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#Can't wait to explore the implications of that!
oblonger · 30 days
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Chapter 8 of TPiaG: Body Swap AU
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@sincerely-sofie I think this is my favorite chapter I've written so far!
Twig is unconscious
Darkrai couldn't sleep.
As ironic as that sentence is, it's nonetheless true.
He'd long since gotten used to the needs that Twig's body demands for. And he would be lying if he didn't say he, to some extent, enjoyed being able to fall asleep.
But for the last week, he couldn't fall sleep for the life of him.
He tossed and turned in his bed, trying every position he could think of.
He attempted to sleep curled up, splayed out, on his belly, his side, his back. With his blanket, without his blanket (A grave mistake).
Nothing worked.
And he hated so much that he knew why.
He couldn't stop thinking of Twig.
That loathsome wretch that took his body.
He couldn't understand why he can't stop thinking of her.
He hated her.
He hated how scared and helpless he felt seeing that passage open.
He hated how he wasn't as angry as he wanted to be when she picked him up without his consent.
He can't stop thinking of how she broke the shelves in that closet to fit both of them in there, even though she could have easily just stuffed him in there alone.
He hated so much that he felt safe in there with her.
He hated the way his breath caught on itself when she pulled him closer, after hearing Grovyle step past.
He hated how he felt like he'd been torn in half when Grovyle ripped her out of there.
He hated how frozen in terror he was as he watched Grovyle beat her within an inch of her life.
He hated how he felt utterly useless, watching Celebi, Dusknoir and Kip do everything they could to keep her from dying...
...
Darkrai's eyes widened as a thought came to his mind.
She may not have been attacked if she had just left him.
She might not be unconscious in the hospital, straddling the line between life and death, if she had simply hidden herself in the shadows, and left him to confront Grovyle.
She wasn't hiding herself from Grovyle.
She was protecting him...
...
Darkrai slowly curled his fists, leaving scratch marks in the floor.
No.
That wasn't what she was doing.
She hated him as much as he hated her.
It was in her best interest to keep her own body alive.
Then why didn't she hide you in the closet alone, and try speaking with Grovyle
Because Grovyle would have attacked her regardless.
Then she would have hidden herself in the shadows and tried conversing with him.
Did you not see the murderous rampage Grovyle was on?! He wouldn't have listened to her.
What about the code word?
Darkrai's heart skipped a beat.
She would have had a chance to say it had she not tried to keep you safe.
She... She had a chance to say it during their fight. She'd forgotten she had that word in mind.
Would she have forgotten if he didn't claim that her voice was a trick? Would she have forgotten if she had a chance to talk with Grovyle? Would she have forgotten if she only dodged, and didn't try to fight back?
Grovyle wouldn't have believed her if she did say the word.
Kip didn't believe her until she said the word to him. And he had more of a reason to doubt the legitimacy.
Darkrai pressed his claws into his arms.
Stop.
If she had shown you to him, and explained what had happened, what do you think Grovyle would have done?
Darkrai winced from the pain he was inflicting on himself, attempting to hold back tears.
Stop it!
Grovyle would not have hesitated to try and kill you.
STOP!
He would blame you, as he does now, for stealing her body.
Blood was starting to pool where his claws pierced his skin.
Do you not recall her expression, when she apologized for what she said to you that morning? And the promise she made to find something for you to do during the day?
ENOUGH! I WILL NOT TOLERATE MY OWN MIND BELITTLING ME LIKE THIS!!!
She cares about you.
...
Darkrai quietly cried in his bed. Trying to remain as silent as possible so the others couldn't hear him.
Why?
...
Silence.
**********
Grovyle lay flat on his back in Kip's bed, ironically getting less sleep than he did than for the few weeks he was technically homeless. Forced to stay in that position so his ribs would heal correctly. Tears flow down his face as he thought about Twig.
The fear in her eyes, as a human, a Charmander, and in Darkrai's body haunted him.
The feeling of satisfaction he felt, watching her bleed before he knew who she was, made him consider leaving to enter Labyrinth Cave alone.
Grovyle intentionally took deep breaths. Each one sending out sharp pain from his chest.
He can never see her again. His presence would force her to relive what he'd done to her.
He tried to kill her.
He forced her through intense agony to make her suffer.
He traumatized her.
She should hate him.
She should hate him the way he hates himself, with every fiber of her being...
He hopes she does.
*********
Dusknoir couldn't take any comfort in the literature he used to. Despite Celebi's and the doctors' best efforts, the damage done to his eye is permanent. Everything looks like he'd been submerged underwater. His age already made his eyesight worse, but now he'll have to learn Braille to read again.
But he wasn't worried about that.
He was more worried about Kip.
He was of course worried about Twig. Praying at every moment that she would recover, but his fears still lay in seeing Kip neglect himself to watch Twig at all times.
The fact that the last thing he could, and probably will ever see clearly, was Kip's expression of terror, the same he'd seen several years ago, filled him with a pain that was much greater than what Kip had afflicted him with.
Dusknoir wondered if all of this would have been avoided if he was never given his undeserved mercy.
He saw the way Kip shook when he exited the passage of time.
Twig wouldn't be on the cusp of death, and Kip would be happy if he was simply never brought back.
********
Celebi couldn't understand how Darkrai isn't exhausted all the time with how he's constantly angry.
She's barely able to do anything but sit on the couch and think of just how much of a brain-dead idiot she is.
If she had just looked forward when they figured out that Kip and Twig had moved, then she could have stopped any of this from happening.
But NOOOOO!~ She just HAD to wait and see what would happen! She just HAD to be surprised by how things would turn out!
And now she hurt everyone and Twig might die.
Sure, they managed to get her to the hospital, and yeah, She's at least stable.
But what happens if her body gives out?
She dies.
And it'd be her fault if she does.
Celebi doesn't even want to think about what Kip and Grovyle would do if she passes.
She's completely trapped in a prison of her own design.
She hates that she didn't look forward then, and she hates how scared she is to look forward now.
She hates how angry she feels towards Kip for hurting Dusknoir like that. Even though she knows it was a knee-jerk reaction.
She hates how angry she is at Grovyle, for letting himself get to the point where all logic and reasoning went out the window. Even though she knows he was just tired and furious and paranoid.
But she doesn't hate how angry she is at herself.
There isn't a justification for her actions.
She is just stupid.
*********
Kip didn't care that sleeping next to her gave him nightmares. He couldn't care less that the pendant she wore with the lunar feather was lost during her fight.
The fear he feels in those nightmares pales in comparison to the fear he feels at every waking second.
Every morning he jolts awake, covered in cold sweat from the nightmare he had, and stares at Twig. Watching her to make sure she's still breathing.
He hasn't left the room since he was allowed in after the emergency surgery the Doctors had to preform on her.
He watches the doctors replace the medicine and bandages daily. Staring at her wounds to make sure they haven't gotten infected. Even if that's not his job.
Kip just-
He was so mad at himself.
He wanted to make up for abandoning Twig when she needed him most. But he can't.
And he might not ever be able to.
What a moron he is. He can't figure out why he started running in the first place.
They were his friends. They wouldn't hurt him or Twig.
But Grovyle ended up nearly killing her anyway. All because he wasn't there to defend her. To explain what had happened.
Kip stared at Twig.
First time she's slept since switching bodies, and it was because of him.
Kip stood up and heavily, slowly walked towards the door.
He turned his head to look back at her. Hoping she'd woken up.
She didn't. She lay in the same position. Her breathing, weak and short.
...
Team Skull was right about him
They were more right than Twig ever was.
All he ever did was weigh her down. He was a burden that he forced her to carry.
She had lied to him. He wasn't her friend. Friends don't abandon each other when they need them most.
Friends don't suddenly change their minds and try to go back for them for no reason.
Friends don't break down crying, unable to do anything while trying to put medicine on their wounds.
Friends don't act like him.
Kip left the room and slowly walked out of the hospital towards the travel agency. His head hung low.
He could feel the atmosphere get less heavy with each step, but he himself still felt heavy.
He's going... Somewhere. He doesn't know where. Just, any other town.
She doesn't deserve a scumbag 'friend' like him.
It's better this way...
*******
Celebi had told her everything.
She couldn't help but notice the underlying anger in her words. Everything recounted to her with an uncharacteristic flatness. Simply laying out the facts and nothing more.
She took a slight amusement as she thought about how Twig must have looked at Grovyle, when he saw her clutching that monster like some scared child holding a stuffed toy.
It was exactly what she deserved to have happen after she gave pity to that wretched, selfish thing.
At least justice was finally served.
Maybe now she'll take a step back and realize her actions and words were in no way justified.
Maybe she'll finally see just how awful he acted. And finally take the steps to right what's wrong.
Cresselia stopped her midnight flight when she suddenly realized that someone experiencing great physical and emotional pain. Barely detectable, as it was far away. All the way over on the Fire continent.
Cresselia decided to shelve the thoughts as she began making her way over to where the pain was originating.
She thinks it may be coming from a Snivy but she isn't quite sure yet.
Cresselia enjoyed the feeling of the crisp, early spring night breeze against her feathers.
Perhaps her and Kip will finally see eye-to-eye when she returns.
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raifuujin · 1 month
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“I just don't like Gosho's use of ideas nowadays” do you have some examples? I’ve been feeling the same but I still don’t have like articulate thoughts on it
Well, 'nowadays' has been for. About ten years, ish? The most glaring example that always sticks out in my mind is the Sun Halo MK chapters, with the complete and utter waste of the very common fanfic tropes of 'Aoko gets suspicions' and 'Kid gets injured around someone'. But it kind of matches the general problem I have with his writing that I don't think used to be this bad: He's trying to stuff too much around the strict case-by-case structure (or for MK, introducing the heist-by-heist structure) without actually giving anything focus. (And for MK it's so much worse because he writes it so rarely, that he makes everyone cameo every time but they tend to just get hand waves to whatever drama plot gets instigated by Kid having his next heist.)
For DC, it's the whole. 1) Overarching plot with the BO and suspects and 'here's the available suspects for who's involved with the BO that we introduce one at a time at the end of cases and then maybe leave more clues about them during future cases'. 2) Dangling character or relationship progress and then constantly pulling it away, usually as a joke. 3) When we do occasionally get some of the major plot, it's all at once and then maybe mentioned once in the next case, but otherwise completely dropped. (Amuro and Akai and Kudo tea party tease also lingers as a 'Gosho is just evil at this point'.) Basically rigid structure that doesn't allow for much of the subplots aside from breadcrumbs.
For the current situation, it's also tied into interview comments. Which. have no bearing on the story until he actually uses them. But instead of even that, the movie gets exciting stuff instead and puts it in a giant limbo of is it meant to be canon or not, because no one has been able to settle on that for any movie, even as some details get connected back to the manga more and more.
It's bad writing. Gosho has been a bad writer for a long time, and it's kinda just getting worse. It's my opinion that it's because he tries to have his case after case after case (because mystery manga), and then stuff little bits of everything else in the seams, whether it works well with the case he's writing or if it's a good delivery or (more usually) it's just. Kinda tacked on.
It's partially because of time investment, partially because I have low standards of entertainment, and partially because I want to see how it all ends that I stick with DC. MK is. Similar, but hurts more because I really hate how it morphed into the DC structure when old MK had more you could do with it. Gosho will never drop his rigid case-by-case structure at this point, but it really would be better if he did at this point. Things need development that they're not allowed to have. Or at least smooth out the lines between his hints. And stop with Heiji and Kazuha, just. God. Stop. Is this how people felt about Kid appearances? I feel like at least when people were mad about Kid, they knew nothing was going to happen from the get go, the romance 'tease' is just painful.
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I think one of the funny things about consuming media is having absolutely normal thoughts about a character while consuming said piece of media, then you finish it, absorb all the information that was given, realize the hidden implications about said character, and suddenly you are no longer normal about them.
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ochibrochi · 3 months
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spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬
I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!
I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??
By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).
I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.
Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.
I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").
The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.
Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.
Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).
If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?
Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.
I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)
Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!
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chiliyue-archived · 1 year
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Backseat of his car
↬making out with him in the backseat
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Includes; Dazai, Chūya
Tags; Heavily suggestive. Biting, markings, groping, implications of sex wink wink nudge nudge
Notes; Thank you anon for this wonderful idea
Requested !
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Dazai
His breath was tickling right under your ear, hot puffs of air spurring your desires. It was terribly cramped in his car, your elbow probing at an awkward angle as your lover made you shiver and spilled soft muffled moans from your lips.
Despite the predicament, it really yieled little concern from Dazai, who shamelessly bit and feathered his lips along the bare patches of your skin. His mouth was terribly greedy, leaving a trace of blemishes whilst dripping in mirth and sweet nothings as his senses numbed out to a pulse.
He has you pressed against the door, your head resting on the window- the angle was a little uncomfortable but it very quickly drowned out to pleasure as he continued his actions, body curving to reach new locations as much as the space allowed.
"'Samu-" you breathed out as his teeth took a more harsh approach and bit into your collarbone with little mercy. You could feel your lover smile against your sensitive skin; a mere hum came from him as he suddenly rasped his tongue over the forming bruise.
You craned your neck out, granting him more access as his fingers crept along your thighs and spine coaxing a sputtered sigh from your abused lips. Before you could even mutter a response, Dazai pulled away; his eyes dancing along your figure, taking in the newly added collection of lovebites.
" Can't wait to get home and have you all to myself, 'Bella." He murmured before leaning to peck you on the lips. You felt his tongue brush against your bottom lip, teeth ghosting along the surface - a foreshadowing of what's to come later." Hmm, but as for right now, I'll spoil and kiss you here while I can."
With greedy hands, he pulled you closer and swallowed your breath away with a kiss that left you moaning softly. His hand reached out and pressed flat against the window- the glass in which fogged up with your combined heated breathes- supporting his weight as his lips chased after yours again, again and again, only pulling away for a crude intake of oxygen before repeating the action.
Chūya
He makes you utterly drunk on the feeling of his tongue exploring your wet cavern that you hardly remember that you're in his car. It's wasn't some cheap rental either. The seats were cushioned with expensive leather that in the heat of the moment, you could easily mistake it as the mattress of your shared bed.
As his tongue glided against yours, his gloved fingers traced along your body, maneuvering under your articles of clothing and exploring the bare skin. He smirked against the kiss as you squirmed when the cold texture of his gloves made contact with your sensitive skin.
" Hah... too irresistible. Couldn't wait till later." He huffed out, pulling away with a string of salivia connecting you from your passionate exchange. His face flushed at the sight of you below him, lips glistened and magenta from your exchanges. He leaned down again to press a chaste peck to your cheek before trailing down to the area below your ear. Your body stiffened as you felt him suckle the skin, a purple blemish forming in its place.
Chūya continued to trail hot wet kisses along your neck, the mixture of your hot breaths feeling nearly suffocating within the vehicle. It radiated an aura of pure passion and pleasure as his fingers found the curve of your hips, tracing it out with two fingers as his lips attached to any skin it found.
" Y'know, babe, these windows are tinted. Meaning we could do anything we want right now." His voice was low, husky against your ear as his hands started to dip underneath your shirt once again and trailed up to grope gently as your chest.
" What do ya say, Doll?"
-
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Sapphic vampire fiction mini reviews, ranked from least favorite to most:
House of Hunger: Bland characters, a story that barely scratches the surface of the implications of its premise, and a central relationship with nothing underpinning it make for an aimless story with a climax that hits like a limp noodle. If the dynamic between a vampire and her indentured maid appeals to you, try The Wicked and the Willing instead.
An Education in Malice: For a Carmilla retelling, the titular character really lacks bite. Laura at least has some interesting contradictions in her, and De Lafontaine could be quite compelling if we saw things through her eyes, but the central relationship isn't built on a lot, and Carmilla herself is really disappointingly bland. The prose comes off as overwrought and melodramatic in the first act, and the constant leaning on poetry feels gratuitous, but it picks up steam and becomes appropriately gripping by the one-third mark, and it carries the book enough that I had an enjoyable but rather shallow experience. I struggle to think of a reason to recommend this over In the Roses of Pieria, which plays with similar thematic and aesthetic elements much more adeptly. Also, it's a pet peeve of mine when a story makes a point to establish a specific historical era for its setting but has characters that feel utterly modern.
The Deathless Girls: This book does a much better job with its sense of time and place, and the characters and their motivations are quite strong. I only rate this one low on this list because the main characters don't actually deal with vampirism as a condition until the very end of the book. On its surface, the premise might seem quite similar to A Dowry of Blood, but there's actually very little thematic or narrative overlap.
Ex-Wives of Dracula: An excellent exploration of the queer teenage experience in conservative small town ~2015 USA along with some pretty novel twists on vampire and horror movie tropes. Strong, vibrant characters with a rich, messy, and compelling relationship carry a solid mystery plot and some pretty pointed critiques of its setting, but the actual climax and resolution don't quite hold up to the quality of the rest. Also I simply must warn anyone who didn't grow up in the time and place this book explores about the profound and casual bigotry and nastiness of that setting, which this book replicates to a T.
The Wicked and the Willing: A thrilling and compelling dark romantic drama centered on a British vampire in 1920s Singapore, her newly hired and desperate to escape poverty personal maid, and her majordomo who is struggling to keep her conscience under control after years of aiding and abetting her mistress's dark appetites. Extremely strong character writing pairs with deft exploration of themes of colonialism, entitlement, class divisions, sexism, and the ways in which certain types of status can and cannot afford one leeway to be nonconforming in other ways. Intermixes diagetic and non-diagetic BDSM very organically also, if that's your thing.
In the Roses of Pieria: Rich prose dripping with atmosphere follows an obscure academic as she digs into a series of ancient correspondences and discovers a millenia spanning love story between two vampires. The character writing is solid, if not quite as impressive as some other entries on this list, but the quality of the prose more than elevates it. The text makes elegant and powerful references to Sappho throughout, and the whole experience is heady and compelling in ways that I struggle to describe in greater detail. Funnily enough, the vampires are the least interesting part of the world building. This one has a sequel coming, and I can't wait.
A Dowry of Blood: A darkly enchanting epistolary novel that takes the form of letters written by the first of Dracula's wives to him as she attempts to make peace with killing him. She unpicks a delicious and horrifying knot of feeling and history as she revisits their millenia together, recounting and reckoning with the manipulations and abuses that defined the good times and the bad. The characters are evocative and rich, the narrative voice by turns sparse, longing, furious, contemplative, and mournful, and the story simply springs to life. It accomplishes an incredible amount in approximately 200 pages, and I absolutely cannot recommend this one enough.
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taintandviolent · 8 days
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If it's alright, maybe Kai finding reader with another guy and taking her back to the cult house to teach her a lesson...in front of the rest of the cult? 👀
warnings: spanking, violence/aggression, Kai being Kai.
A/N: longish drabble done at work - I hope this is okay and what you had in mind anon! Sorry it’s not a full fic, the brain ain’t brainin’ as hard as I’d like today.
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Kai couldn't believe his eyes. It was you. His loyal little lamb with her doe-eyes, perky tits and willingness to do anything he asked... in the arms of some dickhead. His hands explored your waist and ass cheeks in a disgusting display of public affection, and Kai clenched his jaw hard.
That evening, when you'd gotten back to his house, you walked downstairs to find everyone sitting patiently, almost as if they were waiting for your arrival.
"Ah, there she is. The disloyal one." Kai's voice was calm and level. He was exercising a lot of personal strength, you could tell. At his words, everyone's heads turned, the attention now fully on you.
Oh, you thought. They were waiting for you. Uncomfortably, you adjusted the strap of your purse on your shoulder and swallowed hard. Kai was watching your every move, hands behind his back. You hated when he did that... It felt so authoritative. You guessed that the rest of the cult didn't know the details of what you'd done, only that you were quote "disloyal" to his cause. With one fluid motion, he gestured for you to stand at his side.
You obeyed, taking careful steps until you got to him. What was worse? The fact that you had everyone's eyes on you, practically watching you breathe, or that Kai's very presence seemed to vibrate with a fiery anger that you could literally feel as he stood next to you? You couldn't decide.
"What is the punishment for disloyalty?"
You said nothing, only bit your lip, chewing a piece of dry skin off.
"I asked you a question. Answer me."
"I wasn't... disloyal."
"That wasn't the question, was it?"
Kai took a fistful of your hair, and got close to your face, speaking directly into your ear. The rest of the cult couldn't hear his words, only saw the angry display. You winced; he was gripping the hair at the roots.
"You were. A greedy, disloyal bitch. Now you're lying?"
"Kai," you whimpered.
"Address me properly."
"Divine Ruler," you corrected without hesitation. "I can't be disloyal if I'm not with anyone..."
He gripped your hair harder, pulling your face closer to his. He was staring at the side of your face like he was trying to melt it off, and while you only had the peripheral view, the disappointment that burned in his eyes was apparent. What did that mean? You were loyal to the cult, but there was an unsaid implication that Kai expected you to be loyal to him. Your core tightened with a melange of excitement, desire and fear.
Kai straightened up. Someone cleared their throat awkwardly, unsure how to process the tension in the room. Kai inhaled a deep breath, and sat down on the chair behind him.
"Over my lap."
You put your purse down at his feet, and reluctantly, laid your body out over his thighs. With your ass on display in your short skirt, you felt like an idiot. Taking a fistful of the fabric, Kai pulled it up over the curve of your cheeks, revealing the cheeky lacy underwear you'd chosen that day. You could've sworn you heard some of the guys chuckling. Great.
It turned out, the punishment for disloyalty was humiliation. Public humiliation.
THWACK! THWACK! THWACK!
Kai's hand made repeated contact with your ass cheeks, setting the skin aflame. You turned your head, looking out into the faces that were watching. Winter looked disgusted, and your eyes met hers for a moment before they squeezed shut again, wincing with the pain of another spank.
You were thankful that he hadn't decided to use a tool like his belt, and the smacks were just with his large hand. Still, they burned like nobody's business and you couldn't help but whimper each time that your cheeks vibrated with his determinate slaps.
Suddenly, they ceased, and Kai's hands left your body. You were almost disappointed -- something that came as a shock to you. You realized that despite the pain and embarrassment, you were enjoying the closeness of the situation.
"Now, go sit down. We have some important things to talk about today."
Bastard. It would hurt so bad to sit on a hard wooden seat and he knew it. He knew it. Further, you knew he intended for your continued discomfort.
Rolling your lips inward, you reached for your purse, and navigated around to the only empty seat in the back. Just as you anticipated; the wood was cruel and unforgiving as you sat down, wiggling around to find a comfortable position. Everything hurt; your ass cheeks ached and the hand-shaped welts still felt hot.
Kai's eyes lingered on you. They lingered long enough that you decided you'd stay after the meeting was over and drill him about why he'd punished you.
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lolahasmoxie · 9 months
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you don't need to say anything (j.t)
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I finally finished Ted Lasso this summer, and oh man, was I not prepared to fall in love with Jamie Tartt. This takes place after S2E8 Man City.
Pairing: Jamie Tartt x Physio Reader
Length:
Warnings: mentions of child abuse, but there is comfort. I just want to hug our little Mancunian bean.
You sighed heavily as you approached the bus idling in the stadium parking lot. You were trying to erase the images from your mind of Jamie striking his father and his father ready to knock his own son's teeth out in return. You see Roy by the door, arms crossed across his chest.
"Oy," his gruff voice called out to you.
"Sorry," you offer an apology. "Had to make sure that we have all our medical equipment."
"Tartt's not here," Roy says curtly.
"What do you mean he's not here?"
"I mean," he says as he steps closer to you. "we're at the bus, and Jamie is fucking not."
"Shit," you reply as you sigh again.
"Isaac said he last saw him in the locker room." He gives you a look, waiting for you to put the pieces together.
"Why can't you do it?"
"Because I'm not the one he has fucking heart eyes over." You immediately cringe, not only at the implication that he knows you have a soft spot for Jamie but that his volume has alerted the entire bus to that fact.
"Don't tease." You say quietly, and Roy's expression softens slightly.
"Just go find him so we can get the fuck home." You give Roy the finger as you head back inside Wembley. You flash your badge to an older gentleman, telling him you forgot a bag. He smiles at you as he waves you inside. There's another sigh as you think about the man you're being sent to retrieve.
When you had come to Richmond with Ted and Beard, you and Jamie had hated each other on sight. He was a massive prick to everyone, and when he came in for treatments, it wasn't unusual for you to go harder than you needed to just because you could.
There may have been a moment after the bonfire to clear the hex from the treatment room. You had wanted it to be a moment, but there was never a chance to explore it further because Jamie was sent back to Manchester the next day without a word to you.
Then, just as quickly, he was back. You had steeled yourself for his cruel tongue and prickish attitude, but when he found you in the med room, the first words out of his mouth were an apology. And it was a real one, too. You had just stood there stunned before you could speak. After that, you couldn't help but fall for him more each day.
You stood outside the locker room doors, taking a deep breath before opening the door and poking your head inside. There Jamie sat, elbows on his knees, head resting in his hands. He had changed into sweats, his Gucci slides on his feet. You knocked gently, watching as his head popped up. You try to ignore the short flash of fear in his eyes before he realizes it is only you.
"Roy sent me," He nodded, and when he didn't speak, you quietly walked into the empty room. "You alright?"
"No," he says shortly, avoiding your eye contact. "You know what's funny? As a kid, I only wanted my dad to be there. All my friends had a dad; why couldn't mine be there? Then, when I got good, he showed up. Then I wondered why couldn't he be like the other dads." You said nothing; just sat next to him while he sniffled quietly.
"I really don't know what to say to you," you admit honestly. "I'm just sorry that you had to go through that." Jamie nods before his lip begins to quiver anew. You didn't hesitate to guide him to you, and Jamie didn't hesitate to follow. Your torsos twist as you let him hug you, his arms around your waist as he buries his face into your neck. Your arms wind around his neck, and one of your hands rests in his walnut mist hair.
His body, which feels so solid in your hold, eventually relaxes and melts into yours. His tears are wet against your skin, his hands balling your shirt into his fists as he tries to make sense of the evening. He's holding you like you're a lifeline, and you let him because he deserves one, after all. Eventually, his tears slow, and his hold loosens ever so slightly.
Your heart nearly stops when he pulls back to look at you, gray eyes searching your own as he studies you before he leans in and gently rests his forehead against yours, a content sigh leaving his lips. Your hand caresses his cheek of its own accord, and when your thumb grazes over his cheek, you can swear that he begins to purr in contentment.
"We should probably go, right?"
"That or Roy will send out a search party." You have a slight smile when you stand to face Jamie. "C'mon, we'll be home soon."
It could be your mind playing tricks, but you could swear that Jamie's eyes light up when reach out a hand, and it takes a heartbeat before he's taking it with his own. You try to focus on something other than how well your hand fits into his.
When you approach the bus Roy of course, says it's about fucking time. But there's no real anger there. He pats Jamie on the shoulder as you both climb aboard, and it's then that you notice that Dani and Isaac, whom you and Jamie had respectively sat with on the way to Wembley, are now sitting together. Which conveniently leaves two unoccupied seats at the back of the bus.
The bus is quiet; most of the lads are either asleep or listening to music. When you pass Ted and Beard, they both give you a knowing look, and it's then that you realize that Jamie is still holding your hand. He pulls you to the back and offers you the window seat. He takes just a moment to make himself comfortable before he rests his head on your shoulder and takes your hand in his.
"You know," he begins softly as the bus pulls out of the stadium. "I may be reading this whole situation wrong, but would you want to come over? For sleep," he adds quickly. "I just can't stomach being alone tonight."
You imagined this scenario in many ways as you ran a thumb over the back of Jaime's hand. You were pleasantly surprised that this was better than anything your mind had previously conjured.
"Sleep," you say as you bring his hand up to your lips to kiss his knuckles. "Sleep, and we'll talk in the morning." When you turn to look at Jamie, he has a blush on his cheeks and a smile that could light up London. There's a quick kiss on your forehead before he places his head back on your shoulder, shuffling to make himself more comfortable as the bus merges on the highway to take you home.
You both are asleep within minutes, not hearing the hushed giggles of the team or the sound of phone cameras clicking as they revel in the fact that you two are finally on the verge of becoming something. Dani, in particular, can't help but smile fondly at the picture he's taken, noting how your bodies are turned towards each other with mirrored expressions of contentment. He will wait until tomorrow to send it to Jamie. After all, it would be a shame to wake you both right now.
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soups-archive · 5 months
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Im in love with the implications of tape 1 of Roier's lore because he either:
1) Was legitimately turned into a rat by the federation, which, beyond the goofy fucking model, is genuinely frightening body horror that I think roier (the guy not the cubito) has the full capacity to explore knowing his rp abilities.
or
2) He was hallucinating getting turned into a rat because of all the drugs he the feds are pumping him with. This comes with the extra terrifying implication that the feds ARE actually experimenting on him, but what they're actually doing to him is being obscured by the effects of the drugs.
Either way it's fucking horrific and I love it. I can't wait to see what he has planned next.
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the-boy-meets-evil · 9 months
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can't run away | vernon
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summary: running is the only life you've ever known. running away from your home planet, running away from anyone that gets too close, running away from officials, running from other smugglers. it's not easy but it's better than the pain that comes with staying in place and definitely better than getting caught. everyone has heard of you but nobody actually knows you. the last thing you want is to take on a passenger, especially when that passenger is a robot from one of the most popular groups in the universe. why would you let him stay when nobody else ever has? pairing: ai!vernon x smuggler!afab!reader word count: 15.6k genre: sci-fi au, angst, fluff (?) warnings/content: vernon is an automaton, reader is a smuggler (across the galaxy), references to injury (when vernon escapes, to reader as well), questionable methods of finishing a job (reader), suggestions/implications of sex/hook-ups (reader x unnamed characters), questionable legality on the jobs, exploring emotions for automatons, fights, open/ambiguous ending rating: mature (this is SFW but i prefer only people 18+ interacting with my blog) a/n: thank you so much to @idyllic-ghost for this incredible collab and this banner. i don't think i would've written a sci-fi fic otherwise and it's been so much fun. check out all the other amazing fics here! also thank you to the loml @hot-soop for *volunteering* to read through this fic. you're an angel. finally, thank you to @strawberryya for letting me use your brain and your planet.
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“100 years ago it was thought that the Earth, as we know it, would disintegrate. That the sun would implode and leave everything in darkness. Miraculously, it didn’t. Due to some external force, human scientists still haven’t agreed upon what it exactly was, none of the planets in our former solar system were ever destroyed. The Earth, along with the other planets, were pushed away from each other, and ended up in different parts of the universe. Earth just happened to come to a solar system with alien life. At first, we were cautious, and people were prepared to fight. However, the aliens were welcoming of our planet. Those of us who didn’t die from ‘The Great Journey’ or from trying to fight the aliens, were welcomed into the new solar system. Soon enough, we had integrated completely, and we received materials and assistance from our sister-planets in exchange for human labor. What humans knew of technology was very limited, but with the resources of the aliens we created artificial life forms. We named these robots Automaton, and they served as workers when humans couldn’t. Eventually, there was no need for human labor at all. To pay back for the help the aliens gave us, we used Automatons. With the extensive development of these robots, we eventually managed to create artificial sentient life. These Automatons were human-like in looks and had human consciousness, but they could not bleed and were stronger than we ever could be. At the present time, there are even different levels of Automatons. Level 3 robots are the workers, level 2 robots are the caretakers, and level 1 robots are the celebrities. The Automaton music group 53V3NT33N (SEVENTEEN) is made up of 13 members, all very talented, and all representing two human states of mind.”
*+:★:+━━━+:★:+━━━+:★:+*
“Chirron,” you call and wait for his hum to let you know he’s listening, “we have to go. Like 10 minutes ago.”
“Why don’t you try something helpful?” he shoots back at you. 
“The last time I got near the controls, you slapped my hands and shrieked,” you answer.
“I did not, it was not a shriek,” he hisses. He’s not really offended, it’s just how the two of you are. You’ve run hundreds of jobs together at this point and there’s nobody else you’d trust. And certainly nobody that’s better at getting your ship in the air and away from trouble. “And it was for a good reason. You’re a menace to society and to the controls, specifically.”
“Every button looks the same,” you huff.
“Will you just shut it for 2 seconds so I get us off this awful planet?” Chirron asks.
“Hey, this is my home planet!” you protest. You’re not sure why you’re distracting him like this when you want to leave just as badly as he does. Need to for the sake of your job.
“I swear to…” he says and stops to pinch the bridge of his nose. “Just a minute, I’m begging you.”
There’s a retort about begging on the tip of your tongue, something you know will get under Chirron’s skin. Something you know better to say and are going to say anyway. Really, what’s the worst he could do? Except just as you’re about to say it, someone comes rushing in through the open door of your ship.
Chirron seems to register the newcomer, but says nothing. In fact, he goes back to working on one of the control panels that’s currently preventing you from leaving the planet. That leaves you to deal with this new person. Or…no, could he be an automaton? There’s something familiar about him that you can’t quite place. There’s also something that doesn’t scream human about him. Maybe the blue hair or the way he moves through expressions. He looks relieved now even though you’re a complete stranger. 
“Please, help me,” he rushes out, already moving from relief into something else. He reaches out to take your hands in his and you barely have time to register it. “I’m begging you, I’ll do anything.”
Your first instinct is to flatly tell him that you won’t help him, that you can’t. After all, you’re not exactly the type anyone looks to when they need help. A fact Chirron is always quick to point out. But, you also see that this could present an interesting opportunity for someone such as you. And maybe now you can make some begging jokes without getting your head bitten off.
“And just what are you willing to do?” you ask, arch an eyebrow as you watch the expressions cross his face. 
“Oh, well I can…you know, I could…” he sputters along and you laugh. 
Just as you’re about to take pity on him, you see a rush of guards coming through the spaceport. It’s the last thing you want to see. Your papers are solid and you’ve already made the very real excuse of needing to fix one of your systems before leaving the planet. Then again, you’ve had enough close calls for a lifetime and you’re not really looking to add another one to that list.
As you watch, the guards talk to some other people milling about in the spaceport. The man who rudely burst onto your ship seems to catch that you’re watching something and immediately ducks down. If you weren’t a little nervous about the guards coming aboard, it would be comical. He’s literally not even hiding behind anything.
“They lookin’ for you?” you ask quietly and clock the answer in his eyes before he even opens his mouth.
“I think so,” he says. 
You sigh and ignore Chirron looking back at you. “Back that way, there’s a door in the wall on your left. Nobody ever knows it’s a door, but run your hand on the wall, you’ll feel it.”
“What?” he asks.
“Go,” you hiss and walk towards the open door.
It’s perfecting timing, too, because two of the guards are approaching. One of them, thankfully, is one you’ve dealt with before. And it’s mostly been positive. At least you know he can’t seem to stay away when you breeze in and out of this part of the planet. With any luck, he’s in a good mood. 
“Thought that was your ship,” he says with a smirk, ignoring the look from the other guard. 
“Guilty,” you smile. “Always nice to see you, Kyun.”
“You two know each other?” the other guard asks skeptically. 
“Sure, she runs cargo,” Changkyun says. You can’t fully fight the smile because you know it means you’re safe after all. The two of you have spent enough time in his bed, post hook-up, for him to know that’s not the whole story.
“And I would be gone already because we’re behind schedule, but we had a little mechanical trouble,” you say, laying on the act a little thick. 
“Need a hand?” Changkyun offers. 
“We’re supposed to be asking about someone,” the other guard reminds him. 
“It’s fine, we’ve got it handled anyway,” you say and send Changkyun a flirty smile before turning to his partner. “Ask away.”
“Have you seen an automaton running through here? Blue hair, about this tall, wearing a plain white shirt,” he asks and you pretend to think for a second. 
“There’s been a lot of people coming through,” you offer apologetically. “I think I did see someone with bright hair rushing off in that direction. Could’ve been blue.”
“You’re sure about the hair color?” the other guard asks. 
“Not really, it happened fast. But it could’ve been blue,” you shrug and then look like you’ve realized something. “Wait, there isn’t a reward is there?”
“Last I heard, you were doing fine,” Changkyun says and you smile as his partner walks off to share your info with a group of guards. 
“Can’t blame a girl for trying,” you say with a wink. 
“Make sure you come by next time you’re here,” Changkyun says with that look you’ve seen before. 
“I will, promise,” you say. 
“Have a safe flight!” he calls. He’s already heading off to join his partner. 
When he looks back, you wave. For good measure, you look over your shoulder like Chirron said something and nod. You’re closing the hatch with a last wave to Changkyun. Once you’ve also made sure the shields to protect anyone from seeing in are activated, you head back to find your new friend. 
“Seems like people are looking for you,” you say when you open the door.
You don’t bother waiting to see if he’s going to follow you when you walk back towards Chirron at the front of the ship. The blue haired man, who still hasn’t introduced himself, follows you instantly and then ducks when he sees the windshield in front of him.
“They can’t see you,” Chirron says in a bored voice. Mostly likely unimpressed by a decision you don’t actually remember making.
“You almost done?” you ask again.
“Yes, actually, that little disruption got you to leave me alone long enough to fix it,” he says with a glare at you. “Now be quiet again.”
“So rude,” you say quietly without any bite.
“Control, Vega Three requesting clearance for take off,” Chirron states over the communication system.
“Clearance granted,” comes an immediate response. 
“Finally,” you say and take your seat next to Chirron. You twist over your shoulder to look at your unexpected guest. “I’d buckle in if I were you, sweetheart.” 
“Are you…are we taking off?” he asks, seemingly unable to sit still.
“Unless you had a different idea when you tried to sneak onto a ship,” you respond. 
“But you don’t…” he begins.
“You’ve got your reasons for wanting to get off this planet, and we’ve got ours, best to discuss those once we’re actually off the planet. So, strap in,” you instruct.
The stranger in question doesn’t need to be told a third time, thankfully. He slides into the seat behind Chirron and buckles himself in. With a sideways glance at you to confirm he’s clear, Chirron uses the recently repaired controls to get you going and safely off this planet. Even though it’s your home planet, and you definitely can linger, this job is a little sensitive. You really can’t afford to be late on the delivery, though your reputation with this buyer is spotless. It only stays spotless as long as you finish your jobs as quickly and discreetly as possible. 
If you expect the stranger to say something as Chirron navigates you out of the spaceport and into the air, you’re left wanting. When you look back, you find him relaxed back into the chair. It’s like he’s completely at ease. Or maybe just feeling a lot of relief that you let him stay on board. Or even relief that you lied to the guards. Something you do often, though he doesn’t know that. His eyes close as Chirron types in the course to autopilot until you get close to your destination. 
While the stranger rests, something kind of surprising to you given that he doesn’t know you at all, you briefly wonder if it’s sleep or just a sort of recharging. Chirron claims your attention and you quietly discuss your plans for once you get to your destination. Salax is known for…discretion. People don’t tend to ask that many questions there because of the types of humans and aliens alike that follow their desires there. But, since it’s a place for your deepest desires, people are also wary of suspicious behavior. You’ve spent plenty of time there, both for your own pleasure or, like now, for a job. 
The downside to this planet, though? It’s the type of place no robot would ever be seen. Certainly not a Level 1. They’re far too pure for that. And judging by the number of guards employed, and the fact that you were on Earth, you’re willing to bet your new passenger is a Level 1. So that’s going to add its own unique set of challenges. Something that has you buzzing with adrenaline, but has Chirron looking sterner than usual. 
“We need to know who he is,” Chirron repeats quietly.
“And we will,” you answer easily.
“If he’s a Level 1…” Chirron starts before trailing off.
“What? You’ll turn me over for the reward you asked about?” the stranger asks. You’re a little startled because you didn’t realize he had woken up. Or stopped resting, whatever.
Chirron scoffs as he takes in your amusement. “No.”
“It’s not a ridiculous question,” he insists.
“It is if you know her,” Chirron says and nods in your direction. 
“Why? You’re wondering if I’m a Level 1 so you know how high the reward is,” he insists and you finally take pity on him.
“No, I have no intention to collect some reward for you, if one even exists,” you confirm. 
“But why?” he asks. He’s fidgeting in his seat like he can’t sit still. It’s interesting to see when he was resting so peacefully without moving.
“Because,” Chirron interjects, clearly intent to take away any fun, “she prefers not to deal in things as meaningless as currency or credits.” 
“How do you live?” he asks, genuine curiosity coloring his face. 
“I’ve got enough credits to keep us going for years,” you answer vaguely.
“What else is there to work for?” the stranger wonders. 
You turn your seat fully so it’s facing him and lean forward, dropping your voice a little. “So many things, sweetheart. Favors, information, gossip…secrets.” 
His eyes go wide, like it’s something he’s never considered before. And he probably hasn’t. If he’s a Level 1, and you’d bet your ship that he is at this point, then this is so wildly out of normality for him. The Level 1s are pristine, like the celebrities of the galaxy living in luxury with someone to help keep them functioning at the highest levels. They’ll never see the types of jobs that Level 3s see, those jobs that nobody else wants to do. They’ll never work the way that Level 2s do, or have to work for humans in that way. Which isn’t to say their lives are perfect. It’s just not the kind of life where they see the dirty types of jobs that you and Chirron are used to. 
“Why don’t you give me a name, sweetheart? Unless you prefer the pet name, which is fine by me,” you say.
He hesitates, before saying, “Vernon.”
You and Chirron look at each other, like you’re both wondering why this automaton seems familiar and why everyone is looking for him.
“Well, V3RN0N actually, from 53V3NT33N,” Vernon adds.
And that makes everything fall into place. Not that you pay much attention to groups of performers like that, it’s kind of hard when you’re constantly on the move, but everyone in the galaxy knows them. Everyone in the galaxy also knows that the members just…disappeared. There isn’t much information, at least not from reputable sources, about what happened. Thankfully for you, you don’t really deal in reputable sources. So you’ve heard your fair share about the escapes, each tale sounding a little wilder than the last. You at least know someone is desperate to find all 13 of the automatons, given how popular the group is. Or maybe it’s because they’ve resorted to asking in places they’d normally never be caught to find information.
When you assure Vernon that your previous statement still stands, that you’re far more interested in your form of currency than any reward you’d get from turning him in, he relaxes a bit again. He’s worried, still, that he admitted to complete strangers who he really is, but you give him your real names. You tell him what you actually do, despite Chirron’s protests. That’s when he starts telling you all about the escape. The way that he got away, the way he doesn’t know what happened to his other members, the way he hopes they’re all okay too. 
It’s a little depressing and a lot too close to home for you to hear what life was actually like for Vernon and the other Automatons in his group. Not that you’ve ever been famous or had people across the galaxy expecting you to perform, but you know a thing or two about someone else making your decisions. Chirron knows it too, knows your story intimately, so he probably also sees where this is going before you do. 
It’s difficult, you think, to listen to Vernon talk about his experiences and why he chose to run. Humans and aliens had worked together to create these new beings. Perfected them until they were indistinguishable from humans and even gave them emotions. Yet beings like Vernon and his group are expected to just perform. To essentially serve at the wishes of the public for entertainment value. Have to uphold the highest standards and can’t ever do something that would look bad. Have to remain pure, whatever that means. 
From there, you come up with a plan. One that will at least give you time to come up with some next steps on Salax. Vernon is restless again when you share your destination. Of course he’s never been there, but he knows all about it. It’s hard to tell if he’s just nervous that he’ll look out of place or if he’s curious about what actually happens there. In either case, you need to make sure he’s prepared for the stop. There isn’t much choice anyway, you’re on a schedule and he’s just an unexpected passenger. Before he can continue protesting, you send him to the back of the ship to look through the clothes and accessories. Anything to hide who he is.
“He’s not you, you know,” Chirron offers.
“I know that,” you answer.
“Do you?” From anyone else, the question might sound accusatory. From Chirron, it only sounds concerned. 
You sigh. “I do, but what they put him through is awful.”
“He’s an Automaton,” Chirron reminds you.
“I’m well aware,” you say with a slight snap to your words. “You heard him, though. And you’ve seen the Automatons we’ve come across. It’s different.”
“Does he know what you’re going to tell them when we get to Salax?” Chirron asks, switching tactics. 
“Do you?” you ask back.
“An overly sheltered Automaton on Salax?” Chirron raises an eyebrow at you. “You’re going to bring him along as your ‘date’ who’s just testing the waters to see if it’s his thing.”
“I am not that predictable,” you retort. But you don’t disagree because you can’t.
“What else would you say?” Chirron asks.
“I don’t know, I just hope it works,” you say.
“Luckily for him, you’re a frequent visitor,” Chirron says with a shrug.
You decide to let that comment lie. Partly because you don’t want to argue with Chirron too loudly and draw Vernon’s attention. Partly because he’s not entirely wrong. You do like to spend time on Salax, looking for things that you can’t find when you’re constantly on the move. Looking for people that don’t expect you to be there when they need you. That’s something you can’t do. Chirron would ask ‘can’t or won’t’, but the difference hardly matters.
After another minute you go and check on Vernon because you really do need to get going. For a number of reasons. He’s dressed and looking like he’ll at least moderately fit in at the club you’re taking him to. It’s clear he still wants to stay on the ship, or to go with Chirron, but you remind him that won’t work. Chirron is leaving the ship to get supplies for after your errands and to make sure you’re ready to leave the planet. Even without Vernon, you don’t want to linger. Not this time. Going with Chirron to run errands would be even more suspicious. He so rarely has anyone around when he’s anywhere, let alone Salax. He keeps to himself so the appearance of a beautiful stranger would be out of character. No, it’s much easier to have Vernon with you. You’re much more likely to have someone around on this planet. And you’re certainly had enough beautiful strangers with you on Salax to blend in. You ignore the way Vernon reacts each time you call him beautiful because, really, it’s just a fact.
Vernon tags along a half step behind you when you leave the ship. You’re considering telling him to walk beside you when you think you might as well sell it. If you’re going to be telling people that he’s your pet, just someone you picked up for the time being, then it makes sense that he wouldn’t walk quite beside you. 
This club is so familiar to you. Once you’re inside, you make your way to one of the back rooms, the same room you always meet your client in every time she hires you. Nobody asks questions as it is, but certainly not of her when she books private rooms. You know she’ll be seeing someone else before or after you. Or both, knowing her. 
Thankfully, Vernon keeps his head down like you told him to while you’re winding your way through. You offer the occasional smile or nod as you see people that you know, people you’ve worked with professionally and people you know personally. Some look at your companion, but nobody says anything. Both you and Chirron were right. Though this puts Vernon in contact with more people, it’s far less conspicuous. Besides, with his hat and clothing, nobody would guess he was a Level 1. 
Circe is waiting in her back room, sprawled out on her lounger when you enter, surprisingly alone. Then again, she probably got word when you landed and then again when you entered the club. As usual, she looks completely stunning in her figure hugging outfit. It’s enough to send anyone’s mind into overdrive.
“My, my, darling,” she says as she takes in both you and your companion. “I would scold you for keeping me waiting, but you’ve brought company.”
“You know I’d never dream of keeping you waiting,” you say with a smile at her. “We were…held up a bit. Had some ship trouble.”
“And picked up a new toy,” she comments. “Please, sit.”
“Ah yes, well he’s…curious about expanding his horizons,” you say with a glance at him. The two of you sit in front of her.
“Maybe we can share,” Circe offers and you chuckle.
“Circe, love, he’s nowhere near ready for that,” you answer.
“Always keeping your prettiest toys from me,” Circe pouts.
“Now you know that’s not true,” you chastise. “The last time I was here for fun rather than work…”
“Was very fun, that’s true,” Circe concedes. “Should I assume you’re not staying around this time, then?”
“I’m afraid not,” you say and inject as much sincerity as you can.
“Would that happen to be because he’s one of those escaped Automatons?” Circe plays it off like idle curiosity and you only smile fondly.
“If he were, what kind of fool would I be to bring him here?” you wonder.
“The kind that does trust me despite your insistence that you trust nobody other than yourself and Chirron,” she answers without missing a beat.
“Well,” you shrug.
“I thought…” Vernon says quietly to you.
“Relax, whoever you are is no concern of mine. She knows I won’t blow your secret because I know that there’s nobody better in the galaxy than her at what she does,” Circe says softly.
“You flatter me,” you say. This time the sincerity comes in earnest.
Circe waves it off like it’s nothing. You also know she means what she said. “I assume you have what I sent you off for?”
“Of course,” you respond and reach into your bag.
“This is why I protect her,” Circe says, leaning forward like she’s sharing a secret with Vernon. “I’ve never met anyone that can do a sensitive job for me like she can.”
“And have you met a lot of people?” Vernon asks.
Circe’s eyes sparkle. “You may be one of the only ones who can understand when I say thousands, probably.”
You watch the interaction for a moment because it’s so mundane, so simple. Shaking your head to clear the scene, you hand over a small device. Circe takes it and examines it for a second, looking over the markings on the side. Her smile is almost instant.
“This looks full,” she comments.
“It is,” you answer.
“How sensitive is the material?” Circe asks. 
You hesitate and look over at Vernon. “I wouldn’t watch it with just anyone. There’s…well I don’t have to tell you that people get more honest when they’re in compromising situations.” 
This seems to amuse Circe as she watches you form your words. It’s different from how you usually are and it’s entertaining. “Are you in it?” 
“No,” you answer with a little laugh. “Someone owed me a very big favor. Well owes me several favors, actually. He’s not off the hook yet.”
“I’ve known you for years and I still don’t think I understand the extent of your network,” Circe observes. 
“Probably not,” you acknowledge.
“And what about you, my little mystery, what do you owe her?” Circe asks Vernon.
“I’m…” he starts, looks over at you for guidance. “I’m not sure yet.” 
“That’s dangerous,” Circe adds. 
“We haven’t really figured…” Vernon begins, still very nervous. “She got me off Earth.”
“That’s actually part of what I needed to talk to you about. I need to get him an introduction to someone,” you say. Circe’s eyes turn back to you.
“To whom, darling?” she asks.
“I’m not sure,” you admit. “I need a recommendation. Someone that you trust that can help him disappear. Help him reappear as someone new.” 
Circe regards the pair of you for a moment. Probably a moment too long for Vernon’s comfort. “I can’t help you.”
Your frustration gets the better of you before you even consider the why. “Can’t or won’t?” 
“Pumpkin,” Circe says, full of affection and patience that you’re not sure you deserve. “I know the kind of favors you’re offering for something like this. I’d be stupid to turn it down if I could help you, but unfortunately I like you too much to pull the wool over on you.”
“Why can’t you help?” This, at least, comes out calm.
“I’m not sure where to turn, not now at least. There are too many people looking for him,” Circe admits.
You sigh heavily at that. In the seven years that you’ve known Circe, this is a first. It’s the first time you’ve ever presented her with a problem that she couldn’t solve. It leaves you feeling a little helpless, a feeling that you really don’t enjoy. Maybe she takes a little bit of pity on you because she does tell you to see one of her workers before you leave. He can help Vernon look a little different, at least. That’s all she can do, though, and she knows she’s still going to owe you after this. 
So you’re going to have to take Vernon with you, at least for now. You feel some amount of responsibility, even though he jumped onto your ship. But he’s far too sheltered for this life, too innocent, too naive. He isn’t hard around the edges like you, doesn’t know that he can’t trust anyone, hasn’t been hurt by people he depended on. 
You finish up the conversation with Circe and say your goodbyes. It completely slips your notice that Vernon isn’t right behind you when you head out the door.
“Wait a moment,” Circe says, lightly grabbing Vernon’s arm.
He looks down at the place her hand touches his arm before meeting her eyes again. The confusion on his face must be clear.
“Be careful with her,” Circe says. Vernon’s eyebrows only knit further in confusion. “I love her dearly, but it always comes at a price. She’s the kind of girl you’d name one of those hurricanes after back on Earth.”
“I’m not sure…” Vernon tries to begin. Circe waves a hand to quiet him.
“She’s wild and wonderful,” Circe says with a soft smile that only lingers a second. “But she will destroy everything in her path.”
Vernon is about to say something when you pop your head back through the door. “There you are, come on. We should really get going.”
Vernon looks back at Circe, tries to make some kind of sense of what she said. It’s pointless, though, and instead he just follows you out without a word.
If Vernon is expecting you to head straight back to the ship, he’s mistaken. You wind through the hallways like you’ve been through a hundred times before. Which is entirely possible, it’s not like Vernon knows much about you or your history. He just knows he couldn’t navigate back out if he got lost, so he stays close. It’s not that has a bad memory, it’s just that his brain is currently on overdrive. He’s thinking about what Circe said about you. But he’s also just taking in all the things he never even knew existed.
It doesn’t seem like you’re heading anywhere, even when you stop. The room is empty except for a large desk in the center. Vernon wants to ask what it is you’re doing. One look at your face tells him not to. You quickly reach into one of the drawers, like it’s the most normal thing, and pull out another device that looks like the one you gave to Circe. You stow the device in a pocket that Vernon hadn’t even noticed and make your way back out without another word.
In fact, you don’t speak again until you’re back on the ship. Vernon has a second to note that Chirron is missing before you head to the control panel and start pressing buttons. The door closes and something seems to shift with the windshields. It’s like the ship is going into some sort of shut down. You walk back past Vernon to a table and slide into one side of the booth. Vernon takes the cue and slides in across from you.
“So that didn’t exactly go as planned,” you observe. 
“You were expecting her to help,” Vernon says and you nod. 
“Circe knows everyone, has eyes and ears everywhere, so it’s…well I don’t want to scare you, but it’s concerning that she can’t help hide you,” you say.
“Maybe I should just go back,” Vernon wonders out loud.
“Look, you ran away for a reason and I know the kind of desperation it takes to just…run onto some random ship,” you let him know. “I’m not really sure why I’m helping, but I’m going to help. There’s just one rule.”
“What is it?” Vernon asks. He already knows he’s going to agree.
“Whatever I say, you have to follow,” you say. It sounds so simple, Vernon is sure there’s some kind of catch when you continue. “If I say run, you run. If I say hide, you hide. If I say leave me behind, you have to.”
“But…” Vernon starts and you shake your head.
“I’m going to try to find a solution, but I have to keep working too. And this isn’t exactly a safe line of work,” you tell him.
“I’d gathered,” he says before he can stop himself. You chuckle.
“At least you’re observant,” you say.
Since Chirron isn’t back yet, you send off a quick message to him that you’re going off the ship for one more quick stop. That you’ll be back within the hour and ready to go if he is. With that out of the way, you take Vernon to see Circe’s friend about blending in a little better. You’re just hoping that this isn’t going to be a waste. And also hoping that nobody recognizes him in the meantime because the last thing you need is for your name to be plastered next to his.
*+:★:+━━━+:★:+━━━+:★:+*
Two hours later, you’re all back on the ship and taking off. With a quick message to Circe, you thank her and request that she keep you updated if she hears anything interesting. Thankfully, she seems to know what that means and there’s nobody better to keep an eye out. Vernon looks different, too. His hair is a different color and style, his eyes are no longer the same shade, his clothing is entirely different, even some of the shape of his face is different. Despite his protests, you also got him a face mask and sunglasses to wear. Although he thinks that it’ll make him stand out, you insist that in your line of work, it’s standard.
Although you know you need to talk, you tell Vernon that it’s time for you all to get at least a little sleep. Chirron put it on the slow track to allow everyone a chance to rest before getting to their next stop. It’s standard practice for the two of you, but entirely foreign to Vernon. 
Once you wake up again, it’s time to talk. “We need a story.” 
You, Chirron, and Vernon are sitting at the table in the main part of the ship. The ship itself is on autopilot to your next stop, which Chirron says will take at least 3 more hours.
“Better late than never, I guess,” Chirron says.
“Would you stop being grumpy?” you fire back.
“No,” Chirron answers without hesitation.
“Uh, a story for what?” Vernon interrupts.
“Who you are and why we’ve let you join our missions.” Chirron gives the straightforward answer before you can be a smartass. 
“Does there need to be a story?” Vernon asks, causing Chirron to sigh.
“Yes, there does,” is all Chirron says.
You shoot him a look. “Our entire livelihood depends on us staying off the wrong radars, which we’ve been good at. But it also depends on our current…clients continuing to trust us. You’re new. And while our reputation is excellent, we tend to deal with a lot of people who value privacy and secrecy over everything.”
“So she can’t just tell them we’ve picked up a rogue celebrity on the run and just go with it,” Chirron says.
“Maybe I should just…” Vernon starts.
“What? Get off the ship and try to hide on your own?” you wonder. 
“I don’t know,” Vernon says.
“Remember what I said when you got on the ship? The one rule is to do what I say?” Vernon nods at your question. “That’s still in effect, sweetheart.”
“So what’s the plan?” Chirron asks you.
“What are you good at? Besides singing and dancing?” You direct this question at Vernon.
“Rapping, not singing,” Vernon corrects quietly. “What?” you ask.
“I rapped, I didn’t sing,” Vernon tells you. “And I produced some of our tracks. In my free time, when I actually got it, I played a lot of games.” 
You’re looking at Vernon like he just handed you the easiest line and he doesn’t realize it. His head is down, he’s not confident about anything he said. But you know better. You know that he just handed you the perfect solution.
“You any good with tech, then?” You try to throw out the question casually. 
Chirron actually approaches a smile then. He knows where this is going and enjoys the way Vernon’s head pops up. It’s almost endearing the way his eyes go wide and he looks innocent again.
“Uh, yeah, I’m decent with it. I, well I used to try and practice any time I could get my hands on any tech. I had to use all the programs to produce the songs, so I got pretty good at it,” Vernon says.
“Chirron, I’d like you to meet our new tech specialist,” you announce and Chirron chuckles. 
“Bout time I didn’t have to stumble my way through reprogramming shit,” Chirron says.
“I don’t know,” Vernon says.
“Look, I’ve got plenty of old tech on the ship that you can practice on. After the next job, we’d planned a break anyway. So, for real, I won’t pick up anything new…” you start to outline.
“Thank fuck,” Chirron whispers, silenced by your look.
“And we can lay low at our place while you figure out if you’re really our new tech guy,” you say. 
“Your place?” Vernon asks.
“Yeah, I mean we’re not always on the move,” you say with a shrug. 
“Okay, might as well try, I guess,” Vernon says.
“That’s the spirit,” you encourage.
Vernon shits in his seat and winces. It’s the first time that you’re actually looking at the way his body moves. You hadn’t even looked when he changed or when he had his appearance worked on, hadn’t checked for injuries or done any of that. You’re not used to having someone new around. For all yours and Chirron’s faults, both of you trust the other and know well enough to admit if you’ve been hurt. This new addition doesn’t.
He winces again and runs a hand over his chest, something he clearly hopes you don’t notice. You do, though. His eyes meet yours and he looks scared, like he’s still not sure if he can trust you. Like he’s still on edge with every move.
“Are you okay?” you ask, voice gentle so you don’t scare him.
“This is all a bit weird to get used to,” Vernon answers.
“That’s not what I meant,” you level. 
“It’s nothing,” he insists. 
“Vernon, if we’re all gonna be in this, then you have to tell us what’s going on,” you say with as much care as you can muster. Certainly more care than Chirron is used to.
“It’s not that bad, it could be a lot worse, it’s just…well it’s the communication device that I used to have. My manager, he had to stay behind, he’d been loosening it for weeks so it wasn’t as painful when it came out but I had to run before he could finish. And I almost got caught trying to have someone fix it for me,” Vernon says. 
“You’re going to need to let us see,” Chirron says. Vernon looks between the two of you before he lifts his shirt over his head. Beneath it, he’s wearing a bandage that wraps around his body. You lean forward to start unwinding the wrapping, needing to get a look. It’s weird, you think, to brush your fingers against his skin and have it feel so much like your own. Weirder still is seeing the partial hole leftover in his chest. You can see where some of the edges need to be smoothed and where he needs to keep it covered. Vernon doesn’t seem nervous under your touch, which reminds you that he’s not actually human, despite how much his upper body seems like he would be. 
“Chirron, can you go get me my toolkit?” you ask.
“What are you going to do?” Vernon asks suspiciously. 
“I’m going to do everything I can to make it more comfortable while we’re on the ship and then we can figure out next moves once we land,” you say.
“You don’t know what you’re doing,” Vernon protests and you just raise an eyebrow. 
Chirron reappears with a box and stifles a chuckle at the scene. “I wouldn’t be so sure.”
“How do you know what to do?” Vernon tries a different question.
“She worked as a Automaton mechanic for almost a year,” Chirron answers, taking your fun of torturing him away.
“I thought you were a criminal,” Vernon admits and this does make Chirron laugh. You join in. 
“I’m a lot of things, sweetheart, I’ve lived a very full life,” you say and don’t offer any further explanations. 
*+:★:+━━━+:★:+━━━+:★:+*
Back home, you get settled and suggest you all get some rest before you decide on next moves. You know that Vernon doesn’t actually sleep now, but you also know he has to recharge. Which is all sleep is anyway, so you send him off to his own area to recharge. Once you’re all awake again, Chirron helps you come up with a more permanent solution to the whole where Vernon’s communication device used to be. It’s painful, you know that it’s painful for him and you wish you could help. But you can’t. All you can do is help him through it and know that when you’re done, he shouldn’t be in pain anymore. He takes even longer to recharge after you’re done. When he emerges, though, he does feel a lot better and he’s incredibly thankful.
It’s been just over three weeks since Vernon ran onto your ship without looking back. Just about three weeks since you finished the last job after leaving Salax. Chirron has loved every minute of getting to take the break. In fact, you’ve gone entire days without seeing him while he takes time for himself. It’s one of the longer breaks you’ve taken and he’s actually enjoying it. 
You, on the other hand, don’t like to be still. Don’t like to be stationary. It gives you entirely too much time to think and to remember all the reasons you’re in this position now. For the first few days, you tried to give Vernon his space like Chirron. He had more tech and gadgets than he’d seen in his entire existence, which is good. It seemed like he was enjoying getting to work on them and learn as he went. Annoyingly, he took to it almost immediately.
But then he seemed to realize that you didn’t like to be left to your own devices. That you’re the opposite of Chirron and would probably never stop moving if you had the choice. So he asks if you would be willing to keep him company while he works through things, insists that he doesn’t need silence in order to work. Actually, he thinks that he’s gotten a good handle on it and it would be better having you around. Even though you look skeptical, you take him up on the offer. 
While Vernon works (and occasionally curses at something, using a swear word he learned from you), he asks about your life. Usually you keep all of that to yourself. It’s not really comfortable for you to share the parts of your past. But this isn’t a normal situation. Meeting someone like Vernon isn’t an everyday occurrence. So you find yourself telling him things that it took you months or years to tell Chirron without giving it a second thought. Everything just feels…easy. There’s no other word. Vernon has experienced things you couldn’t ever imagine, but he’s still so new at people and interactions. There’s no fear of judgment with him. It’s almost refreshing. 
Vernon listens intently as you talk about your childhood and how you got to where you are now. It’s hard for him to really imagine having parents like yours that loved you and cared for you. That’s not an experience or relationship he’s had, even as close as he is to his other members. When you start to talk about things getting harder, you pick up a communication device to start fidgeting with it. Something you may not even realize but Vernon has learned enough of human emotion to know you’re uncomfortable. Not so uncomfortable that you stop talking, just unused to talking about this part of your past. The emotion is clear on your face when you talk about losing your parents, even for Vernon to pick out. Although you insist they weren’t perfect, they were all you had and you were way too young to try and make it on your own. Yet that’s exactly what you had to do. Exactly what landed you here. 
It surprises Vernon when you’re equally as interested in hearing about his experiences up until this point. About how others interacted with him, about what his emotions are like, about just generally how he feels. Which catches him off guard. He can’t remember a time in his existence where someone has actually wanted to know how he was doing in that way. Sure, people cared that he was performing at the top level and there were plenty across the galaxy that claimed to care about him. But Vernon could not recall someone asking him how he felt about any of it like he had a choice to feel anything at all. Not until you, that is. 
So that made Vernon want to talk. He started at the easiest place to tell you about performing and about his members. Even with the space and distance from them, he thinks he did genuinely care for them, genuinely enjoy being around them. He realizes that he enjoyed the performing aspect of it too. What he found he didn’t enjoy was the control and the treatment behind the scenes. He was always a commodity, always expected to do as he was told. Never permitted to see other parts of the world, interact with others the way he might want to. None of his time was ever truly free, his every move was watched. It was fine, at the beginning of Vernon’s consciousness, to live that way. 
However, as Vernon became more aware of the universe around him, he began to feel that he was missing something. He wanted to see more, know more, experience more. It made him restless. Sure, he’s not human, or even alien, and he can’t bleed or die the way others can. But he was given consciousness, given the ability to think and move freely, the ability to form bonds with others, the ability to question. With that had come the thought of something more than he currently had. All of that had led him to this moment. 
It’s hard, hearing about the life Vernon led. But you can also see how talking about his feelings with someone that cares changes him. He’s able to sort through feelings that he never considered before. It’s really nice to be able to offer that to him, to be able to support him in such a human way. Whatever else is true about the Automatons, they clearly have enough consciousness that they deserve to be treated far differently. 
It also naturally flows into you sharing what work actually looks like for you and Chirron. And Vernon now that he’s joining the team. You outline the jobs you take, the types of clients you have, the methods that you use to get a job done. Vernon seems a little wide-eyed at some of the jobs you take or how you get them done. But that’s when you remind him that getting a job done by any means necessary is kind of your whole motto. He doesn’t have to worry, you’ll never put him or Chirron in a compromising situation and never ask either of them to do something they’re not comfortable with. If it’s something…compromising, you’ll always do that yourself or call in a favor from your network. Although Vernon doesn’t look like he likes the answer, he accepts it.
Neither you or Vernon notice the moment when your days shift. What started as the two of you going about your days separately before ending up chatting about something turned into being together throughout the day, not even really tracking the last time Chirron had been by. Although you assured Vernon it wasn’t really an issue, both you and Chirron wore bracelets with trackers in them so you’d always know where the other was. That’s a relief, because honestly Vernon likes this comfort between you and him. He does ask if he should get a bracelet too and you say that you’ll get him one as well. 
Finally, though, all good things must come to an end. You manage to call Chirron back so that you can move forward with your plan. Everyone is still looking for Vernon and his other members, but it seems that nobody has reported any sightings. At least not of Vernon. 
“Are you ready to move back out?” you ask Chirron over dinner.
“If we must,” he sighs. Then he turns to Vernon. “Though I should thank you, actually, she’s never stayed still for this long.”
“Not like she’s stayed still while we’ve been here,” Vernon offers. 
“Hey,” you protest. 
“You haven’t,” Vernon doubles down. He’s different now, much more comfortable pushing back against you like an equal rather than someone who just needs to be saved. 
“This is still unprecedented for her,” Chirron says. “I was sure we’d be back on a job within the first week.” 
“Okay, okay,” you interrupt. 
“Do you have a job lined up for us?” Chirron asks.
“Several, just deciding the right one. I’m going to reach out to Circe first, though, on the unsecured line just to plant the first seeds,” you say.
This is part of the plan. You trust Circe, despite your insistence that you don’t trust anyone, but you can never be too careful. So you have two ways to talk. One is the most secure, locked down communicator in the galaxy and it’s strictly for sensitive jobs or when you can’t drop in to see her in person. It’s how she’s been keeping you updated on any rumblings about Vernon. The other is for things that wouldn’t matter so much if someone else saw it. 
You: hey love, just wanted to let you know that we finally expanded the crew beyond chirron and myself Circe: about time, who’s the new addition? You: he goes by sol, caught the fucker trying to hack one of my comms and offered him a job on the spot Circe: only you Circe: so you finally have a tech specialist? You: looks like it Circe: well stop by the next time you’re in the area, first round’s on me
Vernon offered up that he was also called Hansol as an actual name. Though he preferred to keep going by Vernon, Sol would make for a good name to resurface under. Nobody would be able to put those two together, so it seemed safe while still ringing at least partly true. You taught him that the best cover stories or lies had a little bit of truth to them. It made it easier to navigate. 
Predictably, after reaching out to Circe, you got several more job requests. Each one came with a message that they’d heard about the new addition to your team and were looking forward to hiring you even more. Which is exactly what you wanted. Although the other two had initially been skeptical, they had come around. There was undeniable logic in the idea of Vernon hiding in almost plain sight. Nobody in their right mind would go looking for a missing Automaton on a ship of questionable legality that made frequent stops on a planet like Salax. Everything in his programming should have stopped that.
Which just leaves picking a job to start with, something you do all the time. Vernon can tell you’re a bit nervous, and he is too honestly, but it’s going to be okay. It has to be okay.
“I’m just gonna remind you before we head out,” you start, allowing Chirron to go ahead onto the ship, “you can leave any time you want. After the first two jobs, that is.” 
“But you’re still gonna be doing this, right?” Vernon asked.
“Yeah,” you answer quickly.
Vernon shrugs. “I’m with you then.” 
“Vern,” you caution. He only shakes his head.
“I wanna stick by you, you’re the first person that’s ever given a shit about me,” he says. 
That makes your heart skip a beat, which you don’t really have time to consider since you’re supposed to be taking off any minute now. In fact, if you don’t follow Vernon onto the ship, you’re sure that Chirron is going to come storming off to yell at you for holding them up. There are certain windows that you need to operate in. So you file the feeling away to be dealt with later, like so many other things in your life, and get on the ship. You still have a team to run. 
*+:★:+━━━+:★:+━━━+:★:+*
Everything goes fine with Vernon on the team. At least for a while. That’s the good thing about the type of work you do. Nobody really asks that many questions about your team or your backgrounds or where you were before. Nobody really cares, honestly, when your reputation is spotless and you’ve never missed a job. Honestly, you think that this whole situation is pretty perfect. Even Chirron, ever the pessimist, seems satisfied. 
Which is why you don’t see the issue coming. You should, you know it’s your job to see every possible outcome and calculate the likelihood of success, but you don’t see this one. Don’t anticipate something going wrong because of Vernon nearly blowing your cover. Don’t even consider that he might have an issue now, when it’s been weeks, with your methods for getting something done. Don’t think that you have to remind him that the number one rule when it comes to jobs is by any means necessary. 
Yet that’s what happens. He turns remarkably human, even with the restlessness that you’ve come to expect, when the three of you are sitting with an unsuspecting mark. Another human that doesn’t realize you’re on a job rather than just enjoying some drinks on a night out. You’re getting ready to take the mark to a backroom so that you can get the information you need and Vernon seems like he wants to stop you. Actively tries to delay you, actually.
“Baby, it’s getting a little crowded in here, why don’t you go ahead and see about a room reservation,” you say, offering your most seductive smile. The mark hesitates for a moment, thrown off by Vernon’s last comments.
“I would hate to get in the way…” he begins and your hand is on his arm immediately.
“I assure you, you’re not,” you say with eyes only for him. “I promise, I’ll meet you at the desk in just a minute.”
“How can I say no to that?” he asks, enamored with you again. Like too many before him.
The second he’s out of earshot, Vernon exhales and opens his mouth to say something. You’re quick to plaster on the same smile. 
“Chirron, take him back to the ship and wait for me there,” you say quietly, making sure nobody can hear you and nobody realizes you’re unhappy.
“Look, I’m sorry, I just…” Vernon starts.
“Not here,” you respond quickly, keeping the smile in place.
“Okay, but…” Vernon tries again, but Chirron is nudging him out of the booth.
“Let’s get something to eat, I’m starving,” he says without bothering to be quiet. He knows your moves well enough to play along.
“All you think about is food,” you jibe affectionately.
“Don’t take too long, we’ve still got work to do,” Chirron calls over his shoulder as he leads Vernon away.
You watch the two of them disappear into the crowd before you join the mark. Thankfully, he seems so taken by your flirting that he accepts your excuses of your friends being hungry. Everyone gets a little cranky, he sympathizes. The desk attendant offers you the key to one of the private rooms and you lead the way, feeling the mark following you without needing to check. 
*+:★:+━━━+:★:+━━━+:★:+*
It takes a little longer than normal and definitely longer than you’d like before you’re also headed back to the ship. This mark needed a little more foreplay before he was ready to spill the secrets that you need. Or maybe you’re a little off your game from the near issue that Vernon created. You know you’re good, you’ve done this enough times to know that you can be irresistible, but you don’t like unexpected interference. You definitely don’t ever expect that to come from your own team. And you don’t like having to resort to different plans, like you did tonight. Normally, you don’t take it that far. No matter. You got what you needed.
Once you’re heading back to the ship, you fire off a quick message to Chirron to ask if he’s got any food leftover on the ship. He knows it’s code. You’re asking if he actually went to get something to eat or if they went straight back to the ship. His answer comes immediately. They do have food, he lists off what the leftovers are, but you took too long and it might be cold. A suggestion to get your own food if you’re hungry. And also a suggestion to take an extra beat if you need it before you come back to the situation on the ship. So you take heed and pick up some food from your favorite stand before returning to the ship.
Both Chirron and Vernon are sitting in the booth as soon as you turn around from closing the hatch. Chirron looks tired, like he’s run an entire marathon in the time since you parted ways. Vernon looks restless, like he’s barely able to stay seated. Maybe that’s why Chirron looks so worn out.
“What the fuck, Vernon?” you ask as soon as you’re sitting down and setting out your food.
“What do you mean?” he asks as if it’s a completely unreasonable question.
“You nearly blew our cover!” you retort. 
“Because you were going to…you were taking him, you were going to…” he stutters out.
“Oh, for fuck’s sake, I was going to fuck him,” you cut over him.
He blanches at the bluntness of your statement. Even after all the time he’s been around you, he’s still surprised. “Well that’s just…you shouldn’t have to do that.”
Your eyes flick to Chirron, as if you’re asking what he’s been doing the last two hours that you were indisposed. 
“He doesn’t want to hear what I have to say,” Chirron says. Vernon glances between the two of you. It’s still foreign to him that you can communicate without using any words.
“No, I don’t,” Vernon agrees. 
“Well, you should,” you say flatly. “Chirron is just as much in charge as I am. Whatever he says, also goes.”
“Not when it comes to you doing…that,” Vernon says.
“No, that was my choice,” you agree. 
“And you shouldn’t have done it,” Vernon argues.
“According to who, Vern?” you ask. 
“You just shouldn’t have to…use your body like that,” he says and looks down. He’s embarrassed, but you’re not sure why.
“Sweetheart, you knew the game. I told you that jobs get done by whatever means necessary. I told you that I’d never ask you or Chirron to do what I did, but that if it came to it, I would do it,” you explain.
“I didn’t think you were serious,” he says quietly.
“So, what? You thought you’d come in like some Knight to protect my honor and risk blowing the job?” You’re a little incredulous at that.
“I don’t know, I just didn’t like the idea of you and that guy…” Vernon starts and stops. Chirron, thankfully on the edge of the booth, gets up then.
“We need some supplies before we leave here. I’ll go grab them,” he says and leaves before either you or Vernon can object. 
“What was the first rule, Vernon?” you ask when the silence gets too deafening.
“That we finish jobs by any means necessary, I know,” he huffs out.
“No, the real first rule. When I agreed to help you,” you prompt, voice soft. He finally looks up at you. He knows and doesn’t want to say. “That, no matter what, you had to listen to what I told you.”
“I know,” he answers like a defeated man.
“Then why didn’t you?” you press.
“I don’t know,” he admits. “I just…I knew you were about to go into that back room with that guy and I knew how far you’d be willing to go to get what we need and it just…it made me mad.”
“Mad?” you ask. “Why are you mad?” 
Vernon is frustrated, you recognize it immediately. Not because of what you did, or not entirely, at least. He’s frustrated because he’s feeling an emotion that he doesn’t understand and doesn’t know how to describe. This isn’t the first time you’ll have to walk him through sorting it out. But it is the first time you’re not sure if you can. You’re nervous about what he’s feeling and why.  Nervous about what he’s going to say. Nervous about what he’s actually feeling. 
“I don’t know,” he admits. He’s frustrated. He doesn’t like not understanding how he’s feeling. “I just, I had this feeling in my stomach when you started making plans with that guy and I didn’t like it.”
“That’s understandable,” you offer.
“Is it?” His question comes quickly. “I wanted to, I don’t know, I wanted to tell him to get lost or just tell us what we needed to know but stop looking at you like you’re a meal. Or like you’re something to win. You’re not a thing, you’re a person.”
You’re relieved, mostly, because you think you can identify this emotion in a way that doesn’t complicate an already overly complicated situation. Your smile at him is soft, sofer than he’s seen on you since you left the break between jobs. Softer than you give to anyone on jobs and far more genuine. “Yeah, it is understandable. It just means you care, you’re protective over me.”
Vernon seems to consider this for a second like he’s not entirely sure that’s it. Seems to want to say something else. “I do care about you.”
“I know you do,” you say.
“I don’t like feeling like this, like I want to protect you and I know that I can’t,” he admits. 
“It’s tough,” you agree and then decide to admit something. “I feel that way about you, too.”
“You do?” Vernon looks hopeful, like you understand.
“Course I do,” you say easily. “I feel, I’m not sure, responsible for you, I guess. Like I threw you into this life without much choice and I worry that I’m putting you in more danger than when you ran onto the ship in the first place.”
“You’re not.” He’s quick to reassure you. “Life in the last month or two with you has been better than my entire existence up to meeting you.”
That shouldn’t warm your heart, shouldn’t make it beat irregularly, shouldn’t make you feel something more than just the care you mentioned. It does, though. It’s making you feel a lot of things that you really don’t need to be feeling.
In contrast, Vernon seems much lighter. It seems like he’s relieved by understanding the care he feels for you is normal and relieved he could let you know how good things have been since he met you. It doesn’t go deeper for him, at least not now. Not when you gave him a simple name for the emotion. You don’t think he realizes that you’re in your head about the entire conversation and what this means for the two of you going forward. You don’t think he realizes that there’s another emotional explanation for his reaction and you’re not going to tell him. 
*+:★:+━━━+:★:+━━━+:★:+*
Vernon thinks about that conversation with you a lot over the next several weeks of missions. He thinks about how he felt watching you make plans to go somewhere private with a person that you called a mark. He thinks about the feelings that boiled up inside of him that he described as anger when they felt like much more. He thinks of the way you react to him almost ruining a mission and how you reacted to him after you got back. He tries not to think about what you did while he waited in too much silence on the ship with Chirron. 
He spends the most time thinking about what you didn’t say. Even though he’s not sure what it was, he knows there’s something. Your face can be really expressive when your guard is down, as it usually is around him and Chirron. Part of him wants to think he reacted the way he did only because he cares about you in the same way that Chirron does. That you’re a team, some kind of weird version of a family that protects each other. But then he remembers how you went quiet after he accepted, with relief, the idea that it was only caring about you. Too many times, he finds himself wanting to ask what you didn’t say.
The three of you all agree that he should stay on the ship more during those kinds of missions. There’s really no reason for you all to be off the ship, anyway. You’re usually the only one that interacts with people like that, the only one that seems comfortable putting yourself out there like that. Vernon hates that you feel like you have to take those jobs, hates that you’re willing to go to those lengths. Although you tell him a lot, he doesn’t know that you don’t mind that part of it. That you don’t see yourself as someone that forms actual romantic attachments, that sex is just sex for you. Just another part of life. 
It’s another mission where you think you may need to get close to a mark, another mission where you think you may need a back room without prying eyes. Whatever that means. This time, Chirron offers to stay on the ship with Vernon. He says it’s because there’s some things he needs to work on, but Vernon sees it for what it is. He doesn’t want to leave the newest team member alone. Chirron is much more perceptive than anyone gives him credit for.
“You know, I never asked you,” Chirron starts, causing Vernon to look up from the transponder he’s fiddling with. “What were you hoping for when you ran onto our ship?”
Vernon considers this for a moment. It feels like a lifetime ago, yet also feels like it was just yesterday. “I’m not sure. I think I just hoped that I could catch my breath long enough to figure out my next move.”
“Not join a team that takes on illegal jobs across the galaxy?” Chirron asks, that dry humor surfacing again.
“No,” Vernon agrees with a small chuckle.
“Why do you stay?” Chirron wonders.
“Trying to get rid of me?” Vernon asks in response.
“No,” Chirron answers immediately. “No, having you around has been good for her. For both of us, really. I’m just curious about why you stay when you don’t have to. Is it just because you don’t have anywhere else to go?”
Vernon, thankfully, is used to Chirron’s way of speaking. So he knows there’s nothing malicious behind the question, only curiosity. 
“No, it’s not that. Not that I have some idea of where to go beyond that one sanctuary planet I’ve heard of,” Vernon says. “I like being around both of you. It feels like I belong? I haven’t felt like this before. It’s nice. Kind of like a feeling of being warm all over.”
“I’m glad,” Chirron says genuinely. 
“I don’t like this part though,” Vernon says and shifts in his seat again.
“The waiting?” Chirron wonders, but there’s something on his face that Vernon can’t place. Thankfully, he carries on. “Or the waiting when you know what she’s doing?” 
Vernon frowns at that. He’s still not sure he has the right name for this feeling. “Why does she put herself in positions like this?”
Chirron shrugs. “Don’t know. I’ve tried to tell her that some jobs aren’t worth it, but it’s like she has to prove something. To who, I’m not sure.”
“You don’t stop her, though,” Vernon observes.
“No, I don’t,” he agrees. 
“Why?” Vernon presses.
“Because, as you saw on that mission a few weeks ago when she sent us away, she’s going to do it anyway. I know the difference between when something is actually dangerous and when it’s just not what I would do. So I let her go unless it’s actually dangerous,” Chirron says. 
“It still doesn’t feel good,” Vernon admits. 
“No, because you care about her,” Chirron says like it’s the simplest thing in the world.
“Of course I do, I care about both of you,” Vernon says. “You care about her too.”
“I do,” Chirron agrees and that look is back, “but not the same way as you do, I don’t think.”
“Are there multiple ways to care for someone?” Vernon asks. 
Chirron chuckles, a low, comforting sound. “Of course. There’s the way her and I care about each other, like family. Like someone that could drive you absolutely insane, but you still love them and you’d still be there for them in a friendly way.”
“And what’s the other way?” Vernon wonders.
“Caring about them like you have feelings for them. Like they’re the first one on your mind when you wake up or the last one on your mind before you go to sleep. Like you just want to be around them and feel a little empty when you’re not. Like you’re not entirely sure what you’d do if one day they just weren’t there anymore,” Chirron explains.
“Oh,” is all Vernon can say. 
“I don’t know how you feel, or how she feels, but it doesn’t seem like just the kind of caring like it is between her and I,” Chirron says. “I love her and I’d do anything to protect her, but I don’t have feelings for her.”
“Do I?” Vernon asks quietly.
“I don’t know, only you can figure that out,” Chirron says. 
Feelings are difficult, Vernon thinks as he contemplates Chirron’s explanation. Every time he thinks that he’s got a handle on them, something else comes up to throw him for a loop. His body almost relaxes to help the fact that his mind is going entirely too fast. Chirron, seeming to sense that he gave Vernon a lot to think about, goes back to what he was working on before the conversation. 
It’s easy to be around Chirron, something Vernon has known since the beginning. But now he realizes that it’s easy in an entirely different way than being around you. With Chirron, there’s a comfort and a familiarity and definitely a care. Just like he describes feeling about you. With you, it’s entirely different. Vernon finds himself wondering about your past, wanting to know every detail even though you’ve shared a lot. He wants to know what you think, especially when you go silent. What thoughts are you keeping to yourself and why don’t you want to share them? 
The worst, though, is easily the way Vernon feels when you’re off on your own like this. He’s not sure how to put it into words or how to even Chirron about it. Or if he even wants to ask Chirron about it. He just knows that he doesn’t like it, that it makes him feel unsteady and unfocused. That he makes mistakes on whatever he’s working on when he thinks of this aspect of the jobs. It’s like he wants to lash out at the marks or the clients that hire them in the first place. He wants to let these people know that you’re not actually interested in them. That it’s only for work. But is that true? 
“Chirron, can I ask you something?” Vernon finally asks.
“Sure,” Chirron says. He’s much more relaxed around Vernon, probably because he doesn’t try to rile Chirron up.
“I’ve got this feeling that I’m not sure about, it pops up when we’re on missions like these,” Vernon begins before outlining just how he feels when he thinks about what you’re doing.
Chirron is quiet, thoughtful as he listens, giving Vernon his full attention. He lets Vernon finish uninterrupted before he’s quiet for a second. “Well, it sounds like jealousy.”
“Jealous of who? Of her?” Vernon asks. He knows what jealousy is, just like every other emotion, because it’s simply knowledge of the existence of emotions. He doesn’t know how it feels though, not really. Like every other emotion, it’s something he’s had to learn as he goes.
“Of the people she’s with,” Chirron answers, amused.
“Why would I be jealous of them?” Vernon asks. 
“I can’t tell you the why, Vernon, you know that,” Chirron says without any hint of frustration. “I can just say what it sounds like. Which is that you’re jealous she’s behind closed doors with someone other than you.”
“You think I want…to do that, I don’t even know…I’m not sure how something like that would even work,” Vernon splutters, tripping over his words worse than he’s done in a while. 
Chirron takes pity on him and only gives him a sympathetic look. It allows Vernon to gather his thoughts before he says anything else. A blessing, actually, because a minute later, the door opens to allow you back onto the ship. You look a little like you’ve been up to something that Vernon doesn’t really want to consider. Like you tried to straighten yourself out again, but couldn’t quite get everything. Thankfully, you don’t seem to notice the tension in the air and just immediately go to pull out something to eat. Life moves on for you like nothing else happened.
Thankfully, Vernon can pretend he’s working on reprogramming a communicator, something he needs to do for a job anyway, and stay back away from the cockpit of the ship. He also knows that you’ll eat up there with Chirron to talk about how things went. To talk through the finer details of the information you were able to extract. You don’t talk to Vernon about those details and he doesn’t stop to think about why. He’s just glad you don’t. Not that you go into explicit detail with Chirron. It’s just…well maybe Chirron is right. Maybe Vernon is jealous because he’s got deeper feelings for you. 
*+:★:+━━━+:★:+━━━+:★:+*
It’s supposed to be easy. That’s what you say. You don’t take on jobs that would put the team at too much of a risk and you don’t ask them to do anything they don’t want to do. You haven’t even taken on a job recently where you’d have to leave Vernon and Chirron on the ship while you entertained a mark. This is an exception, you say, too good of a job to pass up given that it should be simple. So simple.
Vernon makes it back to the ship before Chirron does, which makes sense. All Vernon had to do was meet with one of your contacts to swap out some tech he’d been using. After all this time, Vernon isn’t entirely sure what Chirron does when he’s off the ship. He asked once and didn’t get a straight answer. You shrugged it off and said that Chirron does a lot of things, some of which you don’t even know or understand. When you didn’t seem concerned, Vernon let it go as well.
Once Chirron gets back, Vernon pays more attention to the feeling in his stomach since you agreed to this mission. Something just feels…off. Not right. He’s trying not to dwell too much on it because he’s very aware it might be, at least in part, due to his feelings for you. Feelings that he now very much recognizes are real. Whatever that means for him. He hates watching you walk away when he thinks about what you’ll be doing. And he agrees it’s best for him to stay on the ship rather than risk blowing the mission. 
Except…well now he’s actually getting worried. It’s been too long since you left the ship, longer than usual. Long enough that even Chirron doesn’t shoot Vernon down when he brings up his concern. Which only serves to concern Vernon more because Chirron is almost always level. Even now, only his eyes give anything away when Vernon mentions just how long it’s been since you left the ship. After several minutes of back and forth, Chirron agrees that it should be Vernon that leaves the ship to try and find anything out about you. As much as Chirron tries to stay in the shadows, he’s been working with you for years now and people automatically associate him with you. 
So Vernon enters the building, manages to figure out where you had gone without raising any suspicions. After all, your reputation for chasing after pleasure proceeds you. Something Vernon is cursing himself for even considering. The thought flies out as soon as he’s in the room and he sees you lying on the couch, covered in cuts and bruises, only half-dressed. He’s beside you in what feels like a second, checking to make sure he feels a pulse. But, up close he can hear your slightly labored breaths. It could be worse, he reminds himself, as he gets you dressed and wraps you up. He doesn’t want it to be obvious just how beaten up you are before he’s had time to think. Or to consider what you’d do in this situation. Everything in him shuts down apart from the need to get you out a back door and onto the ship as quickly as possible.
Back on the ship, Vernon collapses into the booth while Chirron takes over and takes you into the sleeping cabin. Thankfully, Chirron knows enough basic First Aid that he’ll be able to patch you up before taking you to see a professional. Someone that you and Chirron trust enough to take you there. But, for now, he’s cleaning your wounds and wrapping you up as best he can. Vernon knows he should be helping, knows that an extra set of hands would help. He just…can’t. Can’t seem to find the strength to see you in this condition. He’s just amazed he got you back to the ship without losing it or without anyone seeing you. And thankful, so very thankful, that Chirron is keeping it together. 
Without a word, Chirron emerges from the sleep cabin and heads straight for the front of the ship. Vernon’s barely even sat down in your usual seat before the ship takes off. Chirron doesn’t fly too high, he’s just going to a different part of the planet. That’s what he said when he said that you and him knew someone that could help. It both feels like an eternity and no time at all when the ship lands again. Vernon expects to help you off the ship. Instead, Chirron tells him to stay put, that he’ll be back. 
Doc, that’s what Chirron calls him, looks like a man that’s aged beyond his actual years. He looks like he’s seen more than most people would over several lifetimes. Yet, he seems kind. Seems like he could be anyone’s father or uncle. This time, Vernon does actually follow them back to the sleep cabin, careful to stay out of the way. Doc starts taking stock of you and attaching a number of devices to various parts of your body. They start beeping and it should calm Vernon, because at least something is happening. They don’t, though. All he can think is that you shouldn’t have been in this position in the first place. This was the wrong job to take. 
Vernon’s learned a lot about emotions during the time with you and Chirron, a lot more than he learned in all his time before. He knows, now more than ever, that he cares about you far beyond just being friends. He knows that he’s never felt this kind of fear. Knows that he can’t be still, even for a second. It’s always been like this, Vernon has always suffered from restlessness. It’s a million times worse now. And it’s getting in the way of your care. Somewhere in his pacing and mumbling, something he doesn’t even realize he’s doing, Chirron sends him away. Doc gives him a sympathetic look, like he understands, before turning back to you. 
It’s not any easier to be outside of the sleep cabin because Vernon can still hear everything that’s happening. The entire ship is silent except for the work Doc is doing. Not seeing what’s happening is even worse and Vernon’s restlessness turns into something more like anxiety. He can’t imagine going on without you. Not that anyone has said that would be a possibility. In fact, Doc seems to think you’ll be fine in no time. Most of the injuries are merely surface level. Chirron comes back out with a list of things that they need and tells Vernon to go take care of it. It’ll help you and help him in the process. He’s not doing anyone any good in the state he’s in now. 
*+:★:+━━━+:★:+━━━+:★:+*
It takes a few days, but you’re mostly back to your normal self. The worst part, for you, is that you fractured one of your ribs. So that means rest, Doc’s orders. Vernon was happy to hear it because it meant that you had no choice but to take a break. Chirron seemed pleased as well, saying once Doc was off the ship, he’d take you back to the homebase. 
You, however, wake up back home and seem irritated. Remind both Vernon and Chirron that you still have a job to do. Can’t seem to wrap your head around your injuries or the severity of the situation. That’s the first time that Vernon sees Chirron raise his voice with you. It’s the first time he sees the usually calm force standing firm in his position. You’re on bedrest for now so that you can actually heal. Together, you can all figure out what to tell the client. But your health is most important or it’ll be a lot longer than a matter of weeks that you’re out of commission. 
Vernon doesn’t get to listen in on the conversation about what happened. It’s Chirron’s decision, saying that he thinks it’ll just be easier. So Vernon doesn’t know what happened, not really. Sure, he can guess and probably paint at least a picture. Does he really want to know, though? He’s not sure. He doesn’t want the details of just how you were going to get the information, so maybe it’s better like this. What he does need, though, is to talk to you. Chirron gives him that chance as soon as he can, which Vernon is thankful for.
“You look better,” Vernon says after a light knock on your door frame. 
You laugh lightly and Vernon worries for a second, but you seem fine. “Wow, you really know how to butter a girl up.”
“I was worried about you,” Vernon says as he crosses to sit in the chair next to your bed.
“It takes a lot more than that guy to take me down for real, sweetheart,” you offer. 
Vernon’s jaw clenches. “Still.” 
“Hey,” you say and reach out to take his hand. “I’m really okay. I’ve had worse than this, I promise.” 
“You think that makes me feel better?” Vernon wonders with a shake of his head. 
“This is a dangerous line of work,” you say.
“I’m aware of that,” Vernon answers. 
“What’s really on your mind? Chirron’s worried about you,” you admit. 
“We could have lost you,” Vernon says, barely more than a whisper. “I could have lost you.” 
“But you didn’t,” you say gently.
“But I could have and it’s like,” Vernon presses, pausing to think of the right word. “It’s like you don’t even care. Like it’s all a joke.”
“Of course I care, Nonie,” you say. Vernon tries, and fails, to stop his heart from skipping over the nickname that falls so easily from your lips. “This is the job, I know you and Chirron were worried about what was going to happen to me…”
“This isn’t about Chirron,” Vernon snaps and you pull your hand away from his. 
“What is it about?” you ask, guard up. 
“It’s about me almost losing you. About me feeling something that I didn’t even think I was capable of feeling and then worrying I’d lose you before I ever got to tell you,” Vernon says. 
“Vernon, I don’t think…” you start again, only to fall silent at whatever look you see in his eyes. 
“I know it sounds crazy, I know what I am,” Vernon says without meeting your gaze. “We were never supposed to be more than robots. I’ve heard it all. Nobody ever could have predicted that we’d get a consciousness. Nobody seems to know what that even means or what it is. I just know that I ran from the only other beings that I’ve ever known straight onto your ship. And I thought it’d be scary or I’d regret it, but I don’t. You taught me and guided me without making me feel less than. I was teetering on the edge of way too much…whatever this restlessness is. You were like a balm for that.” “I’m glad,” you say, voice just as quiet. “It’s easy to be around you, Vernon. I’m glad you feel at ease here.”
“I don’t understand how…feelings work or what they mean, not when it comes to what I feel for you,” Vernon says. He looks at you, so hopeful. “Maybe we can figure it out together.”
“Vernon, I’m not…I don’t think I’m built for something like that,” you say, pleading for him to understand.
“You don’t care about me?” Vernon wonders.
“No, of course I do,” you disagree. “I just…I don’t know what I really feel either. I just know relationships, they’ve never been what I sought out. They get too complicated in this line of work where anything can happen.”
“So leave,” Vernon offers, like it’s so easy.
“Leave?” you question.
“Yes, quit doing this kind of work. Leave and start a new life away from all of this,” Vernon pleads.
“And what? Just abandon Chirron?” you ask angrily.
“Of course not,” Vernon retorts. “You and I both know that he only stays because you’re family to him. He doesn’t want to do this forever.”
“Is that what you and him talk about when I’m off the ship getting information?” You’re angry now, but Vernon thinks he’s a little annoyed too.
“No,” Vernon says. “The only time we’ve talked about you is when he helped me process what I was feeling. I just, it doesn’t take some kind of genius to see he stays because he cares about you.” 
“This is the only life I’ve ever known,” you say, anger subsiding to be replaced by you looking smaller than ever before.
“No it’s not,” Vernon disagrees. “You told me about your family.”
“Don’t bring them up,” you caution.
“It doesn’t have to be like this, surely you see that,” Vernon pleads again.
“If I say no, will you stay? Or are you asking me to choose between you and this entire network I’ve built over years?” As soon as you say it, Vernon knows he’s lost. Knows that you’ve already made up your mind.
“I’m not asking you to choose anything,” Vernon says. “But I’m not going to continue to watch someone that I care this deeply about put herself in so much danger. So you don’t have to leave this life. I’m done, though.”
“What?” You look like you’ve been smacked.
“I’m done,” Vernon repeats. “I can’t go on like this. I can’t feel the way I do every time you leave the ship. I can’t keep wondering if I’m going to find you in an even worse position. So, I’m leaving. I’d love for you to come with me, but you’ve made your position clear.”
“So, that’s it?” you ask.
“That’s it,” Vernon confirms.
He leaves the room for long enough to say his goodbyes to Chirron, who doesn’t seem surprised that it’s going like this. He’s sad, for sure. Vernon knows what he said was true, Chirron would leave if he could, but he won’t leave you alone. The two of you are family and Vernon’s thankful that you’ll still have someone to depend on. 
There’s nothing left to say to you, nothing but all the things left unsaid. Things that he wishes he could say and things he knows you want to say. Things neither of you will say to the other. Which is fine. It has to be. Vernon has gotten a crash course in humanity, so he tries to squash down the disappointment when he says goodbye to Chirron and you don’t even bother trying to stop him. Barely registers Chirron asking where he’s going. Truthfully, he doesn’t have a plan, so he blurts out the first thing to come to mind. He’s heard of another planet, he thinks it’s called Lumen, that’s something of a sanctuary planet. He’s going to need time to get things together before he can depart. This isn’t something he’d really thought would happen. For the time being, he’s going to stay with another of your contacts that he’s worked closely with since joining the team. One of the only other beings that he trusts apart from you and Chirron.
Just like that, he’s out the door without a backward glance to see that you got as far as your door. Without seeing the way your face falls at him leaving. Without seeing the way Chirron shakes his head at the situation. But you don’t call out, don’t try to stop him. You just let him go like there aren’t any other options. 
*+:★:+━━━+:★:+━━━+:★:+*
It takes a couple weeks to arrange the transport (and Chirron helping Vernon out by sending credits and outstanding favors to cash in along without you knowing) to Lumen. He stays with a contact he met while working with you that knows someone named San. That’s where the idea of Lumen comes up. It seems like there’s a chance Vernon’s other members are there. And if Vernon has a chance to see them again, he has to take it. Even though he wants to see them all, he really hopes Seungcheol is there. If not for the leader, none of them would have been able to escape.
Vernon gets a last message to Chirron to let him know that he’s leaving in two days. Somewhere in the back of his brain, Vernon hopes that Chirron will share the message with you and maybe you’ll say goodbye. You don’t. Even though Vernon wants to be upset, and he is, he’s still thankful that Chirron helped in the first place. He knows that without that help, he wouldn’t be able to get on a ship to Lumen. 
The journey itself is uneventful. Vernon’s spent enough time on your ship to be used to the travel, but he’s still worried initially that something will go wrong. It’s got him a bit on edge, to say the least. Until he realizes that this isn’t one of your jobs, this is just a regularly scheduled trip to Lumen that the ship was taking anyway. The only difference is one extra passenger. It’s not until they approach the planet’s atmosphere that he starts to get nervous again. The crew agreed that Lumen seems to be a sanctuary planet, and that’s great. It’s just, well Vernon hasn’t really considered what to do when they land. 
The planet is beautiful, like what it seems like Earth looked like before, at least from pictures he’s seen. There’s so much life and color everywhere that immediately puts him at ease. He’s still skeptical, how could he not be? But there’s also a sense of immediate relief that washes over him. WIthout even realizing it, he thinks that this is home. At the dock, he inquires about a place to stay, hesitantly admits that he’s a level 1 automaton, and says he doesn’t have many credits to barter with. What he’s not prepared for is the smiles that form instantly. Someone tells him about a house that he might be interested in and gives him directions. 
It’s not long before he’s approaching the large house, far bigger than he’s expecting it to be. This is definitely too much for him to stay in when he’s not sure how he’s going to afford anything. It’s then that he notices someone working in a garden, tending to plants. They look up and smile the second they see Vernon. He can’t quite hear what they say when they turn to look over their shoulder.
And that’s when Vernon’s entire world shifts. The very one he’d been hoping to see comes out from behind the house and erupts into a smile. They’re both moving towards each other, neither quite believing the sight before their eyes. 
“Vernon?” he asks.
“Seungcheol,” Vernon says with so much affection for his leader. 
“Welcome home,” Seungcheol says and hugs him. 
Home. This can be home. Maybe it’ll all be okay. Maybe this is where Vernon was meant to end up all along and maybe working with you and Chirron had just been a stop along the way. 
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i'm sorry for leaving it open like that at the end, but it's kind of what felt the most realistic for them. i hope you enjoyed it and check out all the amazing fics 💕
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Wait hold it… Meta Knights the actually keeper of the warpstar (in your story) ? And now Kirby just “disconnected” with Fumu but then how did it happen with Meta? My mind is so blown the implications of this are just insane! Was Meta knight tricking Fumu this whole time?!
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I WOULD STAY IF I COULD:
Kirby, my child I'm so sorry but...
You must forget me, but please know this
If I had a choice I would have stayed by your side
But by no fault of your own I can no longer be
But even if you don't see me I am still
There walking beside you as your shadow...
This takes place in the past;
Meta Knight's putting Kirby in his starship. He's grabbing onto MK's hand and pulling him in because he wants him to stay and play with him... he doesn't know Meta's about to erase his memories of him.
(please be sure to read the KBASW chapters: Prologue & Chapter 1
If you don't want to read spoilers, and if not, please proceed. :D
Meta Knight didn't exactly disconnect with Kirby... he merely erased his memory... but his bond with Kirby is still there.
With Fumu, Kirby cuts the connection himself. He doesn't believe she truly loves and cares... he only thinks that Fumu only loves him because he's supposed to be the hero.
Kaby revealed in the first chapter: he's still the dominant holder of the warp star because:
Meta Knight has stated this himself: "It can only be guarded by one who truly loves and cares for him." Kirby may not remember him... but the love is still there.
I can't reveal why just yet, but without going into much detail (cause of spoilers) but:
Meta Knight made sure Kirby's bond with Fumu was stronger, so... he allowed himself to become a stranger to Kirby... to protect him. (Reasons involving Nightmare).
But he doesn't know that Kirby cut the bond between him and Fumu, so...Guess who can retake ownership of the warpstar.
This will all be explored in the next chapter! (In the Heart of a Knight)
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drconstellation · 7 months
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"Not Even At Gunpoint!"
Future Echoes of the Past #3
I didn't plan this meta. Well, maybe...just a tiny, weeny bit...I had been keeping a parallel in mind for a while...but not in this context. But it was kind of one of these moments:
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Lets start at the beginning.
@beebopboom has been exploring the three magic tricks that appear in the S2 opening sequence recently, and speculating how the third one might appear in S3, and I've been exploring the paintball fight scene at Tadfield Manor in S1E2 and how that relates to the Great War in Heaven that formed Hell, and the events around the Fall. The two topics intersect, as you have echoes of the Bullet Catch magic trick from the 1941 minisode in S2E4 appearing not once but at least twice at Tadfield Manor.
But...then I realised, there's more than one pointed gun. Way more.
I'd always liked this throwback line from Crowley in S2E1, when Nina asks him if he is a bookseller as well:
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Who would want to be a bookseller when this could happen to you?
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Shadwell, turning up at the book shop in S1E4, disturbs Aziraphale contacting Heaven through the portal (a modified Solomon's magic circle) under the oculus, and breaks in to confront him. The historical implications of Aziraphale's lines here are that before homosexuality was decriminalized in the UK meeting places for such people were often disguised as respectable looking book shops. Which makes Nina's question in S2E1 and Crowley's denial to her all the more...loaded? Ah, well, you can't fool Nina, now, can you?
Anyway, mah point is...Shadwell literally has Aziraphale at gunpoint, er, fingerpoint here. Loaded fingerpoint.
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But then, this isn't the first time Aziraphale has had a gun pointed at him. He had one pointed at him in the church in 1941 by the Nazi agent double-crossing Greta. His biggest fear, as always, isn't actually "dying," or standing in front of the guns, its the paperwork that he knows will go with getting a new body from the Ineffable Bureaucracy.
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Crowley turns up to rescue him, because he "didn't want to see [him] embarrassed." With a bit of equivocation between the two of them, all the time while at gunpoint from Greta, they team up to save each other.
This was even before we got to the Bullet Catch - his "show stopper!"
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Back to Tadfield Manor.
As they enter, Crowley is lined up in the crosshairs.
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Er, wait a minute...
Only Crowley is shown this way here, not Aziraphale. He's a target. I'm starting to ask what point in time this is referring to - the present or the past? Both. Yeah, why not both! The work I did in this previous meta in this series showed that Crowley was considered a target for early removal by the other demons-to-be prior to the Fall.
Then they are both shot.
I pointed out Aziraphale gets shot by blue paint, representing Heaven, but its a colour we don't see used again by any one in the fighting to come. But what I didn't talk about was WHERE he got hit - in the back. That's synonymous with treachery. Heaven has stabbed Aziraphale in the back, so to speak. wow. Nice - not.
And Crowley? He gets hit in the heart - just like the Norman/Lucifer parallel on the Yellow Team does a short while later during his "fall" scene - with the red paint, betrayed by the Red Team who represent the management in Heaven.
Seems the Ineffable Bureaucracy wanted both them out of the way during the Great War...it get more and more interesting each time I look closer at it...
So was Aziraphale ever in the crosshairs? Yep.
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And, as @vavoom-sorted-art points out, this is a time Aziraphale chooses to pick a weapon, and to fight. He didn't want the simple, safe deception trick with the ropes - he wanted a weapon. He really is much more the warrior than Crowley. Aziraphale, I think your nature as a principality is showing!
Firing that gun made Crowley sick to his stomach, and so did this metaphorical loaded gun - the Book of Life.
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As soon as he found out from Beelzebub it was a real possibility of being played he went back to protect Aziraphale. Crowley hates fighting - watch how often he will try shut it down as quickly as possible or try to escape it when he can. To him everyone has free will, and the person picking the fight with the other is imposing their will on them. That's 'not on' in his books.
Aziraphale, on the other hand, is still reacting with his ingrained Heavenly instincts - that he should follow his morals because they are 'right,' and more sophisticated weapons add weight to the moral argument. He thinks. Maybe. (Yeah, keep working on that doubt, angel.)
Az: Impressive hardware. I've looked at this gun, its not a proper one at all. It just shoots paintballs. Cr: Don't your lot disapprove of guns? Az: Unless they're in the right hands. Then they give weight to a moral argument. I think. Cr: [laughing] A moral argument? Really? *tosses gun away* C'mon. [Heads into the Manor.] [later, after Crowley changes the paintball guns to real guns...] Az: But there are people out there shooting at each other! Cr: Well -  Lends weight to their moral argument. Everyone has free will, including the right to murder. Just think of it as a microcosm of the universe.
I'll think I'll end this here and leave you with a small montage of the aftermath of all this gun play - everything going up in flames and smoke.
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Bring on S3!
If you didn't follow the links in the meta, and want to read the first two in this series, they are here:
#1: The Great War of Tadfield Manor
#2: The Newton/Crowley Mirror-Parallel in S1
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eeb-rody · 9 months
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Good Starscream alert we gotta Good Starscream on our hands boys
This is what I've been fucking waiting for with starscream characterization. I'm so glad he didn't end up as a one note villain. This show acknowledges the original continuity where starscream was a guy who frequently got his ass beat by his own allies for comic relief, it fucking makes sense that he's The Way That He Is given that premise but it would make Megatron a lot easier to redeem if you just make him evil and deserving of what has happened to him. They don't do that in this though, Starscream is the way he is because of Megatron.
This is exciting because starscream isn't usually treated like a character with complex emotions and reasons for the things he does. There are hints of depth in tfp but they only ever really explore him and his abusive relationship with Megatron in idw1 which was for a completely different and much older audience than earthspark.
This episode also has super fucking interesting implications for Megatron, who shows up and starts going way fucking overboard and asking Zero questions about the situation. Before the mission Optimus literally asks him not to be a freak about it when he finds Starscream and redemption or no he can't restrain himself.
There's kind of a chicken and egg situation with their original dynamic, Starscream tries to murder Megatron, Megatron distrusts and mistreats him, sometimes going so far as to kick the shit out of him which provokes more murder attempts which provokes- you see what I mean? Like, it makes sense why Megatron loses his shit around this guy and it makes sense that starscream would become fixated on protecting himself because absolutely nobody has ever been on His side.
I'm going to be insane about this for a little bit, strap in
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niuttuc · 7 days
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Thoughts on last week’s B&R?
It is incredible how many individual small decisions that make sense in isolation can come together so bafflingly stupidly when you look at the whole picture.
They wanted to make a new un-set. Why not! Unstable was well-received and having an actual functional draft environment and cohesive creative worked great for it!
Un-sets are a testing ground for stuff magic isn't quite ready for yet. Plus people loved the delivery on Contraptions in Unstable, so we can explore more of that space!
Alright, we have figured out attractions, playing close to the chest with something very similar to Contraptions, but since we want to still try some out there stuff, we discussed with our printer and we think we can make stickers work!
Stickers are fun! We tried to put the test runs on and off cards and sleeves a couple times and it didn't leave residue, so it should work great! It's wacky, and there's no way we'd try that in black border magic.
Alright, we got a solid thing going on, people are having fun! But people are reluctant to try silver border cards... Wouldn't the set do better if people felt like they were allowed to play with the cards? Plus, to make a cohesive draft environment, most of them aren't too weird anyway.
OK, we can make this work, we'll just make the ones that don't break the rules too much legal in commander, just have to be careful about the cards not being too good in Legacy. We don't have the budget to test for legacy, but we'll be safe, we know what we're doing! Plus, what's the worst that could happen, at worst we ban a card.
We can't mix borders within printing sheets and it's too late to rework the printing sheets for the set... We'll find a workaround, that's fine.
Attractions and stickers are the first mechanics of their kind, but they're the main mechanics of the set! If we don't make them legal, we'll only have a handful of cards legal, and would be disappointing. It's fine, our Rules Managers can make it work, that's the biggest challenge.
What a fun lighthearted set this was throughout the design and testing process! I'm sure people are gonna love it!
Oh, the glue for our stickers went out of business... Well, we'll delay the set until we can replace it, I guess, bummer.
Alright! It releases literally the same day as another product, but it's still the same fun, wacky set, can't wait for people to see it!
...
Over 50 cards get banned in vintage, half the legal cards from the set. For the sheer logistical implications of the mechanic, and a couple outliers. The entire concept of Unsets is once again in jeopardy.
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queendomkey · 23 days
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Down Bad is... perhaps my favorite song on TTPD. The sparkling synths, the cosmic metaphor, the phrase "Down bad, crying at the gym, " which, me too. The implied rhyme in the bridge where she cuts off, "how dare you say that it's— (over)" Everything is so good. I've previously said that a lot of songs on TTPD are capsules of time, and Down Bad is no exception. This pocket of time is one after leaving a whirlwind romance, grieving a love that the speaker knows was fake in the first place, and yet still hurts.
Let's dive into it, shall we?
Down Bad explores the idea of a love bombing ( as defined by Oxford, "the action or practice of lavishing someone with attention or affection, especially in order to influence or manipulate them." ) through the lens of an alien abduction. Again, we see an extended metaphor to explore a core idea, a common theme on TTPD. A very key feature of love bombing is that it is most effective on those already longing for company. By the letter of the song, we don't know if the Speaker was experiencing that level of loneliness, but it certainly feels implied by her want for something so short.
The song is quite different in tone from the previous track: it lacks the denial that Favorite Toys does, lacks this feeling that the Speaker is ignoring something. She admits, frankly, that the love she perceives only wanted her "to do experiments on, show [her] the world is bigger than [them], then put [her] back where [she] came from."
( I think one could tie that lyric into Illicit Affair's "You showed me colors you know I can't see with anyone else." )
The Speaker in Down Bad is in mourning - quite fitting, for such a fatalistic album. She describes being left by her alien lover as "like [she] lost [her] twin." Twins have a very mythic quality in fiction, telepathic connections and mystical connotations. In the real world, there are plenty of anecdotal stories of identical twins having a connection unlike a simple sibling pair, including my favorite anecdote: A pair of twins who were separated at birth and yet ended up living lives that so closely mirrored the other's, it felt planned.
The speaker feels her loss is of that magnitude. That she has lost someone who knew everything she felt, who had that mystical remedy for her. Much like Fortnight, Down Bad's speaker is stuck. Not stuck in her suburbia, but stuck in her hometown, looking up at the sky, waiting to be picked up again, and writhing in it, silently. "They'll say I'm nuts if I talk about the existence of you."
It's no secret that those who claim alien abduction or to have seen UFOs ( now called UAPs by the American Military, for Unidentified Aerial Phenonemon, allowing the phrase to encompass more broadly things like auroras and odd clouds, ) are condemned by their peers. Down Bad's speaker fears this same condemnation, for feeling so strongly about what is, by implication, a flash in the pan romance.
Most alien abductees, for instance, only claim to have been taken for a night, or a week at most. The romance was short lived, but now she's "waking up in blood" from the aftershocks of the alien lover's experiments. Though she feels fervent desire for them, that line reveals that they didn't take the same care with her.
Perhaps they didn't know how. After all, the speaker's lover is portrayed as so different, they may as well be an intergalactic traveler. Or perhaps they didn't care; the song doesn't answer that for us. All we know is that the speaker wants them back, in spite of the damage they had done to her.
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Note: I was in love. Not we were, not I am. I was, and you weren't. I was, and am no longer.
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blind0raven · 2 months
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Warning: I am so so so sorry to all my followers cause yes it is a rant about the Disney movie "Wish" :) I am like years years late on this fucking mess but I was waiting for it to be on Disney plus to finally witness it with my own eyes how awful this movie is despite the many reviews saying so
Sooo... I finally saw Disney's movie "Wish" :)...
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I hate it, I hate it SO MUCH, I hate this soulless no identity piece of shit that can't even be a product for the 100th years celebration as well :)
The story is trash
The dialogue is trash
The pacing makes no sense and just awful
The COLOR PALETTE feels like it should have been switched or better implimented
And I have watched and heard reviews about the movie and how bad and lackluster it is, and now I can understand why...
I watched this piece of shit with a friend, and we both hate it. I don't even know where to start...
I think where I can start is just... the actual ending scene of the grandpa playing "When you wish upon a star" that leads into the Disney Castle scene? That should have been THE BEGINNING of this movie, with him starting off and narrating the beginning of the movie before it leads to the actual events and such.
Sticking to basically the song still, I know or remember that this movie was suppose to be like the origin of the song? or the act of wishing upon a star??? The movie didn't even do it well either!
The implications of wishing on a star and not entirely relying on that star to do all the work should have been more implemented. Basically since the people of the kingdom give their wishes to King Magnifico, and rely on HIM to grant their wishes when they could do it themselves. It just feels like a cult, relying on Magnifico and just settling to not have the drive to make your own dreams work and just accepting that "oh well maybe another day" without doing the work!
THIS ISN'T ENTIRELY NEW!!! THIS WAS BETTER DONE IN PRINCESS AND THE FROG!!!!
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And touching upon the reliance, the dependency and complete trust of King Magnifico that they don't question what he is doing. It would make sense to the adults in the kingdom and those who already gave their wishes cause well...
Life in the kingdom is happy and well, their lives are already great. Why should they want more???
But to the young ones, people like Asha who still HAVE their wish. They're full of hope and determinations, they still have that want, that desire, that life in them to want to pursue more than they already have!
Someone already probably made this statement, but still. That could have been it!!!
And it could have been what King Magnifico takes away when he takes a person's wish! Their dream, their hope, their drive to explore! If King Magnifico has the people's absolute trust and dependency, he has absolute control over everyone, taking away their dream squashes any chance that someone will break away and lead to a revolution if they discover he's lying to them.
Also just... make it better shown who still has their wishes and who doesn't!!!
Just slight alterations
Those who still have their wishes are fine: their colors are still bright, they're more lively and energetic
Those who have already gave their wishes to the king: their colors are a bit pale or duller, not too much but still, also have a slight drowsy appearance. Help emphasize that these people are empty, they're missing something but not entirely
Those who's wishes are entirely destroyed: Dull, and hopeless. Darker than those who gave their wishes away, as they believe themselves to have no hope
Instead of telling us, the slight implementation that something is off!!! LIKE THAT EPISODE OF MLP FRIENDSHIP IS MAGIC OF STARLIGHT'S CULT VILLAGE OH MY GOD I JUST REALIZED IT!!!!
But not too much that its worrying, this is why the kingdom's blue palette plays in to help hide it!
This is my main problem, I still have others but this is already too long that I'll just list em off
The Queen should have been evil as well, we should have had our lovey evil couple that was in the concepts
Star boy! I will not forgive that we have been robbed of a romance between the Star boy and Asha either DISNEY!!!!
Fuck off with all those 7 friends, cut it down to maybe 3 (preferably the Glasses girl, the short Grumpy one, and the big eepy boy. I know they have names but FUCK THEM HAVING 7 PEOPLE)
The goat should not have talked, that's it
More show of the star's magic instead of JUST MAKING ANIMALS TALK!!! GIVE US MORE MAGIC SHOWCASE OH MY GOD!!!
Make King Magnifico more unhinged at the end since he's losing control, let him go full evil instead of what the fuck they did
Asha would have been better written as possibly Magnifico and Amaya's daughter, the evil couple who loves control are training their daughter to be like them and succeed since Asha pretty much is selfish since she wants to be Magnifico's assistant only for her own benefit
FUCK. OFF. WITH THE PREVIOUS DISNEY MOVIE EASTER EGGS WITH HOW THEY ARE DONE IN THIS MOVIE OH MY GOD.
ALSO FUCK OFF WITH HOW THEY SHOWCASE PREVIOUS DISNEY MOVIES AT THE END CREDITS THAT IS NOT WHAT SHOULD BE SHOWCASED THERE
TOO. MUCH. SINGING If I am saying this for a Disney Movie then it is bad. THERE IS TOO. MUCH. SINGING AND MUSIC HAPPENING IN THIS MOVIE
And lastly imma end with this. I agree with my friend
King Magnifico is a dumb name, he choose a better name for him that works best
El Magnifico and Majestic King Marcelino!
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