes from "happy for my boys" to "hello tall person" in a matter of seconds and is suddenly all seductive and flirty and alec is having the time of his life? especially since here away from the lightwoods he can allow himself just a little bit, and letting a guy flirt with him can't hurt, right? he knows izzy won't tell their parents. so he engages

cue terribly bad flirting, izzy smiling widely as she watches the polycule dynamics, highkey wanting something like that for herself, especially seeing the way that clary talks to maia all like "look at this SWORD" and all the adventures. and maia still doesn't trust her but apparently magnus has already hit it off with her brother so what the hell, they might as well stay

and just!! yes getting to know each other shenanigans. i picture that like the army gets there and tries to get magnus and his crew and alec and izzy are like running to them to warn them (alec not knowing quite why, he shouldn't be taking that big of a risk, he shouldn't be getting attached to a pirate - of whom he's only heard terrible things so far, thinks they are Evil basically - just because something about him is alluring and represents the freedom he doesn't allow himself to want, but... he is getting attached) and the whole gang is all like *very calmly heading to the secret hideout in their room* oh don't worry about that lmao they do this every week

and idk i just want a moment where they are almost found and alec and izzy lowkey save their ass (i mean they would have managed but they make it easier, maybe use the Privilege Card lmao). maybe the guards were closer than they thought so alec ends up just shoving magnus into the hideout and when the guards come in he's all like "WHO is interrupting our sleep" and acts like an entitled brat and they don't even search the room lmao and then alec runs to the hideout all "sorry that i pushed you, are you okay?" and magnus is all like "i'm fine" but a little touched about the care. just to establish that trust, you know? both between them and between izzy and the rest of the polycule

so after that it all kind of flows smoothly because they know they can genuinely trust the lightwoods and so it grows into something more. magnus and alec can bond over having Terrible Parents With Terrible Morals and they open up about their respective traumas with abuse, and alec confesses to magnus for the first time ever that he doesn't want to be like his parents, that he thought if maybe he earned their respect, he could change things from the inside. and magnus looks at him all soft and touched and is like "there's no changing things from the inside" and alec is like "i'm starting to realize that" you know

and yeah alec gets to see how much that crew cares for each other, way more than his "traditional family" ever could (except for him and izzy who are just as devoted to each other as the crew is, but like, it's honestly less the "blood relations" and more how they've always been there for each other as they handled their parents' shittiness) and again he's just yearning because he always believed he wouldn't get something like that. and magnus in particular is just so caring and just wants to make the world a better place, you know? and he admires that and they bond over that, too

and just jdhdaodshad god i love this. and meanwhile izzy is flirting with maia clary and meliorn like crazy and soon they are like this huge messy group with all those dynamics... and i just aaa and alec and izzy end up joining the crew and daiodsaiodjsaio RAPHAEL OFFICIATING THEIR WEDDING i'm genuinely all for that fucking shit, magnus wants his boy to do it for them and aaaaa! also i DEMAND raphael&meliorn fighting sequences because i bet they would make a bomb ass duo fighting back to back and shit, you know? bonus points if they are defending simon and maia who are behind them and just making sure no one touches them?? i live for this shit

in short i love this and you said “get some out of your chest" so if there's more, then fuck, i can't wait to see it dahsdaijas i'm sorry for talking so much i get too excited

#malec #magnus bane #alec lightwood #izzy lightwood #raphael santiago #maia roberts #simon lewis #clary fray #meliorn #The Polycule™#saiaphaeliorn #claiabelle #shadowhunters #sh #au idea #pirate au

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fangirlinglikeabus · 3 years

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every target novelisation....2!

planet of giants by terrance dicks ok so i think that the reason that this is...good, and an unearthly child was...not good, is because this was written 9 years later when like. other, non-terrance dicks people were also novelising stories and he wasn’t just grinding them out on an industrial level. planet of giants isn’t one of the greats of doctor who but this is a competent adaptation - it doesn’t add much but it does flesh out what’s already there, giving us some backstory elements and making the appearance of giant insects and bodies seem a bit more dramatic than they could manage in 1964. unfortunately it also alters my favourite line from the story (‘i don't know how you know, you're supposed to know!’) and the doctor is weirdly hostile at the beginning (he’s looking forward to ditching ian and barbara, he responds to barbara’s observation ‘drily’ like he’s being a bit sarcastic over her, um, *checks notes* noticing important details). also, dicks describes this in the opening as ‘the doctor’s most grotesque and terrifying adventure’ and i’m like...planet of giants? really??

doctor who and the dalek invasion of earth by terrance dicks ok this one legitimately doesn’t change much at all. it cuts down on some things (including the doctor’s end speech being shorter - i’m assuming that’s a space thing), fleshes out on pov bits as you can in prose, gets rid of the smacked bottom line. bizarrely there are a few times that susan calls her grandfather the doctor which...i’m pretty sure wasn’t there originally. aside from all those small details, yeah it’s basically the same, but it’s well adapted for prose (i genuinely think it stands as a novel in its own right), and depending on your reading speed it might actually be a nice, shorter alternative to the television version - it was around 45 minutes less time for me. some general things i wanted to comment on: the resistance is explicitly shown as kinda gender segregated (exclusively women are preparing food when we first see it) which irritated me; the description of parliament as a symbol of ‘human progress and tradition’ reminded me of blood harvest having the lords/commons system as the Ideal Form Of Government, in terms of how terrance dicks thinks (this may only interest me? idk i very probably spend too much time thinking about the political views of this particular dead dr who script editor); there’s a use of holocaust here that’s technically accurate to what the word literally means but it felt weird to me to use it.

the rescue by ian marter oh man i’ve been busy and this took me aages to read. it kinda...diverges increasingly from the original story as it goes on. we’ve got some scenes with the seeker crew (incidentally one of them says ‘ass’ and i was like???hello???you’re allowed to do that in a dr who book from 1987???), and then most of the expanded stuff is in the climax. dr who and bennett have a full on brawl! ian, barbara and vicki visit a destroyed didoi city on their way back to the tardis! mysterious silver figures! a giant worm encounter! incidentally, this does have way more of a downer ending than the original because it’s strongly implied that the last two of the didoi were killed by seeker crewmembers who fired in a panic, after which the report that forms the epilogue ends with “goodwill to all persons” to give us a taste of bitter irony. so that’s kinda grim. um...there’s actually a lot of little changes and minor expansions to this one as well so off the top of my head: we learn more about why vicki left earth (global warming :/), sandy is a lot more threatening-looking than on screen, the crashed ship gets its name changed to astra-nine, ian and barbara hold hands briefly, barbara’s fall really leaves her beaten up. i like the seeker crew comparing the tardis briefly passing them to various non-police box objects from the future (although the link to china is a bit eastern world=alien association for my tastes), dr who telling vicki ‘give that pretty face a wipe’ is clearly him attempting to cheer her up and it’s not meant to be weird but i found it weird. finally, i’ve gotta say i appreciate ian marter’s commitment to ‘mildly unsettling’ in his descriptions of tardis materialisations. this was the last novelisation he wrote before his death (the book’s dedicated to him) and mild criticisms aside, i do think he’s a good writer and he brings an interestingly different angle to the series.

the romans by donald cotton oh my god. how do i even start this. i’m not even going to try cataloguing all the changes because this isn’t even close to a straight adaptation. it’s told in the form of various documents collected by tacitus - the doctor’s diary, ian’s journal that he keeps to prove to the headmaster at coal hill that he and barbara haven’t just eloped (i’m not joking, this is the textual reason for it), an assassin’s letters home to his mum, nero’s scribblings, and various other little details. vicki and barbara get less attention than on screen because we don’t see much from their perspective (vicki unfortunately doesn’t even get to chase the assassin out, she just screams in this), and the nero assassination plot is exclusively confined to being mentioned in the epilogue. it’s also a lot broader, or at least consistently broader, which means that ian’s side of things is treated a lot more lightly (which i was personally fine with) but also that we still get nero’s predatory behaviour being played for laughs. there’s also a few comments about women early on that i was unhappy with, and use of fat as an insult. generally, though, i thought this was great! there were a lot of things that i don’t have space or time to include here but i really liked. i guess i’d consider this as a companion piece to the tv version rather than a replacement, which some of these do basically serve as. they tell the same basic story, but they’re so different in a lot of ways that i think it’s worth looking at both. i just checked my notes and remembered this so content warning: poppea sabina’s first section references suicide.

doctor who and the zarbi by bill strutton ok so i think the web planet is boring. i don’t know completely why, i don’t think it’s any one thing, it has some interesting ideas, but it is! it’s fucking boring! anyway, we have a bit more casual sexism in the novel, we’re missing that fun convo about aspirin between vicki and barbara, but really i don’t think it adds or changes much - like even the chapters correspond pretty much exactly to the tv cliffhangers. i guess it’s competently written prose-wise, but i genuinely can’t get over my conviction that this story is boring. am i being unfair? maybe! i like some of the early atmosphere, though, and i appreciate a book which refers to ‘the ship tardis’ (lowercase) and ‘doctor who’ throughout the entire thing. oh yeah, and i encourage you all to look up the illustrations for this. i don’t know who that woman is but she’s definitely not vicki.

doctor who and the crusaders by david whitaker ah yes, the infamous ‘susan married david cameron’ novelisation. tbh i don’t like the crusades and this has the same problems - i don’t care about the english, el akir is every orientalist stereotype whitaker could possibly cram into one man, and That’s Not How A Harem Works. do i think it’s the most egregiously racist doctor who story of all time? probably not! it certainly has sympathetic arabic characters too. but i prefer most other historicals, at least. however, if that isn’t you, i’m sure you’ll get something out of this. there aren’t any particularly extreme changes to the plot structure, although it’s missing some later scenes at the english court, but it’s well written and probably if you like the original you’ll enjoy it more than i did. there’s some dated language surrounding black characters, though, i’m not a fan of the whole ‘we aren’t so different’ speech ian has (because it rests on ‘we all believe in a higher power’ which uh. i don’t. guess that means i’m not ‘civilised’. also generally i don’t like the argument that we should respect each other because of what we have in common - you should respect other people whatever!), and the prologue at the beginning where they muse on history and destiny assumes that the english invaders and the arabs are both equally right in their own ways (the doctor outright says this!)

the space museum by glyn jones so, i really like the space museum. mainly for vicki’s revolutionary fervour, but there are other reasons too. however, i don’t think that this really adds enough to be of interest - although we do get some information about the two alien species’ biology, and a bonus explanation of why everyone speaks english (the moroks briefly considered invading earth so programmed some earth languages into their translation system). there’s a bit more wandering around the museum, some minor tweaks and expansions in other areas, an underground tunnel scene where we learn a bit of the planet’s backstory...ian and the doctor are very snippy to each other in this, which i find funny. oh yeah, and there’s a bizarrely meta bit where ian comments on poor dialogue? basically, this is a book i enjoyed, but really it just makes me want to watch the space museum instead of reading it. just a heads up, there’s a character who briefly considers suicide to get out of his bosses being angry with him.

the chase by john peel ok before i get started i need to establish that the cover for this one slaps. anyway, i don’t respect john peel at all but this was...alright? doesn’t expand much plotwise (although i suspect both the sand monsters at the beginning and the plants at the end have slightly more to do) but we get a fair bit of pov stuff. unfortunately lacking ian’s dad dancing and hi-fi the panda, the marie celeste bit is no longer played for comedy (barbara angsts over it) and even though the two paragraphs dragging morton dill are kinda funny i’m not sure how i feel about him being committed for claiming he saw daleks. ian and barbara’s departure plays out a little differently. steven is blond for some reason. we learn as well that daleks are charged by solar panels (at least they’re pro-green energy??)

the time meddler by nigel robinson pretty competent, straight down the middle novelisation, although that is tempered by inserting some weird sexist bits for steven and also lowkey being nostalgic for 11th century england at a few points? it’s also a bit more violent than we see on tv, and if anything the rape is more loudly implied, so heads up. other than that, there are a few minor embellishments (we’re explicitly told the dr and monk recognise each other, vicki tells steven that the tardis is important to her because it’s her home, a few differences between the monk’s tardis and the doctor’s are described, vicki views steven following her as a triumphant victory in their power struggle which i personally find funny), and there’s a prologue (recapping steven’s arrival in the tardis) and an epilogue (which delays the monk’s discovery of the broken tardis because he walks to hastings first to try and get involved there). i had fun, but it’s not a must read.

#doctor who #classic who #first doctor #susan foreman #ian chesterton #barbara wright #vicki pallister #steven taylor #laura reads dw books #target marathon #this took me aaages and i don't even have an excuse lol i finished uni weeks ago #anyway sorry if this is a bit rushed i'm literally leaving for somewhere in five minutes and i wanted to get this out first

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drunklander · 6 years

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Drunj!Der Yells About Outlander

Thoughts on Ep. 312

Ok so I *really* like half of this episode, and then I really don’t give a single fuck about the other half. But! It manages to jump around enough that the parts I don’t give a fuck about never reach the point where I’m annoyed that I’m still watching them. Which like, is the best case scenario for an episode dealing with a storyline I’m not partial to?

The squad is finally actively trying to find Young Ian, you know, the actual main goal of the back half of the season! But it also feels a bit like they threw all of the plot confetti they needed to into it in order to set up the finale after spending so long on side-quests. There are some great scenes but there is also some batshit insanity. This was the first time in a while that I didn’t check to see how much time was left in the episode. So that’s a bonus.

I personally give zero fucks about the prophecy stuff, but since that’s a massive part of the end of the book, and the show has always stuck maybe a little too closely to the source material, it’s not like I was surprised that a lot of the episode was dedicated to that. And since this episode yet again feels like something completely different from the previous ones, most of my feelings and reactions to it are yet again based on it as a standalone thing and not as part of the season as a whole. (I’m finding more and more as the season goes on that while I have really enjoyed some individual episodes or scenes, if I look at the season as a whole, I’m left feeling sad about missed potential and what might have been if they had made different choices along the way.) So yeah, personally I was like 50/50 really enjoying the episode vs. rolling my eyes at its complete ridiculousness. Which, compared to how I’ve felt about other eps, is pretty solid.

I love that Young Ian keeps fighting on the Bruja and doesn’t give in to the fear he must be feeling. Like if he’s going down, he’s going down swinging and I really do like that wee goober.

Of course Geillis takes literal blood baths. Fucking of course she does.

This whole part is absurd. But like I guess that’s the point? Geillis is fucking nuts. (It does make me roll my eyes a bit that they keep being like “we don’t do gratuitous nudity” while literally having a lady walk around naked and then doing long shots of her showering. Not complaining, just observing.)

DON’T EAT THE CAKE, YOUNG IAN! THIS LADY LITERALLY JUST TOOK A BATH IN ACTUAL BLOOD! SHE’S CLEARLY FUCKING INSANE! DON’T EAT THE THINGS!

NOOO, NOT THE TEA! LOOK AT YOUR REACTION TO THE TEA! THERE IS CLEARLY SOMETHING WRONG WITH THE TEA! STOP DRINKING THE TEA!

Ok, let’s just remember Young Ian’s reaction to being drugged without his knowledge and sharing things he doesn’t want to share. He’s clearly not ok with it. Just keep that in mind for a second...

Geillis is so fucking creepy. Like Lotte Verbeek is so fucking good at pretending to be the creepiest motherfucker ever.

Aaand then the show decided that it was a good idea to have yet another child get raped. This is, what, the third time? Mary, Fergus and now Young Ian? There is no plot-relevant reason to keep this in the show. But they did. Because of course they did. If a girl gets roofied and sleeps with a guy, we call it rape. Because you can’t consent when you’ve been drugged. They’re *literally* called date rape drugs. So here we have a kid getting basically roofied and then it’s implied Geillis sleeps with him. It doesn’t matter if he seems into it. Saying what happens to Young Ian isn’t rape, in my opinion, is the same as saying a girl who gets roofied and taken advantage of wasn’t raped. This, to me, is a rape and I’m *rull* pissed and disappointed, but not at all surprised, that the show decided to include it. (Yes, I know it’s in the book. It was one of the things that I was hoping they’d cut. But given this show’s track record, that was clearly a naive hope to have.)

< / rant >

Ok Claire has that whole trunk of clothes on the ship. Why is she still wearing the same outfit? Seriously, I get that the production is like weirdly attached to that blue dress, but at some point the woman should be allowed to change her clothes. Especially since last week she was like bleeding all over her sleeve and she’s basically been wearing the same outfit for months. Like no fresh dress to go ashore in? Really? I mean, who cares. It’s not anything to like actually get worked up about, it’s just silly to me.

Although, good riddance to the bumroll. I like the outfit much better without it, tbh.

Claire immediately closing the parasol when it’s pointed out that it makes her seem respectable makes me smile. Especially after drunkenly asserting that she *was indeed* respectable last week.

The episode does a decent job of setting up Geillis, though. With the Rose Hall “RH” brand on the enslaved woman Claire sees and the mention of Mrs. Abernathy from a rando in the crowd.

The whole slave market sequence makes me angry and uncomfortable and that’s exactly how I’m supposed to be feeling. It’s clear that’s how Claire feels too. Plus an added dose of helplessness because there’s literally nothing she can do.

And I’m not at all surprised it’s seeing a man being sexually assaulted that makes her snap. With all of the times Claire herself has been assaulted and knowing what Jamie went through at Wentworth, it makes perfect sense for her to manage to hold it together despite her strong feelings, but then to lose it when she sees a man being dehumanized even further in that particular way.

Um, why the fuck did Jamie use Claire’s name instead of his own on the paperwork for Temeraire? She clearly had such a visceral reaction to the situation and he was like well you wanted me to fix it, so I bought a human...in *your* name. It’s really not a big deal. I think it just bugs me a little due to residual Jamie-annoyance from the episodes where I wanted to punch him in the face.

I *am* here for Jamie being immediately on board from the start with needing to get Temeraire somewhere he can live safely. As someone who has been a prisoner in one form or another for so much of his life, it would be out of character for Jamie to respond in any other way.

I like that Jamie and Claire make it clear to Temeraire that his freedom doesn’t hinge on his cooperation in helping them find Young Ian. They tell him he’ll be free as soon as possible regardless, and I’m very glad they make that explicit. Because again, it’d be out of character for them to do anything else. This is, however, kind of becoming a generic white guilt/white savior story. Like they can’t solve slavery but look at how they’re helping this one guy. But honestly, considering there’s like no time in the episode to devote to this particular storyline, this is about as unproblematic as it could get.

Aaand on to the prophecy stuff. It’s all well acted and stuff, I just have no interest whatsoever in this part of the plot.

Although Geillis’ sassy “bitch please” fan flick when Archibald says something is pretty great.

The whole time at the party I was like scared Claire’s hair was going to fall over to the side. Like you can do it, hair, defy the laws of physics! Don’t fall down! I believe in you!

Marsali calling Jamie a dandy is my everything. I really like Marsali, you guys.

Yi Tien Cho’s shade at Frenchmen is also my everything. Yi Tien Cho in general in this episode (and this season) is my everything.

Seriously, his face at Jamie telling him he’s there to be a distraction. Like aw *hell* no. I feel you, dude. It’s fucked up.

Ok the “Ye look as ‘twas yesterday.” line about Claire looking like she did at Versailles is a bit of on-the-nose meta commentary about how they don’t look like they’ve aged that works because it’s a super sweet thing to say regardless of how she actually looks. But Mr. Campbell’s line about “What chance that we end up on the same island, eh?” is up there with The Replacements’ lines last week about Claire randomly showing up in the weirdest places. Like we get it, there are a fuckton of convenient coincidences in the show. No need to point them all out.

The sadness and sympathy on Claire’s face as she sees all of the enslaved men around the room is perfect, as is Jamie’s picking up on it and asking when it will end. But his being in tune with just how much seeing enslaved people affects her again makes me wonder why he put her name on the certificate of sale. (Whatevs, it’s really fine. I don’t like hate Jamie for it.)

Ok so Jamie only calls Yi Tien Cho by his name when he’s making YTC play the part of the Exotic Other. Claire calls him by his name all the time because it’s his name. I do judge Jamie a little for this. When Jamie decided to rename Claudel to Fergus, it was a tad presumptuous, but Fergus embraced it and was on board. Mr. Willoughby was never a name that Yi Tien Cho embraced so calling him that seems a tad disrespectful, regardless whatever Scottish word his actual name sounds like.

Also, Claire’s face when the girl calls him Mr. Cho made me wonder if it was ever made clear what YTC’s family name vs. personal name is. Isn’t it custom for family names to be said first? So he’d actually be Mr. Yi? Is that what Claire’s face is in reaction to, or just the girl being absurd and racist about meeting YTC? Serious question, I can’t recall if this was ever addressed in the book...

Regardless, Yi Tien Cho has more patience and tolerance for bullshit than my privileged white ass could ever hope to have.

Giving him a storyline with Margaret is also infinitely better than the foot fetish bullshit from the book. But again, no brownie points for fixing the obvious problems, show.

Oh man, the look between Jamie and Claire. All the love and lust, and sadness and regret about losing so much time, and thinking of what might have been and what is still to come now that they’re together again. Just all the fucking feels. Their faces are good at emoting, guys.

Still a bit salty that Claire never got to really make Jamie see what the separation was like for her and that Jamie was so easily let off the hook for his behavior and that we had to headcanon most of their reconciliation but I’m tired of being salty, sooo whatever. *pours one out for what could have been*

Lord John’s happy puppy face when he sees Jamie is adorable.

I need Lord John and Chris Traeger to be best friends and like go on happy, optimistic adventures together.

“I thought she’d died too, but she returned to me.” “My god. But how”? “It’s a long story. I’ll send you the BluRay in a couple months. It’ll catch you right up.”

I know the party wigs are intentionally bad because they’re supposed to be wigs of the time period as opposed to the dead animal that’s been living on Jamie’s head all season, but Geillis’ wig is a special kind of ridiculous. (Also why is she randomly blonde now? Like whatever, who cares, but it’s a random change to make. Unless it was literally because the actress didn’t feel like dying her hair or something, haha.) (ETA -- It’s probs how they chose to show she’d aged. I’m an idiot.)

The scene with Jamie, Claire and LJG in the side room is perfect and awkward and I want to give them all a hug. Like look at all of their faces. LJG is like omg I heart you. I am full of feels about how I heart you. And Jamie is like omg thanks for raising my kid. I am full of feels about my kid. *writes and deletes a broken record rant about how it would have been nice to see him show this much emotion even fucking once about his other kid* And Claire’s like pulling double duty on the feels like oh man it’s so sad that Jamie doesn’t get to raise his son but it’s great he has someone to talk to about him and maybe just a bit of jealousy over Jamie getting to be part of Willie’s life for a bit but not Bree’s, and then also like yooo this dude is in love with my husband. I am so full of feels about how this dude is like pining over my husband. You’d better stay in your lane, dude.

TL;DR: Their faces. They’re good at emoting.

This episode does kind of cross over into the gay-guy-in-love-with-his-straight-best-friend trope area a bit. Part of why I liked show!LJG so much in episodes 303 and 304 was because while it was clear he liked Jamie, that wasn’t his primary feature. In this episode, it is. And while I’m here for Claire to notice that he cares for Jamie in a way that’s more than just buddies, it’s a tad too heavy handed with the heart eyes for me. Especially when he keeps telling a romanticized version of the sapphire story.

Like, it sucks to the max that Lord John can’t live honestly, but it seems that a guy who has been given shitty posts because of the rumors about him would be more subtle? The gay-guy-pining trope isn’t that interesting to me and part of why I don’t like book!LJG as much as most people. I know I’m probs in the minority here... I *am* still enjoying show!LJG much more than book!LJG though, and (to me) the genuine friendship between him and Jamie plays better here than in the book too. Like when they’re sitting at the table just catching up. I’m so here for their bromance, just not the pining.

I do love that Jamie calls Young Ian “our nephew” in the scene though, instead of “his nephew.”

If Yi Tien Cho and Margaret don’t run away together in the finale, I’m going to be sad. They win the prize for most surprising ship of the season. But I am On. Board. They each just want to be seen for who they are. Not just as an Other.

Love the convo between Claire and Lord John. And that it seems like he knows (or at least assumes) she knows about him and what he feels for Jamie because he knows Jamie tells her pretty much everything.

I also love Claire’s emphatic “I have.” to Lord John when he notes how she has returned. She’s Jamie’s wife and she is the only person who he loves in the way John wishes Jamie would love him. Like, she finally has Jamie back and she’ll get territorial with anyone who might presume to have a claim on him in a romantic sense. I honestly think that Claire being like this isn’t due to Lord John being a dude so much as just that he’s a human who has feelings for Jamie and at this point, regardless of the person’s gender, she’d start peeing circles around Jamie if *anyone* tried to make a move on her dude. Especially after 20 years with a guy she didn’t love. She did the opposite of pee circles around Frank. She let him do whoever whatever he wanted. He wasn’t worth fighting for. Jamie is. So I am *here* for Claire being a bit possessive. It’s the first time in a long time she’s had someone in her life worth staking a claim on.

I liked the convo with Claire and Geillis until like halfway through when I was like oh shit, wait, CLAIRE, GIRL, REMEMBER THAT SHE’S FUCKING CRAZY AND HAS STRAIGHT UP MURDERED THREE OF HER HUSBANDS AND RAPES BOYS AND KILLS THEM FOR HER BATHS AND HAS YOUNG IAN! RUN AWAY! RUN AWAY!

“Why are men such fools?” You’re batshit crazy, Geillis, but you raise a good question.

Of course Geillis went to her own execution. I’d be disappointed in her if she hadn’t.

Ok but Geillis knows how Dougal really died, right? And she’s going to like bring it up with Jamie and Claire next week as something she’s butthurt about, right? It’s come up twice in the episode and I can’t tell if that’s because it’s going to be a thing or if she’s just talking...

Aaand now we get to the pure ridiculousness that I kind of just don’t pay attention to because I can’t even with this storyline.

Also, you’re really just going to grab at the governor’s crotch, Geillis? This lady has more red flags than a Chinese airport.

I get it’s a story that involves time travel, but apparently I draw the line at prophecies.

“A 200 year old baby? Do ye think I’m an idiot.” Geillis, who do you know that could maybe have traveled 200 years between getting knocked up and having a baby? Think about it for a hot second. The riddle is obvious af for us, the audience, but like even for Geillis it shouldn’t take that much to get to the answer. Sure she doesn’t know at the moment that Claire was pregnant and DeLorean’ed her way Back to the Future, had a baby, and then came back again, but she knows Claire’s a time traveler. They literally *just* talked about it. Whatevs. I’m guessing she’ll find the pictures of Bree next week like in the book and put it together so Claire has to murder her to stop her from going to kill Bree with the bloody machete from the promo clips and then she’ll be the skeleton in Joe’s office who was beheaded with a dull blade, which I still don’t think was important enough to include but whatevs, some folks love it and that’s fine too.

How convenient that the escaped slaves live near Rose Hall. But I am so here for Temeraire being like nope, not later, I’m going to be free now, here, goodbye.

For as problematic as the pictures have been for me this season, I do love that Jamie’s first thought when about to be arrested is protecting the pictures of Bree and Willie.

I do not love that we end on another cliffhanger.

*starts singing One Week More to self to the tune of Les Mis*

#*#drunj!der yells about outlander #outlander starz #outlander 3x12

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