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#yes she is a mrs doubtfire reference
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A new D&D character!!
Credit to Hannah Kennedy, I borrowed her body pose from this
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fallowsthorn · 2 years
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listen i wanna talk about the bit in the (3rd? 4th?) episode of ofmd when the bartender guy whose name i didn't catch takes off jim's disguise for spanish jackie's nose jar after selling them out to, uh, some stabby people (look, i had no subtitles and i can't understand speech for shit)
because it very easily could have been the sort of spiteful gender reveal we see all the time, from twelfth night to mulan to mrs doubtfire. character dresses up as another gender for plot reasons, shenanigans happen and the disguise is revealed, other characters' reactions are played for drama or comedy accordingly. the revelation is always about the character's "real" gender and usually about how shocking and/or hilarious it was that they weren't performing it correctly.
but bartender guy doesn't give a shit about that. he unmasks jim, yes, but it's to illustrate that jim is the person they've been looking for. it's stede who's stunned that "jim's a woman???" and only that because he obviously doesn't have the vocabulary for anything else (and was just stabbed, iirc). bartender guy taunts jim about seeing through the disguise, but it's "i know what you did last summer time you were here," not "lol u thought u could pass? what an idiot." jim's gender or lack thereof is a nonfactor until the next episode when the crew want to know what was up with the disguise, and even then it rates the same as questions like "if you're not jim anymore, can i be jim?"
(side note, i love the "women's bodies have crystals" bit both because it's hilarious and as a jab at gender essentialism/transmedicalism/that fucking thing where cis people are like "ooooohhhhhh nooooooo it's science!!1!!!1" blah blah shut the fuck up and google it, horatio, your philosophies are for twelve-year-olds aNYWAY)
and then NO ONE BRINGS IT UP AGAIN. that's what fucking flattens me when i think about this, that there's no Very Special Episode (or, well, Very Special Two and a Half Minutes, these episodes are packed) where all the cis people suddenly have to relearn basic grammar and there has to be a whole investigation and Trans 101 handholding session and it's just sooooo haaaaard to rememberrrrrrrrr!!!!
no. none of that. jim's pronouns are they/them and not a single person slips once.* even the nun who raised them and hasn't seen them in [an indeterminate amount of time implied to be on the scale of years] gets it right! (she does call them by their birth name, but jim seems to be using the name jim mostly out of convenience anyway, not as a "new identity" kind of thing.) even black pete, who's the character i was expecting to be a dick about it (obnoxious, openly derisive of stede (previously the most visibly gender-non-conforming character), snarky), just. uses the right pronouns for jim. every time. no questions. no eye rolling. no scoffing or sighing or checking if jim is in earshot or pretending he's forgotten how to conjugate verbs. i can't remember if izzy ever refers to jim in the third person but i definitely** would've remembered if he misgendered them so even this feral repressed trash fire of toxic masculinity and internalized homophobia can do it!
so i think what we can conclude from this is that i need to start stabbing more people? it seemed to work for jim. i don't see any flaws in this plan. it's perfect and i need to make dinner good night.
*(presumably someone updated stede about this offscreen, since at the time he was, uh [checks notes] berating himself via gut-wound-and/or-sepsis-induced hallucination)
**probably, see above re no subtitles
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silvereddaye · 3 years
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👀👀👀
A Mrs. Doubtfire AU.
-- -- -- -- -- --
Vader’s heart beat loudly in his chest. The blasted suit displayed a warning on the inside of his helmet about it. He ignored it. The ride on the turbolift was too familiar. Brought back too many memories of another time and another life. Luckily, the lift soon stopped and the doors opened. His heart ached as he saw the painfully familiar apartment. It hadn’t changed much in the years since he had last been here. The Nubian art still hung on the walls. The same vase, but with fresh flowers, still sat in the same spot. The-- 
He noticed the first discrepancy. It caused his breathing to hitch. It was a toy. A spaceship painted in bright red and yellow. It sat discarded in the hall. He walked over to it and picked it up. It was clearly not based on any established ship design. It was too fat and rounded to be a proper flight-worthy vessel. Had it be designed only as a toy? 
His thoughts were soon interrupted as he heard shuffling steps approaching. He looked up to a gold protocol droid walking over. 
“Oh, excuse me,” the droid said. “I am See-Threepio, human-cyborg relations. Are you . . . the nanny from the services?” 
“Yes,” Vader said. His voice was deep, much deeper than his real voice, thanks to the vocoder in his mask. 
There was a pause. A hesitation. 
“There must have been some kind of mix-up. Mistress Padme requested no droids. I will--”
“I am not a droid,” Vader interrupted. 
“Oh. Do forgive me! You just look . . .”
Vader said nothing. He was tempted to raise his hand and curl his hand into a fist and crush this droid, his own droid, with the Force. 
“You may cross-reference my files with the agency,” Vader said instead. “I am highly qualified,” he lied. He had hacked into the nanny service’s databank and created his own profile. “I realize my appearance is unconventional, but considering the first twelve conventional nannies have not worked out for Senator Amidala, it was time to try something . . . new.” 
If a droid could show relief, Threepio would have shown it. 
“I shall give you files a look, Mr. Vader,” the droid said. “And I suppose we can consider today a trial for any long-term placement. We are in need of a nanny right now. Senator Amidala has already left for the Senate, called away on an emergency meeting.”
The droid turned and started to walk down the hallway. Vader followed behind. He was led into a sitting room he wasn’t too familiar with. It looked to be serving as a playroom now. Toys were scattered everywhere. There was a small low table with two small chairs. Flimsi papers were littered about it with colorful scribbles and drawings on it. And sitting on the floor in the center of the room were two children. 
The little boy had blond hair and played with two spaceships. The little girl with brown hair sat next to him brushing the hair of a toy doll. It was . . . It was the first time seeing his own children in person. He had seen holos. A few paparazzi shots the media, official shots published once a year, and a few he had received from hiring his own spies. But here they were right before him. 
They were beautiful. They looked Padme! They looked like him! They were so small and precious and wonderful. They were perfect. Tears stung at his eyes. He couldn’t believe he was finally meeting his children.
“Who is that?” 
Luke. It had been Luke who had looked up and asked. His little finger pointed at Vader. 
“Master Luke. Master Leia,” Threepio said. “This is your new nanny.” 
Both children had stopped playing. They stood up, walked over to Vader, and looked at him curiously. 
“Are you a droid?” Leia asked. There was a bit of a swagger in her voice. A hint of an attitude. 
“No,” he said. 
“You look like a droid,” she said. 
“You can hear his breathing!” Luke added. “Droids don’t breathe!” 
Leia tilted her head as the two listened to two rounds of his respirator. 
“What’s your name?” Luke asked.
“Vader,” he said.
It was true. It was his name. The name Sidious had granted him when he fell to his knees and pledged himself to the Sith. A name that now only he knew with Sidious’ death. He couldn’t use Anakin. That name no longer had any meaning to him, plus it was now tarnished. No longer was he Anakin Skywalker hailed as the hero of the Republic. He was marked as a traitor, a fugitive, a terrorist. A Sith.
“You sound funny,” Leia said. “You sound like a droid.” 
She walked over and pinched his leg. His lower leg. His lower prosthetic metal leg. She gasped. 
“You are a droid! That breathing is fake!” 
“My leg is fake. I am not, young one.” 
She pursed her lips and glared up at him. 
“Why do you have a metal leg?” Luke asked. 
Anger flared inside of Vader. What was he to say to his own children? That the man he considered his brother, the man who had raised him, who had stolen his wife and children away from him, had sliced them off? 
“It was cut off,” Vader said. 
“Does it hurt?” Luke asked. 
He walked up and hugged his leg, and Vader became completely still. His son . . . His son! Was hugging him! Luke gave his leg a quick kiss before hopping back with a huge smile on his face. 
“All better!” he said. 
“All better!” Leia repeated. 
“Th-- Thank you, little ones.” 
“Is that metal too?” Leia asked pointing to his hand. 
“They are all metal,” he said. 
“Why?” 
“They were also cut off,” he growled. 
“Why?” 
He clenched his teeth together and his hands curled into fists. He did not wish to discuss this as it only angered him. He was here to enjoy his children. Who knew how long this charade would last. 
“Because . . .” he said. The twins looked at him expectantly. He didn’t move his head, but his eyes looked wildly around. What could he say to appease their curiosity? What would someone use a metal hand for? “It’s so I can crush things.” 
Both of their eyes went wide. 
“Can I see?” Leia asked.
“Show us!” Luke pleaded. “Please!”
“Please! Pretty please!” 
“Show you what?” Vader asked.
“How you crush things!” both twins said together.
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thecostumeplot · 3 years
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Episode 20: The Birdcage & The Adventures of Priscilla, Queen of the Desert
Please consult these links for accompanying images: The Birdcage: Instagram, Pinterest Priscilla: Instagram, Pinterest
Both  
Welcome to The Costume Plot.
Jojo 
I'm Jojo Siu.
Sarah  
And I’m Sarah Timm. We're professional designers with a passion for costume design and the performing arts. Our podcast does contain spoilers. Accompanying slideshows for each movie are linked in the episode description.
Jojo
We hope you'll join us every other week as we delve into the wonderful world of costume design in The Costume Plot. [music]
Jojo
Hello, hello. And welcome back!
Sarah  
Hi! Welcome back. Nice to have you here.
Jojo  
Yes, definitely. Hopefully you guys have all been doing well since two weeks ago. It feels like an eon ago.
Sarah  
But it also snuck up on us, because we were like...
Jojo  
It did!
Sarah  
..."oh, god, we have to record!"
Jojo  
"Oh yeah, that's this week!" So funny.
Sarah  
We're gonna be more on top of it. It's gonna be great. [both laugh]
Jojo  
I know, we've already tried to schedule for the next recording ahead of time.
Sarah  
Yes. Yes. And we're not doing two today, so we won't get punchy toward the end. [both laugh]
Jojo  
Yes. Which is our norm. 
Sarah  
Yes. Yes, yes, yes.
Jojo  
All right. So Sarah, you want to tell us what our theme is today?
Sarah  
Absolutely. So we're doing a late Pride Month theme, because technically, this is coming out in July. But I think that pride is year round. There doesn't have to just be a month for it. So we we watched a couple of classic gay movies, basically. Yeah. And we're really excited to talk about them, you know, because it's important to.... Well, I personally think I watch a lot of stuff that references both of these movies. So like, it's good to know where those references come from, for sure.
Jojo  
It's so funny. Yeah, I will say I don't necessarily watch stuff that references these. But for my movie, at least, I've heard it referenced in many other ways so often. So I am starting today. 
Sarah  
Yeah!
Jojo  
So I guess I can introduce my movie, I will be covering "The Birdcage," the 1996 version with Nathan Lane and Robin Williams. And actually, this is based on "La Cage aux Folles." I think that's how you say it. I am not French. [laughs]
Sarah  
Sounds great. Oui oui. [laughs]
Jojo  
Which is basically how I heard it, because that's the one that's really well known. It's originally a French-- I believe a French play.
Sarah  
I think so. 
Jojo  
Or a musical? I can't remember if it's French, I have it somewhere in my notes. So I'm sure I'll come across them later. But that's what this was based off of. And the director, Mike Nichols, who was also very famous in his time...
Sarah  
He was very famous, yeah.
Jojo  
I was not as familiar with him. But of course, he was part of an improv stand up comedy act with Elaine May in the 50s and 60s, so they were really big comedy duo. And so he was a pretty big deal when this was made. So when Robin Williams signed on to the project with him, it was also kind of a huge deal for all the actors involved as well. So there's some some cool background information that I found about the movie. And it is actually their 25 year anniversary this year, I believe-- that this movie was made.
Wow, great timing on our part!
I know! I was like, "Oh, that's perfect timing." I think they actually made a bigger deal about it when it was the 20 year anniversary. 
Sarah  
Sure. Yeah.
Jojo  
So like, I didn't necessarily find a ton of articles about the 25th. But I just thought that was interesting. 
Sarah  
Yeah. 
Jojo  
So again, directed by Mike Nichols. He really wanted to do a kind of very American version of "La Cage," so this was kind of his take at that. He's directed "Charlie Wilson's War," "Closer"... he did an "Angels in America" TV miniseries. 
Sarah  
Mmhmm.
Jojo  
And then he's also done some great classics back in the day, like "Who's Afraid of Virginia Woolf?" 
Sarah  
Oh, wow. 
Jojo  
In 1966, like, way back when.
Sarah  
Yeah. 
Jojo  
And then in 1970, the original "Catch 22" was also directed by him, and then he also did "The Graduate" in 1967. So...
Sarah  
Is he still alive? 
Jojo  
Ah, you know, that's a good question. I did not check that, which I probably should have. 
Sarah  
Hold on, lemme Google real quick.
Jojo  
But it's kind of crazy... I mean,, again, I didn't necessarily have this kind of previous attachment to Mike Nichols. 
Sarah  
Yeah.
Jojo  
But just hearing about all of these movies that I clearly know very well--and are really huge classics--it's pretty amazing, what he's done. And the interesting thing about this movie is that he really wanted to get improv actors, right. So when he hired Robin Williams, and he originally actually was going to hire Steve Martin for the role... 
Sarah  
Oh, wow! 
Jojo  
...that Robin Williams played. 
Sarah  
Oh, wow. 
Jojo  
And then scheduling didn't work out. But he wanted them both to be able to improv whatever they wanted in this movie. 
Sarah  
Cool!
Jojo  
And the only rule he had even, after he got Nathan Lane, as well... it was the same rule. The only big rule he had was that they always had to do at least one take just straight from the script. 
Sarah  
Mmhmm.
Jojo  
And then everything else was just, they could improv whatever they wanted. Which I was like, "That's insane!" Like, I can't even imagine as a-- you know, as someone who's trying to follow a script, especially nowadays you have like a script supervisor, right? 
Sarah  
Oh god, yeah.
Jojo  
If you're improving everything, I can't imagine trying to follow that, when nothing they're saying is in the script. [both laugh] 
Sarah  
Yeah. Yeah, yeah. Can you imagine being in a room, though, with Robin Williams and Nathan Lane just improvising a whole movie? 
Jojo  
Oh, my gosh.
Sarah  
I'd be like, "This is the best day of my life," and forget to call "cut." [both laugh]
Jojo  
Yeah, absolutely. I just could listen to them riff all day.
Sarah  
Oh my God. 
Jojo  
The funny thing, too, is this was kind of Nathan Lane's big break too. 
Sarah  
Really?
Jojo  
So when he came on to this movie, there were a couple of interviews I was reading about-- I got really into the research for this, just about the movie itself, not necessarily even about the costumes. 
Sarah  
Yeah. 
Jojo  
But Nathan was like, "I was just so enamored," because you know, he knew he was working with Robin Williams and Mike Nichols. And I was laughing because there were all these quotes about how Robin Williams didn't want to do Nathan Lane's role, because Nathan Lane is again playing the kind of "dressed up as a woman" and very matronly role. Which he was like, "I already did that in 'Mrs. Doubtfire.'" 
Sarah  
Oh, yeah. 
Jojo  
"So I don't really need to do that again." So of course, when he didn't take that role, and Nathan Lane just kind of stepped right into it so naturally, there was a little quote about how the both of them were really insecure about trying to figure out their character and figure out their humor. And I was like, "this is just adorable." I'm just picturing the two of them talking to each other. And then I think there was a quote Nathan Lane said about, like... "we're the most insecure men I've ever met." [both laugh] But yes, it just sounded like a really fun set all around. 
Sarah  
Oh, I'm sure it was.
Jojo  
And then moving on to the costume design. Sorry, that was such a long intro. 
Sarah  
No, you're good.
Jojo  
But this was by Ann Roth, who, of course, anybody in the costume world knows who Ann Roth is. She is...
Sarah  
I don't. [laughs] 
Jojo  
[laughs] Oh, sorry. She one of the oldest costume designers out there. And she's kind of done everything. 
Sarah  
Oh, okay. 
Jojo  
She's the oldest woman to win a competitive Oscar. That was what I wrote recently. 
Sarah  
Cool! 
Jojo  
She actually just won for "Ma Rainey's Black Bottom." 
Sarah  
Oh, damn.
Jojo  
Which I also want to cover at some point. 
Sarah  
Yeah. 
Jojo  
She's been working since 1964. So even before Mike Nichols's first movie, which is crazy.
Sarah  
He has passed away, by the way. He passed away in 2014. I looked it up.
Jojo  
Oh, he has? Oh, man. Well, RIP Mike Nichols.
Sarah  
It's amazing that she's still working, though. Wow. 
Jojo  
Yeah, she is still working. It's pretty insane. But she-- one of the things that she is well known for, too, is that she actually was one of the first designers to really pull a lot of vintage stock, like truly vintage stock. 
Sarah  
Mmhmm.
Jojo  
Because I think she has some kind of a quote when she was working back in the day... she was like, "a lot of the West Coast designers at that time were mostly pulling from, you know, from stock--or costume stocks--and things like that. And I had like, authentic vintage pieces that I wanted to put into my clothing." And she says a lot-- and I think a lot of designers nowadays are really sticking to this, as well, of how authentic she wants the character to be. And how informed the character costumes are. She really delves really deep into, where did this costume come from? Is it something that they grabbed from, you know, a high school Goodwill? Where did that... where did that travel from to get to that Goodwill? Like, all the kind of backstory of really creating a character behind a costume was kind of... I wouldn't say she invented it, but she certainly takes a lot of care into thinking about all those details. 
Sarah  
Mmhmm.
Jojo  
So anyways, so she's done "The Girl on the Train" in 2016. I'm kind of moving backwards at this point. She did "Extremely Loud and Incredibly Close" in 2011, "Julie and Julia" in 2009, "Mamma Mia" in 2008...
Sarah  
Wow. 
Jojo  
..."Stepford wives" in 2004. She also won an Academy Award in 1996 for "The English Patient." And then she was also nominated for the Academy Award for "Talented Mr. Ripley," but she's also done a lot of Broadway theater, she won many, many--and was nominated for many, many--Tonys. She did "The Book of Mormon," she did "Shuffle Along." 
Sarah  
Wow.
Jojo  
She did "Carousel," she won for the show "The Nance," which I don't know very well, but that's another one she's done. 
Sarah  
Yeah, I've never heard of that.
Jojo  
So yeah, so she's got a lot of like, really great credits under her belt.
Sarah  
Amazing!
Jojo  
So yeah, that's why a lot of people know her. She's just this tour de force lady.
Sarah  
Now I do, too. Now I can be like, "Yes, I know who Ann Roth is!" 
Jojo  
[laughs] Yeah, she was one of the names that I just constantly heard. She's, like, really scary to work for, is what I've heard. 
Sarah  
Oooh.
Jojo  
But she's pretty phenomenal. It's kind of like Julie Taymor, but of the costume world. [laughs] 
Sarah  
Oh, yeah. I feel like if you've been working long enough, and you had to kind of fight for your place and fight to have a long career, you kind of have a no-nonsense attitude that can seem really abrasive. And sometimes it is actually abusive. 
Jojo  
Yeah. 
Sarah  
And I don't want to excuse that, but definitely, I do think that-- especially women of a certain age, who had to claw their way...
Jojo  
Oh, true that.
Sarah  
...into that Hollywood career just have an attitude where they have to keep fighting, you know?
Jojo  
Yeah, it's kind of unfortunate, actually. But you know, it makes a lot more sense why they are the way they are. 
Sarah  
Yeah. 
Jojo  
Because they've had to kind of trek through all of that. 
Sarah  
Yeah.
Jojo  
So anyways, I surprisingly-- and a little sadly, I did not find a lot of interviews with her about the costumes for this. So I will mostly be talking about how just pretty I think everything is.
Sarah  
Great. [both laugh]
Jojo  
But yes... so I'll give you a quick summary of the plot, for those of you who have not watched this movie. I kind of very briefly stole this off of another website because I didn't think I would be able to do this very well. But Armand Goldman, who is Robin Williams, he runs a successful drag club in South Beach, Miami, and he has a life partner Albert, who's played by Nathan Lane. Nathan Lane is also the star of his club, known by the name of Starina. Not very creative there. But so anyways, that's kind of where the start is. Armand's son Val, who's played by Dan Futterman... I don't know how to say that name either. 
Sarah  
I don't either.
Jojo  
...Is engaged, or gets engaged, to a woman named Barbara who's played by Calista Flockhart, who you might know better as Ally McBeal. 
Sarah  
Mmhmm.
Jojo  
And what ends up following is Armand and Albert's attempts at appearing straight laced--or straight--in order to try and meet Barbara's very conservative parents. The father is a senator, Senator Keeley, and he's played by Gene Hackman. And his wife is Louise Keeley, played by Diane Wiest. So really pretty big all star cast. I don't know if this is where they... well, I know at least Nathan Lane kind of got started here, but the rest of this cast is pretty well known. 
Sarah  
Yeah. 
Jojo  
And one thing that I did write in an interesting quote by Nichols... or sorry, it was by the Gainesville Sun. Which, I don't know where that is, but it said, "Nichols wanted to shoot the movie as much like a play as possible without much editing." So again, it was just so interesting that not only does he have them improv-ing the whole time, but he wants to try and just shoot a straight shot of this movie. So I was like, "Wow, that's pretty amazing." So... anyway.
Sarah  
That's pretty cool, I like that. I like that idea.
Jojo  
Yeah. Agreed. It was a lot of fun to kind of find out more information about that. 
Sarah  
Yeah. 
Jojo  
I had some fun facts, but I'm gonna kind of skip those because I think I want to try to move-- talked so much about this movie already. [both laugh] I wrote a lot of notes because I was just so curious and fascinated about everything behind it.
Sarah  
You have way more research than I have about mine. I watched mine late at night last night, and I was like, "This is good. That's enough info." [both laugh]
Jojo  
So funny. Okay, so I'm gonna start off with-- and I had to filter it out a lot. I was really sad. And I still had more than 10 costumes. So I apologize in advance. [laughs]
Sarah  
Yeah. [laughs]
Jojo  
And I wasn't even able to focus on all of the characters. Because really, even just between Armand and Albert, there's so many costume changes, and they're all so fascinating and fun. So I didn't want to skip on any of them.
Sarah  
Yeah, because we don't have to focus on all of them, you know, but then you go, "Oh, I like this one. I like this one. I like this one, too." And then it becomes very hard to pick.
Jojo  
Pretty much! Okay, so I will start off with the opening scene. And basically we start off right in Armand's... in his club. And they're trying to convince Nathan Lane to get on stage. And he has this whole dramatic breakdown moment where he's like, "I can't go on," and he's sobbing. And he thinks he's ugly, and all of this other stuff. Eventually, they convince him to get on stage. And this is his first Starina costume. So his first performance costume. I just love it. I don't know, there's not much I have to say about it. I'm not even normally a leopard print person, but I just love that he's got this matching leopard print hat plus the muff, which he makes this whole joke about. And then he's got this beautiful kind of glitter, it almost looks like chiffon, just wrapped and draped around him.
Sarah  
I feel like it must be-- it looks like it's a reference to something, but I don't know what it is. You know, with the cowl?
Jojo  
That's kind of how I-- I feel like there were a lot of references in this movie that maybe I'm just too young to, like, get?
Sarah  
Sure. Yeah.
Jojo  
Or I just missed. So I wish that I had caught... I'm sure there are things that I missed, and wish that I had caught more but by itself either way, I just... it's just so fantastic. And I did find... I think this is it. Oh, it's very tiny. I'm really sorry. But this was the full, the whole getup. And there's even a whole joke that he makes about having the tail appear, and he just pulls the tail out of his muff.
Sarah  
Mmhmm.
Jojo  
So he's like, "Oh, I caught her by the tail." There's this big joke with that. And even like, the matching leopard boots, I don't know.
Sarah  
I love the boots. And I love that it has a tail.
Jojo  
Just... everything about it. Yes, so much.
Sarah  
So funny.
Jojo  
I need to start doing that with all my muffs. Not that I carry muffs around, but you know, if I did. [laughs]
Sarah  
I got my wardrobe of muffs that I just... one in every color.
Jojo  
My fur muffs. [both laugh] Okay, so moving on. The other character that I very briefly wanted to touch on--again, I did not have enough room to do all of these photos--was Agador. 
Sarah  
I love him. 
Jojo  
And I can't remember the name of the actor that plays him. I forgot to write that down.
Sarah  
Hector someone, right? Is that...
Jojo  
Yes. Hector...
Sarah  
Alon... sa ...
Jojo  
Ansari? No, that's not his last name. Ah. Anyways, they will come back to me at some point. 
Sarah  
Hector... 
Jojo  
I'm gonna look-- I'll look it up.
Sarah  
Alonzo. No, that's not Hector Alonzo... shoot.
Jojo  
What's his name?! 
Sarah  
Hank Azaria!
Jojo  
Hank Azaria. Okay, thanks.
Sarah  
He has the same initials as Hector Alonzo.
Jojo  
I was like, "I know there's a Z..." Oh, okay, that's why.
Sarah  
I get those names confused. Yes, I love him. He's great.
Jojo  
[laughs] But I wanted to pull all of... and again, this is only a few of his looks. Not all of them. But I love that Ann kind of gave him sort of like a Dukes of Hazzard look.
Sarah  
Yes.
Jojo  
Where he's always got the jean cutoffs, and the little crop tops. [laughs] Just that he's got this giant rip in the side of his jeans.
Sarah  
Mmhmm. Basically underwear. 
Jojo  
Showing off his legs. 
Sarah  
Yeah. 
Jojo  
Basically. Yeah, exactly. So I just thought that was kind of funny. It was... you know, it's interesting. There's so many interviews about him and how he felt like he was worried about how he portrayed, you know, the gay Latino population at the time. And I think they were trying to do a sequel, and he refused because he was like, "I just don't think I can represent this culture, or this demographic correctly." 
Sarah  
Wow! 
Jojo  
And this was also-- I think it was this was more recently. 
Sarah  
Right, right, right.
Jojo  
Now that they've had all of these talks about representing the right group.
Sarah  
Well, yeah, because I mean-- this is definitely a conversation we can have about both our movies. It's that like, at the time, being an openly gay person was not really synonymous with being a successful actor. 
Jojo  
Right.
Sarah  
So like, anyone who was gay was usually closeted. So the people who portrayed gay people in media were usually straight, or at least straight-appearing. 
Jojo  
Mmhmm.
Sarah  
And nowadays, people try to cast, you know, queer people to play queer people. And I think that that's generally pretty important, especially since it's hard for gay actors to get jobs. So they should be in those roles.
Jojo  
I think it's very similar to the same conversation we're having about diversity, right? 
Sarah  
Yes.
Jojo  
Like, you know, an Asian person should be playing an Asian, not that we have to stereotype it. But like, I mean, even in these, the straight people are also... these roles are very stereotyped. 
Sarah  
Yeah. 
Jojo  
I mean-- and again, I don't necessarily... I mean, I know people that are homosexual, but not necessarily all of them act like this. 
Sarah  
Right.
Jojo  
So again, there's a lot of misconceptions about this. This is one of the first times they're really putting it out in the open. So, you know, how much of that leeway are they taking? And how much of it is Hollywood trying to create a persona, right? 
Sarah  
Yeah.
Jojo  
And, you know, it's the same problem that we're having even today with diverse voices and trying to represent equally all of those voices. 
Sarah  
Totally. And I've heard a lot of people be like, "Oh, well, you know, actors can portray... they're actors. They can, you know, they can dive into whatever role." And it's like, sure, but if it's "give this gay actor a job" or "give this straight actor a job," queer actors have a harder time getting cast. So they should be cast in these roles that are basically FOR them. They're made for other queer people to see themselves on screen. So... yeah, that's... that's it. [laughs]
Jojo  
Yeah. I think that's definitely an age-old argument that I'm sure will continue for a while. [laughs]
Sarah  
Yeah. Yeah. 
Jojo  
All right. Cool.
Sarah  
Anyway! 
Jojo  
Moving on. We went on a very...
Sarah  
It's an important convo! 
Jojo  
...very important tangent, but yes. So this outfit is not necessarily in the movie, but I did want to pull this out because one of the first scenes that Armand is seen in, he's in this Versace, which he wears a lot of. He wears a lot of these kind of Versace shirts, which also is very Miami.
Sarah  
Very Miami, yeah.
Jojo  
So I thought that was really very appropriate. And I think, you know, not necessarily having lived in Miami or having had experienced that, but there is sort of a visual image of that. 
Sarah  
Well, 'cuz... 
Jojo  
...when you think of Miami from this time as well.
Sarah  
Yeah, 'cuz that's where he lived. That's where Versace lived. So...
Jojo  
Right, right.
Sarah  
...especially in the 90s, in the 80s and 90s. It was very Versace all the time. 
Jojo  
Yeah. And same with Dolce and Gabbana, I think?
Sarah  
I don't know. 
Jojo  
Is that correct? I'm not sure. But I know Dolce and Gabbana is also very well represented in this movie, so a lot of their clothes were used. 
Sarah  
Nice.
Jojo  
So again, you know, this idea of Ann Roth really taking realistic things that they want to pull from that area, and from the brands that are nearby. I just thought that was really appropriate. So anyways, I just really liked this shirt. And he-- Robin Williams is often portrayed in this kind of a silhouette, where he's always wearing this very loose open shirt over a white A-shirt. Or for many of you, it used to be called the "wife beater." We do not call it that anymore.
Sarah  
We do not!
Jojo  
We call it an A-shirt. [laughs] So that's what he's wearing most of the time underneath, or sometimes a black t-shirt, or a black A-shirt. 
Sarah  
Mmhmm.
Jojo  
And then he's always got these  really wide kind of... they're almost like palazzo pants? But they're very billowy and it's great watching him just like, run around everywhere and kind of inwardly panic. 'Cuz he's sort of the one that needs to be kind of controlled. 
Sarah  
Mmhmm.
Jojo  
I had this interesting quote from Nichols that said, "what I wanted in our mind was the kind of suppressed hysteria. Someone who could appear perfectly straight and ordinary, but with a little something just under the surface that he can't completely control."
Sarah  
Uh huh. 
Jojo  
"Robin played that brilliantly." So I think that was absolutely accurate. And I just thought that was so funny, that he really is obviously very, very flamboyantly dressed, but he still tries to kind of keep everything under control. Whereas Nathan Lane is kind of overly dramatic, always crying. 
Sarah  
Right. 
Jojo  
Always screaming, you know, so it was just kind of a funny contrast between the two of them. Okay, next one. So I pulled this image, and this is probably the only image I've pulled of the senator-- or sorry, the Keeley family. And the only reason I didn't pull more pictures of them is because most of the movie they are in these pretty conservative, you know, suits. The mom is always in some kind of a conservative suit dress. And then even Calista is-- she's always in these braids, and it's very preppy. There's one scene where she's in, like, a flannel. And I think that's her only time she kind of dresses down. 
Sarah  
Mmhmm.
Jojo  
But the rest of the time, very, very preppy looking until the very end. And so one of the things I wanted to do with this image is just to kind of show the color contrast. Because I think Ann did a really good job of keeping this family--this nuclear family--in a very Earth tone, kind of grays--and some monochrome charcoals and grays--but it was mostly in the gray family. 
Sarah  
Mmhmm.
Jojo  
Or maybe some beige, but that was about it. So like, you don't really see them go anywhere else. And then in contrast, when they arrive in Miami to meet Robin Williams and Nathan Lane, then it's this huge contrast of just colors, patterns, everything.
Sarah  
Yeah, Miami is a very colorful place, just like... on its own.
Jojo  
Yeah. Okay, moving on. So this is all within maybe the first, like, 30 minutes of the movie. [both laugh] So this is why I had such a hard time filtering, but I just love this outfit. Like, again, this is still him kind of not necessarily dressed as Starina, but it's another one of his acts in the performance, and he's supposed to be playing a clown. But I just love that he's got these-- the pink gloves are just like... I just think it's such a great touch. And then the top hat, and he's kind of got this clown... it's almost like a cross between a sailor with the striped vest. 
Sarah  
Yeah. 
Jojo  
Versus like, you know, the traditional clown with the oversized flower and the patches on his jacket. And I also have a full body shot of this.
Sarah  
[laughs] Look at those shoes. 
Jojo  
I just thought it was-- I mean, you never seen his shoes in this movie.
Sarah  
Oh my god.
Jojo  
But I just thought it was so funny that, you know, they have the full look. 
Sarah  
Wow. 
Jojo  
But yes, what a character. I mean, Nathan Lane must have had so much fun with all of these costume changes. 
Sarah  
Mmhmm.
Jojo  
So... not too much to add to that. Yet another Nathan Lane. And this is when they find out Val is is home with them. 
Sarah  
Uh huh.
Jojo  
So he goes out and basically is shopping in the... it's basically this really quick shot of him just walking through the marketplace in Miami. And I just-- I don't know, I just love this whole outfit. Again, there's not much notes that I have for any of these costumes really, except that they're just... they're just so great.
Sarah  
I love how his vibe is kind of... Golden Girls-y? 
Jojo  
Yes, very much so. 
Sarah  
He has a glasses chain and like, a little collared shirt. [both laugh]
Jojo  
It's so cute. Yeah. And then the little bag. And I think these are... I think they're pink, or like a peach color, kind of pant. And in the-- again, I don't know if this is Versace, but it looks very Versace pattern?
Sarah  
The chain. Yeah. 
Jojo  
In terms of-- yeah, the chain, and then the vest. It's kind of a vest. I don't know.
Sarah  
I mean the chain print, the chain print is very Versace.
Jojo  
Yeah, yes. 
Sarah  
Yeah, yeah, yeah. 
Jojo  
So I just-- I just love it. And then this is when he arrives home, and again Agador is just in his little Dukes of Hazzard jean shorts. [laughs] And again, this contrast of the two of them, obviously Robin Williams is still very flamboyant. But he's kind of-- he's got like, it's almost like a... it's not a smoking jacket. I know it's a robe. But it is sort of one of those things where I feel like he feels like the more austere of the two of them.
Sarah  
Sure. 
Jojo  
And Nathan Lane is just kind of like the flighty, always waving his hands everywhere and always saying something in high pitched voices.
Sarah  
But that creates a balance the relationship. Right? You can't both be like that. You need one... 
Jojo  
Yes.
Sarah  
...you need to balance each other out. [laughs]
Jojo  
Absolutely, absolutely. Even just  the little glasses, I think it's just such a great touch, all the little details that she includes on there. 
Sarah  
Mmhmm.
Jojo  
One of the other things that I wrote down, too, is that he's-- Robin Williams is always wearing these three gold chains. And both of them are always wearing a ton of gold rings. So I don't know if-- and again, this is kind of where I feel like I'm not the expert in terms of like, what is culturally appropriate for this group, or this community. But like, all the gold rings that they're wearing, it just felt like a very... I don't know if it was just something associated with their specific club, or just the two of them, or if it was something that is common in Miami in the homosexual community. I don't know. So that was kind of a question, I guess, that I had. 
Sarah  
Yeah, I don't have an answer. I don't know a lot about Miami or gay culture in Miami in the 90s. But if anybody does, feel free to tell us! 
Jojo  
Yeah, definitely. It was just-- it was an interesting choice. I mean, because it definitely worked with their character, but I wasn't sure if that was just a character thing.
Sarah  
I've definitely watched the "American Crime Story" on Gianni Versace. And I feel like he was constantly covered in rings. So maybe it's just like a style thing. A late 80s/early 90s Miami thing of lots of gold jewelry. 
Jojo  
Yeah, definitely, because Nathan also makes a comment about how he takes off all of his rings in order to become the straightlaced, conservative man. 
Sarah  
Yeah. 
Jojo  
So I just, you know, I thought it was it was an interesting question that I had about, you know, the character. But back to the necklaces that-- or the chains that Robin Williams is wearing. It's interesting, because I couldn't figure out what two of them were, but there is one that's clearly a Jewish Star of David, which you don't really... I mean, they don't make any comment on the fact that they're Jewish until, like, the last maybe 10 minutes of movie. 
Sarah  
Interesting. 
Jojo  
But it's, you know... again, it's such a tiny detail. But like, clearly Ann Roth has thought about like, okay, even though he... you know, he doesn't necessarily exude like, "I'm this Jewish," whatever. It's like a little kind of commentary on what's important to him, and that he still wears that as a symbol. 
Sarah  
Right.
Jojo  
So yes, anyways, that I just thought that was interesting. Moving on. Okay, another great Nathan Lane look. [laughs] Again, just prepping for performance. But I also just wanted to pull in, even though this movie was made in in the late 90s, there's definitely a lot of late 80s references and the kind of-- you know, the leotards and the workout gear from the 80s. All of that kind of gets carried over. And again, you know, these are... they're clearly very flamboyant. And they're clearly very comfortable in who they are. But I just thought that it was so interesting that she had set a lot of their costumes in... back in the late 80s. And setting isn't really ever established in this movie. 
Sarah  
Right. 
Jojo  
But I think there's so much more fun prints, and things like that, that are happening in the 80s. So part of me wonders if they were setting it in that time, or if she was just trying to bring back those things, because it was so fashionable and trendy,
Sarah  
I think it's probably carryover. I think that we forget, kind of, because we look at the... we look at the decade as a whole and we say, "Oh, well, these are the hallmarks of this decade." But we kind of forget that a lot of things carry through, you know. It doesn't end at '89 and go into '90 and everybody's like, "we're gonna dress completely differently now." You know, things kind of bleed into each other. So I definitely think that aerobics gear was still happening in the 90s. It was probably just like, different colors, different cuts, kind of thing.
Jojo  
Yeah, definitely. So yes, I just-- again, I just love this look. Not too many notes, like I said, just really fun outfits for Nathan Lane. And just interesting seeing him in this kind of a role, too. I mean, I think he does play a lot of these kinds of roles. But I think it's just fun to see him, you know, really own this character. 
Sarah  
Yeah. 
Jojo  
So there's another-- I think this is the Dolce and Gabbana shirt...
Sarah  
Mmkay. 
Jojo  
...that he's wearing, because I think there's actually... there was some kind of an auction that I found the same image on. And they were like, "there's a label that says 'D&G' on the inside." 
Sarah  
Hmm!
Jojo  
But he's also got these... you can't see it in the picture. But supposedly, they're actually silk yellow-and-green striped pants. 
Sarah  
Ooh.
Jojo  
So like, even though the color doesn't read as bright here, it's just... you know, again, this idea of really bringing in color. And the mix of patterns, I think, is so fun too. And again, still holding to that same silhouette. I think it tells us a lot about Robin Williams's character. And again, it gives us so much about who he is. And yet when he plays the character, because again, there's so many stereotypes about what a homosexual character acts like, and looks like, and all of these things. And I think Robin Williams really made a very balanced acting choice of kind of carrying him a little more subtle.
Sarah  
Mmhmm.
Jojo  
As opposed to like, the traditional and stereotypical homosexual man. 
Sarah  
Mmhmm.
Jojo  
So I pulled this image because this is one of the ones that I think was probably my least favorite. And not because I think it didn't add to the comedic factor. Like, I think that part of it was very successful. But this is when they're out on the beach. And it's this picture and, I think, this one.
Sarah  
Hmm. 
Jojo  
This is kind of a better idea of what they're wearing. 
Sarah  
Yeah.
Jojo  
But I think I was just a little confused about this. Like, it almost looks like pajamas.
Sarah  
Pajamas, yeah. [laughs] 
Jojo  
And I know, obviously, that is my contemporary look at this matching set. 
Sarah  
I don't know...
Jojo  
But I was also trying to find images of this in the 80s. And I was like, "everyone around them is wearing these..." you know, there's a whole scene at the end where senator Keeley is driving into Miami, and there's all these people rollerblading in little thong bikinis and stuff. 
Sarah  
Yeah. [laughs] 
Jojo  
And I'm like, "who is wearing this to the beach?!" Like...
Sarah  
Just, like, full long sleeved pajamas.
Jojo  
Yeah. And like, even Nathan Lane, I think when I first looked at him, it almost didn't register that the bottoms were white. It almost looked like he was wearing also a matching set of pink gingham and pink on the bottom. 
Sarah  
Huh.
Jojo  
So yeah, I think-- I mean, at least for him, when I see the full suit, it looks a little less weird. Like, he just kind of looks like he's trying to cover himself up at the beach. And maybe this looks a little more like "Miami Vice" or something? Like, he kind of was sort of wearing a suit? 
Sarah  
Yeah, it looks like maybe it's linen, you know, summer weight. But still, on the beach, you would think that they would look like they're on the beach. [laughs]
Jojo  
Right. And like, he's only in this outfit when he's under the umbrella. The rest of the scene, he's just in this. And I'm like... I'm very confused. [laughs]
Sarah  
It just seems like a lot of clothes.
Jojo  
With everything else they're wearing.... Yeah, with everything else they're wearing in the rest of the movie, I think this look for both of them... I was very just kind of thrown off. I was like, "this seems very 'not them.'" 
Sarah  
Yeah. 
Jojo  
So yes. I'd be curious to hear what Roth's thoughts were on this choice. 
Sarah  
Yeah. Me too.
Jojo  
Or like, where these outfits came from. 
Sarah  
Yeah. 
Jojo  
Okay, moving on. So... another great look for the two of them. So halfway through when they basically are trying to meet Senator Keeley and his wife.... So the son Val basically doesn't believe that Nathan can play a straight man, because at first their idea is to have him play the uncle who's just kind of, you know, close...
Sarah  
Right.
Jojo  
...close to the family. And then they just-- they don't think that's gonna work. So Robin Williams--or Armand--ends up deciding to come up with this idea to contact Val's true mother, who was how Val was conceived. 
Sarah  
Right.
Jojo  
And so they try to get her to come for the dinner. There's all kinds of mishaps that happen with that as well, so Nathan Lane ends up dressing up as a woman to play the wife. However, when they go to visit the mother, this is the outfit that they show up in. And I just love that, you know, Nathan Lane's just-- I love the yellow, first of all. I think that that was a really nice touch of tying them together. And I think, again, Ann Roth does this really great thing about being able to tie groups together so you can really associate them together by color. So the fact that, you know, he's got this kind of matching yellow patterned shirt, and then he's got a little tie there. What did I write on my notes? Let's see. I put, "Albert's personality sort of reminds me of a little bit of a 50s/60s housewife." Still very "Golden Girls," I think, with the neckerchief. And even the little hat, and again, the rose-colored glasses. Or... I guess they're not really rose, they're kind of more yellow in this case. 
Sarah  
Yeah.
Jojo  
And then kind of comparing that to Armand's very masculine suits, which remind me a lot more of the very quintessential 80s. 
Sarah  
Mmhmm.
Jojo  
So I just think it's so funny that he really does play the part of kind of the traditional housewife to a certain extent, and even when he dresses up as the woman, too. Obviously very opinionated about certain things, but I think he definitely plays the part very well. 
Sarah  
Mmhmm.
Jojo  
So I think this is just another picture. Yeah. So just to show the bottom pants that he wears with this beautiful yellow outfit on top.
Sarah  
I love the yellow.
Jojo  
I do, too. I was like, "I'm not normally a yellow person." But this yellow just looks so great. And I love his little hat too, the little short brimmed hat.
Sarah  
You always say you're not into yellow, and then you always are excited about the yellow looks. [laughs]
Jojo  
I think it's really just-- it's like, there's specific colors of yellow that I really like. Like, I'm really into ochre. 
Sarah  
Yeah. 
Jojo  
And I really like that kind of... it's almost like a buttercup yellow. 
Sarah  
Uh huh. 
Jojo  
Like, those two yellows, I think I'm more okay with. It's like, when you go into neon, that's usually when I'm like, "No thank you." [laughs]
Sarah  
Ooh, I love a neon yellow. I love neon anything. 
Jojo  
[laughs] Yes. Okay. So in contrast, I wanted to show a quick shot of Val. And then Armand when-- you know, when he finally dresses up to look like the straightlaced man. 
Sarah  
Mmhmm.
Jojo  
The sad thing is, they end up taking down all the decorations in their house. They basically take out all the inappropriate statues and artwork and all these things to basically try and make the house look a little more conservative, to try and trick the girl's parents. And this is Nathan Lane, when he's in his suit. [both laugh]
Sarah  
Oh my god.
Jojo  
So this is when he makes the whole joke about removing all the rings. And then, you know, it's so funny because he spent like five minutes trying to figure out how to sit down, because he doesn't know where to put his hands. [laughs] Without looking super femme. 
Sarah  
Yeah. 
Jojo  
And then, of course, Robin Williams asked him about his pink socks. And he was like, "well, I just thought a pop of color would be helpful." [both laugh]
Sarah  
Aww. 
Jojo  
So yes, again, this was obviously-- he did not end up going and showing up like this. But it was just funny that he made this attempt to try and look like a straight man. And then of course, this is his female version, when he finally shows up as... you know, the missus. They pretend their name is Coleman instead of Goldman. 
Sarah  
Uh huh.
Jojo  
So then he comes in as Mrs. Coleman. And it's interesting, because I think when they interview Nathan, he mentioned something about being inspired by Mrs. Bush.
Sarah  
Oh, yeah! 
Jojo  
I just thought that was so funny. It was like, "Yeah, I can see that." 
Sarah  
Yep.
Jojo  
So like, you know, just the way that she's dressed, the pearls. But just the tie--the bow--around the neck. And yet, still a ton of pattern. So... So yes, I just thought this was hilarious, and I think this was just such a great moment, because he kind of just shows up out of nowhere and gives them no warning. Like, they are not expecting him to dress up like this.
Sarah  
Amazing. 
Jojo  
And then Senator Keeley and his whole family is like, totally just... they have no idea. They just totally think he's the wife and don't even bat an eye at the fact that he's dressed up as a woman. Like, they just think he's a woman. [laughs]
Sarah  
Love it!
Jojo  
It's great. Okay. And then the final scenes, there's a couple I just wanted to-- I wanted to show more of the performers in drag in the club, because there is a scene at the beginning where they enter as well. But this last scene I just thought was just so funny. Because this is also how they get the Senator Keeley family to escape. Because right when they're about to say like, "okay, no, we're not going to have you guys get married"... When they find out the ruse is all up, they find out Nathan Lane is actually a man. Val finally--the son--finally stands up and says "this is my mother." Whereas he's kind of a jerk throughout the movie. Because he's constantly like, "you have to change this. You have to be this other person. You have to... you know, you have to get rid of these, you can't do this." And then it's finally at the very end when he takes the wig off and basically says "this is actually my mother." And then Senator Keeley basically is like, "you can't marry my daughter." But then he gets stopped by the paparazzi outside and so, of course, to avoid even more scandal their idea is to dress up the Keeley family as drag queens and basically waltz them out the front door. 
Sarah  
[laughs]
Jojo  
So this is the final performance. I just wanted to show some fun photos for our audience and listeners. They decided to do a black and white theme, but it's also very like "Diamonds are a Girl's Best Friend" kind of incorporated in there as well. There's a lot of glitz. And this-- I just wanted... I don't even know who this is. This is not anybody that shows up anywhere else in the movie. [both laugh] But he just somehow shows up at the very beginning...
Sarah  
That is quite a jacket. 
Jojo  
Sorry, at the.... Yes, I just really like his jacket. And also, I don't know what's going on with these pants. 
Sarah  
I don't either.
Jojo  
He's got like, I can't tell if it's on a side pocket or if that's actually how it closes? Or if this is just giant safety pins, or if he's just got rhinestone right at his crotch? 
Sarah  
Ooh!
Jojo  
Like, I don't know what's going on. But it's a lot. And then of course, all the ladies that you can see, varying levels of very 80s prom dresses, almost. 
Sarah  
Stunning.
Jojo  
With all the glitz and glam. And then the last three shots are just-- this is our Gene Hackman and his drag. [both laugh] He's clearly the most uncomfortable. But it's funny because actually, when they pulled him out in this first shot, I was almost like-- I almost didn't recognize him. I was like, "who... which... who is who is that? Which character is that?" But yeah, so I just thought that was really funny. And then the mom, Dianne Wiest, and each of-- it's funny because then Robin Williams, Nathan Lane, and Val all end up dressing up very gentlemanly. So Nathan Lane is in one of his more masculine looks for the very end, which I find ironic. 
Sarah  
[laughs]
Jojo  
So that they can pair with their drag queen to lead them out. 
Sarah  
Uh huh. 
Jojo  
So he ushers Dianne Wiest out. And then of course Val, at the very end, leads Ally McBeal. I'm gonna keep calling her Ally McBeal. [both laugh] He leads Barbara out in her outfit. And I think she's one of the ones that I was a little bit like, "I'm not..." I feel like they overpowdered her a little bit. Just a little more vampy, scary.
Sarah  
Something looks very severe about it. Yeah.
Jojo  
Yeah, definitely a little more powder and white makeup than I think was necessary, especially since the other two still look very... I don't want to say "normal," but they look a little bit more natural. 
Sarah  
Yeah. 
Jojo  
So it's like, what's going on with this look? Was this an actor choice? 
Sarah  
Huh.
Jojo  
But I do love her dress. I love all the sequins and... 
Sarah  
It's cute. 
Jojo  
And just everything over the top. 
Sarah  
We love a sparkle. 
Jojo  
So yeah, that is my coverage of all the things "Birdcage."
Sarah  
Great job! Yay!
Jojo  
Thank you! Yeah, it was a lot of fun. Like I said, I think the biggest thing that was successful was... Ann Roth really did a good job about separating with color. The different families, and even  the two groups. 
Sarah  
Totally.
Jojo  
Minus Val. I think Val was probably the most normal looking. 
Sarah  
Mmhmm.
Jojo  
And yeah, I'm not gonna lie. I spent a lot of this movie just being angry at Val. 'Cuz he's kind of a jerk. [both laugh]
Sarah  
Well, yeah, it's... yeah, I mean, it's tough because at the time, I guess, it was normal to be ashamed if you came from a family like that. But like, nowadays, we're like, "come on, man." Like, it's your parents. Have some respect. 
Jojo  
So funny. But yes. So... I'm glad they redeemed him at the end. 
Sarah  
Me too. Me too. Okay, let's do it. So I'm very excited to talk about this movie. Oh... come on computer, you can do it. 
Jojo  
[laughs]
Sarah  
Because I had never seen it before. And when I said that at work, there were a lot of gasps in the room. Because it's both an iconic gay movie and an iconic costume movie.
Jojo  
Mmhmm.
Sarah  
So this is "The Adventures of Priscilla, Queen of the Desert" from 1994.
Jojo  
I also have not seen this movie. So I'm excited.
Sarah  
It's... I went in not knowing what the plot was at all. And it wasn't about what I expected it to be about. 
Jojo  
Ahh, interesting.
Sarah  
'Cuz I saw the costumes and I expected it to be this fantasy thing. And it's not, it's about three drag queens--well, two drag queens and a trans woman--who are on a road trip, basically. 
Jojo  
Ooh, okay.
Sarah  
Like, that's kind of all it's about? The plot is not... like, not a lot happens. They're just on a road trip. That's the whole story. So it's from 1994. Directed by... I don't know if it's "Stephan" or "Stephen" Elliott. Sorry to Mr. Elliott. I don't know which one it is. 
Jojo  
[laughs] That's okay. 
Sarah  
So this is an Australian movie... so I pulled it up, because I have forgotten. Okay. I don't recognize any of his other titles. He did a movie called "Swinging Safari," "A Few Best Men," "Easy Virtue." These sound a little bit like they could be porns, not gonna lie. [both laugh] 
Jojo  
Okay.
Sarah  
I don't think they are. I don't think they are. [laughs] Okay.
Jojo  
Yes, I definitely don't recognize any of them either. So...
Sarah  
Yeah, and I think that Australian... you know, some movies don't make it across to us from Australia or the UK or any other country. 
Jojo  
Right.
Sarah  
Some of them do, but not all of them. So the costumes were by Tim Chappel and Lizzy Gardner, they're a little team. Tim Chappel has done some "Masked Singer," a 2006 "Red Riding Hood," and he also just has a lot of credits as not the designer, but just in the costuming department. Or as the assistant, on things like "Miss Congeniality." 
Jojo  
Ooh!
Sarah  
And he is the associate designer on "The Dressmaker," which is a movie I've heard a lot about, it's a Kate Winslet movie. 
Jojo  
Yeah. 
Sarah  
And I have not seen it, but it's on my list. 
Jojo  
I haven't seen that one either. 
Sarah  
And then Lizzy Gardner did "Mission: Impossible 2," "Peter Rabbit," "Hacksaw Ridge"... so she works a lot. 
Jojo  
Yeah. 
Sarah  
And my first picture, actually... depending on how I can squeeze my images, this might not be on the Instagram slideshow. 
Jojo  
Okay. 
Sarah  
But this is Lizzy Gardner at the Oscars when they won. 
Jojo  
Whooooa!
Sarah  
So this movie won Best Costume Design at the Oscars. It is the last contemporary movie to win for the costuming Oscar. And we've talked about this a little bit, I talked about it in my "Roman Holiday" coverage, which is that there used to be a black and white costume design Oscar and a color film one. 
Jojo  
Mmhmm.
Sarah  
And it used to be that the black and white movies were often contemporary. And then the color ones were the big spectacles, the fantasies, the musicals. So when they combined the two in '67, I think, contemporary movies basically stopped winning the Oscar because it's hard for them to compete against big spectacle movies. 
Jojo  
Mmhmm. 
Sarah  
Yeah. So, you know, this was in the 90s. So it's kind of wild to me that no contemporary movie has won since then. 
Jojo  
Right. 
Sarah  
So... anyway, back to this dress she's wearing. 
Jojo  
Yeah.
Sarah  
This is... where's my note? Here we go. She gained worldwide attention when she picked up her award wearing an unusual dress consisting of 254 expired American Express gold cards. [laughs] So let's zoom in. 
Jojo  
Oh my god!
Sarah  
Look at that. 
Jojo  
Whaaaat! 
Sarah  
And they originally made this dress for the movie. And then they cut it because American Express was like, "You can't do that," basically.
Jojo  
[laughs] So she wore it to the red carpet instead.
Sarah  
Yes! And after the dress was worn by her, the company saw its marketing potential. And they were keen to showcase the dress throughout its travel offices in the United States. And then it was-- the dress was auctioned off for charity. And the proceeds went to AIDS research. And it has been cited as amongst the worst Oscar gowns of all time, which I think is a load of baloney, because it's great! [both laugh]
Jojo  
That is hilarious. 
Sarah  
Isn't it? 
Jojo  
I mean, it fits her super well. Like, maybe it was if it was on a different body and it didn't look right then it would be a different story. But I feel like...
Sarah  
It looks like a 20s sort of fantasy, just made out of gold cards. I could see maybe shortening it?
Jojo  
Yeah, yeah. 
Sarah  
To make it just...
Jojo  
I was thinking that too. Like a little sheath or something. 
Sarah  
Yeah, to make it just sort of less of a column. But I think it's iconic.
Jojo  
Right. 
Sarah  
And does not deserve to be on any worst dressed lists. Okay...
Jojo  
So funny. So funny. 
Sarah  
So another tidbit is that there's an iconic scene where they are basically... there's like a scene where he's like, "I've always wanted to climb this one rock in full drag." In a showgirl costume, basically. Climb in the Australian outback in drag. 
Jojo  
Mmhmm.
Sarah  
And initially, they tried to get permission to film on Ayres Rock, which has now been renamed to the indigenous name Uluru. But it was rejected by the organizations responsible for the monument, as it would have been in violation of Indigenous Australian religious beliefs. So basically, since it was a queer movie, they were like, "No, no, you can't film on our rock." 
Jojo  
Yeah.
Sarah  
So I thought-- I just thought that was kind of interesting. So they had to-- like, in the script, it said... I think it probably said Ayers Rock. And they had to rewrite it to be a different... they filmed... I didn't write down where they filmed instead. But they filmed somewhere else.
Jojo  
Okay. 
Sarah  
So yeah. Okay. 
Jojo  
Interesting. 
Sarah  
Yeah. And it's like, nowadays, if someone did something like that they would get so much heat and flack for rejecting a movie just because it had gay people in it. 
Jojo  
Right, right. 
Sarah  
The budget for the costumes on this movie was $20,000. 
Jojo  
....WHAT?!
Sarah  
Which is... hardly anything. [laughs]
Jojo  
That's nothing! Oh my gosh. 
Sarah  
Yeah. 
Jojo  
That's crazy.
Sarah  
This is a low budget movie. I don't have the numbers for how much the movie itself cost. But it was basically like an Australian indie flick that they didn't expect to blow up as much as it did. 
Jojo  
Right. Right.
Sarah  
So yeah, these costume designers were working with a budget. They were doing basically like dollar store couture. You know, thrifted sort of stuff. 
Jojo  
Yeah.
Sarah  
Lots of DIY. 
Jojo  
Well, if they took American Express cards that were expired, I get it.
Sarah  
I know. It's like, okay, so where'd you get all those expired gold cards then? Where do you get those? [both laugh]
Jojo  
Sourcing everyone she knows! [laughs]
Sarah  
Okay. Oh, they later went on to design the stage show. So there is a stage musical of this story. 
Jojo  
Mmhmm.
Sarah  
And they designed the costumes for it, which I think is wonderful. And their costume budget for the stage show was $1 million. [laughs]
Jojo  
That's crazy. I mean, that sounds a lot more closer to normal. [laughs]
Sarah  
Yeah, could not be more different. And then, I actually watched some clips from the stage show. And I was like, "Oh, yeah, this is way more expensive." Like, so many more people are in drag and in huge looks in the stage show. 
Jojo  
Right. 
Sarah  
Okay, what else do I have here before...? Oh, right. Just... I watch a lot of Drag Race. I'm a Drag Race fan. 
Jojo  
Mmhmm.
Sarah  
So I know a bit about drag just from that. And I have seen this movie referenced more times than I can count, and so I knew some of the visual references to it. And I especially was struck by how similar it looks to the HBO show "We're Here," which is like a reality series with three "RuPaul's Drag Race" drag queens, who basically go into small towns, and they sort of do a "Queer Eye" makeover, except they do a drag makeover. And it's sort of like a little docu series. And so a lot of the shots of them basically walking through these small towns-- they literally get off a bus and they walk through small towns in full drag. I did not realize that that is a direct reference to this movie. So I just got really excited. 
Jojo  
Ahhh.
Sarah  
Because I was like, "dang, everyone references this movie!" 
Jojo  
Yeah. 
Sarah  
So yeah, that's my... 
Jojo  
Now it makes sense. 
Sarah  
Yeah, it totally does. Okay, so basically, your basic plot. It's not that complicated. There are three people--two drag queens and a trans woman--who are on a road trip because one of them... whose boy name... his nickname is Tick, but his drag name is Mitzi. He books a show. But what he doesn't tell the other two is that he has a wife, he's technically still married, and he has a son. 
Jojo  
Mmhmm.
Sarah  
So they're basically going to... I did not quite catch some... okay. I don't know if I'm just, like, stupid. But some of the plot details completely went over my head. So I don't know if the wife runs the place that they go to. It's like a club, or like a hotel. 
Jojo  
Okay.
Sarah  
She works there. I know that for sure. Also... the accents. A little bit, sometimes, hard to understand. [both laugh] 
Jojo  
Yeah.
Sarah  
I'm very sorry if I get these details wrong. So basically, he tells them sort of after they're already on the road, like, "oh, also, we're going to see my wife and kid" and they're like, "wife and who what now?" So... yeah. And so then along the way, they kind of-- they break down and they meet people in these tiny little Outback towns. They have some incidents with homophobia, a lot of homophobia. 
Jojo  
Mmhmm.
Sarah  
And basically, yeah, it's kind of just like a slice of life, almost, because nothing huge happens. It's just a roadtrip movie. Kind of like "To Wong Foo," which is also about three drag queens on a road trip, but that's an American movie. So... parallels.
Jojo  
Oh, okay.
Sarah  
It came out after this movie.
Jojo  
Interesting. 
Sarah  
Okay, costumes. Let's do it. This is Tick, a.k.a. Mitzi. 
Jojo  
Oh!
Sarah  
Yeah. And this is the quickest shot, which I was like... they made this costume for the smallest little scene. But I had to grab it because I'm obsessed with it. It's a chandelier.
Jojo  
Yeah! Oh, my goodness. 
Sarah  
And this is basically the scene it flashes back to when he finds out that his son is being born. So he's in the hospital. And he's clearly like, come from performing in this costume to go see his son be born. So he's standing in the hospital dressed as a chandelier, which I think is wonderful.
Jojo  
Is that an octopus on his head? 
Sarah  
It looks like... yeah, looks like a face. A face of some kind. And then it goes. 
Jojo  
Yeah.
Sarah  
And then I was like, is it touching an actual chandelier on the ceiling? I don't know.
Jojo  
It's so hard to tell! It's pretty amazing.
Sarah  
I LOVE this. Ugh! 
Jojo  
That is insane. 
Sarah  
And it lights up! How did they... how did they make this movie for $20,000, costumes? I don't understand.
Jojo  
Yeah. Seriously.
Sarah  
Did they borrow this from someone? 
Jojo  
I feel like this one alone, cost... that's crazy.
Sarah  
I know. I think a lot of people involved in the movie didn't get very big paychecks either, you know.
Jojo  
Probably.
Sarah  
So like, maybe the cost was a lot of sort of unpaid people who were just working on it because they knew the people and were like, "sure, we'll work on a movie." 
Jojo  
Yeah, or volunteers or something. 
Sarah  
Yeah. Okay. So this is them. I kind of skipped over everything before the road trip, because it's not really all that interesting costume wise.
Jojo  
No worries.
Sarah  
These are the looks that I immediately recognized. I was like, "Yes, I have seen these before." So on the left, we have Mitzi. In the middle is Bernadette, who is the trans woman. On the right is Felicia, I can't remember his boy name because they, like, never say it, but played by Guy Pierce. And then this one in the middle, oh, I forgot...
Jojo  
That's Guy Pierce?!
Sarah  
Yes!
Jojo  
I do not recognize him at all. That's insane.
Sarah  
Here, I have this. That's him. That's Guy Pierce. Isn't that wild?
Jojo  
Whaaat! That-- yeah, I totally did not... did not expect that
Sarah  
Yeah, my sister was like, "I don't know what I know him from," and I was like, "'Mare of Easttown,' the HBO show we JUST watched." [laughs] 
Jojo  
That's awesome.
Sarah  
I can't remember the actor who plays Bernadette's name, but he's a very well known British actor. Apologies to him. 
Jojo  
Okay. 
Sarah  
I don't want to look it up. And then this is Hugo Weaving of "Lord of the Rings."
Jojo  
Oh! Oh my gosh.
Sarah  
...And "V for Vendetta" fame.
Jojo  
I can definitely see that. I can see, it's his cheekbones.
Sarah  
And the brows, he has very angular brows. Yeah.
Jojo  
[laughs] Yeah, yeah yeah. 
Sarah  
So this is them basically in their first sort of like... small town stop. They're going to stay in a hotel. And I think they just decided to dress up just because this is how they live their lives. And they're like...
Jojo  
Mmhmm.
Sarah  
 ..."we won't be stopped from being fabulous." I like that Bernadette is clearly sort of... she dresses very purposefully and is always really made up. And I think she is sort of like old Hollywood glam inspiration. 
Jojo  
Mmhmm.
Sarah  
And yeah, I think if this movie were made today, she would not be played by a cisgender man, I think she would be played by a trans woman. But this is from 1994. So. And then I love this flip flop dress. 
Jojo  
I do, too. I was just looking at that.
Sarah  
They said they made it for $17. [laughs]
Jojo  
I mean, they probably just took old flip flops... 
Sarah  
Yeah, yeah. I have a feeling that they were really scrounging, you know, whatever they could do.
Jojo  
This must have been a fun craft movie, almost.
Sarah  
Yes! 
Jojo  
Because you're essentially stringing together things-- like, found objects almost. 
Sarah  
Right. It looks like they're held together with maybe like a zip tie or something. 
Jojo  
Yeah.
Sarah  
This flip flop dress is what you will see recreated a lot. 
Jojo  
Mmhmm.
Sarah  
Like, I just watched Australian Drag Race, "Drag Race Down Under."
Jojo  
Ohhh. 
Sarah  
And there were "Priscilla" references, including one of the queens... they always do a makeover challenge, where they make over-- usually it's a straight man. I can't remember who they made over, honestly, I have the worst memory. But she basically had the flip flop dress and this blue dress, little sort of like... homages to them. And they were very cute.
Jojo  
Oh, yeah. Yeah.
Sarah  
And then this wig. I love it. What is it made of? 
Jojo  
Straws? 
Sarah  
Straws? It looks like phone cord or electrical wire?
Jojo  
Oh, yeah. Oh my gosh, I can't. 
Sarah  
I love it.
Jojo  
That looks so crazy. 
Sarah  
I love. Love, love, love. Okay, and then there are several scenes where the bus-- the bus is Priscilla, by the way. I had no idea. [laughs]
Jojo  
Okay.
Sarah  
I just assumed one of them was Priscilla. 
Jojo  
Yeah, I definitely would not have known that.
Sarah  
But Priscilla is the bus. [laughs]
Jojo  
Got it. Got it.
Sarah  
She's a character. 
Jojo  
Thank you for explaining that. [both laugh]
Sarah  
You're welcome. They said that, and I literally was like, "Ohhhh..." I felt kinda dumb. 
Jojo  
Like, all this time I'm expecting a person. 
Sarah  
"Where's Priscilla? Oh, she's the bus." Okay. So basically there's two scenes where Felicia, Guy Pierce's character, is sitting on top of the bus in full drag while the bus is in motion. In these amazing-- so I'm gonna start with sort of the faraway shot. Look at that. 
Jojo  
Whaaat!
Sarah  
Yeah, and then this is sort of like the profile of it. I love it.
Jojo  
Oh my goodness.
Sarah  
I know. Oh, I should-- I'm gonna have to censor that when I put it on the Instagram. It has the F word on it. 
Jojo  
Oh, got it. 
Sarah  
As you can see, the bus gets vandalized by some homophobes. Oops, what did I just click on? Sorry. I'm sorry. Okay, there we go. [both laugh] Ohh, technology. Okay, so then this is what he's wearing as he's...
Jojo  
Oh my goodness.
Sarah  
It's just like a head to toe silver sequin.
Jojo  
Every time I see a new costume, I'm just like, "I can't believe they did this for $20,000!" 
Sarah  
It gets crazier as you go! I even-- I had screencaps of the second, because he does this two times. He does it in a pink look too. Oh, and he's sitting in a giant silver high heel. I don't think I have a picture of that. Oh, there it is. You can see, yeah.
Jojo  
Oh, yeah, yeah.
Sarah  
Giant silver high heel. 
Jojo  
I was trying to figure out what that was around him. That's insane.
Sarah  
Yeah, so he does it in a pink outfit too. I cut it because I had too many pictures. But... I just love. And the scene is like... for no reason, either. It's just for fun.
Jojo  
Right.
Sarah  
He's lip synching to a song. He's just living his best life. 
Jojo  
Oh my gosh. [laughs]
Sarah  
I also really like... so I didn't really pull any of their boy looks, except for him, because I loved his boy wardrobe. This is one of this outfits.
Jojo  
Ooh! Yeah.
Sarah  
This is when he's painting the bus pink. It's like, overalls, but then he rolls it down and... Guy PIerce is extremely hot, like... that really helps. [laughs]
Jojo  
He's got a good body.
Sarah  
Yeah. I just love-- I love the boots and these yellow glasses/goggles. And then the green plaid, I just thought was really fun. 
Jojo  
Mmhmm.
Sarah  
It's almost like he's like, "this is my work outfit," you know? 
Jojo  
Yeah. 
Sarah  
So then they do-- this happens, this is Hugo Weaving's character. [laughs]
Jojo  
Oh my goodness. 
Sarah  
This is them performing. They basically happen upon a bunch of people in the desert who are sort of like camping out, and they perform for them. And then they perform with them. And I think they're Aboriginal people [correction: Sarah should have said "Indigenous". Apologies!] because it kind of... they sing "I Will Survive." And then it sort of mashes that up with sort of a tribal sort of song. 
Jojo  
Okay.
Sarah  
So they're performing together. And this is a wig made out of fake flowers, I think. And it's fantastic. I love it. And then they're wearing these, which are sort of like the other one where I was like, "I recognize this," you know. 
Jojo  
Yeah. 
Sarah  
They're basically jumpsuits and they're bell bottoms, except they're-- the fabric of it is like... at the bottom of the bell bottom, it's stretched around something. And I have a picture of them walking. So you can see.
Jojo  
Yeah. Oh, my goodness. 
Sarah  
I've def-
Jojo  
It's almost like mini hula hoops or something. 
Sarah  
Yes! Yes, yes, it looks... 
Jojo  
Yeah.
Sarah  
And it sort of-- it shows the sole of it. And I had a picture of it, but once again, I cut it because I was like, "too many pictures." It's like, flat and sort of like a half circle. So it's like, when they stand together, it makes almost like a circle shape. Their two feet. 
Jojo  
Okay. 
Sarah  
And I really want to know what it looks like on the inside. Like... 
Jojo  
Yeah. 
Sarah  
...I want to know what sort of situation you have to do on the inside of this to...
Jojo  
To make it sit out like that.
Sarah  
Yeah! 
Jojo  
So crazy. 
Sarah  
It's so cool looking, and when-- you know, when they're dancing, it's super effective. 
Jojo  
Yeah. 
Sarah  
In the stage show...
Jojo  
I'm laughing because the flower wig makes me think of the "Midsommar"...
Sarah  
Yeeeeeaaah!
Jojo  
...flower dress that you did-- or, that you were talking about. I was like, "Whoa, it's so weird." [laughs]
Sarah  
That's true. Oh, my gosh, callback. 
Jojo  
Yeah. 
Sarah  
Callback to a previous episode. 
Jojo  
Not quite so scary on this one. 
Sarah  
Right. Right. And then in the stage show, the whole ensemble comes out in these jumpsuits. 
Jojo  
Whoa. 
Sarah  
Yeah. So it's quite a sight, to see a whole ensemble where the people are walking around in these crazy, crazy outfits. 
Jojo  
Mmhmm.
Sarah  
Okay. So this is Cynthia. And I think that we need to have a discussion about her. [both laugh]
Jojo  
Okay. 
Sarah  
Because I learned... I was reading the Wikipedia, and the movie has gotten some heat and some controversy because of this character. She's basically the only character of color. Besides the Aboriginal [Indigenous] people that they talk to. 
Jojo  
Yeah. 
Sarah  
And she is Filipina, I believe. 
Jojo  
Mmhmm.
Sarah  
And she's... I thought at first that she was like a mail-order bride or something. 
Jojo  
Uh huh.
Sarah  
But I think that they-- he meets her somewhere, and they're partying and drunk and then they drunkenly get married. This guy, he's sort of like a... oh, he's a mechanic, I think he works on the bus for them. So that's how they meet him. 
Jojo  
Okay. 
Sarah  
And she's basically portrayed as extremely erratic. She's like, very high and low. Like, she'll be really manic, and then be crying the next second. And she's kind of portrayed as just like a party girl and very weird. And so a lot of people have said that this is a really problematic representation of Filipina women. 
Jojo  
Mmhmm.
Sarah  
And I think that that's probably a very fair criticism. 
Jojo  
Yeah. 
Sarah  
And I read-- on the Wikipedia, it said that the filmmakers were like, "Well, you know, everybody in the movie is a misfit. And we just saw her as another misfit." And it's like, okay, well, if you can't see it, then that's a bit of a problem too. Like, you need to at least be like, "okay, you might be right."
Jojo  
Or at least bring in consultation. 
Sarah  
Yeah. 
Jojo  
I think that's something I've been... you know, I mean, I'm glad we're having this discussion, because that was something that... what was that new reality TV show? It's the one with all the Asian people in it, and I can't remember what it's called.
Sarah  
Oh! Is it the rich one... where they're really really rich? 
Jojo  
Yeah, yeah, yeah.
Sarah  
Oh shoot, what's that one called? I didn't watch it. Let me try to Google. 
Jojo  
But again, it's like all these Asian characters are portrayed as these kind of very vapid and sort of... you know, party people that do that do kind of go through all the different emotions. And there was a lot of conversation about, you know, "are we excited that this is how we are being represented as Asians? Or were we excited that we're even getting represented at all? And that we're showing that Asians can play any role, including maybe the not-so-likeable"... Or maybe the more vapid, you know, or stuck up or whatever.
Sarah  
Yeah. So the Netflix show is "Bling Empire."
Jojo  
Yes, thank you.
Sarah  
Yeah, I've seen clips from it. 
Jojo  
I was like, "I know there's a 'bling' somewhere." But yeah, so it is-- that's something that I think I've been... it's been making me kind of re-wrestle with my normal, like, "what do I normally think about Asian representation?" Because like, yes, we aren't represented enough. But also, we don't just want to be represented as the smart Asian or the fetishized Asian, or whatever, you know? Because we don't want to be stereotypes. So that means we should be able to play every role. 
Sarah  
Yeah. 
Jojo  
Just like a white person would be able to play any role. 
Sarah  
Exactly. Yeah. 
Jojo  
So I don't know, I guess that is something that I think I always... I still have a question about. So it makes me wonder, even with this role, that having her show a different side of Asian representation... obviously, if it's something that's not accurate at all, that's a totally different story. But yeah, I guess I mean... not trying to justify, necessarily, what the directors and producers were doing. 
Sarah  
Right. 
Jojo  
But it makes me wonder what the intention behind it was. 
Sarah  
Right. And the other thing that is problematic is... so this is her later, in the bar. 
Jojo  
Mmm. Mmhmm.
Sarah  
And at first her husband is like, "Oh, she's not coming to the show at the bar, because she has problems with alcohol." And then it shows her later, breaking into this locked cabinet in their house. And we're meant to assume that that's where the alcohol is. But it actually turns out to be full of ping pongs... ping pong balls.
Jojo  
[laughs] Okay. 
Sarah  
And then she shows up at the bar in this outfit and starts performing. And it turns out that she's doing a show with the ping pong balls. [both laugh]
Jojo  
Okay.
Sarah  
I think by your face, you might know what I'm saying. We're keeping this a family friendly podcast. 
Jojo  
[laughs]
Sarah  
She does something inappropriate with the ping pong balls. 
Jojo  
[laughs] Uh huh.
Sarah  
So I think that was another part of the criticism, is that like, she's doing this weird exoticized... sideshow, almost. You know? And it turns her into sort of a caricature. 
Jojo  
Right. 
Sarah  
And not a real flesh and blood human. 
Jojo  
Mmhmm. Yeah, I can definitely see that.
Sarah  
But... I do love this outfit. [both laugh] I love her zebra outfit. 
Jojo  
Yes. So funny. 
Sarah  
Yeah. So this pink dress is from when they're at dinner. And the first time we meet her, she's very dressed down. Almost like, you know, she's sort of acclimated to the bush, her Australian outback lifestyle. 
Jojo  
Mmhmm.
Sarah  
But then when she has people over for dinner, she's gonna dress up. And so she wears this very skimpy, little revealing hot pink dress. And this is also sort of meant to communicate to us, like, "Oh, she might be a little bit-- what's up with her?" Like, she might not be normal, or she might be a little... I don't want to say "slutty" because I don't use words like that.
Jojo  
Risque? 
Sarah  
Yeah, risque. You know.
Jojo  
Yeah.
Sarah  
I feel like the audience is meant to judge her a little bit. And I'm definitely uncomfortable with with that. 
Jojo  
Yeah.
Sarah  
'Cuz I saw her and was like, "ooh, she's cool." And then my sister said-- so my sister has seen the stage show. And she said that she does do the ping pong ball number, but it's turned into a whole song. She gets her own song. 
Jojo  
Okay.
Sarah  
And she has way more of a backstory in the musical, apparently. 
Jojo  
Ahhh.
Sarah  
So I think they fleshed her out a little bit more--tried to flesh her out more--and made her less erratic... made her behavior less... yeah, erratic-seeming. I don't wanna say "crazy" 'cuz I don't call people crazy. [laughs] Just dancing around all the words I'm trying not to use. Ah, anyway. Okay, so yeah, those are my thoughts on that. I really like her outfits. So she's got that going for her. 
Jojo  
Yeah. 
Sarah  
When she leaves, she-- so her time in the movie is very short. She basically drives off and leaves him. Which it's like, "yeah, you probably should. He doesn't treat you well." She's wearing a very amazing silver spangled bra.
Jojo  
Oooh. 
Sarah  
Which I also didn't have space for in my pictures. [both laugh] 
Jojo  
Too many photos. 
Sarah  
I know. Maybe I'll throw it up on the Pinterest.
Jojo  
Pinterest board. 
Sarah  
Just add a bunch of bonuses to the Pinterest board. Okay, so all that we have left now is basically sort of the finale. And this is...
Jojo  
Oh my goodness. 
Sarah  
I know. This is their number that they perform at the hotel. They finally arrive, and they perform this number. And at first I thought that it was showing a passage of time, like they were doing the show multiple days. But then at the end of the scene, it's clear that it's the same night. So they do these quick changes that are literally humanly impossible. [both laugh] So it's sort of-- that is sort of a fantasy, where it's like, "oh, and suddenly they're in a different outfit," you know? 
Jojo  
Right. 
Sarah  
These ones...? Not my favorite. They're... you know, they're very campy and fun, just like everything else. But I'm unclear how they relate to each other. 
Jojo  
Right. 
Sarah  
And they're performing, you know...
Jojo  
Kinda looks like a dandelion in the middle.
Sarah  
Yeah.
Jojo  
But like, crossed with a lion? [both laugh]
Sarah  
A dandy lion. Yeah, yeah, it looks-- it's clearly sort of floral. The theme with the two on the right is floral. But then Mitzi on the left is just wearing a flapper-y... 
Jojo  
Yeah. 
Sarah  
...sort of number. 
Jojo  
Yeah. 
Sarah  
It's a little disjointed. 
Jojo  
RIght.
Sarah  
I like the looks... I mean, I like the yellow one the best. And then the other two are just kind of wacky, but fun. 
Jojo  
Mmhmm.
Sarah  
And then change into these. [laughs] So these are like, ostriches or emus? I don't know. 
Jojo  
Emus, yeah.
Sarah  
Do they have...? It's emus, right, in Australia?
Jojo  
Emus are in Australia. Yes.
Sarah  
So that's amazing. I don't really have much else. 
Jojo  
I also love that they're different colored feathers. [laughs]
Sarah  
Yeah. And it's like the feather of the breast of the bird is their wig. 
Jojo  
Yeah.
Sarah  
Very nice. Very nice. They have really fun makeup in this, too. It's very frosty and blue. Love. ...Oh, I was-- I haven't been looking at my notes at all. And I forgot all these things I wanted to say. [laughs]
Jojo  
That's great. No, you're good. 
Sarah  
I want to briefly talk about sort of maybe how drag has evolved and changed since this movie was made. Because, A... obviously these--I think all of these actors are straight--men would not be playing, probably, drag queens in a movie if it was made nowadays. But also, I noticed that a lot of the drag looks are not heavily padded, there's not a lot of like, female illusion that is happening. 
Jojo  
Mmhmm.
Sarah  
You can tell, you can always tell, that they're not "passing" as women. 
Jojo  
Right. 
Sarah  
And I think that drag nowadays... so in my extensive "Drag Race" watching, I've noticed that in the early days of drag race, queens used to get critiqued if they didn't wear a lot of padding, and if they still sort of looked like a boy. 
Jojo  
Mmhmm.
Sarah  
But nowadays, a lot of queens are not padding at all, and they're still... and they're excelling at drag. So it's like, we've gone from extreme to extreme. And then now it's like, they can all sort of coexist.
Jojo  
Right. 
Sarah  
Because some queens really care about looking feminine, and then some kind of don't. So I think that that's really cool. Because like, it creates diversity in drag, you know, and diversity is important in all aspects of life. And all forms of drag should be acceptable forms of drag. So I found it interesting that like... the makeup, too, in this movie is like... it's not fooling you. [laughs] Does that make sense? 
Jojo  
Yeah. Right, right.
Sarah  
And this is pre... you know, I've heard older drag queens be like, "you know, before YouTube, before beauty tutorials, you kind of had to just figure it out on your own or learn from your fellow drag queens, your drag mother or your friends," you know? 
Jojo  
Mmhmm.
Sarah  
So it's like, they were kind of just making it up and going, "Well, this looks good." And ...it did. It looks good! 
Jojo  
Mmhmm.
Sarah  
So that's what I wanted to say. I just found it very interesting that like, it's never... the drag in this movie is not really about looking super feminine. Even though one of them is a trans woman. It's clear that she's being played by a cisgender man who is not on hormones or anything. 
Jojo  
RIght.
Sarah  
So he's still looks very masculine, even though he's playing a woman. So... that's that on that. I felt like that was really a long monologue. [laughs]
Jojo  
That's okay. 
Sarah  
I just really like drag, okay?
Jojo  
I think we both went on very long monologue today. [laughs] 
Sarah  
That's okay. That's good. That means that we're excited to talk. I also feel like when I clock myself, I'm always like... I always feel like I'm talking for a really long time. But lots of times, I could talk longer. So this is me talking longer.
Jojo  
Right. 
Sarah  
Anyway, okay. I only have a few pictures left. Okay, so this is also from the finale number. And this is like, they're lizards. Like, [puts on very bad Australian accent] Australian Outback lizards. [both laugh] That was my accent.
Jojo  
Thank you for that accent. [both laugh]
Sarah  
You're so welcome. So this lizard look is like... it's down, and then they like, put it over their shoulders so that it's like a... you know those lizards that have the crown... 
Jojo  
Oh, yeah, yeah. 
Sarah  
...that sort of puffs up?
Jojo  
Like the old dinosaurs? 
Sarah  
Yeah, yeah. Yeah, exactly like that. 
Jojo  
Yeah. 
Sarah  
So that's what this is. And then I assume that those lizards also have black tongues, because their tongues are painted black. [laughs]
Jojo  
Okay.
Sarah  
Very fun. This is my favorite, coming up here. So this is sort of like a Marie Antoinette homage?
Jojo  
Oooh. 
Sarah  
Light up wig up here, and then a cage crinoline with hardly any skirt over it. I love that. 
Jojo  
Yeah. 
Sarah  
And then they make the Sydney Opera House out of them!
Jojo  
Oh my gosh. 
Sarah  
Isn't that cute?
Jojo  
That is really cute.
Sarah  
So it's like, organza and some sort of hoop thing, and then they're holding it and they're dancing around and then they make this little formation and it's the Opera House. I think that's really fun.
Jojo  
Ohh, so cool. 
Sarah  
So Australian.
Jojo  
Is this a stage that they're on? 
Sarah  
Yeah.
Jojo  
Like, what's happening in the background? Okay.
Sarah  
This is at the...
Jojo  
Like, where are they?
Sarah  
...club/hotel that the wife works at, which is where he's booked the gig. 
Jojo  
Okay. Got it. 
Sarah  
Oh, and then basically at the end, she comes-- she and his son come with them back to... I think they're from Sydney. So like, they go back so that he can spend time with his actual son. And then Bernadette, the trans woman, actually stays behind with this guy who was married to Cynthia, but... his name's Bob. But they basically-- it's implied that they're like, going to start a romance and live together and so she stays with him. 
Jojo  
Mmhmm. Okay. 
Sarah  
It was sweet, but I was also kind of like, not really willing to forgive him for how he treated Cynthia.
Jojo  
Mmhmm.
Sarah  
'Cuz he was not nice to her. Okay, only a couple more. So this is them finally doing the rock climb in drag. And I pulled these pictures because I love... I think what makes this movie iconic is the juxtaposition of these really extreme showgirl-y, campy drag outfits and the wilderness of the Australian outback. [laughs]
Jojo  
Mmhmm. Yeah.
Sarah  
There's just something so amazing about them in full getup just against, like, red rocks. I just love it. 
Jojo  
Yeah. 
Sarah  
And then here's sort of a close up of those outfits. Very nice. Very nice. 
Jojo  
Oh, my goodness. 
Sarah  
And then I have one last boy look of Guy Pierce's to talk about because I'm obsessed with these pants.
Jojo  
Oh my gosh, those are great. 
Sarah  
Look at them! I would wear these.
Jojo  
They're like leggings. 
Sarah  
Yeah, yeah, they're clearly stretchy. Once again... 
Jojo  
Yeah. 
Sarah  
...his body looking very correct. Love it. 
Jojo  
Mmhmm.
Sarah  
I love his lil' headscarves he wears. Oh, he's wearing a bracelet around his bicep, which I was like... 
Jojo  
Like a cuff?
Sarah  
Yeah, you can kind of see it in this picture right here. It's metal. And it's like, around his bicep. [laughs]
Jojo  
Oh, I see, I see.
Sarah  
Is that it? Yeah.
Jojo  
A fun one to end on.
Sarah  
Yeah. Oh, and I just wrote-- so they... at the end they change into outfits that are like, not as good compared to all the other ones. So it's definitely like, it helps you sort of... it keeps that sort of DIY. Like, clearly these are not rich people, but they love the art of drag. So they're just excited to wear sequins and stuff. I pulled them and then I had to cut them because I just...
Jojo  
Not enough. Not enough space.
Sarah  
...wasn't willing to sacrifice any of these. Exactly. 
Jojo  
Yeah. 
Sarah  
So yeah, that's it. That's "Priscilla, Queen of the Desert."
Both  
Woohoo!
Jojo  
Good job!
Sarah  
Thank you.
Jojo  
Those are some fun costumes for sure. 
Sarah  
It's super fun. And now I'm excited to be like, "Yes, I understand the reference completely," when other people reference it, you know.
Jojo  
Mmhmm. Yeah, I mean, even with "The Birdcage," I'm kind of like, "Oh, now it makes so much more sense." Like, I understand. 
Sarah  
Yes. My favorite part of that movie is when Robin Williams is in the dance rehearsal. And he's like, "Martha Graham, Martha Graham, Fosse, Fosse!" That's the best part. [laughs]
Jojo  
Yeah, that's the one that's, I think, quoted the most too. So I'm always like, "Oh, yeah, that makes a lot more sense." [laughs]
Sarah  
As a dancer, I always just really loved... I appreciate a little dance joke, you know? [laughs]
Jojo  
Yeah. I'm not gonna lie. The whole time. I was watching the movie, all I could think of is like, RIP Robin Williams. Like, why aren't you here anymore?
Sarah  
I know. It's...
Jojo  
Made me very sad. 
Sarah  
It's truly heartbreaking that like, someone who brought--especially people of our generation--so much joy, suffered from depression so much. 
Jojo  
Yeah.
Sarah  
And it's just like a real reminder that like, even if someone is really good at comedy, and makes other people laugh, it doesn't mean that inside, they aren't suffering. I think a lot of people who are really funny actually, like...
Jojo  
There's such an inner struggle.
Sarah  
Yeah, yeah. I think that a lot of comedians struggle with mental health stuff. And it's like they use comedy as a coping mechanism, you know? 
Jojo  
Yeah. Scary and sad. But anyways, I did appreciate the movie.
Sarah  
Good! I'm glad you liked it.
Jojo  
Not to end on a sad note. [both laugh] But yes.
Sarah  
My friend Kayla and I, pre COVID times, were trying to get together and have gay movie nights. Just because we're both fans, you know? 
Jojo  
Mmhmm.
Sarah  
And we watched... I think we managed to have two, because we're both really busy. We watched "Mamma Mia," and then we watched "The Birdcage." And we need to reinstate...
Jojo  
Oh, "Mamma Mia."
Sarah  
"Mamma Mia" is so good. 
Jojo  
That's a fun one, too. 
Sarah  
It's-- I mean, it isn't good, but it is. You know what I mean? [both laugh] 
Jojo  
Yeah, yeah. All right. Well, that is our episode for today. 
Sarah  
We did it.
Jojo  
How did we do on time? Oh, we went a little over. 
Sarah  
Yeah, we can cut... I'll, you know...
Jojo  
That's okay. We'll cut some things out. [both laugh]
Sarah  
We'll see what ends up getting cut. Yeah, don't forget to rate and review us. That's how people find us. And we are still donating $1 to Dress for Success for every review we get. And also, if you don't have time to leave a review, you can just hit that five stars and that counts anyway.
Jojo  
Yeah, absolutely. Still a review.
Sarah  
Yeah. So please do that. We appreciate it. 
Jojo  
Definitely. Well, thank you so much for listening. We hope to see you on the next one. 
Sarah  
Yeah. Take care! 
Jojo  
We'll see you soon. 
Sarah  
Okay, bye. 
Jojo  
Bye.
Sarah  
I almost pressed the "leave" button. [laughs]
Jojo  
I did too. I was like, "Oh, end!" [both laugh]
Sarah  
I was like, "BYE, Jojo!" [both laugh]
[OUTRO]
Jojo
Thank you for listening to The Costume Plot! You can follow us on Twitter and Instagram at @thecostumeplot. If you have a question, comment, or movie suggestion you can email us at [email protected].
Sarah
Our theme music is by Jesse Timm, and our artwork is by Jojo Siu. Please rate and review us wherever you listen to your podcasts.
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abdicatedarchive · 3 years
Text
what was lost, and now is finding nemo || chase and gabrielle
𝐖𝐇𝐄𝐍: gabrielle’s house // late february.
𝐅𝐄𝐀𝐓𝐔𝐑𝐈𝐍𝐆: chase x gabrielle.
𝐓𝐑𝐈𝐆𝐆𝐄𝐑𝐒: mental health references.
𝐃𝐄𝐓𝐀𝐈𝐋𝐒: chase comes over to spend time with his daughter, and his ex girlfriend.
Chase unlocked the front door and headed into the house, "Gabrielle, I'm here" he called out as he put his keys down on the front hall table. He headed into the kitchen and smelled what was cooking, "Smells good, where's the princess? Uncle Chase is here" he said with a smile. It hurt his heart to come here the first few times, but this was just routine at this point. Yes, it still ached, but it was getting better. It was different ... knowing that it was his fault.  These visits always made her so anxious. To be honest, most of the time she was doing her best to avoid Chase but when visit times came around, she just felt very vulnerable and she did not like that. Especially when there was no one else at the house. BUt it had been pretty empty in the Hale Mansion lately. "I'm in here." Gabrielle replied to him as she opened up the oven and pulled out the chicken parm she had made. "Right there." She replied and pointing in the direction of Genevieve who was playing her her toy kitchen set up.  "Hello Genevieve, it's your favorite uncle" said Chase with an exited expression as he approached his daughter, "You've been nice to your sister?" he asked. The girl nodded and ran over to him so he could scoop her up. Chase picked her up and spun around a few times before holding her in his arms. "Chicken parm? One of my favorites" said the boy to his ex. Things were definitely weird, but he did his best to ignore them.  Gabrielle placed the pan down on top of the stove to settle as she moved to the cabinet to pull some plates and set the table. She thought that she would be use to it, hearing words like uncle and sister, but it still deeply bothered her. She hated living a lie and lying to her child but it was the agreement. Gabrielle nodded. "Yeah. I know." She replied to him as she moved to the fridge to pull out the parm cheese and some drinks and placed them out before grabbing the last of the things needed to set the table. "It's ready." He would never get over sitting at the dining room table and having her cook for them. It was so weird. He was used to cooking with her, or ordering pizza and sitting around the carriage house. Forgetting about food and just focusing on being together. "Sounds good" he said with a small smile as he put Genevieve down on her booster seat. Chase grabbed himself a drink and headed to the table, "How are your classes? How are you doing?" he asked, to make conversation. He didn't really know what they should talk about. Since going to college and her dad leaving for longer gaps and the older kids being out of the house, she had to do more, juggle more. It wasn't that they couldn't afford someone to cook the meals and watch Genevieve 24/7, Gabrielle preferred to do it herself. Genevieve did day care until Gabrielle picked her up. She hated getting raised by nannies growing up, though they did have one that was part time to help out while Gabrielle focused on school work. Gabrielle put the food on the table, the chicken parm, the veggies and all that and started serving it on plates and passing them to Chase. She kept Genevieves plate infront of her as she began to cut up the chicken for the toddler. "Classes are good. It's still early into the semester, so can't really tell if I like them or not." She replied simply. "I am doing fine. Nothing to complain about."  He took his plate and put it down in front of him. He was glad that she was eating, it was good. Things were good. She was doing better without him, and it was more important for her to be doing well than for them to be together. Chase took a sip of his drink while he waited for Gabrielle to sit down at the table so he could start to eat. "Nothing to complain about is good" said Chase, replying in the same way. Sometimes it was like pulling teeth to talk to her, "Thank you for cooking, it looks delicious."  Gabrielle finished preparing the toddlers plate before putting it in front of her. Gabrielle then took some food for herself before sitting. Gabrielle had a lot of ups and downs but the recent weeks have been more up, thanks to the copious hours of therapy she was forced back into. She kinda ;liked it though. She enjoyed being able to let it all out. Though she was in a good point she wasn't perfect yet, but she was proud of the accompaniments she had achieved so far. "How are your classes?" She asked before she started eating. "No problem. I do it all the time. It's no big deal." She said with a small smile. She hated how much she was struggling to hold up this conversation, but just seeing hom brought up those bad memories of graduation, him dumping her and the painful summer that followed  Chase cut a piece of food and ate it, she really was a good cook. He also missed food that wasn't cafeteria food from time to time. "Classes are good, living with Jonah is good" said the boy, "Jules has been in the room for JuJo time. Did you know that they sit in actual silence for hours? Imagine being quiet for hours? I can't. Sometimes I have to leave the room because I'm worried I'm going to cough or something." At least they still had Juliette in common, not that he talked to her about much. "It's not like they have music on, or a movie. They just have their things and they sit there quietly. I think they might be doing it to drive me crazy, and that they talk up a storm right after I leave. But that's just a fan theory" he continued. Moments like this Gabrielle was glad Chase talked a lot. It filled the gaps at times where she didn't know what to say. "Thats good." She replied as he said he liked living with Jonah. She had a bit of fomo being the only commuter out of all her friends, like she was missing out but at the same time she choose it so she could be with Gene at home. "Yeah thats weird. Whenever She's here she talks." Gabrielle replied simply. She felt a bit guilty, not telling Juliette that after she left her and Stevie became good friends, close friends. Bonding over her absence. "Some people just enjoy the silence, its comfortable." She added in. "Possibly, but I don't think so." But if there were, she would find that pretty funny. "Have you told her that you and Stevie are close?" Chase asked, he was curious. It was one of the benefits of Juliette and Jonah sitting in silence, there was less of a way for him to mess things up for Gabrielle. "I do know she has not talked to her yet" he added. Chase knew how to sit in silence, but he reserved that for when he had alone time. He liked the comfortable quietness when he was by himself, but when he was with other people, the impulse to talk was too strong. "I assume the three of you aren't going to be hanging out anytime soon." Gabrielle shook her head. "I have not, and I rather not." She had this little idea in her head, an idea that of she worked both sides she could get them back together and they would be happy and Gabrielle could feed off that happiness and feel good about something. "Yeah. I know that too." She added in. "She's avoiding her." She added in. She wasn't sure if Chase heard about Juliettes gathering yet, but she knew she didn't want Stevie to know. "I can only do one girl at a time. They got to many issues." "Are you Mrs. Doubtfiring her?" said Chase with a little laugh, "Before you know it you're going to take them both to the same restaurant and keep going to the bathroom so you can switch tables and talk to the other one." The idea was so hilarious to him, an actual smile appeared on his face. "I gathered she's avoiding her. I haven't heard Stevie say anything about her being here. You know how they are. They don't really shut up about each other, and Stevie's still talking to that sophomore right?" he added as he took another bite of food. "You doing girls is a special occasion, round two with Jules?" he teased. It felt like old times, her complaining and him joking. It was a familiar rhythm. "No. And its not really anyone's business who I am friends with or spend my time with." Gabrielle replied back a tad bit defensively. "That would never happen, plus Stevie knows I'm friends with her." She added in as well. "I'm not sure if she knows she's back, but I won't be the one to tell her." Gabrielle said, respecting Juliettes wishes. "I don't know. Probably." She said in response to who Stevie was seeing. In Gabrielle's mind, the other girl was irrelevant, she was just holding Juliettes spot for the time being. Gabrielle let out an awkward laugh because she didn't really know how to respond. Gabrielle continued to eat as she looked up with Genevieve who was holding her food with her hands. "Genevieve, drop it." The girl looked up and let the food drop to the plate before picking up her small fork and using it. Chase noted the defensiveness, clearly he had hit a sore spot. "Yeah, but remember the Juliette/Chanel incident? You know how she is about loyalties and people being honest" said the boy, not backing down. "Definitely let her fly under the radar, but we both know they will be getting back together the second Stevie sees her. I would be shocked if they didn't." Chase was honestly shocked him and Gabrielle had been broken up this long, "The boarding school thing was a blip, it will be like no time has passed" he said, mostly talking about him and Gabrielle. If they got back together, it would be like nothing ever happened. At least, that's what he hoped. That's what happened every other time for them. The difference this time was that he had been with other people in the meantime, which he didn't want to advertise ... but it was a difference. Chase took another bite of his dinner, "She's growing up so fast" he commented. Gabrielle nodded and didn't comment for a moment until Chase was done speaking. "Exactly, they will be back together really soon, and I don't want my friendship with Stevie while she was away to drive a wedge in them getting back together." Gabrielle pointed out. The Chanel incident was different, at least in Gabrielle's mind. "Exactly." She agreed, though she thought he was still meaning Stevie and Juliette. Of course she missed being with Chase but a lot has changed, they weren't the same people they use to be. Chase liked going out and having fun with the boys, partying and such while Gabrielle slowly started to adjust her life to being a full time parent and there was nothing wrong with that. "She's being a brat today. Give it 30 seconds and she will pick it up with her hands again, she's in her testing her limits phase." "It'll play out the way it should, I don't talk to either of them about it. I don't want to rock the boat" said Chase, it was just different because Gabrielle was really close to both of them. Best friends level. It was harder. He chuckled when she called their daughter a brat, "To be fair, I have been in the testing my limits phase for the last three years" he teased her. Chase finished up his dinner, sneaking glances at her when he could. These broken up dinners definitely tested his ability to hold out on her, and he was growing weak. "Yeah I feel you on that" She said with a nod. It was hard for her to play double between them. She nodded. "You got that one right." She said with a laugh. He had been testing limits but so has she. She also finished up before looking at Gene, "You donee baby?" She asked as she got up and took both their plates before moving and taking chases. Chase put his hand on her's as she reached to grab his plate, "I got it" he said as he got up and went over to the sink. He started rinsing off the plates and putting them in the dishwasher, "So, what are your plans for the night? Do I get you assistance? Or are you going to disappear again?" He preferred when she stuck around, but he knew that this was hard on her. It was hard on him too. 
Gabrielle nodded and pulled her hand away, she couldn’t think of the last time her physically touched her. Gabrielle scratched the back of her head. “I don’t want to intrude on your time with her, plus it’s like the only time I get to myself. What do you want? I can stay if you want me too.”  He didn't want to keep her from her only alone time, "No, it's okay. Go ahead and have your free time. That's more important than hanging out with me" he said earnestly. He truly did mean it, he wanted what was best for her. "Go and enjoy yourself, the two of us will be down here." Chase gave her a reassuring smile and put the last of the dishes into the dishwasher before going and scooping Genevieve up. Gabrielle felt a sudden wave of guilt as he spoke. "No its okay. I didn't have anything planned really besides a nap." She said with a shrug. Gabrielle put the left overs in a tupperware and into a fridge. She had a soft genuine smile as she did, this is what she saw their future as before he dumped her, eating a family dinner cleaning it up together, it was cute.  "I mean my grand plans were putting on finding nemo and letting her play with her toys. So you could go nap and then come back when it's bed time?" he suggested. He didn't want her to feel like she needed to stay, he wanted her to, but it was probably for the best if she didn't. "I got this, go get a nap in" he said putting his hand on her shoulder to show that he meant it. Gabrielle smiled softly, "Good thing I can love finding nemo." She said as she walked over and opened the door to the basement."I know you got it. I can always nap to finding nemo." She said beforee she went down the stairs to the play room.  "Sounds like a plan" he said with a smile as he carried his daughter down into the play room. Chase put her down by her toys and she immediately occupied herself with her things. Chase put on the movie and sat down next to Gabrielle out of instinct. "Do you think they'll find nemo this time?" he asked with a serious face.  Gabrielle watched as he put Gene down and she moved and took a seat on the couch, picking up the remote and turning on the the tv and pulling up disney plus. "Hmm. You can never tell, but I'm hopeful they will find him." She sid before turning on the movie.  "Yeah it's always a toss up, you never know if he's going to touch the butt or not" Chase joked as his daughter came up to them and climbed onto the couch to sit next to him. "Come to join Uncle Chase?" he asked, and she nodded her head. Chase smiled at his child, sometimes he forgot that she was even his. They were so deeply entrenched in the lie at this point.   “I mean if it were me I’d always touch the butt.” She said with a laugh. “Though sometimes I’m in the edge of my seat seeing if he will swim away fast enough.” She added in. She watched as Gene climbed up to join them. “She loves the fishies” Gabrielle added in.  Gabrielle pulled her legs up and rested her chin in her knees.  Chase laughed along with her, "Don't I know it" he teased. He knew it was a risky joke, but what was life not on the edge sometimes. "I mean it's always a toss up what is going to happen, but somehow the exact same thing happens every time" Chase replied, watching her body language change. She was clearly guarded, and he knew that was his fault.
Gabrielle let out a tad awkward laugh to his response. “I think they call that movie magic” she said raising a brow. It’s like soul surfer, you know that shirt is coming for her but every time it’s like shock all over again.” She said with a nodd. She let her arms wrap around her legs, she just found comfort this way, holding herself close. She knew by doing this there was no way she would accidentally touch him.
And she retreated into herself more, classic. It was weird just being her friend, and they weren't really even friends. They were exes who managed to spend a decent amount of time together. "Your tik toks have been good" said Chase, knowing that she had been basically @ing him in all of them. He wanted to show he wasn't bothered.
Sometimes she didn't know how to interact with him. It was probably because she didn't really know how she felt towards him. "You watch those?" She said as she turned towards the movie, her cheeks turning red. "Just trying to get my work out there."
Of course he had seen her content online, he was shameless in his continuation of following her. "It's better than ever" said Chase sweetly, putting his hand on her knee and giving it a friendly pat. "You really have come into your own with the designing" he added.
“Thanks I’ve been working hard” she said, her hands instantly falling down to his hand on her knee. “ I mean.. I’ve always been good so it’s no big deal but now I’m just better but like... it’s no big deal.” She said getting a bit flustered, a good flustered too. I’m just trying to get my work out there for the people, not just gene. Her wardrobe is all GHale.”
Her hand on his felt good, but there was something distant about it all. Like they weren't coming back to where they were at for a long time. "Well if you want to get into male fashion, I can come by and bring the boys if you wanted" said Chase, offering to spend more time with her. He hated how empty this house felt.
Gabrielle pulled her hand away, mainly bc her writer thought she wrote eyes and didn’t proofread. “Maybe. But I also have Gino as a test subject, and the other guys in my fashion classes.” Maybe she partly wanted to strike a bit of jealousy in him. “But either way, I think I’ll stick to woman’s fashion, I’m much better at it. Plus I already have three lines in the making.”
Chase laughed, he knew that she wanted him to be jealous, but the thing about Chase is that she basically had to show it to him to make him jealous. He thought back on the time he punched a guy at a party for her, what a wild night. "I see how it is, but none of them have this great of hair" he joked.
Gabrielle shrugged. “I’ll spare your feelings and agree.” She said as she tossed her hair over her shoulder. She snuck a little peak over at him. “I’ll add a hair brush to your Christmas list.” She said playfully
He played offended for a moment, "Okay blondie, you're getting hair dye from me then" he joked. Chase stuck his tongue out at the other girl, and Genevieve joined in. Moments like this, they felt like an actual family.
Gabrielle rolled her eyes. “When will people accept that I’m staying natural.” She said shaking her head. “Man looking back, dying my hair purple... what a time. Such an impulse. It was actually terrible.”
"It was not that bad, you just needed the change of pace" said the boy, he knew a lot had been going on at that time. It was right before her mom got cut out of all of their lives. He was endlessly thankful for that, thank God.
“It was pretty bad. Totally cringe there.” She said before looking over at Genevieve. “Is someone getting tired over there?” The blonde questioned. With her knees still brought in, she ran her hands down her legs scratching her shins gently. She didn’t know what else to say, she was a poor conversationalist. “Maybe it’s bed time soon?” She added in. When in doubt talk about the one thing they had left in common: their kid.
"In ten years maybe you'll think it was cute again" said Chase, always the optimist. He couldn't help it, he was like a golden retriever. Always seeing the good in things, even if it meant having to wait a while. They sat and watched the movie for a bit before Gabrielle suggested it was bed time for Genevieve, "Yeah, let's get this girl upstairs" said Chase as he looked over to their daughter and picked her up. She loved story time with Uncle Chase, because he does the voices. There is no greater skill in this life than doing the voices during story time. "You ready for story time with Uncle Chase?" he asked excitedly and she clapped her hands. Chase headed upstairs with the girl and took her to the bathroom to brush her teeth.
“Maybe.” She replied with a shrug. She put her attention towards the movie, she herself was getting a bit tired. “Yeah we should.” She said getting up, she watched chase scoop up the girl and bring her up the stairs and she followed. While chase brought her to brush her teeth, Gabrielle went into her room and pick out some pjs and get her bed ready for bed. She pulled back the blanket. Gabrielle put the princess pjs on the bed as she went into the bathroom, “make sure she goes potty before.” 
After Genevive went to the bathroom, Chase brought the child back to her room and helped her get on her PJs. Chase pulled out a story book and started to read to her as she fell asleep. Once she was out like a light, he headed into the connected room and sat down on Gabrielle's bed. "That wasn't too tough" he said, not really sure what to say. He knew he should leave, but he wanted to stay. He liked being here. Sure the house kind of gave him the heebie jeebies, but still. There was this ... feeling of being watched all the time. But that was just his paranoia from living here and genuinely being watched all the time.
Gabrielle went into her room while Chase got her ready for bed. Gabrielle took off her makeup, pulled her hair up on got into a comfy sleep set, a cute spaghetti strap mid daft shit with matching silk shorts. Gabrielle was sitting at her vanity doing her nightly face mask and moisturizer when Chase came in and sat down. "No, she goes down pretty easily." Gabrielle replied to the boy. "She loves her sleep."
There was something nice about Gabrielle actually taking care of herself now. That she wore something other than big t-shirts and old sophie shorts, and that she was taking care of her skin every night. It gave him some piece of mind that she was prioritizing herself. "Don't we all" he said as he rested his hands on her bed, leaning back a little. "What are your plans for the week?" he asked, curious to know what she was up to.
Gabrielle let out a small laugh, almost just in a polite way. "mine?" She questioned. "Nothing really. School, homework, the usual." It was basically her way of saying she really had no plans. "What about you?" She said as she finished her routine before turning in her chair.
"Probably gaming with Jonah, maybe a party this weekend, Striking Vipers show most likely, oh and of course ... homework" said Chase just laying back on her bed at this point. His feet still firmly on the floor. "You should come out with me this weekend, see Stevie perform" he suggested. It would be nice if the two of them were to go out together, maybe they could get back on track.
“Sounds like fun” she said with a smile as she watched him lay back on her bed. Now they were going to smell like him. No. She couldn’t have that. She couldn’t deal with that tonight, a small painful reminder of the nights she now slept alone. “I don’t think I should.” She said bluntly, now she needed to come up with a quick excuse. “You know, with Juliette and Stevie not talking yet. And with all of her friends being there she will probably need someone to hang out with.” Gabrielle said softly.
He knew he was going to get a no from her, but he could at least push it a little. The big thing was, he knew exactly what this was. It wasn't going to be any different from when they dated before. Him wanting to do things and socialize, and her not having any of it. He wanted someone who wanted to not only be places with him, but would have fun and enjoy it too. "Juliette has spent plenty of time on her own, but fair enough. As long as you're keeping her company" he said with a shrug. He wasn't going to fight her on it. 
Gabrielle had changed a lot. She had her party phase where all she did was go out, but when her and chase last dated, she was too depressed and anxious to do it sometimes. But now was different. She closed herself off to a lot of people when her and chase broke up. She didn’t have to many friends to begin with regardless. She thought going out with chase would give people the wrong idea. Maybe she was trying to stop herself from getting the wrong idea. She didn’t even know what she wanted. But she knew that they were both different people now. “I just know the second she find out there is a striking vibes concert she might be upset or something. I know for sure she won’t go anywhere near there.” She didn’t know for sure but she assumed hard in this moment, “but if Juliette ends up not needing me or having other plans I will let you know.” She said with a nod as she got up from her vanity. She moved to put her clothes in the hamper and put her face stuff away.
He knew he had overstayed his welcome, and he got up from her bed. "Just keep me in the loop, I'm gonna head back to the dorm. Might grab some things from the carriage house" said Chase as he walked over to her and gave her a quick kiss on the cheek before heading out the door, "Later" he said with a smile and some finger guns. Very uncool, but very on brand. He just wanted her to know that he cared.
Gabrielle had the impulse to tell him to stay, she opened her mouth to say it but quickly but her tongue and turned away for a brief moments pick up the tv remote. “Yes. Yeah. I will. I’ll text her in the morning and ask her what her plans are. I just don’t want to leave her all alone in case she’s upset about it. This school change is an adjustment for her, plus I finally have my best friend back.” She said with smile. When he came over and kissed her cheek, she gave his forearm a brush with her finger tips. She watched him move to the door. “Goodnight” she said before moving to her bed. She waited for him to be out of her room before she started pulled the sheets off her bed. //END
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ramajmedia · 5 years
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Arrested Development: Tobias’ 10 Best Running Jokes and Gags
While Arrested Development is regarded for many things, its running jokes and gags are particularly impressive, and no character in the sitcom has quite as many comedic plotlines as Tobias.
Tobias is the husband of Lindsay, whom she married out of protest against her parents. Because of this, their relationship is a dysfunctional one. That being said, Tobias desires nothing more than to be a part of the Bluth family (and an actor, but more on that later). He provides multiple moments of comic relief by dressing up, saying things that can easily be misinterpreted, and always being a little bit too extra.
So in honor of the guy who made Arrested Development great, here are the best recurring jokes and gags centered on Tobias.
10 Acting Dreams
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Despite having a semi-successful medical career,  Tobias decides to chase after his dreams and become an actor. He constantly gets overexcited about small parts (such as “Frightened Inmate #2”) and believes he is an expert even though he lacks experience (hence the reason he thinks he’s qualified to run the production at Maeby’s school).
He takes acting lessons from Carl Weathers, and in Season 4, he stages Fantastic 4: An Action Musical. Despite his passion, he never sees any real performance success.
9 Mrs. Featherbottom
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Tobias’ alter-ego is a British housekeeper that is a combination of Mrs. Doubtfire and Mary Poppins. He first invents this character as a way to spend more time with his family and prove he’s a skilled actor. However, Maeby and Lindsay know it’s him and decide to start using Mrs. Featherbottom’s maid skills to their own advantage.
RELATED: Arrested Development: 10 Most Memorable Quotes From Tobias Funke
Though Tobias primarily portrays this character during Season 2, she makes a comeback in Season 5 when Tobias attempts to move into The Spotted Palm retirement community.
8 Cat Identity
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Tobias often references — and uses — his “cat-like reflexes.” He is also frequently lazying around the house or rolling into certain situations in an attempt to show off his dexterity.
He refers to the time he snuck around the house of Michael’s ex-girlfriend Maggie Lizer as a game of “cat-and-mouse” that went on until he was caught by the household dog. Me-ow.
7 Hair Plugs
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Tobias gets hair plugs in Season 3. Unfortunately, he gets a bad reaction and ends up developing muscle weakness that causes him to collapse and go numb. He learns that all he has to do to feel better is have his hair plugs removed. However, before this happens, the Bluth family uses Tobias as the face of their annual fundraiser gala to raise money they can pocket themselves.
Meanwhile, George Michael becomes uncomfortable around his dying uncle who is constantly hanging around him. George Michael has the worst moment of his life after he gets locked inside a prison cell with a sickly Tobias.
6 Never-Ending Hospital Visits
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The previous running joke is based on another gag that shows up throughout the series; despite being the only doctor in the family, Tobias is the one who is always in the hospital for getting injured, and boy, does he gets hurt a lot.
One time Ice, the bounty hunter, ends up tackling him. Another time Lucille runs him over with her car. Another time Tobias inhales diamond cream and enlists Lindsay to take him to the doctors. While not every one of these hospital visits is seen, they're implied all the time.
It's also worth mentioning that the rest of the Bluth family checks into the doctors a lot. Tobias is not alone in his tendency to get hurt.
5 Maeby Exists?
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While yes, Maeby is at the center of this joke as the title implies, Tobias plays a huge role in it. Both he and his wife Lindsay are constantly forgetting about their daughter despite the elaborate ways she draws attention to herself.
She tries to move out, flunks high school, and kisses her cousins in an attempt to get her parents to notice her. Unfortunately, Tobias is too caught up in his fabulous acting career to pay attention. He even flat-out tells others he doesn't have a daughter at certain points in the series because he's that unobservant.
4 Never Nude
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Tobias suffers from a "condition" in which he can never be naked. He deals with this by wearing tight jean cutoffs underneath all of his normal clothing. He eventually gets over his phobia of being nude, but then goes back to wearing the cutoffs after he accidentally photographs himself with his new phone’s camera in the tub.
RELATED: Arrested Development: 10 Lucille Bluth Quotes That Are Super Relatable
It doesn’t appear he gets over this condition again, as his cutoffs can sometimes be seen underneath his clothing and other times he makes references to his shorts throughout the rest of the series.
3 Portraying A Bluth
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In an attempt to fit in further with the family (and continue his career as an actor) Tobias finds himself taking on the role of many Bluth family members.
Though this idea becomes more common in Season 5, it begins in Season 2 when he first portrays George Sr. in Scandalmakers. He later dresses like George Michael and takes on the role of Buster at the Family of the Year ceremony.
2 Blue Man Group
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Tobias sees an ad for the musical troupe the Blue Man Group. Believing it to be a support group for depressed men, he tries to join but instead auditions. Though he doesn’t hear back, he covers his body in blue makeup in the hope that he will be called as a stand-in.
Tobias misses the call that comes his way, however, George Bluth later joins the Blue Man Group in an attempt to hide from the law. Tobias also manages to leave random blue paint handprints around the model home.
1 Tobias Is Oblivious
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Perhaps Tobias’ most common recurring joke, which lasts from the pilot of Season 1 all the way to the end of Season 5, is that he is one of the most oblivious people alive. He is constantly making comments about himself and others that sound really bad, but yes, it all goes over his head.
Just because Tobias means well doesn't mean it comes out well. When Michael eventually points out to Tobias that the things he says can easily be misinterpreted, Tobias listens back to his own comments (which he recorded, of course) and sees nothing wrong with them. You would think that he would learn, however, he never quite gets there.
NEXT: Every Arrested Development Supporting Character, Ranked
source https://screenrant.com/arrested-development-tobias-10-best-running-jokes-gags/
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