Small details in the owl house that mean a lot to me
Principal Bump offering teenage Eda a stress toy to help with her destructive tendencies in a safe way.
In reaching out, when Alador goes in for a hug and Amity stops him in favor of a handshake.
When Amity knows Luz is lying to her about the human realm but still makes a point to not go through her phone.
Willow showing Gus how to breathe through his anxiety attack, and in turn Gus showing Hunter how to breathe through his panic.
Eda holding back King and Hooty from crowding Luz and Hunter when they get back from the emperor’s mind.
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having autistic high masking steve thoughts..
steve harrington who’s black and white is these are the rules and you follow them. you turn up at school, you show your face at dinner, you do your hair and brush your teeth and speak when your spoken to. steve harrington who doesn’t want to be alone at lunch, knows that making friends in important because it’s the only thing his mother asked him after his first day, and he wants to be able to say ‘yes’ if she ever asks again. steve who loves to swim but hates how the shower water beats on his skin after, how the shampoo always get all over his face and he’s never given time to wipe it off in the right way, can’t seem to say how it makes him want to scream. all he knows he can’t scream because that’s ‘bad behaviour steven’ and then he won’t be able to swim. so he swallows it, he detaches, he only half exists in the shower and he feels a mass of dark smoke churn in his chest.
steve harrington who heard what the other kids said, how they spoke about the older kids, how people spoke on the tv. learned that when he grew up that he’d need to talk to girls like he wanted to date them, kiss them. talk to guys like he enjoyed hearing about their weekends, even if they were mean and annoying. even is he didn’t care and noticed how they never asked about him. but you’re not allowed to say that; your annoying, i don’t care, you make me feel bad. you have to listen and smile and fit in and be liked. not matter what.
steve harrington who’s smart and sensible and is good at recognising patterns. who knows how to survive, no matter how uncomfortable he is. no matter how tired he is by the evening, mind blasting static, no room do anything other than lay there. he doesn’t really know what he likes because he has no energy to do anything, anything other than going to school and go on dates. he got good at hiding how reading takes so long and writing never comes out in the right order first time. how so often he feels like his skin needs to just come off. how that scream is still sitting at the base of his throat.
he dreams of running away, to hide and just, be quiet. everything just need to be quiet and dark, for a little bit. for a while. but it can’t be, because he has to show his face, has to do his hair.
and then monsters exist. and steve survives, because he has to, because he can. he knows his role in the story, so he fights and he cares and he protects and he keeps talking to girls and he keeps brushing his teeth and when he gets beaten up it hurts, it’s uncomfortable, but what’s more discomfort when every day is uncomfortable. he’s always been uncomfortable but how can he ever not be, he has to follow the rules.
hurt/comfort pt2 & snippet pt3
ao3
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Jarchivist s3 design lol.
I’ve actually seen a lot of ppl drawing s3 Jon recently but oh well, I never claimed to be original. I really want to draw my takes on the whole archive crew + Georgie but my brain has been fixated on this guy for like a year now and it stops me from drawing literally anything else lmao (rip to my ocs, I miss them dearly).
[ID: A page of Magnus Archives fanart of Jon Sims, titled "Jarchivist S3" and appended with a doodle of a cat plus the caption "I headcanon him as being super normal about cats." Jon is a thin brown man with chin-length hair.
•The left shows a full-body of Jon, shown wearing a What the Ghost hoodie with a long red skirt and brown loafers labeled as "boring ppl shoes." The hoodie has an arrow pointing out the full design of the WTG hoodie, which features a cat ghost and is captioned "epic logo." Jon has bandages around his neck and right hand, and he's holding a tape recorder with a suspicious expression.
•The right shows a more cartoony full-body of him wearing a bright pink hoodie with purple cats along the bottom. His eyes are comically big and round, and he's labeled "About to meet unspeakable horrors" and "The narrative's favorite guy."
•The bottom left shows Jon from the chest-up, wearing a jack-o-lantern long-sleeved shirt and looking pensive as the Admiral sits on his arm. End ID]
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DPXDC Prompt #53
John Constantine had a son and he knew he did. He also knew his line of work was dangerous and he didn’t want his son to get dragged into it and possibly hurt or used against him. John left him in the care of his cousin Madeline Fenton, they always wanted a son but couldn’t have anymore after Jazz, their daughter.
John made several deals in his time especially with those in the infinite realm, he wanted to get warding charms to hide his son’s presence as well as get a tracking spell, he’s approached by Clockwork the ancient of time. He’s promised a spell that allows him to tell when his son is hurt badly or dead however his son becomes the king of the infinite realms upon his death. John felt very hesitant about taking this deal but goes through with it for the sake of Danny.
no one but Clockwork knew what was to happen shortly after Danny’s 14th birthday but it does make Constantine teleport to his side where he finds him alone in a crater where his house used to be. He’s taking his son to the Watchtower med bay.
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I think one of my favorite Funtermina things is how it uses characters as narrative foils, specifically in how those characters interact with each other and everyone else.
Karin and Daan’s is the most discussed as it’s probably the most apparent within the text: their volatile opposing viewpoints on life via their upbringings (despite being extremely similar otherwise). When Karin and Daan interact, it’s like a person arguing with themself. They clash like ammonia and bleach, unable to reconcile how similar they are (haha cleaning chemical analogy) yet toxic in their association.
Marina and Levi represent the different realities of Prehevil, what with Marina’s privileged upbringing versus Levi’s absolute shitshow of an existence. And yet, they get along incredibly well and form a cadence with one another because through each other, they can reconcile their upbringings in Prehevil. Levi is the Prehevil Marina tried to escape—Marina is the Prehevil Levi hoped to return to.
Marcoh and Olivia are interesting because—and I will argue this to the death—their relationship is wholly as siblings. And they’re also deeply connected by their relationships with their sisters, specifically how those sisters formulated and defined how they see themselves. Marcoh has done nothing but live to protect his sister, while Olivia has forever lived in her sister’s shadow. Their identities revolve completely around their sisters, and this also colors their relationship with each other as siblings.
I wish it was explored more, but I think there’s a level of disenfranchisement when Marcoh fervently tries to protect Olivia the same way he protected his younger sister (edit: rb for amendment). He clearly sees her in that role, and Olivia’s already got guilt written into her about her disability making her a “charity case.” I say this also because of their different opinions on guns, power, and death: Marcoh has no bloodlust and seems exhausted when he has to hurt others, while Olivia becomes almost jubilant when she receives a gun. And those reactions to enacting violence are directly informed by their relationships with their sisters: a begrudging responsibility vs empowerment.
My favorite is probably Abella and O’saa as foils. As characters they’re probably my favorites, and their foil makes it even better.
Abella easily connects with everyone around her, ensuring that they’re all getting along (or not killing each other) and she tries desperately to help everyone, even at her own detriment. She cares, so much, even too much.
O’saa on the other hand, is the exact opposite. He actively chooses to connect with everyone as little as possible, to the point where you can kill someone in front of him and he won’t give a shit. This is, obviously, to his detriment in terms of his goal towards enlightenment. He cares too little, even if at all.
They perfectly represent the dichotomy between altruism vs selfishness, the mundane vs the macro, democracy vs individualism. Fundamentally, both Abella and O’saa get shit done, and what makes them so compelling as foils is how similar the results of their different processes are.
Both of them are the only two that are capable of saving everyone. Abella does so by interacting with many of the other contestants, while O’saa does this by ignoring everyone and just occam’s razoring that shit. They both get shit done and to the greatest net success, but in both cases, because they operate on extremes, it’s to the detriment of themselves. The game shows this literally because, well, they sacrifice themselves to Logic for the greater good, but the game also implies this detriment via their moonscorches.
Chaugnaur represents how others have reduced Abella to a sexual object for their pleasure or a mindless brute for labor. It is a physical manifestation of how interacting and connecting with others can be to one’s detriment because Abella often cannot control how people see and define her. Mastermind, on the other hand, is O’saa’s brain swelling and overtaking everything else on his head to the point where he is blind (save for the eye) and mute, only able to speak in mumbles. Mastermind is how O’saa values logic, knowledge, comprehension over anything else, becoming blind to other viewpoints save for his own. Additionally, it’s unable to communicate or connect with anyone else, only able to ruminate get never share its thoughts.
Abella is one of the first to Moonscorch; O’saa is one of the last. I love them as foils because even though they’re the most different in terms of anything, they don’t hinder one another at much all. They’re just kinda chill. And this makes sense because their dichotomies aren’t volatile like Karin and Daan’s, nor complementary like the others. Rather, they operate in balance—you cannot be too altruistic without some selfishness. To help everyone and to achieve enlightenment, you must consider both the mundane and the greater picture. Society operates on a shared democracy and on empowering individuals.
Still, the fact that even operating on the extremes has the greatest positive effect (in terms of utilitarianism) really says smth abt whether these values even matter. But I’d argue that they do matter, cause it’s that question of whether it’s worth it to suffer or even sacrifice for the greater good.
As a whole, each foil represents a central theme/motif of Fear & Hunger: internal vs external locus of control (Karin and Daan), environment dictating identity (Marina and Levi), relationships and their impact (Marcoh and Olivia), and the thematic shitshow that is Abella and O’saa.
Tldr; the game is about some girls and their boy best friends.
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