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#// FINALLY!!! THIS TOOK TOO LONG I'M SO SORRY!!!
shencomix · 1 day
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Recently I decided to go to my local fighting game tournament.
Here's how it went.
I had been getting pretty good at Guilty Gear over the past few weeks, to the point where I was getting the input correctly for the Potemkin Buster 1 out of every 4 or 5 times I tried it. So I thought "I might not be the best yet, but, surely good enough for my local" -- and I decided to go.
It took place at a the comic & games store in the town center. The venue was full of people 10-15 years younger than me and even more drastically cooler. They all turned to glare at me as I walked through the door, but as I stood completely motionless like a gazelle hoping to blend into the grassland, their gazes slowly returned to each other and they continued to banter friendlily.
I sat down next to me first opponent, and reached out to shake their hand. They looked down at my hand, and then up at my eyes slowly.
"You're supposed to do that at the end of the match."
"Oh, s-sorry"
I got perfected twice and lost the match. At the end, I reached out again to shake their hand, but they just stood up and walked away.
Because I lost, I got moved down to the loser's bracket, which was literally below the main tournament because it took place in the basement of the comic shop. I could hear footsteps, cheering, and happy conversation in the floor above. Here in the loser's bracket though, the mood was a lot more somber.
My next opponent reminded me a little bit of me. They were equally nervous and disheveled looking. They said "Um, h-hello" and reached out their hand for a handshake as they saw me approaching. I said "you're s-supposed to do that at the end of the match." But as a look of deep sadness came over their face and they slowly put down their hand, I pulled them in for a hug.
I'm not sure why I did that.
I think that some part of me knew that, in this dark, dank, alien place, illuminated only by a single failing ceiling light and the neon glow of a few arcade machines, I had at last found a friend -- someone I understood, and who might understand me too.
They hugged back.
I lost that match by a very narrow margin, and as they jumped up and began dancing around and cheering ecstatically, I began to hate them. This was no friend of mine. A friend would not do this to me. After they were done dancing, they reached out to shake my hand. After a few seconds of pause, I stuck out my hand too, but didn't look at them and refused to close it around theirs as they grasped it. They shook my karate chop.
I thought that at that point, since I had lost and then lost in loser's bracket, I was free to go home. But one of the tournament organizers approached me and informed me that I was going down to sub-loser's bracket in the sub-basement of the store, and pointed me towards a descending staircase.
The people there were fewer, and it was darker. I could faintly hear sobbing in one of the corners, but as I went to investigate, another participant put his hand on my shoulder. He furrowed his brow in a look of pain and shook his head slowly.
"You can't do anything for them."
In sub-loser's bracket I went up against a man in a suit whose face was cloaked in shadow. He spammed May's dolphin move. I lost.
As I went to go back upstairs, one of the tournament organizers held out her palm to stop me, and pointed towards a staircase leading further down instead.
Going down through the levels, I lost to many interesting participants. One player played exclusively by bashing the controller against his face. One player was a mushroom with a few circuit cables clipped onto it, that I later learned was able to play because its bioelectrical signals got sent to a machine that interpreted them as fighting game inputs. One player didn't touch their controller at all, but instead just told me their life story, which was so tragic that I picked up their controller and won for them.
Finally, at the very bottom floor, where construction standards were long abandoned and the stairs and walls were just messily carved out of the earth's stone, I faced my final player. It was a small bit of metal framework, with a controller nestled in it. On it was a tiny piston that just pressed the jab button exactly once every second. I lost.
I hung my head for a moment, then said "close game" and stuck my hand out for a handshake, before remembering that I had played against a metal framework cube with a piston in it and retracting my hand slowly. Then I heard a slow clapping from the darkness.
"No neutral. No footsies."
Out of the darkness slowly walked a woman about my age, clad in a decorative poofy dress that looked more expensive than my entire life savings. She smiled at me warmly, continuing to clap slowly, but there was a hint of mischief in her eyes.
"No meter management. No mixups. No spacing. No learning. No strategy…
…You're perfect."
"Wh-what?"
"You're perfect. I absolutely must have you."
"Have me for…um…for what…"
(Her eyes went wide as her smile grew more manic.)
"WHY, MY MORON FAILSON HAREM OF COURSE."
"Um, I-I"
"Tell me, what do you do for a living? Let me guess, you work at a fast food restaurant? Or, retail?"
"No, I'm a--I'm a comic artist."
"HAHAHAHAHAHAHAHA!! Oh my god, you are PERFECT. What will it take to get you."
"To-to ge--"
"You would be well taken care of, of course. 3 Michelin star dining for every meal. Only the finest, softest sweatpants and sweatshirts, pre-stained with whatever flavor of Takis your little heart desires. You would have access to the entire mansion except for the main foyer when I'm in business calls, and you could make all the comics and play all the fighting games you want."
"I'm uh--"
I knew that I had to think fast here.
"I'm already i-in a moron failson harem."
"Oh, DARN IT!! TELL ME, WHO IS IT??? WHO GOT YOU??"
"I-I think I'm not allowed to s-sa--"
She stomped her foot petulantly, her shoe clacking against the stone floor.
"WAS IT SHUXUAN?? IT'S ALWAYS SHUXUAN HOGGING ALL OF THE GOOD ONES."
"I-I'm sorry," I blurted out, shuffling along the wall to make a wide radius around her and then running up the staircase.
As I got home and began making my standard dinner of Trader Joe's microwave falafel, I thought about her offer. Maybe I should have taken her up on it after all. A 3 Michelin star meal right now wouldn't be so bad.
Then I hopped on Guilty Gear and lost 22 matches in a row.
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pantherxrogers · 3 days
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Pookie since you’ve made a sugar daddy Yunho version, might as well do a Seonghwa. Plss pookie 😩😩 I’m on my knees. 💵💵💳💳I’m begging youu
blurb: sugar daddy!Seonghwa x fem!reader
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🖤 pairing: seonghwa x fem!reader
🖤 warnings: slight angsty, reader is kinda bratty, mostly fluffy/cute, a little suggestive
🖤 summary: even though she failed her driver's license exam, Seonghwa can't help but spoil his wife 🤭
🖤 a/n: POOKIE!!!! I’m so sorry that this took so long 😭 it’s been a busy week for me. I hope you love it! Thanks for your request! 😘
Seonghwa gives husband material, so he's a sugar husband lmao. Enjoy!! ☺️
my masterlist
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The soft chime of the alarm system makes your cheeks burn with embarrassment. You nestle further into the duvet, ashamed to face Seonghwa.
But, of course, your husband already knows. His heart aches when he sees you, a ball under the covers, used tissues littered across the silk sheets.
"Hi jagi, you okay?" He hums, sitting next to your swaddled form.
"I am an idiot." It comes out muffled, your face buried in the bedding. The rational part of you knows he'd never be upset with you, but you can't help feeling ashamed.
"You're the smartest person I know," he coos, slowly pulling the covers away from your face. His heart shatters when he takes in your features.
Your eyelids are slightly puffy, obviously caused by tears. Your lively curls are smushed down, a blatant sign that you've been in here for hours, stewing in your despair.
"I'm an adult who failed a driver's license exam," you cry out, feeling the tears well up again.
"You're my sweetheart who failed a very difficult driving exam in a foreign country," he tries to reason with you, wanting to take away your sadness.
“I’m never going to be able to drive anywhere,” you sob, nestling further into Seonghwa’s warmth. He pulls you into his lap, his suit be damned.
He almost chuckles to himself, knowing that you won’t be driving anywhere regardless. Your personal driver takes you wherever you please, but he knows how important this is to you. So, it’s important to him too.
The only sound in the bedroom are your soft cries and sniffles. Seonghwa’s hands draw slow circles on your back, doing his best to comfort you. Of course it’s working.
He’s always had a naturally calming energy. It’s what drew you to him in the first place. Eventually, your breaths level out, chest rising and falling in time with his firm one.
“I've got an idea,” he murmurs, standing up while cradling you in his arms.
“Hwa, I don't feel like shopping right now,” you cry out, hiding your face in his neck. Inhaling his cologne is almost like a grounding exercise. The woody, clean scent brings you comfort.
“I know, baby. I know.” He’s walking you down the hallway now, towards the front door of your estate.
"Then, where are you going?" you mumble, not in the mood to fully articulate anything. Normally, shopping would be a quick fix, but not even a new pair of shoes can help you now.
He ignores your question, still making the long journey towards the front door. Finally, arriving at the bottom of the marble staircase, his heart leaps in anticipation of the surprise. He's sure this will be able to pull you out of your funk.
“Fine, ignore me then,” you grumble, but sink further into his hold. It’s nice to have a change of scenery, even if he is just walking you through your home.
“You smell good, jagi,” he hums, making a show of sniffing your neck, inciting your giggles. “Maybe I should just take you back to the bedroom,” he grunts.
“Well, now I want to know what you were planning!” You huff, knowing he’s joking but also wanting to see this surprise. He chuckles in response, finally reaching the front door handle.
Once outside, Seonghwa gently places you on your feet, your Versace slippers protecting you from the hot stone. “I can’t see,” you whine out, already feeling agitated from the heat.
Seonghwa instinctively raises his hand above your brow, shielding you from the sunlight. The simple gesture warms your heart, prompting you to place a kiss on his shoulder.
It takes a while for your eyes to adjust to the bright day light, but Seonghwa’s makeshift shade speeds up to process.
He falters when you let out a high pitched shriek, chasing after your smaller form running towards the new car in your driveway.
“You got me a PORSCHE 911?!” You exclaim, eyes locked on the smooth, red paint. It’s the car of your dreams. Sporty, sexy, sleek and perfect.
“Anything for you, jagi,” he hums, pleased by your reaction.
“Hwa, it’s beautiful!” Your voice is still louder than normal, but you can’t help it.
The bad mood from the failed test is a distant memory. Your mind conjures up images of driving around in the car, curls blowing in the wind while Seonghwa’s hand rests on your thigh.
Warm, strong arms embrace you from behind, Seonghwa nestling into your neck to place a soft kiss.
"I'm glad you like it, beautiful," he murmurs, inhaling your scent. His nose traces along your neck, the light sensation causing goosebumps to arise on your skin.
"I love it," you breathe out, overwhelmed by the feel of him. The way his lean body shields you from the sun, wrapping you in his love makes your heart beat faster. The excitement from the new car is still there, but your mind clings to your love for your husband.
"Then, let's take it for a spin," he hums, reaching into his pocket for the keys. The reminder of your failure almost dampens your mood, before Seonghwa leads you over to the driver's seat. "No pouting, jagi."
"But-"
"Get in, please," he commands, opening the door for you. "I'll make sure you pass that test."
He closes the door softly, walking around to take his place in the passenger seat. When you start up the car, you feel a warm hand on your thigh, making you smile to yourself.
Maybe you won't be sailing down the streets with the top down today, but you're certain your husband is going to help you accomplish that soon.
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Hello there! I've been reading through your works and i love how you write Sunday!!
If your requests are open, I wanted to ask something that takes place at the end of the 2.2 quest so if you haven't done it yet, no worries, you can just ignore this ask!
But if you have played through it… I started thinking about nameless! reader on that stage of the theatre, you know the one where MC and Sunday (who's in that gigantic robot) have that exchange "why does life slumber?" "Because… someday… we'll all wake up from our dreams!" "😮") and then the robot with Sunday inside starts falling off the suspended stage etc.
So, I started thinking about nameless! reader starting to weep, while the everyone else (I think it was the full express crew?) is still on that stage, because of everything that happened. Like sure everyone was exhausted and all that unfolded so far probably took a toll on them, so breaking down after everything is done is normal but for reader there's also something else as they see Sunday fall down (I guess figuratively, too) and regain lucidity after the madness he went through (partially related, but i read someone saying that Sunday ended up being controlled by Ena the Order just like how it happened eras ago before her fall and people exulted that she finally fell and the controlling order was no more).
Omg I'm sorry for the long ask 😅 if you even just read through it I'll be happy. Have a wonderful dayyy
Thank you for the ask!! Also, nuh uh don't apologize for yapping im a long text lover this made my day (stay yapping pooks) also out of topic but I love the way you described the last cutscene
Alright im sorry if I interpret this wrong but I think it's obvious the cause would be a feeling of empathy. So first maybe you're someone who's view is similar to that of Robin in which no matter how low a point gets as long as you're alive you'll still be able to get back up and be better. I hope I phrased it right but basically it's hopeful. Even after seeing this guy through his peak madness, his lowest point, something in you hopes for him to get a good ending. For the siblings to finally fly together and thus seeing him just fall like that, basically him giving up and accepting that he'll never be any better than this, you can't help but feel sad for this guy.
Not to mention the fact that after the whole grand theatre incident, Sunday was not only wanted but also missing (if I remember correctly, sry if im wrong) and you can't help but feel even worse as you see Robin desperate to get any info on his wellbeing. How even after all that, the siblings are yet again grieving. Their dream still far from their reach. The thought alone clouds your brain with nothing but sorrow as you cried for them.
Option two is something I thought about more is imagine you absolutely resonating with him. As he goes on with ideology and beliefs ("Everyday should be Sunday" -Sunday Oak) no matter how dehumanizing or flat out baffling they may be a small part of you agrees with him because you yourself have been in that situation, you once believed in the things he's saying, you were once in his position. But unlike Sunday, you've grown to take on a better mindset. Maybe your journeys as a nameless has helped you become a better person. Not immediately but that's alright, in the end you've made way bigger of a progress from what you started out as.
It's mostly the same as the first but this time it hits harder because it's not some baseless optimism. You yourself are a living proof of it. You can't help but feel guilty. But why? Just the sole fact that you both experienced a similar misery but ended with two endings that are opposite to one another makes you feel sorta crappy for simply being happy.
Both end with you praying to whichever Aeon hears your pleas as you wish mercy upon a fallen angel.
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amethystwrytes · 2 days
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-If I Had Asked-
Pairing: Jungkook x genderless reader
Genre: Romantic. Hurt. Comfort. Fluff. Exes to lovers. Oneshot.
Summary: Jungkook wants to catch up at a mutual friends birthday party.
Warnings: Language. Alcohol consumption and marijuana use.
Inspired by this prompt.
WC: 1.5K
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Jungkook weaves in and out of the throng of people in the small apartment. Seokjin had insisted on a small party, but as usual he’d gotten carried away and vastly overestimated the capacity of his flat.
Jungkook can pretend to be outgoing, a crowd lover, if the occasion calls for it, but in truth he feels like his skin is crawling every time he brushes up against a stranger. Normally he would’ve left after wishing his elder a happy birthday and leaving his present, a compilation book of Marvels 100 best comics, on the counter.
However, he has it on good authority that Seokjin invited you here tonight, and that you’d said yes.
Jungkook hasn’t seen you since you packed your shit and left his apartment over a year ago. You hadn’t been the least bit unserious when you told him you were done, you really had been. It took Jungkook a long time to realize that he probably should’ve gone after you. Too long. By the time it had occurred to him, six months had passed, you were seeing someone else, and his window had closed.
He was immature with you, and maybe a year doesn’t make anyone wiser, but he’s learned a lot since then. Like how prioritizing everything over you because he just assumed you’d always be around was his biggest mistake.
His third circle of Jins apartment has him wondering if Namjoon had been wrong - you actually had no plans to come. Then he hears it. He would know your laugh in any universe. If he were in a coma he’d still hear it. It makes his heart ache.
You’re out on the terrace. A vodka cranberry, that’s probably more cranberry than anything, in one hand, a joint in the other. You’re chatting with Jimin, probably catching up, but like an invisible string is tethered, you turn your head and make eye contact with Jungkook through the glass. He see's you tense up for just a second, then you turn back to Jimin, looking like you're about to make a quick exit.
He can't have that.
Jungkook shimmies through the crowd and slides through the door. Jimin notices the change in the very air out on the terrace.
"Jungkook, long time no see," he says, trying to keep it light and charming, but the thick cloud of awkward is expanding by the second.
You look over the terrace out into the darkness, taking a long drag off the joint and blowing it into the air.
"Yeah," Jungkook shrugs, "I've been working a lot, not really had the energy for hanging out."
"For sure," Jimin nods. Then silence ensues. The noise from the party, lulled by the closed terrace door buzzes and beckons. "I'm going to go find Seokjin, see how drunk he is," Jimin jokes and the two of you offer up some forced laughter.
"Here," you say, handing him the joint, "I think I'm good."
Jimin takes it, offers it briefly to Jungkook who shakes his head no, then places it between his lips before retreating indoors like the terrace is on fire.
"Hi," Jungkook finally says.
"Hey there," you reply.
"Why is this so uncomfortable?" he laughs, taking the spot beside you to look out into the night. City lights dot the horizon like blinking stars and he focuses on one that seems to flash on and off every couple of seconds.
"I don't know," you finally answer, "I think these things are always awkward."
"What things?"
"Seeing your ex at a party for the first time since splitting," you clarify. "Though you'd think a years time would've papered over some of those cracks."
"I'm sorry," Jungkook offers, the list of things he owes you an apology for is too long though, "Sorry for letting a year go by without speaking."
"It's fine," you say flatly. "How have you been? Seeing anyone?" you mentally slap yourself for adding that last bit. That opens up a whole conversation that you'd rather not have.
"I've been fine, I guess. Kind of just going through the motions of life, really. Neutral I suppose is the best way to describe it," he says, "and no. I was seeing someone for a bit, but...I don't know. It just fizzled out as quick as it started."
"That's too bad," you say, though you don't sound the least bit interested. You take another sip of your drink and you wish you'd asked Jin for an extra shot of vodka now.
"How's Taehyung? I didn't see him tonight," Jungkook wonders, waits for your answer with bated breath.
"He uh..." you chuckle dryly looking into your cup, "He's in Japan. Took a promotion in the company but had to relocate. He asked me to go...but..."
"You didn't?" Jungkook finishes. "Why not?"
"You know how ill my grandma is," you smile sadly, "I didn't think it was a good idea to leave."
"Are they not taking good care of her at the assisted living place?"
"They are," you nod, "but still."
"So, did you guys like, break up? Or are you doing the long distance thing?" he presses.
"Is this why you came out here? To ask me if I'm still seeing Taehyung?" you wonder, not bothering to hide the confusion or irritation.
Jungkook shakes his head, "I came out here to just talk, ___. That's what I'm doing."
You sigh. "No. We're not doing the long distance thing. We decided it would be better if we ended it, well, he decided," you laugh bitterly. "Though to be fair I think it was less of a 'hard versus easy’ issue, and more of a 'he wanted to be able to fuck whomever he wanted without having to feel guilty for it' issue."
"I'm sorry," Jungkook offers genuinely.
"Why?" you snap your head over to him, "I figured you'd be pleased with that outcome. After all I basically did the same thing to you."
"You didn't dump me so you could fuck other people without feeling guilty," he reminds you, then after a long pause adds, "Right?"
You laugh. "No, that's not why I broke up with you."
"You weren't happy," he says.
"I felt like I was your parent, you treated me like someone who was supposed to cater to your every need and like my job, my dreams were second to yours. That made me unhappy. That wasn't very fair."
"No, it wasn't. I acted like that because that's what I thought a grown up relationship was, that's what I wanted it to be."
"That's unhealthy," you tell him.
"I know," he nods, "and you told me that then as well."
"You never seemed to hear me," you recall. "That's why I left."
"I know," he nods, "You weren't the villain, but I made you into one for a long time. I've always been taken care of, with my family, with my friends - I'm always the one taken care of, and it took me a long time to grow out of that. To realize that a relationship is partnership, you hear people say it all the time but it's easy to gloss over what that really means. I should've realized then, I should've heard you, but instead I just acted stupid, clueless."
"Thank you. That means a lot," you say, trying to fend off the tears.
"Can I ask you something?"
"Sure."
"If I had asked, would you have stayed?" he looks at you, faces his whole body toward you so you do the same.
You think about it for a moment then shrug, "You didn't ask Jungkook. So I guess we'll never know."
You finish off your drink and turn the empty plastic cup over in your hand. "I need to go throw this away. I should really get going anyway."
He stands there defeated and nods.
"It was good seeing you Jungkook," you lay your hand on his shoulder, "Take care of yourself."
He stands there, listens as you slide the glass door, the dulled party buzzes to life, then lulls back out again, signaling you've made it inside and left him out on the terrace alone.
"Wait!" he yells, turning on his heels and pulling the heavy door. "___! Wait!"
You stop and turn towards his voice, along with the entire room. Everyone goes silent as they all look between the two of you.
"I'm asking now," he says, disregarding the audience.
You stare at him, skin hot from the gazes around the room. You rake your hand through your hair, letting it fall like a curtain around your face.
Jungkook crosses the room, eliminating the open stage that your interaction has turned into. He walks you back into a hallway that leads to Jins bedroom and bath. He backs you all the way up to the wall, his tattooed arms caging you in, shielding you from the onlookers who slowly, but surely, turn back into their own conversations.
"Are you drunk?" you ask.
"What?"
"Are you drunk?" you repeat, breathlessly.
"No," he shakes his head, "I had a coke, I have to be at work in the morning."
You nod. Your hands find purchase on his forearms and you uncage yourself, your fingertips sliding down his arm, tracing over your favorite, familiar ink, then intertwine with his.
You look up into his dark brown eyes, and smile, "Then drive me home."
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aayakashii · 2 days
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I'm going through the Sinostra chapter right now and I can't stop making theories omg there might be spoilers below so be careful, although I'm just enumerating my questions tbh lol
According to one of Taiga's home screen dialogs, there might be some sort of time loop happening which he's KINDA aware of? Or maybe just aware when triggered somehow.
He said "long time no see! You decide to ditch this future too? Sorry I'm not dead yet" which is INCREDIBLY ooc as to how he behaves during the story which leads me to
His extreme memory loss, which apparently lasts less than 24 hours. Why is that? Did he go through so many time loops that it started affecting his memory? There was one small moment in which he remembered Ritsu because he saw the MC face though...
The Clash. What the fuck was it
What's Taiga relationship to Haru? Haru sounds eerily nonchalant regarding Taiga even though the man keeps on threatening Peekaboo. And aftewards, Rui briefly mentions that Taiga has a "destroying what others hold dear" schtick, which leads me to believe that Taiga is seeking revenge for losing something important maybe???? Is the fanfic brainrot too big rn
WHY DOES HE HATE LIKE DOVES??????? I dont wanna go full romantic mode, but is he just resentful of seeing a bird that is the physical representation of someone else's feelings or something......
The spy. Honestly no idea. There's some theories floating around that Haku is the spy, but I would rather see him during the Hotarubi episode before jumping to conclusions, but it's understandable how people might think that I guess...? He IS very nice and helpful and randomly finding the MC fleeing by train was way too much of a coincidence... he does seem to always tie the MC to Darkwick somehow, firstly by KIDNAPPING her and then by talking her into staying. If the MC is the trigger to a bigger event, then one could see that as suspicious. But I would like a bit more evidence first lol
Back to Taiga, why is he. Like why
Okay no but seriously. If we take the timeloop thing seriously + Haku being a spy, here's the theory:
Taiga knows the MC is the trigger for an awful event and tried killing them back in the Prologue in order to cut the problem on its roots. Haku, if we consider him as the spy, WANTS the event to happen (considering he could also be aware of the loop), which is why he saved us and took us to Darkwick, therefore letting it all play out once again.
If Haku isn't the spy, then we would have to chalk it up as Taiga knowing and trying to kill us, but destiny (???) being a bitch, therefore putting Haku there as a pawn to make things play out again
Maybe the spy can control other ghouls? Who know tbh
Finally, what is going on during the first scene we see in the game? Darkwick on fire and the first character we choose jumping off of the building? I wonder what would happen if we choose Taiga as our first card....... maybe I should create a sub acc
Anyway if anyone has more questions/theories PLEASE SEND THEM MY WAY IM OBSESSED WITH THIS GAME I NEED TO THINK ABT IT
There is also a good theory on reddit made by u/imonlybr16 that states this:
"Before the prologue, when you open the game for the first time, you're greeted with the opening scene involving MC running through the halls of a ruined Darkwick. The question is asked "When the world is collapsing around you, whose hand will you take?"
There you're taken to your character choice screen. The guy you choose is later shown on the railing of a balcony, about to jump off.
Now I think I have a very far fetched and vague idea as to what is going on.
In chapter 2, we learn that the person that Alan killed was Dante or at least he thought he did. But we meet Dante and he's very much alive.
This comes theory number one.
***You can't actually die on campus.***
Note the use of actually here. You can 100% still die, you just end up coming back to life.
If Rui is your home screen he talks about accidentally killing someone else in his dorm and being annoyed with having to lift them back to Obscuary. This struck me as a particularly odd dialogue because Rui's curse causes people to die.
Unless, you can't die on campus.
This would explain Dante pretty much instantly. Yes Alan killed him but yes he's alive.
The campus itself is an anomaly, stopping people from dying doesn't sound too far fetched. I expect this to be revealed with the other two members of Obscuary, as that dorm seems to have a connection to death. One of the things that always pops up is that ghouls aren't immortal, no matter how quickly they heal.
Also explains how Calamari didn't die in chapter 3. Ren ran from the dorm > the caves > the jetty and Calamari was already pretty dehydrated in the beginning.
But OP you might say, aren't all the guys talking like they believe they're going to die.
Luckily, that brings us to vauge and far fetched theory number two.
***The campus is on fire due to a rebellion***
In the very last chapter of the prologue we get to see Kaito's wickhive. There we see three pretty interesting threads.
. There's gonna be an uprising soon
. One of you is a demon
. There's a guy who could see the future
Kaito is surprised at something he sees in this scene but we don't learn what it is. This chapter's 'preview' is one of the scenes we see in the very beginning. Blood and a Lily.
I believe that the first thread is foreshadowing and will . After you meet your chosen guy standing on the railing you get a line of dialogue (or not if you picked Towa) that changes depending on who you picked. Some imply that what they're doing is going to save you(Jiro, Zenji and Sho), some apologize stating that they could protect what they cared about until the very end (Luca,Kaito,Haru and Yuri) but three characters caught my attention
Leo: Life sucks and then you die,right? I just want to make the assholes responsible regret it.
Ren: This is exactly why I didn't to do this! I knew this was how it was going to end.
Subaru: This is all my fault. I don't expect you to forgive me, but this is the least I can do. Please take this as my final act of good faith.
Especially Subaru's and Ren's, that seemingly imply either the MC's (Ren's) or their (Subaru) involvement in the current situation. Now what does this has to do with a potential uprising?
One of the things we learn from the very beginning is the inter-politics of the houses and by extension the ghouls. Especially after the fallout of the clash. Things are pretty tense and an uprising or rebellion seems to be the most likely thing.
As to what happened and why? I have no clue. Though one thing to note is that according to the prophecy, as long as the ghouls are in Darkwick, they prevent a disaster from coming. If Darkwick is destroyed however, the prophecy can't be fulfilled, or can it?"
This is such a good theory too, I really think u/imonlybr16 has probably gotten a lot of things right.
Although it's weird that death is such a big threat to us specifically, but maybe the Academy can't prevent death by curses, much like the Mesmer Matches dont work on someone who's cursed. Hhmm...
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Could you do a yandere Adam x fem reader? Let your imagination run free, I JUST NEED SOMETHING. also, love your writing! You write Adam super accurate :)
(Sorry this took so long, I wanted to space out my stories a bit. Admittedly had this done before Angel Massages >w<
I'm so touched you liked my work and think I write this moron well, I hope this is good enough for you; I found myself thinking about yandere!Adam and deciding that that fool could hurt everything from a fly to a dragon but he sure as hell wouldn't want to hurt you. Hence this.)
Obsession
It wasn't that the first man was obsessed with you; it was that you had made the first mistake of catching his eye, the second of agreeing to that first date and the final one of saying “I love you”.
The progression was slow enough that in real time you had never even noticed. Adam was always the type who was everywhere you looked anyway, he was the kind of person who drew attention by being there, by being loud and vulgar and all around an annoyance. But you'd made the mistake of smiling a few too many times and something in his head had switched; suddenly it wasn't just that he was everywhere you looked but you were everywhere he did. He watched you, curious at first then intrigued and finally attracted. You were cute and sweet and you smiled when he did something stupid and he took that how he wanted. He took that as interest.
When he asked you out it had partially been with an intention to defuse whatever it was causing him to watch you as much as he did. The fact you said yes definitely didn't cause butterflies, that feeling was hunger. Yeah. Hunger. But he couldn't help but think you looked nice in the dress you put on for the date and your hair was very nice the way you'd styled it and your makeup made your already pretty face all the prettier. He had grinned like he always did and boasted aloud of how lucky you were to have him, the first man, the Dick Master himself, going out with you. The fact that his pride quickly internally turned to irritation when he noted the eyes looking you over, looking over his date, well that was nothing; it was normal wasn't? Any man would glare at someone staring at their date the way they stared at you, be upset that anyone would even think they had a chance with you when he was there.
He kept telling himself that. He'd keep telling himself that. You were sweet to him and you didn't know, it was hard to really know what you were doing to him when he didn't even fully understand it; he was obnoxious and narcissistic and you were aware of that much but you liked that about him, and how sweet he could be sometimes. So you made a mistake: you told him you loved him and that switch that had already been flipped broke.
Suddenly you found yourself rarely having a moment to yourself. Or honestly much personal space; the angel, despite his own duty to complete, spent more time hovering over you than anything else, following close. At first it was pretty benign in public at least, he was always close by but never too close, angels were weird about PDA and Adam for all of his attitude was good at playing games. But before you knew it people started to avoid you; friends stopped talking to you as much, acquaintances stayed away. You didn't really notice it much, or pay it much mind, people got busy, even heaven had stuff to do, but then the Incident happened.
The angel had been a newer arrival and he was as shaky and uncertain as a lamb. He stuttered and stammered and fumbled his way through heaven with the confidence of prey thrown into the lion's den. You were good and sweet and how could you resist a person needing help? That would be wrong, this was heaven and you were an angel; helping was what angels did.
You smiled and approached, offering a hand to the shaking angel to help him. “I can show you the way if you want, I know this building like the back of my hand.”
He looked at you with wide blue eyes and a smile that was just starting to creep onto his features; he reminded you of the kids who sometimes showed up. You hated to see kids come to heaven but better there than Down Below. He took your hand and started to open his mouth but a dark shadow cast over you both and you could only blink for a second before seeing the new angel's expression change. What you saw in his eyes was something deep; it was fear, primal and true, and his hand slipped from yours, tears pooling quickly in terrified eyes. You tried to ask what was wrong; he ran away before a single sound left your lips, leaving behind a trail of feathers shed in terror. You were confused and turned around to see what cast the shadow.
Adam stood behind you and at first everything seemed normal. His mask showed that giant toothy grin of his, that glow of electric gold that hid the real face of the first man, of your man. But you noticed the glitch, the crackle in the mask that you'd never seen before, and something in the back of your mind felt something was very much Not Right. He always loomed over you, it was a matter of fact and of height, he slouched a lot as it was and still he was taller than you.
Maybe it was the wings; you decided that had to be it. Usually, when he was out and about, his wings were tucked under his arms, almost inconspicuous despite their glowing hue. Yet they were out now and spread, beautiful in their glory. Terrifying to that primal sense within your mind; for a second you felt you weren't looking at the same man who liked to play you songs on his guitar or hold you in his lap while he worked in his office or steal bites of your food no matter what you decided to buy. He wasn't silly or annoying or even that sweetness that you came to love in him; something was frightening in that grin and those narrowed pure gold eyes. You thought to yourself that the face underneath was likely far more frightening than the electronic features of his mask.
That was the moment and you got the sense you were aware but he wasn't. He never let you out of his sight, save for when you needed to go to the bathroom or such. Constantly he was by your side and while in public still he managed to hold onto some level of decorum, privately he seemed unwilling to let go. He held you, he touched you, and there was something mad in the way his fingers pressed into your skin, never harming you, not to that degree. You knew he was an exterminator, the leader of the exterminators, and you knew he was dangerous and violent and capable of so much pain, but the first time you realized he wasn't aware of what he was truly doing was when his grip had gotten too tight and left a bruise. The look he gave you was nothing short of heartbreaking; who knew he could even make such a face.
The only thing that never seemed to change was the sex. Before he was intense, hungry and active; now he was just as much in every factor, in every way. He fed upon you, your body, your passions, and some days your head was left spinning with the sensation of bliss that came with being at his mercy. The only real difference was how often he drew those three little words from you, seemed driven further by them; whispering them against his skin made him crazy, to the point he'd taken you in any way he could, filling you up and leaving you shaking. Crying them out in passion made him hold you closer and dig those teeth of his into your neck, your shoulder, the flesh of your breasts; marks were getting harder and harder to hide when he left them wherever he could. You had to be careful speaking them aloud after the fact; sometimes it spurned him to new life and your body sometimes needed a day or two to recover if that happened. Sometimes it made him beg for it, actually beg. It was the same as that day he'd accidentally hurt you; the depth of the breaks inside him made you want to hold him and never let go as well.
You never saw that scared little angel again but you did see the one who had made the mistake of whistling at you. Only once though, before your constant shadow made sure that they didn't whistle again; Sera wasn't very happy about it but Adam's status was dangerously safe and you came to understand that he was starting to become comfortable doing things he very much shouldn't. And you became aware you may be a little mad yourself when you barely flinched as he cupped your chin in his bloodied hand, claws leaving streaks of red against your skin as he smiled down at you.
“I should have plucked out his eyes as well as his tongue,” he said in a tone far too low for the boastful first man.
Should you have told him not to have done either? You mulled over that question only later when you washed your face and settled into your usual place on his lap.
Telling him you loved him had been the straw but it became the solution. New people came every day, they couldn't possibly know immediately what was going on, that heaven had a very dangerous problem. But the sweetness of those three words distracted him like nothing else and the laugh he'd give, “I know, how could you not”, and the souls got to live to enjoy heaven in safety, away from the monster you'd fed.
No, Adam was not obsessed with you. It simply was that once he had you, he couldn't, wouldn't, refused to continue his eternal existence without you. And no one, not in heaven, not in hell, was going to take you away from him.
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xshiny · 2 days
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Shared Struggles prt 1
Trigger Warning! ⚠️
Eating disorder -> not eating for a while resulting to unhealthy body
Unbeknownst to those who didn’t pay much mind to you, you had been struggling to eat much or anything at all.You thought you were flying under the radar fairly well with this, until Keegan found you and walked over to you, pressing his shoulder to the wall as he leaned to be level with you. “You didn’t come down for dinner,” He said smoothly. He was the least confrontational of personal problems out of all your friends, so it was surprising. “Nor were you there for breakfast.. whys that?"
"I already ate" you shrugged it off, moving past him.
“You didn’t.” Keegan said bluntly. “I looked in the kitchen on my way back from the table.. there wasn’t even a plate put in the sink. You’re a bad liar.”
"I put the dishes away. You're a bad looker" you quickly said, and took another step.
This caught him off guard for a moment, before he pushed himself off the wall and stepped in front of you, placing his hands on your shoulders. “Look at me.”
"I'm looking" you blinked, looking at him and stood there in his grasp. You were playing it cool.
He tightened his grip slightly until your view was entirely him. “Do you even realize how thin you’ve gotten? You can practically see your bones through your skin for god’s sake!”
"I'm not skinny, I'm just...not as big as you" you shrug, not even caring about the fact that what he said is true.
He looked at you like you had lost your mind. “Not as big as me?? Dude,” He said, stepping back as he gestured to himself, “You can practically see the bones in your spine! You look like you’re dying!”
"Dying? I'm not dying!" You protest, frowning at him.
“Well you’re damn well starving yourself and that’s a slippery slope to all sorts of issues. Your skin is pale, and your eyes are all bloodshot and sunken. And you don’t have any energy, man! You’re exhausted just by walking!!”
"I need sleep!?" You suggest, and shrug your shoulders again.
“Yeah, that too!” He exclaimed, “But I mean, you have to see what I mean right? You look like if you dropped dead, people wouldn’t question it because they expect it! Your entire skin color is almost blue! You’re a shade of white we’ve never seen! Do you even remember the last time you had a full meal?”
"...No.."
“You can’t even remember?” He looked genuinely hurt. “How long has it been?? The last I remember, you didn’t eat that day either… that was, what, two weeks ago?”
Suddenly you feel dizzy and slump forward a bit, stumbling over your feet. "S'been a while"
Keegan let go of your shoulders as he immediately scooped you up in his arms, holding you close to prevent you from any more stumbling.“Jesus Christ!” He yelled, “You’re about to collapse!”
"Am...not...bouta..." You complained, and your knees gave out, causing you to go dead weight on him.
Keegan made the executive decision to carry you bridal style and immediately went downstairs to take you to the medical unit.He kicked down the door and yelled, “We need help! Anyone?! Come quick!”
getting worked on ⤵️
When multiple members of the unit rushed in, he finally explained in more detail what was wrong with you, making sure to mention your severe lack of eating. The nurses were incredibly worried, but got to work immediately. It took nearly three hours for them to fix any nutrient deficiencies you may have and give you an intravenous injection of potassium to prevent further muscle fatigue.
°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°
A/n: Make sure you lovelies eat!! Take care of yourselves ❤️
Sorry for any inaccurate scenes 😭
And still working on that last scene...will update later
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lunacias · 3 months
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these are the silt verses, and I name our disciples thus
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poorly-drawn-mdzs · 7 months
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ORV is about enduring the horrors in real time.
(for @everyonesfavoritebastard)
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acetier · 7 months
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will you be drawing any more of torin and varre? no rush at all, but i am lowkey obsessed with them now 👀
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ask and you shall receive, anon :^)
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osamusriceballs · 6 months
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The Accident - Part X
Atsumu x fem Reader
Warnings: None
Words: ~ 2,5 k
About: Dinner at Onigiri Miya &lt;3
Part I II -> Next Part
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"So, that's my favorite food. Samu just makes the best Onigiri, I'm not gonna lie about that."
Atsumu grins and gestures towards the plates on the table. "But everything's good, don't worry. I helped Samu with the menu back then after we finished high school. He even added some dishes with extra protein, just for me. Said he couldn't stand how I ate chicken and protein powder all the time."
You frown at the thought of combining chicken and protein shakes, but he just shrugs when he notices your reaction. "Don't look at me like that; I was young then. Well, younger than today. I didn't know better." You laugh when he embarrassedly rubs the back of his neck.
"It's fine! I'm sure you had to watch your protein intake and your vitamin levels. I mean, you started playing a lot more intensely after school, right?"
He nods and takes the carafe of water to fill your empty glass. "A lot has changed since I started as a professional. My schedule's quite tight; I train basically every day, and I have to go abroad every other month for promotions or plays. It's kinda hard to always keep track of my eating habits. I'm just glad that Samu's keepin' an eye on me. Always grumblin' about how it's a drag to do all that extra stuff, but he still has a plate ready whenever I come." You nod and take the glass he's offering you and take a sip of the water. It has a fresh taste with all the herbs that have been added to it; you can even smell a bit of mint and lemon after you place the glass back on the wooden table.
"He sounds like a really good brother. Who's older, him or you?" You ask and look at the raven-haired copy of the man in front of you, who is now behind the counter making Onigiri. He looks good in the Onigiri Miya shirt, the logo cute and simple, fitting the whole ambiance of the restaurant. There isn't much space inside; you're just glad that Atsumu took care of reserving the table because there are quite a lot of customers inside. Yet, it has such a cozy and homey feeling that you relaxed instantly when you took a seat.
"What do you think? Be honest." He looks at you expectantly, and you debate your choices on the inside. On the one hand, Osamu seems like someone who is used to taking care of others, which makes him seem like the older one. On the other hand, you can't deny that Atsumu has a certain sense of dominance that seems like a spoiled firstborn—but you're still clueless.
"Hmm. I think that you're the older twin?" His eyes widen in surprise, and a wide grin suddenly spreads on his whole face. His eyes shine when he bursts out in laughter. "Samu! Samu, y/n thinks that I'm the older twin. Did ya hear that?" He calls for his brother, and Osamu raises his head with a scowl when he realizes that Atsumu just disturbed his peace. "Don't get cocky. She's the first to say that."
"Yeah, but her opinion actually matters. Thank you, y/n." He is still beaming when he turns back to you, the short innuendo with his brother seeming so normal to both of them that you try not to think too hard about it. "You're welcome, I guess?" You nervously laugh, hoping that you made neither Atsumu nor Osamu mad with your words. "You did well. You're my wife after all. So it's only fair that you're on my side." You almost choke on your water when he says that and nervously laugh.
"Oh, okay. Well then. Uhm, I'll start eating? I'm kind of hungry, and the food looks amazing." You still find your heart skipping a beat whenever he calls you 'his wife'—which you noticed that he does quite frequently. He definitely likes to tease you, and you have no idea how you should respond to that. Just the thought of calling him 'husband' makes you feel butterflies in your stomach—you couldn't possibly do that.
You have already snapped a picture of the food to Yachi, who insisted on regular updates of your day. She responded with a salivating emoji and an 'enjoy!' to which you sent a thumbs up, so you're more than ready to eat. "Oh, of course. Just take what ya want. Samu can make us another portion if yer finished with it."
"Thank you." You smile and take a spoon to try the fried rice. The flavor is rich and good; you can't help but let out a delighted huff through your nose while you take another spoonful. "It's really good. Osamu is great at cooking!"
Atsumu has also started eating, an onigiri in both of his hands that now looks ridiculously small. You only now notice how big his hands actually are—probably an advantage when he's playing volleyball. "Told ya. Samu makes the best food." He takes another bite and then a sip of his water. "Let's eat and then we'll talk about the appointment."
You nod and swallow your bite heavily—and you also try to swallow the nervousness while you finish your meal. The atmosphere suddenly had shifted a little after he had mentioned the appointment, the reasoning of your meet-up now apparent. You're both rather quick to finish your food, and you place your napkin on your table and look at him expectantly when you're done.
"So, do you want a dessert already, or do you need a break? Samu has a mean strawberry tiramisu in the fridge. It's not on the menu, but I know it's there." He looks at you and winks, and you laugh while you rub your tummy and lean back in your seat. "I need a short break. But after that maybe? Tiramisu sounds great." You give him a thumbs up, and he nods in response.
"So... let's talk about the visit then. About our options. Wait. Singular. We have one option." He looks at you with a neutral expression, and you find yourself nodding almost robotically. "Yes. We have to wait until the year is over until we can get a divorce."
You both sit there in silence, unsure of how you should continue the conversation.
"I mean, it could have been worse. We're lucky that there were no other grave conditions on the contract. One year will pass really quickly. And then you're free again. I'm also not forcing you to make this public; it wouldn't be good for neither your volleyball career nor my privacy. We could just keep going like this."
He intently watches you while you talk, his chin now resting on one of his palms when he slightly leans forward. "I also think it's smarter to keep it to ourselves for a while. The last name thing, though, is going to be difficult." A groan leaves your lips, and you close your eyes for a second.
"I can't believe that I have to change my last name. This is going to be a lot of paperwork." You groan again at the thought of going to the town hall and contacting your bank—and everything else. You thankfully already had the past few days to get used to the thought of changing your name to 'Miya', but it still makes the whole marriage thing feel so real. This would have a very big impact on your life at this point. All formal letters will be addressed to y/n Miya—which would definitely cause questions that you're not prepared for. But that is a problem for your future self, something you're trying to reassure yourself of to not feel overwhelmed. It will be fine. The lawyers had reassured you that it would only need a few signatures and a small fee, and then you could get divorced after the year is over—and that definitely made you feel a bit better.
"Yeah, sorry for that." He sheepishly rubs the back of his head, probably feeling guilty that only you have to do that, and you're quick to shake your head. "Don't be. I voluntarily agreed to this; this part is definitely not your fault."
He nods and takes the last bite of his rice ball and quickly wipes his hands with his tissue. Noticing that you have finished your meal too, he is quick to wave for the waitress. "I'll ask for the tiramisu. Are you fine with sharing? He said he'll only leave one portion. Greedy bastard," he groans playfully, and you giggle at his comment.
"Yes, we can share."
xxx
The car ride home feels tense.
The evening was great; you had a good time with Atsumu, and the prospect of having to part soon makes you feel uneasy, especially at the prospect of not knowing if you will ever see him again. For all you know, he could simply send you the paperwork via post and never talk to you again.
You get thrown out of your thoughts when he parks the car in front of your house, and you both sit there for a second in silence.
"Uhm... here we are." He finally says, turning off the engine, much to your surprise. That means he intends to stay a bit longer.
"Yes." You awkwardly scratch the back of your head and look at him through the darkness. Only a street lantern provides a bit of light, just enough for you to faintly see his face. He also seems to feel somewhat nervous, his eyes avoiding yours at all costs and looking at the dark screen of the radio.
"So, uhm. I meant to ask. How do you want things to go in the future? We can either keep in touch or meet exactly one year from now to finalize the divorce. What would you prefer?" You can see how his knee bounces up and down, a clear indicator of his nervousness. The words seem somewhat practiced, and you're pretty much convinced that he's been thinking about this moment during the whole car ride. You feel a lump in your throat and somewhat have a hard time coming up with an answer. What if he wants to cut ties with you but is too polite to say it out loud? You definitely don't want to put him in an uncomfortable situation by forcing him to keep in touch with you. It's bad enough already that you have to take his last name, which would probably lead to some questions. What were you supposed to say now?
"I... I don't know. What would you prefer?" You know that it's lame to answer with a question, but you only intend to offer him a way out. Much to your surprise, his eyes flicker to your face, and his knee stops bouncing.
"I would prefer for you to be happy, whatever you decide to go with." He seems so earnest and serious when he says that, that you find yourself flushing—thankful for the darkness to conceal your facial expression. Hopefully.
"Keep in touch, like eating at Onigiri Miya, for example? And texting and calling?"
"Hmm." He hums and suddenly watches you like a hawk, analyzing every single one of your expressions. "We could make that a regular thing. Samu changes the menu often; he could even put your favorite food on it, if ya ask him nicely."
You are stunned at his words. He probably knows fully well that it sounds like a cheap excuse to keep seeing you, yet he still said it.
So you decide to be brave too.
"Sounds great."
xxx
"What the heck was that?"
"What do you mean?" Atsumu rolls his eyes at the car speaker, somewhat annoyed because he knows exactly what Osamu will say.
"I saw you makin' heart eyes at her. And that phone call last week? I didn't say anything back then, but what are you trying to do? Flirting with her and breaking her heart when ya get divorced and you stop talkin' to her? She's too nice for that. Don't do that to her; she's been through enough already."
"I'm not leading her on!" Atsumu almost yells, finding himself wounded at the accusation of not being honest with you. "It's just—I don't know. Easy to talk to her. I just... I dunno. I'm not doing it on purpose; it just comes naturally. Everything comes naturally when it comes to her. Wonder if that's why I married her. Love at first sight, ya know?"
Osamu lets out a heavy and deep sigh, full of frustration. "It's fine. Just take things slow. If you wanna date her, I mean. You both skipped a few steps; I don't know if ya really have a chance."
"I'm not trying to date her. I'm just... I enjoy talking to her and spending time with her. And it's cute to see her flustered. We only got one spoon for the tiramisu, and I offered to feed her—ya should have seen her face, she almost fainted." Atsumu grins at the memory, but Osamu only sighs again.
"You're always causing me trouble. Just—be careful with her, 'kay? We still don't know if she's some kind of stalker trying to get with ya. Remember the last time a fan tried to get close to ya? Didn't end well."
Atsumu's grin slowly fades at the memory, and a deep frown replaces the happy expression.
"I know, I know. But she knows that manager from Karasuno. And Shoyo-kun. She could have met me earlier if she was a stalker. We only decided on the club last week, remember? No way she could have known. She got her hotel room booked a few weeks ago, Shoyo-kun told me that. That's too many coincidences for her to be a stalker."
"If you say so. Dunno, you just always get in trouble."
"Not this time. Not with her."
"Sure. Let me know if ya need somethin'. See ya."
Atsumu hangs up the call, his hands now holding the steering wheel tighter. There is an inner turmoil inside of him, almost the need to see you again, and that's when he forms a plan in his head.
A few minutes later, and he has safely parked the car and fished his phone out of his pocket. His fingers fly over the keyboard, and he doesn't think twice before he hits the "send" button.
Are you free this weekend, Mrs. Miya?
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fabuloustrash05 · 1 month
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Can you talk more about your Tmnt next gen?
Like, how do they Interact with each other, things they like and stuff like that.
Instead, of talking about it, how about I show you instead!
I feel this chart is a good quick gist of the TMNT 2012 Next Gen kiddies dynamic:
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Note: Irrilia, Thalos, Sal/G'throkka, Frida & Vincent are siblings. Yoshi and Ayame are their cousins. Yoshi and Ayame are cousins.
Also, Irrilia belongs to @myrling-art and Thalos & Sal/G'throkka belong to @bludinkdragonz . All the other OCs belong to ME.
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sisterdivinium · 11 months
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It might appear somewhat essentialist at first if used to examine real, breathing human beings, but Carol Gilligan's "Images of relationship" can provide an interesting framework with which to understand certain facets of Warrior Nun. More so when coupled with David Hayter's comment on how the show's "women are always right and the men are always kind of screwing things up," for her article, dealing in systems of moral understanding, might point us towards the reasons behind this openly admitted narrative "bias".
In a nutshell, Gilligan observes the different strategies by which boys and girls seem to resolve moral dilemmas, deviating from traditional interpretation. This is because, Rosemarie Tong reminds us, "Gilligan challenged the Freudian notion that men have a well-developed sense of justice — a sense of morality — whereas women do not". By looking beyond these hurried and prejudiced conclusions of (male) researchers before her, she "argued instead that men and women have different conceptions of morality, each equally coherent and developed and equally valid". She bases this idea, then, on those resolution strategies that were found to consist of, for boys, a tendency to see the moral dilemma as "sort of like a math problem with humans", while the girls were more inclined to view it as "a narrative of relationships that extends over time" — so if boys seemed "logical" through their impersonal abstraction of a situation, invoking concepts similar to those of law and justice, the girls were more likely to follow a different, "personal" logic, through "an awareness of the connections between people", identifying "a web of relationships that is sustained by a process of communication".
Where this all intersects with Warrior Nun is that the male and female characters seemingly display these same propensities of moral judgment.
If we start with the men, we will quickly see that they are all caught up in their own abstract systems, prone to grand ideas and concepts while detached from the world and the valuable human bonds that make it up, just as Vincent sees the quest for a hypothetical "better world" as more important than the life of a very real, concrete woman he claims to love. Mr. Hayter himself, in the same interview conceded during the OCS Conclave of June 3rd, mentions how father Vincent and cardinal William are irresistibly attracted to the notion of power: "here's this guy who can do godlike things, so why wouldn't I follow him, you know? ... We gotta have some power ... that we bow down to or whatever". This is how he transmits a glimpse into these characters' psyches and we could safely argue that this behaviour and thought pattern extends to the rest of the men in the show, including Duretti, Kristian, Adriel and even Michael Salvius.
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Whether these men mask their fascination with power through other words or not, theirs is a cause which easily calls for violence and a willingness to kill or die for it.
Earthly power inspires Francesco Duretti to have the current halo bearer killed if need be as he attempts to consolidate his bid on the Holy See; Kristian Schaefer would sacrifice the world as readily as he does his old acquaintance Duretti in the name of this power that lay entombed for a thousand years but communicated through the voice of a sick little boy; cardinal William Foster is inebriated with the idea of being a new god's right-hand man, so he brutally slaughters his colleagues to buy himself a place at Adriel's table, even if that means getting no more than his master's crumbs; father Vincent is so eager to find someone or something powerful enough to take the burden of "his darkness" from atop his shoulders that he convinces himself of there being divinity in the parlour tricks of a manipulator, killing a symbolic daughter in this trickster's name; Adriel would bleed humanity dry without a second thought all the while claiming to save it in draining its belief for the benefit of his own megalomania; finally, Michael subjects himself to the will and authority of Reya, whom he claims to be "unimaginably powerful".
Of course the women of Warrior Nun are mostly all ready to lay down their lives for their own cause as well, or else we wouldn't have their iconic motto of "in this life or the next", but the motivation behind it is what sets the men and the women wholly apart here. If the former are intoxicated by the concept of power, the latter are embedded in a family of sorts, in a dense network of relationships that they can identify with some ease, and which informs their decisions and actions more than just dogma or theory.
Most if not all of the female characters struggle between two different stances: one is an offshoot of the males' abstract organisation of the world, while the other is a more "hands-on", "organic" order; between "duty", or what is said to be their duty, and that which their own perception reveals, their "personal" logic by which the "self [is] delineated through connection", seeing one another as actual sisters instead of mere pieces upon the church's chess board. We see the dilemma take place within Beatrice, Camila, Lilith and Mother Superion, who are all faced with a choice of sticking to their place in a well-defined (artificial, abstract) structure or valuing instead the human connections all around them and that stand in opposition to this man-made categorisation of life.
And, one by one, they take the side of that one character who seems to have kept her lucidity and fidelity to her own understanding through it all: Mary.
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Mary never lost sight of her priorities. Her focus on friends and sisters illustrates Gilligan's point rather well when she is the only one who insists on understanding what happened to Shannon all the while the OCS is made to concentrate its energies on the halo instead. Of course it blinds her to Vincent's betrayal, but that is his fault more than it is hers; her moral compass points at the right direction for the most part.
And, each at their turn, the nuns adopt (rediscover?) this same mode of thought. Beatrice's efficient, obedient soldier façade crumbles beneath the urgency of siding with Mary rather than following the arbitrary decision of some man invested with the power of an institution; Camila outright admits wanting to be kicked out of the church just so she can stay near to the people who represent her allegiance more than liturgy itself ever could; Lilith literally travels to hell and back to rejoin her sisters, regardless of how her subsequent mutations upset her loyalty later on; Mother Superion sheds her prominence within hierarchy, risking it all, by standing with "her girls". Even Ava, an outsider with no ties to the church but who so desperately wanted to "live", trades a vague, abstract notion of what "life" and "freedom" entail for the very definite, tangible reality of the family this group of women becomes for her.
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Another outsider equally stuck between "bodiless" logic and the reality of human connection around her, Jillian Salvius, too, falters before choosing her side when faced with these two points of view: that of "pure" reasoning and that informed by the consciousness of surrounding relationships. Her quest for "knowledge" is not sufficiently strong so as to potentially sacrifice someone in her inner circle. Season one has her holding young Michael back from stepping into the machine she herself had created for this purpose when concern overrides calculation; season two gives us a powerful scene where she is tempted by Kristian into joining Adriel's ranks as he claims she is already a part of it all and dangles before her the forbidden fruit of the world's hidden laws, the elusive answers the scientist in her has always searched for. He tries to hook her in by simultaneously appealing to her intellectual interests as well as her understanding of the web of relationships when he claims she is another link in the chain that leads to Adriel...
And Jillian refuses him.
Kristian would never convince her of already being within this specific network of relationships because he was the one to rupture it first.
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To these women, unlike the men, it's not about ideas — or, rather, about rationalisations, given how their interpretation of what is logical or reasonable is more than open to inquiry. To these women, it's not about loud, large but empty words vulnerable to tampering and shifting meanings; it's not about power.
It's about people.
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Rosemarie Tong says "Gilligan believed that women's moral development takes her from an egocentric, or selfish position to an overly altruistic, or self-sacrificing position and, finally, to a self-with-others position in which her interests count as much as anyone else's" — and this seems to describe perfectly well the inner trajectory that these characters follow. We see traces of the selfish in Ava, Jillian and Lilith, as well as of the self-sacrificial in Beatrice or Suzanne, but they all appear to converge on this path towards constructing a "self-with-others" whereby they are all individuals inextricably tied to one another — and aware of it, acting accordingly. A sisterhood, a direct sisterhood that supersedes the very church structure which facilitated it to begin with.
Of course Warrior Nun is too intricately built to allow itself to be so smoothly explained; if Carol Gilligan provides a framework that helps us to identify what is so positive and deserving of attention in the female characters' attitudes as championed by one of the show's own writers, it also falls short on other points and her propositions can then be questioned by the show in turn.
We need but a few examples.
If Jillian Salvius values the significance of association with others more than she does a cold, distant overview of things (the latter being the stereotypical scientist attitude), then how is it that she seems so prepared to immolate Lilith at the altar of curiosity? One relationship takes precedence over the other, yes, and we cannot compare the love for a son to whatever affection or respect there is for anyone else, but the nature of Jillian's experimentation with Lilith, had it gone forward, is quite brutal even for the sake of a debilitated child. Jillian's stance is understandable, but this "self-with-others" thing isn't as clear-cut as we might think.
Lilith herself oscillates between those three positions of moral development described by Gilligan, going from selfish to "connected" by the end of season one, but ending season two in almost complete isolation, with only a hint towards her previous place in a web of sisters as she aids Beatrice in getting Ava to the ark... Shortly after having dug her claws into the warrior nun's flesh.
But perhaps Lilith is a more special case than we realise at first. Our early childhood experiences define much of our character, after all, and the words we use have a bearing on how we view and reconstruct the world in our discourse; Lilith's understanding of the relationships between people, of "family", probably doesn't reflect that of her sisters given the ill-treatment she must have received from her relatives. If one's primary web of relationships is so tainted, what model can it ultimately provide for later connections? Just as Ava's mistrust for nuns is justified by her previous, negative experiences at their hands, Lilith's experience with intimate or familial bonds surely affects her maturing sense of being linked to other people. If family is a positive value for Ava and Mary, for example, it cannot boast of the same meaning for Lilith, whose family is a source of stress and misunderstanding rather than a harbour of love.
The treatment she has received might have corrupted her grounds for moral judgment by communal lenses in a way Beatrice's rejection by her own parents did not, leaving Lilith adrift as long as she does not somehow attempt to re-signify what human connection ultimately means. To Lilith, as of yet, the web of relationships she necessarily belongs to mirrors the initial disposition she was brought up in, as a hierarchical structure where every link is tainted by the stench of power and domination — the OCS is a family much like her own... Where orders are given and meant to be obeyed.
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We cannot know for certain what it is that she sees or feels after Adriel "unlocks" her wraith-vision, but there is something peculiar in how, reflecting this idea of abstract versus material views of the world we've been discussing, Lilith claims to see reality when she casts her eyes upon the nebulous demonic figures only few others can see. In her opposing traits are mixed, delivering a strange synthesis we cannot quite make out yet and making Lilith a hybrid both in body and in thought.
And while this fact alone seems to interrogate David Hayter's comment about how the women in the show tend to be correct, we can further complicate the statement by glancing at Reya.
There is frightfully little we know of her, but a lot of the information we do have is conflicting: Reya is unimaginably powerful, yet needs to manipulate two young people to do her bidding for her in fighting Adriel; her predictions are "meant to be" yet do not manifest in the way they were said to; she is described as some sort of benefactor by taking Michael in, but she sticks a bomb into his chest and the very sight of her sends him reeling; she is, as far as we know, a woman, yet she might very well be at odds with the other women we see in the show. How, then, are the women always right?
Perhaps they are so when following their conscience as guided by their understanding of community and sisterhood, when belonging to a network of relationships and acknowledging it. That would exclude a murderous sister Frances, a confused Lilith and a mysterious, distant Reya from the definition.
In this sense, then, even if the characters are not static or simple, even if they waver between the moral positions suggested by Gilligan and which do not seem all that definite to begin with, her text is still enlightening as relates to why the women are, "word of God", the moral touchstone of Warrior Nun.
Having been robbed of further development of the story and universe for the time being, however, precisely because of an abstracting, impersonal corporate logic that sees only numbers where there should be people and the wonderful effect this show has had on them, there is only so much we can conjecture on this subject...
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coquelicoq · 1 year
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i completely solved a cryptic crossword for the first time the other day! this is huge for me because i've always been so annoyed by them lol. but i kinda get it now, it is very satisfying to figure them out.
that said, there are several answers where i still do not totally understand the clues. if anyone who is familiar with cryptics (sometimes just called "crosswords" outside of the US) wants to help me out, i'd be very interested to hear your take!
this cryptic was in the 2022 puzzle mania edition of the nyt (released at the very end of the year), so if you are planning to solve it and haven't yet, i guess don't read this? lol. since i waited five months to do it i feel like that will apply to no one, but just in case.
i realized after drafting this post that the answer key is available online (here), but it did not actually answer my questions in every case, so i've kept my original text but added the answer key answer after each one in case it makes more sense to you than it does to me.
13A. Has misgivings about deception to an auditor (4): RUES. so "has misgivings about" is the definition of "rues". but i don't know what "deception to an auditor" is doing. could it have something to do with the fact that "rues" is a homonym and anagram of "ruse", a kind of deception? but i still can't figure out what "to an auditor" is for.
the answer key gives "homophone ruse" for this, so i guess i was right about the deception part, but i still don't get the auditor thing.
14A. A con almost grabs actor's awards left unbalanced (10): ASYMMETRIC. so EMMYS is hidden backwards in "asymmetric", which takes care of "actor's awards" and "left", and "asymmetric" means "unbalanced", i guess. so that leaves "A con almost grabs", along with the A and TRIC of the answer. i can't figure out how to make those relate to each other.
answer key says "a(symmE)trick – k (rev. Emmys)". fuck does that mean?? why are we subtracting the k? and i'm still not really sure what the con is there for?
26A. Concentrate for spare and strike (5): THINK. "concentrate" is the definition of "think". what is the "for spare and strike" doing??
answer key: "thin + K". okay i see how thin = spare but wherefore this K? does K stand for strike in baseball? that sounds vaguely familiar...
28A. African country returned Los Angeles family inheritance (7): SENEGAL. senegal is an african country, and it's also an anagram of angeles. i'm guessing the "returned" is a clue for the anagram? but what is "family inheritance" for? oh wait, senegal backwards is LA genes!! but then is it just a coincidence that "angeles" anagrams to "senegal", or is that indicated in the clue somewhere???
answer key: "rev. L.A. + genes". okay so it does sound like angeles being an anagram of senegal is a coincidence, or at least not covered in the clue?? seems like a missed opportunity but what do i know.
5D. Largely moderate Arizona city (5): TEMPE. tempe is a city in arizona. what's "largely moderate" doing here?
answer key: "temper – r". am i to understand that this is saying moderate = temper and the "largely" part of the clue is telling me to keep most but not all of "temper"?
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so-long-soldier28 · 4 months
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Random thought but if Kai was a professional sports player which sport would u pick for him??
Okay for the first time, I am high-key struggling with this. I used to play a number of sports in high school, and watched several in college, too, but looking at this question, my mind has just gone blank. But it's been sitting in my inbox long enough so I better answer it before I feel too bad. 😅
Disclaimer: I have no idea what I'm talking about.
So, first I thought maybe soccer, because it's not too much contact but is still considered a contact sport. I feel like Kai's someone who's not a fan of his personal space being invaded, so I can't see him doing [american] football or anything like that. Plus, he's kinda a little guy, but not a delicate little guy, so he's capable of contact sports, but I can't see him doing collision-heavy sports like football.
Then I considered rugby, where there's more contact than soccer, but still not as much as football. I feel like rugby is a sport where fights break out a lot, and Kai would 100% be involved in a sports' related fight. Hockey, too, maybe, if we're taking fighting into account. 😂 And Oregon's relatively close to Canada, so hockey is probably at least somewhat prevalent.
If you didn't say professional sports player, I would've said track and field, and went with the storyline that his mom signed him up when he was in middle school and he got stuck in it. She wanted him to be amongst his peers but not in a contact sport, and decided that was the perfect option. He complained almost daily.
That, or in high school, he played basketball for the sole purpose of getting to watch cheerleaders. He'd be purposely bad so he'd always be out and could watch them instead of playing. But professionally, he wouldn't do basketball; I just can't see it.
Volleyball, I can see him playing professionally. It's fast-paced (as are most sports), but not so much that you can't catch your breath every once in a while. It isn't a contact sport, and requires a lot of reliance on your teammates. If Kai was a professional sports player without his trauma, he'd probably play this, although with his trauma, I'm not so sure.
Last but not least (I certainly didn't almost forget about this one), he might play baseball. I don't really know why, he just kinda has the vibes. Plus, baseball players tend to be the cutest of sports players, and he would much enjoy the attention he'd be sure to receive. Oh! And there's that detail where he had a backpack full of every Alex Rodriguez baseball card, so canonically, he's a big baseball fan.
Now...
Most likely NOT:
swimming - I read a fic awhile back that said he didn't know how to swim, yet in the '94 PW would keep going back in the ocean / water anyway & would continuously drown, and I feel like that's pretty on par for Kai
basketball - just seems too fast-paced, & I can see him doing it in high school, but not professionally
wrestling - just no... he likes touching people but not that much, 😅 or that could just be me, who absolutely hates wrestling
Most likely:
rugby - contact but not collision; he'd be a fight-picker
baseball - canonically a fan + the attention + vibes
Winner: Baseball
Once I remembered the Alex Rodriguez detail, it sold it for me. Plus you can't tell me he wouldn't just love getting girls' attention with that uniform. 😂 It's also not a sport that's too dependent on your teammates, and also not too much of a contact sport. Seems like a good middle ground for him.
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mattodore · 1 year
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best part of having ocs is that i can just write them doing whatever i want. like i can just do anything with them and it's like oh yeah. that's happening. and no one can be like hang on you can't do that bc actually i can since they're mine <3
#river dipping#like hell yeah brother of course i make aus for my ocs and daydream about them as like. vampires or whatever#anyway hello :) i really meant it when i said the suck session finale would put me out of commission for a few days#there's a ton to catch up on i bet but i'll take my time with it... tho i will be checking on kmik and valentine gen. 3 EXPEDITIOUSLY#i'm actually busy in google docs atm tho!! i'm using oc questionnaires to further flesh out mattodore. i 100% yoinked these questions#from an ask game i saw. there's like... sixty of them? theo's doc is already like 2k long and i still have ten more questions to answer...#matthias's questionnaire is finished but now i feel bad that his is only 1.8k so i might go back and add more...#sorry matthias </3 maybe be a little more nuanced as a character next time#i'll probably be posting these here actually so i can put them in my oc extras tag... tho idk how well the formatting will carry over#what else... oh i finally started working on editing the photos i took of mattodore back in march (and showed a bit of before)#i don't think i'm going to edit them as intensely as i did my pinned post bc that was... very time consuming... but we'll see#i wound up selecting just eight photos but that's still eight photos to edit so... hm. idk when i'll post 'em#oh and it's pride month!! so i'm determined to at least try to make the two final characters from echthroi this month...#i think i'm kind of getting an image of jackson going now but everett still alludes me... i'm also thinking abt changing her name#these two have gone through so many changes in the last seven months character-wise... fdgfhjkfgh#dutchie too tbf like his name originally was EDWIN... smh#OH....... and i see i have messages i need to reply to i'm sawrry </3 i will get to them........... i swear................................
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