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#'what is this about' nothing. not foreshadowing anything
sir-adamus · 3 days
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"if Ruby hadn't lied to Ironwood, he never would've become a villain"
wrong; Ironwood turning had nothing to do with being lied to and everything to do with him being a massive control freak
first off - Ruby omitting certain details from Ironwood because she had justifiable reasons not to trust him (thanks to both experience with Oz and Lionheart both being liars who almost got the whole group killed in different ways, and seeing the state he'd left Mantle in) is not the damning action some people like to characterise it as (it is, however, pretty damning on Ironwood's part that he's openly comfortable turning Mantle into a barely functional police state plagued by monsters and only competently protected by one person)
second - Ruby very much did tell him the truth. when the situation turned dire, she decided he'd proven himself trustworthy enough at that point and he was given the whole truth, which he took reasonably well at the time. so the lying wasn't the issue
nah, the issue was when his trauma button got pressed and he started jumping at shadows, he was more than willing to lash out at anything he perceived as a threat to his authority, namely, Blake and Yang telling Robyn about Amity. instead of arresting her, like he'd ordered them to, because he demands "loyalty" (read: subservience)
and like, Blake and Yang told Robyn because they didn't think arresting her for actions she was taking without full context for what was going on (and so were thoroughly justifiable - and honestly justifiable anyway, Ironwood had exactly zero actual grounds for taking away necessary supplies from Mantle, because the Amity project could wait, people's lives, surprisingly enough, are more important. this was early foreshadowing that Ironwood couldn't give a flying fuck about the people under his jurisdiction), and this was following Ironwood repeatedly refusing to even talk to Robyn at every request to do so
which was later proved to be the entirely correct decision because Robyn was then willing to work with him when the heat went out in Mantle
(oh also he actually had zero justifiable grounds on which to arrest Robyn, hence sending in two huntresses in some trojan horse bullshit to attempt to blackbag her off the streets with no official call for her arrest)
it only became a problem when Ironwood's precious feelings got hurt by Cinder leaving a calling card (which he immediately ascribed to Salem because the man's ego is as big as the moon and he sees every action from Salem's subordinates as her personally targeting him when she clearly doesn't give a shit about him), and he screamed at them for questioning and defying his orders and not falling in line as good little brainless robots like the rest of his subordinates
it was never about the lying, it was about a paranoid, scared little man thinking he's owed mindless obedience because he's In Charge
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sunsage · 2 months
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"If I ever die, I want everyone at my funeral to be fully nude (including me), the first person to look uncomfortable pays for the funeral expenses."
...
"And then put my body in a cannon and bury me where I land."
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puppyeared · 1 year
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I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-
Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])
Thanks for reading and hope you have a good day/night!
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Hope this is to your liking ^^
Part one here
#I’m sure there are some character nuances im forgetting but well 🤷🏽#I want their misunderstanding or whatever they have going on between then come to a head. literally just going ‘wait what’#for me I think it’s entirely possible that there was an actual fight and maybe tension leading up to that point#cause I feel like macaque is not just bitter about thinking he died to wukong but maybe some stuff that built up to that#maybe the fight was just the breaking point. maybe they’re idiots who don’t talk about it because they think they’re on the same page idk#chipper-smol wrote a cool theory abt them using macaques ‘you’re nothing’ line in s4ep1. from what I understand it could be a direct parall#parallel to when he said that to MK right before MK regained his nerve and hit macaque in the eye.. since flying bark foreshadowed monkey mk#waaaay back in season 1 (where his shadow is his monkey form in the opening) i think that could be deliberate#and they could have gotten billy to voice an entirely different line for that scene. but they reused his line from s3#in a very specific scene with wukongs narrative foil. hm#that aside I would have liked to hear billy voice the ‘you abandoned me’ line that would have killed me. but that’s just me lol#also looking at this I should have shaded the last frame to make it look more dramatic and serious but I ran out of time :(#if anything I want to see MK try and help them get back together. poor kid tries so hard to understand people so I think it would be cool to#see that happen. that’s what I like about him.. he asked macaque why he was working for LBD instead of accusing him of dooming everyone bc#he wants to and he tried to comfort spider queen by admitting he was scared of LBD too 😭😭#my art#myart#Lego Monkie kid#lmk#Monkie kid#lmk spoilers#Lego Monkie kid spoilers#lmk macaque#six eared macaque#lmk sun wukong#lmk swk#lmk MK#lmk xiaotian#lmk season 4#Lego Monkie kid s4
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mishy-mashy · 1 month
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I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.
Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.
(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)
Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."
He remembers Jirou and thinks, The braying howls of the weak...
He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.
AFO saw Yoichi in Mineta.
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These scenes are near-identical to each other.
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Mineta and Yoichi (at that time) are both much smaller than the normal person at their age
They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice
Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)
The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.
Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.
AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.
Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks
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AFO even stole Hawks' Quirk during this time.
He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.
He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.
And this let Mineta play his part, and remind AFO of Yoichi.
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"A putrid, festering Quirk Factor."
That sounds like Yoichi, AFO.
".. such garbage."
Hey hey hey, what did Yoichi throw at him when they were kids?
A discarded can. Garbage.
This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].
Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.
Even though this time, Mineta [Yoichi] offered to take that place of suffering.
Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.
Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.
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Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.
Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.
Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.
Reiterating something from OP's post that I reblogged this from;
"The reminder of his brother made him uncomfortable, so he hurried away."
AFO didn't want to hurt Yoichi again.
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grntaire · 3 months
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i still cannot believe we had the crowley bringing aziraphale chocolates/gabriel giving him a promotion/crowley tricking gabriel so aziraphale can stay on earth scene taken from us. the foreshadowing of it all. the things we could have been……..
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baltears · 2 years
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made this visual of all the times williams theme popped up in this scene because im mad that i still cant figure out why it’s in there
#I keep looking at it expecting that if i just look long enough i'll see something 😑#but yeah still. no idea#it's absolutely impossible that they did this accidentally (like. lol. come on) but WHAT#I UNDERSTAND why dolores' theme showed up during the william sequence in 2x04. that one made sense like it seemed obvious#but why this scene for this?? why here??? what could this possibly have to do with him or her relationship with him or anything#does emmett have some sort of significance here that i didn't catch??#also before anyone comes in my notes telling me im overthinking this. no im not. this show's score is used very intentionally#i've mentioned that this is a variation on william's theme that first showed up in vanishing point so i thought maybe it had to do with that#but there's just nothing linking these two things in my brain lol. how would christina finding out about the closed system relate to william#I had this theory a while back based on a couple of small hints that potentially christina might be an amalgam of dolores and william#which would make this make a little bit more sense... but that's not the direction they seem to have gone since she just is dolores#the only thing that's coming to mind is that the ''walled garden'' is related to william somehow. which i guess wouldn't... not make sense..#the phrase ''walled garden'' was initially brought up as a way of explaining how the hosts have perfect memories that preserve everything#and obviously a major plot point in season one was dolores' perfect recall of william because she relived all her memories of him#and i have posited that a major part of season 5 is going to be william kind of being. reconstructed. into something closer to his old self#but that still feels like suuuuch a reach lol. like the dots still aren't quite connecting#My best guess is just that this is some sort of very very subtle foreshadowing that is meant to pay off in season 5#BUT WE MIGHT NEVER GET. A SEASON FIVE.#JUST EXPLAIN PLEASE JONAH AND LISA#grr!! it's gonna bother me until i know >:(#westworld
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ohnonotthehorrors · 5 months
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You know, if any of the bats are going to kill the Joker: it should probably be Dick or Duke.
Like, I get it. 'Jason kills the Joker' sounds like the most obvious solution. But the thing is: Jason literally does not care about the Joker.
"But he's the man that killed him-" Sure. But that was a While ago. (At least if you ignore all the rebooting of the universe). Sure, Joker is a big symptom of what Jason sees as the problem. Which is: Crime needs to be controlled. Because more than anyone, he knows it won't be stopped. (It especially won't be stopped if no one is allowed to kill the bad guys).
But here's the thing. Jason's arc does not, and Should Not, revolve around Joker at all. Jason's story really never has been about revenge, and he should be Allowed to Move On from this one of the many people that hurt him. This isn't a: 'Oh Jason should learn to forgive and let go and not take revenge' this is a: 'the Joker is pathetic. Killing him just straight up doesn't do anything to Jason's arc or character.'
But Dick? Dick whose TRIED to kill the Joker? Dick who first donned the mask and tights to take revenge? Who wanted to make up for not being there for Jason? Yeah. This is the character that Would benefit from killing the Joker.
The first Robin has been around almost as long as the Joker has (both made in the same year) and it would be nothing more than divine justice for him to finally be the one to end him.
Well that's all well and good, you say. But what about Duke? What does he have to do with this?
You mean other than Duke being Awesome and he deserves to?
Duke's parents were hit by Joker gas. Pretty famously part of his character's back story. Duke has already killed a 'mirage' of Joker in the comics, which I think would be neat foreshadowing.
And think about it. The guy with light powers, the guy that works the day shift, by all means the Proof that Gotham really does care. Really does take things seriously. Why Shouldn't he get to kill off the personification of apathy?
Now the other point, and this is really just a personal vendetta, I would love Love the character that is Constantly ignored (at least by fandom) to kill off DCs 'specialist awful white man.'
The other person who should get to kill the Joker is Barbara Gordon (for self explanatory reasons) except I don't trust any writer to do it.
(She should get to beat that Thing into a white and red Pulp and shred his remains. No 'pull a trigger' no 'hire a swat team.' She gets to do it with her Bare Fists)
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ssahotchnerr · 2 months
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speculation - aaron hotchner x reader
aaron confides in you his suspicions haley is cheating on him.
cw: bau!reader, takes place in s3 timeline - before the divorce, angst, mentions of adultery and unfaithfulness, aaron's sad but not really showing it (naturally), light foreshadowing that someday aaron and reader get together <3 wc; 1.2k
aaron's hands gripped the steering wheel and his stare was pointed forward, the atmosphere heavy in the car. grey clouds had been rolling in all morning, and now the rain was just beginning to fall, a light sprinkle pattering on the windshield.
the two of you had just frequented a crime scene, departing after a rather tense situation - one of the investigators had nearly disrupted the crime scene in a lazy wake, and aaron had thoroughly allowed him to know his mistake.
while aaron was always stern, it was... different this time.
"hotch?"
at his name, you managed to pull him from of his thoughts - you could tell by the way his jaw moved, his grip on the wheel ever so lightly loosening.
aaron didn't respond though; figuring he wasn't too keen on sharing whatever was on his mind, you put your focus out the window, watching the rain begin to slowly collect on the road.
"haley's cheating."
your head turned towards him in an instant, a sickening dread beginning to pool in your stomach at the blunt confession. "what?"
"haley's cheating on me." he fought against the brokenness that dared to ache in his voice, remaining solid and firm in his words. he released a breath, as if saying it out loud made it real; the final confirmation he needed himself. "i may just be paranoid, creating something out of nothing. but things have been... strange."
"oh." your shoulders slumped, the back of your head hitting your headrest.
"strange enough it's been noticeable."
"what's been going on?"
"weird phone calls." he bit his lip as he gazed off to the side, as if he were recalling an instance internally, his hold tightening once again. "she's been more distant. uninterested. sometimes, when she comes home, she won't look me in the eye."
ouch. "i'm sorry."
it was rather surprising, in an odd way. to the naked eye, aaron was someone who was well put together; phenomenal at his job, a clear key-in for potential director of the bureau someday. from an outsider perspective, one could infer he lived a perfect life, and therefore had the perfect family to go along with it.
if he wasn't confiding in you, that's what you would've thought.
aaron didn't talk about his personal life - that's one thing you quickly learned upon your addition to the team, a month or two ago. you could recall what penelope had for breakfast, what books spencer had read in a day, what color underwear morgan had currently on.
anything about aaron, nothing.
whether it was because he was your boss, or because he wasn't an openly expressive person, you always went back to the guilty thought - has anyone at least ever asked?
while you all went out for drinks after a long day, aaron never usually attended. but he had a family at home, of course he would go home to them - that's where his priorities laid.
the constant secrecy surrounding him was the reason you've been so intrigued by him since day one - spending so much time with someone you knew nothing about.
and if you learned anything now, he wasn't going home to the home you had previously thought. it was barely a home, he was more so a guest. you were slowly beginning to understand more why he rarely smiled.
aaron hotchner was just as human as anyone else.
even now, he wasn’t showing much emotion. it was evident he was extremely hurt, and had all the emotions one could imagine. but would he distinctly let that on, letting his vulnerability show - no.
aaron opened his mouth to respond, slight hesitation before he spoke. he began to deflect, "but i could just-"
"no. listen to your intuition." you interrupted softly, grounded. "like you said, if you're taking notice, something's going on."
he nodded in agreement, the motion of his head strained. he did force out a chuckle, a terribly sad laugh. "part of me doesn't blame her-"
"don't say that. she's your wife."
"exactly." aaron sighed out, eyeing the wedding ring on his left hand. "there's something i could've done to prevent this. to keep her interested. to solidify i'm still here for her despite the long hours and schedule. instead i'm the husband and father who's never home. and it's difficult to be the husband i want with the possible betrayal."
"she's your wife." you repeated, solemnly. "so she should know you. you're the husband and father who stops at nothing to catch the criminals who walk amongst us. you're this job, and asking for understanding on that isn't wrong. regardless of what you say you're doing wrong, or have done wrong, it doesn't give haley the excuse to... do this."
you didn't want to say cheat. not for his sake - the depth of the word felt harsh and prominent in your chest.
"i appreciate you saying that." his eyes met yours briefly, the tone of his voice genuine. "but i messed up. i guess what they say about getting needs met elsewhere is true."
you quieted.
aaron also added after a moment, in an exasperated near-whisper. "and besides... i don't think she's known me in a while."
silence filled the car once more, and you let out an exhale. you felt for him, and his marriage. you couldn't imagine what it felt like, or how he felt: the person who you thought was your forever slipping through your fingers - like trying to catch smoke. it was there, you just couldn't grasp it.
you hoped you weren't overstepping boundaries with your next question. "does she know..."
"that i know?" aaron asked, and you nodded. he kept his stare forward, chewing on his bottom lip for a moment. "i believe so, yeah."
you waited for him to speak again, while he was confiding in you, you didn't want to pry - none of really this was your business. you at least hoped it was clear you were offering support within the silence.
and you must've, because he continued. "i feel sick to my stomach it could be happening in my house. in my bed. with our son in the next room over." he shook his head angrily with the last sentence, in disbelief as he clicked the windshield wipers on, the rain falling more heavily now. "i lie awake at night when we're gone, just thinking what's going on at the moment."
"i wouldn't do that." you offered quietly, although you knew that advice was nearly impossible to follow. "you will make yourself sick."
aaron vaguely shook his head again, defeated. "i don't know what else to do."
you weren't sure what to say, or exactly why he was telling you all this. again, you didn't know him well. and not only, in a way, he terrified you, in more ways than one. the only way you could describe it - when he looked at you, he really looked at you. you were terrified of what he could make you realize about yourself.
"so, what are you going to do?"
"i don't know."
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UNRELIABLE NARRATORS; FINALS.
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Eugenides Propaganda:
the entire plot hinges on a detail he lets the reader (and every other character) assume is true. I don't want to spoil it because it's a really fun reveal but he is lying from the first second he appears on the page and you can't trust him to tell the full truth about ANYTHING related to himself and his goals. he mostly does it to keep his advantage and not have other characters be suspicious of him but it's just so fun when you realise he's been lying the whole time
Lemony Snicket Propaganda:
(I would like to preface this by saying that Lemony Snicket is the author's pen name, not a real person, and he exists as a character in-universe as well as being the one in-universe who writes the books!) I'd say he's unreliable because he spent time collecting information about the Baudelaire kids and then... wrote books about it. He has no idea what any of their dialogue actually was, what they were thinking, or even the whole plot, he's just doing research into the incidents and then filling in the gaps to make it a story. What ACTUALLY happened to the Baudelaires? Nobody really knows for sure
While the Baudelaire siblings are in potentially life threatening danger, he will randomly start talking about his own life and just leave the siblings hanging. For example, once Count Olaf was threatening to kill Violet, and then Lemony randomly began talking about how he met the love of his life at a costume party. This man CANNOT stay on topic. Usually when a new character is introduced, Lemony tells us right at the start that they’re either going to die or that the Baudelaire siblings will never see them again. Foreshadowing is not subtle in these books. CONSTANTLY emphasizes how miserable he feels while writing these books. At one point he admits that he had to put his pencil down and go cry for a while because of how sad it made him. Once he filled an entire page with nothing but the word “ever” to emphasize how dangerous it is to put forks in electrical outlets. He also repeated a paragraph about deja vu later on in the book to give the reader deja vu.
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cordeliawhohung · 3 months
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i was wondering if i might be able to put in a request, if possible? simon riley mafia/guard dog vibes? i can absolutely expand with more ideas on that too if you’d like but just overall those vibes are amazing and your mafia works are immaculate ♡ ♡ ♡
sorry this took forever work was killing me lmao. but vibes are perfect! gives me a bit more freedom in writing. hope you enjoy (and thanks for getting me to write more mafia!au stuff lmfao) (:
mafia!141 masterlist
cw: violence, simon beats the fuck outta someone, crude comments, slight in limbo spoilers/foreshadowing but only if you squint? terrible cliches but oh well
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It wasn't your first time seeing the glint of a knife in dark light, but it was your first time having a blade brandished at you in a threat.
Really, this was all your fault. Innocent intentions of wanting to bring your boyfriend some takeout from work was what got you caught in that mess, and had you been better at following instructions you would have been inside. Instead, you botched the directions to the VIP section the bouncer up front had given you, leading you into a trap straight out of a horror movie.
You had hardly gotten the chance to round the corner before this man, some wanna-be mugger, slapped your to-go box out of your hand. Still warm and fresh steak, along with a ridiculous amount of chips, flopped out of the container and onto the ground just as you felt your back collide with the wall next to you. Brick wasn't exactly the most comfortable thing to have shoved against your spine, but it certainly beat the wicked curve of the knife that was used to threaten you.
Everything in you urged you to run away, to scream, to fight, to do something, and yet all you could do was stand there like a deer in headlights. The only thing you could focus on was the man's eyes, and how he glared at you so sharply you were certain he could kill you with his gaze alone. He pointed the knife closer to you with his other hand outstretched, waiting for it to be filled.
"Are you fucking deaf?" the man snarled. "I told you to hand over your shit."
Those were the first words that fully registered in your brain, and you couldn't get your voice to cooperate. Your hands raised in an attempt to put some more distance between you and your assailant, yet that seemed to do nothing but only aggravate him further.
"Do you think I'm fucking around? I'll kill you and take it off your damn body if that's what you want," he urged further.
"I don't... I don't have anything."
Those were the first words you were able to stutter out, and you hated that it was the truth. There was nothing on you worth taking; no cash or card, not even any expensive jewelry. Worst of all, you didn't feel scared. A terrible numbness settled over you as your eyes stayed locked onto the blade that threatened to embed itself into your body, and all you could think about was that you hoped it didn't hurt when you died.
"You bitch, don't fucking lie to me. I don't have time to-"
That wretched man never got the chance to finish his words before a metal clinking cut him off, followed quickly by a crunch. The pure silence that followed was then interrupted by a piercing, guttural scream, and it was only then that your mind was able to make sense of the events that took place in front of you.
Simon, your big, beautiful bastard of a boyfriend, found you. How, you weren't quite sure, but you were thankful nonetheless. Most of what took place happened too fast for your brain to fully comprehend it, but you were able to figure out that the knife was no longer in the mans hands, and in fact, his hand no long seemed fit to hold anything at all. Several of his fingers twisted inhumanly, sitting at awkward angles that you knew no fingers could naturally position themselves. He gripped his wrist with his uninjured hand as if he could choke off the pain, but all he could do was sniffle and grovel.
"Watch your choice of words when you're talkin' to her, yeah?" Simon warned.
His huge frame slipped behind the man as he grabbed a hold of the back of his neck where he pushed him to the ground. His knees collided with the cement ground with a sound so sickening you could nearly feel the pain he felt. Even then, Simon didn't let the mugger off easy. His hand slipped into the mans short hair where he yanked his head back, forcing him to look up at you.
"Apologize," Simon demanded.
For a moment, the man couldn't get any words out. It was as if your positions had switched too violently for him to get his brain to work properly, but after a not-so-gentle nudge from Simon, his thoughts seemed to sort themselves. He sniffled as pained tears welled in his eyes, and you hated yourself for almost feeling bad for him.
"I'm sorry," the man sputtered out.
Despite the pain in his voice, it wasn't enough for Simon.
"Sorry for what?" he urged, grip in his hair only growing more forceful.
"Sorry for... for hurting you, I'm sorry," he winced.
"Yeah, I'm sure you are," Simon grumbled.
With a final shove, the man fell forward onto his good hand, nearly missing the now ruined steak and chips that was supposed to be Simon's dinner that night.
"C'mon, sweetheart," Simon urged, bringing your attention away from the crumpled mess of a man in front of you. "Let's clean up."
You didn't start crying until you realized Simon had been hurt. With clothes darker than night itself, his blood had blended all too well into his shirt, obscuring the cut he had gotten on his side. The only thing that had calmed you down was him bringing you into a private bathroom and letting you sit on the counter as he cleaned himself up. Seeing him hurt wasn't something you ever wanted to witness. Really, you never thought a man like Simon Riley could get hurt. Yet seeing the minor cut he had gotten compared to the major wound you would have endured was enough to quell your worries and halt your tears.
"How did you know where I was?" you asked.
Your legs didn't quite reach the floor as the counter was higher than most average bathrooms. You swung your feet as you watched Simon clean his cut with careful eyes. It wasn't deep, thank goodness, though it took him more gauze than imagined to stop the blood flow.
"One of the guys called up saying you were headed through the VIP entrance, and I came down to meet you. When I realized you weren't there, I knew somethin' was wrong. Besides, the cunt's demands weren't quiet," he explained.
Any other time, you would have been flustered being in such a situation with Simon. Behind closed doors in a bathroom of a club together would have already been nerve wracking enough, and the fact he had shredded his shirt was cause for you to be more abashed. But in that moment, you couldn't help but be eternally grateful he had been there, even if he had shattered a man's hand over it.
"I see why John has you hired as a bouncer," you admitted humorously. "I've never seen anyone... dispatch another person like that."
Simon's dark eyes flickered up to you as he finished bandaging his wound, and he moved to the sink to quickly clean his hands of the blood. Once he was clean, he moved in front of you where he stood between your legs, though not at all sexually. His hands came to rest against your side where he gave you a gentle and reassuring squeeze.
"I'd do anythin' for you," he said.
You wanted to explode into monologue. Wanted to tell him that he shouldn't be so willing to do things for you, even if he was capable of it. There were a million reasons why you didn't deserve him, why he shouldn't try and protect someone already damned, yet you couldn't get yourself to speak them.
Noting your silence, Simon pressed a caring kiss against your forehead before pulling away and snatching his ruined shirt off the counter.
"C'mon," Simon urged as he put the soiled clothing on.
Intrigued, you hopped off the counter. "Where are we going."
"To get dinner," he replied. "Bastard ruined my meal, and your night. Figured we could make somthin' back at my place."
The smallest of smiles graced your lips as Simon straightened himself out in the mirror, and when he looked at you again, he nearly smiled, too. You quickly wiped at your eyes as you silently prayed they weren't too swollen, and then with some sort of bravery you didn't know you had, you reached for the sleeve of his shirt with a quiet chuckle.
"I'd like that."
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scarrletmoon · 8 months
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okay i know the Discourse™️ has been going on for way too long at this point, but
i think some people outside of the OFMD fandom don’t actually get why we’re particularly annoying about this show
OFMD is not the first queer show to ever exist. if anything, it's a late entry in decades of queer media. over a year and a half since the first few episodes aired, everyone knows that OFMD is queer. that doesn't make it particularly special
but back in March? this is the trailer that dropped in February of 2022, 2 weeks before the premier. if you're used to seeing queer chemistry in shows that aren't intended to be queer, you might see the hints between Ed and Stede here. but to most people? it's just a silly little pirate comedy. just guys being dudes. the trailer doesn't even hint at the other 2 canonical queer relationships in the show -- the closest it gets suggesting romance is the music and the pink in the poster
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so when people watched this show in March 2022, they went into it expecting subtext and nothing else. to them, it was like watching Sherlock or Supernatural or Merlin in the 2010s. if you were in any of those fandoms -- especially Sherlock and Supernatural -- you know what it was like; constant jokes at our expense, being mocked for creating explicit fanwork, made fun of by the creators and within the show itself. if we saw queer subtext, that was our problem. this was a time when you pretended NOT to be in fandom, for fear of ridicule. we kept our fanwork to ourselves, we DID NOT share it with the cast, and we accepted that our favourite ships would probably never be canon. maybe one day, if we were lucky, we'd have a show where the subtext wasn't mockery as much as deliberate foreshadowing -- but that had to be YEARS away
right?
OFMD was never billed as a queer show, not in the beginning. there was no LGBTQ+ tag on (HBO) Max, it wasn't on anyone's list of upcoming queer shows in 2022, it flew under the radar through most of its first season. this was a show about pirates, and sure, some of them were queer. but not the LEADS. if you think they're romantically involved, that's must be fandom brain poisoning
except the 9th episode aired, and they kissed. and the show said "you're not crazy for thinking they have chemistry because they really do. it's been a romance this whole time". and in the 10th episode, Stede realizes that he's in love
(not mandating you watch this clip if you don't care for the show, but there's something that feels particularly earth shattering about no one saying the word gay but knowing that Stede's realizing he is, that it's completely unambiguous and explicit in a way that only straight romances are usually allowed to be)
this is why people freaked out about this show. no one knew. even the creator, David Jenkins, was surprised when WE were surprised that it was gay for real -- he set out to write a love story, using all the tried and true beats of a rom com. he'd never even heard of the term queerbaiting. he looked at historical Blackbeard and Stede Bonnet and thought "oh, there's something here" and just...wrote that, with very little fanfare, like it was inevitable. like it was obvious. of course Jim and Pam end up together. of course Buttercup and Westley end up together. what kind of disappointing ending would it be if You've Got Mail ended with the main characters just going their separate ways?
so of course Ed and Stede are in love
look, i get it. we're annoying and won't shut the fuck up about this show that seems mediocre at best. i watched the whole thing back in march, thought "huh, that was cool" and was sure that i'd forget about it in a few days
an hour after looking at fanart on twitter, i was lost in the fucking sauce
there's just so much to unpack from a mere 10 episodes. it covers racism, toxic masculinity, gender expression, sexuality, trauma and abuse. and i don't think we should overlook the fact that the non-white characters in this show get to be fully human in a way i haven't seen in my favourite shows in recent memory
additionally, most OFMD are 25 or older. we're not people who've been spoiled by queer rep, who don't get how hard it used to be, how you'd have to grovel for scraps, how shipping and fanfiction was a way to find queer rep where we thought there never would be. we've been here. we're annoying about this show because for a lot of us, it's the first time we've been treated like our queerness isn't an anomaly that needs to be relegated to its own section, that needs to be praised for the bare minimum of acknowledging that we exist. it's not pulling punches to avoid scaring away a straight audience. it just is.
OFMD for me is like when i watched Black Panther for the first time and realized that this is what white people felt all the time. have there been other black superhero movies? of course! does Disney fucking suck? BOY does it. but that was the first time i got to sit in a movie theater and watch a mainstream film that looked at Africa and said "look at how beautiful you are, exactly as you are"
and idk. i think that's really cool
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bella-goths-wife · 3 months
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I really enjoy your work with the Vees and Sound manipulation Reader, I’m curious about how Alastor would react to the fact the Vees having a ‘pet’ with that power?
Alastors reaction to the Vs pet
Warnings: alastor, violence, terrible foreshadowing, poor reader is uncomfortable
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Alastor had actually met you before you became the Vs pet, just before his 7 year disappearance
You were a fresh soul in hell and just figuring out how to survive and use your ability to your advantage
It was quite similar to how you met vox, you were unaware of how powerful alastor was and you tried to surprise attack him with your ability so you could rob him
You used your sound manipulation to create a loud noise in his ears to try and shock him but a shadowed hand grabbed you before you could do anything more
“Afraid that won’t work on me, my dear” he said with an irritated grin as he turned to you “now, why don’t you tell me your name and what you think your doing”
His shadows had tightened around you as you hurriedly explained your situation and begged for mercy
There was something so familiar about you to alastor, your eyes almost looked identical to someone he once knew
He examined you carefully and took in your appearance as you begged and couldn’t shake the feeling of familiarity that seemed to come from looking at your eyes
“Well my dear, considering your also a fellow lover of music I’ll forgive you for your ignorance” alastor had said with a grin as his shadow let go of you and you fell to the ground “come along darling, I wish to discuss many things with you”
He bought you dinner and watched as you ate it with gusto, realising how hungry you must have been
He had you explain your ability to him in great detail with the promise of more food if you did so
He noted that it was unusually generous of him, but he just couldn’t shake his curiosity
After you explained everything to him, he simply nodded and with a click of his fingers he gave you more appropriate clothes to keep you warm
He gave you the simple advice of learning who to charm and who to steal from, promising you that he believed you had the ability to charm the entire pentagram of you used your abilities correctly
After that he disappeared and a few years later you worked for vox
Upon alastors return, you crossed his mind a few times a week as he wondered what happened to you
It wasn’t until he saw you on angel dusts cellphone and questioned him about it
He said that what alastor saw was a post on velvette’s social media, and the post featured a picture of you dressed in lavish clothes that matched velvettes
Velvette had her hand resting on your shoulder as she commanded you to pose, and alastor couldn’t help the look of disgust that crossed his face
In truth, after hearing of Charlie’s hotel he had hoped to find you and enlist your help for his own entertainment
But to see you with the Vs, who exploited your ability in all the wrong ways, he felt nothing but more disgust and resentment towards them
When he said you should charm people so you could survive, he meant people who were worth more than those tacky Vs
And the worst part of it was that he still felt some type of familiarity from you, and his intrigue wouldn’t let him just let him let it go
So don’t worry darling, alastor will find a way to speak to you somehow
He has to, he needs to figure out what connection you have to him to make you so intriguing
And to find out why only you and him shared music based abilities
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bunni-v1 · 9 months
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Can I please request a reader that has been so traumatised by what’s happened in the Scarabia book that they actively avoid the entire dorm and have Ace and Deuce as their guard dogs (I love those two and I really love how you wrote them as the readers protective besties during the Malleus break up fic). Like how would Kalim, Jamil and Adeuce react to that?
I find it really cathartic when I read fics that have the characters feeling guilty after what they put the reader through whilst the reader is getting support from their friends.
(Something I’m really salty about in twst is how no one ever holds the overblots accountable for what they’ve done. I full on agreed with Ace when he told Riddle that crying wasn’t going to erase all that he did before the overblot and I literally fell in love with him when he punched Riddle after he insulted us/Yuu/the player. I understand that those boys are traumatised and are in desperate need of therapy and overblotting was the only way for their problems to be solved but the treatment they inflicted on Yuu/us was downright hellish. Azul made us homeless and tore us away from the only family/comfort we had in twst (the ghosts) and then sent the tweels to terrorise us in our attempts to reclaim said home and free our friends from servitude; Jamil kidnapped us, hypnotised us, locked us up in a room against our will, isolated us from Adeuce and took away any contact we had with them, forced us on long marches in the dessert and turned a blind eye to our clear suffering during that time; Vil acted like a literal demon to not only us (and then almost made my Deucey cry) but everyone else as well and that was before he decided to try to murder an innocent teenager. Like why does no one understand just how much this can damage an actual child who has no magic and has been stripped from their home and family?)
Reader Terrified of Scarabia After Jamil’s Overblot
TW: PTSD; Mental Breakdown; Disassociation; Mentions of Abuse; Kalim and Jamil are tragic
Info: Ace, Deuce x Reader (platonic or romantic); Kalim, Grim x Reader (platonic); Jamil and Reader (neutral)
🍓I love requests like this tbh. My own OC sorta has her own grapplings with this stuff that I like to touch upon, and I’m excited I get the chance to talk about it here :) THIS IS LONG AS HELL BTW(like this intro here lol). I had a lot of fun writing it :))) I added a cute, shorter little grim part, because our little guy deserves more lovin’ than he gets. I also decided to do a cute little (read: long) intro, and then head cannons since you didn’t specify for either. I hope you enjoy this style, and I’m sorry for the wait <3
You had been through… a lot in your time at Night Raven College. Being thrown into a completely different world would’ve been enough, but it seems that the great seven thought you needed some extra troubles. You weren’t sure how you could’ve encored their wrath, but you were, and you were chugging along despite it all.
First was the attack from the phantom in the mines — something that should’ve been foreshadowing for what was to come. You didn’t even do anything to be in this position. It was Ace Grim and Deuce, but you got dragged into it all because you were “Grim’s keeper.” You managed to befriend Ace and Deuce though, so it wasn’t so bad.
Second was Riddle with his unending temper and strict rules. Despite everything telling you to just stay out of it, your good-natured heart just couldn’t stop you from helping Ace and Deuce. Nearly dying in the process, you managed to help Riddle and made newfound friends in Heartslabyul. 
Third came Leona, the selfish, stuck-up, lazy no-good prince of the Savannah. You knew he was trouble from the start, and you wanted nothing to do with him or his little lackey Ruggie. Then he hurt Trey, and you couldn’t stand by while he reigned terror on the school. He was a favorable ally to gain in the end, so you could dismiss his actions so long as he kept in his lane.
Fourth was Azul, another student you figured would cause you trouble. With the extra scary Jade and Floyd always tailing him, and that too buttery sweet voice of his, you were determined to keep your distance. Again, however, your friends were in trouble and you couldn’t help but help them. Azul was a broken person, and you could sympathize with his struggles. He even gave you a job at the lounge to help with funding yourself, so he couldn’t be all that bad.
You’d come to dislike the other house wardens out of principle. A pattern had emerged among them, and you weren’t going to fall victim to another horrific overblot. You still had suction cup-shaped bruises on your arm from Azul’s breakdown. Leona had given you more than just a nasty burn from the scalding hot whirlwind of sand he conjured up. The scars Riddle left behind on your face and arms were healed, but they still ached when you touched them. All painful reminders that you could not truly trust anyone here, that anyone could lose control of themselves and hurt you. Yet…
When you met Jamil in the kitchen, he seemed so kind to both you and Grim. He seemed so genuine and honest. Maybe it was wishful thinking, or maybe it was you missing your friends, but you wanted to trust him despite your gut feeling to be distrustful. Could everyone here really be that bad? Certainly not. Ace Deuce and Jack went here as well… so surely… surely…
The alarm bells didn’t ring at all during the dinner, and Kalim — despite everything you’ve been through — seemed so nice, if not a little overbearing. You could see the tiredness on Jamil's face, and you had the kindness in your heart to express your sympathies. And oh, Jamil so humbly assured you that he was fine. Filling your head with little half-truths and ideas that Kalim had been overworking not only him but the other students. That he had been acting “off” as of late.
You saw Kalim’s sudden shifts in personality. How he would be so sweet, so kind and soft. How he made sure you were enjoying yourself, made sure you ate to your heart's content, made sure you were comfortable in your uniform and your sleeping quarters. Then he would be yelling at everyone, demanding unspeakable exercises and work.
If Ace were there with you, he would’ve called bullshit. Still, you trusted Jamil to start. You actually believed he was kind and had good intentions. You believed that Kalim was the real evil here.
Then he wouldn’t let you and Grim leave, and the students were suddenly so aggressive toward you. He took everything you had and stripped you of your dignity and pride until there was nothing left but fight.
Truly, you didn’t realize it was him that was the issue until he was over-blotting in front of your eyes. It wasn’t an unusual sight to you at that point, you’d defeated multiple overblots and befriended these people. You don’t know what it was. The way you’d trusted him. The fact that you felt truly alone without Ace and Deuce. This one broke you…
You just didn’t feel a damn thing after he was saved. You felt no pity, no joy, no relief. Absolutely nothing, an empty void in your chest. Even as everyone around you celebrated, there was nothing. You stood watching everyone parade around with glee blankly, unable to speak to anyone around you. Just listening to the voices that had begun to mesh together.
You didn’t show anything until Ace and Deuce showed up. Something about their faces, the way they were looking over you, the way they seemed so scared for your wellbeing… it made you cry. It made you cry and cry and cry until you couldn’t make any noise and then you cried some more. They had to drag you away from everyone because you just couldn’t quite stand upright when Deuce would try to get you to walk away with him…
The days after were blurry. You remained holed up in your dorm, unable to really move from your bed. Ace and Deuce stayed in their own separate room next to yours. You could hear them talking through the walls about how worried they were about you, how angry they were at Jamil, how angry they were at themselves for not getting there in time to help you. If you’d had the energy, you would’ve scolded them for being so hard on themselves, but you could hardly speak in the first place.
They cared for you as best as they could. Deuce attempted to cook the recipes Trey sent him over magicam, making sure you ate and stayed hydrated. Occasionally you’d hear Azul downstairs, and Deuce would give you something nice from the Monstrolounge — free of charge, he promised. You could tell that he wasn’t sleeping much in his worry over you. 
Grim remained at your side as loyal as a dog and boasting that he’d keep you safe, but you knew he was scared too. He proclaimed that he would keep you safe, but you could feel him trembling at every sudden noise. You had to comfort him from the horrific nightmares he was having. That was okay, though, he was family and you were his.
Ace was the only one who really kicked your ass into gear. He’d tug you out of bed and into the shower as people began to return from winter break. Made you go on walks around campus to show you that you were completely safe. Eventually, he’d been able to get you to visit Azul to thank him directly for his kindness. He wasn’t soft or gentle with you, that wasn’t in his character at all, but he made sure you felt safe enough to return to classes before they started.
They both worked hard to help you recover, but you were still so afraid…
Ace
-Ace isn’t exactly the most comforting person, and he never claimed to be. 
-He’s not good at reassuring people, but he’s good at being honest, and if he was being honest he knew that you were safe around him and Deuce.
-He walks you to and from classes, spends most of his nights in your dorm doing whatever the hell you’d like him to do without complaint, distracts you when you’re freaking out, and most importantly keeps that snake as far away from you as possible.
-If he was being honest with himself, which was his whole thing, he didn’t really get your reaction to everything. 
-You’ve all been through this before, it's textbook at this point. A guy does some shady shit, a guy gets caught doing said shady shit, a guy overblots, and you defeat a guy with the power of friendship. Boom. Done.
-He’d get it more if you were completely alone, but grim and the octanivelle freaks were there! Kalim too, and he’s always seemed pretty nice. Not the best company, sure, but still you had people helping you out.
-When he looks at your face and sees how tired you are, he forgets the logical stuff. All he can hear are those horrific sobs you let out when you saw him and how you nearly ripped his uniform in half with how tightly you were holding him and Deuce.
-If that was too much for him, he can’t imagine how badly it must’ve felt for you. How bad it must still feel.
-So screw what he thinks, he’s gotta make sure you’re taking care of yourself.
-He doesn’t ask you how you’re feeling, he knows it's not good. He focuses on keeping your mind off of everything that might trigger you.
-Reroutes your paths to classes to avoid Jamil and Kalim completely. Sure it’s longer and more annoying, but it's better than you going dead silent and shutting him and everyone else out again.
-He does everything in his power and you’re doing so well… and then the VDC happens. 
-You’re given the title of manager and you’re forced to be around these people who terrify you. 
-Vil won’t budge on anything and sevens Ace wishes Rook would let him try out a little target practice with the (illegal) bow and arrows he’s got in his room.
-He keeps himself between you and Jamil at all costs. He won’t let Jamil bother you at all, not that he was trying in the first place.
-The real issue is Kalim, which sounds crazy, but it’s true.
-Kalim is so… forceful. A pretty strong word, but honestly the only one Ace can think to use.
-He’s really nice, really sweet, seriously such a good guy… but you’re still unsettled by him.
-There are several times during practices that Ace has to yell at him to just leave you alone.
-Sure, it gets him a pretty big scolding from Vil, but he couldn’t care less honestly. He doesn’t wanna risk you having a panic attack because Vil doesn’t wanna be a responsible leader.
-You confide in Ace a lot. How you really want to move past all this, but Crowley won’t provide you with any form of therapy, and you’re just not ready to forgive Jamil or Kalim for what happened.
-He won’t tell you this, but hearing you talk like this breaks his heart.
-You’re normally so strong, so brave, so confident… and now you’re absolutely broken.
-He’s proud of you for putting on a brave face to placate Vil, but he’s angry you have to.
-Surprisingly, though, you do begin to warm up to Kalim. Just a little. 
-It's only when Ace, Deuce, or Grim is around, but it's a really big step forward in his eyes.
-You’re getting back to where you used to be little by little.
-He still won’t give you or Jamil the chance to reconcile, but you honestly couldn’t be more grateful for that.
Deuce
-Deuce is incredibly different from Ace in how he handles everything.
-He’s a delinquent, sure, but he’s a Mama’s boy at heart. Therefore, he’s much more equipped to help you emotionally through all this than Ace.
-Where Ace is the harsh pushing force to keep you going, Deuce is the calm where you can rest and cry your heart out for as long as you need.
-As I mentioned, he makes sure you’re eating and drinking and at least speaking to someone.
-He asks Trey for recipes without leading on to what’s going on and asks Cater for advice on helping someone feel safe after a traumatic experience.
-It’s not subtle, but it helps.
-He handles making all your meals, even though he isn’t the best cook, he absolutely puts all his heart and soul into everything he makes.
-A good portion of his days are dedicated to cooking for you, and he gets pretty damn good at it by the time classes start up again!
-With Sam’s shop closed, he has to go into town to get the ingredients he needs, and then he has to spend hours preparing and serving the food.
-He watches you eat, encouraging you that everything is safe and that he made it all by himself by hand. 
-He doesn’t question why things ended up this way for you, he wonders how can I help?
-And he does help, a lot, more than just with food.
-Sometimes, late at night, he hears you crying alone in your room. He gets up from his own bed, quietly enters your room, and holds you and grim while you both tremble in fear.
-It makes him so mad. Mad that this happened to you. Mad that Jamil did this in the first place. Mad that he couldn’t help more than he already is. 
-Like Ace, he accompanies you to all your classes and makes sure to stay close to your side if any Scarabia students are around.
-He’ll go anywhere you need him to, and if you’re not comfortable being alone and he’s got plans, you’re invited to join him. No matter what anyone else thinks.
-Things get better little by little. You make strides in your ability to be independent again and you’re smiling and joking around like you used to. You even agreed to try out for the VDC with him and Ace… a big mistake.
-He didn’t expect to actually get in, let alone get in with Jamil and Kalim. If it were just that he could’ve been civil, but no, you had to be dragged in too… because that’s always how it works out.
-He has to hold himself from getting in Jamil’s face more than once because just him looking at you is enough to send you into a clear panic attack.
-Deuce does his best to comfort you between all of this, though. Being your shoulder to cry on and trying his best to be your protector… it's just hard. Hard to see you like that, and hard to keep his cool for your sake.
-It's worse with Kalim because both you and Deuce know he means well. You both know he wants to reconcile, but you’re not quite ready.
-Deuce helps the confrontation with the two feel a bit easier though. He acts as a mediator between you and Kalim, and eventually, he’s proud to say he helped you trust Kalim just a little bit.
-Jamil… both of you could use some work, but Deuce is more willing to hear you out on him than Ace is.
Grim
-Grim was there with you the whole time. He understands the fear you’re feeling deeper than anyone else.
-He could just tell something was wrong the second he saw your face. Despite all the celebrations, he was focused on making sure you were at least a little okay.
-He tried to talk to you, tried to make you feel okay, but the only comfort he could offer you was letting you hold him while you cried.
-He could still hear your cries, and they made him want to cry too. He almost did, but he was your guard cat — he had to be strong for you.
-Unlike Ace and Deuce, he never left your side. Not a second. He was there with you from the moment you were unwittingly kidnapped to the sleepless nights in your dorm to the horror of finding out you’d have to work closely with Jamil for the VDC.
-He made his distaste for him very known, sure to make a snarky comment at least once every time he saw him. 
-It was so bad, at one point, that Vil had to give him a stern talking to. He didn’t stop regardless.
-You are Grim’s best friend, the only family he has, and Jamil hurt you in unspeakable ways. He couldn’t just sit back and be okay with that.
-He’s really such a good guy.
Kalim
-Kalim means well. With his whole heart, he has the best intentions… just not the best execution.
-See, he didn’t notice initially that anything was really wrong the whole time.
-He didn’t suspect Jamil at all. In fact, he thought that you were really enjoying your stay in Scarabia, you seemed so happy and chatty up until Jamil flipped things on their head.
-Call him air-headed, but he was caught up in his own whirlwind of emotions at the time. You know, the whole betrayal of his supposed best friend took a toll on him too.
-It wasn’t until you were sobbing your throat raw that he realized something was really wrong.
-The look of sheer terror on your face when you made eye contact with him sent shivers up his spine.
-He knew that look. He’d worn that look on his own face too many times as a young child.
-Believe it or not, without Jamil’s intervention, he knew to keep his distance. He knew he had to give you time to adjust.
-Then a few days turned into weeks and weeks turned into a little over a month, and he had hardly seen you around campus.
-You are avoiding your normal route to class, and when he did see you he was also greeted by the harsh glares of your good friends.
-He understood if you’d never want to talk to him ever again, honestly. He couldn’t blame you. You were more headstrong than him, after all.
-Still, when the VDC came around… he was hopeful. Truly he was hoping that something would give.
-He would talk to you in hopes of showing you that he meant no harm, but Ace or Deuce or even Grim would shove their way between the two of you.
-Several times Jamil had to tell him to knock it off because “It’s not worth forcing.”
-Still, he wanted you to know he felt bad. He felt horrible.
-In a very un-Kalim-like move, he quietly asks you if you can speak with him. Alone. But in a crowded enough area that you wouldn’t feel threatened.
-He didn’t expect you to accept it, he wouldn’t have blamed you at all. But you said yes. 
-You showed up, with Grim by your side, which was fine. He earned some apologies too.
-He poured his heart out to you, apologizing for things that he couldn’t even control. In turn, he listened to you rant about how scared you were, how angry you were, how you wished you were any of these things.
-And after that, things improved. Slowly, but surely. You became more comfortable around him, and you spoke to him again.
-Sure, you wouldn’t be caught dead at one of Scarabia’s parties, but you considered him a friend. 
-That’s all he could ask for.
Jamil
-Jamil is the monster in your story. 
-He’s the evil guy who kidnapped, manipulated and lied to you.
-He’s the one who used his misplaced anger as an excuse to hurt others.
-He’s the boogyman who made you endure days of long and hard training, just because he could.
-Of course, he felt bad. What he did was unspeakable, but he was more concerned with how his reputation would last after the overblot.
-More concerned with it not getting out for the safety of his family.
-Even with you sobbing, he just thought you were being dramatic in all honesty. You have a reputation already, he knew you’d been through this whole thing before.
-It didn’t really strike him how badly it affected you.
-He didn’t notice how you switched paths, how you were never in the same area as him for long, and the glares of your friends never once phased him.
-Even Ace’s snarky comments during basketball didn’t bother him for a second.
It wasn’t until he accidentally bumped into you in the hallway, and he saw the look on your face that he realized.
-The terror in your eyes, the way you shrunk back as if he would strike you. It was the same way his parents acted around the Asim’s.
-If he were a more insane man, he might’ve found it liberating, but it wasn’t.
-He had become what he hated to you, he had done what he hated to you. 
-Jamil was not only your monster, but he was his own.
-He steers clear of you and keeps as much distance as possible for both your sakes.
-He couldn’t handle someone looking at him like that, and he was sure you couldn’t handle the sight of him after what he did.
-Still, this is NRC, and luck is never on anyone's side here.
-Both of you are forced into a position where you cannot escape the other, you have to learn to live with the awful pits in your stomachs.
-He keeps Kalim away until you both are on good terms, then he simply watches quietly.
-He won’t apologize, he won’t antagonize, he won’t speak unless spoken to.
-You two never truly recover your small lasting friendship, but you do make amends with each other.
-During the trip to the scalding sands, you get to meet Najma, whom he’s confided in about ‘accidentally upsetting a classmate’.
-You get to have a good talk with her, and it makes you really realize some things about Jamil.
-You realize he’s just as broken as you, just as tired as you, and that he feels the most immense amount of guilt for hurting you.
-You, being you, find it in your soul to forgive him.
-Nothing really changes between you. The guilt is still there, and the fear still shakes you to your core, but you both have closure.
-In a situation like this, closure is the best grace a person can ever have.
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annymation · 6 months
Text
Reimagining the characters in Wish
(Part 3- Star/Aster)
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ITS THE MOMENT WE’VE BEEN WAITING FOR!!!
HERE COMES THE BOYYYYY!!!
Ahem… so yeah welcome to part 3
If you haven’t seen them yet, here’s the links for part 1 and part 2 where I talk about how I’d rewrite Asha and the villains respectively.
Star may be the most challenging character to reimagine since… All I have is the personality displayed on the Star we DID get, a song we all collectively headcanon as Asha x Star love song (At All Cost Demo), and my imagination… In a way that just makes things more fun too.
Now remember there’s no definitive version of this character, he never came true so there’s limitless ways we can interpret him.
Some may imagine him mute, some may imagine him as a wacky character like the genie, others may imagine him more soft spoken like the blue fairy, some may imagine him as Asha’s love interest while others may prefer them as just friends, or even have him look like her grandfather, there are no wrong answers.
So here’s how I imagine him to be like:
The Star 💫
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What’s a Wishing Star?
- Before we start talking about our star boy, I think it’s important we establish what a wishing star even is, so let’s begin.
-Star is an entity from another plane of existence, a wishing star, a being whose only purpose is to listen to the wishes from mortals that can see him and other wishing stars through their night skies. They listen to the wishes from mortals and provide some guidance in subtle ways.
- A wishing star is born, or rather, gains consciousness, once someone looks to them and makes a wish from the bottom of their hearts, once the star receives their first ever wish they are no longer just a celestial body of gas, they become a new wishing star, they gain a purpose, and develop their minds just like how a human would.
- As the years pass the star becomes more wise, more equipped to help the person who wished upon them for the first time.
- For a wishing star to grow up it may take a while, that’s why most people wish upon bigger ones who are already fully developed and clever enough to know exactly how to help.
- It’s not a wishing star’s job to GRANT a wish immediately, in fact, they’re incapable of doing that, their magic can only go as far as the hope and perseverance that resides in their wishmaker’s heart.
- Things that the mortal would consider just luck could actually be the works of a wishing star putting them in the right path.
- If the person loses hope in their dream then there isn’t anything the star can do, but if they remain determined then the star can help them go far.
- So a wishing star job is to just… stay in the sky, look down upon their wishmakers, give some subtle magic intervention here and there…
-That is, when they’re wished upon at all, otherwise they just stay there doing nothing.
- However… In some rare occasions, wishing stars can do a lot more than just give a subtle magic intervention from the distance. Sometimes, when someone truly well intentioned makes a wish with all their heart… The wishing star gets the power to do some extraordinary things.
Personality
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- Star, or Aster as I’ll be calling him in this rewrite, which is a non-binary name meaning “star”. I’ll be referring to them with (He/they) pronouns.
- Aster is a very young and inexperienced wishing star, in fact, counting with Asha’s wish, Star only got TWO wishes in their whole life. And he’s still working on granting that first wish he ever got 18 years ago.
(Haha I’m sure that’s not foreshadowing for something really sad)
- Because of that he’s often treated by the other stars as sort of a younger sibling or a little kid.
- I think I should just get this info out now: Aster is NOT the north star, that big, bright and iconic star we know from the Disney movies, nope, Aster is actually a small itty bitty little star that you can barely see, that kind of star you probably wouldn’t pick to wish upon, most choose the brightests and bigger ones.
- So who’s that big, bright and iconic star? Well, in the beginning of our story… That star doesn’t exist, like, it’s literally absent from the sky… After all, we're seeing that star's origin story :)
- We’ll get to that when we get to that, back to Aster tho.
- Aster is a lot different from the other wishing stars, while they’re these benevolent and wise entities, Aster is more of a naive and curious teen who’s fascinated with the world below them.
- No one wishes upon him EVER so he gets a lot of free time to just watch humans do human things and animals do animal things, and he loves it.
(He’s like Ariel and Quasimodo lmao)
- When he gets to earth he’s very excited to help Asha, showing appreciation for her wishing upon him through a lot of physical contact, often hugging her and holding her hand without him even noticing. (Asha at first is confused but she gets used to this behavior pretty quick)
- Although Aster is naive and overly excited they’re no fool, he can be very clever and creative when it’s necessary.
- He’s also not a fish out of water like Ariel when he’s on earth, they understands human customs and how things work, since he watched everything from the sky… Although nevertheless they’re delighted to see everything up close.
- He may be smart, but at first, they don’t really know how to guide Asha in the right path to make her wish come true, after all he’s a very inexperienced wishing star, and freeing a kingdom from an evil sorcerer king and queen is no easy task.
- But regardless he doesn’t let his own insecurities get to him, and remains optimistic they’ll figure it out, together.
His personality is reminiscent to Disney guys such as: Quasimodo, Peter Pan, Prince Philip (yes really, rewatch Sleeping Beauty, that boy has a lot of personality), Alladin and Hercules.
Main Traits:
- Optimistic and kind
- Naïve
- Protective
- Curious
- Energetic
- Secretly very insecure
Powers
I think it’s important to establish his abilities before we get to his backstory and all that jazz.
What he CAN’T do
Just like how Movie Asha did in her job interview, let’s get his weaknesses out of the way first.
- Sooo… don’t get mad but… Star won’t be a shapeshifter in my version. I don’t want him to feel too much like Maui or the genie. So he’ll stay in the shape of a princely looking boy the whole way through.
- He can’t teleport, would make things too easy, also there’s a plot reason I’ll explain later.
- Can’t materialize real things out of thin air, only things made of star dust so they don’t really have any utility other than to create fun visuals during music numbers or when he’s explaining stuff.
- Can’t hurt anyone, this one is VERY IMPORTANT for plot reasons I’ll talk about later on.
- Can’t make a wish come true with the snap of his fingers, he’s a star, not a genie.
Weakness: Dark Magic, hopelessness and Asha getting hurt.
What he CAN do
- Stretch and re-shape his body. He may not turn into animals but his body can regenerate and squash and stretch around (haha get it? Like the animation term), like he’s made of star dust. Have this piece of concept art as an example:
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- He can Fly and make other people and objects fly too
- Unlock doors, may seem random now but I’ll explain in a minute.
- Bring plants to life, and make them grow bigger, and I mean like “make a flower the size of a house” bigger.
- Make animals talk, but the animals only keep talking IF they so desire, if that’s not something they wish for then the magic fades away with time.
- Tho he naturally understands animals and any other living thing in their own languages.
- He can feel other people’s wishes, not all the time tho, he has to make a conscious effort to see what’s that person’s deepest desire.
- His body is warm like a small sun, so he can give warm hugs… that’s a power, yes.
- Aster may not teleport, but they can move really REALLY fast
- Uncorrupt wish bubbles, I mentioned in part 2 that Magnifico twisted most the people's wishes, those wishes that are changed are called “Corrupted wishes”, Aster can change those wishes back to what they originally were.
- Create dreams, is that too much like the sandman from rise of the guardians?… Im still keeping it.
-Get inside drawings, This is just for a scene I imagine Aster shrinking and walking around inside Asha's sketch book, I think that's cute.
- Make a human disguise, I'll elaborate more on this when we get to talk about his design.
- He can grant wishes “but Anny you just said earlier he can’t—“ yes yes I know… he just grants them in his own unique way.
What gives him strength: Hopes and dreams
(Undertale reference? More likely than you think)
A wishing star purpose is to serve as a guide, that provides some magic intervention so that the wishmaker has the means to get to their goal.
As such, the stronger Asha’s hope, perseverance and passions are, the stronger and more limitless Star’s magic becomes. Like his magic abilities are charged up by Asha’s beliefs, the more she wants something, the more he can do for her.
Now, let’s talk about how Aster and other wishing stars that come to earth function, and to do that, we gotta go waaaaay back to another wish granting character in the Disney catalog.
The Blue Fairy- What can we learn from her?
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- We all know the blue fairy from Pinocchio, she is in a way the closest thing we have in the Disney canon that resembles the concept of Star, so I’m considering them as both the same kind of entity, they’re both wishing stars.
(not the same character tho, and I’ll get to that soon don’t you worry)
- You would think a character we see so little about doesn’t provide a lot of context, but she actually gives us a pretty good idea about what wishing stars can and can’t do.
- First thing she says when arriving is:
“Good Geppetto, you have given so much happiness to others. You deserve to have your wish come true.”
- From that, we can interpret that wishing stars only assume a human form and help those who are truly pure of heart and have spread kindness to others. Like Asha.
- Geppetto wished for Pinocchio to be a real boy, a human boy, but the blue fairy couldn’t grant that wish, because the only one who could make himself a real boy was Pinocchio himself.
“To make Geppetto’s wish come true will be enterely up to you. Prove yourself brave, truthful and unselfish, and someday you will be a real boy"
- So, am I saying that Aster will just fly up to Asha and say “it’s all up to you to save your people… GOOD LUCK! 😊” sparkle some magic on her and leave?
- Well no although that would be funny, he’s not gonna do that, in fact, Aster will act way differently compared to the Blue Fairy.
- Although Aster can’t immediately make the people of Rosas “Have something more than this” he will do everything in his power to help Asha with anything she needs, and stay by her side the whole way through… Not at all what the Blue Fairy did.
- Lets say the Blue Fairy did exactly what a wishing star is supposed to do.
-She didn’t let herself be seen by anyone except Pinocchio and Jimminy Cricket, she only gave Pinocchio a few instructions and then left it all up to him, and even then when she went a bit beyond that to inform him that Geppetto was inside a whale she did so by sending a note… Almost like she couldn’t go back again to tell him personally… Interesting huh?
(I know the reason is because the animators would lose their minds if they had to draw that sparkly effect on her dress a third time but let’s pretend there’s more to it okay?)
- So we have her being the best role model of a wishing star… and then we have Aster...
-Doesn’t even know where to begin with helping Asha, chooses to stay on earth more than a day instead of just giving cryptic advice and leaving, was seen by multiple people aside from just Asha and Valentino, and worse of all, falls in love with his wish maker… yeah dude broke several rule… And the other stars ain’t happy about that.
- You could say the scale of Geppetto’s wish and Asha’s wish are way different, one just wants a son and the other wants to defeat two evil monarchs.
-But the stars don’t see it that way, to them every wish should be treated equally and it’s not their purpose to mingle with humans and change the course of their history.
- So you see, while the Blue Fairy could go back to the sky and then reappear anywhere she wanted… Aster won’t have that privilege.
-If he goes back to the sky he’s not coming back down, because the other stars won’t allow it, not after he broke their rules.
- Aster knows all that, because he can hear them talking to him, warning him to stop and go back to the sky… Aster keeps that information a secret from Asha for as long as they can…
- He knows after he’s done helping Asha they’ll never see each other again, but that’s fine, he’s willing to break every rule to help her…
- Oh also there’s a scene in Pinocchio where the Blue Fairy opens a lock to free Pinocchio from a cage… that’s why I said Aster can unlock doors… okay moving on to our boy backstory.
Backstory
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Yup, Aster has a backstory. And it all started in one fateful night:
An elderly man was taking a walk, carrying his granddaughter in his arms, she was just a few weeks old, but he couldn’t wait to show her how beautiful the stars looked that night.
He sat with her on a thick tree branch, and even though she couldn’t understand him, he was so happy telling her the names of each constellation.
In that moment, it seemed like everything was perfect.
But then that moment ended… He heard screams, and smelled smoke.
The elderly man ran back to his home, only to find it completely engulfed in a fire.
His granddaughter was now crying in his arms as he watched some neighbors trying to put down the fire, but to no avail.
His son and daughter-in-law were in there, he lost them both in an instant, the pain he felt in that moment was immeasurable.
In that moment of sorrow all he could do was look up, between the thick smoke he saw it… a small star.
With all his heart, Sabino wished upon it
“I wish my dear granddaughter, Asha, never feel such pain and sadness as I’m feeling in this moment”
A new wishing star was born.
Those words were the first thing Aster ever heard, it took a few years for him to even know what they meant, but as Asha and him grew older, he started to understand them.
He tried his best to make Asha as happy as she could be with the little that he was allowed to do.
Sometimes giving her inspiration for her drawings, other times sending her nice dreams after a bad day.
But he felt like he was failing her, no matter what he did, Asha would still go through sad times… Specially after her grandfather passed away.
Aster treasured every happy moment that he saw Asha experience, her making new friends, getting better with her drawings, dancing during wish ceremonies. Aster would shine brighter every time she was happy.
Point is: They were connected the whole time, and Aster already knew Asha even way before she wished upon him.
To be clear he wouldn’t just stay up there looking at Asha all day, he was also interested on everything else on earth in general.
But then, we have Asha’s 18th birthday, the day she had to give away her wish.
Aster knew what was really going on in Rosas, about what happened to most of the people’s wishes, and although that also saddened the other stars they all agreed they couldn't intervene unless someone from Rosas wished for their help.
So you can imagine how happy Aster was when Asha wished upon HIM, of all the stars, she looked at him and asked for his help! What are the chances?
If you could listen to them, you’d hear all the stars collectively whisper “oh…this might not end well…” as Aster flies down to earth going "YYYYYPIIIEEEEEEE!!!"
A Star Who Wishes To Be Human
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- I’ve made it very clear that Aster is different from the other stars, for the reason that he’s so young and so fascinated with life on earth.
- But there’s more than that, see, I mentioned before Aster can’t hurt anyone, and that’s not because he’s some holier-than-thou pacifist, it’s because his magic literally CAN’T hurt living beings.
- Because his magic is made of ✨hopes✨ and ✨kindness✨ and ✨everything nice✨, so even if they literally make a sword with his star dust, all it’ll do is give Magnifico some tickles.
- And Aster hates that.
- He wishes he could be more useful to Asha… wait, “wishes”?
- That’s silly, a star is not supposed to “wish” for anything, to have wants, that’s a human thing... And yet here he is wanting to protect Asha in any way possible.
- This drive to protect Asha runs even deeper than just the wish he received from her grandfather or the wish she made, Aster feels as if it's a wish that comes within him.
- Aster would question why they feels this way, is it love? Can’t be that right? A star can’t fall in love…
- The same way a star can’t taste food, or smell the flowers, or feel temperature…
- But Aster wishes they could, Aster wishes he knew what food tasted like, what was the smell of the flowers and the morning dew, but most of all… Aster wished he could feel Asha’s warmth, the same way she feels when they embraced.
- This would be Aster internal conflict for most of the movie. They’d realize that they can’t be with Asha forever, but Aster wanted to at least confess his feelings before they went to enact their plan to defeat the king and queen, that’s when we’d get “At All Cost”.
- Soooo a bit of a spoiler to this rewrite, I’m basically telling a story all out of order at this point, but here goes, Aster does become human by the end, after the king and queen are defeated, the stars realize that punishing Aster for breaking their rules wouldn’t be fair after he did so much good, and also because some of them can’t stand him so they decide “hey, let’s leave him there” and just ask him to return his magic back to the sky.
- Once Aster accepts, his magic would be turned into a brand new star, that shines brighter than all the others, because it carries all the magic that Aster accumulated by helping Asha and all of Rosas. And thus we’d get an origin story for THE wishing star.
Design
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Aster has brown skin, sparkly freckles and blond hair that shines and moves almost like a candle.
He dresses up as a prince, with the classic cape we see in classic princes like in Snow White and Sleeping Beauty.
They choose that form because he recalls that Asha used to read a lot about princes that would help princesses in need, so he thinks it's fitting to at least looks like one to help Asha
"But I'm not a princess"
"I know, you're just pretty like one!"
A itty bitty detail I didn't mention until now: Aster would be hand drawn animated, while everything else would be 3D, and his animation would change as the movie progressed.
By change I mean he'd start in a very sketchy looking animation, like it's being drawn very frantically to reflect how excited he is to help Asha, but as the movie progresses he'd be drawn with more detail and with more fluid movements.
This would serve to both represent his character development, showing him becoming more mature and learning what it means to be human, and also a reference to how Disney's animation evolved over the years.
He can make a human disguise, as I mentioned earlier, but that would require him to keep his magic hidden somewhere, in this case, a round stone that holds his cape together on his chest.
Once his magic was all kept inside this stone he'd turn into a 3D animated character, however his movements wouldn't feel... quite right, like he'd be animated in a different frame-rate compared to everyone else, so you could tell he was struggling to make himself move like a human, and people would be able to tell there was something off about him.
In the end when he turned into a human for real he'd become 3D animated with the right frame-rate, and his hair would no longer be blonde, but rather brown, like his eyebrows (Tangled reference? yup)
Final Thoughts
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This was DEFINITELY the hardest one to translate my thoughts into words! My gosh this took so long to write.
Don't know if you could tell but I'm very passionate about this scrapped idea of a human looking star falling in love with our protagonist, and no it's not just for the ✨aesthetic✨.
I don't think it's wise to throw a romance when writing a story just because you feel like it, a romance needs to progress both the story and the characters involved, think of it like how Naveen learned with Tiana the importance of working hard, while in turn showing her that life can also be fun. They complete each other, and I want the same for Asha and Aster.
Asha needs to learn that she shouldn't feel guilty for wishing more for herself, she worries too much about others and what others may think of her that she forgets her own self worth, and Aster shows her that she not only can wish for things for herself, but she can also accomplish anything she sets her mind to. From becoming an amazing artist that can give movement to her drawings to the leader of a rebellion against two evil monarchs, she can do it all.
Meanwhile, Aster needs to learn that what Asha's grandfather wished upon him is an impossible task, for Asha to always be happy, that's impossible, because sadness is a part of life, its a part of being human, and that's what he learns, what it means to be human, to fail, get up and try again. As a wishing star Aster always knew that humans had to fail a bunch of times before having their wishes granted but he could never imagine how hard that actually was, and Asha's perseverance even with all odds against her is what makes him love her even more.
I talked a lot about why Aster loves Asha, so I should probably mention what Asha sees in him too. Asha get's a lot of laughs from Aster's innocent reactions to natural things on earth, like how dazzled he is seeing the sun rise for the first time, how he just stops and starts chatting with animals and plants like a damn disney princess, or how he randomly starts rambling about how some constellations don't look at all like the animals they're named after "Like, seriously, why did they name that one a lynx? That's obviously a snake hehehe"
But most importantly she loves how caring he is, how he's supportive and passionate about her interests just as much as she is, and how he makes her feel safe, and in turn she wants to protect him too.
I'm honestly debating with myself how I want Aster to go about the information he has known Asha all his life, like, I imagine he'd probably want to hide the fact because he didn't want to talk about the sad tragedy that led to her grandfather wishing upon him, yes Asha knows about the fire but he doesn't want to remind her and make her sad, because remember, at first he doesn't understand that sadness is just part of life.
But then like, would he pretend to not know her? Or would he be like a ghibli character and just nonchalantly say "Oh yeah, I’ve always known you" and never elaborate on that until the story demands it?
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… Great, now I just had the idea of Aster functioning like Haku from Spirited Away, like they don't remember where he knows Asha from because he forgot what their previous wish was now that he’s granting a new one, let's say stars can only remember one wish at a time, then as he gets to know her better he starts to remember what his first wish was, and things start to make more sense.
I don’t know, like that’s cute but might be a bit too complicated, y’all tell me, I’m throwing ideas and seeing what makes sense, this whole thing is me asking for feedback after all.
Honestly I think the idea of Aster knowing Asha the whole time works because it not only gives a better explanation to why a star came down from the sky to help her, but also gives more sense to the lyrics “you still amaze me after all this time” in At All Cost.
Welp, I think that's all I got, thank you so much for following along with this series, and don't worry I'm not over yet, there are a few characters to talk about before I start sharing the actual script of this rewrite.
Thank You For Reading!
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tlbodine · 7 months
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Stuck? Try junebugging.
I don't know who needs to hear this, but we're 5 days into nanowrimo so maybe this will be helpful.
Do you want the safety and surety of knowing what happens next in your story but can't stick to an outline? Does knowing in advance what will happen suck the joy out of discovery writing? Do you try to wing it through plots but get tangled in plot holes or have a story that runs out of steam because you can't figure out what went wrong? Are you at your most creative when you have a little bit of guidance? Do you tend to under-write? Do you get ideas in your head for random scenes and snippets that drop from the sky without context?
If any of these apply to you, junebugging a draft might be for you!
What Is Junebugging?
Since you're on Tumblr, you might already be familiar with the concept of junebugging as it relates to cleaning. If not -- I think the idea was first introduced to me by @jumpingjacktrash.
The basic idea is that you tackle cleaning by way of controlled chaos. You pick a specific area you want to focus on, like your kitchen sink, and then wander off to deal with other things as they occur to you, but always returning back to that area. You end up cleaning a little bit at a time in an order that may not make sense to an outsider but which keeps you from getting overwhelmed and discouraged.
How Does Junebugging Work in Writing?
OK, so that's great, but how does this work with writing? Well. In my case, the general idea is to jump between writing linearly, outlining, and writing out of order. It usually looks something like:
Start free-writing a scene, feeling my way through it and enjoying the discovery process.
Thinking, ok, now I have this scene, did anything need to happen to lead up to it? Do I need to go back and add some foreshadowing? Does this scene set anything up that needs to be paid off? And then jump forward/back to make those adjustments.
I'll usually have a bunch of disconnected ideas of ideas that have popped into my head, so I'll write those down in a list somewhere and then try to figure out what goes in between them and what order it goes in.
I'll write what I call "micro-scenes" which is where I'll just sketch out a few essential elements of what's going on without worrying too much about details, description, etc. -- just he did this, she said that, the setting was this, real bare-bones script. Then I can come back through and flesh out each of those microscenes into an actual scene later.
Got a story that has a complex structure? No problem. Write through each storyline one at a time and then chop them up and weave them together afterward. Write all the B plot scenes first then come back through to do A plot and C plot. Move the pieces around like legos. No one ever has to know.
This method works for me because I can't "decide" story elements in advance. I have never been able to just sit down and "figure out" what happens in a story beyond a couple steps ahead -- I have to discovery-write my way forward. But at the same time, that gets really daunting. So I zoom forward with micro-scenes, roughing out the beats in the most bare-bones way possible, then when I run out of clear vision for what happens next I backtrack, flesh out those scenes, build in connective tissue, etc. and by then I will probably find more inspiration to jump forward.
It's basically folding drafting, outlining, and revising all together into a single phase of writing, which is chaotic and goes against everything people teach you, but if it works? then it fuckin works.
Anyway, sorry for the jumbled-up post, I'm dashing this off quickly while I heat up a pizza and I'm about to dive back into my WIP -- but I hope this was a little helpful. If nothing else, take this as my blanket permission that it's 100% OK to jump around, write out of order, write messy, outline sometimes, pants sometimes, and do whatever else it takes just to get through the story. You've got this. Good luck.
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breeyn · 7 months
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An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.
I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)
I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.
My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.
I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”
That’s how it works. This is how stories and literary structures work.
Of course you’re not satisfied with season two. You’re not supposed to be.
The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.
My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.
I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.
Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.
No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.
And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.
Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.
You see where I’m going?
If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.
So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.
The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.
Thank you, @davidjenks 🖤
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