Cy Twombly, Souvenir de L'Ile des Saintes, (eight-part watercolour, pastel and gouache work on paper), 1979 [Tate, London. National Galleries of Scotland, Edinburgh. © Cy Twombly Foundation, New York, NY, Roma, and Gaeta]
/ l'Altissimo /
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Paul Gauguin (French, 1848-1903) - Vision of the Sermon (Jacob Wrestling with the Angel), Oil on canvas, 72.20 x 91.00 cm (1888)
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Oil Painting, 1763-1764, Scottish.
By Johann Zoffany.
Portraying Mary Oswald, the wife of entrepreneur Richard Oswald, in a blue silk dress.
The National Gallery
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Princes Street 1825 by Alexander Nasmyth
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Miss Minnie Ashley April (1905) by Gertrude Käsebier
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alright i have a mild dilemna that i need advice on
on my course we have to post these weekly self-reflection things responding to the themes of the week's class and some questions about it. i posted last week's and yesterday the course convenor replied to it in a way that implies i was wrong (in my SELF reflection) and just generally misunderstands my point/takes it in bad faith. i've shown these posts to others on the course and they agree that my original post adressed the things her reply asks about and that she has misinterpreted me, in quite a "cheeky" way
my issue now is: do i reply and try to explain myself better? or is it better to just let it go?
i don't want to dig myself in deeper if she's really opposed to my viewpoint, but at the same time i do feel like i answered the questions thoroughly in the first place and the things she's accusing me of aren't fair
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Photography of the Day - Bust of a Fate
An intriguing statue at the Scottish National Gallery …
Bust of a Fate – Photo by Raffaello Palandri
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Forensic anthropologist Sue Black, a portrait by Ken Currie via the National Galley of Scotland.
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