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#yeah good moment I’m a big spooky goo fan!
cutter-kirby · 1 year
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I’m sure they’re fine
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Return to Hatchetfield-Town - TGWDLM Part 3
Have I been putting off this part because of sad Bill? Maybe.  Or is it because of all your amazing Ridiculous Hatchetfield Theory submissions? Yeah, you were right the first time.  I just can’t deal with sad Bill.
We left part 2 of the TGWDLM rewatch where the Scooby Gang had turned up at the spooky mansion, which can only go well, and we come back in part 3 as they’ve left the tied up resident bad guy alone with the one person who has a weakness for said bad guy.
Links to previous parts
It’s Ted loving time and I make no apologies for it.
Am I the only one who saw the scene with Ted and Charlotte and immediately got sent back to MAMD’s Joey and Sally?  It’s so good seeing Joey and Jaime acting opposite each other like this again, they both bring the same amount of chaotic brilliance.  
I have no jokes to make for this, I just needed a gif of the “slap” here.  Beautiful.  Iconic.
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Here we see a bit of the true Ted, the Ted we see in Time Bastard.  He’s an idiot sure, but its obvious he is actually a hopeless romantic who really cares for Charlotte, underneath an exterior of “sleazeball”. 
When I originally read what happens in Time Bastard I will admit it didn’t really fit with the image I had in my head of Ted.  Ted is first and foremost played for laughs.  He’s selfish and arrogant and funny.  But rewatching TGWDLM, especially with Time Bastard in mind, you do see where Joey let’s Ted’s façade drop.  You see it at a greater extent later when Charlotte dies and Ted goes off on one to Bill.  But you also see it here (I’m sorry Ted fans):
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Serious gifs, who is she?
Now. What’s happening in this next little scene? Are we ready for some tin foil hatting?
What do you want Charlotte?
Continuing our theme of characters explaining what they want in clear and certain terms, Charlotte starts praying to God, then Sam wakes up.  Was Sam waiting for everyone else to leave before “waking up” in order to target Charlotte?  Or were Charlotte’s prayers answered by an Eldritch being with the capability to control the Creedy Chorus?  Later Sam says that he “saw god”.  
In Black Friday, Linda attempts to issue in the “birth of a god.”  God is certainly a word the Devil Dolls are happy to attribute to themselves.  Somehow I don’t think it would have mattered if they had gone to a Methodist or Presbyterian church.
Opinion time: Tied Up My Heart is a full on rock bop and deserves way more praise and acclaim. You could have told me this song was from Rock of Ages and I would believed you.
“Don’t you twust me” – serious Wiggly vibes there Sam.
This is kinda catchy Sam!
In part two we briefly discussed when Hidgens became infected, and there is some theories that believe he was infected from the moment he touched the blue brain goo, leading to Show Stopping Number happening.
Charlotte was infected the minute she touched Sam’s brains.  Like Hidgens, it happened slowly, but its very clear it had begun to take root in this song.  Tied Up My Heart is to Charlotte, what Let It Out is to Paul.  They both find themselves dancing without meaning to, they both begin to hear the music.  I’ve mentioned previously that Tied Up My Heart is the only song in which there is an offstage chorus, which would be strange unless for the first time we’re hearing the show as Charlotte is hearing it – she’s beginning to hear the rest of the Hive.
 The only difference between Charlotte and Paul is their wants during these pivotal numbers.  Paul is trying harder to fight the song because his want is to destroy the meteor.  Charlotte isn’t able to fight the song because her want is Sam… and the song is giving her that. 
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I think this is the part of the musical where most people pause and proclaim… what the hell am I watching. Which, you know… valid.
Can anyone tell me what foreshadowing is?
Ted just casually predicting the ending of the show.  Take out the head and the whole thing falls down – an historically inaccurate statement in the proceedings of Hatchetfield’s apocalypses.
Exhibit A – Taking out the meteor does not stop the hive.
Exhibit B – Sending a Nuke into the Black and White does not stop Wiggly.
I don’t know what Nerdy Prudes will be about but heads up to the characters – maybe don’t try and destroy the root of the issue as your solution.
Obviously there is a lot of story in Emma and Paul’s discussion here, a lot of which gets unpacked and revisited in Forever and Always, but I’m not really going to delve into the specifics of it here.  My biggest take away from this conversation is that Emma explains her past, and her intentions for the future, but at no point is it ever clear what her want is. 
In a musical where character’s are killed because they want something, is it any wonder Emma is the one who survives at the end?  She doesn’t have any big, ultimate want.  She’s jaded and tired, until the end… when what she wants is for Paul to have survived.
This shows a clear distinction between how Pokey and Wiggly operate (and the others, but we’ll discuss them when we get to Nightmare Time.)  Both of these Bothersome Brothers use wanting as their tool of chaos but in very different ways.
Pokey wants you to want something, in order to tempt you with that in order to destroy you.
Wiggly wants to find holes to fill with exaggerated, artificial echoes of a want.
The new game at Toy Zone – Bop Ted
Does anyone else forget for a bit how amazing Jaime’s voice is and then finds themselves entranced when Join Us and Die happens?  I’m sure there is some lore in this song but I’m far too distracted.
If we refer back to our Violence over Time chart from part two of the rewatch you will see we have now fully arrived at the point where the Hive has stopped trying to just entice everyone with fluffy feelings before murdering them, and are now just resorting to “we’re gonna kill you and it’ll hurt a lot.”
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I know there is plenty of discussion regarding whether Hidgens is good or bad, infected or not infected etc – but none of that matters.  What matters is he makes the same crappy puns I make in inappropriate situations and I think that’s beautiful.
“The Charlotte you knew and loved was gone the minute a note came out her mouth.” – Snape’s back with the foreshadowing again.
Hidgens then proceeds to subject our heroes to a very intricate test to find out who is human, and who is the musical Doppleganger (one of the AJ Holmes fans there).  I’ve seen Moana once, and I became obsessed with the bioluminescent crab so I don’t remember any of the other songs apart from Shiny.  This is a problem because the only other song I know from Moana has now become Paul’s version of whatever it is he is singing. I refuse to believe there is any other version of that song.
“Their tactic is to hide amongst us, and as their numbers grow, they become more bold.” – yes Hidgens – we’ve all seen the chart.
Acting Masterclass with Corey Dorris
Bill gets a phone call from Alice, she’s stuck at Hatchetfield High and her girlfriend and the other kids have become singing and dancing zombies.  Is this a prequel to High School Musical?
Its worth noting that Alice has locked herself in the Choir room – Hatchetfield High’s number one place to hide when things are going badly - x
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Look what happened Nightmare Time.  
Corey Dorris’ face pulls on every heart string I possess.  Not Your Seed is a fantastic song, with some superb singing by Mariah, but the heart of this song is Corey.  Bill is a broken man from the moment he echoes Alice’s words that Grace Chastity is a Nerdy Prude. And the voice crack!
Small warning here for a very brief discussion about suicide. If you want to skip past scroll to the next gif.
The song is an attempt to bring Bill to the Hive, but I think the plan from the start was to push him to shoot himself. Bill wants his daughter back, he wants her to be a part of his life, but unlike with Charlotte, where Hive!Sam attempts to convince her he’s not really dead and wants her, Hive!Alice uses Bill’s want to break him further and further, swinging between Alice’s love and disdain for her father.  This isn’t an attempt to lay a trap and kill him when he falls in it, it’s a blatant push towards him killing himself.  The Hive only picked up the gun because Paul was there to stop him.
I also find the mirror of this moment to later in Watcher World very fascinating.  We obviously know Pokey and Blinky are brothers, and I wonder if the set up leading Alice to point a gun at Bill in Watcher World is Blinky’s twisted humour, echoing what he knows happened in another timeline.  A horrible joke that would be lost on Bill and Alice in that timeline, but very recognisable to all of us Watchers.
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Once again the Hive could have easily killed Paul, but they don’t.  They make a big song and dance (get it?) out of how the guns not good enough to kill him with and then they start singing at him just in time for the army to turn up.  The Hive had no intention of killing Paul yet, though obviously they can’t let him know that.  Paul has been chosen as their Hero.  He’s got work to do.
Hatchetfield High Homework
Just the one this week, I’m currently doing an Ask series where I attempt to make ridiculous sounding Hatchetfield Theories make sense.  You can find them by searching Ridiculous Hatchetfield Theories.  Go and have a look and follow the wonderful people sending them in.
When the rewatch returns, we get our first peep into the world of PEIP.
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whifferdills · 6 years
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HERE WE GO, THE LONG WAY AROUND: DW Xmas special 2017 les go
we saw the Hartnell-->Bradley effect as a teaser p early on, but, janky as it is, it really does work. and it's a giant This Ish Gonna Get Meta signpost, which i enjoy
River's Booze Cube in the TARDIS coming back i'm
right that's a straight line from "Deep Breath" to here. 'you're gonna want a drink, dude'
One, here, aside from what we're gonna go over in a later bulletpoint, feels like - more EU inspired, than anything? they feel like Shitty Nervous Baby Asshole Theta, faced with finally having to commit to stepping out into the world. i've never been super into One Doctor Era in terms of like. being really into it, and i do have a variety of EU-based Shitty Nervous Baby Asshole Theta headcanons, so i like this. ymmv
fuck do i love two or more Drs in a room being jerks to/ begrudgingly admiring each other. this shitbird
the guitar being the only dusted thing. gross college-student 'sniffing to see if the hoodie passes the smell test' 12 headcanon confirmed
THE FLOOF MULLET
sorrynotsorry PCap continutes to be weirdly hot throughout this episode
'shitty baby Thete made the first sonic at the academy' headcanon UNCONFIRMED. unless One's jus playing it cool, like, that dumb thing? hah hah never heard of it
god i do not understand this plot at all but it's Moff in full fuck-off mode so. les go
i love League of Gentlemen but have never really enjoyed, like actively liked, Mark Gatiss' contributions to DW. but i like him here a lot. it's a heartfelt, understated performance and kinda anchors the melodrama of the Dr(s). if he coulda poured that out previous a lot of episodes of New Who would be better
"what do you mean, world war one" fuck what a line
right i get why people might be pissed off at One Dr being obviously a dated piece of shit here, but questions of canon aside: DW has been total fuckin shit, like a lot, it's fucked up bad and frequently (and recently) and i'm entirely ok treating this as a meta critique
fuck this building is the same one from Missy's "imagine the Dr" speech. what does she know
i know Moff loves his doubles/copies/etc but did he need put that on Bill cmon that is hinky af
tho seriously i love these two nerds and i need more 12 & Bill in my life
"long story short: i totally pulled" i'm
wouldnt all these Bill n 12 scenes been better if Moff hadn't needed to do the whole pLoT tWiSt ThEy'Re A cOpY thing. i do love Moff. but. why. why this, here now
Gold went fairly old-school Spooky Synths before returning to his Classic Themes later and like. i'm more of a fan of his work now, than i have been before, but i'm okay with him being replaced with someone more inclined to do something other than what we've been hearing since Eccleston.
the fuckin sunglasses. this dweeb
like i do honestly love moff's sort of, short form spec fic, bizarro, 'hold your hat it's about to get wild' style. outside of mainstream SF i do prefer stories that don't explain, that don't world build, that just throw some bullshit at you and expect you to understand the emotional resonance. and i do love this story as a character piece, as a sort of...ambient? intentionally-confusing thing. but i also think it bit off more than it could chew, and it fucked w/ tropes in a way that kind of highlighted why you can't just apply any trope to any character, specifically any minority character, and have it come off how you want
like this episode reminded me what i'll miss abt Moff and what i...won't
Pearl tho fuck i have missed her. and Bill. Big Finish, please, please do me a solid. Bill Potts, tell me what to do
"will you put that buzzing toy away" THIS doof
'the Doctor of War'/'to be fair, they've cut out all the jokes'. i'm. One's face, and how it gets subverted later on
the whole window-size thing
NEW VORTEX SO FRESH N SO CLEAN
fuck tho 12's increasing levels of anger and shame at what they'd been before leads up SO well into the eventual Whittaker
facehuggers what
seriously what the fuck is this plot like i get the plot isn't the point but i do not understand what's happening with Testimony thing like
im drunk so uhhh
~fear makes Drs of us all~
this story would have worked so much better minus the Twist abt the shapeshifting whatevers. Bill's already a space goo, why. why add more things, when the dynamic between 12 n Bill is already so complex
the dr's weaponized self-destruction has always been such a Thing but how offhand 12 is about it, like. fuck dudes. #relatable
RUSTY. all the birds come home to roost
i'll probably come back to this later but DANG the camera and editing and coloring in this are N I C E
"Dunno why Good wins over Evil so i did a Le Both Sides survey" One u r fuckin lyyyyyiiiiiiing don't let Space Reddit lead you astray
oh god this is "Hell Bent" this is Clara on Trap Street this is
"The real world is not a fairy tale" was THE moment i knew Clara was gonna make an appearance
"I don't really know what to do when this isn't an evil plan" both lmao and. i love what this episode is trying to be. not an evil plan, just. circumstance. life. shit happens.
my kink is Dr Who taking responsibility for their shitty short sighted actions
FUCK HE WAS A LETHBRIDGE-STEWART YOUSE WERE RIGHT
please feel free to shake up your headcanons accordingly
the christmas armistice, ok, i teared up. iirc PCap did a spoken word performance of a letter about that, i wonder if there's any direct connection there
"the rug was crap anyway" THIS IDIOT BOY
and dang will i eternally love PCap's physical, specific performance of this role. the absolute exhaustion mixed with fuck-it whimsy and a weird, uncomfortable intimacy, it fffffucks me up
12 pulling their collar up like. this small vulnerable dying boy. my whole heart
Bill repaying the Dr for the photos of her mother - and how, 'zactly, did she come across enough of a Clara to do this like i'm not saying Bill/Clara is canon but
OKAY THEY'VE GOT THEIR MEMORY BACK OF CLARA DELIVERED VIA A KISS OK OK OK
OK THIS IS OK IM OK EVERYTHING IS FINE
Twelvedole is also canon. Whom - the fuck - glass nipples?
please let this boy take a nap
oh it's. the TARDIS is 13's ~First face~. they're not doing this alone, they're doing it with their one true love. 'time to leave the battlefield' yeah
this silly old universe. basic stuff first:
ok yeah that "Heaven Sent" theme is good
mmmmlove the decision to have a lot of the regeneration be JWhit, interspersed with PCap's trademark eyebrows. it pings...something, in my brain, that struggles with gender
the ring no
tiny wee JWhit in 12's outfit so...joyous and fucked up, like they always are. looooove it
they're not gone, they're just someone else now. the cycle begins anew. aw, brilliant
this is such a small, sweet, sad story, which imo is why the basic Moff Bizarro doesn't fit. plot aside, i quite like this one. the fear of death faced and overcome; yourself and your ethos being more important than the shape you take; the importance of kindness, and the possibility - if you try very hard - of a fairy tale. good shit.
laugh hard, run fast, be kind. Doctor, i let you go
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