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weepywillowsap · 3 years
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weepywillowsap · 3 years
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Love on campus ❤️😍
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weepywillowsap · 3 years
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weepywillowsap · 3 years
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Guys do you have any prompts for smol one shorts? I am working on the longer WIPs but coursework keeps thwarting my plans! So if you have any ideas for smol one shorts you would like, that would be awesome!
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weepywillowsap · 3 years
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Incorrect Cherik quotes:
Charles: Erik you need to react when people cry!
Erik: I did!
Charles: ....
Erik: I did! I rolled my eyes!
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weepywillowsap · 3 years
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17th century astronomical art of Maria Clara Eimmart; celestial splendor from a forgotten woman who broke the bounds of her time.
(brainpickings.org)
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weepywillowsap · 3 years
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I am whiling away the work day thinking about Charles and Erik dancing away to Ed Sheeran's Afterglow.
You know? December end, the remains of the year, so much lost and learnt. The warmth of home, the cheerful nostalgia after a stomach full of good food and time spent in good company. The sheer good luck of finding each other despite everything. To look at the other person and see in them the other half. Bookends of the same soul. The future is hopeful and something to look forward to.
So Charles and Erik gazing at each other, grinning stupidity and holding each other in the kitchen and swaying together to the song after all their loved ones have left. Around them the remains of the party, the sweet softeness of the quiet that comes after a happy get together. Contentedness. A home together, and in each other.
"Stop the clocks, it's amazing,
You should see the way the light dances off your hair
A million colours of hazel, golden and red
The sun's reflected by the coffee in your hand
My eyes are caught in your gaze all over again....
x
We were love-drunk, waiting on a miracle
Tryna find ourselves in the winter snow
So alone in love like the world has disappeared
Oh, I won't be silent and I won't let go
I will hold on tighter till the afterglow
And we'll burn so bright 'til the darkness softly clears
Oh, I will hold on to the afterglow
Oh, I will hold on to the afterglow"
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weepywillowsap · 3 years
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bye bye erik
I just wanted to draw them as babies together and well, I really like the idea of young mutants’ powers being out of control until they learn to control them.
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weepywillowsap · 3 years
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fake relationship is such a good trope. they have to act in love and they are in love but they think the other isn't in love. oscar. pulitzer. nobel prize
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weepywillowsap · 3 years
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Happy aniversary you dumb fucks @staff
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weepywillowsap · 3 years
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insp insp
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weepywillowsap · 3 years
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👀❤
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weepywillowsap · 3 years
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Once again I'd like to blame @insertmeaningfulusername for enabling me, they just won't stop throwing ideas at me and I can't stop writing them. This one, however, is different because I've been meaning to post a Trans!Charles fic for a while (the reason being I am trans and I wanted to project™) and it somehow happened in a Western AU with Erik as an outlaw and Charles owning a farm. It's one of my favorite things I've written and I am very proud of how it turned out although I was kinda scared of posting this because I don't know how it would be received. Hopefully if you who are reading this read it, you'll enjoy it.
P.S.: Please check the tags and Content Warnings 🙏
Summary:
Erik is an outlaw who hides constantly in Charles' barn with the man's permission to do so. Charles offers Erik to stay, but Erik never does.
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weepywillowsap · 3 years
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Joy
Part 4 of You and Me Make Us (A collection of headcanons)
‘How does this look, darling?’ Charles asks, emerging from the veil of velvet curtains, a dopey smile stretched over his lips. 
Erik sets the magazine he’d been browsing aside and rakes his eyes over Charles’ form. The cardigan he has donned isn’t any different from the one he’d tried prior to this; or any of the thirty-six other cardigans Charles already owns. 
Frankly, Erik doesn’t understand Charles’ obsession with cardigans, or why he insists on buying a pair whenever they take a trip to town despite owning several pairs, or why he insists on buying it from a boutique that has marble for flooring and velvets for drapes and costs equivalent of four sweaters that one could buy from an ordinary shop. It’s just a waste of money. 
Erik, however, doesn’t have the heart to voice his complaints in the face of Charles’ expectant smile. The blue of the cardigan on his person now is a shade lighter than what Charles generally prefers but Erik can’t deny that it still looks good on him. Call him biased, but anything looks good on Charles. 
‘It looks good,’ he says, getting up from the plush cushions of the sofa, ‘Are you buying this one, or do you want to try a few more?’
Charles smooths his hands down over the thick wool of the cardigan fondly and declares with a giddy smile, ‘I think I’ll keep this one.’
They pay for their purchase– and Erik can’t help wince at the price tag– and Charles bids farewell to the owner of the shop who he claims is a friend. 
‘Are you sure you didn’t want anything from the boutique?’ Charles asks– again– as they head back to the car. ‘The maroon shirt by the window would have looked great-’
‘No,’ Erik cuts him short and opens the passenger door for Charles. ‘I have everything I need.’
Keep reading
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weepywillowsap · 3 years
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There's good in you too, I felt it
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weepywillowsap · 3 years
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Dadneto, Challah, and Babka
Multiple Headcanons: 
I can totally see Erik making Babka and Challah bread with Pietro as a way for the both of them to connect to their heritage and each other; father and son bonding you know. Pure wholesomeness. 
Erik making it by hand without the use of a stand mixer; which confuses Pietro. 
Slight detour, I am a foodie and I wish to share some food history; the stand mixer that we know of today didn’t really start taking off until the 1950s and the post-war period. Since, in early 20th century the stand mixer could cost up to $1,000 in today’s money. In the 1920s and 30s, it was seen as a status symbol in the upper class. I really doubt Erik’s family could have afford it at the time.  
In addition, its a way for Erik and Pietro to prepare for Shabbat because Challah; a yeast risen enriched bread with a slight sweetness, which is then braided (or plated); is typically eaten during the three shabbat meals. Plus plating bread is a dying art so the two is keeping the tradition alive. I can see Erik’s mother teaching him how to make Challah bread when he was a boy; so its also a way for Erik to connect with the memory of his mother. With the leftover Challah, Erik makes french toast dashed with a little bit of lemon zest. 
I can see Erik growing up with Babka as well; since, Babka originated from   Ashkenazi Jews of Central and Eastern Europe. Babka is a sweet breaded dough typically filled with chocolate, cinnamon sugar, sweet cheese, or nutella and then topped with sugar syrup to lock in moistness and freshness. Conversely, I can also see Erik being permanently being turned off by chocolate due to Shaw. So, Erik decides instead to put cinnamon sugar in his babka. Pietro will eat anything with sugar; dude has a major sweet tooth. 
Though due to Pietro’s bottomless pit that is Pietro’s appetite; and Erik doesn’t blame him for it; his kleiner Kolibri (Little hummingbird) needs to eat; so, Erik makes around five to ten loaves. If Erik keeps this up, he can start up his own bakery. However, due to how much effort the two put into the meal Pietro tries to pace himself and leave some for everyone else. 
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weepywillowsap · 3 years
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Is there a North and South au out there? I can't seem to find one 🥺 I am re-watching the series and oh my goodness (also??? Richard Armitage??? Swoons)
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