#I love them so much and we do so many terrible things to them

[lizard-on-a-window-pane]

sunlight ☀️

hii it’s me againn. could you also do tasm peter who is nerdy and nerdy reader? and it’s kind of like a meet cute at the library? that’s literally my dream 😔 (you can tell i’m in my spiderman kick again)

-🎀

love a good spiderman kick ☺️ hope you like it!

pairing: TASM!Peter Parker x reader word count: 1.4k tags: just fluff

The exam was next week, and Peter still hadn’t gotten a chance to so much as glance at the most helpful textbook. The only copy the library carried had been way over due for ages, and the damn things were way too expensive to buy. He hoped it would be back by today because the late fees would be so much worse after today’s cut off. So, into the library he strode to look for it for what felt like the millionth time. 

He was sure the librarian remembered him, and which book he was after, after so many attempts, so he went straight up to the desk. Peter raised his eyebrows in question, in hope. He wrung his hands together as the librarian gave him a look he couldn’t quite decipher. “So?” he finally couldn’t help.

“You just missed it,” the librarian deadpanned. How could she be so damn calm? She must know his life depended on getting his hands on this book! Well, maybe not his life, but definitely his grade… important enough.

“What?! And you didn’t hold it for me or something?” “Hold it for you? What do you think this is, kid? We don’t take reservations.”

After a moment, though, she sighed in slight defeat, something akin to pity entering her hardened features. She gave a sideways nod toward the person standing at the other end of the desk. 

“Maybe she’ll share,” she whispered. 

Peter followed her look. His eyes landed on a girl. She looked mortified. Given the books lying next to her open backpack on the desk, she’d clearly been packing them up. At the top of the pile lay the coveted textbook. And she’d clearly overheard his whole exchange with the librarian. 

You lock your gaze onto the books in front of you. You could feel your cheeks warming, and the last thing you wanted was to accidentally make eye contact with this stranger. This ridiculously attractive stranger you’d noticed in class before… Peter Parker… who had clearly had the same idea about the book being returned today…

You feel terrible at having snatched it up just before him. You hadn’t known someone else was after it, too, but you could’ve guessed, and it felt like pure luck that you got it first. You have no idea how to react, and before you can come up with any idea at all, you sense him stepping toward you and freeze in panic.

“Um, hey,” Peter whisper-says. God, why didn’t he just speak at a normal volume? He was in the library, sure, but just the entrance. He’s sure he sounded weird, and that’s the last thing he wanted after his little outburst clearly made you uncomfortable. It wasn’t your fault you’d gotten the book before him. 

Your eyes dart up to meet his at his words, and when they do, his nerves increase tenfold. Your eyes are so damn pretty. All of you is. And you look half way to an anxiety attack at his approach. “Hey, sorry,” he tries. “Sorry, I know we don’t know each other, but I just… Um, well… Sorry about that,” he ends lamely, gesturing back to where his exchange with the librarian just occurred. “It’s okay,” you whisper, smiling awkwardly and tucking your hair behind your ears. You look back down at your hands, pulling at the too-long sleeves of your shirt. 

Peter’s hand comes up to his head, messing with his hair in a typical nervous tick. He can’t stop staring at you, and you can’t stop avoiding his stare. He had to say something else before the mounting awkwardness blew up. Why couldn’t he think of anything? God, why was his heart racing faster than it ever did when he had to fight giant, scary monsters? Somehow you were scarier. 

“Um,” he starts again. “You in, uh, you in Vidal’s biology class?” he ventures, guessing you need the book to study for the same exam as he. It blows his mind he hasn’t noticed you before if you are.

“Mmhmm,” you nod softly.

“Me too,” he says and cringes. “I don’t recognize you.” “Oh, I don’t know. I tend to sit in the back.” You finally look up at him as you say this. Your eyes meet, and it’s too much to handle. After what feels like an eternal instant, you both look away chuckling. 

Peter’s just nodding like an idiot, chewing his bottom lip, reeling for something else to say but failing miserably. At this point, the thought of getting the book has totally vanished from his mind. The fear of failing next week has been completely replaced with the fear of failing right now.  The idea of your walking away and his not getting to talk to you again makes his stomach sink.

You’re just staring at your hands, unsure what you’re supposed to do in this kind of situation. How do people just know what they’re supposed to do when other people are involved? 

You still feel really bad that you got the book first, and you figure he’s only still talking to you to ask when you’ll be done with it. The exam is so soon, you hadn’t really been planning to return it till after. But keeping it to yourself when he needed it too made your stomach twist. You didn’t even know him, but you wanted to help him. So, you mustered the courage to do something you know, from experience, you otherwise wouldn’t do.

You say softly, “If you want… um, I don’t know… maybe, we could share it?”

“What?” he responds, too quickly, confused, his voice nervously airy.

You’re not sure if he didn’t hear what you said — possible with how softly you’re speaking — or didn’t understand what you meant, so you don’t know what to say. Words are too hard, so you just grab the book — your hands grateful for something to do — and hold it up to him like an offering. 

“Oh!” he hiccups. Then, “Oh,” he says more quietly, chuckling lightly. “I mean, I don’t want to bother you. You got it first fair and square.” “Yeah,” you shrug. “But you need it, too, right?” 

“Yeah…” His mind begins stirring up images of the two of you studying together… maybe laughing together eventually… sitting closer together to both get a good look at the book… 

It’s making his heart beat faster, and he realizes he’d be an idiot to not seize the opportunity. It’s the perfect excuse to spend more time with you, and he doesn’t even have to ask you out. Yet. 

So, he quickly says, “Yeah, um, sharing would be great. If you don’t mind. I can just meet up with you whenever you were going to study anyway… Wherever is good for you; I don’t mind; you choose; whatever you prefer is good with me —” Having started, he can’t stop talking now, his nerves morphing into words, eager to leave his body. 

You giggle at his garrulousness, and he knows he’s in trouble when the sound of it makes his breath hitch. 

“Well,” you say. “I was planning to get started now… you know, since I’d been waiting to get my hands on the book. If you wanted to, um, maybe go to the café maybe?” 

You hadn’t in fact been planning to start right away. If you were honest with yourself, you’d been planning to put it off till you couldn’t not… like you always did no matter how hard you tried to get an early start. Note to self: the only cure you’ve found to procrastination so far: ridiculously pretty boys with warm eyes and a voice you could listen to forever. 

“Yeah, that’d be great. That’d be great,” he nods, smiling. It’s the first time you’ve seen him fully smile. You’d be happy to just hand him the book as long as you could watch him study, the exam be damned. 

“Great,” you repeat, grabbing your things and turning toward the café. Your eyes widen in panicked disbelief at what just happened. You glance slightly back just to make sure you hadn’t imagined it, and sure enough: Peter Parker is taking a quick step to follow you. He falls in step with you as you walk, and it’s terrifying and invigorating just how much you like the feeling of him close beside you.

#peter parker #tasm!peter parker #tasm!peter x reader #tasm!peter x you #peter parker x reader #peter parker x you #tasm!peter fluff #tasm!peter imagine #tasm! peter oneshot #tasm!peter fanfic #spiderman fanfiction #ria1k

[shoshiwrites]

Hi! I’m the anon that requested the handholding prompt, and I just wanted to say thank you. It was everything I could have hoped for and more!! It made me smile!!

If you are still taking requests, I would request Jo/Egan with the prompt touching foreheads or bandaging/stitching an injury. As you can see, I couldn’t decide between one prompt, once again. I look forward to whatever you write and of course, never feel pressured to write anything. I hope you are doing well 🫶🏼

Hello anon! Thank you so much for your lovely message. I'm so glad you liked that prompt, and I appreciate your understanding very much. I've kept "bandaging/stitching an injury" on my list, and filled this one for "touching foreheads." This is my first try at Bucky POV, and we kind of ended up on the depression-nap side of things (see my terrible header below). Thank you to @mercurygray for helping me work the end. Bucky Egan x War correspondent OC.

Six months. 

And he’s felt every minute of every one, or at least it seems that way on days like this. Gray as all hell, like a storm gathering over the lake. Every minute if you didn’t count the gaps, the headaches, the days he sleeps away, the things he couldn’t remember those first few weeks. His jaw still wakes him in the night, dull if he’s lucky, a screaming pain if he’s not. He can never forget the things he’d actually want to forget, can he? Now that would be too easy.

Never coughed up an explanation for Buck either, even when Buck looked at him sideways about something or the other. Even if he wanted to, his throat goes dry at the thought, like the dust and dirt along the floorboards.

Holding onto it gives him something to hold onto, at least. The anger. 

Six months of this damn nightmare, the bloodshot bone-chilled day and night. Different nightmare than the sky. He has those too. This is the kind of dream where you’re stuck in it, you can’t move, there’s footsteps outside the door. He’d had those as a kid. Terrified him. 

It’s sure not the the kind they nail up pictures for, paper edges catching on the unfinished timber, hoping to summon some kind of vision. He’s so tired he’s practically drooling into the pillow, letting his eyes wander far enough along the wall that it hurts, over Rita and Ginger and Ava’s shining faces. 

There are pictures kept in books too, pouches and the occasional wallet, those all but sewn into jacket pockets. Girls back home.

Not even a letter. Not one goddamn letter, he thinks, the sigh of it harder than seems fair to his mother or his sisters, trying to get around the mail delays and sending cards for every holiday they could think of. What the hell even was Arbor Day, anyway?

(“Trees,” Brady had said, not looking up from the keys of his saxophone.

“...right.”)

He thinks about Texas, and Florida, and Idaho, and Nebraska. Girls and dresses and perfume, manicured hands, no dirt around them. Marge’s friend, he can’t remember her name, pretty, dark hair, disinterested in a kiss but amenable to dancing. They’d all wanted to forget, right? Not when you’re flying out the next day. 

He thinks of Lil, the cupid’s bow of her lip and the goosebumps under her sweater. She’d wanted to forget too. A brother somewhere in…he can’t remember now. Burma? Her grandfather hadn’t had too many nice words for him, John. Not that he could blame the man.

He thinks of Jo. Crouched over that little green typewriter the way Brady fiddles with his sax, the sound of the bell, the sound of the keys. Like Buck over the radio. The way she looked up at him, like she’d just realized something important. The way she smelled when she let him get close enough, like flowers after a spring rain. 

The air’s sour in here, and cold. Showering helps, besides freezing your damn balls off. 

He lets himself think it, about his head in her lap in the grass, or on a sofa, or anywhere, really, where she’s leaning down and she’s touching him, the little calluses on her hands, and her forehead close to his.

It hurts too much, and maybe he can admit it, here in this damn coffin of a bunk, mattress about as comfortable as one, that maybe she’d wanted to forget too.

You don’t kiss like that, he thinks, with acid in his throat, when you care what comes next.

She writes like she cares, though. She writes like she believes in all of them, like it’s real and not just what her paper wants or somebody wants to hear. 

Maybe he can admit that now, if he doesn’t think about the note she’d left.

He’d rather think about anything else, hell, he’d rather walk outside with no shoes on, listen to the Yankees lose by a single run.

He’d rather wish this damn pillow was a different kind, her thigh or her body or her forehead, even, pressed against his. Not that he’d admit it out loud. 

And her mouth right there, he thinks, like he can just make that half-second trip to kiss her, and kiss her again.

#masters of the air oc #mota oc #bucky egan x oc #john egan x oc #shoshi writes #jo's tag #motaverse #anonymous #i am...still figuring this out

[the-art-block]

WODTOBER

Days 10 - 11 - 12 | It's Lonely At The Top - Cursed - Tension Between Us

Every happy family has its secrets.

--- Parents Sterling Bailey (top left) - @syntheticmortal

Daylily Bailey (center) Kids Noah "Bear" Bailey (top right)

Remedy "Remy" Bailey (center left)

Joseph "Boots" Bailey (center right)

Rider "Rye" Bailey (bottom left)

Sterling Bailey Jr. (bottom center)

Callalily "Cala" Bailey (bottom right)

#wodtober #wod #vamptober #vtm #garou #I love them so much and we do so many terrible things to them

[winepresswrath]

Cannot believe at this late stage of my life I'm becoming a Gabriel fucker. Local mean jock doesn't want to be evil now, he wants to be loved. I'm slightly annoyed they didn't make Beelzebub more unhinged because the "plot" should have been at least half about them fucking up shit on an absolute rampage trying to find Gabriel, a thing everyone assumes they are doing to fry him with hellfire so they can kick off the war in a way that's advantageous to hell, BUT ACTUALLY!!! true love.

#I do love evil love! #but more than that it's like... the terrible emptiness of heaven and hell? #absolutely no one has been having a good time! #they're just middle management admin suckers doing a soulless job no one else understands #they don't even care about earth! six thousand years of #mommy promised that if you all sit down and shut up we can have another war when the humans are dead #as a form of enrichment for their underlings #and they're just going along with it because that's the grind #incidentally I enjoyed how childish the angels were this season my pet theory is that they and the demons also have free will but no one #noticed so they've all just been making themselves miserable enforcing corporate culture and plotting each other's downfall because it #didn't occur to them to do anything else #gabriel and beelzebub realizing there's more to life and they can simply say fuck it and make something good between them #implies other angels and demons can do the same! as does Muriel obviously #like they are torturing each other. in much the same ways that humans are torturing each other #sad for Aziraphale and Crowley they care about earth & humans #which is a real problem they have that Gabzebub do not #and also that Crowley is in denial about how much he wants to be good and Aziraphale is in denial about just so many things and also #committed to being an ass about it. #these are problems that Gabriel and Beelzebub do NOT have because they are goal oriented and keep their eyes on the prize #good omens spoilers

[opens-up-4-nobody]

...

#so my mom's wake thing was today and that was a lot. not in an emotional sense but in a im standing here talking for 3hrs #to ppl i dont kno or barely kno. ya kno? but it was good bc so many ppl showed up to talk abt her #so many people. my mom made a huge impact on the school system. so many ppl relied on her. she encouraged at least 2 ppl to get their #master. for one person to specilize in helping the dyslexic after her experience advocating for 3 dyslexic daughters. she wrote and was #awarded a 10000 dollar grant for special needs and intervention curriculum. which will affect so many lives. #everyone loved her. she's gonna get a track meet named after her and a scholarship created in her honor. #she was an amazing person and she affected a lot of lives and im glad she was my mom. and she raised at least one jem in my littlest #sister who is so sweet and is a great teacher. god but there was some weird stuff too. were pretty sure her old boss was in love with her. #and there were some weird comments abt her being a strong woman or this woman doing so much and its like hm y do i detect a note of sexism #y not say she was an amazing person? y the surprise? weird comments about how pretty i looked. which yes i looked great lol. my funeral fit #was cute. we did bright colors bc it was a celebration not a dower event. and im sure it was ment well but it was a lil weird. and then #everyone was telling my grandma what a great job she did raising my mom and like god fuck off she didn't do jack. my mom was great despite #her terrible mother. ugh. but altogether it was good that everyone was able to express their love for her. it was def a day that was for #them mostly. i mean partly for us but mostly for them. none of us even cried. ay but we have 2 more parties in her honor #bc everyone loved her so much we have to do one in her hometown too. plus a personal friends get together. ugh. im so tired #i wish i wasnt the most awkward. eye contact avoidant person in the room but like ya kno. what can ya do? #unrelated

[lee-blogs]

I can’t wait until i get my drivers license. I’ll finally be able to just go for a quiet drive when it’s so late that everyone else is asleep and I’m feeling lonely and need to just get out of the house for a few hours. I’ll just be able to drive somewhere, park my car and stare up at the stars.

I think that’ll be nice...

#lee rambles #that's really the terrible thing about needing to rely on others for transport #coupled with the fact that all my friends are online... i can't just go meet them on a whim #maybe someday i'll be able to... i hope so #There are so many things i've never done with friends... i just hope i'll be able to do all of it someday #Like sleepovers or having a bonfire with them or going somewhere fun with them #i want to do it all #because i love them and even though i've only known them for just over a year #they... mean so much to me #I don't know what i'd do if i lost any of them #It's a crazy experience; going 5 whole years with no friends whatsoever; then finding yourself with some who love you #it's really eye-opening and confusing and... a little scary #but in a good way #I just find myself really realizing it sometimes and i just have to pause and take a moment to let myself get emotional #We may have our moments of ups and downs; but no matter what; i've loved them and they've done the same in return #I love them

[runthepockets]

Sometimes you become so overwhelmed with love with humanity you start crying into your breakfast.

#'You know I only say it because I'm genuine don't be a hard rock when you really a gem baby girl respect is just a minimum' #has been living with me for like 18 hours. What a kind and insightful thing to say to other girls going through a hard time. #And I've been thinking a lot about how I wanted to be a teacher when I was a teenager. Cus I love kids and I want to play a guiding role. #And how so many teachers do the same every day but still so many teachers end up aggro and burnt out because the education system here #doesn't care about them or their personal time. #And also thinking about FD Signifier's Kanye video and how he was SO excited to finally have an avatar as a black man #And how I feel like that about Denzel Curry now #Idk we just have so much to offer as a species I get overwhelmed with joy and sorrow because we're not at full potential under #capitalist patriarchy. The fact that anyone could fault humans as a species rather than the terrible conditions we live under is so crazy.

[mothmans-legs]

Ohmy fuck I feel so bad I walked past this construction guy on the way home and he actually seemed rlly nice and he said hi very cheerfully but since all the construction nearby my house started (the whole area is basically a swamp, there were like little ponds and streams with frogs in 'm and everything) that whole areas been bulldozed I didn't process the vibes fast enough and I had the Wrong expression on my face (annoyed) and I feel rlly bad, like he doesn't have a choice in this matter really like we're all stuck in an eternal loop of capitalist hell and the jobs pay well enough here that people do them a lot and ugh I really hope that didn't make him feel bad if I see him again I think I'll apologize augh

#ugh its so conflicting too in my brain bc like the things being done by the construction workers are terrible but #do they really have much of a choice - its not like they made the plans and they cant just. not do their job #they need to do that to make money to survive but they shouldn't have to ughghg #i loved that swamp with my whole heart and i watched so many little bird families thrive in there. #we might not get the warblers or baltimore orioles or vieros around as much this year because of all the construction #all for them to build shitty soulless geometric gray apartment buildings in its place #guh i hate capitalism i hate governments #theyre doing what- 400 “luxury suites” #with the expectation of at least 1-2 cars per tenant- (theyre doing underground parking too???? #in the area thats already had flooding issues like???) #and our access road to the townhouse complex i live in is TINY. we already have traffic issues esp because #1: we are at the bottom of a hill 2: the complex is coming off of a super busy main road #we've already had major traffic issues in the past #like you cannot be serious #ive almost been hit there like 3 times within the past year and theres been a good 4 different accidents directly at the crosswalk #a good few as well nearby #not to mention how many ppl walk to places from here since its right in the middle of the upper half of the city #ugh #mbmb had to rant for a second #rant post #vent post

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

#dungeon meshi #dunmeshi #laios touden #shuro #toshiro nakamoto #the winged lion #autistic #autism #clay writes #i GUESS #this was so spur of the moment. im so busy right now i dont have time to be analysing laios touden #i wuont angry autistic rep..

[186-3]

courting antisemitism

so i recently decided to take a look at the latest stonetoss comics (probably because i love suffering). and while i was expecting some content on the israel palestine conflict, what i did not expect was how... standard it seemed. well, most of it at least, but i'll get to that in a second.

for context, if you don't know what stonetoss is, it's a (poorly drawn) webcomic known for having radical alt-right views - meaning it's incredibly racist, homophobic, transphobic, islamophobic, antisemitic. all that fun stuff.

so while i was expecting to see bad stuff, one of the first things i saw on the topic of israel was this:

terrible art aside, this comic is making a point that i usually see in left wing circles: that israel is pinkwashing genocide.

curious if there was more like this, i kept looking, and the comic right before that one was this:

again, this makes points that i usually see in left wing circles. that american healthcare is crazy expensive, that canada tells poor people to commit suicide, and that israel is bombing hospitals.

why does stonetoss, this well known alt-right nutjob, now seem to be bringing up left-wing talking points?

curious, i kept going deeper:

well this is... odd. clearly, stonetoss is trying to say that israel is on another level of bad, even worse than russia, iran, and north korea. i can possibly see someone on the left making the argument that the russian invasion of ukraine isn't as bad as what israel is doing in gaza, or that at least north korea isn't invading any other countries, but... iran??? the country that has a police force designed to enforce religious law, and gets away with murdering women who do not properly cover their hair? the country that props up paramilitary groups in countries all over the middle east, including lebanon, yemen, and yes, palestine?? that's completely ridiculous

but, given how much more israel is in the news nowadays than any of these other countries, i could see why someone would buy this

and now, we're starting to get to the crux of what stonetoss is trying to do. when someone sees this, they might be inclined to agree with it. they might begin to think that israel is the worst country on the planet

and that might not seem so bad at first. but the more you hate israel, especially irrationally, the more you feel allowed to dehumanize those who support it. the more you might be willing to agree with this comic, which came out two days prior to the one above

this comic says that jews, as a whole have no desire to exist with other people. it is blatantly antisemitic

i'm sure you could imagine some young leftist who sees the comics above this one and thinks, "this guy makes some good points". and then, when they get to this one, they might realize that this is antisemitism

or, they may not.

and that would start them down the road to becoming an antisemite.

this is what stonetoss and other alt-right nutjobs are hoping to achieve. to take left wing fury at israel, and direct it at jews.

we saw it with those neo-nazis at the palestine rally, and we're seeing it again here.

and if you've found yourself agreeing with what stonetoss has said so far, i would like you to see the last comic stonetoss put out before october 7th:

this horrifically racist comic is in reference to an environmental activist who was murdered by a black man in early october. this blatantly racist garbage is the kind of stuff stonetoss usually puts out.

but as soon as october 7th happened? these were his next two comics:

stonetoss completely changed the comic's tone as soon as the current crisis started. why?

to get as many people as possible to get on board with hating jews.

and i know many of you might be thinking that "well, everyone knows that stonetoss is racist garbage. nobody is going to fall for this"

except, as we saw with the neo-nazis at the rally for palestine, it's not always that obvious who the antisemites are and who is just rallying for peace. they are often a lot better at disguising it than stonetoss is.

AND EVERYONE NEEDS TO BE AWARE OF THAT

EVERYONE, no matter HOW much experience you have, can fall victim to propoganda. EVERYONE needs to be aware of what people around them are saying, and able to pick out hateful rhetoric, because even the stuff that is just kind of toeing the line of what's hateful is still putting your foot in the door

be cautious, everyone. and stomp out hate where you see it.

#israel #palestine #stonetoss #racism #antisemitism #tw racism #tw antisemitism #jumblr #rant #long post

[toastsnaffler]

i will ALWAYS be salty abt the ed-sheeranification of one ok rock (one of my fave personality-building anecdotes i explain at parties to ppl getting to know me) but the fact is that takas voice is soooo hot he could sing the words on the back of a milk carton to the tune of a t*ylor sw*ft song + id probably still listen to him. sorry

#well actually that isnt true bc i very rarely ever listen to oor anymore. theyve made so much terrible music its tainted their good shit #but like twice a year i go back thru their discography and reminisce over niche syndrome.....a guy can dream #whenever they release new stuff i always get my hopes up theyre gonna go back to their roots and they never do. saaad #but i have this weird grandmotherly love for taka whenever i see him in music videos for his new stuff im like aww how Nice :^) #wish he hadnt outgrown his emo phase but thats ok im glad hes enjoying himself and the band seems to be popular still #.diaries #i do have a big old soft spot for ambitions era even if its kinda mid. its associated w a lot of nice memories i have of my ex #if nothing else i appreciate how earnest their music was around then.... god listening now and i still know All The Lyrics lmfao #still mad they replaced the japanese vers with an english rerecord for release outside of japan tho. that was unnecessary 😐 #maaann my ex had VERY different music taste to me but its sweet how many bands are rose tinted for me bc of them #like theres some stuff i would never have voluntarily listened to. but listening to them talk excitedly carved a niche in my ears #they made me a bunch of playlists for things they found that they thought id like.. i still have some of them saved/backed up #im surprised some of the ogs still exist tbh bc they unfollowed me on spotify + privated/deleted a ton of shit like a year ago #but a couple r still standing.. idk id like to think maybe they left them bc they had some nice memories too. i could never hate them man #SORRY FOR TALKING ABT MY EX AGAIN this music just takes me right back. im v glad we're not dating or in each others lives anymore #but also u cant be that close w someone for that long without them having a lifelong impact on u. or at least i cant anyway #and its nice to remember them fondly sometimes even if we were both cunts to each other. hope theyre doing alright wherever they are #god i need to start dating again its so fun i miss it so much. once im settled in the new place + i have a secure job.... #i mean ik who id LIKE to date but im pretty sure that aint happening lmaooo. ill get over it i love meeting new ppl anyway #okay enough rambling im gonna go make lunch if ur reading this far ily hope ur having a nice day XOXO aaaaand post

[motheyes]

i wish i had more time to process all this shit i’m going through

#also Uh yeah we are dating like fr now 😳 #it’s casual still but like. omg #my little heart. i feel crazy #i wanna do more with them it’s just hard with the distance #even tho it’s not even that far lol #just so much going on. i have so much stuff to do #tomorrow is true catch up for me #getting gifts done and then on thursday i’m gunna look for more gifts #for my other friends bday #and a gift for my dads wedding #and going away presents for my managers #like that’s too many things. i love gift giving it’s a top love language for me #i invest lots of time into choosing and making stuff for people #so having to rush gifts makes me feel terrible #i wanna take my time and make things special <3

[sarahreesbrennan]

Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?

Genuine question.

Ohhh, my dear anon, I don't believe this is a genuine question.

But it does bring up something I've been meaning to talk about. So I'll take the bait.

Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.

Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.

… I have to say from my experience of women and men's writing, I haven't found that to be true.

I’m not in this to have an internet argument. I prefer to leave my anons open since not everyone has a tumblr, as @neil-gaiman says it’s an internet backwater, but a lovely one for those like myself who enjoy an essay about fictional characters! Still I will close my inbox to anons if I must. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.

I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.

In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.

Depiction isn't endorsement. Depiction is discussion.

Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.

I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.

I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?

I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.

If the moral thing to do is shut people out and shut people up? Count me among the villains.

#bookblr #discourse #in other lands #long live evil #les mis #carmen maria machado #writing

[drchucktingle]

Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!

very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.

all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.

i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.

now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.

the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.

if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'

do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is

by creating ANYTHING you are proving love is real, and that is something to be proud of

#buckaroo lifestyle #art #creation #chuck tingle

[neil-gaiman]

Hi Neil,

Regardless of if you ever see this I’ll be happy the sentiment was put there.

As I got into adulthood I lost touch with many of my interests and hobbies. Things like study and work seemed to take over my life and I forgot about many of the things I enjoyed that kept me sane as a child.

But after watching and reading Good Omens I’ve done 4 things:

1. Picked up the piano again after 10 years not playing just so I could learn the theme song. I’ve been at it for months and I’m usually terrible at sticking to things but I’ve promised a friend we are going to do a duet with them playing the kazoo so I have to now obviously

2. I started to draw again on a regular basis

3. I started to write again for the first time since I was a kid and found I actually have quite a passion for it. I’d like to publish at least one book some day with my own illustrations

4. I retuned to tumblr and was pleasantly surprised to find such a wonderful fandom who all love this story as much as I do. And I think it’s wonderful you are also here to watch us all adore it. And so that we can send our appreciation back to you and everyone else involved in making it come to life.

The love and care you and Terry have put into it is so clear. This story and seeing how you interact with the fandom reminded me of how important story telling and creation is to the world. And its lead me back to many things I’d thought I had lost. So thanks to you and every other creative out there, it’s easy to get stuck in our bubble and think what we’re putting out there doesn’t matter. But if you or Terry had given in to that kind of thinking we wouldn’t have Good omens! And that’s something I like to think about when I doubt what I make.

That makes me very happy.

[foone]

Look if there's one thing, just one thing, that I wish everyone understood about archiving, it's this:

We can always decide later that we don't need something we archived.

Like, if we archive a website that's full of THE WORST STUFF, like it turns out it's borderline illegal bot-made spam art, we can delete it. Gone.

We can also chose not to curate. You can make a list of the 100 Best Fanfic and just quietly not link to or mention the 20,000 RPFs of bigoted youtubers eating each other. No problem!

We can also make things not publicly available. This happens surprisingly often: like, sometimes there'll be a YouTube channel of alt-right bigotry that gets taken down by YouTube, but someone gives a copy to the internet archive, and they don't make it publicly available. Because it might be useful for researchers, and eventually historians, it's kept. But putting it online for everyone to see? That's just be propaganda for their bigotry. So it's hidden, for now. You can ask to see it, but you need a reason.

And we can say all these things, we can chose to delete it later, we can not curate it, we can hide it from public view... But we only have these options BECAUSE we archived it.

If we didn't archive it, we have no options. It is gone. I'm focusing on the negative here, but think about the positive side:

What if it turns out something we thought was junk turns out to be amazing new art?

What if something we thought of as pointless and not worth curating turns out to be influential?

What if something turns out to be of vital historical importance, the key that is used to solve a great mystery, the Rosetta stone for an era?

All of those things are great... If we archived it when we could.

Because this is an asymmetric problem:

If we archived it and it turns out it's not useful, we can delete.

If we didn't archive it and it turns out it is useful, OOPS!

You can't unlose something that's been lost. It's gone. This is a one way trip, it's already fallen off the cliff. Your only hope is that you're wrong about it being lost, and there is actually still a copy somewhere. If it's truly lost, your only option is to build a time machine.

And this has happened! There are things lost, so many of them that we know of, and many more we don't know of. There are BOOKS OF THE BIBLE referenced in the canon that simply do not exist anymore. Like, Paul says to go read his letter to the Laodiceans, and what did that letter say? We don't know. It's gone.

The most celebrated playwright in the English tradition has plays that are just gone. You want to perform or watch Love's Labours Won? TOO FUCKING BAD.

Want to watch Lon Cheyney's London After Midnight, a mystery-horror silent film from 1927? TOO BAD. The MGM vault burnt down in 1965 and the last known copy went up in smoke.

If something still exists, if it still is kept somewhere, there is always an opportunity to decide if it's worthy of being remembered. It can still be recognized for its merits, for its impact, for its importance, or just what it says about the time and culture and people who made it, and what they believed and thought and did. It can still be a useful part of history, even if we decide it's a horrible thing, a bigoted mess, a terrible piece of art. We have the opportunity to do all that.

If it's lost... We are out of options. All we can do is research it from how it affected other things. There's a lot of great books and plays and films and shows that we only know of because other contemporary sources talked about them so much. We're trying to figure out what it was and what it did, from tracing the shadow it cast on the rest of culture.

This is why archivists get anxious whenever people say "this thing is bad and should not be preserved". Because, yeah, maybe they're right. Maybe we'll look back and decide "yeah, that is worthless and we shouldn't waste the hard drive or warehouse space on it".

But if they're wrong, and we listen to them, and don't archive... We don't get a second chance at this. And archivists have been bitten too many times by talk of "we don't need copies, the original studio has the masters!" (it burnt down), or "this isn't worth preserving, it's just some damn silly fad" (the fad turned out to be the first steps of a cultural revolution), or "this media is degenerate/illegal/immoral" (it turns out those saying that were bigots and history doesn't agree with their assessment).

So we archive what we can. We can always decide later if it doesn't need preserving. And being a responsible archivist often means preserving things but not making them publicly available, or being selective in what you archive (I back up a lot of old computer hard drives. Often they have personal photos and emails and banking information! That doesn't get saved).

But it's not really a good idea to be making quality or moral judgements of what you archive. Because maybe you're right, maybe a decade or two later you'll decide this didn't need to be saved. And you'll have the freedom to make that choice. But if you didn't archive it, and decide a decade later you were wrong... It's just gone now. You failed.

Because at the end of the day I'd rather look at an archive and see it includes 10,000 things I think are worthless trash, than look at an archive of on the "best things" and know that there are some things that simply cannot be included. Maybe they were better, but can't be considered as one of the best... Because they're just gone. No one has read them, no one has been able to read them.

We have a long history of losing things. The least we can do going forward is to try and avoid losing more. And leave it up to history to decide if what we saved was worth it.

My dream is for a future where critics can look at stuff made in the present and go "all of this was shit. Useless, badly made, bigoted, horrible. Don't waste your time on it!"

Because that's infinitely better than the future where all they can do is go "we don't know of this was any good... It was probably important? We just don't know. It's gone. And it's never coming back"

#Archivist ranting