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#I'M SCREAMIN
ijltln · 5 months
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"im looking for a book on apologies"
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pctentialbreakupsong · 9 months
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( behind you ) sender hugs the receiver from behind (surprise me)
Her eyebrows rose as thin arms wrapped around her, jumping slightly. She dropped her glass in the sink and wiped her hands off on her shirt. The brunette turned around, arms circling around the blonde's neck and she looked up. She rolled onto her toes to press their lips together, her hands gripping onto the other woman's collar to keep her close. Rachel found herself practically melting against her but doing anything in her power to keep her close. She rested her forehead against hers, offering a wide smile.
"I've missed you," she breathed, her fingers skimming along the sides of her neck.
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carlyraejepsans · 4 months
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that halfway stage of oc creation when you're closing in on the design or the personality or both but the other half of the character's still a nebulous concept and they don't even have a name but now they're alive and they demand to be heard. agonizing
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meep-meep-richie · 5 months
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# lokius summer au
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water-your-plance · 2 years
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Istg I can’t keep watching these movies lol it’s to real
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leatherjacketed · 11 months
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Possessed by the way S01 initiates with Sam wanting nothing to do with either John or Dean. He's already been looking at rings and he has his mind set on a future with Jessica. A future that goes up in smoke and leaves him bereft and a black hole of a man with nothing but an inferno of rage swirling inside of him. All he wants to do is hunt this demon, get vengeance, and then get back to school. Fill the void. And that's what Sam thought Dean wanted, too. Isn't that what he and Dad were always fighting for? But it's not. All Dean wants— has ever wanted— was to have his family back together again.
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The most important thing to Dean, even more than his wish for all of them to be together again, is keeping each of them safe. Nothing is more important than everyone's livelihoods. While Sam and John are driven by fear, anger, and grief, Dean is driven by love. As much as he wants to be with Sam and John again, that desire is not worth risking their lives, and nothing comes before that. Nothing. That's why when Meg uses them as bait for John and sics the Zoroastrian shadow demons on them, Dean insists on letting John go his own way. And Sam is furious. He's been on edge this whole time, wanting to locate John, wanting to get this hole in his chest filled already. He doesn't want to be sidelined in this quest for revenge because all that's all that drives him. The only thing fueling Sam is anger and rage. He's so much like John in that "obsessive" way, and mirrors him like that. Nothing in Sam's or John's mind comes before their mission.
That's why Sam tries to run after the demon into the housefire with the colt, and has to be physically stopped by Dean. That's why Sam is irritated with Dean for being laser focused on saving Dad after his capture, because Dad "would've wanted" for them to go after the demon. That's why Sam insists Dean doesn't bring the colt with him when they go on their rescue mission. Going after the demon is the most important thing. But not to Dean. Dean takes the colt with him, and uses a bullet that either John or Dean would've fired out of hatred and shot to kill— but Dean shoots out of love. He shoots to protect Sam from being beat to death, and does it easily. And it scares Dean, just the lengths he'll go to in order to save them.
And it's because Azazel acts as a loving father and not a man consumed by hate that understands why Dean would put Sam before the quest for revenge that Dean can tell it's not his dad. And when Sam is given the chance to finally end Azazel, with John shouting and begging him to pull the trigger, Sam doesn't. Because there's Dean behind him, softly pleading with him not to. Because Sam is finally starting to get it. Dean did everything to prevent either John or Sam from getting themselves killed chasing their demons and seeking to fill the hole. And in the end, Dean is the one who pays the price for them and ends up in a hospital bed in critical condition. And it's too little, too late when Sam shifts and finally realizes what Dean's been saying to him all along. He finally understands, and it clicks.
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Literally possessed with how S01 was a story about learning about things that were more important than revenge. About protecting those that we still have, rather than obsessing over the ones we've lost. But more than anything, I'm possessed with how Sam learns to love and let Dean in again. How he fills the black hole inside of him not by finishing off Azazel, but by letting Dean inside. Where "love conquers hatred," and "love is the most powerful force," Supernatural S01 is the most beautiful love story between two brothers there is.
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just-french-me-up · 2 years
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every french speaker's pet peeve : having a character introduced as French, like properly 100% born and raised French, and the closest the actor performing has ever been to France, French culture or the French language is Paris, Texas
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chatrakhem · 4 months
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FEBRUARY 29, 2024
MAN SUANG ON NETFLIX!!!!!!!
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junkmailmusubi · 3 months
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INSANE RAMBLINGS HOLD ON the Hyperfixation is Hyperfixating like never before so we're overanalyzing things in the club tonight ✨
i am beginning to notice a pattern with the boss level gimmicks.
1st boss - rhythmic glitching
2nd boss - window movement
3rd boss - musical number
4th boss - rhythmic glitching 2
5th boss - more window movement
guys. do you see it. guys we might get another sad musical number in act 6. do you see my vision,
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arashi-no-saxlphone · 10 days
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SORRY SORRY SORRY FOR POSTING REPLAY VULTURE VIDEOS BUT LOOK AT THE EXTENSION OFF OF NOSTROVIA FROM TESTAMENT GAME 1 ROUND 1 I'M SCREAMING WHAT THE FUCK THAT WAS AWESOME HELLOOOOOOOO I FUCKING MADE GORILLA NOISES OUT LOUD
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trans-rocketjumping · 6 months
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hi i love you. hi. hi. hello. yiure the best. smiles. grins at you even
All warfare is based on deception. (Sun Tzu said that!) How do I know you mean it..
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[he says this out of skepticism, not anger]
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meownotgood · 1 year
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OH MY GODOSHAHAJSJSJWJSNSNNWD
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deanncastiel · 23 days
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the emotions are so real 😭😭😭
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wildtornado-o · 30 days
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Thinking about Forthing again. Sorry.
So like, he's said to have been abandoned by his parents as a child at the docks, which is how he became an aviator, and then he mentions his sister's existence. So I'm wondering what their whole situation is... were they abandoned together or did they just keep in touch somehow?
(I WOULD ALSO Like more details on his relationship with his son. and like. the whole deal with his wife so bad)
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frozenbluecookies · 8 months
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So the Dracula Daily debate of the day (or the debate of yesterday I guess, i'm a little late): Did Bram Stoker mis-label the date on Lucy's August 30th letter, or is Lucy lying about everything?
My opinion: it's Bramothy's fault, but it wasn't the date he got wrong, exactly.
Explanation under the cut.
I think both theories have merit but also have problems. The "Lucy is lying about all of it" reading checks out in that Lucy has been shown before to put up a façade in order to not make others worry. The most concrete example is with her mother, when Lucy asks Mina to keep the truth of the sleepwalking mishaps from her, but there are also hints of that tendency to put others before herself earlier on, when she writes about rejecting Jack and Quincey and how she felt about it. So do I think she would lie because she doesn't want to make Mina worry/doesn't want to take Mina's focus off Jonathan? Yes, I think she would.
The problem here, though, is that I can't see a reason to lie about still being in Whitby. There's nothing worrying about being in London (as far as Lucy knows, at least). Mina knew Lucy was due to go back to London soon; she asked Lucy to take some of her luggage back. So why lie about it? And, on top of that, the letter is postmarked from Whitby, meaning it had to have been sent from there, unless Lucy has the means to fake a postmark (and that seems like an unnecessary amount of effort even if she could).
Ol' Bram getting the date wrong fixes that though, right? The letter actually was supposed to be sent earlier, while Lucy was still in Whitby, and was feeling better because Dracula had moved to London already. Simple explanation! Except. Except. That would mean that more things are mis-dated. Mina's letter informing Lucy of her marriage was sent on the 24th of August. Lucy's first diary entry, the diary entry in which she has already returned to London, is that same day. If Lucy's letter is mis-dated, that means that either Mina's letter or Lucy's first two diary entries are also mis-dated. And if Lucy's diary entries are mis-dated, then either today's letter from Arthur is also mis-dated or her second decline happens shockingly quickly. In short, it's a slight mess.
So, what I think. I think Bramilton did get his timelines mixed up, but the date on the letter is correct. It is supposed to be an August 30th letter. The timing of both Mina's wedding letter and Lucy's reply to it make sense that way. He just made a mistake about where Lucy was supposed to be on the 30th.
I think he did the thing that writers often do where you write some parts before others, out of order, and then later on you fit them together. Specifically, I think he wrote Mina and Lucy's letters together, but separately from the diary entries and such that are dated around them. And when it came time to piece everything together he missed the fact that the pieces he'd made didn't match up; that he'd written a letter from Whitby at a point in the timeline where Lucy is already in London. I've not read Dracula in its original format, but if I had to guess, I'd guess that the content from these last few days is not presented side-by-side, making the discrepancy easier to miss.
In conclusion, this is why you plan out your timeline before you write, kids. Particularly if your novel is epistolary.
Unnecessary addendum: if I were making an adaptation and trying to figure out what to do with this entry, I'd keep it dated August 30th, but have Lucy write about spending happy times with Arthur in London. She'd be lying, of course, to keep Mina from worrying, because I do think that's in character for her in this situation. That way you get to keep the the rest of the canon timeline intact, and you get to keep the juxtaposition of Lucy's second decline happening at exactly the same time as Jonno and Mina's reunion and wedding, Dracula's previous victim beginning to heal while his newest falls back into his clutches.
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outguilt · 3 months
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i need to write my lil dude more
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