Tumgik
#Let me know if you need a version without spoilers because I understand he was kinda outta nowhere asdkfJSLDGJSDLGSD
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
@priellan COME GET THE BOY!!! ✨
Some different ideas for how that could go down >:D And me picking something personally self indulgent again asdlfjsdLJSDGLDSJG I wanna see him with a Tangled rapunzel length hair braid... it would be so pretty...
947 notes · View notes
esther-dot · 4 months
Note
Do you think Jon and Sansa will meet again at Castle Black, and from there, they will plan to take Winterfell? Or will Sansa take Winterfell on her own and reunite with Jon along the way? I’m of the idea of two lost souls who, when united, find the strength in each other to take the land of their family. But I don’t know, I haven’t finished the books yet so I need guidance on this.
I don’t consider myself an ASOIAF expert, anon so I don't offer guidance, but I will def share my thoughts with you!
In order to talk about this, I'm afraid there are some ADWD spoilers, though. If you mind that, maybe revisit this post after you've read it? Short version, I agree with you. Sansa should be involved in retaking Winterfell because we need a Stark there:
Battles had been fought at Winterfell before, but never one without a Stark on one side or the other. (ADWD, Jon VII)
but I think the reunion happens first because of the The Girl in Grey theory. I'll explain more below the cut due to the major Jon spoiler.
In ADWD, a character named Melisandre tells Jon about a vision she has:
She stood beneath the scorched stones of the Lord Commander's Tower, cloaked in darkness and in memory. The light of the moon was in her hair, her red hair kissed by fire. When he saw that, Jon's heart leapt into his mouth. "Ygritte," he said. "Lord Snow." The voice was Melisandre's. Surprise made him recoil from her. "Lady Melisandre." He took a step backwards. "I mistook you for someone else." At night all robes are grey. Yet suddenly hers were red. He did not understand how he could have taken her for Ygritte. She was taller, thinner, older, though the moonlight washed years from her face. Mist rose from her nostrils, and from pale hands naked to the night. "You will freeze your fingers off," Jon warned. "If that is the will of R'hllor. Night's powers cannot touch one whose heart is bathed in god's holy fire." "You heart does not concern me. Just your hands."
"The heart is all that matters. Do not despair, Lord Snow. Despair is a weapon of the enemy, whose name may not be spoken. Your sister is not lost to you." "I have no sister." The words were knives. What do you know of my heart, priestess? What do you know of my sister? Melisandre seemed amused. "What is her name, this little sister that you do not have?" "Arya." His voice was hoarse. "My half-sister, truly …" "… for you are bastard born. I had not forgotten. I have seen your sister in my fires, fleeing from this marriage they have made for her. Coming here, to you. A girl in grey on a dying horse, I have seen it plain as day. It has not happened yet, but it will." She gazed at Ghost. "May I touch your … wolf?" The thought made Jon uneasy. "Best not." "He will not harm me. You call him Ghost, yes?" "Yes, but …" "Ghost." Melisandre made the word a song. The direwolf padded toward her. Wary, he stalked about her in a circle, sniffing. When she held out her hand he smelled that too, then shoved his nose against her fingers. Jon let out a white breath. "He is not always so …" "… warm? Warmth calls to warmth, Jon Snow." Her eyes were two red stars, shining in the dark. At her throat, her ruby gleamed, a third eye glowing brighter than the others. Jon had seen Ghost's eyes blazing red the same way, when they caught the light just right. "Ghost," he called. "To me." The direwolf looked at him as if he were a stranger. Jon frowned in disbelief. "That's … queer." "You think so?" She knelt and scratched Ghost behind his ear. "Your Wall is a queer place, but there is power here, if you will use it. Power in you, and in this beast. You resist it, and that is your mistake. Embrace it. Use it." I am not a wolf, he thought. "And how would I do that?" "I can show you." Melisandre draped one slender arm over Ghost, and the direwolf licked her face. "The Lord of Light in his wisdom made us male and female, two parts of a greater whole. In our joining there is power. Power to make life. Power to make light. Power to cast shadows." "Shadows." The world seemed darker when he said it. "Every man who walks the earth casts a shadow on the world. Some are thin and weak, others long and dark. You should look behind you, Lord Snow. The moon has kissed you and etched your shadow upon the ice twenty feet tall." Jon glanced over his shoulder. The shadow was there, just as she had said, etched in moonlight against the Wall. A girl in grey on a dying horse, he thought. Coming here, to you. Arya. He turned back to the red priestess. Jon could feel her warmth. She has power. The thought came unbidden, seizing him with iron teeth, but this was not a woman he cared to be indebted to, not even for his little sister. "Dalla told me something once. Val's sister, Mance Rayder's wife. She said that sorcery was a sword without a hilt. There is no safe way to grasp it." "A wise woman." Melisandre rose, her red robes stirring in the wind. "A sword without a hilt is still a sword, though, and a sword is a fine thing to have when foes are all about. Hear me now, Jon Snow. Nine crows flew into the white wood to find your foes for you. Three of them are dead. They have not died yet, but their death is out there waiting for them, and they ride to meet it. You sent them forth to be your eyes in the darkness, but they will be eyeless when they return to you. I have seen their pale dead faces in my flames. Empty sockets, weeping blood." She pushed her red hair back, and her red eyes shone. "You do not believe me. You will. The cost of that belief will be three lives. A small price to pay for wisdom, some might say … but not one you had to pay. Remember that when you behold the blind and ravaged faces of your dead. And come that day, take my hand." The mist rose from her pale flesh, and for a moment it seemed as if pale, sorcerous flames were playing about her fingers. "Take my hand," she said again, "and let me save your sister." (ADWD, Jon VI)
The vision keeps coming up and dictates some of Jon's decisions. Jeyne Poole (Sansa's friend) was forced to marry Ramsay in the guise of being Arya, she escapes, and people expect her to reunite with Jon and be the girl in grey (escaping a marriage, she was pretending to be his sister). Others point to Alys Karstark who runs to Jon to escape a marriage. The problem is, Mel doesn't know who it is, she only knows sister. People pick Jeyne because of the Arya connection, but neither she nor Alys are Jon's sister. And Jon has another sister, Sansa.
I would argue the reason that the girl in grey is Sansa (ie Sansa will flee North to escape LF's plots and reunite with Jon before Winterfell is taken/she is in a position of power), is if you read Jon's passage about the girl in grey, Jon being dead is written all over it. His white breath, the reference to him as a stranger, Jon telling himself he isn't a wolf...you see, here is the major spoiler...
Jon is assassinated at the end of TWOW.
Now, he may not actually be dead-dead, some of us have said he might be in a coma like Bran, but a) we believe he warged into Ghost (I am not a wolf--he will need to come back to himself, not lose himself in Ghost), b) the stranger = Jon is dead, c) the white breath = his body being cold cuz he's dead etc. The other side of this is, the way Jon sees Mel and remembers a different redhead can be viewed as foreshadowing for recently undead Jon seeing a redhead and mistaking her for Ygritte. The description of Mel's words like a song made people think of Sansa (it's been speculated Sansa's singing will help Jon remember things post rez/help him return to himself), and Ghost's strangely positive reaction to Mel may foreshadow how he reacts to Sansa as a familiar person. So, when I read that passage, it sounded to me like Sansa and Jon will be reuniting shortly after his rez, or even perhaps before his rez, so yes, I imagine that happens at the Wall.
Way back in 2013, a famous Jonsa essay predicted that Jon and Sansa would be reunited first of all the Starks, and then in 2016 that happened on the show which spurred a lot more discussion in the Jonsa fandom about Sansa being the girl in grey in the books as well.
I'll link some additional posts with various thoughts on how it might go.
Jon as the Stranger, Sansa as a silent sister. Pertinent quotes:
Then one morning she spied three women in the cowled grey robes of the silent sisters loading a corpse into their wagon. (ACOK, Arya VII) The women in grey bowed their heads. The silent sisters do not speak to the living, Catelyn remembered dully, but some say they can talk to the dead. (ACOK, Catelyn V) Grey was the color of the silent sisters, the handmaidens of the Stranger. (AFFC, Brienne VIII) When we find the Imp, we will find the Lady Sansa too. She is not dead . . . but before I am done with her, I promise you, she will be singing to the Stranger, begging for his kiss." (AFFC, Cersei IV)
@loveroflemons wrote a post in 2017 talking about Mel's prophecy and the map of the North to explain why Sansa is the Girl in Grey here. @une-nuit-pour-se-souvenir has a post explaining that Sansa is Ned's narrative heir and her path North will follow his here, and some general ideas for her TWOW story here.
@istumpysk talks about The Girl in Grey foreshadowing here. @aegor-bamfsteel tried to give us a time table here, @redteabaron has talked about the possibility that Sansa will be hunted by Ramsay for some Red Riding Hood parallels here, That and Sansa meeting Ghost while Jon is still out of it is discussed here as well. And this post talks about Jon saving Sansa from Ramsay while warged into Ghost using some king’s prize/thief quotes. I also found a Tolkien poem (Martin is a massive fan) that has Girl in Grey vibes here (not proof, just fun).
Anyway, it's a very popular Jonsa theory, for many of us, a given at this point. For a different ask i scrolled some BNF blogs and they mocked it a lot, called us delusional because they can point to the other girls as fulfilling the prophecy, but to me, that prophecy takes up too much space for it to disappear without a real payoff. It makes sense to me that Martin would use that vision to prep us for Sansa arriving in the North.
Let me know what you think after you read ADWD!
87 notes · View notes
zeephyre · 5 months
Text
CR3 EPISODE 78 SPOILERS
god. i love this fucking campaign. this one's gonna be long as shit.
despite how genuinely depressing this episode was, it also made me really giddy because i love hurt/comfort and there's no point of that if there's no hurt or angst.
im probably gonna go down the line with each member of bells hells, discussing what i can remember off the top of my head, i hope i don't forget anything in my rambles cause this was one of my FAVORITE episodes of the whole campaign and that's saying something.
i love ashton. i have loved ashton the most since the very beginning and for a lot of it i was really worried that ashton was deliberating running from opening up with bells hells while also going out of their way to have one-to-one convos with different members that were deep and insightful but never went as far as they needed to.
i am projecting a bit with analysis of ashton but taliesin does it best when rp'ing for ash and generally talking abt him in interviews. ashton reminds me of myself, which is not a compliment and is actually really terrible. ironically enough, ashton said the same thing abt fcg. i have spent a lot of time hurting myself by sabotaging the things i love, or embracing the worse parts of myself simply because it's become habit. there's always going to be a piece of you that finds the sadness, anger, guilt, emptiness, whatever -- comforting because it's all you've known.
ashton mourns a life that he never lived. i find myself mourning versions of myself that i would hate but still...yearn for them like an itch or an ache that comes from hurt. ashton wanted their family back, in whatever desperate, corrupted way he felt he should have done it, and hearing how he described feeling like he looked past the cautionary tale simply because he thought the pain they caused him should have meant something else made me think of imogen.
beautiful, sweet, powerful, dangerous, sad imogen temult. i won't comment on how everyone berated ashton because that's not really surprising nor was anything imogen said or did pertaining to ash shocking whatsoever. but... there's smth abt the destruction that ashton did to feel close to the idea of a family that doesn't really exist that just parallels so well with the fight that imogen has been undergoing since childhood. against the red storm, now against the call of ruidus, and the temptation and attachment she felt and still feels to her mother, despite everything liliana has done that jeopardizes everything imogen is fighting for.
abandoned by her mother, shunned by her own town, ignored and feared by her father.
going back to ashton again, there's smth to be said abt the guilt and shame that comes from making horrible choices that put yourself and the ppl you love in danger that forever changes the way they perceive you. I've done it. i had to fight to make things better. it can't be enough to love someone enough that would die for them, you have to fight to stay alive. if not even for yourself, for THEM.
i know it can be unhealthy to rely on others so much, but it's certainly not easy to fight for yourself when the foundation isn't there. learning how to love without throwing yourself on a blade is more important than self sufficiency. that comes afterwards.
i...don't like laudna's reliance on delilah briarwood this episode. i... there's smth very ironic about laudna being worried abt ashton's betrayal and the way he hurt her and the others with his deception and selfishness, coupled with my understanding of the absolute fucking insane, borderline stupid danger of even SPEAKING to delilah briarwood, let alone working WITH her.
i think it's hypocritical, but i don't feel any animosity towards laudna. just..sadness. delilah is a parasite. a disgusting, cruel, evil bitch who wants laudna to be... that weak little girl easily crushed under her thumb. she may preach abt laudna's latent power and potential, but laudna won't serve her purpose if she TRULY gains the strength to cast delilah aside forever. i don't think delilah was telling the truth abt their fates last episode, and that's why i so deeply want laudna to toss aside that defeatist mindset that has only gotten worse since episode one. maybe im wrong, maybe delilah was actually being genuine.
i kept watching imogens/laura's face during laudna's moments speaking with delilah alone, and it just made me sad because she didn't need to be alone. she had imogen, but she still felt the need to run and hide away. god i just want her to be happy.
i really liked the doll she made for ashton, even though delilah made it really creepy for no reason, the dramatic cunt she is. her assessment of ashton as being a child may seem rude or even a projection but to me it's the truth. ashton has not grown past his childhood. past abandonment and pain and mistrust and love that never lasts and always hurts. that shit followed them to adulthood and anyone who has any number of mental illnesses and childhood trauma will tell you that it's so easy to feel yourself stuck as a reactive, stubborn, bitter little kid trapped in a shitty cycle of pain. both ashton and laudna this episode felt like they were both broken, sad children interacting. laudna clinging to comfort from delilah, hiding away, mentally reverting to the person she was the last time she was in whitestone. ashton, clinging to his lost childhood and the acceptance of laudna's doll, the admittance that they'd never had a doll before. god... they're so sad, im gonna scream.
fcg apologizing for forcing faith down ashtons throat was sweet and so was ashton apologizing for being so bitter abt fcg's faith. now i just need fcg to apologize for the multiple instances where he put laudna in danger by casting turn undead with no acknowledgement of laudna afterwards.
fcg saying that ashton didn't love anyone or care about anyone hurt me a bit, because while i understood why they were saying those things, it was so... obviously untrue. before all of this, ashton has shown again and again and again how much he loves bells hells, and especially fcg. i know that ashton almost dying over smth so arrogant, desperate and foolish would make anyone question what someone's idea of "love" is, but still. it stung. maybe because i have been there. i know what it's like to be doubted and mistrusted because you ruined smth good callously and carelessly.
chetney... chetney really loves fearne. i don't care if y'all don't get it or if y'all still think chet is some joke character with no substance, I never understood that shit and i simply never will. chet and fearne probably have the best relationship in all of bells' hells -- and yes, that includes imogen and laudna because god knows those two have shit brewing under the surface that needs to be HANDLED, i.e: laudna being defeatist abt their relationship even tho it's barely begun.
chetney's a good man. him going after fearne was the best choice and im glad he gave her a couple laughs before she went off to wander. he cares about her so much, and he BELIEVES in her so much, and i love them. i LOVED the way he went in on ashton. hurting fearne by making a shitty decision and letting her bear the burden of watching ashton die right in front of her was... bad. it is very complicated but, that's pretty cut and dry.
i like him testing ashton again and again. telling him to leave but also being glad they chose to be brave and stay, and face the consequences of their actions. attacking ashton to see what all of any of that shit was even for. (im a little bummed that the shard didn't fully wake up yet but...i love the suspense im just impatient).
FEARNE. CALLOWAY. i love fearne, and i love the breakdown during the first part of the episode. it was such a raw moment and it established the tone of the episode so quickly. im glad that fearne knows that while ashton fucked up royally, her rejecting of the shard and complacence in ashton's plans was also royally stupid. i don't think her being terrified of taking the shard is bad or stupid, it's actually one of my favorite fearne character choices. no one ever actually asked her WHY she didn't want it, and when she said she didn't want it, it was still decided by the hells that the shard would go to fearne. (they're very shit at communication, poor babies). im happy that she specifically clarified that ashton did not threaten or manipulate her (plus he gave her many opportunities to not be involved with his bullshit if it made her uncomfy so im hoping the insane critters who keep treating ashton like some evil, predatory person finally stfu).
fearne being so scared of a version of herself that was sad, lonely, and "evil" to the point that she chose to believe that it was ashton's destiny to take in both shards is so... so rich. i hope she talks about that more in the next episode because i don't think she's EVER brought it up since exu. i don't think the shard would change fearne's personality but god the fact that SHE is so afraid of herself and what she's capable of.... AHHHH. love this damn party.
i hope liam knows that expect really painful roleplaying from him when he comes back cause i really do need ashton and orym interactions like i need air.
the choice to go to the fey realm was brilliant and i missed nana morri so it's a win for me. bells hells COULD have done what they've been doing for a while now, which is ignoring the pain they're all feeling and pushing forward, but ashton doing what they did was the straw that broke the camel's back and im GLAD because i have been begging them all to have real conversations with each other that don't get cut short prematurely for whatever reason.
i do hope that they do really lean into the self care aspect involving therapy and talking through their issues with ALL of the members present or even in groups, and it isn't just fun and games. they're prone to distraction. i love my little guys.
:( two weeks without bells hells. is it thursday, yet???
60 notes · View notes
tsukiiro · 23 days
Text
Final Fantasy VII Rebirth: Gold Saucer date spoilers below
Something I noticed after watching the following part of the scene.
After Cloud asks Tifa about her talking to Aerith, she replies with "Not yet". Then, the camera changes position instead of staying in the same place which I thought was kind of weird. Watching Japanese version of the scene made me think there's more to Cloud's question than meets the eye!
Of course I do think there were multiple reasons why he asked, e.g.:
they're finally alone so he can ask Tifa without anyone interferring and he probably remembers Tifa wanted to keep this between them, as she asked in Nibelheim)
he wanted to break the silence and since he's not the best conversionalist he chose a this topic
But I believe he might have also used the topic to investigate Tifa's feelings. It seems like he wanted to say something since when they got onto the gondola and now he can try to steer the subject towards their bond/relationship.
In English version he says:
Tumblr media Tumblr media
Notice how the camera changes position so that when Cloud starts talking about feelings, it shows Tifa in the foreground.
[It can mean lots of different things e.g. us not seeing Tifa's face might be a visual metaphor of "she doesn't want to tell him the real reason for not speaking with Aerith because it'd hurt him and his mental state would get worse". So this camera angle might be a way of telling the audience that there are still some issues between Cloud and Tifa which need to be resolved but it's not the right time to do it now as they can't be 100% honest with each other - Tifa can't share her memories which contradict with those of Cloud's and he can't access his true memories because of what's happening to him due to Sephiroth's control (among other things). But I digress.]
Now, let's take a look at Japanese version.
Tumblr media
He says "I wonder if [she] still likes [him]." but since pronouns are not necessary in Japanese language, unless given context, we don't know who's the subject and object of the sentence. If this sentence was taken out of the context and asked out of the blue, you could interpret it as "I wonder if you still like me".
Only after a short moment he adds another sentence to explain what he meant by liking. To translate it literally he says: "Aerith, about Zack". So he provides information about sentence subject (Aerith) and sentence object (Zack).
Tumblr media
I know that it's how Japanese people talk and they sometimes add more context after the sentence is formed as if they remembered what they wanted to say. I know there's nothing special about Cloud's way of speaking, but camera work here draws your attention to it, as if it wanted you to think about Cloud's intention behind his words. It also seems like he's expecting some kind of reply and what Tifa replies with doesn't seem to go according to his plan. He looks confused and you could tell there might be plenty other reasons behind it (and I do believe there are like e.g. Cloud who doesn't understand what other reason, beside it being a touchy subject, Tifa might have to not talk with Aerith), but the flow of conversation tells me Cloud wanted to be "subtle" by starting a topic related to love/feelings and it backfired.
I'm not saying he didn't want to know if Tifa told Aerith about his memories related to Zack. Of course he did. But we need to also look at the romantic undertones of the gondola date, especially since Cloud acted as if he wanted to say something to Tifa, which is a nice twist to Tifa's GS date from the original game, where she was the one who tried to confess.
I may be wrong but it's interesting how camera and spoken lines relate to each other and create an opening for various interpretations. It's definitely worth taking a closer look at this scene as it presents Cloud and Tifa's dynamic in different shades and forms.
27 notes · View notes
thetombedspirit · 1 month
Text
Quaritch, Spider... and Teylan???
Okay, so, I've finished the game, but I'm still putting together my pros and cons post, so in the mean time, I give you this little thought experiment.
And be forewarned, it may contain spoilers if you haven't played the game yet.
WHAT IF: after Teylan gives away HQ's location and runs off after the Bombardment, he's just at the lowest of lows, sobbing and berating himself over what he's done.
Then, all of the sudden, a strange human teenager dressed like a Na'vi and a whole squad of Avatars show up and find this crying Na'vi teenager in the middle of the forest. Once Spider gets the kid to calm down, Teylan just pours everything out, because hey, someone's willing to listen.
And he just tells them about how he didn't want to hurt anyone, that Mercer promised no-one would get hurt, and so on and so forth.
So, Quaritch decides that a Na'vi kid as tech savvy as him might have a better use in tracking down Jake Sully then feeling sorry for himself in the forest (also watching the poor kid cry while his human son comforts him is getting hard to watch).
Also, Quaritch knows Mercer's a piece of shit. Like, sure, Quaritch isn't winning any popularity contests either, but Mercer just gives Quaritch all sorts of the wrong vibes. So you know what, fuck him. He's not putting a vulnerable teenager back in his care when he already fucked up the first time.
The weird Na'vi kid's his charge now.
And the entire time they're travelling together, Teylan and Spider are now best friends, finding kinship in their shared history of alienation by their peers. And hey, Quaritch is beginning to like the kid.
But of course, things cannot stay perfect forever. Their tipped off about Norm's chopper going towards the reef islands, they start harassing people and Teylan is getting all sorts of horrible flashbacks as Spider pleads for the Na'vi villager's lives.
Then the big confrontation happens, and Spider and Teylan work together to crash the ship while Payakan attacks the whalers. Teylan's size and strength hold them off long enough for Neteyam and Lo'ak to find them and escape (in this version, Neteyam isn't fatally shot)
Then the whole things over, and Teylan practically sticks to Spider like glue as they slowly acclimate to the Metkayina lifestyle. Teylan eventually works up the courage to contact the Sarentu again, who tells them that Mercer is gone and that is was safe to come back home. (they initially win in the first assault against Mercer since Teylan's not there to intervene) Teylan is... not sure what to think. Time with Quaritch and the Recons have given him clarity on his fixation with Mercer's approval and with Mercer's lies. So, on one hand, he's glad he's gone so that he can never hurt or lie to him anymore. But who is he now without Mercer's direction? He's not sure.
In the end, Teylan decides to stay where he is, though he tells the Sarentu he's okay, he needs time to collect his thoughts and figure out who he is now. The Sarentu, though reluctant to leave him alone, says they understand and to contact them when he's ready. Teylan assures them that he's not alone.
I realise that this became less of a thought experiment and more of a full on prompt, but I still think it'd be a unique AU.
Anyway, let me know what you think, and I promise, my pros and cons post is coming soon.
22 notes · View notes
twig-tea · 20 days
Text
Final Thoughts on To Be Continued
Ok, I know I was loudly still mad at this show last week in @respectthepetty's notes, who was very kind (and even encouraging) about it. @happypotato48 talked me down a bit by suggesting there was more in the novel that might still come, and he was right! This week we got an explanation that helped me find the through-thread that was missing between the flashbacks and the start of the show, so I can let that go. I was pretty satisfied with that part of this week's finale overall, and was really glad that they added that connecting piece for me.
Short non-spoilery version of where I landed: I was skeptical it was going to land the core storyline, but for me it did. I liked it in the end, but there are a number of hurdles to enjoying this show so I wouldn't recommend this without caveats (mostly related to pacing).
With all of that being said, it's one of the better pulps this year so far, and worth a watch if you love mutual pining, don't mind slow episodes, and enjoy when a show lets its characters make mistakes. I'm glad I watched it.
For anyone curious about this show, here's where this show worked for me, and where it didn't. Spoilers under the cut!
What I Liked
I really enjoyed Ji getting to be petty to Achi at the beginning of the series, and the way the show made clear that Ji knew exactly how conflicted he was about Achi showing up in his life again.
I love yearning, and the yearning in this series was top-notch. The way Ji could not help himself when it came to accepting Achi's overtures, and the way Achi used his overtures to say over and over again "I know you; I know us; I am willing to put in effort to prove I mean it" was delicious.
I did like the flashbacks and how they were doled out through the series to add context and explain what was happening. The timing of the flashbacks in the story was well done and gave us the info we needed when we needed it.
I liked how clear consent was in this show, and how consent alone did not result in a perfect scenario, especially as kids. I did appreciate how the main conflict from the past was essentially teenage boys did not know how to communicate and blew everything out of proportion/did not understand how to think about things from the others' perspective.
And from this last episode, I liked how the show let us see that years of reflection helped Achi realize what things must have felt like from Ji's perspective, and once he had confirmation that Ji was devastated when he left, it makes sense that he would be able to meet up with Ji again with both confidence and contrition in order to get the reconciliation he wants. I also really liked the contrast in the sex scenes between their first time when they didn't kiss for most of the scene and their first time as boyfriends where they can't seem to stop kissing.
Finally, I love competence, and I really enjoyed getting to see Ji be a competent surgeon and Achi be good at his job managing fan expectations of his personal life. Achi handled the relationship reveal with confidence knowing he'd be able to manage the fallout, and his manager was supportive once he was sure Achi actually had a plan.
What I Didn't Like
I seriously considered dropping this show after episode 4 because for the first little while, every other episode really dragged. It wasn't the order in which the story was doled out that was the issue, but there was so much unnecessary footage and scenes lingered too long within each episode. In short, there were moments when this show draaaaaaagged. So in terms of who it works/doesn't work for, having patience for really slow pacing within an episode is critical. It does pick up a bit after ep4, but never fully gets over this problem.
Egregiously in a show where some episodes felt too long, the show also didn't use the time it had to fully close off all the threads it started and some of the plots felt rushed. There was a redemption arc for Ji's father that felt incomplete/sudden to me (not to say people can't snap out of a 10-year depression but I wasn't really given any chance to feel much about this because we didn't really sit with him or his kids after it happened); the side characters' romance felt like it barely got off the ground (they honestly had the time, they just didn't use it), and Poppy's romance and career trajectory also barely got any time (this one is more forgivable as a third and het couple).
Beyond the multiple pacing issues, the acting was also shaky, and while the sex scenes are well staged and cut to hide this, they were a little awkward together during some of the moments of physical intimacy.
For my taste, I would have wanted to see more of the characters working on things and changing their behaviour; a lot of the push-pull in the middle of the series felt circular rather than progressive. Some of it was necessary: Achi did demonstrate he will stick around no matter how hard Ji makes it this time, and Ji did show that he can open up and be vulnerable with Achi eventually, and trust him when there are external threats. But I would have liked to have seen more of the parts that led to the change in them happen. They also spend a lot of time falling into old habits when they started hanging out together again, which was charming and realistic, but I would have loved to see more incorporation of their new lives. Achi basically takes a break from stardom to woo Ji, so we don't get a real sense of what their relationship will be like except in the finale which is quite brief.
I already gave my high-level summary above the fold: TL; DR I'm glad I watched but not everyone will enjoy this one.
24 notes · View notes
whatsyourcolor · 10 months
Text
Psycho-Pass Providence - My thoughts
Hello everyone, yesterday @jediofbooksandsnacks and I went to watch Psycho-Pass Providence. We went to watch the dubbed version which got cancelled, so we ended up watching the subbed version.
Here are my thoughts about the movie:
(SPOILERS)
The Plot I had already watched the movie in Japan without understanding a lick of dialogue. Some things were inferred from what was happening, but dear lord, with an anime like Psycho-Pass, you really need subtitles if you want to understand what's happening.
There's a lot of plot, but below is the basic gist. In fact, there are things I still don't understand. I may have to rewatch it to fully grasp some things. Basic plot is the MOFA was fucking around abroad and they found out. It's this ministry that created the Peacebreakers who got out of control and turned against the ministry and against Japan. One of these guys has a device called a "Divider" which when implanted in someone's brain causes them to be possessed and easily manipulated. It's called a divider because it splits the animalistic from the rational in the human mind. The villain (Tomami, I think was his name?) utilizes religious frenzy (lots of interesting quotations from the Bible) and the divider to control other peacebreakers. His aim is to declare his own rudimentary Sibyl system in the Kuril Islands at the North of Japan. To fully succeed, he needs the Stroyanka papers, which --from what I understood-- outlines the weaknesses of the Sibyl system and apparently can end wars or make them worse. I guess they are some type of predictive device, like a war AI that can analyze circumstances and tell you what to do in order to win or destroy an enemy.
The Stroyanka papers are somewhere in Dejima, which is where they hold all refugees who have not passed an immigration exam. This is where Maiko and Kei live in Providence. The only person who can open them, supposedly, is Saiga Joji. So off go the SAD and parts of Division 1 (Akane, Gino and Sugo) with Saiga to retrieve the papers.
The Call I really loved the dialogue between Kogami and Saiga when they're alone and begin talking about the case and quoting the Bible. Religion and Gods seem to be the theme of Providence, which is apt, since Providence is such a biblical word.
Kogami tells Saiga that him being a hermit reminds him of St. John and then reproaches him a little about working with the MWPSB. I love that Saiga tells him he is working with Tsunemori Akane. I simply adore how much Saiga dotes on Akane and how much she's definitely his favorite from all his students (take that, Kogami and Frederica).
Saiga warns Kogami about being nothing more than a killing machine. He tells him that it's up to him to be more than that and tells him that Akane is not a saint or a buddha and that he should apologize while he got the chance.
So Kogami makes the call and is unable to apologize. The next day Saiga takes a quick look at Akane and tells Kogami something along the lines of: "So you couldn't do it, huh?" to which Kogami replies "I don't know what you mean." Kogami comes off not only as a coward but as a stubborn mule who pretends not to know what Saiga is referring to. Maybe he doesn't like Saiga prying in their relationship. But I do think Saiga knows (I mean, he's Saiga) that their bond is important to the two of them.
Here's the vid of the call:
youtube
Kogami: "I've killed hundreds of men, walked seven countries by foot, raised a little girl for a month, starved in the wilderness, survived millions of explosions, but somehow telling this cute woman to forgive me for all the shit I have caused is the most difficult thing I have had to do."
The SAD Sucks The minister of foreign affairs and Frederica know that the papers are not in Dejima, but they go on this mission to use Saiga as bait to bring out all the Peacebreakers. Once they are there and Saiga opens the box only to find a cracked mirror, Frederica lets them know the truth and promises to protect Saiga's life. I love Kogami telling her: "So you would lie to the professor?" Frederica makes a face of contrition like "I'm soooorry guysss." But I like that Kogami calls her out. It makes me think their relationship is closer than that of boss and rabid killing dog.
Well, that doesn't go as planned. Apparently, the strategy of MOFA and Arata Shindo is to leak intelligence to follow the steps of the Peacebreakers and I guess predict their next move? Either way, it was a messy mission that ends up with Saiga dying, Akane broken down, and a lot of dead SAD men. Akane complains to Frederica and Kogami says that blaming Frederica won't fix anything (like man, let my girl rant because your team lied to her and got her father figure killed).
There's a scene with Kogami and Akane in an elevator where she's crying and angry. She blames herself for bringing Saiga out there to die. Kogami tells her that anger is fine, but that now is not the moment. That they need to complete the mission and then she can cry. She agrees, wipes her tears and follows him.
Akane's First Date This is a little bit of a joke, but Arata Shindo tells Akane to come with him to Kei and Maiko's wedding. I swear to god this is probably the closest thing Akane has had to a date. So yeah, Akane's first date is with Arata's dad and he ends up killing himself after giving a speech, so I guess... horrible first date? Lol.
On a serious note, he probably invites her because he knows he's going to kill himself. Chief Kasei gave him a gun, thanked him for his service, told him to put two and two together while waggling her eyebrows implying "time to take yourself out."
Kogami and Akane's Boring "Platonic" Relationship Many things happen, but at the end Akane gets shot twice by Tomami, then they end up debating why the law is important. On the crucial moment when he's about to kill her, Kogami shoots him down and says that he agrees with the dude he just killed. The law is not necessary and that basically, humans suck and are horrible. He tells her: "But I believe in you, who's trying to do the right thing."
So Akane recovers and Kogami goes to jail. She tells the Sibyl system that she'll take Arata Shindo's place as a politician and in her exit ceremony shoots Chief Kasei in front of everyone. She's sent to jail and Kogami comes out. Then, finally, once she's done what she had to do, Akane can fully cry.
I was telling Jedi that it bothers me how emotionless Kogami is throughout this whole thing. In the PP Movie their encounter was so intense, from them fighting, to not being able to sleep because there were too many questions, too many things to be said. Akane had grown and learned from him. He observes her, he's curious about her, he wonders what she thinks about him. It bothers him that she compares him to Makishima and is about to open up when she tells him that he would never try to control anyone's heart. If you are expecting frank moments like that in Providence, you won't get them. But for some reason, when you have dreamed so much of these two together, finally seeing them in the same place is exciting and I can't deny I left the theater a little high on shinkane. Kogami looks absolutely hot and Akane looks beautiful in many scenes.
Gino is Hot This one is obvious, but it needs to be said: Gino is hot. Passionate, sensitive, loyal team player. He saves Sugo, he saves Frederica, he consoles Akane, he thanks Mika when she gives him an obscene dominator. He yells at Kogami. He forgives Kogami. He wants to see Kogami regret what he did like Akane does. He gets a little bit further than Akane in that aspect.
I think at some point they try to play off Kogami and Frederica, and Ginoza and Frederica. Maybe they're showing that they would both work well with her. In our perverted fandom's mind I'm sure we're all thinking these professional agents would probably sleep with each other no feelings involved.
Frederica Has the Hots for Her Boss This is my own view, but the few times Frederica shows emotion is when it comes to the Minister of Foreign Affairs. She really appreciates him. At some point he's kidnapped and tortured by Tomami. When they rescue him (or rather, when Akira brings him to them), she's more concerned with his health than with Akira's statement which she assigns to Kogami. When the minister gets "possessed" and breaks down, she's locked in an elevator or a room, banging her fists against the door helplessly. I can't recall if she cries. But she wasn't crying when Saiga died, lol.
Final Verdict I think Psycho-Pass Providence was a good movie. Definitely better than Season 3 and First Inspector. This is a piece of media that I can respect. It's not great, it's not fantastic. It's more of the same in many aspects, it doesn't advance some things, but at least it doesn't feel cartoonish and stupid at points. Seems like the writers are definitely sticking to their strategy of showing explosions, fights and larger and less practical guns instead of writing an emotional buildup to the dramatic beats. The dominator has always been cool. They overdo these new dominators, making them look ridiculous and impractical.
However, Akane shooting Chief Kasei to get back at the system, exposing the contradictions of Sybil and forcing the public to wonder why her hue is clear when she shot someone in front of everyone, is pretty badass. She's willing to pay the price for what she did and goes to jail. Kogami promises that he'll do anything he can to get her out of there. Mister, where was all this resolve when you had the time and space to talk to her? He just doesn't learn. Ugh.
Either way, we know why Akane did what she did, but the interesting thing is that in the world of Season 3 nothing much has changed. Did Akane go to jail for three years for nothing? If there's a new season, I hope that she has at least inspired other people to question the system. Who knows. The writers seem stuck on their ambiguity in regards to everything.
4/5
79 notes · View notes
meadowmusing · 3 months
Text
my thoughts before the PJO finale
overall? A good fun show but with some definite stumbling. Faithful in a "remake" sense, but as much as a "port" would be. Still a genuinely good time with a likeable cast, gorgeous visuals, and an engaging (mostly) interesting plot.
Beware spoilers for ep1-7!
My biggest gripes
Pacing. the first episode was horribly paced. Somehow both rushed, not well condensed, and yet also failed to effectively deliver tension in important scenes it was needed in. Scenes like the minotaur felt dragged out and lacked the urgency it deserved, and the fight/victory fell kind of flat. Pacing got better in later episodes thankfully.
Sally Jackson. Yeah I know, not a hot take. She's a more realistic depiction of a mother in that kind of situation but I didn't find her likeable outside of her first scene talking about the name Perseus. She's not necessarily a "Bad Character" per se, but she is not the Sally Jackson from the books. Frankly, I didn't find book Sally all that important, but seeing this version has definitely wised me up to importance of her kindness and patience. Sure she might have seemed like a "doormat" at the beginning, but the more u learnt about her, the more her inner strength and self sacrificial love for Percy was apparent. TV Sally just doesn't have that, it doesn't feel like she has that much affection for Percy, she seems more distant and less loving. TV Sally has far too many scenes of her raising her voice at Percy and being frustrated with him, it makes it seem more like she was randomly stuck with this child and while she loves him, she knows deep down she would have been happier without him. Again, understandable but not book Sally. I feel they've sort of played up Percy's fierce love for his mum (or maybe it just feels more so because its more present in his spoken lines), but it doesn't feel as justified. If anything, id believe a more messy wrought relationship between the two. Its not a bad thing she's not the exact same as her book counterpart, but I do think it was a bad decision when they went so hard on Percy being ride or die for her, when most of her longer scenes are her being just frustrated with Percy being a child.
Gabe. ok more of a hot take I guess but I seriously disagree with his re-characterization. I don't mean to downplay anyone's experiences with toxic or abusive partners, but Gabe is far too bland and inoffensive. At worst, he's kind of annoying and maybe lazy. But he is nothing like the human sht stain that was book Gabe. Book Gabe deserved petrification and a lot worse, TV Gabe does not. The guy deserves a break up, not murder. Me and my friend actually laughed at him, because he didn't give "beats his wife and emotionally abuses her and her child", he gave "dead beat crypto boyfriend". Maybe it was the casting as well, the actor was funny and just seemed more goofy than actively horrid. "what makes u think he hasn't hit sally?" have u met TV Sally?? are u kidding me? she would have that man arrested.
Hades. I don't actually dislike making Hades friendly and more sassy. Sure its not book accurate, but you could argue its a little more mythologically accurate (maybe). My real problem is that he lacks PRESCENCE. Yes he can be nicer ect in this, but he is still the GOD OF THE UNDERWORLD. He should still be able to command a room! His words, even if they're not malicious or intimidating, should hold a certain kind of weight. I don't blame the actor here, I think he does well with what he's given but pretty much everyone else dropped the ball here. If they had supported him, we could have had a friendly Hades that was still a fitting lord of the underworld. Writers, directors, lighting, sound, ect let him down.
Persassy. Percy was great in the beginning but I felt like he started to lose that as the show went on, to give more of his lines/sassy moments to the other members of the trio. Which wasn't a terrible idea, I just think they did it too much, especially with the Ares scenes. Percy is meant to have an epic beef with Ares so much it transcends magic amnesia, but I could not believe that with the current lack of sass. Even the upcoming battle doesn't feel as weighty or deserved as it should. Again, don't hate the idea of sharing the sass around, just don't think it should come at the cost of Percy being toned down so much.
Getting into the underworld / mattress scene WHAT WAS THAT. I can accept that Percy knows more about Greek mythology because of his mom and i feel generally from just current cultural zeitgeist, but WHY THE HELL WOULD HE KNOW WHO CRUSTY IS?? and why was it so quick? there was no quick desperate clever thinking, it was like bro had read the scene from the book and then SPEED RAN IT. Also the Charon scene was far more interesting imo and I don't like that they cut it in favour for Crusty, without even doing that scene well. God that was so poorly executed.
Anyway thanks for reading my rant. Its long so it may seem like I didn't like the series but im being truthful when I say I did. I pretty much liked the rest of it, even some of the changes. I thinks a good show and adaption with some flaws, thats all. Im excited to finish up the season and im so pumped for season 2 and hopefully the rest of the series :D
25 notes · View notes
synergysilhouette · 4 months
Text
Rewriting "At All Costs" (and making a new song)
Tumblr media
Ah, my favorite song from the film! I decided to rewrite it anyway to work into my AU (as I did with "Knowing What I Know Now" and "I'm a Star"). If you've read my rewrite, you'll know that I also imagined a reprise of this later. In contrast to the mellow vibe of this, I'd want a more energetic, rumbling version of this song, given that it's sung between an the villains, a tortured Magnifico and power-hungry Amaya. Amaya at this point is rather displeased, as she has only JUST learned that Magnifico could bestow others with his almost limitless power, but never offered it to her, which is because a part of him, while loving her, knows how dangerous it'd be in her hands, and he'd never want to subject her to the burdens he carries anyway. Thematically, I'd probably say this was a mix of "Part of Your World" and the end of "Do You Wanna Build a Snowman?" Hope you enjoy this! And spoilers: I had two different ideas on how to make this song, so I made it twice! Hope you have the patience for two different songs in this post.
[Magnifico] You just don't understand. I don't think about subjugation But I know you do. Mi reina, she knows how to ignore her past All the power to you! Anxiety has been a part of me Since I was five I ask you to see caution through my eyes.
[Magnifico] You are the thunder that goes with my rain You feel rage when I feel pain With me, you're not a liar. Amaya
[Magnifico] Love me for my flaws For I, I will protect you at all costs Tell me all is calm. That without me, you are lost You are lost.
[Amaya] Mi Rey, you always see through My games, makes me respect you But you know I can handle it, so come on pay me my dues! I know your biggest fears I won't let that come to fruition Just trust me and love me for my ambition. As you say, never can I lie With you here in my face, you know I wouldn't try.
[Amaya] So love me for my flaws For I, I will protect you at all costs Like the roses in the frost Without me, you don't exist, You are lost.
[Amaya and Magnifico] And if I'm wrong, you can call me worthless and then Go cast me aside But if I'm right, don't you dare to question me again As husband and wife In this dark world, we'll become the boy and the girl Who ruled over life
[Amaya & Magnifico] But promise as one does Let's not fight again, at all costs Keep you safe here in my arms I, I will protect you at all costs At all costs
I hope you enjoyed this version! If not, I hope you enjoy the next idea. I call this "Love & Fear (Royal Frustration)" or perhaps just "Love & Fear."
[Magnifico] My dear, I love you I will never take that back But take advantage And I'll be on the attack As a child, my heart was broken Then I met you, and I found it could still beat Not many words needed to be spoken Just like then, I'll make this short and sweet
[Magnifico] You barking up the wrong tree Stop test-test-testing me I have my reasons So just let-let-let it be I can't have closure You don't want exposure So obey the king If I mean anything!
[Magnifico] To you, everything comes easy The likeable princess, the wise and just queen But me, I'll always be the outcast They only adhere if I keep on this ring! "The Dangerous Sorcerer," Ooh, it fits like a glove! Perhaps it'd be better to be feared rather than loved.
[Amaya: Spoken]
(Sigh) All that power, and you're still pathetic.
[Amaya] Come here, let me coddle you Just like when we met Another poor refugee I guess that's what I get. You're codependent, you're insecure You're all bite and no bark! Are you a hero or a villain? You can't even play one part!
[Amaya] To you, everything should be easy For me, it's been anything but. Clawed my way up the tower for knowledge and power, And it seems I even have more guts! "The Dangerous Sorcerer," Ooh, is that who's here? We agree on one thing: don't embrace love; embrace fear!
[Amaya and Magnifico] Don't crumble under the weight of expectation Don't let them stomp you when you run the nation! Wishes aren't made; they're given Like a gift with the most exquisite ribbon. And gifts don't come for free When they come true 'cause of me!
[Amaya & KING MAGNIFICO] So cower, my subjects It's what I desire Keep on wishing It's what I require!
[Amaya]
And just remember, my doves.
[Magnifico]
It's better to be feared than loved.
And there you have it! Please let me know which version you prefer. This original song isn't my best work, I'm sure, but I tried!
20 notes · View notes
freelanceexorcist · 2 months
Text
FFVII Rebirth spoilers under the cut:
I don't know what the final installment will bring, but I hope it includes more of these two having a violent, messy, sarcastic go at each other.
Tumblr media
Give me Sephiroth and Rufus' resentment for each other. Give me Sephiroth dropping weapons grade snark on him with Glenn's swagger. Give me an antagonist with an actual personality and a damn good reason for being what he is if a redemption arc is off the table. Jenovaroth is scary and gorgeous as all hell, but Sephiroth unloading on Rufus breathed life into me. I need more of Sephiroth calling Rufus a "pig-headed, pathetic, daddy-hating child" and Rufus having an equally brutal go at Sephiroth. (I guess Seph would know a thing or two about the daddy-hating part).
Thank you @heraldofcrow for letting me know early what was going on with Glenn, because this is awesome. This is the kind of Game of Thrones shit that I live for.
The tension between Jenovaroth and Cloud is great, it really is. But the former sees the latter as just a puppet to be used and the latter sees the former as the Eldritch Abomination that he needs to stop because he’s the designated hero. Pretty bog standard hero vs. villain stuff, that. Rufus and Sephiroth, though? Rufus and Sephiroth, though???
They're equally matched, more or less, and this shit is personal. Give me June Osborne and Serena Waterford with these two, but without the warm and fuzzy moments. Give me Sephiroth grabbing Rufus by the chin and snarling "do you understand me?!?" in his face because years ago Rufus screamed the same at him and got away with it because he's the President's son. Give me real emotion from this version of Sephiroth, whoever he may be (the devs haven't gone back on their statement that there are multiple versions of him).
If this is actually Ore Sephiroth, make him Chaotic Neutral. Make him allllll out of fucks to give and just doing whatever the hell needs done with no fetters and no one else directing his actions. Jenovaroth can have his mommy issues and delusions of godhood. Give me Glenniroth with all his piss and vinegar.
17 notes · View notes
harus-simp · 1 year
Text
Home, sweet home
-Taerae x reader-
Warning:none (fluffy fluff 😚)
Requested: hiii, do you think you could write a drabble about waking up with taerae and being all domestic ?? <3 (Anonymous)
Author's note: hey there anon, here's your drabble of taerae, so I hope you like it :))
Thank you so much for requesting <3
°□°□°□°□°□°□°□°□°□°□°□°□°□°□°□°□
Spending the day inside with taerae after a long day celebrating his debut makes you realise how much you love him and how hard would it be for you to not have him in your life.
Tumblr media Tumblr media Tumblr media
As the morning person you were, it was around 11 a.m almost and you were still sound asleep. The they before you and taerae had been out all day celebrating him getting 6th place on boys planet, so you were both exhausted from moving around a lot actually.
Shuffling on your bed made you a little bit more conscious, however you wanted to keep sleeping so you tried to for a couple of minutes until you started opening your eyes only to find your boyfriend staring at you with a sweet smile adorning his face.
"Morning sleepyhead"he said ruffling your hair softly as he was using his elbow as a support.
"Good morning"you told him hiding behind your blanket.
He laughed at your behaviour.
"How long have you been watching me?"you asked embarrassed.
"Don't know, I lost count"he said neutrally waiting for you to go out of your little fort.
"Ahhh, seriously, why are you like this???"you whined taking your blanket off you.
He ignored your question and grabbed your hand starting to pull you out of bed to stand up.
"C'mon we can't stay here forever, it's late"
You wanted to stay on bed but figured fighting wouldn't lead you anywhere so you just let him drag you to the kitchen in order to make breakfast.
As you made your way there you both thought of what you could have to eat. Yes at 11a.m, but you both were hungry so who are we to judge?
You finally decided to have something simple as pancakes..., yeah that was the idea because let's say it wasn't going that well.
"What are you doing taerae?"you shouted panick taking over you.
"Aren't you supposed to pour mik now?"
"Yes, but not that much!"😫😫😫
Yeah, so the pancakes didn't turn out that good but well, at least you were having fun together?
After that, you washed the dishes and took a shower because all the goofing around while cooking kinda made you both dirty due to all the flour flying around lol.
Right after that you guys started cleaning the apartment with background music which kinda was a mistake as well 💀💀💀 (you can't do shit without causing chaos, I think junhyeon has infected you lmao).
So instead of finishing everything in a short spam of time you took more time than you had plan and ended your work half an hour later that you had intended to.
Then tarae got the idea of interpreting you hot summer, but an acapella version of it with his guitar as you had requested him to sing days before the song, what can you say you wanted a little spoiler before the finale 🤭
He gathered all he needed and positioned himself to sing in a comfortable place.
As he started singing you were literally hypnotised by taerae's voice (who wouldn't actually), it was true that you had heard it before on the programme but hearing him in person was much better, he knew how to perfectly highlight his skills and you loved how he was able to just draw you in.
After he finished you clapped enthusiastically expressing your love for him and his vocals.
"You are so good taerae, you suit the concept a lot"you complimented him.
"Haha thank you"he said flashing you one of his characteristic smiles.
As you stared at him, you started to realise how lucky you were to have someone like him in your life, he was one the one you always seeked for his face in a crowd when you were meeting for a date, how your whole face and spirit lighted up when you felt his presence or even the heartache you had when you both needed to part ways was enough for you to understand that you wanted to keep him in your life forever.
"What are you thinking there?"he asked curiously as he saw you smiling unconsciously at him, looking directly into his eyes.
"Just how lucky and greatful I am to be your girlfriend" you answered, the smile not leaving your face.
In that precise moment he really felt how time stopped right there and you were the only thing that mattered to him.
You managed to make him so shy he couldn't even look at you back. You simply smiled wider and got closer to him.
"What?I really am"
He trapped you in his arms hugging you tightly and not intending to let go.
"I am more lucky, believe me"
And just like that you spended the rest of the day just being all lovey dovey and clingy 😙
°◇°◇°◇°◇°◇°◇°◇°◇°◇°◇°◇°◇°◇°◇°◇°◇°
Tumblr media Tumblr media
115 notes · View notes
tenebriskukris · 10 days
Text
Oshi No Ko Chapter 146 - My Thoughts/Analysis
This chapter was mostly setup, but I do think there are a couple of nuggets of wisdom to be gleaned here, so I’ll get right to that. Spoilers for Oshi No Ko Ch146 below.
So we return to the movie filming with Fril as Airi and Aqua as Hikaru. This is an interesting confrontation—especially the part where FrilAiri mentions that Taiki is Hikaru’s child. Whether or not the actual Hikaru knew beforehand that Taiki was his child is up in the air, as well as whether or not this scene even happened in reality are interesting questions that we likely won’t have the answer to unless we get it from Hikaru himself.
The expressions here are just superb, I have to say. And Aqua with black star eyes again…Can’t say I’m surprised, really, since he tends to do this when he gets into highly emotional acting, and while I think his current “default” state is white star eyes, he’s already shown a tendency to activate his dual black star eyes when acting with emotion, as we’ve previously seen in the Tokyo Blade arc.
We cut to another movie scene with Hikaru and Ai. And the fact that it’s labeled misunderstanding is quite a loaded name for the scene in particular. Ai’s answer to Hikaru here…it’s certainly an honest answer, which I think makes his reaction after this scene so…well, perhaps devastated isn’t strong enough a term for it. He knows that she’s being truthful and that makes it all the worse. Having the scene cut away like that without a continuation for Ai following up on her words leaves a bad taste in my mouth. It’s the perfect time to explore these characters, even if it’s only a muddled version of them.
What the—so many scenes passing by without any spotlight??? You’d think they’d show all these scenes—the scene labeled AI’s rejection in particular—but what the hell?
On one hand I understand why—the pacing of this arc is already quite disjointed and choppy so we need to pick up the pace, but with how things have been proceeding—just skipping all these scenes over doesn’t sit right with me. Because by skipping these scenes—unless they show what really happened later down the line—the manga is essentially saying that these scenes don’t matter for the narrative at large, which is a tough pill to swallow considering these scenes might be integral for the reader to get a better insight on Ai and Hikaru’s characters, even if they’re obscured through the movie like this.
Really, it might’ve been better to have the movie filming be done while other arcs were happening at the same time. Productions, as I’ve noted before, often take months for everything to get to a stage where they can actually film—and the filming often takes large gaps of time before everything is slated for editing. You can’t just show parts of a movie production and then tell me that there was nothing narratively relevant in the long stretches of time between takes for the movie. Especially because of the haymakers that were Chapters 123 and 143. We need to get used to the new normal between the protagonists and how they think about their current situation!
The disconnected pacing and implicit time skips are already dragging the arc down. I keep on mentioning it because there’s such an easy fix for this issue. Just expand the arc’s scope as a B-plot within a series of other arcs so that the pacing doesn’t feel so simultaneously bloated and at the same time too fast-paced. Let the characters' circumstances sink in for the readers so that we can explore them better over a longer period of time. But I digress. I’ll have yet more thoughts about this arc’s pacing when it finishes, I’m sure.
Back to the chapter. We see Aqua staring grumpily at the script, two black stars in his eyes. The aftereffects of his emotional acting at work—getting close to Hikaru mentally, or at least his perceived image of Hikaru. It’s worth noting once again that Aqua’s just going off of guesswork—unless those thrice blasted CDs are going to come out of nowhere to joss my theories again. I do wonder how he thinks of Hikaru now, though, after Aqua tried to get into his head with the script and understanding his backstory.
A wild Kana appears! Let’s see where this trainwreck goes.
Oh damn Aqua with his suicidal ideation in front of Kana. That’s really surprising. He’s been open to her before, but he’s very rarely let his true thoughts and feelings become evident for a variety of reasons. Mostly because Kana isn’t really the best person to talk to for these sort of emotional heart-to-heart conversations.
And of course tsunderes are not good therapists. This attempt at supporting Aqua through his issues is so very in-character for her that I just laughed out loud reading it. I’m not sure what anybody expected considering how insensitive Kana is in general. Her heart’s in the right place, but those words were almost certainly not the right ones to use. If this was Aqua of the pre-143, or if he were more mentally ill, then this entire conversation could’ve backfired immensely on her.
Aqua saying that he has fun with Kana when he’s with her is both fitting and hilarious. On one hand, it’s fitting because she has the least baggage compared to the main cast, on the other, it’s hilarious because she doesn’t understand Aqua’s Issues(™) at all. She doesn’t examine Aqua’s problem or take the time to get into any introspection to why Aqua behaved like that in the first place, instead focusing on her delusions of a potential romance with him instead of on Aqua himself. If a friend of mine behaved like that in front of me, I’d be a bit more thoughtful when dealing with any sort of suicidal ideation instead of brushing it off in favor of stewing in her own hopeless delusions.
“It’s like he’s saying that we’re compatible indirectly.” Someone please escort this romcom character off my screen before I lose more braincells watching her. Please, thank you. Her chances at the Aquabowl have already cratered since she lied to Aqua saying that she doesn’t see him as a romantic partner, so stringing this up further is just adding insult to injury. It would almost be kind of sad, but I’ve lost the majority of my sympathy for Kana as a person this far into the series.
We’re cutting to Ruby now. And in a shrine, no less. Wonder if we’re getting into more supernatural setup.
Oh. My. God. Well, well. I was wondering when Hikaru would be showing up, but I didn’t think it would be this direct—he’s obviously been stalking Ruby, since I don’t believe for a second that this meeting was left up to chance. I do also recall that Crow Girl said that she was going to give Ruby some punishment last chapter but I had hoped that she’d thrown that plan away!
IT ENDS LIKE THAT??? AND WITH A BREAK NEXT WEEK???????
Okay—okay. I have Thoughts on this chapter as a whole, both on the Aqua-Kana chip scene and the Ruby-Hikaru scene.
Kana cheering up Aqua with the chips combination is very…I don’t want to say unnecessary, because I understand what the authors were trying to go for. Aqua’s going to need other people in order to help him get out of his rut, a support system to help him deal with the symptoms of his other issues. I just don’t see why this couldn’t have been done with some of the other people in Aqua’s life. Akane, Mem-cho, Taiki, Miyako, hell, even Melt could’ve done almost the same thing that Kana’s doing to raise Aqua’s spirits and get their own thoughts on this whole production. 
Kana’s okay for this purpose, I guess, but she’s already had more than enough screentime during the production that could’ve been used for some of our other cast members. They brought back Taiki, Melt, and even Akane for this, so where’s their contribution to the narrative during this arc?
It also bellies another problem I have with this entire scene—Kana is a breath of fresh air from the dreary scenes we’d seen in the chapter before, but it seems like in this scene she’s only being used for the purpose of setting the ambience back to something that more lighthearted when instead the tone of the scene can and should be done otherwise. Is it necessary for this scene to lift up the reader’s spirits after the first few scenes of the movie filming? No, especially with the ending of the chapter leaving us off on a cliffhanger. It breaks the tone that was presented to us at the start of the chapter and leaves this conversation looking out of place considering how serious the topics were at first. It’s as if the manga itself isn’t confident enough with its tone that it has to lighten up the reader’s spirits through Kana.
I also think it’s of some note that I don’t think this conversation “saved” Aqua in any capacity. Kana shook Aqua out of his funk while he was feeling the residual emotions of emotional acting. If this was Aqua pre-143 I doubt we’d be seeing his white star eyes return to him in this conversation, especially since we’d already seen Aqua and Kana interact with pre-143 with black star eyes, and nowhere in their numerous conversations did Aqua regain his white star eyes. 
The scene with Ruby and Hikaru though…I’d been wondering when he’d be showing up in this arc, but this was a big surprise. I’d expected that he’d be showing up close to the end of the movie production, but having him appear here also leaves the door open for more of his interference with the movie filming. 
I will say that unless he has a good reason for it, approaching Ruby like this is almost certainly a bad move. He’s already cottoned onto the fact that Aqua’s making the movie for revenge, and it’s not a leap to assume that he’s gotten Ruby on board with his plans in the first place. It’d be safer to assume that both of the twins know what Hikaru look like, so him approaching Ruby out in the open is showing his hand too soon. There has to be a reason for that other than whim. 
I don’t think he wants to kill Ruby or Aqua. Even if he did, he wouldn’t be killing Ruby here. Of his two murders(and I’ll put a pin in the fact that whether or not he killed Ai is still up in the air) he’s always either proxies or used indirect means to kill his victims. Being face to face with Ruby here, like this, doesn’t fit his modus operandi. It’d be too messy to kill her with his DNA all over the scene, in an area where there could be witnesses.
He already has access to both the script and information about the movie thanks to Kaburagi, and so he has all the ammunition he needs to shut down the production if necessary. Letting the movie continue on like this—even if it doesn’t have his name on it—is risky enough that it’d be better to err on the side of caution. So that leads me to think that he either can’t get it shut down, which is doubtful when he’s allied with Kaburagi in some manner, or he wants the production to continue, which already casts doubt on his motives in general.
The fact of the matter is that there’s so much we don’t know about Hikaru and his motives for much of anything. His appearance in Ch109 with him killing Yura feels to me both a red herring and an intentional misdirect. We’ve already seen characters say one thing and think and or act contrary to their words, so it wouldn’t be out of place. We think we know him through the movie script, but that movie was both supposed to be about Ai, and also made for the purpose of Aqua’s revenge scheme. Aqua thinks he has a grasp on Hikaru’s character, but we’d already seen him be wrong about Hikaru once, when Aqua thought he was dead, and unless he has some sort of special insight through those blasted DVDs, we’re once again left mostly in the dark regarding his true character.
But now that he’s actually shown up in front of our main cast, we might get some answers to the questions that have been plaguing us from the start of the series. I desperately need to know why he’s interested in Ruby and not as much towards Aqua. The obvious answer is because Ruby is paralleling Ai, and Aqua’s paralleling Hikaru himself, but that feels much too easy on my part. Either way, with the cliffhanger, I wouldn’t be surprised if we get to delve into his character a lot more during the next chapter.
11 notes · View notes
balladedutempsjadis · 11 months
Text
I drove 30 minutes each way today to go and see Ponniyin Selvan 2 at the theater closest to me that was still showing it. So this is the sequel to a movie that I didn’t even know about until last Saturday but I’m now OBSESSED (so if you’re a fan and I just friended you that’s why!)
The long drive was soooo worth it though I’m a little ticked off that the manager of the theater was so late to open things up that we missed the first ten minutes of the film (but I know I’ll watch both films again when Amazon gets PS2 in late June so no violence was done ;))
Short version: well worth seeing in the theater and I’m really glad I got the chance. I loved the movie, and couldn’t believe how fast it moved for an-almost 3 hour film. The characters and plot were as engrossing as in the first film and I’m glad I was mostly unspoiled except by history (spoilers below) because there were moments of intense suspense. I’m sad that it’s not a trilogy because I really wanted to spend even MORE TIME in this world with these people.
Longer version (with SPOILERS):
1. I knew Aditha Karikalan would die at some point because he never became a Chola king. And it was probably for the best that he didn’t rule the Cholas lands because I think he would not have made a good king, being so ruled by his passions. At least a few courses in anger management would have helped probably. But … Vikram was really stunning in the role of a man who loathes himself for what he’s become and is dying of guilt and shame long before he actually dies. Just ... I need to watch both movies again and see how his character develops from the flashbacks to the bitter husk of a man he is.
I still can’t figure out one thing, which is why he agreed to basically give up the kingdom for Madhurantakan without taking account the interests of his brother Arunmozhi Varman, whom he very demonstrably cared for deeply. (He was destroyed by the thought that his younger brother had drowned, and the only time we've seen present Aditya happy what when Nambi told him that Arunmozhi was alive.) Was it just because he already knew he was either going to convince Nandini to run away with him or more likely let her kill him and other people would be sorting out that mess anyway? Another reason that he wouldn’t have made a good king - running off with another dude's wife - but which made him such a fascinating and complex character and I keep thinking about how both Nandini and Aditha were destroyed by his family's actions. *sob* (Although, Arunmozhi also gave up a crown twice - the one the monks offered him in Sri Lanka and the one his father gave him at the end - so maybe giving up kingdoms just runs in the family. I'm #TeamQueenKundavai TBQH :P)
Tumblr media
2. That brings me to Nandini. I felt like she really did love Aditha Karikalan but she also did love power and being a Queen (because of the theater malfunction I only got to see the very end of the flashbacks of young Aditha and young Nandini at the beginning of the movie so I may have a clearer understanding that this is not what she's about once I see that.) Aditha says "lies!" when she says she wants power, and riches, and a throne, but I think it's not *entirely* lies? She was powerless when the Cholas deported her, and powerless to stop Aditha from killing the man she thought of as a father (who actually WAS her father), so I can certainly understand why part of her longed for the power to protect herself from heartbreak and destitution and why that part of her was willing to use her beauty to manipulate men (like Parthibendran, more on him later.) Her vengeance and hatred hollowed out her character just as much as guilt and anger did to Aditha, but she doesn't murder Vanthiyadevan (OMG HOW DO YOU SPELL THAT?) when she has the chance even though she knows he's going to do everything to spoil her plans. So there's still something in her that isn't completely spoiled, and I ended up just feeling incredibly awful for her (and even more awful for her mother!)
Tumblr media
She is so damn beautiful! (One slight thing that I WISH they had done was give the young woman who played young Nandini (wonderfully) some hazel contact lenses so I'd wouldn't mentally have to color her eyes :P)
3. Next we come to Vandiyadevan, who was just ... perfect? I loved him. He was like an ancient Tamil D'Artagnan (and that would make Aditha Karikalan Athos and Nandini Milady, I guess? And Nambi is Porthos and Kundavai is Aramis, the clever one.) Anyway, he was great, smart, quick-thinking, a great warrior, but also not at all dumb. I really liked him and enjoyed all of his scenes. And I found out from history that the historical character did get to marry Kundavai so YAY! He was just a nice bright spirit without a ton of angst.
Tumblr media
4. And now we come to the titular character, Ponniyin Selvan (Ponni's son) himself, Arunmozhi Varman, who eventually becomes Rajaraja Chola. I had never even heard of Jayam Ravi (sorry, this is I think the first Tamil movie I've watched since I was a kid) but he was ABSOLUTELY PERFECT as the young "King of Kings." I think this might have been the most difficult role in the film to pull off, simply because Rajaraja Cholas is so famous and so beloved STILL, a thousand years after his death. It's very rare that I would love the unequivocally good guys in a historical epic or fantasy movie/series but there is something about this character played by this actor that is just extremely charismatic. To start with, he's tall and handsome so that helps. But there's another quality that no one else in this film has, which that he radiates inner calm.
Tumblr media Tumblr media
It's not that he doesn't have strong emotions that he shows on his face, because yes absolutely he does, and it's not that he doesn't have much do action-wise because he does, especially in P-S2.
Tumblr media
But in the midst of this frenetic action and these tortured characters, Arulmozhi Varman has this quality of stillness at his core. No wonder the Buddhist monks like him so much that that they will put themselves between him and assassins' daggers. (Also did I mention the tall and handsome part?)
Tumblr media
Plus, he has that classic "worthy to be a king" thing going because he does not want the throne and that's what makes him worthy. First of all, he refuses the throne of Lanka when he's offered it by the Buddhist monks there, and then, after he's won the battle and broken the rebellion and secured the safety of his family's kingdom, he gives up THAT crown too. WE - the audience - know that Uttama Chola will ultimately die (I think peacefully?) and Arulmozhi will become Rajaraja Chola but HE doesn't know that, and none of the other people, his friends and family, know that either. Like, I'm kind of in awe of the actual historical figure too. The character could have died so many times in these two films, and the historical person, who was a warrior king, could also have died long before he took the throne, so he was FOR REAL making a huge sacrifice. And I think he did it so there would be no divisions that the Cholas' enemies could take advantage of, as there had been for Nandini and the Pandyas to exploit when Maduranthakan decided that yes, he did want to be king and that it wasn’t fair that his brother’s oldest son would be king instead of him. No one living at the end of the film knows that Aditha essentially killed himself, but everyone knows that the plotters were using Maduranthakan as a puppet. (The crown was kind of funny looking so I'm actually glad my boo didn't put it on at the end :P) (Also more on Maduranthakan later.)
Also, how cool is it that in the battle at the end, Arunmozhi comes riding out of the smoke while the Chola anthem plays, just as his brother did in the first scene of the first movie. I love that parallel (and the differences are important too, because Aditha was engaging in a conquest of a neighboring kingdom and Arunmozhi is defending the Chola kingdom.)
Tumblr media
Anyway, Ponniyan Selvan lived to become the great Rajaraja Chola, whose reign saw one of the highest points of Indian art (the extraordinary Chola bronzes) and the construction of the great South Indian temple of Brihadeswara in Thanjavur.
Tumblr media
The carvings are amazing (look closely at this elephant which is doing something that happens in PS2 :D)
Tumblr media
OK, moving on ... though I don't want to ...
5. Kundavai, the third royal sibling, who I also love to BITS. She didn't have as much to do in this film, I thought, and maybe it's because there was more focus on Nandini in this one, but she remained smart and sensible and I love the face-off with her uncle when he brings the Shiva-yogis to make his mother (Kundavai's grandmother) apologize for not putting him on the throne. Kundavai forces him and his rather intimidating crowd of followers to back off with a lot of hard stares (Paddington would be so proud.) And then she has the lovely little scene with Vandiyadevan (I'm still so sorry I don't know how to make this work) and and another gorgeous scene with her brothers at the Buddhist monastery (which, I love the scene but I hate that it’s the ONLY one). I love her, and I think she should have become the queen and my only consolation is that IRL she got to basically shape two great kings of the Chola dynasty, Rajaraja AND his son Rajendra. (And Rajaraja named his daughter after her so he obviously appreciated her a LOT.) Anyway, I love her and would love a series about her (IF ANYONE IS LISTENING.)
Tumblr media
Awww! I just want to draw little hearts and flowers around this GIF. I wish we got more of them being adorable and hot together.
6. Everyone else (sorry this is getting super long), including some questions I have.
a. Vanathi: I know I saw some scenes of her and Arulmozhi in one of the song videos hat got cut in the actual film and I just would have liked to know more of her relationship with Kundavai and with Kundavai's brother. They were lovely together, but it just felt like there was a lot of missing stuff. I liked what I saw of her especially the adorable dance in PS1. And she was also related to ... someone? Because she called him "mama" (uncle?) and he seemed to be the commander of Aditha's forces, but then there was another dude at Kadambur who was a relative of the Cholas and the treasurer guy who was married to Nandini but they were not the same person and I thought one of them was Vanathi's uncle. NEEDS MORE BACKSTORY.
Tumblr media
b. Poonguzhali (AGAIN I AM SURE I SPELLED THIS WRONG): I REALLY need more backstory on this. When did she meet Ponniyan Selvan? Why did he call her Samudra Kumari? Why did she risk her life for him (I mean, besides being in love with him which checks out because everyone else is :P) and what was the deal with her and the flower man at the temple? I just feel like a lot of stuff was missing that would have helped me understand better what was happening. (Also she was an amazing sailor to have gotten through that storm.)
Tumblr media
c. Parthibendran Pallava and his lightning-fast enmity to Vandiyadevan and then his baseless accusation that Arunmozhi Varman had sent Vandiyadevan to murder Aditha Karikalan. I mean, did he even meet either of them? Why did he think Arunmozhi wanted his brother dead? Was it all just from meeting Nandini THAT ONE TIME because bro, you need a slap if that's the case?
d. Madhurantakan - I was screaming at him (in my head) to realize that there would be no coup without bloodshed, GOD OF COURSE SOME OR ALL OF HIS BROTHER'S KIDS AND HIS BROTHER WOULD DIE. And the other kings wanted a puppet on the throne, not a warrior like Aditha or someone as popular as Arunmozhi (also a brave warrior). But finally Madhurantakan learned his lesson before he fully betrayed his kingdom and family and people. However, the bit about how he was administrating the kingdom for 25 years dropped in at the end was a bit sudden and I would have liked to know Arunmozhi’s thought process, even if it was just “hey I just want to go have adventures with Vandiyadevan because it’s super fun.” I would have also liked some evidence of said administration because they kept playing up his devotion to Shiva and not much else (though he clearly had the Shaivite warrior-mendicant vote SOWN UP! But I'm also confused because some - but not all - of those dudes appeared to be Secret Pandya Assassins, like the lady who attacked the Buddhist monastery and forced Arunmozhi to come out and show himself to the people and by people I mean assassins.) So I don't know ... Anyway, glad Madhurantakan came to his senses and did not side with the other kings against his family. While his reward for only being partially a traitor seemed disproportionate, on the other hand, I thought Arulmozhi was also smart to say that his sword and Vandiyadevan's would be backing up Uncle M so no one got any ideas and probably Kundavai would also be advising Uncle M about good administration. :D (It was kind of funny that Arulmozhi had to get the crowd to cheer for his uncle because they were all like *do not want**we want YOU, young victorious prince* but it’s a sign of his charisma that he got them to accept his uncle as king.)
e. The Pandya assassins were a bit reminiscent of Wile E. Coyote tbqh. All their plans kept not working out in spectacular ways. Is there some reason why no one tipped an arrow with poison or put poison in a cup of wine for Aditha who liked his wine or put poison on their swords so even if they nicked Arunmozhi they'd end up killing them? Do you sense a theme here? Was there some reason why the revenge had to involve actual beheading or it didn't count? Honestly, without Nandini they would have failed even more spectacularly. Also, after Nandini killed herself, what happened to the little Pandya boy king - Nandini's half-brother who swore vengeance? (FYI, I read somewhere - wish I could remember where - that Rajaraja Chola hunted down the assassins of his brother even as far as Indonesia.)
f. I was a little confused by all the uncles and grandparents and so on, like the white-haired general was the grandfather of the three Chola siblings, I assume their mother's father?
g. I would have liked some of the storylines more fleshed out (especially Mandakini's because that was very sudden and if she came and gave birth to Nandini in the Chola lands, how did Sundara Chola not know about this and I guess she spent time hanging out so she could save Arunmozhi when he fell in the water at home and abroad? Why did she care for him so much? Because he was like his father? That seems pretty generous. Anyway ...) If there is a director's cut that is five hours long for each film, PLEASE BRING IT ON. I would love to see it.
In conclusion - I LOVED both movies. This feels like a very special and great achievement, and I hope its success leads to more really good directors delving into South Indian history, like that of the Vijaynagara Empire (which is the subject of Salman Rushdie's latest novel which I haven't read yet.)
ETA: THE MUSIC. I loved it. I've been listening to some of it on a constant loop.
I'm now off to read the books and explore the filmography of Vikram, Trisha, Karthi and Jayam Ravi (if there are any films that are really awesome or really awful please let me know in the comments.) I have been meaning to get into South Indian cinema more and this was a great starting point.
45 notes · View notes
dacchamp · 2 months
Note
Some questions about the elements AU because that lives in my head rent free:
•Where did the idea originate from?
•How many elements are there?
•Tell me a little about the world building process! Why did you choose earth and water for Mitch and Antonio respectively? How does the element hierarchy work? Are all different element groups enemies or are there some groups that have allegiances (eg. earth and fire are typically friends or something?)
•Most enjoyable part(s) about coming up with the elements AU so far?
•Will we find out why Antonio lost his powers or is that something that will forever stay a secret?
•Spare any crumbs for new/upcoming ideas?
OMG SOMEONE ASKING ABOUT THE ELEMENTS AU? PLEASE LET ME 🫂🫂🫂🫂 NAAAH FR THIS IS AMAZING I AM AO HAPPY!
I'm sorry it took me so long, but I needed to organize all my ideas and organize the lore to help you to understand it.
•Where did the idea originate from?
I don't remember very well ngl! I know that I started writing about Mitch being a villian and Antonio being his sidekick... and i love magic so I add the elements and then BOOM! Elements AU has born.
•How many elements are there?
The main 4: water, earth, fire and air.
The corrupted souls are powerful and dangerous versions of those elements.
•Tell me a little about the world building process! Why did you choose earth and water for Mitch and Antonio respectively? How does the element hierarchy work? Are all different element groups enemies or are there some groups that have allegiances (eg. earth and fire are typically friends or something?)
The world is divided into humans and souls.
Humans and souls are enemies because humans are jealous and want their power (and erase them too). Souls try to defend themselves against humans because they just want to live normally with their element.
Humans have cities to themselves and souls live in tribes, in places connected to their element.
Fire: near a volcano
Air: On an island
Water: On the coast
Land: In the forest
Those tribes work together to fight the Silver Forces, but have some agreements to live in peace with each other.
Also:
- Fire and Water are enemies. They can't stand each other and, before the Silver Forces, they fought each other for power.
- Earth and Air have been allies since the beginning. They try to keep Fire and Water behaving.
Corrupted souls are exiled from their tribes and cannot return to the main core. They can live in small territories created by them (like Mitch and his side of the forest), always live on the move or hide among humans.
About michtonio elements:
Tonio is a (pure) water soul because 1) he likes water LMAO and 2) he is very chill and he can be very powerful so... water fits him.
Mitch is a (corrupted) earth soul. His posture shows respect and he knows the power he has... also he is a mistery (like a forest... in a good way)
Aaaand earth and water can't leave without each other so... ehehe
•Most enjoyable part(s) about coming up with the elements AU so far?
Creating the lore!
I love building a little universe in my head where I can have the characters doing stuff and creating the story around it! (My only mistake is forgetting my own lore but shhhhhhh)
I still have new ideas and new things to add, but I want to write them slowly and without rushing my brain (but if I do that I'll burn out and leave the idea rotting in my wips)
•Will we find out why Antonio lost his powers or is that something that will forever stay a secret?
Well, we know that Antonio lost his powers because the Silver Forces kidnapped him and drained his powers. Now, whoever is responsible for this kidnapping will perhaps be revealed in the next chapters (I hope)
•Spare any crumbs for new/upcoming ideas?
I have one chapter ready to post but I want to focus on the influencer AU first. Yet here is a snippet (little spoiler: it will explain some fire/water lore):
Mitch approaches.
He can hear the soul... sobbing. He opens the door slowly. The shadows disappear into thin air.
"Arthur?" 
"Norman... said... you... help..." 
Antonio appears behind him and gasps, surprised with the scenario. Mitch holds Antonio behind him but he feels no threat on Arthur.
In fact, none of them thought they could see a fire soul freezing.
Meanwhile you can read Ocean Touch made by @nnato 💫. It's Mitchtonio too, happens in the same AU and it's amazing well written!
8 notes · View notes
alwida10 · 9 months
Note
have you seen the new loki spoilers? I don't know if you want to be spoiled (let me know and I'll link you) but according to them they're doubling down on everything we disliked in season 1. More Sylvie, more Larry pining, more romance. Sighs
I don’t think I have seen the spoilers, but I would love a link! It’s very considerate of you asking for consent before sending the link. Thank you.
I’m including a cut since I’ll mention some older spoilers for season 2 underneath.
That said, after I finally made myself watch the trailer I got exactly the same feeling. For me it looked very much like this season is focused on Sylvie’s character arc, which by itself isn’t a bad thing. (I just wished they would leave Loki out of it, so I could skip it without second thought.) Despite me not being interested in Sylvie, from a story-telling perspective I agree that she deserves more screen time to get a fulfilling character arc. I just dislike the message that anyone, be it women or men, would need a relationship to become better or whole. Amatonormativity is fucked up, especially for a character so many othered people identify with because he doesn’t adhere to the traditional Christian values. Values that teach you aren’t successful if you don’t have a job, a house a wife and children. Loki should be chaotic. Hell, Sylvie should be chaotic. Arguing they both need anyone to be complete is a disservice for all those who struggle to keep a deeper relationship for whatever reasons. That doesn’t make one lesser.
I think one of the earliest spoilers I heard were about an older version of Sylvie who allegedly led the TVA, implying she went dark side. This trope is often used to give a younger hero (or in this case variant) the chance to “do better”. In the trailer, Loki and Sylvie cast this massive green wave of magic while holding hands. This is most likely about them being strong together and incapable alone. (subtitle, isn’t it?) so, yeah, I expect this season to hammer down the message that their relationship is the only thing that could save the multiverse, while the lack of it would make them both die or become irredeemable villains with a sledgehammer.
Sadly, I can both see and understand all that and still am unable to let go of my Loki-obsession for good. Perhaps I should write a fan letter to Dante, proposing this concept for another circle of hell. Given the fact the divine comedy is basically a self-insert fanfic where he imagines meeting all the people who admires I think it should meet the premises. 😩
Ok, this got long for a simple “yes please”. 🙈 sorry!! So, yes please! Give me all the discouraging spoilers! Kill my hope! I beg you!! 😭
29 notes · View notes
debb987 · 1 year
Text
TEB Shredder/Karai arc
Heya! Heya! So, and I'm saying this now so you know what to expect… after musing it over, in the end:
I am shortening/summarizing TEB Shredder/Karai arc 🫣
My original idea (and reasons why this won't happen anymore lol) it's below the cut!! Possible TEB Spoilers for Ch 21 - 24(?) you've been warned!
Also, this makes more sense after reading Ch22! So I'd suggest doing that first 😂 it's coming up this Saturday 13th! Just resist temptation for 36HR! XD
So! For the 21st my original idea was for Raph to accompany Bradford all the way to Shredder's lair. Raph would cross paths with them right before Shredder and Karai leave to meet the 12 family. Raph realizes he was tricked, he tries to keep them from leaving the building…
But then (and this is an idea born from the comments of times long past lmao) Mikey's ninpo starts to act up.
What had started as warm love, a reassurance that "we're here with you" had turned into a desperate "don't leave." The orange wrappings were overcharged and starting to burn through the red projection, scolding chains reaching green skin.
The orange energy burns.
So Raph suddenly can't use his ninpo anymore and his arms are injured, so he gets knocked out and imprisoned. Shredder and Karai leave and the ending of canon TEB 21 happens. They encounter the 12 fam.
Shredder lets Splinter know he took Miwa. Other than that, nothing much changes from canon, the fight is a stalemate, the Hamatos manage to escape, and Shredder and Karai return to their base. They need to know where the 12 fam is hiding and the fastest way is to get answers from the turtle in their dungeons.
Karai passes by Raph's cell to go to her "room" (because her Ch21 POV would have remained) so she speaks with the trapped turtle, a bit teasing, a bit taunting, tries to see if she can get some intel by getting under his skin.
Except that's not Raph anymore, but Puffs.
Puffs, who is internally counting down the minutes it will take for him to regain movement in his injured arms so he can wreck the whole place, starting with her, the most cheeky person he's encountered so far. He regards her with a sharp gaze…
…that softens minutely the moment she tells him her name.
Karai was the one that protected them (system), gave up her life for them, the one they failed to protect.
Puffs decides to remain a "prisoner" for a short time, because at the beginning it's easier that way. For as long as he gives off the impression of weakness, then his questions are answered, and he gets to know more about this version of Karai, that only keeps getting more and more relatable for him.
At some point, he and Karai would have gotten to talk about their very similar circumstances, about how not all kinds of love are good.
The man that raised me wanted me to be a soldier, in an upcoming war against humanity.
I have no value to the man who raised me, not beyond my reseamblance to my mother, my worth as kunoichi.
Essentially, this was meant to be a healing arc for both, Karai and Puffs… the parallels of their circumstances.
The exploration of Karai as she unlearns Shredder 's teachings, cope with her trauma, understand that her real father is a rat that could also project onto her the memory of Tang Shen, even if to a much lesser degree than Shredder. She has brothers that are turtles, in her ignorance, she was trying to kill her real blood-related family…. and that's without delving into the Karai of Rise and how Raph (not Puffs) would react!
Can you imagine how long this arc would have been? 🫠🫠🫠
So that was the plan! But alas, longterm story-wise the most important piece of their arc was the healing journey of Puffs, who finds kinship in Karai.
And that healing can be shown in other ways.
Also, in the long run their arc doesn't affect the story. Shredder dies, Karai flies back to Japan... their presence was never meant to be longterm or a main focus in TEB.
Hence, I'm "killing the darling" cool concept, sounded so pretty...
If you're not familiar with what this means, this post is a good reference! (Expressed a bit like a vent tho! xD)
Thus the revised version of this arc! Very summarized~ sorry for those that wanted a more in-depth Karai bond, this is all I can do!
If you'd like to explore this though, feel free to write and add to the TEB AU collection in AO3, I'd love to read you 💕
And that's all, I believe. Thanks for reading me if you bothered to. Hope the story continues to be enjoyable even with the change of plans 🤗
I just wanna reach sooner the part where my Rise turtles come into play!
Tumblr media
P.D. Casualties to this "cut" are, among others I'm probably forgetting: the plans for Leatherhead & Baxter Stockman (uwu)
35 notes · View notes