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I finally got my copy of The Way Home!!! I was not expecting there needing to be a trigger for sexual assault. :(
Oof, thanks for the heads up, I haven't read it yet
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I don't think there is anything to add about the tiddy tree but, FOLKS
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the way Schmendrick is tied to the tree is insane! Like, insane levels of uncomfortable!
My man Schmendrick is a flexible guy and Molly does not complain much
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FIGO COME IL PANICO! (as in, when someone is so fakking fabulous you get caught in a awe-induced panic)
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PLSSS HE’S A STAAAAAAARRRRRRR
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I am in the mood for some nonsense, so here some of The Last Unicorn crew's favourite Italian candy.
The Unicorn/Lady Amalthea: violet flavoured pastilles.
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Elegant, simple design, delicate.
Schmendrick: Orange flavoured fizzy candies.
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Oranges! And they fizz when you bite them! There's more inside if you are willing to look for it.
Molly Grue: Rossana cream filled candy.
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Hard and plain on the outside, sweet, comforting, and reliable on the inside. Always the best.
Prince Lìr: Goleador gummies.
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You look at them and you know they are good already. A true legend, indeed.
King Haggard: Galatine (milk flavoured pastilles)
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... they make him happy. (Apparently, these little abominations are a favourite of most people I know. I hate them with a passion. Too sweet and too milky)
Mommy Fortuna: liquorice gummies.
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Old people candy. Dark, liquorice pellet your grandma offers you because she does not like you very much.
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I forgot this 1977 Italian release of The Last Unicorn existed:
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Why is Amalthea posing like a hiker trying to walk past a grazing cow? Why the bikini? Why does the Red Bull looks like Ferdinand's ginger twin?
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"Show me, show me, show me how you do that trick
The one that makes me scream," she said
"The one that makes me laugh," she said
Threw her arms around my neck
"Show me how you do it
and I promise you, I promise that
I'll run away with you
I'll run away with you"
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Headcanon turn into canon: Schmendrick being fluent in multiple languages. It is confirmed both in The Last Unicorn and The Green-Eyed Boy that Schmendrick is multilingual and knows multiple dead languages as well as current, in-universe languages. I mean, a wizard MUST know at least a few languages and dialects!
Please list in the comments the languages you think Schmendrick knows, I am curious!
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I had a conversation with my dad earlier and he came up with a saying from where he is from: "Sa n'cacchio tu n'do piscia lepre". Totally something Molly would say.
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It's a saying to address people who are clueless about how the world works.
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I AM LATE FOR S. VAL DAY I FORGOT!
Give your bubs lots of smoochies and snuggles <3
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Ooopsies, smooching mode activated! If you find it too sappy, don’t worry: I compensated that with all the Italian profanities I could come up with while trying to get the right angles… (uploaded also on DeviantArt)
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The weather has been damp and foggy for days and you ended up resembling a very mediterranean-looking Molly Grue...
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Even if plot-wise - and logically speaking - the transformation was the only viable option for the group to move forward into the story, it still is an incredibly anguishing moment for the unicorn/Amalthea. She is understandably dreading her new form and her now impending mortality, which she feels and fears. Schmendrick however acts weirdly dismissive, defensive, almost annoyed when Molly and Amalthea express their horror at what he has done. He is boasting about having done true magic, while stating at the same time that he had no control over it. In the book, he tries to offer Amalthea his point of view as a mortal turned immortal, as if he is trying to condone what he has done masking it as a sort of favour.
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Upon my first reading, it flew over my head. Book-Schmendrick is more mean-spirited than his movie counterpart (justifyably so, since keeping the same personality for movie-Schmendrick without book-Schmendrick's backstory would have made him an unapologetic jerk) but his reactions and his excuses did sound a bit off. Further readings and reflecting between the lines made me think that Schmendrick (at least book-Schmendrick) is essentially trying to normalize trauma.
He has done to the unicorn - in reverse - what Nikos has done to him. Schmendrick was a mortal man who had been turned immortal. The unicorn has previously expressed her contempt to the story of Nikos turning another unicorn into a mortal man, stating that he might as well have trapped the creature into a burning building. Still, what Nikos did to Schmendrick, as well-meaning it could have been, was no better at all. Aside from being an incompetent immortal, trying and failing endlessly, Schmendrick has zero chances for connections and relationships. If he is doomed to stay immortal, he is doomed to be alone, to see people around him grow old and die while he remains a bumbling young man forever. Just as the unicorn is not supposed to be mortal, Schmendrick was not supposed to be immortal.
When he tells Amalthea his story, he is curt and to the point, telling Nikos' speech word for word. His dry way of talking contrast with the visceral response of Amalthea. From "Schmendrick Alone", the novellette about Schmendrick leaving Nikos to begin his solo journey, the reader learns that Schmendrick seems to not be right away aware of his curse. Unlike the unicorn, his must have been a slow, painful realization and hell knows what he must have felt when he has fully understood its implications.
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After his self-congratulatory speech, Schmendrick shows signs that he, on an emotional level, has grasped how much he has fucked up. Still he refuses to admit so. Acknowledging it entails acknowledging how Nikos has fucked up, how his master has screwed his life under the pretension of giving Schmendrick the possibility to come into his full power. That is not feasible for Schmendrick, so he comes up with excuses, justifying his act with good intentions. Most interestingly, he shifts responsibility on magic itself, claiming he has not control over it. I don't know how magic exactly works in TLU universe, but it seems to have ties with the subconscious of those who employ it. Schmendrick had no control when Nikos cursed him, now he is in control by lacking control. Sounds weird? Then why, of every creature possible - and Schmendrick himself quips about it in the book - was the unicorn turned into a mortal woman?
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Schmendrick's arc in the story does not end when he comes into his full power, but when he acknowledges what he has done to the unicorn, expressing his regret and taking full accountability. Schmendrick's apology to the unicorn is the moment were the trauma-cycle is broken. He has come to terms with his own traumatic event, has accepted it, and is aware that he cannot do anything about it. He - and the unicorn - can only move forward; they are now again what they were meant to be, with additional awareness and knowledge.
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okay so no one talks about how Molly Grue changes eye colour between books. Like, are they ‘grey’ or are they ‘tawny’, Peter? PETER ARE WE MISSING SOMETHING???!!!
Molly having bodyshifting powers is another reason why I'd die to see Natalia Tena casted for her role in case of a TLU live-action adaptation
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Watching horror movies: does not flinch.
Listens to 'The Drift' by Scott Walker: has nightmares for a week
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@aquicat
"Others will learn what they must from glory—I from failure. Shall we begin work, my master?"
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This was an easy list to do
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how many ‘r’s in ‘miracle?
Two. It has the same root as 'mirror'
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