you caught me
as you fell into
the river & i saw
you. soft and damp
w/ hair down
your back. not yet
free, but for once
you looked near
human. i could
finally hold you
or maybe i was
just held. either way,
you folded
into the current.
it was not yet
spring and maybe
it will never be.
you know,
spring snowmelt
makes the river
rage. let me know
when you're ready
to swim it.
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it's always too early
or just too late
this night is almost perfect
it sits heavy
below my stomach
aching with longing
or dread and you
sit so close to my soul
like a cold sore
on my paper thin heart
your warmth is a phantom
a false memory
because everything comes back
in the end and you know it
you don't know
how this idea of you
sank over my psyche
the way the fog sinks over
a city on fire
just for us to call
the burning beauty
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sometimes, growing apart from a childhood friend is sad and lonely and sometimes its like. i think you're a terrible person. i know exactly why you act like that. i miss you. i feel like you died. i wish i never had to see you again. maybe it would have been better if one of us had just died. you are the reason i'm still alive. i'll never forget the way your house smells. i'll never forgive your parents. they used to be my second family. i think i'm the only one who calls you by your nickname. i cringe every time i say it. it feels weird to call you anything else. it tears open something in me that never quite healed. and yet. if you called i would always pick up. do you know how many times i've had to remind myself that you are not my responsibility? we used to tell people we were sisters. you taught me how to lie and now you can't seem to stop. i watch you be consumed and i wonder if you ever even see me anymore. do you miss me the way i miss you? is your loneliness as twisted as mine? when you're alone at night am i a memory you reach for? or do you only remember the time i made you cry at the top of the playground. maybe i only hated you because despite it all, i could never really hide from you. maybe i only hated how quickly you moved on.
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in my dream i went on a carnival ride
in my dream you came and apologized
and it felt so good
i don't know how i ever thought it was real
i swear i felt your lips on my shoulder
i felt your words in my ear
the way they've only ever felt
for the few hours
you let me spend in your arms
i dreamt you were soft again
and i woke up to feel you
not even there
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& then comes the rain
they call our family
sonless
& maybe it's true
but i've always
liked the dark
the truth and the telling
i twist my hair, &
i don't have to be
anyone he can touch
anymore
they call in the weak
middle-of-the-day
sun, & suddenly
i am sick, maybe only
because i was never here
he tells me
what is good, & he bends
to my fragile eyes
too wrong
for the sadness to be perfect
anymore
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life's like a river and a river's like a river a lot
two little streams met
in a dark wood...
but that was long ago
and now, they face the sea.
deeper entwined
they smell salt
and nearly can't
breathe
at the sight of it all,
wide open and waiting
for someone to let go.
she sobs
breaking open, and the salt
pouring out of her
she has become
the sea.
she's breaking
can't you see
breaking waves and
just like that, breaking
down in my lap
a stream of consciousness
poured into my own
joining
with the tears, becoming
the ocean
that will tear her from me
and return her
all at once.
she tells me
it will be okay
and she does't know that
she doesn't know anything
so she tells me a story.
two little streams
met in a dark wood...
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stirring late-light
sunset campsmoke
wavering in the brown
and the yellow
suburban nostalgia
childhood gone bitter
in the back of anyone's mind
clean sheets and the breeze
thick with skin to be shed
because everyone knows letting go
only in the in-between hours
when they think no one can see
how much rawer their joy
than anything else
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read your books
read your poetry all you want
& think of her
just know
the joy you scrounged for
isn't worth her pain
remember
the tunnel you dug
with gilded shovels & daydreams
washed out in tears
remember
the things you killed to get here
know that its not easy work
drowning the dead &
still living
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i wasn't supposed to write about roses or blood or silver, about hearts or wings or galaxies; my teacher used to press her hands, firmly, to the top of our poetry stacks and beg us - love different. she was bored of it. i'd go home and write something with each of her off-limits words, emboldened by spite.
for a stint of time, i was a reader for a poetry magazine, shifting through thousands of submitted writings, each hopefully printed onto my tiny laptop screen for next-submission-viewing. one editor had a pile where we would put all the poems with parsnips or cauliflower, one pile for long-thin emergency rants that devolved into a blank scream, one pile for mentions of belladonna and chartreuse - for a whole year, i'd go to bed hearing chartreuse and silver and cities playing in my head in calligraphy. every three months, the beautiful public eye would become just-fascinated by pretty things. unusual, beautiful monstrosities. one winter, all about daises. the next, a fascination with posies. i watched the world spin from catching love in language to the same five phrases - help, it's ending, i'm alone, help, it's dark here, come home, help -
later, as an english teacher, i saw patterns. every semester, one million essays about four specific things. it wasn't pretty enough to be a teachable moment: the content they wanted to discuss was all extremely violent; a broken anthem of climate change and constantly being videoed is destroying us. i would wake up shaking, worried their visions were prophetic, soon-to-be-true. selfish, i couldn't handle the constant semester-to-semester panic they scribbled into six paragraphs, MLA-formatted text. read the world is ending fifty times every month; sob to your therapist i'm not doing enough, tell your students: please, no more violence, i don't have the right stomach.
each one seemed the same poem: we're dying, and nobody is coming to save us.
there are very few celebration poems these days. i want to rest my hand on a stack of poems about love in big red wings. love in a jacket, standing under an open galaxy. love written on the bicep, in an anatomically correct heart, with an arrow shot through the center so you can see the pink viscera of surviving a wound - so you know that even permanent tattoos are permeable. blood on the snout of a newborn lamb. silver rings around the pink scales of a pigeon's leg, and love with her hand around the ribs of a bird. i want to read boring essays about lunch. about which video games run the best graphics. about carnivals. about love in big cliche terms: standing in a garden of parsnips, clutching daises to her chest, eating raw meat over the body of a rich man.
i want to open the poetry magazine and have pages of sonnets about bluebells. about survival. about a mundane, beautiful spring. about sitting with your dog on a front porch, writing without spite, happily toying with the idea of ice cream.
my student sends me an email. i know you said to write about what brings you joy. but nothing really makes me happy these days. i don't know what i'm doing.
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i was fifteen once and then fifteen forever
my lifeline coiled
inside me and then caught
the moment the gunshot went off
unstuck the bullet and stick it to the kids
that's how it goes out here
but at least i don't have to walk
back to that or any other godawful place
at least you'll drive
you'll drive me right into it
right up to the door
the door and the lock
down the street and into the next
fifteen years, and you're scared
i've lost or forgotten the times
hardened onto this mask of a teenage face
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let me tell you about my church
yes, there was, like a priest, an old white man in charge and yes, he did decide we were too much for him. yes, he now preaches to an empty building. that story is old. the building, older. the building, peeling and full of artifacts. child-made homages to our spiritual experiences, our gods, the trees, the tides, and the river. the building, now stolen, the artifacts stolen back. the priest didn't care. you know how they can be. a true spiritualist until you tell them your god is forgiving.
no one would call that place a church
it was a warehouse. the warehouse. it looked like a place you would be held for ransom. it had been a year since i walked in, scared, and it looked like home. a place where you packed and unpacked, yelled until it was quiet enough you felt like confessing your soul. we did dishes with strangers often enough that no one was a stranger. we learned a lot about community, in that kitchen. and in the end.
it was the end, and i had realized why we called it church
in the end, we learned that the priest could take away our church but never our gods. in the absence of his preaching, we had learned that they would always be there. the trees, the tides, and the river. and us. one thing about teenagers is that they are always willing to believe they are infinite. it makes us stupid. it makes us strong. in all that time we spent off the grid, in the heart of it, washing dishes with strangers, we became so connected we didn't need our church. we didn't need any mediator. the institution came crumbling and still we stayed. we had found a real home in each other, and our religion of trees. we found that, much like hearts, trees are kinda everywhere around here, if you're looking.
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in summery
june:
windows down, music up midnight driving kinda nights
underage drinking until the chaos goes sour
finals? i'm passing anyway, what's the use
i'm failing anyway, what's the use
pink haze- i'll let you guess which kind
whirlwind slingshot lets go out bitches
july:
trees, lakes, more trees
rivers, mountains, anywhere you're safer
do you know them?
no, i'd trust them with my life
yet none of it feels quite real
no one would ever talk to me that softly
and i can hear them asking for me back
where i came from
august:
too soon, too soon
sticky warm, and it smells like nostalgia
yeah, yeah, more of the same but-
what if it wasn't
what if the syrupy sun didn't taste like eight years ago
what if we were something new
something so whole we've broken away
i'd say it hurts, but i know better
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tough luck
don’t talk to me about sacrifice
do you know how many times
i’ve killed me
to get here
do you know how bad that hurts
how every possibility still lives in my body
as a corpse, stuck bloodred with thorns
still hanging on to whatever scraps of humanity
i could afford, to make me whole
you’re the smallest ‘bigger man’ i’ve ever known
and you think i owe you a soul?
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let your vines overgrow this house
like my fingers through your silky, wood-grain hair
let them weave through our home to cradle us
leaves, braids, breaking softer than skin-on-skin
you call it destruction, i call it
dissolve and rebuild
after all, these floorboards were once alive
and you're the safest place i've ever been
so why can't we sleep a little longer
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i’m in love with a dead woman’s poetry
and my only crime is the crime of greed
a constant that only feels worse
under the umbrella of death
the only crime in that is the crime of no more
the only crime is that my martyr is underground
(like, underground, underground)
or perhaps our only crime (the poet and i)
is how we will meet
i am not talking about god or religion or for us, lack thereof
i am talking about a beach where the sand sinks beneath your feet
so you linger, just a little longer
i am talking about poetry, or for us, souls
i am talking about the crime, for me, of being
and for her, the crime of being dead
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prayer
please gods
let me feel nothing but alive
let me be ever acutely aware
that the world expands out
from my chest if i let it
please gods remind me
that happiness is always somewhere
let me watch that vast blue sky
and understand why its rumored
you live up there, watching over us
please gods remind me
that you’re watching over us
let me for once be so small
in your arms let my body
expand infinitely into your body
into space into conscience
please let me always be able
to find home
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