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#Goldmine Productions
flashfuckingflesh · 3 months
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Sadomasochism and Decapitation Seen by a Child Turns Him into An EVIL Adult! "Nightmare" reviewed! (Severin / 4K UHD - Blu-ray)
Your “Nightmare” Should Be in 4K! Own it Here! A schizophrenic patient continues to have reoccurring dreams of a young boy chopping the head of a woman in the midst of rough sexual fetishism.  The intense nightmares send him into violent stints, delusional states, and severe seizures.  As a test subject for an experimental behavior drug, the troubled man shows promise of recovery and enough so…
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girlysword · 9 months
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Can someone who has the ability to make gifs make a gif of James hamming up blushing by crossing his legs in One Killer Question, and then make another one of Donald O'Connor doing what I am pretty sure is the exact same movement during the Make 'Em Laugh song in Singing in the Rain.
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gadgethubone · 10 months
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dykealloy · 5 months
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Trafalgar Law and Faith
Pre-emptive warning this is going to be another LONG metapost/analysis. There’s a lot I could talk about here but for the sake of structure I’m going to split this into three sections, i.e. the main ‘faith transitions’ that Law has gone through in the narrative thus far: 1. Flevance (catalyst for loss of religious faith), 2. Corasan (martyr that figuratively and literally saves law by giving him something to live for, introducing the will of D.), and 3. Luffy (cementing faith in this new belief system and regaining trust in the goodness of humanity through the living embodiment of everything Corasan believed in).
Before we get into all that though, let’s establish that Christianity is a thing in one piece. Speedrunning through some visual examples that come to mind; the Flevance church and nun (holding a celtic cross - censored in the anime version), a nun literally praying to God right before Marineford, Vinsmoke Sora’s grave marked with a cross (is op Christianity a northern thing?), Usopp and Chopper having crucifixes and holy water whenever ghostly stuff is brought up, Kuma and his trusty bible, the religious symbols on Kikoku’s hilt (could instead be more a reference to the Red Cross/symbol of humanitarian and medical aid as a doctor) and especially in whatever Mihawk’s got going on (though this could just be a Japanese cultural thing with Christianity being a minority religion or Oda just finding that some of the iconography, y’know. looks cool). There are also many other references to other religions e.g. hinduism, shintoism, buddhism, etc. Whether op forms of religion are the same as the real-world ones is debatable, and yes, Law being canonically raised as a devout catholic schoolboy with all the religious trauma associated with that is comical, but let’s take it all unironically for a hot minute. For fun. 
1. Flevance
Law’s birthplace (Flevance) is described as being, at one point, “a very wealthy country with an unearthly beauty about it, with pure white soil and plants, like some kind of snow kingdom in a fairy tale.” The country’s wealth came from the very bedrock it sits on — white lead, which could be used to make various high quality products like tableware, cosmetics, weapons etc. When the wider world heard about this everyone wanted a piece of Flevance (the World Government also getting involved with distribution), and very quickly white lead became a “bottomless well of money”. So, hooray. Law gets to grow up in a rich city in a big house with educated doctor parents and probably gets to go to private school on weekdays and festivals with his family on weekends. One problem. In their greed, the Government and royalty have been knowingly hiding the truth about this supposed goldmine from the beginning. White lead is a toxic poison. Mining it from the ground over the last century and putting it in so many everyday products has resulted in it accumulating in the citizens’ bodies and leading to amber lead sickness, shortening their life-span with each successive generation – with the children of Law’s generation fated to die out before they reach adulthood.
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In the bible (especially in the old testament), God often inflicted these insanely disastrous events upon humanity, usually as some kind of punishment for their wrongdoings or as a test of their faith. Some events of which include (but are not limited to): famine, outbreaks of disease and natural disasters (e.g. hail, wildfire, earthquakes, floods). Historically, these stories played a key role in how humanity interpreted meaning from horrible disasters (e.g. assuming bubonic plague was sent as a punishment by god). Fire imagery is very common among these disasters as a representation for hell, which is clearly reflected in the destruction of Flevance.
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Sometimes these disasters had sole survivors act as messengers for God. With that context, let’s put ourselves back in the shoes of a ten-year old Law. Raised religious, freshly traumatised from losing his home, his devout family, all the comforts of his life, and having the outside world completely abandon him, this kind of event is likely going to be processed as some form of divine punishment. Law stumbles through hell, finds all his dead classmates, and the last words of sister nun echo through to him here. Merciful and salvation are huge catholic buzzwords – promises of holy compassion, deliverance and hope – and all of it fire and smoke and riddled with bullet holes before him. A genocide funded, perpetuated and covered up by the same body Law was promised was there to save them. And the only reason Law hadn’t died with them was because he wanted to stay with his little sister Lami, who was on her deathbed, and his parents, who were themselves trying to help the afflicted citizens, Law’s own father (before he was shot and killed alongside his mother) begging for more doctors, fresh blood, anything the world can offer, and asking “Why doesn’t the government announce to everyone that white lead is not infectious?”
Oftentimes (and in the case of Law), when there’s a promise of heavenly intervention or some miracle that doesn’t follow through, it results in an ultimate feeling of betrayal and anger. Unfortunately a lot of Catholic teachings also use a lot of guilt, essentially teaching people that the bad things that happen to you are your fault and there needs to be some sort of penance (queue Law’s survivor’s guilt that carries on down the road). But also, if this was supposed to be some divine punishment, for what exactly? For the town being blinded by the incredible wealth they were sitting on? Being lied to? Continuing to extract their livelihood, ignorant of its dangers? Punishment for who? His parents? His innocent little sister? For ten year-old Law? These people who believed in God, who were good people? That’s fucking stupid. None of these people suffered and died for any reason at all — certainly not for a sacred one. God hadn’t saved a single one of them. Law had to crawl out of hell himself by sneaking over the border under a mound of corpses.
Given everything that happened here, Law has every reason to fall into nihilism, and you can see how his upbringing would’ve bred a lot of the feelings of guilt, anger and resentment that you still see in Law (which would suggest that though this is where he likely cuts ties with the religious/Catholic component of his faith, growing up with these teachings in his formative years would definitely influence underlying beliefs about how the world works, and how Law behaves and subconsciously processes information), but at the same time, there’s usually some form of redemption and changes to how these patterns of behaviour can be approached later down the line.
2. Corasan
Fresh off witnessing his whole world burning down around him, Law meets Corazon at the very bottom of this pit of self-destructive rage and unprocessed grief. Rosinante himself mentions to Sengoku that the hatred in Law at this time reminded him of his brother, but beyond the anger, harsh pessimism, vengefulness, I think you have to reach to find similarities between them. You can see some fragments of Doffy in Law down the line at times, with Law seeming to enjoy violence (especially against the navy, but given what they did to Flevance, it’s some well-deserved retribution for Law imo), but I’m not so sure it’s the cruelty so much as it is the high he gets off his own flavour of justice. Doctor’s Hippocratic oath maybe, but never once does Law like seeing others die (even at this point, he’s in tears next to a dead body, even though he’s the one holding the knife), and later on in Wano he makes it explicitly clear to Zoro that he’d rather see the mission fail than have any of them end up dead.  
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Little Law wanted to destroy the world and everything in it, but thinking rationally, what other choice did this kid have? He had no remaining family, was doomed to die before he hit puberty due to a terminal illness, was perceived as an infectious subhuman that most doctors would’ve sooner tried to exterminate than help. To Law, the world had turned its back on him – considering him a monster for simply surviving. He has all this hatred and pain boiling away with him with no tangible target to direct it towards. And this is the first clear cut rejection of faith that we see in Law. Any concept of a merciful God had just died. What God would allow this? Why is Law alive (a question that he repeats to himself throughout his life), why are these scumbags alive, why is the world going on spinning as if nothing has happened when his whole world had gone up in flames, why does anyone at all get to be here when everything I loved is gone? And it’s far easier to fall into a despondent nihilistic stupor than it is to work through any of that, and what’s the point in trying to process and move on from it, when there’s no hope for a future for Law anyway? When the only thing waiting ahead is more pain? What was this, if not a punishment? He’s supposed to be some messenger for God? How about fuck God, or whatever entity that exists that made him suffer this. Law’s not going to be a messenger for shit, thanks, he’d rather be their monster, he’d rather watch the world burn.
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Corazon survives Law’s stabbing and doesn’t rat the little shit out (to Law’s confusion). It’s business as usual for another two years, then, one day Rosinante overhears his true name - Trafalgar “D” Water Law, and everything changes. On the back of his own beliefs, Rosinante dedicates himself to making sure Law a) lives and b) doesn’t become his brother. Law’s relatively short six month stint with Corasan forms the basis of Law’s new creed going forward, and all it took was a bit of kindness, love and humanity when the rest of the world had abandoned him. In the end Rosinante doesn’t save Law for the will of D. and the storm he’s predicted to bring in the future (as Law suspects), but he certainly believes in it, and the strength of Corasan’s conviction transfers right over to Law when he forces the ope ope fruit down the kid’s throat to heal him, tells Law he loves him, then sacrifices himself to set Law free.
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Law clings to that love he was given, he takes all these fundamental teachings and ways of thinking in regards to faith that were drilled into him during his youth, rejects the religion element and applies just about everything else to Corasan. He holds onto the last shreds of what Corasan leaves him with. Corasan becomes his “benefactor” (he gave my my heart), his saviour, his martyr. 
And the crazy thing is, Rosinante was never really this saint Law makes him out to be. Law hated the clutz when they first met (mostly on account of Corazon throwing him through a glass window down at least two stories and into a pile of scrap). Corazon initially showed nothing but contempt for his presence (to ward him and the other children away from the Donquixote family, but these are still extreme measures). And it wasn’t until after learning Law’s name that Rosinante dragged him kicking, crying and screaming from hospital to burning hospital (not very saintlike in of itself), even after Law begged him to stop. Rosinante became Law’s saviour partly because of his belief in the will of D., and probably due to some guilt being a Donquixote, but mostly because he has always had a bleeding heart and he pitied (and had very quickly come to love) this angry, sick, deeply lost little kid. All this to say that Law’s faith in Corasan – this saintlike figure Law upholds him as in the future and the lengths he’s willing to go to avenge him/fulfil Rosinante’s purpose reflects the strength of the absolute beliefs Law would’ve been raised with in regards to God.  
Whether it be out of survivor’s guilt (just one more body to heap on top of the Flevance pile), his love for Corasan, or for the sake of taking vengeance on the man that took away the one good thing he’d been able to regain in his miserable life, Law adopts Corasan’s will, the will of D. (which in of itself seems divine in nature), incorporates it into his new belief system, actively takes on the role of the divine punisher/justiciar and dedicates his life to bringing down Doflamingo.
3. Luffy
Catholicism dictates that the entirety of someone’s beliefs should be dedicated to one true cause (that cause being God) and expects people to ride on that, letting it carry them through life, give them hope, purpose, etc. But a lot of former Catholics choose instead to find that through something else. Corasan ignited the spark in Law’s faith around the will of D., but it’s not until he meets Luffy that this really becomes something that feels tangible and real for Law.
When Law saved Luffy in Marineford (putting the heart crew in danger for a stranger he met once), he said he did so “on a whim”, but that seems incredibly ooc for Law — this man that pretty much planned out how the rest of his life would go after the dust of Corasan’s death settled and he came to terms with the fact he wasn’t going to die at age thirteen like he’d originally thought. Circling back to the concept of Law being a sole survivor/messenger for God, it is interesting that Law is the one to seek out Luffy (given that Luffy is usually always the one either being abandoned by people or recruiting his crewmates), and Law is ultimately the catalyst for pulling him towards Dressrosa and Wano. There must be a REASON that led to Law deciding Luffy to be the most viable option out of the Worst Generation for an alliance (beyond blind trust in an unhinged captain that just so happens to also bear the initial D, and Luffy being one of the few captains crazy enough to go along with what Law was cooking up). 
Law undoubtedly would’ve kept a peripheral eye on Luffy for some time before officially meeting him due to him being a rising competitor pirate and another “D” (I imagine the news of his utterly insane exploits would’ve made good reading material, too). The first time Law lays eyes on Luffy in Sabaody though, he still blows all expectations out of the water — crashing headfirst into the crowd of a slave auction and immediately committing a felony against a member of the most powerful upper one percent.
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The world nobles are at an “untouchable God” tier in terms of class standing and believe it’s only natural for them to be entitled to whatever and whoever they want in this world that’s beneath them – the same kind of self-aggrandizing false divinity that Law has a a lot of repressed rage towards and that the will of D. is fated to oppose, so this, understandably, is a highly compelling first encounter, but it’s really only an initiating factor for what ultimately draws Law to Luffy. From their very first meeting (and probably before then, in the news stories and rumours Law likely picked up on), it’s made abundantly clear that Luffy does what he wants without a second’s hesitation, no matter the consequences, simply because he feels it is the right thing to do. Some call this an iron will, Law would be more inclined to call it willful stupidity and trouble, but time after time Luffy somehow manages to pull off what Law would best describe as “miracles”. And Law believes the straw hats just might be the ones to drum up another one for him.
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Luffy’s also got a lot of passing resemblances to Corasan going for him, e.g. inherently kind, compassionate liberators with big dumb hearts and wide goofy smiles in spite of everything they’ve been through, treating Law as nakama and saving his life despite his protests etc. All of which I’m sure Law hasn’t been completely unaffected by despite the high walls he puts up. And the more Law learned about Luffy the more it probably became clear that he is the antithesis to Doflamingo, i.e. what makes Luffy so goddamn dangerous and terrifying beyond his physical power is his ability to make friends with a simple kind of unconditional love that gets reciprocated enough so that these friends are willing to die for him.
Luffy agrees to the alliance, they successfully blow up Caesar’s base, and head off to Dressrosa. Now’s the time I should bring up that it’s taught in Catholicism that self sacrifice is the ultimate heavenly deed, and here Law is undoubtedly prepared to be a martyr for his cause. Law sends away his crew to Zou before Punk Hazard with the expectations that he’d never see them. He cultivates a fierce emotional detachment against Luffy’s willingness to bring him into the fold of the straw hats, and is resolute in that when the time comes, he will handle this himself, he will carry out Corasan’s will, and if he has to die for it, he will die with Corazon’s name plastered on his back. (Note here that Christianity is contradictory in that Law being this ready to die here is a sin, because revenge and suicide are highly discouraged, so you could say that by avenging and dying for his saviour, Law would be committing both the ultimate sacrifice and the ultimate sin).  
Things get very dicey for Law in Dressrosa, to put it lightly. Doflamingo reveals that he was a celestial dragon (linking back into the will of D. “enemy of the Gods” notion), puts Law on the backfoot and gives him a thorough beating before shooting Law with a couple dozen white lead bullets in front of Luffy (because even when he’s winning Doffy loves to be a cunt about it). By the time Doflamingo is cuffing Law to the heart seat, it’s all looking pretty grim, and it’s very apparent when Luffy shows up to save him, that he is ready to die. 
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Law here has given up. He spent years planning his revenge for Corasan, but he lost, and he has very little left in the tank (physically, emotionally, spiritually). But Luffy doesn’t listen. Luffy who doesn’t think, doesn’t care, who trampled all over Law’s carefully laid out plan from the get-go and who is willing to take on Doflamingo single handedly for the simple slight that he dared to harm Luffy’s friend Law. Law will never find peace in his own demise because Luffy doesn’t do peaceful. He does loud and unashamed and open with no rhyme or reason other than the excruciatingly simply fact that he loves people and he thinks the people he loves deserve to have good lives. Luffy chucks Law over his shoulder and drags an injured Law across the city despite his protests (sound familiar?) and in the process inspires the fighting spirit in Law again.
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When Law confronts Doflamingo again with Luffy in tow, Law’s faith in Luffy confounds him. The last Doflamingo remembers of Law is this beautifully moldable dark pit of grief and rage who’d given up on believing, period – who wanted the world destroyed. Not so long ago, Law had been a candidate for Doflamingo’s next protégé. Now?
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THIS is the action (grinning, staring down the barrel of a gun, flipping Doffy off as he tells him in not so many words that he may kill Law but he will never beat Luffy), Law’s unshakeable faith in the face of his own death is what has Doflamingo realising he will never regain control of Law again – is what incites Doflamingo to go from breaking Law down so he can build him back up again, to conceding defeat and outright killing him. 
The trust that Luffy inspires in Law and the way he talks about Luffy (Luffy being this powerful, miracle-inducing liberator that Law can’t comprehend but follows anyway, Law laying down his hopes on him, weaponizing the will of D. to try and provoke fear from Doffy), is very reminiscent of the awe and faith talked about in scripture. Law discovers the feelings of comfort and hope that Catholicism was supposed to give him in Luffy, but Law’s belief in Luffy is a direct rejection of those teachings. Rejection by believing in a real life person as opposed to the divinity he was taught about. He’s also cementing his belief in the will of D., thus rejecting Doflamingo and all the people that embody the sort of “all powerful” divinity that he abhors (i.e. celestial dragons, Kaido, the Gorōsei/five elders) for the embodiment of hope and humanity. 
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When Law survives (again), he expresses he’d rather see Luffy beat Doflamingo with his own eyes or die with Luffy if he loses than leave. Then he watches, after all this talk of miracles, looking up in reverence as Luffy delivers, bright as the sun, haloed by the bars of a cage that’s haunted him for over a decade, Corasan’s words echoing at the back of his mind. God had never saved or freed Law, but Corasan was there for him, the heart crew was there, Luffy was there. And this is Law’s biggest, clearest rejection of religion – this newfound faith in humanity. 
This faith in Luffy is put to the test again in Wano when Luffy is struck down by Kaido, but Law never truly stops believing that he’ll make a comeback. Even when the straw hats doubt whether he’s alive or not, something tells him Luffy’s not dead, and he holds onto that hope. 
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We also have the whole nika/joyboy backstory which really only reinforces all of this imagery/god-fearing looks of awe from Law and this idea of Luffy who is this perfect juxtaposition of empathetic and kind to incredibly fearsome fire and brimstone fighter. And regardless of whether you’re into the ship or not this is the impetus of Law’s relationship with Luffy for me, because here’s Luffy who has every right to have a chip on his shoulder and be downtrodden about all the injustices against him, here’s this little guy who against all odds, in the darkest of places, embodies light and hope and kindness and proves to Law that there will be hard times but there IS a happy ending at the end of the tunnel, despite it all. And everytime Luffy rises to the insurmountable challenge and wins, it just further cements that the will of D. is alive, that Corasan was right, that there's something redeemable in Law, a reason why he was worth saving, even if Law doesn’t understand it quite yet. 
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cinemacouture · 2 months
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Selected pieces by Christopher Hobbs (1941 - 2024) for the 2000 Gormenghast miniseries
Hobbs worked on almost every arty film made in the UK from the last century; Hobbs was production designer on several films by Derek Jarman and Ken Russell, as well as having worked on Velvet Goldmine and The Company of Wolves. He also designed the body horror/creature effect concepts for the scifi horror oddity Xtro!
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mangle-my-mind · 6 months
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Pictures from the MoMI Todd Haynes Retrospective
@silverfactory and I went to the Museum of the Moving Image for a (you guessed it) Velvet Goldmine screening, which was fantastic as always. The screening was part of a Todd Haynes retrospective series, but they also have a small exhibit dedicated to his image books, drawings, and production material from some of his films. Here are a few pictures I took while we were there!
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The Velvet Goldmine section. At the top is one of the image books for the film. Todd Haynes puts together these books for all of his films with visual inspiration for the project. @silverfactory and I were SO disappointed we couldn't flip through the book, but it was super neat seeing it in person!
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The initial concept for the film (what kind of a title is Star Star lol) and some art to go along with it. I didn't know how skilled Todd Haynes is in visual art like this - all the drawings throughout the exhibit are his!
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Script and storyboard moments - The Kiss, Arthur's room, Young Jack Fairy scenes
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Some more Todd Haynes art, including his ideas for promotional film content
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The script for Superstar: The Karen Carpenter Story, and a doll in one of the original Karen costumes!
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A concept description and storyboard for I'm Not There
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An original People magazine featuring Mary Kay Letourneau and a prop People magazine from May December
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fatphobiabusters · 2 months
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Does anyone know where to find 3-4xl tradgoth fatshion? /nf
Sorry if this is the wrong blog to ask
Hi! This isn't the wrong blog to ask! I've separated this answer into parts to make this post easier to read.
Option 1: Independent Artists
I'm not super knowledgeable about where to buy fatshion myself. If I'm not simply buying from Torrid and hoping for the best, I'm probably buying from @mayakern. She's mainly known for her skirts, but she also sells shirts and I think is branching out to even more clothing types. These two skirts of hers may work for a goth aesthetic, and I think one is still available as a miniskirt as well.
A similar store is @freshhotflavors. They have an online store here along with their Tumblr. I haven't personally bought from them, but they work with Maya Kern. I've bought many a skirt from Maya Kern over the years and know her dedication to quality. She also has been very understanding with me about exchanging one of her skirts I accidentally got double of for christmas. So the fact that she works with Fresh Hot Flavors encourages me to trust FHF as well. I believe they sell some of her skirts in maxi length, but they sell a variety of other stuff too!
An artist that FHF works with who seems to make a lot of goth clothing is @vetiverfox. This is their website. I haven't bought from this artist either, but their skirts seem to be similar to Maya Kern's with the sizing, elastic waistband, and type of fabric used. So if their clothes are anything like Maya Kern's, I would give them a shot. Each of these three artists sell skirts that go up to a 6XL (though I think Maya has mentioned having some skirts that go up to 8XL too). I've only been talking about skirts, but each of these artists sells more than that.
Option 2: User Suggestions
I'm hoping our followers may have some advice for you about where to buy goth fatshion. @fine-ass-fatshion has knowledge about fatshion for sure. We've also recently reblogged some great goth fatshion from @wisteriaawillow, so I would definitely suggest asking them for advice on where to buy goth fatshion too. @iridessence wears a lot of pretty fatshion on her main blog, but her side blog @luxus-aeterna would be more your style. I don't know if the clothes she wears on that blog are technically goth or simply make me think of gothic clothing due to being historical clothing with generally darker fabrics, but look at her side blog just in case. I believe her FAQ mentions that she gives detailed information about how to find the clothes she wears if you donate to her work.
Option 3: Tailoring and Getting Creative
A lot of fat people have to resort to sewing and making their own clothes, but this can include taking stuff and simply making adjustments to them. For example, dyeing a shirt a more goth color, taking dollar store trinkets and making them into jewelry, etc. You can even do some clothing adjustments without needing to know how to sew! That's how I used to make my cosplays. People have suggested before to not discard the idea of going to a tailor either. If you happen to find some clothing you like but doesn't fit you, a tailor can help.
Option 4: Etsy and Commissions
Websites like Etsy sometimes can be a goldmine for specific aesthetics. However, Etsy tends to be expensive due to shipping and/or items being handmade by artists. I also hate that a lot of artists on Etsy charge fat people more money for the same product. Additionally, Etsy is probably a better store for accessories rather than your main outfit.
If you're willing to pay for the quality of handmade clothing fitted specifically for your body type and measurements, I've honestly considered the idea myself of commissioning cosplay artists for clothing, which can be done through Etsy or by meeting cosplay artists at anime conventions. If you go to a local anime convention and meet an artist there, you may even find an artist so local that you can try on the clothes during the process of making them so that you know they definitely will fit you at the end. I've thought about this usually regarding cosplay, but a cosplayer who does commissions would probably be able to make clothing that isn't for cosplaying a character as long as you gave them references.
Option 5: Online Stores and Our Pinned Post
Lastly, our pinned post has a link to our FAQ Google Doc, and that Google Doc includes links to online stores that sell plus size clothing. And here is a link to a post we shared about a month ago that has resources for buying jfashion. A lot of of the photos on the post include fatshion that could be useful for a goth aesthetic, though I say that without much knowledge about goth clothing.
I hope one of these suggestions will be of help to you!! Have a good day! cx
-Mod Worthy
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sleepanonymous · 6 months
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I have an ask in my inbox that I've been working on for literal days ( I'm so sorry Axel that it's taking me a while to draft itup. I promise it's coming soon 🖤) and I'm doing so much research for it like... I'm learning so many things and connecting so many dots lol. Anyway! I did a bit of Googling for Sleep Token's original producer, George Lever, and I found a goldmine of information on the song Jaws.
A few fun facts: - The song was completed in just four days - Drums were tracked last - 32 synth tracks were recorded and kept to make up the body of the song - George mixed this, in his words, in the same mindset with which he would tackle a "pop song" (which I feel is relevant to some recent drama)
I dunno, I just got extra excited over finding a whole article written by the producer about how Jaws was made. The original link no longer works, but if you're curious, you can find a web snapshot of the page here:
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fulcrvm · 1 month
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Last Line Tag Game
Thanks for tagging me @teejaystumbles ! A really nice surprise!! :D I am indeed contemplating writing two Dead Boy Detectives fic right now, but they're both in the very early 'being-outlined-in-my-head' stage, haha. They both revolve around post-s1 Edwin pining for Charles, one where Edwin takes matters into his own hands and one where he decides to have a chat with the Cat King about it. Not sure if they'll ever be written but they're intriguing!
But for the sake of the tag game, here's a lengthy bit from a Dreamling wip I've slowly been chipping away at for a few months!
A scene from Every Little Thing (Working Title)— In which Morpheus is a figure drawing professor who has just been fired from a film production based on his comics, and Hob does part-time figure modeling and is determined befriend the aforementioned professor.
Morpheus picks his class schedules wisely— he runs two first year general figure drawing classes, at 8 a.m. and at noon on Mondays and Thursdays. He helps the uni’s live figure workshop club on Wednesdays and Fridays at 6 p.m., and meets his sister for lunch on Wednesdays. All other free time was dedicated for his industry work. That wouldn’t be a concern anymore, would it. By the time Morpheus unlocks the door to the studio, sets his bag down by his desk, and starts fiddling with the ceiling studio lights pointed at the model stand, all of Morpheus’ thoughts have reduced to pure spite. Fine, maybe the big studios don’t want him. They don’t deserve him, then, their loss. His portfolio and repertoire are infamous in the industry, they’ll be crawling back to him in no time. Too bad, maybe he would have started his own production studio and he’ll end up with the next ground-breaking animated film. Maybe— Morpheus’ thoughts are interrupted by a knock at the door. He shakes himself out of it, calling, “Come in.” A glance at his watch tells him it’s only 7:48, perhaps it’s an overeager student here early. It’s only the second week of the semester, they grab every opportunity to prove themselves with a spirited step that Morpheus might be slightly envious of. “Hello, Morpheus Endeles?” Hearing his full name startles Morpheus, and he turns from the lighting settings to the door. “Yes?” The man who steps into view can only be described as radiant. He can’t be much older than Morpheus, not much taller either but wider in the shoulders. His hair is cropped just above his shoulders and he sports a neatly kept beard. Morpheus registers this all first simply because of his profession but— he gets caught on the man’s brilliant smile and deep brown eyes. There’s something there that knocks all thoughts clear out of Morpheus’ head. The stranger smiles warmly, smiles like he already cares. “I’m here to model for the morning and noon figure classes?” The man says. Morpheus clears his throat and steps forward, “Yes, this is the right studio.” He extends a hand, “Robert Gadling, I presume?” The man takes his hand— god, he’s so warm— and shakes it steadily, “Please, call me Hob! All my friends do.”
I'm a sucker for the 'Morpheus catalogues Hob's appearance during their first meeting' trope in most Dreamling human AU fics, I couldn't not do it too :]
Besides this, I've also got a Dreamling Velvet Goldmine-ish AU fic that I want to get done this summer. I'm a very slow and ruminative writer so let's see if I can commit to any of these fics now that I've posted about them lol!
No pressure tags! I have no idea who's been tagged recently so-- lol. @hardly-an-escape @valeriianz @moorishflower @amielot :)
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1892 · 10 months
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can u rec some good queer media?
yeah man here's some movies. :)
films with queer themes! some of these are explicitly gay. some of them helped define queer cinema. some of them are from the production code era and homoerotic. some are contemporary and homoerotic. enjoy.
but i'm a cheerleader
the watermelon woman
moonlight
my own private idaho
velvet goldmine
carol
portrait of a lady on fire
kajillionaire
i killed my mother
safe (1995)
shiva baby
bad education
all about eve
rebel without a cause
can you ever forgive me?
the miseducation of cameron post
a very english scandal
el angel
the gay and wondrous life of caleb gallo
thoroughbreds
hustlers
beach rats
god's own country
pride (2014)
howl
a single man
brokeback mountain
d.e.b.s.
jennifer's body
mulholland drive
big eden
the talnted mr ripley
rebecca (1940)
hellraiser
humboldt county
hairspray/pink flamingos/female trouble
dog day afternoon
the children's hour
a streetcar named desire
rope
wings (1927)
there u go. there are a few things you can watch :)
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sunshinesmebdy · 1 month
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A Powerful Day for Business: Clarity, Intuition, and Transformation (April 25, 2024)
Today brings a potent astrological alignment with key planetary transits influencing our decision-making, intuition, and drive in the business world. Understanding these cosmic influences can empower you to make strategic choices and propel your business forward. Let’s delve deeper into each transit and explore how you can leverage their energy for financial success.
Mercury Stations Direct in Aries
After a potentially confusing period with Mercury retrograde, the fog finally clears as the communication planet moves forward in fiery Aries on April 25th. This shift marks a prime time to relaunch marketing campaigns that were put on hold during the retrograde. With clear thinking and renewed focus, you can effectively communicate your brand message and re-engage your audience. This is also an excellent time to clarify financial reports and address any lingering uncertainties. With a firm grasp on your financial standing, you can make informed investment decisions. Additionally, Aries’ boldness can spark innovative investment strategies. Don’t be afraid to explore new financial avenues, but ensure you conduct thorough research before committing.
Moon in Scorpio Trine Mars in Pisces
The emotional Moon in transformative Scorpio harmonizes with dreamy Mars in Pisces throughout this week, creating a potent mix of intuition and drive. This transit is a double-edged sword for business owners. On the one hand, it fosters a strong sense of gut instinct. Pay close attention to your intuition, as it can guide you towards lucrative strategic investments. However, temper the idealism of Mars in Pisces with a healthy dose of market research. Don’t let emotions cloud your judgment — ensure your investment aligns with market trends before diving in. This transit also favors partnerships. By appealing to your counterpart’s emotional needs and values, you can negotiate win-win partnerships that benefit all parties involved.
Moon in Scorpio Trine Neptune in Pisces
The Moon in Scorpio connects with mystical Neptune in Pisces, fostering compassion and imagination throughout this week. This transit is a goldmine for creative marketing campaigns. By tapping into the emotional depths of Scorpio and the imaginative power of Neptune, you can develop marketing strategies that resonate deeply with your target audience. Consider exploring new marketing channels that align with your brand’s emotional message, such as storytelling or cause-related marketing. However, be mindful of the potential pitfalls of this transit. Neptune’s influence can lead to unrealistic profit projections. Ensure your creative vision is grounded in financial reality before implementing any major marketing campaigns.
Moon in Scorpio Trine Pluto in Aquarius (Ongoing)
The Moon in Scorpio aligns with transformative Pluto in Aquarius throughout this week, pushing for deep change and letting go of what no longer serves you. This transit is a powerful catalyst for business transformation. It’s the perfect time to restructure your business model to increase efficiency and profitability. Consider eliminating underperforming products or services that are draining your resources. Embrace innovative technologies that can streamline your operations and enhance your customer experience. This can also be a great time to secure funding for transformative projects. Investors are likely to be impressed by your vision for the future and your willingness to embrace change.
By understanding these key planetary transits and leveraging their unique energies, you can navigate this powerful week with confidence. Remember, astrology empowers you to make informed choices and seize the opportunities that lie ahead. So, embrace the clarity, intuition, and transformative power of this cosmic alignment, and watch your business flourish!
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bendysinitiation · 2 months
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I was trying to find more eerie old films for this au and THIS one is a goldmine. It’s a film for the encouraging of asbestos in products and it is extremely creepy. There are many, many shots of places supposed to be made “safe” by asbestos, and shots of asbestos itself, while the narrator talks about how great a material it is. If you’re in for shots of burning houses with jaunty music, seeing just how much asbestos was used in everyday products back then, crashing cars, or whatever, watch this. This is really what I wish BATIM felt like.
CW: Fire, Burning homes, Very loud sounds at beginning and end (skip to 00:12 seconds and skip from 16:03 to 16:17), Car Crashes, Death Mentions
(The description also has its very own ID for every shot!)
youtube
(Image ID: White text that says “WHY ASBESTOS?” with an asbestos cloth behind it. End ID)
Here are some shots I found creepy that I’ll probably use for the au later!
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Henry Cavill will take on the iconic role of the Highlander himself Connor MacLeod – portrayed in the original by Christopher Lambert.
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Lionsgate Moving Forward With Henry Cavill & Chad Stahelski ‘Highlander’ Reboot As Action-Fantasy Pic Heads To AFM To Enliven A Strike-Hit Market
By Andreas Wiseman
October 27, 2023 8:17am
EXCLUSIVE: In the world of Highlander reboots, there can still only be one…and it’s a good one at that.
For the first time, Lionsgate will be launching sales at the AFM on their long-gestating fantasy reboot which has Henry Cavill aboard to star as the eponymous Scottish swordsman and John Wick filmmaker Chad Stahelski set to direct.
We hear this will be a big-budget proposition, north of $100M. Stahelski himself has previously talked about it as akin to John Wick with swords. The team is eyeing a 2024 start.
This will be welcome news for AFM buyers whose pool of pre-sale projects has been diminished by the ongoing strike.
The new movie will be based on the 1986 original, which starred Christopher Lambert, Sean Connery and Clancy Brown as immortal beings, hunting down one another and collecting more power. The time-jumping film — with its “There can be only one” tagline — spawned four sequels and three TV series including the popular USA series starring Adrian Paul. Queen memorably provided the soundtrack for the original movie.
Producing the reboot are Joshua Davis, Fast And The Furious producer Neal H. Moritz, Stahelski (thru his 87Eleven Entertainment production company) and Louise Rosner.
The current draft of the screenplay is by Mike Finch. The late Peter S. Davis, the producer of the original Highlander, initiated the development of the new film. Summit first acquired remake rights to the original in 2008.
Former Superman and The Witcher actor Cavill remains in high demand. Among movies in post are Matthew Vaughn’s Argylle and two Guy Ritchie projects, including WWII pic The Ministry of Ungentlemanly Warfare.
Stahelski has directed all four John Wick films, which have been a goldmine for Lionsgate, taking more than $1BN. He previously talked about the new Highlander as the first in a trilogy but we’ve not had word whether that’s still the case.
Cavill and Stahelski were attached and reported before the strike.
The arrival of the Highlander reboot is a shot in the arm for the AFM, whose business has been hampered by the SAG-AFTRA strike. This and Kevin Costner’s Horizon movies, which we told you this week would also be on sale, are the two biggest-budget prospects revealed for the market so far. A number of packages haven’t come together or aren’t being officially announced due to strike restrictions or anxiety over optics. Frankly, given the limitations posed by the strike, I’ve been surprised at the number of new or reworked projects that are on sale (many are shooting in Europe). There are still a handful of pre-sales packages for buyers to get their teeth into, even if more action may be done this market on completed and near-completed movies.
I'm all for Henry in a kilt! 😊
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Some kind soul has uploaded every single issue of Dragon Magazine to an internet archive
For you young'uns - Dragon Magazine was an official DnD magazine that fleshed out lore and world building, and offered loads of cool ideas and scripts for one-shot adventures and full campaigns.
The stat blocks and some of the terminology is from older editions, but they're still a goldmine for inspiration
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magentagalaxies · 7 months
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Kids in the Archive: Episode 3
hi everyone you know the deal - i uncovered a bunch of original scripts for kith sketches with the help of the wonderful bruce mcculloch and now i'm here to bring you all a behind-the-scenes comparison of script and screen!
Previous Episodes: Episode 1 - armada finale ("do we make it?") Episode 2 - fran & gordon: the vacation
today's episode is dedicated to @ofkithandmckinney as we cover the script of their favorite sketch, s2e1's "comfortable"
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the thing that immediately sets "comfortable" apart from all the other scripts i own is the multicolored paper is it printed on, with some parts being on pink and others on blue. this is not accidental - each color denotes a specific revision date which is standard practice for tv production, though comfortable is the only script in my collection in this style. the date for pink revisions is may 22nd 1990, while blue revisions were june third of the same year. while taking photos of the scripts, my phone tries to color-balance the images automatically to make it look like black text on a white background, so i had to trick my phone into letting me show off the pink pages here today
The Casting
since the opening of this script is near-identical to what we seen onscreen, I decided to use this section to highlight an interesting (and at times confusing) element of this script, which is that dave and mark's roles are occasionally switched. at times dave is designated as scott's character's wife and mark as the other husband. on a related note, this also wasn't initially written as a nina sketch, with the character being referred to as "marion" in this draft. all in all, while thinking about this alternate version of "comfortable" is fun, i frankly cannot imagine anyone else playing these roles, as all of them bring the perfect type of energy. plus, this nina appearance relates it to my web of kith sketches that exist in the same universe
The "Improv"
this script also allows us to clear up a misconception i've seen in the youtube comments of various uploads of this sketch: people claiming "i want you in me" was improvised
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i can see where this misconception came from - while adhering to the script very faithfully, at this point in the sketch things feel like they're starting to fly off the rails, and each of the actors are struggling not to break. plus, this is totally something scott would do. there's a chance this could have been improvised during a rehearsal or table read (it is on the blue pages after all) but in the version that was broadcast this line was expected. however, there is a possibly-improvised moment in the recording which wasn't in the script. after scott's character takes his pants off there's a moment where he starts singing hava nagila - in the script it just says "da da da da". why scott chose to commemorate this moment with hava nagila we may never know
The Ending
unlike our past few sketches, there's no big difference between the script's ending and the final moments of the sketch on tv. all the beats are accounted for, with most variations stemming from the goldmine that is getting nina in this situation
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as soon as i saw this script in storage i knew i needed it in my collection (with bruce's permission of course), and with all these fascinating production elements it certainly delivered. beyond that, comfortable is one of my favorite sketches as well, because i vividly remember the first time i watched it in the summer of 2022
pre-2022 i'd seen some kids in the hall before, but they'd always been scattered sketches and individual episodes all from season one. when i got into season 2 i didn't know what to expect. would this increased attention and production value make the kids less willing to push the boundaries? would they end up like snl? looking back it's hilarious i could ever think that about this troupe, but i identify "comfortable" as the sketch that really set the tone for what i was in for with season 2. the living room setup and premise of an awkward gathering feel similar to any number of middle-of-the-road snl sketches, which lulled me into a false sense of mundanity, until scott keeps pushing the limits and eventually starts straight-up fucking kevin mcdonald on the table. of course this season wasn't going to be your standard fare sketch show, as pretty soon after followed sizzler and sizzler and the iconic "touch bellini" contest, but as i saw the world of these suburban couples' descend into chaos it was comforting that this punk rock sensibility wasn't over yet.
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North Star Series
Chapter 50 - Dreams and Nightmares
Start here:
Summary: George struggles with reoccurring nightmares
Warnings: nightmare, brief mention of blood, couple of curse words, brief allusion to sex
~•~
George stumbled down the dark hallway, wrenching open one door after the other. His loved ones were here somewhere. He could hear them calling for him. Calling for help. Y/N, Fred, Ginny, his mum, Ron, Harry... his whole family. And he was the only one who could save them.
He flung open a door to find his wife sprawled out across the floor, unmoving, blood pouring down the side of her face. "Y/N! No!" He ran to her, crashing to his knees beside her.
"George!" A voice called out to him suddenly, and earth began to shake. "George, wake up!"
George's eyes popped open, his wide-eyed gaze darting around the room frantically.
"George, baby, it's me, Y/N," she said, leaning in closer and pushing the strands of sweat-soaked hair from his face. "You were having a nightmare."
At her words, his eyes locked onto her face as if trying to determine whether the vision before him was real or a dream.
"George?" She asked, shifting closer.
It only took a few seconds for the realization to hit him that his wife was not, in fact, lying unconscious and bloody on the floor, but sitting here before him, whole and unharmed.
George sprung up to grasp hold of her but instead slammed his head into hers.
"Ow!" Y/N yelped and fell backward, hands going straight to her head, trying to rub away the stars suddenly dancing around her.
"Fuck!" George swayed, but managed to remain upright, massaging his own forehead. "Baby? You ok?" He asked once his brain was no longer jangling around in his skull, then gingerly moved toward her.
"Y-yeah," she stammered, pushing herself up slowly. "Think so."
"I'm so sorry, love," he apologized, his hands going immediately to her head, turning it from side to side, checking for any wounds.
"George, sweetie, what - " Y/N began, then paused, taking in her husband's frightened expression. "Are you ok?"
"Yeah, yeah. I am now," he said with a relieved sigh. "I had the dream again. This time it you. You were bleeding. From your head, no less."
"Oh," Y/N eyebrows rose a little. "I'm okay. I promise," she said, pulling him into her arms.
~•~
The nightmares had begun a few weeks ago, shortly after his and Fred's birthday. As an attempt to drum up business for April Fools Day, they'd invented Shield Hats. Neither of them could've forseen what would happen next. The morning before their birthday, a representative from the Ministry showed up at the shop with a commission to outfit the entire Ministry with the new product.
And just like that, a silly little invention dreamed up by Hogwarts' infamous class clowns became a vital defense weapon for the war effort.
"We've just developed a more serious line," Fred had told Harry. "Funny how it happened..."
"You wouldn't believe how many people, even people who work at the Ministry, can't do a decent Shield Charm," said George. "Course they didn't have you teaching them, Harry."
"That's right..." Fred continued. "We thought Shield Hats were a bit of a laugh, you know, challenge your mate to jinx you while wearing it and watch his face when the jinx bounces off. But the Ministry bought 500 for all its support staff! And we're still getting massive orders!"
"So we're expanding into a range of Shield Clokes and Shield Gloves..."
George and Fred had inadvertently landed on a goldmine. There were no longer any doubts as to whether the shop would survive and they were helping out with the war effort. Everyone thought it was great. Except, seemingly, Mr. and Mrs. Weasley, who, upon hearing the news, exchanged a look. It was a look that George and Fred knew all too well. One that said, 'Oh shit...'
But to the twins' surprise, the look was gone as quickly as it appeared. Then Molly turned to her sons, with a smile that didn't quite reach her eyes. "Good for you, dears!" She turned to Arthur. "Isn't it good?" She asked, prodding him with her elbow.
"Yes, yes!" Arthur shook himself, then grinned and patted his sons on the shoulders. "Smashing good news," he added before whirling around abruptly and disappearing into the living room.
George and Fred looked at each other and shrugged. Whatever was up with their parents was none of their business. At least it was none of their business today. Today was their birthday. And nothing, absolutely nothing, was going to ruin the party.
~•~
"It's more than people being idiots," Mad-Eye explained at the next Order meeting. "If the Ministry is commissioning you two for weaponry, that means things are really starting to ramp up."
The lack of violence had even emboldened people, and in-store business had picked back up a little. He knew that should've been a good thing.
George and Fred shared an eyeroll. Moody was always finding another reason to announce that things were "ramping up." If anything, things seemed to be slowing down.
And that's when it struck George.
For the past couple of weeks, Deatheaters had stuck mostly to their little dark corner of magical London. There'd been no new attacks. No new disappearances or deaths.
And yet, something felt off.
~•~
"Everything's gotten so quiet, you know?" He said to Y/N as they cuddled in bed sharing some grapes and a bit of firewhiskey as George tried to calm down from his nightmare. "Just a few weeks ago, Deatheaters were running rampant, terrorizing the streets. And now, suddenly, they've just... stopped. Something's happening." George sighed and took a shot of whiskey. "Godric, I know I'm gonna sound like Mad-Eye when I say this. But I feel like they really are ramping up for something this time. Something really bad... I just wish I knew what was..."
Y/N nodded and downed her own shot. This whole "not-knowing" thing was maddening. Deatheaters used to be pretty predictable. Clockwork, even. You could almost tell what day of the week it was by how many people disappeared or ended up dead. Wednesdays were always the least eventful for some reason. Maybe it was midweek exhaustion or something...
"What if I can't protect you? Or Fred? Or Mum and Dad? Or..." George mummered, his voice barely above a whisper. As if saying the words out loud would somehow make them true. "What if the dreams are more than just stupid dreams? What if - "
"No, George," she cut him off, grasping his face in both her hands. "Stop it. Right now. You're not responsible for taking care of everyone all the time. We all take care of each other. It's a group effort, ok?"
"But what if..." He began.
"No what-ifs," Y/N interrupted. She could sense his heart rate picking back, and his hands started to shake again. "You can't let yourself go down that road."
Y/N caressed his cheek. "Do you want to talk about it?"
George sighed and looked away. "Too late for that, love. Ever since these fucking nightmares started. I just can't get them out of my head. And I'm... scared. Scared something's going to happen to you or Fred or..." His voice trailed off.
He shook his head. "No. I don't want to even think about it right now."
"Ok, then," she said, lying down and pulling him into her arms. "Then let's talk about better dreams."
"Better dreams?"
"Yeah," she smiled. "Like our dream house. We haven't talked about that in a while."
A small smile crept onto her husband's face and burrowed his face in her neck, inhaling her familiar, comforting scent. The scent of home. "You still want a big stone fireplace?"
"Mm-hmm."
"Good, me too," he replied, tightening his grip on her. "And I've been thinking. How would you feel about a fireplace in the bedroom?"
"Oooh, that sounds so lovely! We'll be all warm and cozy on cold winter nights."
"I thought you might like that," he grinned. "What about in the kid's bedrooms?"
Y/N cocked an eyebrow. "Fireplaces?"
George leaned back a little. "Yep," he nodded.
"Uh... maybe when they're older and won't accidentally set the house on fire."
"What? You don't want our babies to be all warm and cozy too?" George teased.
"They'll be warm and cozy no matter what. We'll make sure of that," she retorted. "Besides, would you trust your seven year old self with a roaring fire in your bedroom?"
Her husband snorted. "Hell, no."
"It's a good thing you're not on opening duty today," Y/N observed at one poinr.
They both laughed at that, cuddling each other closer.
As the hours wound on and they filled the room with talks of their hopes and dreams for the future. A home. A family. A life together. Forever.
George chuckled and nodded. "What time is it anyway?" He looked up at the clock and answered his own question. "Almost 3:30. We should probably try to grab a few hours of sleep. Aren't you having lunch with mum and Fleur today."
"Yeah, and if I show up with bags under my eyes, Molly'll be lecturing me about my unhealthy sleeping habits instead of helping plan Bill and Fleur's wedding."
"Well," George ran his hands down her back to give her ass a gentle squeeze. "I best knock you out good then."
"Knock me out?" Y/N giggled.
He shrugged. "I'm still wide awake, and from the looks of it, so are you." In one swift move, he was on top of her, a huge grin spread across his face. "And the way I see it, there's only one for remedy that."
"Oh?" Y/N returned his grin. "What would that be?"
"Shall I give you a demonstration?"
"Please do," she said and pulled him into a kiss.
~•~
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