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#HE IS HAUNTING ME
hella1975 · 1 year
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‘be an astronaut by declan mckenna always makes me emotional idk why’ bc he was inspired by sufjan stevens. get off spotify dickhead
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schnuffel-danny · 2 years
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sleep paralysis creature
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humhalelujah · 2 years
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people like why do you want to shave ur head and get a lip ring all of a sudden and i have to sit threre and be like “no reason” while early 2000s frank iero stands in my hallway at night
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z00mies · 1 year
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WTF HE EVOLVED
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usoratonkachi · 2 years
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no one fucking touch me zhongli just affected me in a GOOD way for once I AM UPSET
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bassistsruinedmylife · 7 months
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I’ve been having vivid recurring dreams about Tom Delonge and there’s so crazy like he’s a 50 year old man trying to get with a teenage girl but it’s okay because he still acts 12 but anyways I think these dreams are me coping with me leaving this guy who was super into blink 182 and he would like study Toms movements and every time I see Tom I can only see him because his body language is the exact same
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FNAF puppet and Michael Afton got beef,,
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desos-records · 3 months
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suddenly struck with thoughts about the devastating concept of Jason Todd
because he was good. because he had a bleeding heart despite every reason not to. he loved school and was good at it. he was the first to be adopted, with little pretense of guardianship. he did everything he could to be a perfect Robin and live up to an impossible ideal. he only ever wanted Bruce and Dick to like him.
because he met Bruce in the same place and on the same day that Bruce's parents died--the single defining moment of Batman's existence. and he made Batman laugh. he hit the Dark Knight, Terror of Gotham, with a tire iron. he wasn't afraid of the man who turned fear into a weapon.
because he couldn't save his mother from herself, but he tried. because he was too good not to try and save the woman who gave him up. too good to play the Joker's game. the crowbar didn't kill him, the bomb did. he died knowing he wouldn't make it and tried anyway. he died a hero.
because other Robins have died, but none of them put an irrevocable tear in the mythos of Batman. because Jason Todd always dies, in every universe. he dies for the sins of his father. he was put to death by popular vote, sacrificed by the crowd. doomed by the narrative and doomed by the audience. the boy who only ever tried to prove he was good enough--wasn't good enough.
because he has every reason to be angry. because he didn't ask to be murdered, didn't ask to be brought back, and when he did everyone acted like he was better off dead. Bruce tried to kill him and nearly succeeded. he's blamed for his own death and blamed for his resurrection. he can never come home because the house is haunted by his own ghost.
because he's been the hero, the victim, and the villain. because his family and his writers and his universe don't know what to make of him. they don't know how to look his tragedy in the eye. and how can you?
it hurts to look at the hero who cannot be good enough, the victim who will only ever be angry, the villain who can sometimes be right. the audience hates to feel complicit and, in this exceptional case, they are.
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lady-corrine · 4 months
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Thinking again about how Suzanne esentially subverted the "beloved famous man that is actually a horrible person in real life" with Finnick, who is the complete opposite of that.
Finnick has this whole image costructed around him by the people that abused him for years: the Capitol's darling, their golden boy, the sex symbol of Panem, the man that has countless lovers but leaves them constantly and doesn't look back etc. And you would expect, initially, to meet a man that retains at least a part of that persona in his day to day life. But Finnick doesn't, not even one bit.
You see instead a man that is deeply in love and completely devoted to the one woman he quite literally adores, a man that protects Mags, his old mentor and his mother figure, as much as he can, a man that wouldn't leave Johanna behind, a man that gathers whatever strenght he has left to speak publicly about the abuse inflicted upon him at the government's hands; the opposite of what the Capitol's media and reputation made him out to be.
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deadsetobsessions · 4 months
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Danny Fenton is so damn sick of rich fruit loops. It’s worse now, since he’s one of them.
It’s not Vlad that he’s with, thank the Ancients, but Danny isn’t sure that this is better.
Because he’s Timothy Drake, a baby, and he’s been reincarnated after the Ancient of Reincarnation accidentally drank too much wine.
He’s going to kick their ass so hard when he gets back.
Danny huffs. He rolls over, ignoring the silent manor. Sure, he’s read the comics. Sure, he laughed and imagined being adopted by Batman- come on, Danny had black hair and blue eyes even back then, he was totally adoption bait- when his parents gave him reason to lose trust in their love. But that’s it, that’s all he thought it was. A day dream, a wish for a universe that didn’t exist.
Danny hadn’t understood the reality of the whole Infinite Realms thing, a place he was now the King of. Batman? Real. Danny? Reincarnated. Hotel? Trivago.
Like, this wasn’t what he meant, dammit.
And now he’s stuck as Timothy Drake, and Ancients, he was starting to see parallels.
——
Danny tried photography. He really did. He wanted to at least stick to the source material. But that’s not who he is. Even with the shiny new brain that memorized, catalogued, and put together clues at the snap of his fingers, but Danny’s never been one to take photos. It’s a respectable art, for sure, but Danny preferred to live in the moment instead of capturing it to remember forever. It’s just-
He watched the Graysons fall. He watched Dick Grayson turn into Robin. And Danny can’t and won’t ever betray his Obsession like that, ever again. He can’t let Jason die for his “story” to begin. That’s not how Danny works.
He’s there to protect.
Danny hasn’t ever been just Tim. Danny was also Tim and the Ghost King without a haunt. But now? Gotham is his haunt. He, in lieu of an actual city spirit, is Gotham. He’s also a Drake. And Drakes were meant to hoard.
Batman and Robin? They are his.
He claimed them, as a Drake. But that claim is weak. So he claimed them as their city, and that is a claim that will never be able to be challenged.
Danny’ll be damned before he allows some lanky starved clown beat the life out of one of his Robins. So, for the first time in his nine years on this planet, Tim-Danny goes ghost and flies.
“Who- who. Are you?” Robin slurred from his place in Danny’s hold. He is broken, yes. But not dead. Danny infuses some of his vitality, his ecto, into Jason’s injuries to help them heal.
“Gotham.” Danny replied, layering his ghostly voice with those of the city.
“Goth’m?”
“Gotham. Sleep, little bird. Your city has got you.”
When Robin, Jason, settled with a sense of trust that tugs at Danny’s core, Danny carried him to Batman, whose eyes were wild and manic. He glared menacingly at the green and white ghost in front of him, who was holding his broken and beaten son-
Well, it’d be menacing if Danny hadn’t watched him eat bricks and mortar, crashing into a building while using his grappling gun.
“You-”
“I am Gotham.” Danny cut him off. Despite his wary nature and natural paranoia, Batman settled at his city’s gaze rested on him. Danny knew that Batman recognized his city. Batman’s head bowed, but his eyes stayed on Robin. “You were supposed to take care of Robin.”
“I- I know.” And that voice was all Bruce Wayne the Dad instead of Batman the Vigilante. Danny gently placed Robin in Batman’s arms, taking in the tremors as he held his son close.
“Go back, Bruce. And make sure Jason knows how much you love him.”
He laughed as Bruce whipped his head upwards. “I am your city. You are mine as much as I am yours. I’ve known of you before you were born.”
Technically? Not untrue. But Bruce will chalk it up to weird magic shit. It’s not like it’s a secret that Gotham’s kind of curse. Besides, this way, Danny will be able to help out more often. And Bruce won’t be able to connect Tim Drake to the “Spirit of Gotham.”
“Return, my knight. This is not your city. I can not protect you as well as I can in Gotham.”
“Thank you… Gotham.”
Danny sighed. He wondered when he’ll have to field questions from a John Constantine. He’s pretty sure Bruce will call in magical help, even if it was his own city he was investigating.
Batman’s lucky Danny liked him enough to allow it.
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buppkizz · 7 months
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tf2 karaoke! 🎤🎶
(here's a list of the referenced+a couple extra songs)
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egophiliac · 1 year
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the recent resurgence in episode 6 talk has led me to reminiscing about Rook's absolutely buckwild backstory. man tries on a nice jacket exactly once and immediately re-evaluates his entire life.
(this has actually been sitting around for a few days because I keep second-guessing it, so uhhh sorry if it's weird! I can't tell anymore!)
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suntails · 21 days
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strength and nobility
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leo-bandito · 2 months
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something something gman tommy something something gordon in stasis. you know how it is.
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I've been asked multiple times, which Vincent Price films *I* personally recommend. Well... all of the above... Also, Theater of Blood...(Gif wouldn't load)
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Okay so uhhh... visions came upon me and this was the result lol
Based on this absolute atrocity (affectionate... kind of)
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[ID: A fourteen panel comic done in grayscale based on a Twitter thread from David Jenkins.
First panel: Neil Gaiman is surrounded by a crowd of fans, a bright spotlight is shining on top of him. One of the fans points a microphone in his direction and says "Mr. Gaiman! How would describe season two using only three words?"
Second panel: A close up shot of Neil, he smiles and says "Uhh... I'd say it's quiet, gentle, and romantic". "Romantic" is written in a flourished cursive font. There are little floating red hearts surrounding him.
Third panel: A shot of the crowd of fans saying "Awww" in unison, there are little hearts floating around. They find it adorable.
Fourth panel: A black screen titled "At David Jenkins' Twitter"
Fith panel: David Jenkins is sitting in table far away from the point of view, at the center of the image, a spotlight is shining on top of him. There is a crowd of fans forming a semi-circle around him, they are squished against one another, stoping at the little fence that is surrounding the table . A fan standing near the front says " I LOVE U... three words to describe season 2?"
Sixth panel: A close up shot of David Jenkins, he is sitting with both elbows proped up on the table, supporting his head with his hands. The harsh light is shining in on him, he looks serious and solemn. His head is tilted down but his eyes are looking directly at the camera, the whites of his eyes make a stark contrast against his shadowed figure. He says " Fucking sweet...".
Seventh panel: The shot is arranged in the same way as in fifth panel. David Jenkins is far away, sitting at his table , the fans are surrouding him in a semi-circle. The fan near the front replies "Give us one more word David"
Eight panel: A huge shock wave tilts the crowd back. All lights are out, except for the spotlight shining in on David Jenkins. David's arms are unnaturally elongated in a spider-like way, fiercely gripping the table with both hands.
Ninth panel: David lauches into the crowd. The point of view remains the same, but now his head is extremely close up the camera. He emphatically says "FUCKING"
Tenth panel: The scene is seen from the side, now we can see that David still remains sitting at his table, but his neck is extended in a long unnatural arch. He is directly looking at the fan from before, his head on top of them. The fan still has the microphone poiting in David's direction. A new spotlight is shining in on both of them. David says, "SWEET"
Eleventh panel: A close up shot of the crowd. The camera lies a little ways below David's head, only the bottom of it is visible. We see that the fan with the microphone is crouched and almost completely tilted back. The fan is looking directly at Jenkins. The crowd continues squished together, watching intently with shocked faces. David continues, saying "YOU"
Thirteenth panel: The shot is arranged in the same way as in the previous panel. David continues, saying "SLUTS". The letters are written in an emboldened font. The crowd is completely shocked, but also weirdly flattered, all of them are blushing.
Fourteenth panel: David Jenkins goes back to sitting at his table, in a movement similar to a metal spring coiling up again after being streched out. He is sitting far away from the camera, at the center of the image. The fans forming a semi-circle around him. They continue blushing, with some assorted murmurs of bafflement as in "oh my god", "dude what" and "why". /END ID]
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