if dorian didn't show up, do you think louis would have shot minnie?
I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.
Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.
Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.
Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.
Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.
Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.
If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.
So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.
i don't know how to be merely acquaintances when we used to be friends. or i think we used to be. i don't know how to yearn for a simple hello when you've been heaping your affection on me months ago, and i don't know how to talk to you when you won't say anything. when suddenly it's all about me. you know i have nothing to say, you know my brain is void of everything but horribleness and i cannot tell you about my day because i don't even know about my day. i cannot tell you about my day when i know you won't listen, when i know you'll apply your philosophy to my world and don't believe me when i say that everything is terrible. i don't know how to be the person you seem to think i am, or the person you want in your life. i don't know if you want anyone else in your life now that you're in love and sappy, found another recipient for your affections, leaving me empty and wounded and yearning.
you said you missed me. said it many times, while i was gone. now i'm back, have been back, and i wonder how you missed me, why you missed me, when you won't talk to me. i think you mistook missing for worrying. i think you mistook caring for a feeling of obligation. i think you like missing me more than talking to me.
and i think i can't breathe with how much that hurts
I never get to post about this AU so this prompt had me PUMPED!!! This is Emmet from my Stelleret AU, where he made a deal with a star weaving, soul eating, spider Ultra Beast in order to find Ingo. He gave up his physical body for Stelleret's interdimensional/time travelling powers on the condition that he would continue to feed it. So they fused and now Emmet's a weird monster thing trying to manage the hunger of the other soul in the vessel and also find Ingo, wherever he is. There's more but I don't want to bore the audience rn ^^* if I have time I might post doodles/sketches, since this is one of my favourite AUs I've written but also very tedious and longwinded to explain. Anyways, hope you guys like the art and have a good day!
I still don’t get why El should break up with Mike,she looks happy with him :/
For me the Duffers can’t write,that’s it
I would have agreed on S3, but S4 brought up the issue of Mike being unable to tell her he loves her and how she feels like he's just idolizing her for her powers and by how that whole issue was handled, it feels to me like his respose wasn't satisfactory in the slightest.
Not only was he unable to tell her he loved her as she expressed her doubts and cried in front of him when she was without powers, when he does tell her he loves her it's prompted by someone else, during a moment of emotional stress, quoting someone else, STILL talking about her powers, when she has her powers back. Not to mention, the whole speech is meant to urge her to fight.
That monologue didn't solve the problem AT ALL. If anything, it confirmed her fears.
Which is why, if I was her, I would break up with him. Because he doesn't seem to understand the problem and that alone would make me feel like he doesn't really love me for ME.
Not to mention his monologue paralleled what papa told her before he died. Since her whole character arc is to leave behind everything that trapped her in her life, to finally find herself, by the way they framed the whole situation with Mike, it also feels like she should leave Mike behind too.
I wouldn't be saying this if they handled S4 differently, but right now? They are not very good together.
I mean, Lumax had that super cute, super simple but meaningful scene where Max laughs after a long time and Lucas goes "I missed it. Your laugh" and it's so powerful because you can tell he SEES her, missed her, they aren't even shown half as much but their relationship got such good development.
Can you imagine S4 Mike telling that to El? Not once did he mention a personality trait or soemthing about her that didn't relate to her powers. He romanticized their first meeting (we see that when he says "It's not fate" too) and talked extensively about what she can do. And when it came to actually talk about who she is, he could only say she's a superhero. Which ties in with the whole am i a monster? doubt she had. Except she already solved that issue. She knows she's not a monster, she left the real monster behind when papa died. She didn't need Mike to tell her that, in fact, he had already told her that when they fought the first time. She needed Mike to love her for something OTHER than that.
He didn't.
He didn't mention one single thing that wouldn't make her doubt his feelings.
The issue she had with him at the beginning of the season? Still there. The difference between his arguments during their first fight and his monologue is just that he added "i love you" (prompted).
So yes, if I was El i wouldn't be happy with that. I would only feel like there's no return. He failed her. Romantically.
She's happy with him because she does love him, but the point here is: does that suffice to keep the relationship going? Is their relationship what she wants? And I think at this point it's not. It keeps falling short compared to her expectations. She feels like she has to be someone "cool" to keep him interested (she lied about her situation when she didn't have her powers).
So yeah, I think to fully find herself and her value beside her powers, she should break up with Mike.
I'm not saying Mike is a bad person (well he wasn't good either this season but that's beside the point), I'm saying he has overly romantizised circumstances (based on what he said) and his inferiority complex doesn't help their situation. They bring each other down without really intending to.
And that's not good for her. She's working on herself, but he needs to work on himself too, so right now they are onto two different pages, and that would most naturally lead to a break up to me.
i know it's the tiniest of moments but the way merlin was waiting for arthur in his room without him there, and the way arthur doesn't even react when he walks in to find merlin i'm-
....does anyone have that master post of good compression tops and/or binders? Or even just recommendations, honestly, I am figuring some stuff out. This would be for occasional use so, like, even just a good compression sports bra could be helpful. Appreciate any input 💜
also god of war ragnarok was pretty good! liked kratos actually softening and understanding and trusting atreus! kratos loves his son and was unwilling to let the cycle of violence continue....he wanted atreus to be able to trust him, and he did that by trusting atreus first. he learned to let go but to also let atreus know he'll always have a home with him and mimir and freya. very sweet story in the end, ignoring poor fuckin sindri...
also liked the re-focusing of the creation of jorgonmandor and fenrir, very cool interpretation of the myths to fit the story. angorboda was so sweet and her friendship with atreus was so cute
NOOO this is reminding me of the arranged marriage au idea ive had w the tsaritsa........
shes always so stiff n serious and you think that she hates you but really she's just awkward and afraid of loving someone again. her trying to keep her distance and not get attached but someone tries to kill you n she snaps. you've never seen her show so much emotion but also she just..looks so scared and she's trying not to be overbearing but even if you got a small cut that's no bigger then a papercut she's panicking.
evil murderous women who have a soft spot for their partner and everyone knows abt it even though they try to hide it........
leaves this and runs 🏃♂️ - eros
ARRANGED MARRIAGE AU- ofc you have an arranged marriage au with the tsaritsa/lh
As soon as people find out you're the object of the Tsaritsa's affection (because no matter how much she tries to hide the fact she has feelings for you it's painfully obvious) an assassination is planned on you. You're the Tsaritsa's weak point, if they can get to you (which they're confident that they can) then they can get to the Tsaritsa.
But then the Tsaritsa went ape shit as soon as she found out about it. Yeah she's burying her feelings, and yeah she's pretending she doesn't care about you, but you're still technically married (or at the very least you're a very important person in her court) and she cares a lot about you. Even though she's still pretending she doesn't. She's not convincing anyone, not even herself at this point.
But, feral, monstrous Tsaritsa going ape shit over someone trying to hurt you <333 she's so pretty <33 she's towering over you asking you if you're okay with her large hands and fangs covered in blood but y'know it's kinda hot-
There is something I do that interferes with my daily life to the point it's causing me a loooot of distress and discomfort and shame and I wanna stop it but it's genuinely so embarrassing I am taking it with me to my grave at all costs
The meadow is a normally quiet and peaceful place, tucked away from the busy world around it, where the only life tends to be the passing griff, the mischievous hexies dancing amongst the brightly colored flowers, or an escaped goat that had wandered far. A cool wind carries the distant birdsong here, and takes the sweet scent away to equally distant parts of the isles. Part of that peace comes from the strange air that settles over the area, warning off most travelers and unsettling to the locals who whisper of curses. They’re right in so far as it is magic that they feel in the air here, and could see too, if they bothered to be here this early, the sun just beginning to rise, with her light catching on spiderweb thin strands of silver Cast. A starry field within reach.
There wasn’t just birdsong on the wind now though, nor just the usual creatures flitting about. Instead, the haunting notes of a half forgotten lullaby were drifting from the figure playing a flute in the meadow’s heart, and an amphithere circled overhead.
They never dreamed that a slice of heaven such as this could be cast-touched, but here it was and here they sat.
A heavy dark blue cloak, like those worn by mourners, obscured most of their body. The loose brown shirt they wore and baggy cargo pants added to the effect of hiding their frame. From their thin hands and face, most assumed the rest of them followed suit. Though most strangers’ eyes were drawn either to the simply carved wooden cane at their side, the heavy scars that crawled up their neck and left side of their face, or to the silvery left eye that so differed from its dark brown, near black counterpart. Some of the scars made it to the back of their left hand too.
Like so many of the Korryn inhabitants, white freckles dusted their tan skin. Though unlike most, their brown hair was short, barely reaching past their chin, and a mess of tangles from their recent travels.
Their bag lay next to the cane, a heavy thing for most to carry, but rather light and small for it containing everything they owned but what they wore. Its contents were enough coin to buy travel and food in the next town, a couple well worn shirts and pants that had been clumsily repaired, letters that weren’t ever read, a small threadbare blanket, a canteen, a needle and some thread, a carved figurine of a wyvern carefully wrapped in a scarf—also usually untouched—, rope, and a case for the flute they played.
Here, they seemed as close to relaxed as possible. They swayed slightly with their music, their eyes were closed, and their body was loose, though their long Sharial ears twitched with every new sound and movement around them, and their eyes moved rapidly behind their eyelids. Every so often, their face would contort with pain, though it was there and gone in a second. Still, it was more honest than most of what they showed the world.
As the last notes of their lullaby were carried away, they opened their eyes to the early light of dawn over the meadow. They would have to start moving soon. On to the next town, the next crowd to get lost in, always having to stay several steps ahead.
For now though, for just these few seconds they could rest.
The amphithere settled around their neck, her feathers and scales changing from the same deep blue as their cloak to a calmer green reminiscent of the flower stems. With her familiar weight pressed against them, their body relaxed the rest of the way, and Oliver Rook lowered their flute, and shed the tears they had been holding back.
going on a big time rush nostalgia rewatch and i find it so fascinating how they handled addressing actual issues (homesickness, psychosomatic illness, fear of rejection, emotional repression)
like multiple times a character will plainly just. state the problem a character's having (ex: when bob tells logan that logan's relationships never work because he's afraid of rejection; when the therapist in that one ep just straight up says james' tanning spray addiction is because he feels estranged because of the pressures of his career; or when logan says that james' sickness due to him losing "swagger" was psychosomatic), just to have the other character respond by saying "what lol?"
it's so... interesting. because the writers clearly realized their core audience (kids) probably wouldn't understand the point when it's put in more "adult" terms (like kids aren't going to know what the hell "psychosomatic" means, or truly understand what fear of rejection in romantic relationships is), shown by how the point would be re-addressed sometime else in episode in much simpler terms. yet they still did it?
i mean, i don't dislike it. as an almost adult, it gives me a much greater appreciation of the show that i didn't have when i watched the show when i was 8. it's just... something i've really noticed.