Tumgik
#OPENING MY DOCS AND CONTINUE WRITING THAT DRAFT
avenirdelight · 4 months
Text
Tumblr media
chill dude you’re just gonna play football what are you trying to aim here
159 notes · View notes
sorenwuzhere · 7 months
Text
The Day After
cw: dubcon, male reader, overstimulation, implied prior engagement in sexual activities, ooc, porn without plot A/N: I have never read or watched Jujutsu Kaisen and I don't think I will have time to do so anytime soon so don't expect an accurate writing of Toji. I just wrote this purely for the horny lol. This is also a pretty old draft I wrote this back in 2021 and haven't edited it, just wanted to get rid of it from my google docs. Anyway, enjoy or don't.
Tumblr media
Toji’s eyes fluttered open just doing that seemed hard, a familiar ache in his lower abdomen and his ass. Memories of last night came flooding back, he opened his eyes fully and saw your naked body lying next to him, sleeping peacefully, it’s almost like you weren’t the person who fucked him until he passed out last night. He groaned in annoyance, partly from the pain that’s coursing through his body and the other from the fact that he wasn’t able to top you last night, there was also a bit of anxiety from you telling people about this, but it turned him on more than anything even though he was too prideful to admit it. He tries to get up but is immediately pulled down, he looks up and finds you pinning him from above
“Where are you going, To-ji” you asked the smaller man, saying his name mockingly, he tsked at you before answering
“I’m going to get something to drink” he replied
“Hm, why do you have to go anywhere for that? I have something for you to drink here” you replied slowly stroking your dick, smirking upon seeing the faint blush on the tips of Toji’s ears
“W-what the fuck are you saying” Toji replied after much thinking, silently cursing himself for stuttering, you smirked raising your eyebrows in amusement, you hold your dick on your hand jerking it off faster, Toji quickly catches you doing so and tries to hide the fear and anticipation 
“What- you’re-” before he could even finish you place your dick on top of his chest, pushing his pecs together, his pink cheeks blooms into a bloody red, words stuck in his throat
“Hah, so all it takes for you to shut up is a cock? I knew you were a slut” you spoke after a while, he opens his mouth to give you a snide remark but before a sound could even get out of his mouth, you thrust your dick inside him, his eyes widen in surprise and he gags from the sudden thrust
“There you go, just shut up and take it like the slut you are, yeah?” Toji closed his eyes as he unconsciously nodded his head, swirling his tongue on the tip of your cock to try and take a taste of you. You snort at his face, you haven’t even done much yet but he’s already so pliant, looks like fucking him dumb last night did the trick.
Again you thrust your hips to his mouth and he quickly responds licking your cock all over and bobbing his head the best he can, Toji brought up his hands to his chest and brought them together to give you more stimulation, he pushes his body up to rub you, you sigh in pleasure, breathing becoming more ragged as he continues, you continue on thrusting your hips in a slow steady rhythm, you stop for a moment and he looks up at you as if searching for an answer why you stopped but he didn’t have the chance to ask why when he felt your tip prodding his entrance teasingly, small whimpers escapes his lips while you tease him with your tip, he was getting frustrated he just wanted you inside of him already! 
“Are you putting it inside or not?” he glares at you, you hum amused at him for snapping at you, you snicker then finally snapped your hips forward to get your cock inside him, despite how much you fucked him last night his hole was so tight, sucking you in so eagerly.
Toji moaned at the feeling of your cock inside him, no matter how much you pounded him last night he couldn’t get used to the feeling of your cock inside him, it was just too much, your scent, your size, your stare, everything was so overwhelming and he wasn’t sure how to deal with all of these things at once, it was almost suffocating and although he would never admit it out loud he wouldn’t mind drowning in your presence.
You wanted to wait for him to relax but recalling how much shit he’s given you, you pushed the thought back and started thrusting into his tight hole. Toji was caught off guard. He didn't expect you to go immediately; he thought you’d at least be considerate enough for him to get ready, but he found it quite…hot.
“Hah, you’re hole just tightened, is this turning you on? What a slut" You asked the small man, he let out a choked moan, he couldn’t catch his breath from your pounding, how do you still have this much energy after everything you did to him last night.
Toji looked dazed, all you could do is chuckle at his expression, putting his legs on your shoulders and pressing his chest with yours, you trailed kisses down his neck and then bit onto his skin that was already full of bruises, he screamed as he feels blood trickle down his neck
“Ngh- not- AHH!” again he was cut off by his moans as you set a punishing pace, pounding into him roughly
“Haah! Agh Ahn~ W-wai- you fucking- ba- Hahh~ bastard” Toji kept getting cut off by his moans, it was actually quite impressive despite how fast you’re going, you wonder how fast you’ll need to thrust for him to shut up
Finally you stopped thrusting after a bit, he pants and tries to catch his breath propping himself up using his elbows to look at you
“What? Tired already? Thought you were going to shut me up with your dick? You ca-” Toji let out a silent scream, you thrust into him again this time harder, faster, rougher, he didn’t even know that was possible, what is with this inhumane speed? 
“Hmm? Why are you quiet now? Isn’t. This. What. You. Wanted?” you asked, thrusting harder into him to emphasize your words, all he could do as a reply was to moan and whine he couldn’t let a single word out because of the sudden shock of you thrusting in him
“That’s more like it, you’re prettier just being an obedient little slut so just stay that way, alright?” you taunt the man, he nodded dumbly too fucked out to register your words. You chuckle, he definitely looked better dumbed down like this. 
Toji suddenly shivered and you took that as a sign that you found his spot, you smirk at him and adjust his legs to hit his spot precisely, pistolling your hips you aim for his spot and thrust into him fast and rough, just how he liked it
“Mhh- Ahh! Ngh I- going to- ha- ack!” Toji tried to tell you that he was close but he was so fucked out that you can’t understand anything he’s saying but the tightening of his ass, his shivering, his lolled out tongue and his rolled back eyes spoke for itself
“Hah, cumming already? Aren’t you a certified whore how can you not take at least this much?” you said, getting cut off to breathe every once and again from how fast you were thrusting
“Ngh- can- please cum–!” he said again trying to warn you, opening his mouth wide a scream ripped out of his throat as he came all over his stomach and chest, some of it landing on your stomach, but even as he just came you still haven’t stopped thrusting, sobbing, Toji tried to push you away
“N-No mo– Ah~ ngh- plea- I- haah~” sobbing in between his words, you don’t bother trying to understand his words, just indulging yourself with his inside and chasing your own high you were even more turned on by him sobbing underneath you, Toji was terrified to feel you grow bigger in him, how was that even possible? 
“You- just now you- nggh~ I— haah~ wai-” Toji couldn’t let out coherent words anymore he was so drunk at the feeling of you, he can’t handle this any longer, just how much more will you keep going? 
Finally after what seemed like forever, Toji felt your cum fill him up and pushed him to the edge as he came again moaning your name. Toji pants, sighing in relief as he tried to catch his breath, his relieve was short lived as you pushed out of him and lift him up to make him lay on his stomach then push inside of him again
“Haah! Ngh~ Please I can’t anymore, no- m-ngh- haah~ more p-leashee~!” Toji’s begging fell onto deaf ears as you adjusted his hips, putting his knees on the bed and lifting his ass before pulling out until only your tip remained in him before slamming in again and again not letting him catch his breath.
Toji clutched the sheets and again tried to get away from you, crawling away, but your hard and fast thrusts made his legs wobbly and he couldn't find the strength to keep on moving.
You smirk as you feel him stop trying to get away and slowly giving in to your touch. You lean down to his ear and nibble on his earlobe 
“That’s it, did you figure it out? Below me is where you belong, so stay still~” you whispered huskily in his ear, Toji felt shivers down his spine upon feeling your hot breath on his nape and hearing your husky voice that’s a bit out of breath from how fast you were going.
Feeling his hole suddenly tighten you groaned causing his hole to tighten around you even more, ah did he find that hot? Toji was easier than you thought. Hearing you chuckle right beside his ear, Toji felt his face getting hot, what the hell is up with him? Why is he feeling this way? Over a chuckle? How fucking pathetic
“You keep on squeezing me Toji, what are you thinking inside that pretty little head of yours hm?” you comment, and to your delight that made him tighten around you even more
“Haha, you make me feel so good baby, let me repay the favor~” you whisper teasingly, adjusting your grip and the position of your thrusts, you thrust into him perfectly hitting his prostate, Toji gasped. 
You began hammering into him smashing his prostate repeatedly, the poor boy couldn’t even let out a whole moan as he keeps getting cut off from more of his moans, his eyes rolled to the back of his head as he clutches the sheets harder, he bites onto the pillow below him feeling ashamed of the loud moans he keeps on releasing. 
You brought your hand down his face and forced him to look at you before you went down and crashed your lips with him, your other hand going down to his dick stroking him rough and fast, Toji gasped as you had planned, you shoved your tongue inside his mouth, exploring the inside of his mouth kissing him feverishly.
Toji feels himself melt and become more pliant to your touches once he feels your tongue inside his mouth, gulping in his moans and kissing him as if you’ve starved and his lips are the only things that can satiate your hunger, and he wasn’t wrong— you have waited way too long for this, you’re going to take every chance you get and make sure he won’t be able to forget the way you touched him and played with his body as you please like no one did before.
Separating from his lips you place your hand on his tits, you start to squeeze and massage them, pinching his nipples and playing with it. Toji's breath becomes ragged and whines every now and then slips from his mouth, everything was so overwhelming, just then his vision turned white and again he came onto the sheets, tears pricking his eyes and falling down his cheeks onto the sheets, not long after you came inside him 
“Haa I- hngh~ are- mmh!” Not understanding what he’s trying to say, you caught his lips in yours and kissed again, Toji noticed a trace of gentleness and savored every single bit of it until it quickly disappeared. 
Feeling him stop from moving you separated your lips from him, seeing him passed out you quirked your eyebrow, you contemplated if you were going to continue or let him rest, glancing at his face to see his peaceful expression one more time, you came to the decision that you’d let Toji take a rest for now.
Pulling out of him you picked him up and laid him down on his back, taking out the sheets and venturing into the bathroom to fetch wet towels to wipe his body down with. After replacing the sheets and cleaning Toji and yourself up, you lay down beside him, pulling him close to you. You convince yourself it’s just because it was cold and wanted some source of warmth, before closing your eyes and falling asleep.
1K notes · View notes
chrollohearttags · 9 months
Text
not even to wake up in a haterrific mood on such a beautiful morning but I feel like I gotta say something. Especially when I’ve been seeing a multitude of posts critiquing black writers and seeing so many of amazing moots leave. (and reminder that the anon button is OFF so you will argue with the wall or get that ass cussed out publicly, your choice. And if you feel brave enough to come to my DM’s, I got something there for you too 🤗 so feel free) but I am so so so SICK of seeing these very unnecessary and annoying standards being placed on black writers. I’ve said this once and I’ll say it again that the goalpost keeps moving for us. It went from the toxic, plug, sneaky link, etc fics are harmful and damaging to us as black women to now I’ve had the displeasure of seeing that modern AU’s in general are problematic and we should write more canon AOT stories (I wish I was making this up). Don’t know about you but I want no parts of that depression fest. Especially because the ONE black person was basically observed like some type of mystical being. I’ll pass on the whole ‘why does your hair feel like that’ and a handmade’s mammy tale of tending to a war criminal’s wounds in a jail cell. Regardless, all of this is rooted in a respectability and projection issue. Because as I’ve said before, none of these critiques started until the TikTok girls started publicly bashing black writers and using them as a ploy to get views because doing it to other groups who write the SAME tropes with a “digestible” packaging would’ve gotten them backlash. So as does everyone on this hellscape of a planet, they use black women as a punching bag and laughing stock to garner engagement. Now you’ve got an influx of people regurgitating these same things and making others feel bad for what they write. I’ll be honest, a lot of these tropes/stories that I see, they’re not exactly my niche, mainly because I don’t smoke, I don’t do parties and stuff like that so I can’t resonate with it (don’t come at me, I got asthma and social anxiety, bitch 😭) but that doesn’t make me love/wanna read them any less. I love seeing different perspectives and being in another set of shoes for a while. There’s nothing wrong with that because as long as black women/enbies are happy and confident in what they write and it’s not causing harm, I’m going to support ten toes down because we need representation, we need that community and I’ll be damned if I turn my nose up in the air at anyone just trying to express their creativity. What I WON’T support is a bunch of hateful, nasty spirited shrews parading around in clean girl cosplay and bashing others to be seen as acceptable and ‘one of the good ones.’ Not liking smut doesn’t make you a better reader/writer, not liking modern AU’s and ‘overused’ tropes doesn’t make you some prophetic, divine person and sitting up in anons and on the dash, reporting fics because YOU personally don’t like them doesn’t make you superior. And running everyone else off of here won’t make your writing any better. What does it make you is a loser, a cornball ass bitch and a lazy bum. Because the energy you exert into being haters, you can simply open a Google doc or draft on here and write what fulfills you. Be the change you want to see in the world or whatever they say. Also, a lot of us ARE writing these very scenarios you all are claiming you want to see. We can also see the notes count in comparison to the ones being deemed so horrible so again? You as the consumer determine what’s popular and not. We’re only going to write what’s going to be seen. Anyways, black women/femmes/enbies, I love you. I love your stories, I love your portrayals of our favorite characters whether they’re a drug dealer or a doctor, I love seeing y’all on my dash and I hope that you continue to grow in your writing journeys. I hope that you write what brings you joy and block out all the bullshit. Stay safe and have a wonderful weekend! 🫶🏾🫶🏾🫶🏾
109 notes · View notes
aadmelioraa · 1 year
Note
Hi! I was just wondering, what is the difference for you between the Scrivener categories you use? What makes a certain section redrafted vs revised vs punched up vs polished? Thank you!
Hey!! I am more than happy to elaborate on that post. Here are the scene (or chapter) draft categories I use via the "Label" function in Scrivener, and what each category means to me:
To Write. Any scene that I haven't fully drafted, ranging from an idea in my head to a few bullet points to a scene that doesn't yet have a beginning, middle, and end. Lots of ellipses and all caps notes to myself [ADD CONVERSATION WHERE X AND Y ARGUE ABOUT DINNER PLANS] at this stage. I am a planner-pantser hybrid—I usually start writing without a real outline, and then create and reshape my outline as I continue writing new scenes, the outline evolves as my draft evolves and vice versa. 
Drafted. I have written a full version of the scene. It has a beginning, middle, and end. I have hit all the major points I want to hit. It's messy, but it's on the page. These scenes comprise the Rough Draft.
Redrafted. At this stage, I follow Matt Bell's "Rewrite Don't Revise" advice in Refuse to Be Done (highly recommend this craft book!). Once I have a Rough Draft version of the project (the entire book has a beginning, middle, end, and enough essential connective tissue scenes to prop it up), I print that off* and open a fresh Scrivener file. I hold myself to Matt Bell's no copying and pasting rule, and it's honestly been a game changer mentality for me. I refer to my Rough Draft and my Revision Plan Outline as I create a new draft that is both leaner and more fleshed out as needed. The Revision Plan Outline is the roadmap of the book I wrote (the Rough Draft) spliced with a roadmap of the book I want to write, including new scenes, stronger versions of the scenes I already have, and notes about what needs to be cut. *This is probably obvious, but you don't need to work from a printed copy, you can open your Rough Draft doc side by side with a blank doc if that is more your speed. The important thing is to start with a blank document rather than making revisions to your Rough Draft. It might sound insane, but I've found that it allows me to let go of what I would otherwise struggle to cut, and opens me up creatively to write new material.
Revised. Once I have the fresh, stronger, more intentional version of my scene, I go through and check that it's doing what I need it to do in terms of character work and plot points. It's not only a complete scene in that it begins and ends where I want it to, it's also functioning as part of a whole. 
Punched Up. This is my favorite draft stage in most ways, I just find it really fun and satisfying. My goals are to make sure that the tension is properly threaded, that the emotional beats are landing how and where they need to, that the humor is working, that each character's voice is coming through, that my language is vivid and interesting. 
Polished. Here I am making final cuts and changes, taking things at a line level and evaluating individual word choice. Nitpick city, but ideally in a productive way.
Right now in my current WIP I have an array of scenes at every level in a single Scrivener file. Most of them are Redrafted or above (I already completed a Rough Draft, printed it off, and am working from that and my Revision Plan Outline to create a new version of the book) but there are plenty of scenes in my Revision Plan that didn't exist in the Rough Draft. I will once again shout out @bettsfic and her invaluable developmental insights, you can check out her substack here and read more about her services here.
Anyway, this is what works for me, it definitely won't work for everyone, but hopefully you find something useful here! I will note that you can use the Scrivener "Draft Status" category to function in a similar way as the "Label" category, allowing you to use "Label" to denote POV or something else. Labels are visible in the sidebar (you can find options under "View," and Draft Status shows up in the corkboard view (it's stamped over the notecard for each scene if you select that option).
155 notes · View notes
skibasyndrome · 3 months
Note
🎁💡🚦🦈
Thank you so much Joshua!!! <3<3<3<3
🎁: Have a piece of a WIP you want to share?
“I might’ve googled some stuff the other day,” he admits, and Simon continues to stare on, now in wonder. “And uh, took a shower and all” he adds, now very sure he’s blushing. “You know, just kinda… anticipating that maybe something could happen if you came over” And when Simon still doesn’t say anything, the floodgates open. “Not that I was, like, expecting anything to happen at all,” Wilhelm runs a hand through his hair, just looking for something to do. “And obviously we don’t have to do that if you don’t want to, I was just kind of curious, because I really like doing it to you, and then I thought-”
It's very unedited and from the last part of You crave the Applause / Yet hate the attention, my beloved that I've been meaning to finish for... I don't even wanna look at the timestamp of the last update tbh gaaaah where is writing time when you need it
💡: How many WIPs do you currently have?
I have this bad boy right above that should get done very soon hopefully, then Vampire fic (my beloved), I have a kinda angsty Simon POV oneshot sitting around in my drafts and then I have tiny, tiny snippets/ideas waiting around in my docs for another 4 possible fics (but some of these are supposed to be collabs and both parties haven't found the time to seriously work on them yet), so uh? 3 very concrete ones and 4 that are somewhere between an idea and some first written words, idk if that counts.
🚦: What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?
Oh gosh... tbh I LOVE the impact of an ambigious/angsty ending, but for the fics where I kinda wanna keep the ending like this I ALSO wanna do like a part 2 that resolves it because I'm weak like that 💀 So I guess happily ever after if I'm being truly honest.
🦈: Which character is the toughest to write?
I haven't done Simon POV before, so that's a bit more difficult for me tbh. I just feel like I can look into Wille's head better, idk?
Send me fanfic writer asks
15 notes · View notes
atiyasnake · 5 months
Text
Yall, I gotta ask, exactly just how normal is it for you for stories to be on your mind 24/7?
Like for me, it what I think about always. I'm thinking about this fic, that fic, and a possible new fic. I'm thinking about a prompt or rough outline I created a doc for almost 2 years ago or 2 weeks ago.
I'm thinking about what the next chapter is about or how I want the plot to progress. Or that one moment I've been gnawing on like a dog with a bone.
I drive to work and while making sure it's safe to switch lanes, I think about how X character will deal with the next situation I'll put them in.
In-between work phone calls and tasks, I'm itching to open my doc and write a few lines. Reread my outline, maybe rewrite a draft. Even though I only have access to them on my phone and I can't type on that, cause it honest to God has caused me pain in my hands and -like I said- I'm at work.
Even right now, I'm at work. It's an hour until we close and I'm the only one working the front desk hoping no one calls cause I've having a good time daydreaming about how I want one of my stories to go.
In my jumbled up mess inside my head, I'm twisting and turning around all the components of a story. What POV will it be, how the dialogue will go, and what is the next thing I need to write? I'm switching bullet points and little snippets of notes I've written on a sticky note or typed on my phone.
I'm trying to piece it all together into something I can and want to write. It's all I think about.
It's not just fanfiction either. I have my own original stuff. Stories I'd love to write, would love to read.
I think about rewriting short stories I've written in writing club in my notebook or typed up on my computer. I imagine scenarios to put characters I haven't even created in.
I don't know their names or the color of their eyes, but I know they'll fight with a smile and blood staining their teeth. I'll know that their friend will run their fingers through their hair. I'll know that they don't like it when people yell and are bad at cooking.
When I go to sleep, I would basically tell myself a story. It used to just be scenarios with some unknown character, but now it is filled with my brainstorming, wondering how things could go in my stories.
Especially my fics, since those are stories I know people actually read. It's crazy to think about.
There's a person, more than one, who read something I wrote. Who decided they liked it and would like to continue reading. It's absolutely mind boggling to even think of one, nevermind a dozen, a hundred, a thousand people have read something I wrote.
I think about them.
I wonder what they think of the words I strung together. What image comes into their head when they read them? I wonder what my words have made them feel.
I honestly can't describe just how much stories mean to me. I think about them all the time. From the moment I wake up till the moment I go to bed.
They're all I ever think about.
I don't know how someone can talk to me about stories without feeling as if their chest was about to burst. As if they're scrambling to find the proper words and could only yell and shake their hands with how it makes them feel.
How can you not want to scream, laugh, and cry when you think about stories and all that they are, all that they could be?
How can I just go on about my day knowing I have access to thousands of stories, am sharing a few of my own, but also will never know thousands of other ones that have yet to be created?
I honestly think I live for stories. Whether it was to read them, write them, or just think about them. I think they might be one of the reasons I'm still alive today.
Which funnily enough, is a story of its own.
29 notes · View notes
notasapleasure · 3 months
Note
Fait prosperer qui n'est à croire vain please?? Tell me everything!! I forgot abt this but it sounds AMAZING (I’m partial to the Marthe/Güzel but ofc would love the Jerott/Lymond too!)
Oh it's all my end of PiF feelings again, about Marthe and sacrifice, Lymond and depression/recovery (or lack thereof) and Jerott and 'kindness'. Also i think Marthe deserves to rule Russia with a fist of iron and have a blazingly hot strategician girlfriend.
Uhhhhhh so this starts as a good fic and then gets utterly bogged down in me trying to make Jerott and Francis fuck. Sometimes a fic is better when there is no smut, Jo. Also paging @oughtaagh because there's Jerott, there's Francis, there's water, there's recklessness and rescue.
I'll write a bit about how I would have continued it/ended it at the end, but first
I'm just gonna post it.
It's LONG, so if you're struggling to read it all here on tumblr and really want to read it let me know and I'll stick it in a doc or something.
[Peak Lymond draft problems: googling a Latin quote you stuck in there because you have no idea what it meant, and learning that it's from Cicero, but still not knowing what it meant. Truly, it is just like dealing with Francis Crawford himself. Or lunchtime in the undergrad common room as the only dunce who didn't do the Latin module. Anyway I did find rough translations in the end but I'm leaving the quotes untranslated so you all get the authentic Dunnett experience]
---
The wagon slowed to a halt beside the figure among the trees.
Men at arms, moving with no anticipation of a threat, approached with open hands and a foreign greeting.
Taking their assistance, with golden head bowed and covered by a soft cap, the weary traveller got on board. Among cushions and furs, long limbs settled with grace. Cornflower blue eyes held mischief, and wide pink lips smirked satisfaction.
Kiaya Khatun's own eyes widened.
"You."
-
The straw in the stable had been piled up to cover worn buckram, silks and cottons. The boot prints around it were narrow and had scuffed the stone floor in their haste.
Only one pony remained.
Lymond ran a hand, already trembling with effort, down the thick fur on the animal's neck.
It was dawn, and it was cold in the mountains behind Volos. The pony's fur was sprinkled with a fine glitter of dew and its breath coiled in the air beside him.
He had it saddled, but the girth hung loose and unbuckled as he leaned against the animal's warm flank. He was certain he could travel, but the longer he stood in the damp morning air the less willing his body was to collude in this belief.
Marthe had gone early, and she had worn men's clothing, changing her outfit in the stable.
She had taken his place, asking no leave, contradicting her sanguine words about Camille de Doubtance's wishes.
All she had left was the discarded dress and a ghazal written on a scrap of paper, crumpled and stained, as though she had regretted it and nearly destroyed it:
"A friend is the one who beheads you.
A swindler puts a hat on your head.
A host who pampers you becomes your burden.
The Friend deprives you of yourself."
-
Inside the main building one person still slept. Jerott Blyth lay oblivious to the competition to leave him behind.
-
No voices were raised: raised voices travelled.
"Silly girl," Kiaya Khatun said softly.
The fates would be displeased; the planets misaligned; the old woman would not take this news kindly.
"She is dead."
"As she predicted she would be. So it is up to us to continue her work."
Lymond's sister raised a cynical brow. "It is very easy to predict one's own death, if one is willing to play a part in it."
This brash effrontery made the courtesan laugh.
She would allow Marthe the morning to talk to her of fantasies. At first stop, the girl would be returned, and Kiaya would send a man to retrieve her intended companion.
Russia needed warriors, not soothsayers.
-
Lymond crouched by the embers of the hearth.
He picked up the packet he had left. It was addressed to his sister: letters to make arrangements for her inheritance. A request that she uphold her promise. A warning that he should not be followed when he left.
He had returned to the building to ensure that these details were not left for the wrong eyes.
If Jerott read it in the absence of both Marthe and Lymond there would be recklessness, and Lymond could not afford to leave recklessness in his wake.
He had returned to the building to protect his exit.
It should have been clean. It should have been quiet. It should have been easy.
Following the sound of shuffling feet, the door opposite the fireplace began to open and Lymond breathed a curse.
On impulse, he tossed the paper packet into the orange bed of coals. Its edges blackened, and a smoky eclipse rushed over its surface before flames kindled and crackled, smacking their lips on the dry words.
-
"It's early."
Lymond stood - too quickly. His head swam.
The other man paused in the doorway of his room, rubbing rough-skinned hands over tired eyes and morning stubble.
"Was it a bad night? Are you ok?"
"I am fine," Lymond answered.
Jerott peered at him with a dubious expression.
In the trees up the slope a woodpecker hammered out its breakfast rhythms.
"Have you been outside?"
Lymond let his arms open in a sort of shrug.
Droplets of mist had caught in his hair, turning its ends to darkened twists. His boots had straw stuck in the mud on their soles and his riding cloak hung from his shoulders.
Glancing at the hearth, Jerott took in the tongues of flame that were already dying down, and the grey rectangle of ash sheaves from which they had sprung: the ghost of the letter packet.
The cot beside the fire was empty, its curtain drawn back and bedclothes rumpled.
Marthe had few belongings, but none remained in their accustomed places.
Jerott looked at Lymond with sharp new panic.
"Where is she?"
Jerott was outside, halfway to the stable block even as Lymond called the answer Jerott already knew: "She's gone."
-
Standing within the stable, Jerott picked up the dress. He pressed it, unhesitatingly, to his face. He breathed in the smell of her body, mingled now with the dry scent of fresh straw.
His eyes opened to the sight of the saddled pony and it added insult to injury.
Jerott stormed back to the other building and tossed Lymond's packed satchel on the stone flags before the hearth. Combined with the hurt in his eyes, no accusation needed to be spoken.
In response, Lymond's expression was closed and wary, but his body language was resigned.
She had taken his place. That was all.
He did not know how long she would survive in it if he did not reclaim his position at Kiaya Khatun's side.
"Russia?" Jerott exploded. "Why would she go to Russia?"
Because, Lymond thought to himself, she had chosen to ignore Camille de Doubtance's plans. She had elected to claim her birth right: the adventure that should have been hers without question had she been born a man. She had intended to set her brother free of the webs that had been woven for him. To take up their severed bonds and turn them to a bridle for her own destiny.
"She is looking for a new station."
Jerott looked at the ash fluttering on top of the embers.
"But I was going to marry her."
-
It took little enough time for Iphis to have her way.
Among furs a sea-weathered cupid rolled with the movement of the cart. A gift and a promise; ambition and proof; the cupid had changed hands in Djerba, and ridden as the strange confidant of Kiaya Khatun since then.
She drew the lithe body of Lymond's sister into the cushions beside her. The blonde head rested against her shoulder and Marthe sighed with pleasure.
Kiaya Khatun had always been too curious.
Ambition was a virtue, but without restraint it was dangerous. Curiosity ignored boundaries and left ambitious women seeking more.
No need to be a warrior when you can be a shapeshifter. No need to be a soothsayer when you can forge your own fate.
-
"You don't understand."
Jerott had been stung by multiple barbs. He nursed the knowledge that Lymond had meant to leave him. He wondered about the future with Marthe that might have been - he contrasted her placid sweetness in recent memory with her old cruelty. Had she been kind because she knew it would come to an end before it came to marriage? Had that been an act to appease Lymond as much as Jerott?
Because it was always Lymond who stood between them. Always Lymond, in the corner of Jerott's eye, in the back of his mind, like a conscience double-checking all of his actions.
Lymond, who stood now in inscrutable stillness with his back to the wall. Beneath heavy lids and golden lashes, he regarded Jerott with an expression of weary patience.
"I understand." Lymond spoke softly but firmly.
"No," Jerott slapped an open palm on the door jamb. He stared at it, disappointed that the shock of pain caused by the gesture was already fading.
Lymond's jaw tensed.
"I love her. How can you, you, possibly understand?"
Lymond's fingers flexed against the stone wall to either side of him. His posture remained defensive, an animal backed into a corner. "I am not immune to the feeling, Jerott, despite what you seem to believe of me."
Jerott scoffed and looked at him with the kind of tolerance he might show a particularly stupid child. "Really. When you intended today to make for Russia on the touring bed of a Turkish courtesan."
Lymond did not flinch. "Kiaya Khatun is Greek."
"Clearly I am mistaken, and your profound connection with her runs deeper than I realised," Jerott said bitterly.
He missed the hot, blue flicker of irritation in Lymond's eyes.
"And I should learn about the profundity of love from you, I suppose?"
Jerott flushed red, though the firelight camouflaged it.
"Do not sully this by claiming you have encountered its like in the debauchment of the French court," he muttered. His ears prickled with heat.
Lymond sighed: "Ah."
He leaned his head back against the stone. "You think that such things occur in the absence of sentiment."
Lymond considered, in turn, the joy that Thady Boy Ballaght had brought men and women alike. The meeting of experience he had had with Oonagh O'Dwyer. The broken heart of the archer Robin Stewart.
"I find that, all too often, it is a surfeit of feeling that makes court such as it is."
Jerott's hands curled into fists, propped above his head on the jambs to each side of the door. He shifted the weight of his hips and feet, glaring at the swept stone floor. "It is hardly the same thing."
Lymond, tiring, conceded a final justification of his words. "I will not claim to have felt as you feel for Marthe. But I have seen more of life than exists in an Auberge on a small island, Jerott. Allow me some understanding of its rhythms."
Finally, Jerott raised his black head and met Lymond's eyes. He shivered visibly when he looked into that fine, Della Robbia face. All its foundations were etched sharply in the firelight and what daylight entered through the door around Jerott's blocking form: the elegant sweep of cheekbones and jawline, the plaintive sockets and the translucent, gem-like glitter of blue in their depths.
Jerott's lip curled, but he did not quite manage to keep his voice steady. "Then thank you. For your understanding."
In angry silence, Jerott was left with a familiar discomfort: the idea that each of them, Lymond and Marthe, had all these months been occupied with plans they had never shared - would never share - with him. It was now joined by the unhappy knowledge that both had tried to leave him behind in secret - whether abandoning Jerott to the arsenal of their sibling, or perhaps abandoning their sibling to Jerott's uncultured company.
The worst of it was that Jerott thought back over all that had happened since Philippa Somerville had insisted on pursuing the seemingly sanguine Crawford of Lymond -  keeper of armies, uncaring father to a lost bastard - across the continent, and Jerott could barely recall the moments he would not choose to live again. His thoughts dwelt only on the thrill of the horse show, the pounding of his heart as he raced across Moorish rooftops and powered through the warm Mediterranean with a body in his arms - precious salvage from the wreckage of Zuara. He held to the memory of a single, longed-for look of pride and the dangerous glamour of gold hair and white linen beneath the African moon.
-
Lymond retrieved his pack wordlessly and eyed Jerott, who remained in the doorway.
"I will take the pony and catch up to them. If Kiaya Khatun has not already sent her on her way back here, I will tell her you are waiting."
Jerott did not move. His arms tensed as he grasped the wooden jambs and he raised his chin in defiance. "No."
This was precisely what Lymond had feared.
"I am losing time," he said warningly.
Ironically, given his present position, Lymond thought about how Jerott was like a door that would not stay shut. He could exhaust one's energies on an impossible task. And for a man used to a lifestyle of discipline and regiment, Jerott had shed the obedience demanded by the Order with a speed that left one reeling.
Attempting to shake him off was like negotiating with quicksand.
"They won't be travelling quickly." Jerott reasoned. "You said she would be bringing a train. We can catch them up with the pony - they won't make it to Larissa in a single day, even on the old road."
Lymond had to grit his teeth against the pain that was rising in volume in his head.
He lacked the strength to stop Jerott from snatching the pack away again.
"Besides, you are not in a fit state to stop me," Jerott muttered. "So you are not fit to travel alone."
Had all gone according to plan, Lymond had feared that Jerott would try to follow him. Why should it be a surprise, now, to find that Jerott would not leave him?
He watched Jerott through the doorway, thinking of St Mary's and every instance since in which Jerott had simply remained.
Once, Lymond had asked Jerott not to let himself be driven away.
To that one order, Jerott had remained faithfully compliant.
-
At first stop, Kiaya Khatun laughed beneath pear trees still laden with browning, over-ripe fruit. She sat on a bench covered by woven rugs, steaming kahveh set between her and her lover.
She was patron of the young champion in practical brown hose and doublet: a peacock dining with her graceful hen.
With a dagger on her belt and her hair braided tight beneath her cap, Marthe was not quite comfortable. She was not quite Lymond. But she rode the thrill of Kiaya's smile and placed olives into her mouth, and they made new plans. They drew up their own charts, for the planets they had pushed off course.
Russia needed warriors. Most of all it needed strategists. And what was running a household, navigating a seraglio, buying and selling ancient artefacts, but being a strategist?
A storm was rolling in from Mount Pelion, and Kiaya Khatun watched Marthe learn the vocabulary of command needed to arrange the vast train accompanying them.
Although she lacked Lymond's confidence, Marthe compensated with a ruthless assumption that none would choose to do as she asked without the threat of misery held over them. This tone made the men hurry to prove themselves capable, and Marthe stood back, astonished and pleased, as mules and servants, tents and shelters, arranged themselves in regimented practice to construct a small village of cloth and leather, enough to barrack them all through the heaviest of snows.
There was pride in Kiaya Khatun's eyes as she said "Khorosho."
Marthe's heart ran like Ottoman cavalry across the plain. Not once in her life had anyone looked at her in that way.
-
Time passed in a slow descent through the mists that left Lymond furious at their pace - and exhausted in every muscle. They wove through the thin trees silently, droplets of cold water clinging to their hair and cuffs and the pony's thick fur.
Even had he been alone he would have made slow progress. The soil was slick with streamlets of groundwater that began to crunch and crackle as the earth cooled, and the rock beneath them juddered down from the mountain in uneven steps, laced throughout with treacherous, snaking roots.
The pony, sturdy and gallant though it was, followed Jerott's lead, its heavy hoof-falls striking hollow sound from root and rock.
When the mist left them - quite suddenly, and well before they reached the Thessalian plain - it was replaced by a thin, warning breeze. Lymond pulled the woollen collar of his cloak up around his neck and set his jaw to keep his teeth from chattering.
Still they could see no further through the leaning boughs of conifers. Colour was absent beneath the white spotlight of the high clouds: trees were the shade of iron, their needles and the cobwebs that hung on them were bleached and silver-gilt by dew.
Walking at the bridle, Jerott did not attempt to make conversation. His black hair clung in damp runnels to the edges of his face, to his head and neck. Water beaded and pooled in the folds of the pack on his shoulders but his pace did not tire.
He would be thinking over what had almost happened and, perhaps, trying to distinguish between his anger at Lymond and his anger at Marthe.
Lymond regretted it, but he remained silent.
He had thought that his sister had reached an understanding with him - and with Jerott.
Marthe had professed a prophecy of kindness for a man adequate to his fate and then - in an act of hubris - she had changed her mind and stolen away in the crepuscular light.
Lymond considered all that had proved true since it had been foretold in Lyons, and all that could have been proven true even then. Information was not art magique; an understanding of the past was not the same as a vision of destiny. Whatever she had been, or was meant to be, to Camille de Doubtance, Marthe must have recognised this and preferred some other path.
Perhaps, when they caught up to her, she could explain how she had broken free of the framework of fate, and explain to Jerott how he might do the same.
For his part, Lymond would inform Marthe that she had jeopardised not some nebulous destiny or chart dictating his future; not some unsolicited vision of lives conducted by an old woman in a Saxon wig; but a decision made by a rational and lucid mind. A decision of his own making, that he had every intention of holding to.
-
Large, feathery flakes of snow were beginning to penetrate the thinning tree cover. The slope was no longer as steep, and they could now glimpse the pale expanse of the Thessalian plains beyond.
Lymond pressed the pony to a faster pace, taking over the lead, and Jerott's stride lengthened to compensate, his cheeks bright with colour.
On the plains, the snow had been blowing down from the uplands, and it smudged grass and river and track and building into indistinct grey. Only the black water of Lake Karla stood out, its surface stippled like old metal beneath the wind and the precipitation.
Jerott broke into a jog to keep pace with Lymond's descent towards the edge of the lake. He glanced up between footfalls, searching what could still be seen of the horizon for Kiaya Khatun's encampment. It was where Marthe would be, and he sent his heart out into the weather, thinking of the pricking of his skin when he was in her presence, of the dragging ache in the pit of his stomach and the way she made his arms feel like they would always be empty.
Without her, he did not know what he would do. All he could imagine, that was not in proximity to her, was the endlessly occupying struggle of following the rider ahead.
Now Lymond was directing the pony into the marshy land at the lake's edge. He was making for a shallow-bottomed fishing dory, Jerott saw, and not the reed-thatched shelter nearby.
Wet ground tugged at Jerott's boots as he plunged after Lymond. He had begun to worry that the other man would not wait, and tried to close the distance between them when Lymond drew to a halt.
"Francis! Do you see them?" Jerott called, hoping that, in giving an answer, Lymond would think to allow Jerott to catch up.
Lymond swung his feet from the stirrups and paused for a moment, both of his hands resting on the pommel. Like a bird tucking its head into its own neck feathers, he glanced back at Jerott over the cloak bundled around his shoulder.
His face looked as grey as the whirling snow over the lake, and Jerott recognised, at last, the frailty Lymond had tried so fiercely to hide all morning.
Jerott did not take the time to drop his heavy pack but flung himself forwards through the freezing mire, swinging arms and pumping hot, tired legs to reach Lymond before he fell.
He got to the pony's side too late to stop Lymond from dismounting, but in enough time to support him where he landed, clinging to the saddle in limp desperation. Lymond's legs seemed beyond his control, liquid and powerless beneath the pressure of some unseen agony.
"The boat," Lymond ordered through pressed lips.
"No. In God's name no," Jerott swore. He heaved Lymond's weight, his hands hard and unforgiving against the trembling body of the other man, wedged into armpits and scrabbling at wet clothing. Lymond clearly wanted to protest, but his white fingers could not maintain their furious, stubborn grip on the saddle. His throat released a sound of mingled pain and rage when Jerott kept him upright and forcibly rearranged Lymond's hold in order to boost him, unwilling, back into the saddle.
He went, in a cascade of cold muddy water, spurs catching on cloth and skin as his legs struggled against the air. Back onboard, Lymond curled over the pommel with hands hooked in pain. His eyes were screwed shut, his body shook from exertion, and his breathing howled in him like the wind on the mountains. But he did not attempt to dismount again, and he gave no further orders.
Jerott took the pony's bridle and turned towards the little hut on the lake's edge. He wiped the drizzle of blood on his chin with the back of one soaking, frozen hand and sighed at the new rip in his weather-worn jerkin.
-
Dreams now were too full of the familiar. Lymond longed for the bewildering terror of early withdrawal: the howling, bleeding, unknown of those visions.
In sleep he saw a child, scared and uncertain. The dress that Marthe had left in the straw turned to straw in a dress, stuffed unevenly, imperfect seams covered by black curls of hair.
Green eyes shaded by the holes of a sequined mask; then empty sockets, misshapen under leathery skin, their depths tangled with straw.
He heard a lisping voice beg in many-accented English; an Irish lullaby; it segued into raucous singing, the whispered promises of the court, the babbling of a demigod pinned down by mutes on the corner of a chessboard.
He turned from the scene, blood on his doublet, though he did not know where it came from. Through a door he saw Sibylla smile and beckon him to her, he heard Richard's merry laughter mingle with that of his wife and the child he dandled on his sturdy knee. Lymond hurried forwards, but only in order to heave one side of the heavy double door shut. Across the entrance, where they should have been helping him by closing the other door, Marthe and Philippa watched him toil and Marthe murmured: "A friend deprives you of yourself."
-
Inside the small fishing hut, some terrible battles were being fought.
"Mother, it is me." - "But I cannot come home." - "Mo chridh..." - "Do not make me promise it. Do not make me." - "I cannot go home. I have no brother. I have no home." - "I beg of you. You know not what you ask." - "Mother, mother I am tired..."
Already tormented by questions that arrived in pursuit of words he should never have heard, Jerott could stand no more. He arranged his aching legs and crossed the room in two strides to crouch by Lymond and shake his shoulder roughly.
"Francis! Francis wake up."
"I am tired," Lymond repeated, a frown troubling his alabaster brow. From beneath the darkened, matted gold lashes, tears had spilled.
Somehow seeing them was more troubling than all of the physical suffering, and Jerott shook him harder.
At last, Lymond's eyes opened with fury. One hand flew, sharp-nailed, to Jerott’s wrist.
Jerott stilled, waiting for consciousness to catch up with instinct.
The hand that clawed at him loosened slowly, and Jerott felt the wet chill of broken skin revealed beneath one nail.
Breathing heavily, silently, Lymond folded his hands over his abdomen. He became an uncomfortable jumble of slackness and fraught tension, blue eyes wide and teeth minutely bared.
"The dreams. You were shouting," Jerott explained, and found his own voice hoarse and unsteady on his lips.
"And what is it that you would like me to clarify about my situation?" Lymond put as much acid as he could muster into the words. "What sordid detail piqued your interest?"
The glitter of saltwater remained on the shadows beneath his eyes, but Lymond did not move to wipe the tears away. He seemed half submerged in dream still, barely conscious of where he was.
The antagonistic tone unbalanced Jerott just as it always did, and he sat down hard next to where Lymond lay, confusion mingled with exasperation on his features. He shook his head at Lymond's venomous stare.
"Are you in pain?"
Lymond's eyes glinted as though he had been provoked. "What did I say?"
Jerott sighed and let his shoulders fall into an aspect of defeat. His eyes were hot with misery. "All sorts of things. I don't know. You said you can't go home."
One of the loosely folded hands flinched and began to shake before Lymond regained control of it. He swallowed drily.
"I see. Well that much you already knew."
Lymond's eyes closed and his expression was subsumed by nausea. On one temple a muscle tightened, and a purplish vein showed through translucent skin. He struggled with the weight of one arm, moving it so as to lie his fingers across his lowered eyelids.
Jerott reached for a leather flask with water in it, and softly determined to move Lymond's hand and help him to sit up against the wall.
Instead, Lymond made himself an intractable dead weight. Resistance set itself in Lymond's jaw, and Jerott felt something give, like a worn cord breaking with a twang inside himself.
"For God's sake, Francis, I don't care what family secrets you feel the need to keep from me! I no longer wish to know any more than I do about Marthe's parentage or yours. You are clearly related - " Jerott glanced away with regret. "The heavens would never play such a cruel trick twice otherwise. But that is not why I am here."
Lymond lay deep among the bedding, recoiled and withdrawn like a threatened predator. His breathing was laboured and some unseen agony twisted each joint and tendon. The shape of his skull was more clearly defined than usual, his pallid skin drawn tight up to his hairline, where sweat began to darken the coils of blond hair. Enmeshed in pain, he would speak only of pain; he would inflict only pain; he would embody the thing that was consuming him because no other care would suffice to dull it.
In this context, Jerott's words offered to lay a responsibility of explanation in his hands that Lymond could only thrust away from himself viciously.
"Then why are you here? I see no wayward teenagers twisting your conscience; no innocents left to save, no need for vengeance gone unaddressed. You would not even press on to find the woman you profess to love - have you any idea of the danger she has likely put herself and Kiaya Khatun in?"
It wasn't enough. In Stamboul he had thrown a knife, lashing out like he might at a stray dog, and that had not been enough either.
His expression grim, resigned, Jerott replaced the flask on the floor and - Lymond's heartbeat sharpened with fear - looked momentarily as though he might stand and leave Lymond to stew in his discomfort.
Instead, he pried Lymond's unwilling shoulders from the nest of blankets on the floor with ungentle fingers.
Lymond hung back, a weight that acted against the strength drawing him into Jerott's hold. But when the balance of his body shifted and he fell forwards against the other man's chest, all the weight with which he had pulled away now collapsed into the waiting embrace.
Lymond was submerged in Jerott's arms, which were a tourniquet around the torrent of pain in his body. His head dropped into the shape of Jerott's neck, his raw nerves scuffing against the cotton ruff of his collar. His body shook and Jerott's hold tightened; Lymond's fists balled as though to fight off this imprisonment, but he brought them to rest against Jerott's back. He did not embrace him in return, his palms felt like they had on the galleys: flayed and exposed, bloodied and ruined. But his arms took strength where they lay alongside Jerott's rib cage, and he gasped in the hot air trapped between their bodies, inhaling the scents of fire smoke and damp wood that were imprinted on Jerott's clothing.
Jerott's was not a gentle gesture, but a fierce onslaught of care that fastened as stubbornly to Lymond's being as the ache of withdrawal did. He did not release him, even when the shivering slowed and became intermittent. He did not release him even when Lymond's eyes drooped and fell closed in the dark of Jerott's shoulder. Lymond's breathing steadied and still Jerott could not let him go.
Jerott stared at the wall with unfocused, fearful eyes. The blond hair that tickled and stuck to his cheek was familiar and yet not; the thin shoulders and bony, hard-muscled back was like Marthe's but different. The need with which Lymond had, at last, drawn on Jerott's care was wholly new, and intoxicating.
With stilted, stiff movement, Lymond's fists loosened and unfurled. He lay his palms on the plains of Jerott's shoulder-blades and slowly, cautiously, wrapped himself closer to the source of respite and relief.
Jerott leaned his jaw against Lymond's head, and wondered whether Lymond could hear his blood thunder like floodwaters in his veins.
-
It was rare that the expressive features ever lay so still.
It was rarer yet that Jerott Blyth paused to examine anything with such care.
Lymond's body had sunken against him, true sleep imposing its peace at last. Jerott guided him carefully back to the floor and arranged the covers around him, unconsciously tweaking at folds and ripples of wool until Lymond lay neatly beneath an even covering, protected from the many draughts in the little hut.
Moving on the way to tidying Lymond's unruly waves of hair, Jerott caught himself, his hand poised by the curve of Lymond's brow and the elegant line of his temple.
When he had looked at Marthe he had drunk in all that he could about her appearance, wide-eyed and unashamed, letting his longing gaze caress each and every quadrant of skin and shape. He could enumerate and bring to mind all the tones of her hair - lemon flesh, saffron and sand, ochre and brass - all so unique to her - and all the gradients of her sun-basted skin. He had imagined what it would be like to hold Marthe before he had held her; he had sought frantically to recall the taste of her lips that time in the tekke he thought he had made her endure his kiss (all that he recalled, though, was the subtle fire of the raki on his own tongue).
He did not look at anyone else in such a way.
He did not look.
He did not let himself look.
But here were those familiar features, softened in sleep, their edges chiselled and bevelled into something stronger, perhaps even more striking. All those colours that he had told himself were hers alone, flagrantly sported by another.
As though he had placed an ember from the fireplace on his tongue and swallowed it in one gulp, Jerott felt heat slash a line deep into his body. His heart twisted: a resistant, bucking animal. He could not explain whether it was the same feeling that was kindled when he thought of Lymond's sister. That had been a need, a demand that his every fibre clamoured for without shame. This - this made his pulse quicken in a new way. A furtive, hopeful way that left him feeling physically bruised.
He murmured a prayer and it rebounded on him. His mind offered only a mocking rejoinder:
Stay me.
Refresh me.
I am sick with love.
As though his fingers belonged to another person, Jerott watched his own hand descend to stroke sweat-streaked golden coils off Lymond's skin. The hair at his temple was softer and finer than Eastern silk, the feeling of it beneath the sensitive pads of Jerott's fingers something that he wanted to experience again and again.
Shyly, he smoothed its satin strands with short strokes of touch. His thumb moved out to compare the feeling of one perfectly shaped brow, and it was only when Lymond uttered a sigh in his sleep that Jerott withdrew. He flexed his fingers, feeling their skin changed as though burned.
For a time, he sat wondering at himself and at the newly peaceful body curled among the covers. He had contributed to the rest that Lymond now enjoyed: it was an act of construction the likes of which he had never thought he would experience outside the spiritual ceremonies of the Order.
This was a fearful new discovery that made his pulse run in feverish haste. Where faith and protectiveness and the sweetness of touch eddied together.
Shaken, Jerott returned to the other end of the shelter and wrapped himself as well as he could in a leftover blanket. He listened to the storm, and did not intend to sleep, but the strange emotions of the already-long day left him wrung out and exhausted. His chin smarted and he was at last beginning to feel the chill of his damp clothes and hair.
His mind blundered in pained desperation against all the choices of the previous year. He covered his face with his hands and asked himself how it had come to this, so soon after Gabriel's betrayal, so soon after he had made a promise to keep his love in check. And yet - he could not imagine choosing differently. His memories shone with the gilt adornment of Lymond's sanction, also: he had needed Jerott, as much as Jerott had needed to be there.
He moved his fingers apart, like fretwork over his eyes, so that when he blinked rapidly at Lymond's resting form, he felt his lashes flutter against skin. […]
[…]
His eyelids grew heavy as he looked across the fire at the peaceful hills of Lymond's form beneath covers. Jerott drifted out of consciousness wondering what it would be like to bury his face in the back of blond curls; to touch his cheek to the fine-muscled neck and shoulder; to press his mouth to skin as smooth and beautifully freckled as a goldfinch egg.
[…]
-
Lymond awoke with a sense of lack. He was wound round in a plethora of blankets and covers but felt exposed. The blankness of thought that followed a deep sleep lingered, and he struggled to grasp the context of where he had slept and what time of day it was. Memory and pain repelled one another, like oil and water.
All he could discern was that it was cold and it was dark.
He blinked rapidly, squeezed his eyes shut and opened them wide. The darkness endured, but he moved his head and was able to identify the embers of a low burning fire. Relief prickled his scalp at the sight, at the confirmation of sight, and the clue as to where he had found himself.
It was a small room - no, a small building - thin-walled, thatch-roofed, sparsely furnished with details he could not quite identify. Pots and herbs hung from beams that criss-crossed the space beneath the sloping roof, biding, draped in spider webs, cloaked by winter disuse. The air was heavy with the smell of wood smoke and wet cloth and the only sound he noticed was the occasional hiss of protest from the embers as meltwater dripped through the narrow vents in the ceiling.
He was not in Volos any longer and he was not in a travelling tent or wagon. Even as consciousness surged, he could not say where this building was or how he had come to be there.
Without having done more than crane his head from the covers, Lymond felt his heart pound with exertion. A reflexive sweat of panic chilled his temples and his body, and the throbbing of his veins was like the warning of distant thunder. He rolled onto his back and made his hands into fists within the blankets.
His thoughts were like moth-eaten silk, unravelling as he grasped for them.
He had left the monastery at Volos. He had ridden downhill, through forest and mist, through thinning trees and cooling air, dogged all the way by regret. He had to cross the lake, though he did not want to - but it was the only way back onto the path he had lost. And the harder he pushed to reach it the more hopeless it seemed, the further behind he appeared to have been left, the more he understood and sorrowed for how much he had let them all down.
That thought finally snagged on something: he flinched, his eyes closed, throat tight, as though he could look away from the recollection of that silent knife and the blood, staining purple satin to wet black. He began to shake, and his dreams started to seep into his mind again like the snow dripping from the chimney vents. All of those he would never see again: doors closing, closing.
Among the dead and the distant who haunted his thoughts were Marthe and Güzel, who he had seen together at Djerba, even as he made his own plans. Pride with pride, a pursuit of power that forged onwards with inexorable need, loosed from a divine grasp like the apple of Eris. The ear of the Tsar would be bent to new fortune tellers, those who were unafraid to answer back to the heavens and tell them to speak their predictions anew.
He understood the compulsion, he supposed, but he had to stop it, else they would become just another sphere within his nightmares.
It was also, he acknowledged, out of a selfish fear that he recoiled from giving up Russia to them. If they kept him from his intended work he must face his present position: depleted of all resources, robbed of family twice over, and, by necessity, a sword for hire and a pair of strong rowing arms as he had once been before.
Lymond turned to his side again and curled, animal-like, about his knees. Deep in the muddle of blankets and clothes he picked up the scent of another body: something difficult to define, sweaty and damp like he was himself, but of a different source. Leather where Lymond wore velvet; woollens where he wore silk. He inhaled deeply, but the smell of the other was elusive and soon lost in his own miasma. It made him lie still with concentration though, and in stillness he found another memory: the salvation of warmth and an embrace that had gathered together all the fraying parts of Francis Crawford's being, fusing his shattered person like a smith might melt down old silver to forge it anew.
He sighed into that memory because it did not hurt like all other thoughts hurt. It was fresh and simple, familiar and yet long awaited, as though he had been able to find comfort in his pocket when he needed it most, where once he had placed it and forgotten about it. Demanding nothing, promising nothing - Lymond's mouth twisted wryly against the blankets - understanding nothing. Just the memory of an embrace, like a dogged presence he could not shake free of.
Almost wary of breathing lest he disturb the recollection, he imagined the shadow of touch steadying, tethering him. A hard jaw against his trembling head and flexed muscle across his shivering back.
There had, after all, been one person absent from his nightmares. One who did not need to be mourned and who countered regret with stubborn continuity. One who - Lymond opened his eyes and stared with resignation into the darkness - was yet to be freed of his thankless task, but who needed, like all the others, to be shown why he must leave Lymond to his own lonely path.
If only Jerott had not woken at Volos. There would be no new act to bring to mind previous occasions in which Jerott's utility could not be denied. No need for Lymond to resent his own weary body for clamouring in hope of peace and rest, for its treacherous nostalgia for a firm, warm embrace standing between Lymond and the beckoning road.
Just a night, his flesh seemed to beg him, quaking more at the idea of cold than at its actual penetration of the covers. A night to sleep and be warm and to let another shoulder the burden of his needs. Just to sustain him through whatever lay beyond here, his skin pleaded, tightening and puckering like a plucked fowl along the backs of his arms and his neck.
Lymond pressed his short nails into his palms and regretted their bluntness. He thrust himself up to a sitting position and threw back the blankets to make his body aware of the cold properly and fully. He would master this childish longing more easily than he had mastered the withdrawal from the drug. He must do so, for he feared stopping now, feared the war within himself: continue or - cease. He saw no way to navigate a path in between.
He forced himself to stand and waited for a moment as the darkness wavered murkily and a tide of nausea grasped at him.
Stiff-legged, aware with each movement of the aches of riding and of sleeping on a hard floor, and more besides, Lymond shuffled to the area where a jumble of packs and shoes, old fishing rods and reed woven receptacles lay. On the opposite side of the grey lines of light that edged the doorway, he saw Jerott's sleeping form.
His body crumpled awkwardly against the wall in the draught from the entrance, his head to the wooden panels, knees drawn up and arms tight across his body. He had positioned himself as far as he could be from Lymond in the small building.
Lymond approached with trepidation and was assaulted by the stench of wet horse: the only blanket Jerott had kept for himself was the saddle blanket, beneath which he snored lightly. His hair was still damp from outdoors, clinging to his forehead and cheek in dark lines. On his chin was a separate stain, rising from the shadow of his throat, a strand of newly dried blood, smudged carelessly, neither deep nor long, but enough to make Lymond frown.
He did not remember causing it, but the guilt he felt was adamant. It was further confirmation that Jerott Blyth would be much better off without him.
Lymond shuddered and turned away to pull on his boots and cloak. He ensured that Jerott was left with all he would need on the road, and hauled the pack to the door with shivering, unsteady determination.
Gently, Lymond pulled open the door of the fishing hut and the gust of fresh oxygen made the embers behind him glow brighter.
He glanced back, but Jerott continued to sleep, caught now between the firelight and the cool blue of the evening. On impulse, Lymond left the pack and retrieved one of the blankets he had had for his own bed. It was dry and still warm, and he tucked it around Jerott's legs carefully, ensuring that he did not wake.
Outside, snow had met the edges of the building in arrested drifts, packed thick and undulating over treacherous marshy ground. The sky above the mountains was the colour of mallow flowers, and it was impossible to tell cloud from the deepening of night. All had the heavy, expectant stillness of winter, when the world took a deep breath between snowfalls and adjusted thoughtfully to its new mantle.
The pony was nowhere to be seen. Jerott must have turned it loose to let it find its own way through the storm. It would have discovered shelter in the woods or it would have provided a boon for the hungry winter wolves. It had not waited by the hut with any misguided sense of attachment. No trace of it remained: the snow was pristine, untouched even by the birds chattering in the trees or the squirrels that shook the occasional dusting of white loose from the branches.
Lymond gazed at the scene, and as he did he began to piece together the journey there. He glanced down at the heel of his boots and saw the trace of crimson glint on the wheel of his spur. He grimaced and left the pack for the moment, taking instead one of the oars and beginning, methodically, to clear a path to the lake's edge.
-
[... about this point in the fic there's overlap between chapters because I couldn't decide on the perspective etc, and I kept going back to rewrite the build-up/add more in]
-
-
"Are you leaving?"
Lymond paused in the act of shouldering on the pack. He hid the way his face pulled in a wince at the weight of it and turned to the door. "I told you, I am going to Russia alone."
Jerott's body pushed him to stand, leaning against the wall, even though sleep still lay heavily on his mind and his face. "But I thought - If Marthe does not want - If she no longer -" Jerott rubbed his eyes with the heels of his hands and shook his head. They had already had this talk, hadn't they?
Things had seemed to simple, for a few days at Volos. Now that tenuous bond he thought he had forged with Marthe had been swept away like a fine veil of cobweb, and he no longer knew where he should turn.
"Would you not have use of me there?"
Lymond's shoulders moved a fraction, and he sighed. "It is not that, Jerott."
For a moment it seemed that Lymond might offer more, unbidden, but when he looked up the gem-like glitter of his eyes was resolute. "This is something I must undertake myself."
Jerott's voice came, impulsive as ever, from the shadow where he stood, beyond the reach of the dying fire. "But I would serve under you."
Lymond smiled. "Up to a point, I have no doubt that you would. But as the proverb says: bonum esse, habere amicos: sed miseros esse, qui his uti cogantur."
He arranged his gloves and put his hand on the latch.
Jerott moved forward with a frown, his sluggish mind picking at the Latin. "There is no compulsion when friendship is offered freely. You barely have the strength to carry that pack. How will you make it even as far as Güzel's camp?"
The low red embers now illuminated Jerott from beneath, light picking out the worried angle of his brows, his flared nostrils and bow-curved lip. And - Lymond's eyes alighted on it instantly - the fresh wound on his jaw.
"I will manage. I have a great deal of experience with rowing through discomfort," he said sourly.
Jerott, seeing before him only a long and lonely journey West, spoke with exasperation. "You don't have to always do this alone."
The cornflower blue eyes, muddied by the red light, widened a fraction. "Alle þinges er maad of one alloon substance of one alloon ordinance. I will not involve those who do not need to become involved. I have allowed it to happen too often, and it has not been myself who has paid the price."
Jerott noticed the other man's gaze rest on his chin and touched his fingers to the injury. "This was an accident."
Lymond said nothing more. He reached for the oars that leaned in a corner of the hut with the fishing tackle, and Jerott felt panic, like drowning, push him another step closer.
"For God's sake, you don't always have to be the martyr!"
"I thought that martyrdom was done entirely for God's sake?"
Jerott made a noise of frustration and grabbed for his travelling cloak, its wool still damp from the earlier journey. Lymond flung the door of the fishing hut open and the gust of fresh oxygen made the embers glow brighter.
Snow had met the edges of the building in arrested drifts, packed thick and undulating over treacherous marshy ground. The sky above the mountains was the colour of mallow flowers, and it was impossible to tell cloud from the deepening of night. All had the heavy, expectant stillness of winter, when precipitation had ceased and the world adjusted thoughtfully to its new mantle.
Lymond paused for a moment and then stabbed the oars into the knee-high drift at the empty doorway and began the task of forging a path.
Jerott surged forwards but stopped, stunned, when Lymond flipped his cloak back to lay a hand on the decorated pommel knop of his dagger.
"I will write word to you at Lyons. Go back to Volos and then to France. If I can send Marthe to you I shall."
"It seems a poor kind of charity," Jerott told him bitterly, but he stayed back on the limen, his hands braced in each side of the entrance as he watched Lymond toil at the snow.
Lymond made good pace, but Jerott saw the forced control of his movement, the uneasy line of his shoulders. Occasionally he had to stop and release a single, shuddering breath before he continued his work, and then Jerott would take a few steps along the path behind him, reluctant to simply turn away and let him go.
When he reached the water's edge and hooked the dory close to land, the slush of ice in the surrounding water hissed and chattered at the disturbance. A family of rooks started up a raucous chorus in the trees at the foot of the mountain, and above the lake a v of waterfowl coursed its way across the sky.
Lymond pulled the frozen oilskin from the boat and clambered in, his movements catching and stiff, and Jerott approached the edge only a little too late to step on board.
As the boat drifted and Lymond settled himself and his pack and oars, he called back once: "I need someone I can trust outside of Muscovy, Jerott. I need you to be my guide to the ongoing world." He looked up at Jerott, over the oars, and his face was shrouded and dark like the sky, his eyes hidden beneath the shadow of his unruly hair.
Jerott clenched his fists and breathed heavily. His fingers were frozen and his lungs ached; his boots and stockings were still damp from earlier, and now damp again anew, and the crisp air made the smell of wet wool a cloying distraction.
Once, the slender arms extended, willow-straight, and once, the oars dipped smoothly into the thick water before Lymond's arms were pulled back, close to his chest.
Then the mechanism that drove his perfect movements seemed to fail: a cog with worn teeth, an unoiled thread. The oars burst from the water roughly, with uneven angles. They wavered in the air and the arms shook and strained as they extended. Lymond bowed his head, his shoulders shaking, and he might have made a small sound of pain or frustration.
Jerott did not hear it. He did not take the time to steel himself, but plunged into the soupy water at the lake's edge, slipping down hidden, muddy banks, weighted and steadied only by the cold lakewater that poured mercilessly into his boots. The chill of it enclosed his skin instantly, dragging at his movements and travelling up his body like a fever. He pushed through it. He had to. Lymond had not travelled far, and Jerott had faith that the lake was not yet that deep.
It reached the tops of his thighs when he waded at last to the prow of the boat.
Lymond's head had raised, his eyes searching the darkness blankly as Jerott splashed closer. His mouth was locked shut and there was unmistakable fear in his expression.
Jerott spoke to him as calmly as he could through chattering teeth, tugging at the oars and removing them from Lymond's hands and the waters. "It's me, Francis. Let's go back." He laid the oars in the boat and turned to pull the shallow vessel back in among the frozen knees of the reeds.
"I did not ask..." Lymond whispered hoarsely.
Jerott swallowed a gulp of cold air and considered his speech between each slow, lapping footstep. "You never do," he finally grunted.
He fell to his knees once in getting to land, but his legs already burned with cold and he got to his feet methodically, tying the dory back to its mooring and extending a hand to Lymond, who could not see it.
"Francis, get up," Jerott tried to speak softly. He leaned and took a fistful of Lymond's brocaded cloak, and at last prompted the other man to unfurl, wobbling on the rocking dory.
Lymond insisted on taking the pack, fumbling for its straps, and levered himself unsteadily onto land with aid of the oars as well as Jerott's hold.
They struggled slowly back along the path in the snow, stepping up to the raised deck of the fishing hut and stumbling into a room no longer so well warmed by its neglected fire.
Jerott did not release his grip on Lymond, but he stopped, his legs freezing, burning, and his chest aching still more with a regret and a guilt that he did not understand.
"Francis..."
Lymond's eyes, dark and dilated, looked wild, but they did, at last, look at him. Then he tugged his arm free and Jerott realised how bruisingly tight he had been holding it.
"Oh, Christ," Jerott breathed. "I'm sorry." He stepped back, his palms placatory.
Lymond swayed like a birch sapling and reached a hand out - not for the wall, but for Jerott's fingers, which his icy grasp closed on as he stumbled to his knees.
-
Jerott's cold hands tried to capture Lymond's focus, to make his questions intelligible to the mind trapped within its brittle husk of agony. He cupped Lymond's face, he clasped his temples, and the coolness of Jerott's palms against the pulsing heat in Lymond's head made Lymond's eyes flutter closed in a moment's bliss.
Pain made his head feel light, but Jerott's hold seemed to tether him to the stuff of reality.
He had no answers for the questions he was bombarded with and he grasped, instead, at the cloth of Jerott's clothing.
Continue his journey or simply cease to be. Those had been the choices he had allowed himself.
Instead he was, once more, at the mercy of another's care. Not the impersonal, professional touch of Archie, not the unconditional sweetness of family, nor even the resentful acidity he had received from Oonagh. Jerott kneeled before him, his hands on Lymond's face, his eyes dark and wide and full of concern. Lymond's gloved hands pawed and clutched at his cloak and jerkin like a cat settling, unable to speak his need but seeking, in desperation, the respite that seemed to be on offer.
It was his body, he thought to himself between the strikes of pain in his head. His body that demanded Jerott's nearness when his mind could not rule with sense and articulation.
But he could not make his shaking fingers withdraw their plea, and Jerott drew him close against his chest.
Lymond's breath heaved, once more contained within the safety of Jerott's hold. His head was in Jerott's neck again - such an easy place to rest - and he gnashed his teeth in the darkness against Jerott's cold cloak, wishing, fervently for it all to be at an end.
Amid the agony in his head, Lymond forced a rough laugh out from his aching throat, determined that he should not have comfort if he could not have autonomy. "Well, Jerott. Twice have you held me and twice have you prevented me from leaving. I suppose now, like Proteus, I am to reveal my true form and grant you all that you wish."
He felt the results of his words instantly: Jerott flinched and let out a breath like he had been dealt a blow. Lymond felt the pressure of Jerott's Adam's apple move against his head when the other man swallowed.
"I ought to have left you in that boat to freeze?"
"Yes."
He did not even think about the answer, it had been on his lips before Jerott's sentence finished. Lymond clutched icy fists in wet gloves to his chest, leaning on Jerott with body alone, forcing Jerott to take his weight in his arms.
"No," Jerott returned, the single syllable wavering with horror. "No."
Lymond's laughter was devoid of joy: a hacking sound, the noise of a fox chewing its way out of a trap. "As you say. Then you have won me. The price salbe presentit til thaim that best has disseruyt."
Jerott tried to lift Lymond's body from him, to hold his juddering arms and torso at a distance and meet his eyes.
Sullenly, Lymond kept his head down. He felt trapped by the pain, trapped by inaction, trapped by a slow recovery and a fate that he thought he had learned to be more resigned to. The rich care in his gaoler's expression did not ease his frustration. The tight grip on his upper arms pinched just enough that he bared his teeth and leaned into it, fighting Jerott's hold with his bodyweight.
"Christ, what do you think I want?" Jerott breathed in a horrified whisper.
From Lymond's throat emerged another rasp of sound that mocked the very idea of humour.
He finally raised his head to bestow a withering look on Jerott.
"I don't begrudge you it."
Jerott's face was very close, and Lymond leaned towards him, his body still tripping with spasms of pain even as his eyes delivered a challenge.
Confusion and disgust were all he was met with. Jerott jerked his chin away pointedly as he let Lymond fall against Jerott's shoulder again.
Lymond's forehead furrowed uselessly against the thick wool of Jerott's cloak. Its weave was abrasive against his screwed-up eyelids and it felt nothing of the furious struggle of Lymond's features in response to the pain. He rocked his head against the curve of Jerott's body, and he realised, with despair, that to be held against linen or skin would provide a far better distraction from the discomfort of his own corporeal prison.
His body's conflicting demands seemed to tear at his sinews and joints: pain and pleasure, cruelty and comfort. Care always came at a cost, did it not?
At last, a blankness, like a snowed-in landscape, followed his fury. The flames of frustration that had been fanned were reduced to white embers, cooling, crumbling as they settled into ashen byproduct.
He subsided against Jerott, breathing against the skin of his neck, and heard Jerott's rueful murmur as though through water.
"If you knew what you offered."
-
Jerott had dropped to his own knees in stunned recognition of the plea in Lymond's gesture. The gloved hand grasping his fingers had been an admission of need that Jerott fumbled to answer, shuffling close to Lymond like they were children sharing secrets beneath the kitchen table.
Jerott laid his touch on Lymond's shoulders as Lymond's fingers coiled and bunched in Jerott's cloak. He was able to see his surroundings now, Jerott was almost certain, but the pain made his expression into a death mask, rictus tight, the blue eyes bulging uncomfortably wide.
The embrace had seemed to calm Lymond, to stymy his frustration and anger, and it had given Jerott a sense of a contribution made. Lymond's form, even with the racking sobs of pain pulling through it over and over, felt right in his arms. It felt neat and compact, strong and graceful. When his face nuzzled Jerott's collarbone and his hands pulled at his clothes, when Jerott leaned his jaw on Lymond's head and let flaxen strands adhere, tickling, to his dark stubble, it felt as natural and as proper as anything else he used his body for.
So when, spitting venom, the creature in his arms had attempted laughter, Jerott was struck cold anew at the implication of Lymond's words. What had he won? His arms tightened reflexively on Lymond's body and then he made them loosen, trying to disentangle himself, to see Lymond's face and to understand the despair in that voice.
Lymond's body was limp, doll-like in Jerott's struggling grip, but the blue eyes glimmered from behind blond curls, mocking and hungry as he tried to absorb pain and turn it into a weapon of his own.
Jerott shook his head, not really wanting to hear a response to the question drawn from him. "Christ, what do you think I want?"
His arms folded across his body like an funereal effigy, Lymond shivered and made a sound, and looked at Jerott with something that perhaps was intended as a seduction.
"I don't begrudge you it."
His alabaster skin was clammy and the hollows of his eyes were purple and uneven. His lips were drawn into a thin white blade across his mouth and the fine, neat hairs of his brows were dishevelled from contact with Jerott's cloak. He leaned towards Jerott with the inevitability of a tree falling, and Jerott raised his chin aside to make his disinterest in the offer clear.
Lymond's face was against his shoulder again, pressing for comfort like a nesting animal. He would not unfold his arms to hold Jerott, but he would not let Jerott move away.
Jerott wrapped himself around that fragile form again and suppressed his own shivers. His legs were soaking wet and the cloth on them clung. The fire was perilously close to going out and the winter's night had enclosed the fishing hut and its surroundings.
But, now wordless, unable to speak or act upon the easement and solace he required, Lymond had stilled in Jerott's hold. He wished, it seemed, to be close, though he hated to acknowledge it, and Jerott would not drive him away in order to arrange his own comforts.
Jerott had seen Francis Crawford endure a great deal in the past years: fire and water, the blade and the thonged whip. Nothing had penetrated the marble-poised, expertly composed demeanour like this withdrawal though. External forces could be rebuffed or managed, met with raised chin and accepting defiance. But this was a pain from within: Lymond's own body turning against itself, matching and outwitting his defenses because the pain was a mirror of himself, accustomed to all of Lymond's tricks already. Jerott had never heard such misery as that contained in a single, unthinking word when he had asked if he ought to have left Lymond to perish on Lake Karla.
Yes.
Jerott knew how to handle wounds: sword, arrow, broken bones. He knew how to calm and control his own fears, how to push through pain and tap into the rush of aroused senses to keep on fighting. To keep on living. But he did not understand the sickness that ravaged Lymond in these intermittent raids. He did not understand the darkness or the desire for darkness.
He knew only that he would not leave a wounded man to travel alone unless the need was dire. And he clung to that principle, which he recognised and welcomed, and he understood that the impulse to stop Lymond from going was separate from the impulse to hold him close. The two needs may have joined in felicitous convenience when Francis had reached for his hand, but Jerott reassured himself that he could tell the difference, even if, in his pain, Lymond apparently could not.
The episode had passed, and Lymond lay unmoving against him. Jerott at last let his chin lower to rub against Lymond's hair again, let his eyes close as he re-examined what had passed.
He did not want a reward, or a prize. He had seen how Lymond deflected pain with his body - from himself and from others.
What do you think I want?
Jerott sighed and shifted his shoulder so that Lymond's breath warmed his neck. Lymond lay as heavily on him as before, and Jerott turned his cheek against the thickets of blond curls.
"If you knew what you offered..." he trailed off, imagination failing him.
-
[I think the next bit was written earlier than the above chapters - emotions are running higher, and as often happens with F/J I feel I have to go back and cool them down, and then they cool too much and inertia sets in. I was definitely overthinking this. It then turns into really fluffy smut that probably belongs with a totally different fic, but it's sweet and I like the headcanon that Jerott might know something about massage, so I'm plonking it here with everything else for anyone who's interested.
Just imagine I took a screenshot of that post saying 'all Jerott/Francis fic reads like it was written by Jerott as wish-fulfillment' and pasted it here. It is a post that has haunted me since I first went tag diving, and I will never escape the sense that it mocks every J/F fic I write.]
-
-
Shakily, Lymond drew the cocoon of blankets about his shoulders and plucked at the toe of one damp stocking. The fire was regaining warmth, but Jerott continued to fuss around it, prodding wood and kindling into rigid formation and judiciously failing to meet Francis's eyes.
"The attacks affect your memory also?"
"They do."
Finally, he looked up and scanned Lymond's expression. A frown scored his brow, but Lymond could not tell what source Jerott's temper drew on. He sighed and sat back, staring at Lymond over the rising flames and the thin breath of smoke winding its way towards the roof.
"What do you remember?" he asked grudgingly.
"Enough to surmise that I have been unjust."
Jerott shook his head and looked away.
Lymond wrapped his arms around his knees and tried to summon warmth from within his own body. "My intention was to leave, and yet I am still here. Will you resent me for that, when it was not my own choice?"
That struck a chord, hammer to string, and a shudder ran through Jerott's shoulders.
"You dream. And you speak when you do." He looked up, and trouble and care mingled in his eyes. "You feel you let them down. The child, your mistress. Philippa. God knows who else. Your family. I think. You miss them, but you say you cannot see them. I don't understand it, when it seems to bring you no relief to be away."
Lymond made himself hold Jerott's gaze, though his throat closed with hard tension and his eyes stung from the smoke.
"You have - twice - intended to take the dory out onto the lake, alone by preference, when it should have been as evident to you as the weather in the sky or the lateness of the day that you lack the strength."
Where he rested it against the floor, Jerott's hand formed a balled fist. His legs shivered and he moved them, sitting on the side of his thigh to hide his body's nerves. "You are not a prisoner here. I am not your keeper. But you would have - I couldn't leave you like that."
Silent, Lymond measured Jerott's hurt and confusion.
[…]
There was more he had said. Lymond could see it, he could practically taste the other words in his mouth, and in Jerott's miserable expression he saw their confirmation. In Lymond's mind was a store of language, a magpie's hoard of treasure gleaned from books and papers and people. Where his own wits failed him, he always had recourse to the prepared cleverness of others.
"The price salbe presentit til thaim that best has disseruyt."
Jerott's eyes closed and he turned his head to the shadows, nausea crawling over his features.
Lymond watched him, very still and very wide of eye, conscious of the renewal of bodily charge that he felt in the wake of the migraines. Suddenly there was heat in his blood again, and he was like a clepsydra filling, drop by drop: it pooled in his belly, accompanied by the sensation of having come upon his own sentiments unexpectedly.
In rashness and in the desperation of pain, he must have offered himself: the prize for Jerott's loyalty. It had been a crass gesture, diminishing to both of them, but rooted, sure as a weed, in something real.
The idea of his offer being taken up produced an honest quickening of his pulse.
[…]
Once I loved a girl and wished to make her my wife, and once I loved a man and wished to make him my leader.
[…]
He caressed the stubborn bloom with his mind, wondering when its seed had settled. Gratitude may have nourished it, but probably it had rather thrived on neglect - Lymond did not recall its cultivation at any point between St Mary's and the Mediterranean.
It was not amor de profundis, of that he could be fairly certain, but it was within him, unlovely desire, scrabbling for purchase among the rubble of his being. It was selfish and heedless of all the others who had been hurt before, of all who had left their hurt on him in turn. Perhaps it was some state of bestial default, an insensible need, to which his parched self had turned when all others had fallen by the wayside: left behind, snatched away, driven from him for their own betterment and protection.
Lymond's lips twisted. As an invitation, it seemed that what he had said was akin to the death he had given the delly on the road to Volos. Nothing else had driven Jerott away - but that lack of finesse had probably done more than anything else Lymond might have tried.
"I have shown you improper thanks," Lymond said quietly. "But I once more owe you my life, it seems."
"You owe me nothing," Jerott snapped, getting to his feet.
He stormed two short, absurd paces to the edge of the small room and stood facing the wall, his breathing heavy. Jerott snuck a single glance over his shoulder.
"My clothes are soaked," he muttered.
Being a man of spiritual rather than physical shame, he began to remove each item with violent haste, loosening ties and freeing clinging cloth from skin that looked blue with cold even in the firelight.
Lymond, whose cloak, gloves and boots had been taken from him with care and the utmost gentleness, allowed a shiver of interest to run through his body.
Jerott laid his clothes over the rack he had created by the fire and stooped smoothly to pick up a blanket, one dry enough to be capable of warmth. He swung it over his shoulders and was momentarily displayed against its red pattern: lean and toned, the skin of his chest still swarthy even where it had not been exposed to the sun, fine black hair gathering in a line down his centre to draw the eye.
He met Lymond's interest with a glare and an astonished blush and wrapped the blanket about his torso loosely. It fell to the tops of his thighs, leaving stocky, muscled legs exposed and lit by the flames. His knees were scuffed and red, the colour of his mouth.
A pace away.
He might be at Lymond's side before either of them could catch breath, but Lymond had ruined any chance of that. Logic said that this was for the best - the depths of Jerott's attachments were notoriously abyssal. But loneliness had found a way to raise its grizzled head, loosed by the migraines, slipping free while the pain distracted Lymond. He wondered what Jerott's hold would feel like to a body not savaged by pain, what his embrace could do for a man who found himself all too sober and aware of what he had lost - as well as of the value of what remained.
"Francis. You're shaking."
Jerott frowned, and the distance between them drifted away like fire smoke. His hands reached for Lymond's wrists, his eyes studied Lymond's own. "Is it happening again? Already?"
Lymond blinked rapidly and shook his head. He tucked himself deeper into his own wrappings and dusted off a wan smile.
"No, no. I am just cold." He had not in fact noticed until asked, but although his core retained heat, his back and his feet had begun to feel like ice.
"You should take the wet stockings off," Jerott advised.
Lymond stared at him: guileless, impulsive, loyal to a fault. Unable to leave and unable to admit why he remained.
Oblivious to Lymond's grim resignation, Jerott sighed and his fingers shifted to the ties at the knees of Lymond's britches. He loosened them so as to reach the ribboned stockings beneath. He worked brusquely, but the feeling of his hot hands sliding silk down Lymond's calves was enough to make the air shudder in Lymond's throat and blood drop to the pit of his stomach.
Jerott froze at the sound and looked up. His head was bowed and his expression was difficult to read, but he let his fingers remain where they were on the folds of knitted silk.
"Are you all right?"
-
It was not an expression he could remember seeing on Lymond's face before.
It was not an expression he recalled seeing on anyone's face in recent times. Unless there had, perhaps, been a mirror in the tekke.
Jerott's fingers lay heavy on wrinkled silk, and he pressed them into the fabric, sliding it against Lymond's skin once more.
The heavy-lidded eyes widened minutely; the dark flourishes of Lymond's nostrils flared with another intake of air. The result seemed to be the same whichever stockinged leg Jerott stroked, so - he told himself prosaically - it was probably not a response garnered by bruise or injury.
He wrapped each hand around the athletic calves and their coverings, his weight on his own grazed knees, the blanket he wore hanging to either side of his naked body. Lymond's golden lashes moved quickly, like the wings of a small bird or a moth, and his lips parted as Jerott drew touch and silk together down to Lymond's two fine ankles. The golden hair on his milk-white skin glittered like embellished thread in the firelight. Jerott let one warm palm travel down the bare front of Lymond's shin, smoothing the soft texture beneath his touch, ostensibly trying to warm, but savouring the meeting of flesh.
Pleasurable sensation was somewhat spoiled by the sodden chill of the knitted feet, but Jerott pulled each stocking away quickly then, and sat back with a small, triumphant smile.
Lymond's breathing was noticeably rapid. Two spots of colour has risen to his cheeks and he held both covering and knees protectively close to his body.
As though the realisation of what he had done only now caught up to him, Jerott felt his own skin glow with heat. He blinked and his smile faded and he remembered to close the blanket around his body once more. Touch had stirred his flesh, and he gritted his teeth, trying to battle his bodily response with a regimen of thought and prayer from a lifestyle that was no longer his.
He looked down at Lymond's bare toes in penitence, overlaying the memory of warm, smooth skin with the sight of Lymond's damp-puckered feet, bloated and patterned and blued from their enclosure in damp cloth.
But he could not silence the need to know what Lymond's own response was. While Lymond had slept, Jerott had admitted to himself the existence of a feeling that he thought could never truly be reciprocated, and to feed it with hope was only to increase the inevitable disappointment.
But - there was nothing in existence like being looked on with pride and pleasure, those perfect, clever features appraising him and finding him worthy of trust.
The feeling that caused him to blush built in intensity: were Lymond's eyes on him, hungry and questing? Or had he looked away in shame and repulsion?
Jerott made himself raise his head to face Lymond, and found him staring back, closer than Jerott had thought he was, blonde curls in tousled disarray. He looked neither feral nor afeared, but his expression was not edited to fine control, and its openness made Jerott flinch - like he would flinch from staring direct into sunlight.
It took him a moment to notice that one of Lymond's hands had emerged from the blankets. Fingers as delicate as the petals of orange blossom extended an invitation to him: one that Jerott took before even considering what it could be. He laid his own hand across Lymond's, fingers wrapping around fingers.
I am sick with love.
With reserves of strength that surprised Jerott, Lymond held him and drew him close by the hand. Jerott approached, moving his knees against the hard floor, his eyes caught by hypnotic blue, until he was close enough, between Lymond's legs, for Lymond's other hand to touch his cheek.
Comfort me.
His eyes closed and he leaned into the contact. Gabriel had been free with such gestures, offering brotherly comfort and affection that did not need to be earned so dearly as Lymond's wary friendship. Hard breathing, after battle, a fond hand on his face; a calloused touch raising his chin when Gabriel saw Jerott look away doubtfully from the words of another Knight.
Stay me.
He swallowed and jerked his head away, squeezing his eyes tight shut. The cool backs of Lymond's knuckles tried again, brushing his jaw, sweeping around his chin until exploratory touch found the cut left by Lymond's spurs. It was not a brotherly touch: the crook of one finger bracketed the wound while Lymond's thumb extended upwards to Jerott's lower lip. The slight pressure of the thumb pad made Jerott's mouth open with a gasp and he tried, with all his fervour, to remember kissing Marthe in the tekke. He had kissed her, hadn't he?
Jerott opened his eyes tentatively and looked across Lymond's knees to his face. His eyes were wide and quite dark, but the blue rim of his irises was like a secret only Jerott knew how to read. His mouth was set with determination - or regret? - and the firelight showed a divot between his brows where he frowned.
Jerott swallowed, but his throat was dry. "You told me you'd rather I had left you in the boat to freeze."
Lymond's frown deepened. His eyes watched his thumb as it continued to play along the underside of Jerott's lip.
The touch was an overstimulation of sensitive skin, and it began to feel to Jerott as though his lip has been numbed by caresses. He bit it to try and regain feeling.
"Having been provided with the time to reflect, I think I would choose to be here instead," Lymond murmured.
It seemed a familiar sort of deflection, and Jerott's smile was hard. "In preference to death."
Lymond's expression turned sharp and he withdrew the hand on Jerott's face, though his grip remained firm on Jerott's fingers. "That is not quite what I meant."
The heat of the fire made the exposed soles of Jerott's feet tingle. Its light moved over Lymond's changeable features, cycling through almost-expressions that played directly into Jerott's fears.
He wanted, very much, for the offer to be real. He wanted to surge into Lymond's arms, to feel that touch on his lips again and more. He wanted completion, connection, a revelation of contact that would change him utterly.
But he had been told to strip his altars. To let go of heroes, to let go of love.
"Then what do you mean?" Jerott asked bitterly.
Lymond sighed. "Militat omnis amans, Jerott." He looked tired, the shadows deep and richly coloured on his face.
"I want peace. I want to think of pleasure, not of pain or punishment. And - I fear that I am no longer able to."
As he spoke, Jerott's hold on Francis's hand tightened. He let go of the edges of blanket that he had clasped together and, falteringly, reached for Francis's cheek. His fingers brushed the barley-fine tips of curls, and he crushed them beneath his palm, feeling Francis's hair as a handful of foliage between their separate skins. His thumb smoothed the silken line of Francis's temple and he leaned close, testing his feeling, testing Lymond's assurances.
He could not remember kissing Marthe in the tekke. He began to believe he had never done so. Jerott's mind filled instead with the memories of gemstones and signet rings held beneath his lips, of relics and swords, brotherhood and penitence.
He wavered close to Francis's face but found that he could not make himself do what he had in mind. With a gasp and a shudder he touched his forehead to Lymond's temple instead, then rolled his cheek against the other man's, breathing hard into the fine little ringlets that coiled around Lymond's ear.
"Yes," Jerott made himself say, the syllable a half-swallowed whisper. "I want to. To help you."
Francis clasped the back of his head and kept him close, but did not try and turn Jerott's face.
He had been a boy when he joked that the site of his home was in reality The Ostrich Inn. Still a boy when his father had arranged for them to stop there on the road to Solway, and Blyth the elder had been struck to rowdy laughter as he learned that every lady of the house already knew his son quite well.
If he had been just a boy then, what had he been before that, hunting kisses from the kitchen maids, making eyes at his father's well-dressed guests over the rim of his ale cup?
Elizabeth, he had never touched. She had died unblemished, a vessel filled with mystery and reverence. And for her sake, the boy he had been vowed to forgo all others. Guilt for breaking this vow should have compelled him to pull away, it should have stopped him from wanting the heat of Lymond's skin against his and the feeling of the other man's breath on his body. It should have been enough but it no longer was.
Jerott pressed his face into Francis's cheek, his ear, his hair, his neck. He threw both arms around Francis's thin shoulders and let himself be drawn forward, his hips between Francis's thighs, Francis's hands carefully, gently, keeping the blanket enfolded across Jerott's shoulders.
-
It was not, all told, the response he had intended to elicit. Thoughts of pain and punishment certainly ran alongside any thought of pleasure in Jerott Blyth's mind at that moment.
As though he had to wrestle himself into conviction,  Jerott squirmed his body against Lymond's, his face pressed into the open collar of Lymond's doublet, his hips seeking a comfortable position against the cloth of Lymond's breeches.
Lymond shut his jaw tight and felt his bodily response begin to press against the inside of that material. Heat, single-minded and insistent, was driven to that one part of him, pricking awareness of the naked body on top of him, of the tantalising closeness of Jerott's mouth to his skin.
The feeling of Jerott's own erection on the other side of his clothing was enough to convince him to seek more. Francis released the blanket that covered Jerott's shoulders and scooped his face from Francis's throat, raising it to his own.
He kissed him without preamble, not waiting for Jerott to imagine what was to happen. Francis pressed his mouth over Jerott's lips before they shut against him. He licked their bitten surface with his enquiring tongue. Jerott made a sound of surprise: pleased but uncertain, his lips vibrating with it beneath Francis's kiss.
A flush of desire leapt through Francis at this sensation and he pressed his mouth again to Jerott's closed mouth, seeking still for a response.
Jerott's hands fumbled to his shoulders and pushed Francis away slowly, though his grip was tight. While close enough, Francis's lips lingered on Jerott's, following up with kisses that brushed softly against hot skin, but he was repelled with inevitable force and had to look up into Jerott's wide-eyed expression.
Seeing something of Lymond's exasperation, Jerott managed a shaky smile - Francis wanted, savagely, to obliterate it with his kisses. He wanted, he supposed, to be deprived of himself as promised: in the physick of touch and taste it was possible to forget recent history and the foreboding future, and to live, momentarily, with no demands but those of his body.
But evidently, Jerott retained some reservations about this approach.
He sighed, breath cooling the saliva on his lips, his dark eyes round and black and astonished.
"Might we wait?" Jerott swallowed. His throat moved as though he wanted to laugh, but nerves stole the sound. "It has been...some time since I -"
Lymond had to bite his tongue to contain a rash comment on the proclivities of monks, but he did so, for the sake of the colour in Jerott's face.
Still Jerott frowned and looked again at Lymond's expression. "My God. When did anyone last say no to you?"
Francis scoffed and bit out a sharp crack of laughter. He tossed his eyes ceilingwards to avoid Jerott's earnest gaze, but he did not answer. By the time one was in another's bed chamber, or holding a naked body in one's arms, the time for saying no had usually long passed.
"You are saying no now, then?"
Jerott licked his lower lip. "For now. But I would like," his glance turned bashful again. "To bring you comfort."
He raised his hand to Lymond's hairline again and swept fingers through his curls. "If I might."
Francis shivered and wished it did not show. He closed his eyes and wondered what Jerott could intend - comfort was for children and the dying.
-
There were enough blankets to cover the hard floor as well as the two persons who lay down to sleep by the light of the fire. Lymond wore his linen shift and undershorts and was warm and still in the cupped form of Jerott's body. His breathing was steady, quiet, untroubled by the stresses and pains of consciousness.
Jerott's forehead touched the smooth skin of his shoulder where Lymond's shift had slipped, the collar stretched across the top of his back. His left arm curled around Lymond's small ribcage, held in place by Lymond's left arm. The cold soles of Lymond's feet pressed against Jerott's shins and the warm curve of Lymond's arse sat against Jerott's thighs.
Jerott's eyes were closed but he did not sleep. His knees prickled where ice had grazed them, his jaw tingled from the cut, and his muscles throbbed with heat from the exertion of the day. His thoughts grew ragged with protest and justification, with hallucinations of the smell of spikenard and the sound of Gabriel's voice.
He flattened his nose to Francis's skin and drew the deepest breath he could. He wondered if he would still smell the Aga Morat's perfume, stained into Francis's body.
But Francis smelled only of himself, and that was something Jerott was still new to: linen and leather, spice and incense lingering in his pores, the earthen, shoreside scent of exertion. He touched his lips then to the surface of Francis's body, covering the dark spots of his moles one by one with honest abstraction of thought. It was easier, knowing that Francis was asleep - that Jerott's curiosity was not about to be confronted by a sharp and worldly scrutiny.
He could not say why he had needed to postpone the consummation he knew he wanted. Tiredness, perhaps, fear of Francis's tiredness and the possibility of another migraine - perhaps, if Jerott wished to persuade himself of unselfish motives. But a deeper fear lingered in him, tangled and knotted up in the memory of Lymond's first offer. His body as a prize, to be collected by the last man standing, a cynical gesture of resignation when he found himself unable to choose for himself when and how to leave.
For ten years, Jerott had followed a man who had, in the end, discarded faith and loyalty and brotherhood without a second thought. Jerott had been a strut for Gabriel's vanity, a trophy of sorts himself: proof of Gabriel's leadership and worthiness, proof of Gabriel's persuasiveness and skill.
Jerott did not want, only, to be yet further proof of Francis Crawford's charisma.
It finally made sense to him, poised on the blurred edge of sleep, that there was one very simple way by which he could ensure that Francis wanted him. That he wanted Jerott from affection and not from some twisted notion of duty or reciprocity. Jerott had earned the rare coin of Lymond's gratitude before. He would simply have to do so again, in new ways. Timorously, his nerves jangling with anticipation, Jerott smiled against Francis's shoulder and the fingers of his left hand tangled around Francis's fingers.
He slept without dreaming.
-
Morning light meant nothing inside the snow-insulated hut. Jerott's skin was russet toned in the glow from the fire's embers, his dark eyes sparkling with interest.
Beneath strata of blankets - wool and cotton, waxed and frayed, stained and creased - Lymond's body shivered with involuntary glee at the expression in Jerott's black eyes. He lay in Jerott's loose embrace, the edges of his hands pressed against the hot skin of the other man's chest. For once, he was not cold; did not know for what or who he had gotten into this nest other than himself, from his own selfish desire. And now he simply waited, thrilled with curiosity.
First, with a slow care that made Lymond's eyes close as his body anticipated a grasping, hard touch, Jerott loosed a hand and it settled on Lymond's cheek. The meeting of flesh was soft, far softer than Lymond expected, and Jerott's fingers pressed against the hair above his ear, smoothing the strands back against his skull.
Jerott watched the motion of his own hand, his lips parted, wondering, and then he looked into Lymond's blue eyes.
The answer was there, risen to the lapis surface, but Lymond's mouth moved anyway: "Yes," he told Jerott.
Jerott's face flushed with colour and his hand settled, a form fitted to Lymond's jaw, and he raised his head from their shared pillow. He kept his eyes open until the last minute; his lips planting, pursed, against Lymond's own.
Lymond responded as he could, carefully, feeling a tremor of unfamiliar nervousness run through Jerott's body. Lymond's lips pressed against Jerott's closed mouth in return, his tongue raised against the back of his own teeth impatiently. He wanted, very much, to taste Jerott's flavour, to seek out the contours of his mouth with all the senses he had been given. To share the joy of touch given freely.
But he waited, allowing the first kiss of the morning to remain chaste, allowing Jerott the absorption of sensation, the experience of closeness, the long-unfamiliar reciprocity of affection.
A strand of Jerott's hair fell down to tickle Lymond's brow and he smiled within the kiss and fumbled a hand free of the covers to comb his fingers through smooth black locks, pushing Jerott's hair back with gentle insistence.
At last Jerott's mouth parted to release a gasp, and he let his eyes fall closed for a moment despite his curiosity. He ran his teeth over his lower lip.
When he looked again for confirmation in Francis's eyes, there was a renewed, fortified certainty in his steady breath and his firm touch on Lymond's cheek. It made Lymond shiver, the fierceness that glinted in Jerott's dark eye and the wordless depth of the colour that spread across his chest and neck.
Jerott bowed to him again and his tongue quested against Lymond's mouth, and Lymond opened and let him in.
Jerott's hand tightened against his jaw, feeling Lymond's response as taste encountered taste.
Lymond's confident movements sidled around Jerott's exploratory forays, guiding him, intercepting him, encouraging Jerott's pressure. Jerott covered Lymond's mouth with his own, savouring each meeting, his kisses learning precision, mapping out each new piece of flesh uncovered.
Lymond's fist closed in his hair, knowing Jerott's strength and impulsiveness, his body wondering when this methodical introduction would give way to something less ordered. The pressure of Lymond's grip elicited a moan, sound that he lapped up greedily with his own mouth, and there was an echo of response, Jerott sighed again, and again Lymond captured the expression of feeling.
When he drew back, Jerott's hand was shivering against him, and Lymond let his own eyes stay closed, his mouth curving into a grin at the simple honesty of Jerott's body.
-
For his part, Jerott let his fingers plough deeper into the corn silk curls, felt his heart hammer, too much for his chest as he lay cramped and gasping on his side. Francis was smiling, at or despite what he had done.  It seemed genuine, not mocking, and Jerott wondered what it felt like beneath his own hot mouth. He kissed the dimple at its edge and felt muscle and flesh respond as Lymond's smile deepened. He kissed the corner of his lips, then the centre, and let want drive him, opening his mouth and pushing his tongue between Lymond's smiling lips.
Lymond gripped him back, one hand around his jaw, the other sending smooth fingers over the skin of Jerott's collarbone and shoulder.
-
Caught up in his own eagerness, Francis coiled like a serpent and rose from the pillow of blankets. He pushed Jerott back and leaned his face and chest over him, pressing into the kiss, one hand holding Jerott's jaw, the other propped against the floor.
Jerott ruffled the loose sleeves of Lymond's shift, feathering touch and texture as he swept his hands up Lymond's arms. His fingers clasped at the base of Lymond's skull, and he pulled his chin free of Lymond's hold to stretch into the kiss.
Lymond used his empty hand to feel out the anatomy of the body beneath him. His fingers started in the hot groove beneath Jerott's jaw and followed the beating of his jugular to the sharp definition of his collarbone. The pads of his fingers spread across Jerott's sternum and stroked along the hair of his chest before his thumb swerved away to the side and pressed and flickered over one brown nipple.
Jerott bucked beneath him, his hips thrusting his hardened cock against Lymond's side. Francis gasped and laughed into his mouth, then pinched the tip of Jerott's nipple with calculated mischief.
Jerott swore and surged up from the covers, his hands on either side of Francis's face, his abdomen tightening as Francis let his roving hand drop to tease touch over his stomach and thighs.
His more customary violence of passion awoken, Jerott was not shy in manoeuvring Francis's body so he could get his hands beneath the edges of Francis's shift. He pulled at the cords of the linen undershorts and Francis heard stitches rip.
Another torrent of impatient language fell from Jerott's mouth as he leaned away to see what he was doing. Francis’s grin was delighted, and he could not help but remark upon Jerott's hurry after a decade's waiting.
He received a furious, heated glare in return and Jerott abandoned the tie to bend Lymond's body against him in another deep kiss. On their knees, swaying with imperfect balance, they tangled together until Jerott felt he had made his point and slid his hands once more to the waistband of Francis's underclothes. His fingers dipped inside the cloth, his knuckles on the skin to either side of Francis's navel and he pinned Francis with a look of warning and a small, subversive smirk.
Francis's eyes widened and he was on the cusp of protesting a shortage of spare clothes, but the breath he drew was obscured by the dry cough of linen tearing and his words did not get past Jerott's kiss.
The underclothes dropped down his arse but remained caught and tented on the shaft of his cock.
Francis smiled toothily into Jerott's kiss and nipped until the other man let him speak. "Very well then. Stronge in his despoylle, wel armed in the batayll."
Jerott's groan of amusement - or exasperation - buzzed against Francis's lips and his hands smoothed a path from the base of Francis's spine to the crease between arse and thigh. He gripped flesh and jerked Francis towards him, trapping body against body, rolling his hips to press himself fully against the folds of Francis's half-fallen underclothes.
They kissed until touch was sloppy, the skin surrounding Francis's mouth stinging from the roughness of Jerott's stubbled jaw. Jerott disproved Francis's apprehension that, once aroused to it, all his movements would be as full of bruising force as he could make them. Jerott's hands were gentle in the waves of Francis's hair, his fingers quested in the short ringlets at the nape of his neck. Soft down the hollow of his spine and around his hips, carefully plucking the cloth of Francis's undershorts away at last and rocking his body against Francis's with hot, pulsing regularity.
It was obvious that he would try to pull the shift up over Francis's body next - but it was more difficult to explain why Francis resisted.
Lymond clamped his elbows to the sides of his ribcage and said "No," with automatic firmness. His torso was marked with the mistakes of his past: cut and branded and flayed. It was a source of fascination to some and pity to others, and he did not want it to distract - to come, now, between himself and the unexpected pleasures of Jerott's touch, to encourage the doubt and dread that remained, ever-ready, on the edges of his mind.
Jerott's brows raised, his expression poised and worried. "I've seen it before, Francis."
"Not since it healed," Lymond snapped and shut his eyes, regretting the words and the tone. It was the reminder he could not resist giving: Jerott had ordered the most recent whipping experienced by Francis Crawford's ruined back. He had watched it all happen. Close enough to feel the mist of spattered blood.
Jerott's hands had ceased their exploration at the sharp protrusions of Lymond's hips. His thumbs moved over the sensitive place where bone came close to skin and he touched his lips to Francis's again, his mouth soft, open, lingering. It wasn't an apology, but it felt like one. Jerott did not try to raise the shift again.
His acquiescence did more to settle Francis's tightened nerves than any other persuasive words might have. The room was dark after all, and he had surely been in more compromising states around Jerott.
Francis banished the ticklish memory of Robin Stewart's gaze on his scars, steeled himself, and pulled the shift up in one swift motion.
He had barely discarded it when Jerott caught him up in another tight folding embrace, one arm about the small of Lymond's back, the other at Jerott's favoured position on the side of Lymond's face, his fingers in the soft hair above Francis's ear. He pressed his skin to Francis's skin and kissed him as though he had been waiting for the opportunity his whole life. He didn't look for the scars on Lymond's torso with his eyes or his hands, he just sought a dizzying maximum of touch.
Francis let himself sigh, a slipping of control, and pulled Jerott back down to the covers with him, grunting as his body hit the blanketed floor side-on.
Jerott laughed, lying on his back, his hair a scattered mess of spilt ink around his face. Mirth made him seem younger, his eyes closed trustingly, with genuine humour, and one hand reflexively grasping for Lymond's skin.
Francis stared, remembering the wild young man from Solway, his heavy, earnest gaze and sharp questions. There was so little he had left from then, and Francis was barred from returning to those others that remained. A swell of gratitude seemed to tower over Francis as he looked down at Jerott, the feeling dredged from deep within, carrying with it the chill of authenticity.
He was glad not to be alone. Not to be with Kiaya Khatun and her imperious assumptions. But here, with a reminder that Francis Crawford's life was more than just a string of disconnected events pushing him from pillar to post. A reminder that some things endured.
He aimed to put all of that feeling into his kiss, leaning over Jerott and moving his tongue with languid, eloquent motion. Judging by the noise that emerged from Jerott's throat and the way his cock twitched under Francis's hand, something of his intended message seemed to have gotten through.
Francis splayed his fingers over the hot, smooth skin of Jerott's dick and slid them down over his balls, kneading the soft flesh with gentle, probing touch. The muffled moan between their mouths contorted into a curse and Jerott's hand joined Francis's, holding him still while Jerott breathed hard against his lips.
"Wait. I can't. It won't take long," he said grudgingly.
Francis smiled angelically and dropped a garland of kisses along Jerott's brow. His fingers tightened again on the sensitive, velveteen skin and Jerott's back arched a little as he gasped.
"It matters not. I believe you will rise to the occasion more than once."
Whether Jerott's frown was for the concentration he tried to summon or for Lymond's pun was unclear. But he shook his head, his eyes closed.
"I want you to...I want to," he swallowed and laid his hand over Francis's once more, though he no longer tried to stop the strokes Francis was making at the base of his shaft. Jerott opened his eyes, his expression plaintive. "I want you to enjoy this also."
"Believe me, Jerott, I already am. And we are in no hurry. There is plenty more to be done."
Jerott looked like he might make some clever comment about forging a path through the snow or rowing across a frozen lake, so Francis precluded these suggestions by tightening his grip a little and increasing the speed and length of his strokes.
Jerott's throat curved towards the thatched roof, his eyes closed reflexively and his heels dug into the folds of the blanket beneath him.
Francis rolled to a kneeling position and clambered over Jerott's closest leg. He bent to use his tongue in tandem with his hand, pushing into the base of Jerott's dick with the tip of his tongue and licking along the length of the shaft.
The first clear discharge was already on his hand and glistening on the reddened dome at the end of Jerott's cock. Francis gathered the taste of him with lips and tongue and at last enveloped him in his mouth.
Jerott made an appeal to a number of the manifestations of the Christian deity as well as to several saints, but not one of them offered him a reprieve from Lymond's touch.
Indeed - it did not take long at all. Lymond's lips tightened, his tongue swiped the sensitive folds of skin, and he felt a rush beneath his hand as Jerott's hips leapt from the floor with sudden urgency.
Momentarily, his own movements slowing just as Jerott's jerking thrusts slowed, Francis raised his head, removing his lips gradually like a man sucking the juice out of a peach.
He sat up and swiped his wet lip with one thumb. He reached for and swigged from the flask of water, kneeling between Jerott's legs, while Jerott lay splayed before him, his eyes barely open but regarding him with a fresh new awe.
Francis responded to Jerott's open-palmed, begging hand by moving to stretch himself alongside the other body again. He ran his fingers against the lay of Jerott's body hair, ruffling dark strands before smoothing them down again. He rested his head on his elbow and smiled at the wondering look in Jerott's eyes.
Jerott rolled to face him, and took Francis's chin in his hand. He tightened his grip for a moment, keeping Francis's face held still and at a distance. His eyes scanned Francis's expression like it was a code he needed to decipher, like he suspected and feared some imminent revelation of underlying motive.
The lovers Francis had lain with before tended not to seek answers like those Jerott searched for. The coin of those transactions was common currency, from border brothel to Ottoman palace, and Francis Crawford knew its rates and exchanges well.
Less familiar was the insistent need in Jerott's serious expression. It was not a need for Francis's touch, for more of what he had given or could give. It was a need to please and a need to prove, a need to make certain the freedom of what was offered.
-
Jerott bit his lip and looked at the steady blue gaze and the wet red mouth - he had to steel himself, but this he did, and then he kissed Francis carefully, tasting what remained of himself on the other man's mouth. He had swallowed enough of the Mediterranean in his life to find the hot, salty taste less than startling, and he soon forgot his reticence.
Francis's tongue was seasoned, his lips felt swollen and soft beneath Jerott's kisses. He shuffled closer across the blankets and hooked one leg over Jerott's calves.
The strange, unsettling idea of his own discharge between their kisses made Jerott think of the rites and rituals of the ancients. Mingling blood with blood to forge new ties, tasting one another's flesh to prove that they would to do anything to remain by each others' side.
Jerott, his eyes closed, his hand on the uppermost side of Francis's face, his nose touching the other man's nose still, murmured a half-formed question. It seemed to him that it was a query that would appeal to Francis's broad knowledge and omnivorous sensibilities.
"What is it that Lucian says of the bond of friendship?"
As he had hoped, delight rang clear in Francis's response. "Lucian! I did not expect you to know the texts of the barbarians, Jerott."
"Not his satires. One of More's translations. A discourse on friendship? It was a popular text in the Auberge."
"Toxaris. Now that does make sense," Francis said, smirking and moving his head so that their noses brushed together. "Sacrificamus inquam haud tamen deos esse arbitrati, sed viros bonos."
Jerott's reply was firm. "Not sacrifice. About loyalty."
Francis's smile was sharp like that of the fox preaching to the geese. "Etenum simulat que incisis digitis, sanguinem in calicem destilla verimus, sumus que instinctis gladiis, ambo pariter ad moventes biberimus, non est quicquae quod deinde nos quiat dirimere."
Jerott blinked at the vivid imagery. "Yes. I had forgotten about the swords."
Francis's lips stretched wide and he summoned a sound of amusement from deep in his throat. It made Jerott shift impulsively: in order to lay his lips on the source of that noise he pushed Francis to his back, unpeeling his arms from his curled body to kiss Francis's Adam's apple; the firm cords of the tendons in his neck; the convergence between his collarbones.
Pinned down to the far side of Francis's body, Francis's fingers twisted and knotted with Jerott's and he chuckled again at Jerott's kisses, adding to the cascading vibrations in his throat, creating more waves of sensation for Jerott's hungry mouth to chase over skin.
Much as Francis's body was strange machinery to him, Jerott was well trained to observe and to learn from what he discerned. The first thing he had understood was how hungry any touch could make Francis - if it were offered in the appropriate manner.
And, Jerott thought excitedly, if he could also engage that steel trap mind...
Jerott pushed himself away from Francis's skin to prop himself above him.
"Do you know of a man named Paré? A barber surgeon."
A frown crossed Francis's brow, but with it he wore a bemused smile. He shook his head wordlessly, then Jerott saw his eyes widen.
"The man with new-fangled techniques concerning the treatment of bullet wounds?" Francis ran his fingertips down Jerott's sternum and belly and smirked at the shiver he elicited. "I don't know what your idea of pleasure entails, Jerott, but I prefer the firearms to remain outside the bed chamber."
Jerott grinned and tossed his hair from his face before lifting a leg over Francis, to sit astride his narrow hips and feel Francis's cock move enquiringly against his thigh. "He also has ideas about providing physick through touch. Massa," Jerott said in Arabic. He held Francis's face between his hands, his thumbs beginning to roll in circular motions over Francis's temples. "Le massage," he added in French.
Francis's expression was one of polite patience, but as Jerott increased the pressure of his thumbs, moving the supple flesh beneath and occasionally stopping to push his fingers firm and hard in trailing lines against Francis's scalp, Francis's face began to relax, and his eyelids fluttered lower and lower as his smile unfurled.
"Jerott, where did you learn this?" he said, his voice emerging as a weary gasp.
"There were a couple of Knights who had fought for the French at Piédmont before realising the threat of the Turk. Paré demonstrated his techniques there."
As the cranial massage seemed more likely to relax Francis to sleep than arouse him to other activities, Jerott gently removed his hands from his head and smoothed his fingers across Francis's chest, watching the near-invisible golden hairs shimmer as his touch passed over them. "I understand that it is particularly beneficial for the shoulders," he said hopefully.
Francis swept his own hands through his hair, familiarising himself with the sensation of his aching skull having been remade. He glanced up at Jerott, his eyes dark like royal dye, his expression thoughtful. "I think I should like that," he admitted, quite quietly. Combined with his serious expression it felt like a covenant, and Jerott leaned down to seal it with a kiss, luxurious and slow.
They rearranged their bodies, Francis turning carefully onto his belly and elbows, all tension in his joints renewed before Jerott's eyes. His back shone with scar tissue, like an iced-over lake of old pain, white and scored, puckered and ridged. Many of the wounds had blended and pooled together, but at its edges, at its sloppy borders, lone strokes had ploughed silvery furrows into flesh, and Jerott, who had been expecting it, still had to bite the inside of his mouth and shake his head. He had seen such things often enough - he did not forget his own role in the creation of some of the landscape before him now - but never had they felt as much like a knife between his ribs as this sight did.
He laid his palms flat over Francis's shoulder blades and rubbed his thumbs against the groove of his spine. The scarred skin was softer than anything he had touched in his life, but it moved and stirred beneath Jerott's fingers just as any other flesh. He let out a sigh and swept his hands up to Francis's shoulders and neck. Jerott flexed his fists against the tightly bunched sinew and muscle and Francis let out a sound like air escaping from broken bellows.
Jerott blushed with immediate pride, and began to settle into his motions, watching his own brown fingers knead Francis's fair body. There was little covering on Francis's light bones, but Jerott's hands found the places where smudges and twists of hard pressure worked their effect nonetheless. Once he knew that the sensation was pleasurable to its recipient, Jerott found it easy to leave his hands to figure their way around Francis's body without conscious direction: the hands of an expert horseman, they knew the benefit of finesse and caution as well as the brutality of combat. Thumbs and knuckles ground out stiffness from the column of Francis's spine, around the sweeping curves of his ribs, ruffling nerves where scar tissue met healthy skin, pressing down into the softer parts of his back: the hollow dimples above his arse and the subtle curve of his flanks.
Francis arched his spine and raised his arse beneath Jerott's body, pushing back into his touch and trying to muffle his moan in the arms that he held crossed beneath his forehead.
Jerott was drawn to the sound by need though, and followed the trail of his hands back up Francis's body, leaning forward to nuzzle his face in the curls at the nape of Francis's neck. Jerott kissed the overspill of hairs that trickled down into an uneven v at the back of Francis's head. He dragged his teeth along pristine, freckled skin at the curve where Francis’s neck met his shoulders and he felt his cock grow lively once more against the flesh of Francis's lower back.
Beneath his body Francis twisted like an eel. Newly facing Jerott, their faces close enough to mingle breath, Jerott saw the expression he had been searching for. Undeniable points of emotion coloured the pinnacles of Francis's cheekbones. His gaze was steady but on edge, seemingly alarmed by his own response, but he took Jerott's face in his hands and kissed him deeply, and Jerott at last let himself believe that this was not a hidden bargain. It was not merely Francis's body offered in exchange for Jerott's acceptance of his onward journey - something further had been secured.
Francis rocked against Jerott in the kiss, his cock a hot pressure between Jerott's legs, pushing into sensitive, hidden parts of his flesh.
Unwilling to cede the initiative yet again, Jerott guided his knee between Francis's legs to push them apart. He ran his hand up the length of Francis's thigh, then began to squeeze handfuls of muscle and to rub his fingertips against the smooth skin on the inner part of his leg. He felt Francis adjust to the position, stretching from the floor to maintain contact with Jerott's mouth, to steady himself with his own sure grip on Jerott's shoulders.
Jerott's fingers trailed their way down the taut muscle at the back of Francis's leg and pried his arse cheek from the floor. He fed his hand into the space between Francis's body and the blankets, searching for the textured line of the perineum, hot and enclosed between curving flesh.
The unexpected pressure of Jerott's finger at his arsehole made Francis flinch at first, breaking from Jerott's kiss with a smacking sound, regarding him with heavy breathing and raised brows.
Jerott merely lifted his own eyebrows and pushed again at the opening, stroking across and around it until he felt Francis stop clenching his muscles warily tight.
He still regarded Jerott thoughtfully though, and murmured through gritted teeth, his breath scorching on the skin of Jerott's cheek and ear: "You are full of surprises, Jerott," before Francis captured Jerott's earlobe in his mouth and sucked on it vengefully.
Jerott could not hold his gasp, but he kept his confidence on all else. It did not seem like the opportune moment to point out his experience with the tricks of the women at The Ostrich Inn, nor was it they who he wished to occupy his thoughts.
Two joints of his finger made their way within Francis, and Jerott grunted at Francis's weight and the pressure on his digit, while Francis made his own sound as Jerott's finger twitched inside him.
"Go deeper," he instructed, grasping Jerott's own arse with one straining hand. Francis lay back on the blankets, seeking the purchase to push back against Jerott's finger, his body relaxing rapidly to accommodate the touch now that he had settled into it.
Jerott strove to do as he was ordered. He twisted his finger to nudge the wall of flesh and muscle and heard Francis release a sigh of air. Using the strength of his wrist and swordsman's hand, Jerott made his touch cramp against the spot that seemed to make Francis most likely to whimper and bite his lip and flex his body against the spread of cloth below them.
Jerott used his free hand tentatively at first, acclimatising himself to the strange feeling of another man's cock in his grasp, but found that he could hold himself alongside Francis. Jerott thrust against his palm and against Francis's shaft and his eyes fell closed in concentration as he tried to align the gestures of his two hands and their two sets of hips. Flesh jumbled with flesh, sensation with sensation, desperate and reckless, dry and hot.
The first he knew of his success was not the bitten-back sound Francis made - a shudder of relief like a collapsing building - but the sudden lubrication on his hand and his cock as Francis's ejaculate spilled over all. Jerott gasped and swore as the warmth of it hit him, triggering a jolt within his own body that he could do nothing to control.
His hips moved under the sway of no intent, his body surged with bliss for the second time that morning, and his could not avoid daubing Francis's firelit skin with fresh discharge.
That which carried more momentum missed Francis's face and hair by mere inches as he jerked his head to the side, laughing.
Jerott looked down at the two softening dicks in his hold and laid Francis's down with a dazed sort of reverence.
"God," he gulped, removing his finger from Francis's body less gently than he intended, and holding both of his ruined hands before him in bewilderment. Each one was stained with the ink of sin, slick and shining in the dim light, but he felt no guilt or shame - only their shadow, the sense that he ought to feel them. Instead, his mind was as blank and settled as the pristine snow outside, dazzling and dazzled.
Francis was shaking, his head rolling to one side on the pillow of covers, his own palms hanging uselessly in the air above the puddled mess on his belly.
He was still laughing, now in total silence, his eyes screwed shut and his teeth bared helplessly. His chest was blotched with colour and his cheeks were darkened by blood risen to the surface; his curls were clustered and dark with sweat; and the same salty sheen sparkled on the skin of his abdomen and thighs.
Jerott collapsed back on his heels, one of Francis's legs still trapped beneath him.
"Sorry," he managed to mutter, though it was a response made out of obligation.
Francis sat up as though stung and hastened to be close to Jerott, yet he still smiled. The pool of fluids on his skin dripped, catching on the golden hair around his navel. He took each of Jerott's hands in his own, shamelessly, palm to sticky palm so that Jerott was suddenly afraid they would be joined never to be parted, a punishment for what they had done. Francis gripped him more tightly as he tried to pull away, his eyes steady, inviting Jerott to look at him and find calm.
Francis murmured something - French; poetry; Jerott's swirling mind thought - and kissed him softly.
His lips already seemed so familiar, so much like a welcome, and the vague cloud of Jerott's unease started to dissipate. With their hands entwined to each side they leaned together, and Jerott only shuddered a little as the cold, wet stain on Francis's belly was shared with his own skin.
"Apology not accepted," Francis smiled against his mouth. His fine lashes brushed Jerott's cheek when he moved his face closer, and he let Jerott lean, exhausted, against him in turn.
-
Jerott's body shuddered against his bare skin. He kept his head and his eyes lowered, though he let Francis retain a grip on his hands.
"There is nothing to apologise for," Francis said against the swell of Jerott's mouth. His body was chilled with fresh sweat, his back felt frighteningly exposed, but there was no taking back how good it had felt to have Jerott's touch on him, how strangely content he had felt when he looked up and saw a familiar, trusted face lit by the furnace of passion.
Jerott's breath caught and he leaned his cheek against Francis's.
"Nothing we did was wrong, Jerott," Francis murmured. Their bodies rested close, their hands to their sides, Francis's thumbs working softly over Jerott's, though his grip was firm and he would not allow Jerott to pull away. Not like this. Not after that.
"Did any of it feel wrong, to you?"
Jerott's neck tensed and his head flinched back from Francis's, just far enough that he could meet his eyes. A series of muscles moved in his face, around wordless lips and wide, dark eyes.
Finally, "No - " he managed to answer.
Francis's expression cut off whatever caveat he might have been about to add. Jerott drew in a gasp and his colour deepened beyond the red blotches on the high points of his cheeks. He looked wonderingly at him, so that Francis could feel his own skin grow hot again, and Jerott kissed him.
His fingers shivered from the cleansing snow, and Francis wiped them on the shift he had replaced over his quickly cooling torso. He stood in the doorway to the hut, gazing out onto the painfully bright morning landscape. The tracks they had made the previous evening, on Francis's last attempt to divert their course, had been covered by fresh snow. Their meandering path to the lakeside and back again to the door - that which had been ice and mud and snow churned together - had turned now to soft white curves, like a line of small tumuli on the land.
Francis's eyes narrowed and his breath coiled in the air. Only the rooks stirred, and the sun was too low to do any more than skim across the glittering surface of winter's coat, like a pebble on a lake. He could smell no other fire smoke but their own, could hear nothing over the cawing of the rooks, and felt dizzy at the weight of snow that now lay between him and Kiaya Khatun's caravan.
But it was not the dizziness that sucked at his consciousness like a swamp, nor did the sun's brightness feel like hot daggers in his skull. Francis wrapped his arms about his body and loosed a held breath, steady and slow. He watched the air bloom with it, expanding petals of condensation that drifted away from him, glittering as they caught the sun. For perhaps the first time since he had boarded a ship provisioned by Onophrion Zitwitz, he felt good, clear: clear-headed, clear-sighted, clear of pain. His whole body hummed with the freshness of sensation like that experienced around a newly-healed wound, when spiking, tingling nerves begin to reach out again in exploration.
Shy at first, the hands that wrapped around his body smoothed his shift beneath their weight, and Francis blinked at his own response: he did flinch protectively, but hardly knew it through the roiling tide that crashed against the nerves below his stomach. He wanted the touch of those hands, then; it was not complicated, physically.
As for the rest - could he think of this existing beyond the little hut, and to what end? - Francis supposed that might wait. Waiting was all they had left for the present.
"It's cold," Jerott's reminder was spoken quietly, with a vein of uncertainty. As though he expected Francis to tell him it was as mylde as a mornyng of May. As though, if Francis told him so, he might try and make himself believe it was true.
Francis stepped back against Jerott's body and let him push the door closed, Jerott's arm reaching around them both. Francis twisted about and closed his eyes against the darkness inside the hut. Gentle, wondering fingers were at his hairline again, combing, teasing against his scalp in warm tracks. Jerott's mouth was at his, brushing querulously and catching on skin, his lips skimming close to Francis's spreading smile.
Francis, so used to playing to the melodrama of romance, so used to folding his lovers over his arm, pinning them in a deep kiss of passion that was calculated to undo the mortar of their knees, laughed at first as Jerott's body curved over him, into him. He almost thought that he simply would not be bent that way, half expected a snap, like an overstrung bow breaking. But instead, there was just Jerott's palm, splayed wide in the centre of his back, easing out his trust as they leaned into each other, as Jerott's other hand supported his head.
Jerott was still undressed, and Francis had to slide his arms up Jerott's bare body to find purchase, fingers clawing and grasping at smooth muscle and the submerged outline of his bones. Francis exchanged the long kiss for a series of gasping, nipping touches, mouth to mouth, untidy and competitive, each man striving for the final touch.
It was Jerott who, at last, pulled away, allowed Francis to take more of the balance of his own weight back, and looked at him with an expression far too serious for Francis's liking.
-
And that's it! For now, probably for ever? Though if anyone wants to write gap fillers or a conclusion that would be very sexy and I'm totally cool fwith that happening.
So, from what I remember of this, the lads catch up with Marthe and Kiaya on the other side of the lake. I think they plan to sneakily infiltrate the camp because they realise exposing Marthe will just create dangerous chaos, and I guess they (Francis) think they can reason with Kiaya.
I think I imagined some Mexican stand-offs, Marthe definitely has a gun, and she maybe even got to use it.
Details of the resolution are not a thing I recall at all, but the satisfactory conclusion is, I think, that all four of them go to Russia. Maybe Marthe still gets the chance to cosplay as voevoda now and again, and Kiaya Khatun doesn't have to threaten any small boys because Marthe is keeping her busy. She and Francis probably still think of Marthe and Jerott as place-holders of a sort, and I think Francis always regrets the vulnerability of letting Jerott in - there would be some absolutely blazing rows about some of his Ringed Castle behaviour, even if it was mellowed a little by changed circumstances, it's still pretty wild, and there's a lot he'll be keeping from Jerott about family circumstances.
I hadn't really thought through to ultimate resolutions, but left it so Francis/Philippa could still be a thing, ideally with Jerott having come to terms with enough about himself and about Francis to accept that they're probably not an optimal long-term match. He's always got Danny, who will have been making eyes at him from the ranks all winter long. I also think Kiaya's ambition should mellow, she and Marthe should have a Gabriel mummy bonfire/sell him for parts like the Egyptians did with their mummies, and then retire to Lyon together to be weird traders/fortune-tellers/coffee-sellers. CRAZY idea! Marthe/Kiaya coffee shop AU!!! Get your stars read when you buy ten cappuccinos! Sorry we're all out of caramel syrup but we can grate a little dessicated finger bone on top? I'm sorry we don't take payment in cloth sir, but if you can spare that antique relic we'll toss in a whole bag of our finest roast beans. No? Oh well, just keep your eyes on me, that's it. What, no, that's not my wife behind you with a dagger haha, what are you suggesting?
15 notes · View notes
nanowrimo · 2 years
Text
5 Tips for Completing Your NaNoWriMo Novel Draft
Tumblr media
Every year, we’re lucky to have great sponsors for our nonprofit events. Freewrite, a 2022 NaNoWriMo sponsor, is a dedicated drafting device designed just for writers, free of distractions. Today, comedian/writer Natalie Kim and Freewrite staff member Colin Butts share a few tips for helping you reach the end of your first draft this November:
Hello from Freewrite!  We’re thrilled to be taking part in the 2022 NaNoWriMo challenge. If you’re unfamiliar, we make dedicated drafting devices for writers without the distraction—or temptation—of browsers, email, apps, or notifications so you can get into and stay in writing flow. When it is time to edit, your drafts seamlessly sync with the cloud for export into Scrivener, Final Draft, Word, Google Docs, or your software of choice.
At the core of Freewrite’s design philosophy is an encouragement to move you forward. Intentionally lacking editing capabilities, Freewrite drafting devices help writers write more, not better. In this case, quantity trumps quality.
Ok, enough about Freewrite. How about insight from 2020 NaNoWriMo participant Natalie Kim about her experience drafting her project and what tips she has for you going in:
1. Make it a ritual
For NaNoWriMo in November 2020 I committed to writing after dinner, no matter what. Once my butt sank into our cat-scratched chair, my fingers immediately danced across my Freewrite keyboard and did not stop until I hit 1000 words. A car filled with clowns could have crashed into my living room and I would continue typing.
Also, there is no question that writing on the Freewrite helped me reach 50,000+ words. Had I used my laptop to write I would have 50+ browser tabs open, searching for “JUST ONE MORE THING”.
With the Freewrite it was just me and the words.
2. Always move forward
I remember the advice an instructor in a graduate film writing class said about the first draft. He said: “Never go back and edit your first draft while you are writing it. Always move forward”. I followed his advice and I did not read what I had written. I gave it the cold shoulder and moved on.
3. Guard your mind from the noise
Try an experiment during NaNoWriMo: Refrain from consuming media like podcasts, episodic shows or mindlessly scrolling social media on your phone. 
And before you throw your sneaker at me, hear me out.
Your mind is a valuable resource that must be protected from the mediocre din of every day society. You never know where your next precious idea will appear: walking back from the coffee shop, loading the dishwasher or driving back from the mechanic. Our greatest ideas emerge when we have a clear mind; free from other people’s ideas and voices. 
4. When you’ve reached 50,000 words
In Stephen King’s book, On Writing, King says that when you finish the first rough draft you need distance from it. King believes that if you read the first draft too soon you will be tempted to tinker with it. You might think it is harmless to tinker but it ultimately results in your work looking become a loaf of bread vivisected by a toddler: a doughy, crumbly mess.
Instead give the rough draft some breathing space. Then come back to it.
5. In conclusion
Please do feel free to use the helpful advice and throw out the rest. Go forth with confidence and be steadfast with your writing. 
50,000 words, here you come!
Warmly,
@NatalieKimNYC
Don’t forget to check out Freewrite’s special discount offer for NaNoWriMo writers! 
Natalie Kim is a comedian who likes to remind everyone that we are not as different as we think we are. This summer, she was a resident of St. Nell’s Humor Writing Residency for Women and performed in clubs around New York City. She is currently working on a collection of humorous essays about being the tough-talking, loud mouth kid from Suffolk County, Long Island.
As Head of Marketing for Freewrite, Colin Butts loves hearing from creative writers about their ideas and stories in development. Helping to provide a product that removes barriers for drafting artists makes his work deeply purposeful. Colin loves to read, is starting his own first short story, and enjoys adventure travel, yoga, and video games when he’s not busy in the literary world.
300 notes · View notes
kaenbl4ze · 2 days
Note
Hi! I just reread Read You Lima Charlie for the millionth time. It's probably one of my favorite SEAL Buck fics, and I've combed through the whole tag multiple times. I know it's a bit of an older fic, but do you have any plans on continuing the AU somehow? I'd love to read more of that AU or hear your headcanons if you have any!
Hello hello! Thank you so much, you have no idea how excited I am to hear that! Please do feel free to ask any and all questions about the AU or my headcanons and I'd be more than happy to answer <3
I know it's been a hot minute (sorry heh work and life got a bit hectic) but I do have a draft of a fun little sequel sitting in my google docs which I've been writing on and off. Alas I am a perfectionist and also a slow writer so it's been in limbo.. BUT it is definitely there and almost done and will come out at some point! I hope!!
In the meantime thank you for reading and asking about it and being so patient and i love you so here's a little sneak peak action scene from the draft:
[tw graphic depictions of violence, blood/gore, death]
“Where’ve you been?” Steve’s eyes did a quick sweep over Buck’s body, analytical, checking for injuries. Noticed Buck’s empty hands. “Where’s your rifle?”
“I was doing the laundry!” Buck replied through gritted teeth, eyes wide with exasperation.
He looked back around the corner of the building as Steve spoke behind him; soldiers dragging off the wounded away from the blast site, his teammates spread around with the other troops and suppressing the flow of insurgents, a few enemy fighters slipping through the gaps in fire, spraying bullets into the base in wide sweeping arcs before being shot down. 
“I don’t have a sidearm to give you. Head back to the armoury, grab your shit – give Command the sitrep on your way.”
Buck hummed in the affirmative, still scanning the combat zone, and was about to turn around and heed Steve’s instruction, but at the last moment caught sight of a combatant sneaking around behind a stack of crates. Slung over the man’s shoulder was a rocket launcher, and time seemed to slow as he swung the weapon around, gripped it tight, and levelled it at a cluster of infantrymen.
Buck saw red.
“Buckley!” Steve hissed, clawing at Buck’s sleeve in an attempt to stop him from sprinting towards the stray tango, but Buck slipped through his grip. He was too fast. Too focused. The last thing he heard was Steve muttering under his breath, “I swear that Kid is not right in the head.”
Planting a foot against a wall mid-run, Buck used his momentum to bound off and vault one-handed over the crates. He was airborne for half a second before colliding with his target in a spear tackle, bringing them both tumbling to the ground. The launcher clattered across the floor, and the two men engaged in a tangled mess of hand-to-hand combat.
Buck channelled his silent rage into the fight – got the large man into a grapple, caught an elbow to the mouth in the process, twisted the man’s arms as he yanked at Buck’s clothes. Buck had no gun. But he remembered, belatedly, that he did have a knife. Regrettably not one of his fixed-blades, but a folding knife that he had slipped into the pocket of his shorts a few days ago while rearranging his loadout. It would have to do.
The guy was a dirty fighter, strong, but he was sloppy. Poorly trained. More holes in his form than swiss cheese, and Buck fully intended to exploit them.
Buck ate a punch straight to his nose; didn’t let the sharp flash of pain or the momentary blur in his vision slow him down. He lunged straight for the opening in his opponent’s stance that he knew would be left undefended, torquing body mass and manipulating limbs to get the man into a one-armed chokehold against Buck’s chest. He quickly reached into his pocket with his free hand, flicked the lever to deploy the blade, and plunged it deep into the man’s neck right where Buck knew his jugular rested. 
With a jerk of his arms, simultaneously pulling the knife towards himself and twisting the man’s head away, he was met with a spray of hot blood and a wet gurgle.
Steve rounded the crates with his weapon raised right as the body dropped to the ground with a dull thump. Buck hung his head, catching his breath from the exertion and letting the blood from the blows to his face drip from his nose and dribble out of his mouth. He ran his teeth over his bottom lip to cut off the string of bloody saliva, then spat out the viscous mess into the sand. Beside him, Steve strode forward, glanced down at the body, and exhaled sharply through his nose.
In his peripherals, Buck caught a flash of movement. He whirled around instinctively, and in the same motion whipped his arm and let the blood-slick knife fly out of his hand. 
Two bullets from Steve’s rifle landed at the centre of the combatant's chest just a moment before Buck’s blade hit its mark, buried up to the hilt in the hollow of his throat. The man stumbled, eyes wide, and collapsed to the ground as his legs buckled beneath him. His weapon flew out of his hands in the fall, and his momentum carried his body a couple more feet before it finally slid to a twitching stop.
Buck straightened, scrunching his nose tentatively and sniffing. A deep buzzing sensation underscored the cacophony of battle around him, heartbeat steady and powerful in his core, fingertips thrumming with energy, vision crisp and vibrant. He blinked. Then, he turned to Steve, nonchalant.
“I had that.”
7 notes · View notes
dutifullylazybread · 1 month
Note
How long have you been using scrivener and how has it helped your writing ? Like how did you work before you got it vs now?
I've been using Scrivener for 2 or 3 years now! I mostly use the basic functions, but even those go really far in helping with organization.
Ohhh my gosh, it has helped in SO many ways.
So before I started using Scrivener for writing projects, I primarily used Word and then Google Docs. But neither Word or Docs is very helpful when it comes to organization, so I felt pretty restricted in how I could write (not to mention that, if you aren't using a dual monitor setup, it's a bit difficult to move between multiple documents).
If I could boil down how Scrivener helps me, I would say that it helps me keep everything organized. It's like a writing binder on your computer and that binder holds EVERYTHING for your project (photos, useful links, documents). You can add in notes to a document, bookmarks for info in your draft that you may need to reference later--you can even link between documents in the same project, should you need to reference one.
It has a corkboard board setup if you need to organize how scenes/chapters will move in your story.
Also it has a night mode.
Ramble below!
I mostly take advantage of its file tree setup--I can have chapter 10, but then under chapter 10, I can have subdocuments, basically. Picture of chapter 8 for reference:
Tumblr media
AND THEN if I want to reference 'the kiss original' doc while working on the rewrite of the scene, I can split my screen into two and have both documents open at the same time.
Tumblr media
Which is really helpful!
And I do sometimes write scenes out of sequence, so I prefer to have notes in the document where I will compile it that would say something like (add kiss scene here), and then I can go into the kiss document in my file tree, grab what I like from it, and put it into the doc I'm compiling.
It also has a cloud function, so if you have your Scrivener license on two separate computers (not sure if they move well between a Mac and PC, but between PCs, I can speak to), you can open Scrivener on one and continue the work you were doing on the other.
It makes my brain make very happy noises. :D
8 notes · View notes
starlightkun · 2 months
Note
genuine question, how do you write so fast? 😭 i feel like you’re so quick with your works, both writing and putting them out!!
also i found your tumblr on ao3 and i have to say that you are carrying nct fics on ao3. i hope you never stop writing cause i could be 40 and i would still read your stuff 🫶
i think a big thing has been getting out of my head abt writing! like i only write when i want to, i don't stick to word counts (minimums or maximums), and i dont compare myself to other writers (not that i read a whole lot of fic anymore, but there's a few that i still keep up with and one of them churns out fics way faster than i do, and another who posts like maybe two or three times a year but i still love them!) like i've def said this before, but for me, writing fic is fun, it's something i do bc i want to and if i open a word doc and i'm genuinely dreading it, i'm not gonna do it (my adhd brain simply will not make me lol--tho that is a double edged sword bc i do have to chase myself into doing something i like sometimes, but the ritalin has helped a lot xx)
i also dont go into my fics completely clueless anymore. like, i for sure don't know everything, i learn a lot along the way, and tend to change stuff (and get surprised by my own fics, which is always fun!), but i definitely have more of an outline and general sort of sketch of the fic in my brain and in my word doc before i start actually writing real scenes of any sort, which has definitely helped. like, starting with one little idea isn't bad at all (strawberry sunday literally just started w the fact that i liked the title of a song that i hadn't even heard yet and it turned into like 10 fics??), but i dont just start writing head empty anymore (i used to get a tiny spark of inspiration and try to write everything start to finish immediately because i thought i'd lose it if i didn't, and it'd burn really short. now i sort of just sit with it and slowly tend to it like fire instead and it lasts a lot longer and gets a lot bigger). i ruminate a lot before anything that looks remotely like a story leaves my ideas doc and gets its own doc
idk if this necessarily makes me write faster, but i also edit as i write? like, sometimes i open a fic and i don't have anything in me to write, but i'll reread what's in the draft so far and edit, make little changes, fix continuity errors, etc. not only does it keep the whole plot so far fresh in my mind as i continue writing, but then i have a lot less to proof myself when i finally finish the whole thing because i've already caught a lot of spelling, grammatical, and plot errors! i used to find editing a slog to do bc when i finished my first draft i would be so excited and wanted to just post it! and didn't want to reread all this stuff i just wrote several times to try to find typos, and now it's usually a breeze bc my first draft isn't really my first draft, it's been continually revised as it was drafted. and sometimes i open a doc, won't feel like writing, tinker around with some editing, then suddenly have a lightbulb moment while i'm editing and jump into writing
6 notes · View notes
neverevan · 1 day
Note
3, 5 & 13 please 🫶🏻
aww hii F 💛
3.Do you write fics from start or finish, or jump around?
I usually start by filling up my notes with all sorts of different scenes from all over the fic, and when I have the scene which will be the actual first, that's when I open a new google doc and start copy pasting and editing and filling in the gaps — while also continuing to add to the note and then flip back and forth between them 🥲
5.What is the perfect environment for you to write in?
at my latest job I had a lot of downtime sitting at my desk and flicking my phone open every other minute so that being such a boring place kinda worked to the advantage of my writing, also when I have longer bus rides I tend to work out drafts for more stuff, it just works when I have no other way of entertaining myself, I guess lmao
13.Is there a trope you wouldn’t write if it was the last trope on earth?
oooh this is such a good question! mm I'm not sure if that counts as a trope but something I would definitely not touch is omegaverse, nothing against it, it's just not for me. that and high school AUs lmao
30 questions for fic writers
2 notes · View notes
twosides--samecoin · 5 months
Note
sending you more of these because i loved reading your responses to the musical ones: 6, 13, 21, and 29 for the fic writer asks?
Thank you, I really enjoy writer asks and I appreciate being sent them! I ramble a LOT however :'D
6. Are there any fics from others you reread all the time?
I have not been able to read fic for fun since I started writing, partly because I do not want to plagiarize or have to dance around someone else's story ideas with Fallout. The only fully recreational, non-research, non-fic reading I have been able to do in two years has been the Alexander Hamilton biography by Ron Chernow, and even then if I don't get background guilt about not doing fic-related reading, I find parallels and things I want to reference and quote anyway. I would read other fic if I could, I just think I won't be able to read Fallout fic unless it is outside my niche (RJ MacCready/Fallout 4)
13. How much planning do you do before writing?
I do round the clock planning; I am kind of always rearranging a new chapter in my head. Most of them start as daydreams; quite often, especially in the earliest chapters, I would have an idea and would just draft and draft and think through it as I wrote, only going back or taking pause to think on dialogue or edit. Planning is normally in the form of research for things I need to figure out to make the world make sense and to ensure things don't take too much suspension of disbelief. I used to edit the old Fallout wiki, Nukapedia, and if I am writing a chapter you can bet I have 10 or 15 tabs open to help me double check spelling and continuity between my story and the game world people know.
21. Have you ever deleted an entire scene after spending hours laboring over it? If so, why?
The original intro to Long Time Running was scrapped. It was too wrapped in mystery. I am so glad I did so, because the first chapter holds up well. It has a good hook and is upfront about where it starts in the Fallout story - it is clear from the outset that my SoSu has been the Minutemen General for a while, and that RJ is beginning the fic at the normal end point of his questline, while also creating a reason for the reader to come back and read more. I hope it is successful and makes people curious to see why I started the story where I did.
29. Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic. (If you don’t have either, just share a random fic idea you have that you don’t plan on getting to.)
I have managed to hang on to a lot. I do have a Google Doc that is retconned/scrapped ideas for the fic, but it's mostly things that necessitated a change after having been written; like stuff I changed my mind on. So a fic idea I have but don't plan on doing is a Cait x Piper Wright romance. I love the idea, I just don't know if I have it in me to deliver the same quality fic as an independent story!
3 notes · View notes
transfemlogan · 6 months
Note
plz teach me how to start writing smth /silly
i want to write a fic but idk how to start lol
-rauberrauber
I WILL TELL U MY WRITING PROCESS (BADLY EXPLAINED) @rauberrauber
STEP ONE: THE IDEA PHASE !!!
Come up w/ an idea & then write it down like. Halfassedly. Like my current fic was written down as "Logan transforms in2 a wolf on a full moon & virgil stays w/ him & makes a potion or whatever 2 keep the pain away & then he just turns in2 a dogy" (exact quote) & then was added onto 2 make my outline
This is my current outline (censored just so you guys dont. Get spoiled 4 everything that happens in the fic HEHDKDN) its just a lot of like rambling, trying 2 get everything in ordsr
Tumblr media Tumblr media
REVYS TIP: MAKE SURE YOU ARE DAY DREAMING ABOUT YOUR IDEA NONSTOP. /silly whenever I try to write something when I haven't thought about how it'll go while I'm doing a chore or listening to music or falling asleep, the idea will never ever come out bcuz I have no idea what I'm even trying to do.
STEP TWO: THE PLANNING PHASE !!
Start planning ! I use Notion 2 organise everything, but i used 2 use my notes app 4 the longest time (& sometimes still do if I am too lazy to open my computer).
I write down a basic summary of my plot, how many chapters there are if its a chaptered fic, the characters & relationships, a timeline if its needed, a to-do list (ex. Research [insert thing], give the characters last names, create the timeline, etc), a list of what I need 2 research (& then keeping track of everything I research), title ideas, world building, etc etc
My planning phase is like... A Lot of work bcuz i really like to plan! It is my favourite part of any creative work i do, bcuz there is something wrong w/ me /j /silly.
This is sort of what my notion page looks like for "To The Tune Of Your Death". I also have a page for character info, like pronouns & ages & genders & races & relationships w/ each other, & two separate timelines with exact years and days (bcuz it is very much needed 4 this entire au). One for the main fic timeline (like when Janus dies and when Logan and Virgil start dating) AND one for background information (like their parents divorces, bcuz it unforrunately relates to the fic)
Tumblr media Tumblr media Tumblr media
REVYS TIP: DO NOT GET SCARED BY HOW MUCH PLANNING I DO. it is entirely a me thing. I have yet to meet anyone who plans as much as I do & enjoys it like I do.
STEP THREE: THE WRITING PHASE !!
Note: the writing & planning phase overlay each other A Lot. You are going to start writing & then pause 2 keep planning or u will be planning & realise you need to start writing to Continue to plan. This is very normal, esp if ur researching for a disability or a race— you will not do research One Time & know everything immediately.
START WRITING!!! I always have like 7-10 drafts & I'm usually rewriting as I write. I use CalmyWriter to write on my computer and then I transfer it to discord so I can have it on my phone. I also use my notes apps a lot of the time! Bcuz its easy to just write on my phone anywhere than wait 2 use my laptop. I avoid google docs, simply bcuz i absolutely hate google docs (& it usually lags real bad 4 me)
(I do however transfer everything to google docs once I am done, bcuz i like 2 share my fics w/ ppl who want 2 beta!)
When I start my first draft (which u will always have a first draft) I am not at all focused on grammar, spelling, or "good writing", I'm focused on getting the idea down & the basic flow of events & following my outline (unless it needs to be revised). Literally my first drafts are so awful & thats the point.
Its usually very like (example): Virgil walked to the store and he bought this. [Insert what he bought as it relates to what he will be doing later] logan said hi to him he is blushing & gay. They arw talking. [Skip kissing scene] janus dies yayyy yippee
Thats what my 1st drafts r like. & then either once I am done, or while I am writing, I'll start revising. I will go back and rewrite scenes or add scenes in or move stuff around. Sometimes I have my 1st draft side by side with my revision & sometimes I go off memory
& once I am done w/ my revision... I do it all over again. & then again. & then I keep doing that until its finished.
I always keep my sketchbook & a pen/pencil by me while I am writing, incase I need to make a quick note of something for later or if I need to sketch out a layout of somehing (for example, I stopped to layout Virgil's witchcraft/office room while writing tge analogical fic)
STEP FOUR: UM. THE REST... OF IT ALL PHASE !!
I title my fic (if it hasnt been titled already), I create a summary for AO3, I send it out for my friends who want to beta, I reread it like 50 times & go "wow I am so good at writing", I create drafts on tumblr & ao3 and make sure its tagged correctly & the correct ppl r @ ed if i had a taglist of some sort etc etc
Any of my fics (or art) that you see get posted, were 100% in my drafts for like 3 hrs b4 they were posted bcuz i kept going through it and making sure everything is good (esp bcuz i cross post on tumblr & ao3)
& that is... pretty much my entire writing process broken down.
I think one of the scariest parts of starting to write for me personally was the first draft part. I always felt like it needed to be good IMMEDIATELY or else i wasnt being a "good writer". But most, if not all, writers dont start off "writing good", they start off with a shitty rough draft. & then keep revising & rewriting.
The best advice i have ever seen was "just start it", bcuz if ur so caught up on writing well, nothing will ever get done. Just GO START IT RIGHT NOW GO QUICKLY RUN!!!!!! RUN !!!!!!!!!!!!! WRITE !!!!!!!!
4 notes · View notes
g-kat423 · 3 months
Note
I saw the post you reblogged with the tags about the stories you’ve written and how you feel like there aren’t too many people who seem to care for the Alcina character study, but I hope you know there definitely are!! Don’t get me wrong, I LOVE Something Sweet - it’s one of my favorites! But your character study also holds a special place in my heart as well, it’s so fascinating and I loveeeee the heart wrenching backstory you’ve created!
Awww thank you so much! It’s nice to know that people do appreciate it, even if that appreciation is much quieter and smaller than it is for Something Sweet. I think most people prefer fluff to the darker, more canon compliant side, and there’s nothing wrong with that, but man I love those who lean into her villainous nature and she’s actually so much fun to write that way too.
I just need to find the motivation to actually write because I ruminate a lot over scenes and dialogue. Then I open the doc and I’m not quite sure how to get to the scenes I want. I struggle a bit with The Fall of the House of Dimitrescu because I’ve told everything I’ve wanted to tell regarding her pre cadou history and now we’ve reached a point where she’s just taken it and has gotten the castle. There’s a lot I want to say, but I also don’t want to dwell too much on the mundane and I’m thinking the format might change a bit to show snippets of her life from 1950-2021 rather than going year by year.
Like I was thinking for the next chapter to have more of a flash forward to years after the previous chapter and then just tell certain past events from a framed narrative rather than continuing on from the next day like my original draft. I felt like I was over explaining a lot of things for fear of not covering my bases but, not every little thing needs to be accounted for and I guess at that point people can fill in the blanks or ask me what I think? idk haha. i mostly plan to cover major events like the creation of the daughters, the other 3 lords, the attempted assassination with the dagger, Alcina's past catching up with her, her affairs, then of course the main events from the game from Alcina's pov without just copying and pasting dialogue. Some of it will remain the same for canon compliance, but more internal monologuing and added conversation like Miranda's side of the phone call.
I need to start setting some time aside to write even if it’s just a few words until I get my groove back. I always put this pressure on myself where I feel I have to write an entire draft at once and if I can’t do that I might as well not try and that’s just…silly and unnecessary. I gotta stop doing that to myself.
3 notes · View notes
promisinininining · 9 months
Note
hello :3c all questions with the number 3 ( :3c ) in them, my good friend mis! :3c
Admittedlty, I started this. I shall accept my punishment with grace (💖).
Disclaimer here that there will be references to nsfw under the cut because I peddle smut. There's also a brief mention of vomit in a snippet I share.
3. Describe the creative process of writing a chapter/fic I write on my phone mainly, and I like to be curled up in a nest of some kind and comfy when I open up my Big Doc of Ideas and start typing. if it gets long enough (~1k words) I move it into its own doc. I reread constantly when I write, and often times I just sit and stare at a sentence until my brain clicks on. It also helps to bounce ideas off friends as I'm working, if I feel my steam running low. Otherwise I get into Da Zone and everything else disappear.
13. What’s a common writing tip that you almost always follow? Ah. Hm. I don't actually know many "common" tips. I find a lot of them not very useful, like "write every day" just leads to burnout. I suppose there's this: sometimes, when you write yourself into a corner and don't know how to continue, go back a little bit further and try a new direction. Still Stuck? When I don't want to write a scene I simply don't and move on. Sometimes you never have to go back. It's fine. It wasn't that important anyway.
23. Best writing advice for other writers? ARE THE TIPS NOT GOOD ENOUGH? Okay Fine. Write what you want. Write weird shit, write horny shit, write stuff that disgusts and uncomfortablises people. Write the stuff that interests you rather than what you think other people would like. I made a promise to myself when I stepped back into fandom, and that was that I wouldn't be ashamed of anything that I liked anymore, and it's been an absolute blast. (Coming back up here after a few questions) WAIT- When you don't know what to do, ask yourself, what would be sexiest? and go with that. Never fails.
30. Do you share rough drafts or do you wait until it’s all polished? I'm happy sharing rough drafts. I tend to edit as I go so the top of my docs always end up pretty polished as opposed to the endings... shhh. I don't tend to share much of rough drafts in public, though, some friends get basically the entire thing through screenshots, lol. I can't resist okay! I'm excited about what I'm writing! I can't keep it all inside!
31. Do you start with the characters or the plot when writing? Characters, definitely. Most of my stories are character-driven, and plot tends to happen around them, even aus are usually 'well what if they were brought up in THIS environment?' and whatever happens to them grows around what the consequences of their actions. I'm not very good at longfic and a lot of my fics are oneshot character studies so :Va Not that I'm saying I'm bad at what I do, plot is just not my priority! I Find characters, their relationships, and their personalities more fun to explore! (<- was raised on the Tales Of games)
32. Name three of your favorite fanfic writers. Fuck, okay. Well it probably doesn't surprise you that I make friends thru fanfic so I have a lot of writer friends and I don't LIKE to pick favs, simply because I don't think of them that way. That would be weird. Additionally, I only really read stuff my friends write nowadays ;w; I'll name the people who I've reached out to over completely losing my shit over their fics instead, in order of meeting them: Elcie/BurningLio, Bee/println0/slothencholy, Mango/MalevolentMango (and here, an honourary mention of Ailem for appearing alongside Mango though I hadn't read any of its fics until after we had become friends).
33. Five years from now, where do you see yourself as a writer? Sure. I don't see myself stopping any time soon.
34. Do you want to be published some day? (yes I swapped 33 and 34 by accident so sue me) Eeehhhh, as someone who writes mostly erotica I don't reaaaally see any of my stuff being published by any mainstream publishing houses. I certainly WANTED to when I was younger, and it would certainly be cool, but it's not something I am persuing or even have an interest in persuing.
35. What is one essential thing to remember when writing a villain?  They gotta be as hot as possible.
36. How do you write kissing scenes? Okay so disclaimer, I've been writing fanfic for a VERY long time. I was on the internet before I should have been. My parents didn't speak english very well, and stuff like google translate didn't even exist (rather, it did, but it wasn't very good). I was ten, and I asked Google sensei how to write kisses, and the first result took me to a yahoo questions page where the answer was something like, describe how they feel instead of the kiss itself. I then deleted my history because I was not a stupid child. I remember that advice to this day.
37. How do you choose where to end a chapter? I uh. Write oneshots. I end it where the story ends. Hope this helps :)
38. Would you ever write commissions? Yes but nothing too long. I've been meaning to open up writing commissions for literal years but I KEEP getting too sick to be able to dedicate the time it deserves to run commissions.
39. Share a snippet from a WIP Huff okay. This should be shiny and new for even you, Mango.
"Akechi-" "I'm fine," Akechi grits, spitting more acid onto the ground before he finally straightens and wipes a sleeve over his face. Akira doesn't even try to hide his expression when Akechi deigns to face them again. He states the fact plainly. "You're not fine." "Don't try to tell me what I am or not," Akechi sneers in return. He's clutching at his stomach despite his nonchalance, and a grimace clings to the edges of his pissed off expression. Akira rolls his eyes. There's no point arguing with Akechi on a good day, never mind when he's defensive and scared of being benched. They don't exactly have a choice to keep Akechi in combat as there are only three of them, and Kasumi is completely new to this kind of palace exploration. He may not be Futaba, but he has the most experience in the Metaverse by far; he's observant, meticulous, and his ability to memorise the attributes of new shadows is impressive. Akechi really had been holding back on them in Sae's Casino, and Akira isn't stupid enough to let that kind of usefulness go to waste.
43. Do you take a sadistic joy in whumping your characters, or are you more the "If you hurt them I would kill everyone and then myself" kind of person? lmao. do i even need to answer this?
53. How do you spend your time when it comes to fanfiction? Are you primarily a fic reader, writer, or a perfect 50/50 split of both? I'm primarily a writer. I used to read a lot but I have a hard time reading anything nowadays. I need to be doing something or else I'll EXPLODE. KABOOM. No more mis. splat like watermelon.
63. Something you hate to see in smut. I hate it when the author takes their time to write 'btw this is pure good non fetishistic sex' through the characters. It's ridiculous. I'm here for a good time not to get lectured on what safe sex is. If the reader needs to be told what consent is, I'd argue that they aren't old enough to be reading it.
73. What do you think makes your writing stand out from other works? Brother I do not know. I kind of fly by the seat of my pants. Lich Rally Just Vibin.
5 notes · View notes