#Your Local Monarch | Explore Tumblr Posts and Blogs

loveindefinitely · 5 months

Text

˚₊‧꒰ა ☆ PRINCESS TREATMENT — price + gaz x reader

01 — THE BUTTERFLY EFFECT

featuring. kyle 'gaz' garrick + john 'bravo six' price

warnings. fem!reader, fmm, friends to lovers, slow burn, polyamory, ghostsoap, alerudy, heavy angst, requited unrequited love, graphic violence, frequent mentions of drug and alcohol abuse, discussions of mental health

series masterlist. read on ao3. fanfic playlist.

<- previous part | next part ->

If you had to say when, exactly, everything changed, you’d put it down to a single monarch butterfly.

Walking down the tight alleyways of Las Almas, the sky a four o’clock black, a lone street light casts a gentle yellow over your frame. The air is stagnant, the warmth of late spring mixed with the type of humidity that only comes before a storm, your boots clicking against the stone beneath your feet.

With a leather jacket wrapped tight around you, you fall into the rhythm of it all. It’s just before five in the morning, and you know that you should be heading home any minute, but you find yourself rejecting the idea.

Everytime you leave for the night, just to breathe, to live for no one but yourself, it gets harder and harder to make your way back through your bedroom window. You know the guards are getting antsy, too, your payoffs for their silence on the issue becoming less and less worth it. Not when it’s becoming an ultimatum between some quick cash and a slow death.

You wish you were given that choice. Mightn’t even care which option you happened to receive.

It’s quiet, in these parts. No sign of the city that had been ruined by mercs, no sign of the destruction that had once lay beneath one man’s boots.

Instead, this city now sits in the firm grip of El Sin Nombre – the way it had once been, and if your family has it how they want it, the way it shall forever be.

Underneath your breath, you hum, a tune you’d picked up from the local radio. Every morning, you listen to the daily news reports, the weather, the latest celebrity gossip. Without fail, El Sin Nombre is never mentioned. Neither are the missing persons, the families torn apart by the woman you call boss.

The end of the alleyway is coming up, the main street ahead barren of people, except the odd homeless person or fitness nut getting their morning fix.

Just as you’re about to turn around and manually move your feet back to your home, the smallest of movements catches your eye, right by a potted plant sitting at the street corner. You’re not sure how, or why, it catches your attention – but it snags it, hook line and sinker.

Quickly looking both ways, you take a cautious step towards what appears to be a small aloe vera plant, stopping in your tracks when you realise what’s perched upon the tallest of the stems, its burnt orange wings fluttering with the small breeze.

A butterfly.

It hasn’t spooked – not yet, not with your careful movements – and it seems so insignificant. So small, with the family homes lining the streets, the independent stores setting up for the day.

With you, your massive life, your massive boots to fill.

And it just sits.

Flaps its wings.

A shot sounds.

Jumping back, your eyes catch the butterfly taking off into the sky, its sun-kissed wings taking it as far away from the horror as possible. Exactly as you should be doing.

Screams echo around you, another bullet sounding, and then another, and another –

Hand resting at the gun sitting in your thigh hollister, you whip your head towards the sound, the yelling, the rushed Spanish leaving people’s mouths. Gringos. El Sin Nombre. Death. Stay down.

Taking a sharp right turn onto the main street’s footpath, another shot fires, this time much closer. Much more real, tangible. Hand fully fisting around the handle of your pistol, you take the corner to the sidestreet – the source of it all – with quiet ease.

Multiple cartel members – expendable pendejos, Valeria would say – have guns not unlike your own, aimed at two separate men hidden behind a parked car. They’re crouched behind it, peaking and launching their own retaliating shots, hitting either shoulders or necks.

They fire off quick, dirty shots, one bursting through the car’s windows, shattering the glass, before lodging in one of the mens’ head. He falls, blood and brain matter splattering on the brick wall behind him. None of the others even spare him a look.

“Get ‘im!” A deep, rough voice calls – British, assertive, mature – the one furthest from you. He’s adorning a boonie hat, pulled down to cover the tops of his ears, facial hair decorating his jawline and upper lip.

They both seem to be exerting themselves, clearly having done a lot of activity and planning before the current scene. Nearly all of the civilians are out of the area, the two foreigners taking care to not harm any of the innocents.

Certainly a step up from the cartel.

There’s four left, all taking shots at the car, some bullets ricocheting off of the flat metal. Back to the opposite wall, you take out your pistol, switching off the safety with a single brush of your thumb. Keeping it extended in front of you, both hands holding it, you make your way silently closer to the confrontation, keeping behind them all.

The second foreigner – tall, all slim muscle, radiating warmth and self-assurance – takes a sweeping step away from the car, delivering final head shots to all but one.

Clawing against the ground, trying to gain his footing, pistol flung metres away from him, he lets out groans of agony. He’s been shot in the knee, it seems like – yeah, definitely been shot in the knee, by the way he screams when he tries to rise on it.

Doing quick head checks, the younger foreigner keeps his gun raised at a safe level, before walking over to the wounded member.

The lone soldier grunts when the lithe man smacks the butt of his gun against his temple, his head twisting with the force of it. You can tell he’s being kept alive.

“Fuck, Cap,” the younger man hisses, hooking his thumb in his vest, throwing his head back slightly. In the streetlight, from your close distance, you can see a droplet trail down his Adam’s apple. Collect at the hollow of his throat, glisten in the dim light.

The other, ‘Cap’, presses his hands against his knees, using the momentum to stand, wiping the back of his glove against his mouth. Quickly scanning his surroundings, you dart behind a small, abandoned street stall, crouching as you do so.

No shots are fired – you consider it a win.

“C’mon, we gotta get ‘im to exfil,” he grunts, and when you move back to watch them in full view, you see him jog over to stand next to his partner. Leaning down, he pulls his arm around the unconscious man, lifting him up with the younger’s help. They swing his arms around the necks of them both, their hands keeping him upright between the two.

“Ale and Rudy are gonna have our asses for the stray shots,” the black-haired one groans, but there’s a relieved smile stretching over his face. “Hopefully this guy has the intel they want.”

“If he doesn’t,” ‘Cap’ returns, a humoured look written all over his face, “We’ll have their asses.”

Intel. They want… intel. On the cartel, on El Sin Nombre. Something you have in spades. In fact, you were probably the closest thing to a gold mine when it came to information of the Las Almas cartel. Wouldn’t even need torture to get you to speak.

You’d heard of Alejandro and Rodolfo. They were considered legends by the townspeople, the men who nearly took down the cartel. The true face of the Mexican Military – not the paid off army.

It was a shame, really, how much of their story wasn’t told.

Being shot if either name left anyone’s mouth made it a difficult one to retell. Especially to you – the Cartel’s Princess – a woman hated for nothing more than her last name.

Your step-father and ‘boss’ refused to speak of them, either. Your limited knowledge pertained to the fact that they were direct enemies of El Sin Nombre, and shared a complicated past with Valeria. You’d asked, once, what happened.

You’d never asked again.

The sun is rising, the hints of morning brushing over the deserted side street. They seem… ethereal, in this light, exhausted from work but cheerful from a job well done. At ease with each other, even with blood decorating their skin, boots covered in red.

You remember when you’d first tried to run away, fourteen and too naive to plan it beforehand, before you knew to slide cash into the guards’ belt. It had been seven minutes and twenty-nine seconds before a bullet had grazed your thigh, and you were brought back to your house. You still have the scar – both physically, and mentally.

Having to learn that running away was never a truly feasible option was a hard reality at such a young age. Sheltered, too – you didn’t understand the true way of the world. What life was like without a bounty on your head and blood money decorating your neck in the form of a pearl necklace. Hands chained with bracelets of pure gold.

The cool metal grows clammy with your own distraught, your index finger hooking around the trigger.

When you were younger, you wanted to become a journalist. You dreamt of the ability to make things known – uncover the dark secrets your family loved to hide. A servant to the public – in the most damning of ways, a true way of protecting without the need for blood on your hands. The only black metal in your hands would be that of a pen; considerably more deadly than a weapon could ever be.

You aim your pistol.

Oh, to be free. To not have to wake up every day, dreading, hating yourself for the sins of your family. Your livelihood. Freedom in not having to choose between being a bystander, or meeting the death of a traitor.

That butterfly, gods, that butterfly. It took itself wherever it wanted – got to experience the world at its own pace. Live for the sake of it, gifting the Earth for the pleasure of it all.

Grateful for just a week of substance. A week of survival.

What you’d do for just a week.

A shot fires, and you don’t move an inch from the drawback. You just stand, watching, as a body falls, and two guns are instantly aimed at you in turn.

Just a week.

Letting the gun slide from your hand and hit the floor, you raise your hands, palms facing the two. They don’t shoot – that’s all you could’ve hoped for. Being reckless was part of being in the cartel, and your very blood ran because of it.

“You want intel?” You ask, loud enough to carry to them, taking a bold step forward. With the sun not having risen, a chill settles into your bones, the tight, silk nightdress you adorn during sleep the only thing protecting you as the breeze brushes open your jacket. “I have it.”

The youngest moves to lower his gun, but a side eye from ‘Cap’ has him raising it again. The way they stare you down has your chest rising and falling in dramatic movements, and for the first time this night, you second guess yourself.

It’s the only chance you’ve ever gotten – you think, reminding yourself – and you will accept it with open arms. Just a week.

Taking careful, precise steps closer, you keep your palms facing them and face a stubborn neutral. You’d been trained in a lot of areas, sparsely, but there was no doubt in your mind that you wouldn’t be able to take either of them in a real fight. Diego had spoiled you with riches and luxury, not sparring and gunslinging.

“Wait –” the younger stretches out his hand, looking to the other with an expression. Like he’d seen a ghost. “She’s…”

“I know,” the other breathes out, his tense stance easing slightly.

As you stand, just a metre or two away from them, you look between them both. Calculating, watching, you slide off your leather jacket and drop it to the ground – showing that you have no other weapons, no bombs strapped to you.

Just a silk, blood red nightdress, an empty hollister, and black leather boots.

“You guys were pretty loud when you said you needed intel,” you narrow your eyes, flitting between them both. They shroud you in their shadows; tall, muscular – military. But not… regiment. Different, more sinister, maybe, more important. “And I saw you kill my auntie’s men.”

They both lower their weapons. Partly stupid, partly an insult. “You’re the Cartel Princess, aye?” The younger raises his brows, looking over you with studious brown.

“I left my tiara at home,” you snark. The younger smirks, approving of your response. Maybe you wouldn’t have to be stepped all over, to be taken in by them.

Jerking his head to the dead body laying between the both of them, the older levels an unimpressed gaze your way. “Was that necessary?” He asks, folding his arms over his chest and righting his posture, looking down at you.

“He was a dick anyways,” you roll your eyes, finally lowering your own hands to rest at your hips. “He tried to offer up his daughter ‘cause he was in debt.”

Both of their jaws go slack.

You shrug.

“Where are you guys going anyways?” You ask, bouncing on the heels of your feet, hands held together behind your back. Looking around, your mouth pulls into a small frown at the shattered store windows. You’d try and leave some money for them when you got back.

The smaller one lets out an almost shocked chuckle. “This isn’t – you’re not hitchhiking.”

Rubbing at the roof of his nose, the one with the boonie hat looses a thick sigh, before giving you an exhausted look. “You’re lucky Alejandro has been after your arse for years. Gaz, get ‘er gun.”

“Yes, Sir,” he jokes, roughly saluting the man before grabbing your weapon. Sliding it into his own holster, he loops his elbow through yours, and starts dragging you down the street, the other walking a bit ahead of you both.

“This went way easier than I thought,” you mutter, realising just how… simple it had been to get them to take you. No cuffs, surprisingly, and no sedatives.

Gaz, as the other referred to him as, looks down to you with a friendly smile. “Most of us know your face. Alejandro and Rodolfo have been looking for you – something about you being ‘one of the good ones’.”

“I’ve never met them,” you admit, a small crease forming between your brows. “I’ve heard of them, but… why do they care about me?”

“Apparently,” the one up ahead darts his blue eyes back to you, “You do, in fact, have ‘intel’. And…” He trails off, before shaking his head. “You’ll see when we get back to base. I think he’ll be quite happy.”

Gaz groans with a laugh. “Hate when he’s giddy. They’re so loud.”

Falling back a little, ‘Cap’ hits his subordinate lightly up the back of his head. “You’re gross. Exfil’s just off to the right.”

“Reminds me of Amsterdam,” Gaz says wistfully, his elbow still linked around yours. This might just be the oddest way to be taken in by a supposed ‘enemy’ ever. Definitely up there.

Turning, you see a black SUV parked off to the side, the windows tinted to the nth degree. You can’t see anything within them except your own reflections, the winding streets behind you three. Looking to Gaz, you ask, “Where’s my carriage?”

He gives an incredulous look. “You’re serious?”

You and his partner answer at the exact same time, the same tone, “No.”

Opening the door to the back, Cap urges the two of you in, before getting into the passenger seat. The cushions are black, too, and comfortable as you situate yourself by the window, Gaz taking the middle seat. So much for space.

“John –”

“Kate, they’ve been after her for years. We owe ‘em.”

A woman, dirty blonde hair pulled back in a neat ponytail, looks at you through her rearview mirror. She seems… displeased about your presence.

“You’re making us a bigger target,” she hisses, shooting him an annoyed look. “If they aren’t already trying to gun us down, they’re about to go nuclear!”

“Auntie and daddy don’t like missiles. Said it’s cheap,” you chip in, folding your knee so your ankle rests on your opposite knee, folding your hands in your lap. Damn, you think, You chipped your nail polish. Only lasted a day.

Silence fills the vehicle.

You hum that radio’s tune once more, and Kate exhales a deep, calming breath. Like she’s one step away from whipping out her own gun and shooting you all dead. And then herself.

“Can you turn on the heater? It’s kinda cold,” you ask, hands rubbing at your bare arms. Should’ve put your leather jacket back on before they took you.

“John,” Kate grits out, “I am two seconds away from –”

A shot fires, then two, then three. In one movement, you grab a hold of your pistol from Gaz’s hollister, switching off the safety once more and holding it to your chest. Kate instantly switches on the ignition, accelerating hard enough to have your head hitting the back of your chair with a squeak.

Gaz unwinds the window to his left, furthest away from you, and starts firing at where a dozen or so members stand at the main street, firing off shots at the car. Bracing yourself against the back of the driver’s seat, you take aim.

True as the way the sun is set to rise, you land multiple shots through vital organs, some lucky ones blasting right through their heads. Your wrist aches from the strength of your hold around your weapon, a break from childhood coming back to haunt you. You don’t stop, however, not when you’re nowhere near your breaking point.

Within seconds, Kate drives the car out of their view, dodging potholes like a professional.

It’s five minutes later, when you’re out of the main business streets of Las Almas, that your back hits your seat once more, eyes fluttering shut as you flick the safety back on.

Gaz does the same, his shoulder bumping yours with the width and sheer height of him. You feel small, between him and the door, but not unsafe. Quite the opposite, actually, with the way he sliced through those men with buttery gunmanship.

The silence, this time, is electric. A buzzing in the air, an excitement flowing through your veins.

And then, it hits you.

“Oh, shit,” you whine, dragging your hands over your face and sloping in your seat, lips forming a disgruntled pout.

“What – what happened? You good?” Gaz asks, leaning forward, placing his hand on the back of Kate’s headrest to look over you. His arm is corded with muscle, the sleeves of his shirt pulled up to his elbows, allowing a decent view of his military-grade skin.

You sit your head against the window.

“I left my favourite nail polish at home. And my favourite earrings,” you mumble, upset.

Gaz coughs, then sits back in his seat awkwardly. “...Right. Can’t you just. …Get more? If you’re cooperative, Ale–”

You punch him in his throat, and he wheezes, tears sprouting in his eyes as he coughs. “You don’t get it,” you glare at him, before patting his back. “Sorry. Didn’t mean to hit so hard.”

It’s only then that you realise John and Kate are speaking quietly up the front, low enough to not be heard by the two of you.

“Who do you guys work for, anyway?” You ask, when Gaz stops coughing, instead swallowing mouthfuls of water from the skin in his pack. He stops to stare at you.

“You ask this… now?” He questions, looking at you like you’ve lost your mind.

You shrug. “Even if you guys were mercs or something, I probably would’ve asked to be taken. Wait –” You pause, eyes going wide, mouth going slack, “You aren’t mercs, are you? Please say you aren’t.”

“We’re Special Ops. Dunno how much the old man wants me to say, so, there you go,” Gaz shrugs, pulling on his gloves. His gaze remains on yours as he does so – pulling them off by the tips of his fingers, revealing slender hands. They look oddly graceful, for a seasoned operator, and you can see the tendons pull when he takes off the other.

The sun is high enough to paint the sky in streaks of yellow and orange, swirling with the night’s dark blue. Clouds decorate the canvas like swipes of cotton, the beginnings of what looks to be a perfect Spring day. As you look out the window, watching as you pass the streets of your city, you feel an odd seed of doubt.

Not for what you’re doing – but for what you’re leaving. All of the bodies lining the streets under cartel cloths, never getting to do the very thing you’re experiencing. So many families torn apart without the option of freedom.

The glass is cool against your cheek as you drum your fingers over your lap, the tap tap tap of that song in your head looped.

“You don’t look like your pictures,” Gaz says, then, and when you turn, it’s to find him watching you studiously. He appears so relax, seated beside you, tall enough to have his head nearly hitting the roof of the car.

You raise a brow. “Didn’t realise this was a Tinder date.”

He laughs, the sound melting down your spine like the cocoa body butter you favourite. Maybe he was right about the cooperation thing – you could play nice if it meant you got to have your routine.

“I just mean,” he starts, before rolling over the words in his mouth, looking out the window before making eye contact once more. His eyes are so brown. “You’re a lot less… snobby-looking.”

You bite out a sharp laugh in shock. “Excuse me?”

He raises his hands, now, a direct copy of how you’d appeared when you first made eye contact. His smile is devastating as he says, “I didn’t mean it in a bad way. Just meant you have a lot more personality than expected.”

“Thought I was the type to be docile and pretty?” You quip, pulling your hair to rest over your shoulder. “How typically… male of you.”

Placing a hand over his heart, he pretends like he’s been wounded, expression twisting into one of pain. “Ouch, Princess. Way to hit a man where it hurts.”

“I know of many other places that’ll hurt,” you mutter, side-eying him. “Don’t test me.”

“Wouldn’t dream of it, Your Majesty,” he returns.

The car starts increasing in speed, then, at a harshly quick rate – enough to have both you and Gaz sitting up straighter, checking out your windows and tightening your grips on your guns.

Price turns, twisting where he sits in the passenger seat, looking out the back window. He curses under his breath, before looking between the both of you.

“We have company.”

author's note. please leave a comment or quote reblog if you enjoyed!! i hope you all enjoy this journey with me :) xx

taglist. nothing to see here.

380 notes · View notes

the-badger-mole · 1 month

Note

What is your NUMBER ONE headcannon for each person in the Gaang (Katara, Zuko, Aang, Toph, Sokka, Suki [and Appa and Momo if you feel so inclined])

Katara: After the war, she goes back to the NWT to train with Yugoda and becomes a master healer as well as a master of the NWT fighting style. From there, she goes back to the Foggy Swamp Tribe and masters their bending style, too. With the help of Sokka, Zuko, and (in some headcanons) Hama, she also rediscovers SWT waterbending and not only masters it, but teaches it to the new benders in the SWT. By the time she leaves the SWT, there has been a school established where all bending styles are available for study. She's one of the few who actually has mastered them all, though.

Sokka: He is eager to return home after the war. He throws himself into infrastructure and policy revamps, and he almost singlehandedly staves off the soft colonization attempts of the NWT. Under his efforts, the SWT rebuilds and reestablishes parts of its culture that had been lost during the war. With the discovery of oil on SWT land, he is also instrumental in establishing eco minded extraction techniques, and in trade ties with the rest of the world (although he is very much helped by his sister's deep ties with the Fire Lord). It's a surprise to no one when he's chosen to lead the SWT after Hakoda retires.

Toph: She does not become a cop. Instead, she goes back home and takes over the Earth Rumble, taking it from an underground even to a world wide phenomenon. She eventually allows benders of other elements to join, and the Earth Rumble becomes pro bending. She does also establish a metal bending school. In the end, she is wealthier than her parents, but because she couldn't really care less about money, she keeps enough to live at the standard she wants, and gives the rest away to causes that interest her...like the guy who wanted to set the record for the biggest bao bun ever, and needed funding for an oven big enough to cook it. She also establishes a halfway house for runaway teens.

Zuko: During his tenure as Fire Lord, he establishes a robust social services program that includes subsidized healthcare, education, and housing for the lowest income families. Under his reign, the Fire Nation becomes home to some of the earliest pioneers of mental health. At his wife's advice, he also makes paid maternity leave standard across the nation, and includes several programs to help single parents stay afloat. Taking inspiration from the SWT, Zuko makes some changes to how his advisory staff is selected. Instead of choosing from among the nobility, Zuko has the different provinces elect a representative to speak on their behalf. A lot of the nobles hate this, blaming his wife's influence, but the people adore their monarchs and despite their best efforts, there's little the nobles can do except start campaigning in their home provinces. It's not a perfect system, but it does open the door for the Fire Nation to end the monarchy within a couple of generations.

Suki: She continues to lead the Kyoshi Warriors for a few years after the war. She also helps train troops around the world as they pivot from active war service to more local work. She helps establish something like the coast guards for several different countries. Eventually she retires from that to help her husband run the SWT. She and Sokka make a wonderful team as he handles the domestic policies and she handles foreign affairs. She often jokes with her sister in law, Fire Lady Katara that they ended up with the same job.

Aang: I'll go with my most optimistic headcanon for him. He's an okay Avatar. Not great. Not the worst. After the war, he tries to take part in rebuilding efforts around the world, but he finds his help isn't needed much. He turns his attention back to salvaging what's left of the Air Nomad legacy, and discovers that there are actually airbenders still around. A few of them are even interested in learning to live like the Air Nomads. Many of them aren't, though, and after learning how to actually use their powers, they go off and do their own thing. To Aang's shock and dismay, eating meat has no effect on the strength of their bending, He does learn to deal with it and enjoy his time with the air benders who embrace the Air Nomad culture. He does go on to have kids, and he still favors the benders over the nonbenders. Ultimately, his legacy as Avatar boils down to taking Ozai's bending, and that's it.

#atla #headcanons #katara #sokka #toph #suki #aang #anti kataang #zutara #sukka #katara has a statue #she also has hospitals and libraries and schools named for her

175 notes · View notes

asha-mage · 2 months

Text

WoT Meta: Feudalism, Class, And The Politics of The Wheel of Time

One of my long standing personal annoyances with the fantasy genre is that it often falls into the trap of simplifying feudal class systems, stripping out the interesting parts and the nuance to make something that’s either a lot more cardboard cut-out, or has our modern ideas about class imposed onto it.

Ironically the principal exception is also the series that set the bar for me. As is so often the case, Robert Jordan’s Wheel of Time is unique in how much it works to understand and convey a realistic approach to power, politics, government, rulership, and the world in general–colored neither by cynicism or idealism. How Jordan works the feudal system into his world building is no exception–weaving in the weaknesses, the strengths, and the banal realities of what it means to have a Lord or Lady, a sovereign Queen or King, and to exist in a state held together by interpersonal relationships between them–while still conveying themes and ideas that are, at their heart, relevant to our modern world.

So, I thought I’d talk a little bit about how he does that.

Defining the Structure

First, since we’re talking about feudal class systems, let's define what that means– what classes actually existed, how they related to each other, and how that is represented in Jordan’s world.

But before that, a quick disclaimer. To avoid getting too deep into the historical weeds, I am going to be making some pretty wide generalizations. The phrases ‘most often’, ‘usually’, and ‘in general’ are going to be doing a lot of heavy lifting. While the strata I’m describing is broadly true across the majority medieval and early Renaissance feudal states these things were obviously heavily influenced by the culture, religion, geography, and economics of their country–all of which varied widely and could shift dramatically over a surprisingly small amount of time (sometimes less than a single generation). Almost nothing I am going to say is universally applicable to all feudal states, but all states will have large swathes of it true for them, and it will be widely applicable. The other thing I would ask you to keep in mind is that a lot of our conceptions of class have been heavily changed by industrialization. It’s impossible to overstate how completely the steam engine altered the landscape of socio-politics the world over, in ways both good and bad. This is already one of those things that Jordan is incredibly good at remembering, and that most fantasy authors are very good at forgetting.

The disparity between your average medieval monarch’s standard of living and their peasants was pretty wide, but it was nothing compared to the distance between your average minimum wage worker and any billionaire; the monarch and the peasant had far more in common with each other than you or I do with Jeff Bezos or Mike Zuckerberg. The disparity between most people’s local country lord and their peasants was even smaller. It was only when the steam engine made the mass production of consumer goods possible that the wealth gap started to become a chasm–and that was in fact one of the forces that lead to the end of the feudal system and the collapse of many (though by no means all) of the ruling monarchies in Europe. I bring this up because the idea of a class system not predicated on the accumulation of capital seems pretty alien to our modern sensibilities, but it was the norm for most of history. Descent and birth mattered far more than the riches you could acquire–and the act of accumulating wealth was itself often seen as something vulgar and in many countries actively sinful. So with that in mind, what exactly were the classes of feudalism, and how do they connect to the Wheel of Time?

The Monarch and their immediate family unsurprisingly occupied the top of the societal pyramid (at least, in feudal states that had a monarch and royal family- which wasn’t all of them). The Monarch was head of the government and was responsible for administering the nation: collecting taxes, seeing them spent, enforcing law, defending the country’s borders and vassals in the event of war, etc. Contrary to popular belief, relatively few monarchs had absolute power during the medieval period. But how much power the monarch did have varied widely- some monarchs were little more than figureheads, others were able to centralize enough power on themselves to dictate the majority of state business- and that balance could shift back and forth over a single generation, or even a single reign depending on the competence of the monarch.

The royal family usually held power in relation to their monarch, but also at the monarch’s discretion. The more power a monarch had, the more likely they were to delegate it to trusted family members in order to aid with the administration of the realm. This was in both official and unofficial capacities: princes were often required to do military service as a right of passage, and to act as diplomats or officials, and princesses (especially those married into foreign powers) were often used as spies for their home state, or played roles in managing court affairs and business on behalf of the ruler.

Beneath the monarch and their family you get the noble aristocracy, and I could write a whole separate essay just on the delineations and strata within this group, but suffice to say the aristocracy covers individuals and families with a wide range of power and wealth. Again, starting from that country lord whose power and wealth in the grand scheme of things is not much bigger than his peasants, all the way to people as powerful, or sometimes more powerful, than the monarch.

Nobles in a feudal system ruled over sections of land (the size and quality usually related sharply to their power) setting taxes, enforcing laws, providing protection to the peasants, hearing petitions, etc. within their domains. These nobles were sometimes independent, but more often would swear fealty to more powerful nobles (or monarchs) in exchange for greater protection and membership in a nation state. Doing so meant agreeing to pay taxes, obey (and enforce) the laws of the kingdom, and to provide soldiers to their liege in the event of war. The amount of actual power and autonomy nobles had varied pretty widely, and the general rule of thumb is that the more powerful the monarch is, the less power and autonomy the nobles have, and vice versa. Nobles generally were expected to be well educated (or at least to be able to pretend they were) and usually provided the pool from which important government officials were drawn–generals, council members, envoys, etc–with some kingdoms having laws that prevented anyone not of noble descent from occupying these positions.

Beneath the nobles you get the wealthy financial class–major merchants, bankers, and the heads of large trade guilds. Those Marx referred to generally as the bourgeoisie because they either own means of production or manage capital. In a feudal system this class tended to have a good bit of soft power, since their fortunes could buy them access to circles of the powerful, but very little institutional power, since the accumulation and pursuit of riches, if anything, was seen to have negative moral worth. An underlying presumption of greediness was attached to this class, and with it the sense that they should be kept out of direct power.

That was possible, in part, because there weren't that many means of production to actually own, or that much capital to manage, in a pre-industrial society. Most goods were produced without the aid of equipment that required significant capital investment (a weaver owned their own loom, a blacksmith owned their own tools, etc), and most citizens did not have enough wealth to make use of banking services. This is the class of merchants who owned, but generally didn’t directly operate, multiple trading ships or caravans, guild leaders for craftsfolk who required large scale equipment to do their work (copper and iron foundries for the making of bells, for example), and bankers who mainly served the nobility and other wealthy individuals through the loaning and borrowing of money. This usually (but not always) represented the ceiling of what those not born aristocrats could achieve in society.

After that you get middling merchants, master craftsfolk and specialty artisans, in particular of luxury goods. Merchants in this class usually still directly manage their expeditions and operations, while the craftsfolk and artisans are those with specialty skill sets that can not be easily replicated without a lifetime of training. Master silversmiths, dressmakers, lacquer workers, hairdressers, and clockmakers are all found in this class. How much social clout individuals in this class have usually relates strongly to how much value is placed on their skill or product by their society (think how the Seanchan have an insatiable appetite for lacquer work and how Seanchan nobles make several Ebou Dari lacquer workers very rich) as well as the actual quality of the product. But even an unskilled artisan is still probably comfortable (as Thom says, even a bad clockmaker is still a wealthy man). Apprenticeships, where children are taught these crafts, are thus highly desired by those in lower classes,as it guaranteed at least some level of financial security in life.

Bellow that class you find minor merchants (single ship or wagon types), the owners of small businesses (inns, taverns, millers etc), some educated posts (clerks, scribes, accountants, tutors) and most craftsfolk (blacksmiths, carpenters, bootmakers, etc). These are people who can usually support themselves and their families through their own labor, or who, in the words of Jin Di, ‘work with their hands’. Most of those who occupy this class are found in cities and larger towns, where the flow of trade allows so many non-food producers to congregate and still (mostly) make ends meet. This is why there is only one inn, one miller, one blacksmith (with a single apprentice) in places like Emond’s Field: most smaller villages can not sustain more than a handful of non-food producers. This is also where you start to get the possibility of serious financial instability; in times of chaos it is people at this tier (and below) that are the first to be forced into poverty, flight, or other desperate actions to survive.

Finally, there is the group often collectively called ‘peasants’ (though that term is also sometimes used to mean anyone not noble born). Farmers, manual laborers, peddlers, fishers- anyone who is unlikely to be able to support more than themselves with their labor, and often had to depend on the combined labor of their spouse and families to get by. Servants also generally fit into this tier socially, but it’s important to understand that a servant in say, a palace, is going to be significantly better paid and respected than a maid in a merchant's house. This class is the largest, making up the majority of the population in a given country, and with a majority of its own number being food-producers specifically. Without the aid of the steam engine, most of a country’s populace needs to be producing food, and a great deal of it, in order to remain a functional nation. Most of the population as a result live in smaller spread out agrarian communities, loosely organized around single towns and villages. Since these communities will almost always lack access to certain goods or amenities (Emond’s Field has a bootmaker, but no candlemaker, for example) they depend on smalltime traders, called peddlers, to provide them with everyday things, who might travel from town to town with no more than a single wagon, or even just a large pack.

The only groups lower than peasants on the social hierarchy are beggars, the destitute, and (in societies that practice slavery) slaves. People who can not (or are not allowed to) support themselves, and instead must either eke out a day to day existence from scraps, or must be supported by others. Slaves can perform labor of any kind, but they are regarded legally as a means of production rather than a laborer, and the value is awarded to their owner instead.

It’s also worth noting that slavery has varied wildly across history in how exactly it was carried out and ran the gamut from the trans-Atlantic chattel slavery to more caste or punitive-based slavery systems where slaves could achieve freedom, social mobility, or even some degree of power within their societies. But those realities (as with servants) had more to do with who their owners were than the slave’s own merit, and the majority of slaves (who are almost always seen as less than a freedman even when they are doing the same work) were performing the same common labor as the ‘peasant’ class, and so viewed as inferior.

Viewing The Wheel of Time Through This Lens

So what does all this have to do with Robert Jordan’s Wheel of Time? A lot actually, especially compared to his contemporaries in fantasy writing. Whereas most fantasy taking place in feudal systems succumbs to the urge to simplify matters (sometimes as far down to their only being two classes, ‘peasant’ and ‘royalty’) Jordan much more closely models real feudalism in his world.

The majority of the nations we encounter are feudal monarchies, and a majority of each of their populations are agrarian farming communities overseen by a local lord or other official. How large a nation’s other classes are is directly tied to how prosperous the kingdom is, which is strongly connected to how much food and how many goods the kingdom can produce on the available land within it. This in turn, is tightly interdependent on how stable the kingdom is and how effective its government is.

Andor is the prime example: a very large, very prosperous kingdom, which is both self-sufficient in feeding itself via its large swathes of farmland (so much so that they can afford to feed Cairhien through selling their surplus almost certainly at next to no profit) and rich in mineral wealth from mines in the west. It is capable of supporting several fairly large cities even on its outskirts, as well as the very well-developed and cosmopolitan Caemlyn as its capital. This allows Andor to maintain a pretty robust class of educated workers, craftsfolk, artisans, etc, which in turn furthers the realm’s prosperity. At the top of things, the Queen presides over the entire realm with largely centralized power to set laws and taxes. Beneath her are the ‘great houses’–the only Houses in Andor besides the royal house who are strong enough that other nobles ‘follow where they lead’ making them the equivalent of Duchesses and Dukes, with any minor nobles not sworn directly to the Queen being sworn to these ten.

And that ties into something very important about the feudal system and the impact it had on our world and the impact it has on Jordan's. To quote Youtuber Jack Rackham, feudalism is what those in the science biz would call an unstable equilibrium. The monarch and their vassals are constantly in conflict with each other; the vassals desiring more power and autonomy, as the monarch works to centralize power on themselves. In feudalism there isn’t really a state army. Instead the monarch and the nobles all have personal armies, and while the monarch’s might be stronger than anyone else’s army, it’s never going to be stronger than everybody else’s.

To maintain peace and stability in this situation everyone has to essentially play Game of Thrones (or as Jordan called it years before Martin wrote GoT, Daes Dae’mar) using political maneuvering, alliances, and scheming in order to pursue their goals without the swords coming out, and depending on the relative skill of those involved, this can go on for centuries at a time….or break apart completely over the course of a single bad summer, and plunge the country into civil war.

Cairhien is a great example of this problem. After losing the Aiel War and being left in ruins, the monarch who ultimately secured the throne of Cairhien, Galldrian Riatin, started from a place of profound weakness. He inherited a bankrupt, war torn and starving country, parts of which were still actively on fire at the time. As Thom discusses in the Great Hunt, Galddrian's failure to resettle the farmers displaced by the war left Cairhien dependent on foreign powers to feed the populace (the grain exports from Tear and Andor) and in order to prevent riots in his own capital, Galldrian choose bread and circuses to keep the people pacified rather then trying to substantially improve their situation. Meanwhile, the nobles, with no effective check on them, began to flex their power, seeing how much strength they could take away from each other and the King, further limiting the throne’s options in how to deal with the crisis, and forcing the King to compete with his most powerful vassals in order to just stay on the throne. This state of affairs ultimately resulted, unsurprisingly, in one of Galladrin’s schemes backfiring, him ending up dead, and the country plunging into civil war, every aristocrat fighting to replace him and more concerned with securing their own power then with restoring the country that was now fully plunged into ruin.

When Dyelin is supporting Elayne in the Andoran Succession, it is this outcome (or one very much like it) that she is attempting to prevent. She says as much outright to Elayne in Knife of Dreams–a direct succession is more stable, and should only be prevented in a situation where the Daughter Heir is unfit–through either incompetence or malice–to become Queen. On the flip side, Arymilla and her lot are trying to push their own agendas, using the war as an excuse to further enrich their Houses or empower themselves and their allies. Rhavin’s machinations had very neatly destabilized Andor, emboldening nobles such as Arymilla (who normally would never dream of putting forward a serious claim for the throne) by making them believe Morgase and Trakand were weak and thus easy to take advantage of.

We also see this conflict crop up as a central reason Murandy and Altara are in their current state as well. Both are countries where their noble classes have almost complete autonomy, and the monarch is a figurehead without significantly more power than their vassals (Tylin can only keep order in Ebou Dar and its immediate surrounding area, and from what she says her father started with an even worse deal,with parts of the capital more under the control of his vassals than him). Their main unifying force is that they wish to avoid invasion and domination by another larger power (Andor for Murandy, Illian and Amadica for Altara) and the threat of that is the only thing capable of bringing either country into anything close to unity.

Meanwhile a lack of centralization has its trade offs; people enjoy more relative freedoms and social mobility (both depend heavily on trade, which means more wealth flowing into their countries but not necessarily accumulating at the top, due to the lack of stability), and Altara specifically has a very robust ‘middle class’ (or as near as you can get pre-industrialization) of middling to minor merchants, business and craftsfolk, etc. Mat’s time in Ebou Dar (and his friendship with Satelle Anan) gets into a lot of this. Think of the many many guilds that call Altara home, and how the husband of an inn owner can do a successful enough business fishing that he comes to own several crafts by his own merit.

On the flip side both countries have problems with violence and lawlessness due to the lack of any enforced uniformity in terms of justice. You might ride a day and end up in land ruled by a Lord or Lady with a completely different idea of what constitutes, say, a capital offense, than the Lord or Lady you were under yesterday. This is also probably why Altara has such an ingrained culture of duels to resolve disputes, among both nobles and common folk. Why appeal to a higher authority when that authority can barely keep the streets clean? Instead you and the person you are in conflict with, on anything from the last cup of wine to who cheated who in a business deal, can just settle it with your knives and not have to bother with a hearing or a petition. It’s not like you could trust it anyways; as Mat informs us, most of the magistrates in Altara do the bidding of whoever is paying their bribes.

But neither Altara nor Murandy represents the extreme of how much power and autonomy nobles can manage to wrangle for themselves. That honor goes to Tear, where the nobles have done away with the monarch entirely to instead establish what amounts to an aristocratic confederacy. Their ruling council (The High Lords of Tear) share power roughly equally among themselves, and rule via compromise and consensus. This approach also has its tradeoffs: unlike Murandy and Altara, Tear is still able to effectively administer the realm and create uniformity even without a monarch, and they are able to be remarkably flexible in terms of their politics and foreign policy, maintaining trade relationships even with bitter enemies like Tar Valon or Illian. On the flipside, the interests of individual nobles are able to shape policy and law to a much greater extent, with no monarch to play arbiter or hold them accountable. This is the source of many of the social problems in Tear: a higher sense of justice, good, or even just plain fairness all take a back seat to the whims and interest of nobles. Tear is the only country where Jordan goes out of his way, repeatedly, to point out wealth inequality and injustice. They are present in other countries, but Jordan drives home that it is much worse in Tear, and much more obscene.

This is at least in part because there is no one to serve as a check to the nobles, not even each other. A monarch is (at least in theory) beholden to the country as a whole, but each High Lord is beholden only to their specific people, house and interests, and there is no force present that can even attempt to keep the ambitions and desires of the High Lords from dictating everything. So while Satelle Anan's husband can work his way up from a single fishing boat to the owner of multiple vessels, most fisherman and farmers in Tear scrape by on subsistence, as taxes are used to siphon off their wealth and enrich the High Lords. While in Andor ‘even the Queen most obey the law she makes or there is no law’ (to quote Morgase), Tairen Lords can commit murder, rape, or theft without any expectation of consequences, because the law dosen’t treat those acts as crimes when done to their ‘lessers’, and any chance someone might get their own justice back (as they would in Altara) is quashed, since the common folk are not even allowed to own weapons in Tear. As we’re told in the Dragon Reborn, when an innkeeper is troubled by a Lord cheating at dice in the common room, the Civil Watch will do nothing about it and citizens in Tear are banned from owning weapons so there is nothing he can do about it. The best that can be hoped for is that he will ‘get bored and go away’.

On the opposite end, you have the very very centralized Seanchan Empire as a counter example to Tear, so centralized it’s almost (though not quite) managed to transcend feudalism. In Seanchan the aristocratic class has largely been neutered by the monarchy, their ambitions and plots kept in check by a secret police (the Seekers of Truth) and their private armies dwarfed by a state army that is rigorously kept and maintained. It’s likely that the levies of the noble houses, if they all united together, would still be enough to topple the Empress, but the Crystal Throne expends a great deal of effort to ensure that doesn't happen,playing the nobles against each other and taking advantage of natural divisions in order to keep them from uniting.

Again, this has pros and cons. The Seanchan Empire is unquestionably prosperous; able to support a ridiculous food surplus and the accompanying flow of wealth throughout its society, and it has a level of equity in its legal administration that we don’t see anywhere else in Randland. Mat spots the heads of at least two Seanchan nobles decorating the gates over Ebou Dar when he enters, their crimes being rape and theft, which is a far cry from the consequence-free lives of the Tairen nobles. Meanwhile a vast state-sponsored bureaucracy works to oversee the distribution of resources and effective governance in the Empress’s name. No one, Tuon tells us proudly, has to beg or go hungry in the Empire. But that is not without cost.

Because for all its prosperity, Seanchan society is also incredibly rigid and controlling. One of the guiding philosophies of the Seanchan is ‘the pattern has a place for everything and everything’s place should be obvious on sight’. The classes are more distinct and more regimented than anywhere else we see in Randland. The freedoms and rights of everyone from High Lords to common folk are curtailed–and what you can say or do is sharply limited by both social convention and law. The Throne (and its proxies) are also permitted to deprive you of those rights on nothing more than suspicion. To paraphrase Egeanin from TSR: Disobeying a Seeker (and presumably any other proxy of the Empress) is a crime. Flight from a Seeker is a crime. Failure to cooperate fully with a Seeker is a crime. A Seeker could order a suspected criminal to go fetch the rope for their own binding, and the suspected criminal would be expected to do it–and likely would because failure to do anything else would make them a criminal anyway, whatever their guilt or innocence in any other matter.

Meanwhile that food surplus and the resulting wealth of the Empire is built on its imperialism and its caste-based slavery system, and both of those are inherently unsustainable engines. What social mobility there is, is tied to the Empire’s constant cycle of expand, consolidate, assimilate, repeat–Egeanin raises that very point early on, that the Corenne would mean ‘new names given and the chance to rise high’. But that cycle also creates an endless slew of problems and burning resentments, as conquered populations resist assimilation, the resistance explodes into violence that the Seanchan must constantly deal with–the ‘near constant rebellions since the Conquest finished’ that Mat mentions when musing on how the Seanchan army has stayed sharp.

The Seanchan also practice a form of punitive and caste-based slavery for non-channelers, and chattel slavery for channelers. As with the real-life Ottoman Empire, some da’covale enjoy incredible power and privilege in their society, but they (the Deathwatch Guard, the so’jhin, the Seekers) are the exception, not the rule. The majority of the slaves we encounter are nameless servants, laborers, or damane. While non-channelers have some enshrined legal protections in how they can be treated by their masters and society as a whole, we are told that emancipation is incredibly rare, and the slave status is inherited from parent to child as well as used as a legal punishment–which of course would have the natural effect of discouraging most da’covale from reproducing by choice until after (or if) they are emancipated–so the primary source for most of the laborers and servants in Seanchan society is going to be either people who are being punished or who choose to sell themselves into slavery rather then beg or face other desperate circumstances.

This keeps the enslaved population in proportion with the rest of society only because of the Empire’s imperialism- that same cycle of expand, consolidate, assimilate, repeat, has the side effect of breeding instability, which breeds desperation and thus provides a wide pool to draw on of both those willing to go into slavery to avoid starvation, and those who are being punished with slavery for wronging the state in some manner. It’s likely the only reason the Empire’s production can keep pace with its constant war efforts: conquered nations (and subdued rebellions) eventually yield up not just the necessary resources, but also the necessary laborers to cultivate them in the name of the state, and if that engine stalls for any sustained length of time (like say a three hundred year peace enforced by a treaty), it would mean a labor collapse the likes of which the Empire has never seen before.

A note on damane here: the damane system is undoubtedly one of chattel slavery, where human beings are deprived of basic rights and person hood under the law for the enrichment of those that claim ownership over them. Like in real life this state of affairs is maintained by a set of ingrained cultural prejudices, carefully constructed lies, and simple ignorance of the truly horrific state of affairs that the masses enjoy. The longevity of channelers insulates the damane from some of the problems of how slavery can be unsustainable, but in the long run it also suffers from the same structural problem: when the endless expansion stops, so too will the flow of new damane, and the resulting cratering of power the Empire will face will put it in jeopardy like nothing has before. There is also the problem that, as with real life chattel slavery, if any one piece of the combination of ignorance, lies, and prejudice starts to fall apart, an abolition movement becomes inevitable–and several characters are setting the stage for just that via the careful spreading of the truth about the sul’dam. Even if the Seanchan successfully put down an abolition movement, doing so will profoundly weaken them in a way that will necessitate fundamental transformation, or ensure collapse.

How Jordan Depicts The Relationships Between Classes

As someone who is very conscious in how he depicts class in his works, it makes sense that Jordan frequently focuses on characters interacting through the barriers of their various classes in different ways. New Spring in particular is a gold mine for this kind of insight.

Take, for example, Moiraine and Siuan’s visit to the master seamstress. A lesser writer would not think more deeply on the matter than ‘Moiraine is nobly born so obviously she’s going to be snobby and demanding, while down-to-earth Siuan is likely to be build a natural rapport and have better relationship her fellow commoner, the seamstress Tamore Alkohima’. But Jordan correctly writes it as the reverse: Tamore Alkohima might not be nobly born, but she is not really a peasant either–rather she belongs to that class of speciality artisans, who via the value placed on her labor and skill, is able to live quite comfortably. Moiraine is much more adept at maneuvering this kind of possibly fraught relationship than Siuan is. Yes, she is at the top of the social structure (all the more so since becoming Aes Sedai) but that does not release her from a need to observe formalities and courtesies with someone who, afterall, is doing something for Moiraine that she can not do for herself, even with the Power. If Moiraine wants the services of a master dressmaker, the finest in Tar Valon, she must show respect for both Tamore Alkohima and her craft, which means submitting to her artistic decisions, as well as paying whatever price, without complaint.

Siuan, who comes from the poor Maule district in Tear, is not used to navigating this kind of situation. Most of those she has dealt with before coming to the Tower were either her equals or only slightly above her in terms of class. She tries to treat Tamore Alkohima initially like she most likely treated vendors in the Maule where everyone is concerned with price, since so many are constantly on the edge of poverty, and she wants to know exactly what she is buying and have complete say over the final product, which is the practical mentality of someone to whom those factors had a huge impact on her survival. Coin wasted on fish a day from going bad, or netting that isn’t the right kind, might have meant the difference between eating that week or not, for a young Siuan and her father.

Yet this this reads as an insult to Tamore Alkohima, who takes it as being treated with mockery, and leads to Moiraine needing to step in to try and smooth things over, and explain to Siuan-

“Listen to me, Siuan and do not argue.” she whispered in a rush. “We must not keep Tamore waiting long. Do not ask after prices: she will tell us after we make our selections. Nothing you buy here will be cheap, but the dresses Tamore sews for you will make you look Aes Sedai as much as the shawl does. And it is Tamore, not Mistress Alkohima. You must observe the properties or she will believe you are mocking her. But try thinking of her as a sister who stands just a little above you. A touch of deference is necessary. Just a touch, but she will tell you what to wear as much as she asks.” “And will the bloody shoe maker tell us what kind of slippers to buy and charge us enough to buy fifty new sets of nets?” “No.” Moiraine said impatiently. Tamore was only arching one eyebrow but her face may as well have been a thunderhead. The meaning of that eyebrow was clear as the finest crystal. They had already made the seamstress wait too long, and there was going to be a price for it. And that scowl! She hurried on, whispering as fast as she could. “The shoemaker will make us what we want and we will bargain the price with him, but not too hard if we want his best work. The same with the glovemaker, the stockingmaker, the shiftmaker, and all the rest. Just be glad neither of us needs a hairdresser. The best hairdressers are true tyrants, and nearly as bad as perfumers.”

-New Spring, Chapter 13: Business in the City.

Navigating the relationship between characters of a different class is something a of a running theme throughout New Spring–from Moiraine’s dealing with the discretion of her banker (‘Another woman who knew well her place in the world’ as Moiraine puts it), to having to meet with peasants during her search for the Dragon Reborn (and bungling several of those interactions), to wading through the roughest criminal parts of Chachin in search of an inn, and frequently needing to resort to the Power to avoid or resolve conflict. Moiraine’s ability to handle these situations is tightly tied to her experience with the people involved prior to her time as a Novice, but all hold up and give color to the class system Jordan presents. It also serves as set up so that when Moraine breaks the properties with a different seamstress near the end of the book, it can be a sign of the rising tension and the complex machinations she and Siuan find themselves in.

Notably, Moiraine and Siuan’s relative skill with working with people is strongly related to their backgrounds: the more Moiraine encounters people outside her lived experience as a noble daughter in Cairhien, the more she struggles to navigate those situations while Siuan is much more effective at dealing with the soldiers during the name-taking sequence (who are drawn mostly from the same class as her–common laborers, farmers, etc), and the people in Chachin, where she secures an lodging and local contacts to help in the search with relative ease.

Trying to navigate these waters is also something that frequently trips up characters in the main series as well, especially with the Two Rivers folk who are, ultimately, from a relatively classless society that does not subscribe to feudal norms (more on that below). All of them react to both moving through a society that does follow those norms, and later, being incorporated into its power structures in different, frequently disastrous ways.

Rand, who is not used to the complicated balance between vassal and monarch (which is all the more complicated as he is constantly adding more and more realms under his banner) finds imposing his will and leading the aristocrats who swear fealty to him incredibly difficult. While his reforms are undoubtedly good for the common folk and the general welfare of the nations he takes over, he is most often left to enforce them with threats and violence, which ultimately fuel resistance, rebellion, and more opposition to him throughout the nations he rules, and has down-the-line bad ripple effects on how he treats others, both noble and not, who disagree with him.

Rand also struggles even with those who sincerely wish to serve and aid him in this context: he is awkward with servants, distant with the soldiers and warriors who swear their lives to him, and even struggles with many of his advisors and allies. Part of that is distrust that plagues him in general, but a big element to it is also his own outsider perspective. The Aiel frequently complain that Rand tries to lead them like a King, but that’s because they assume a wetlander King always leads by edict and command. Yet Rand’s efforts to do that with the Westland nations he takes over almost always backfire or have lasting consequences. Rand is frequently trying to frequently play act at what he thinks a King is and does–and when he succeeds it’s almost always a result of Moiraine or Elayne’s advice on the subject, not his own instincts or preconceptions.

Perrin, meanwhile, is unable to hide his contempt for aristocracy and those that willingly follow them, which leads to him both being frequently derelict in his duties as a Lord, and not treating his followers with a great deal of respect. Nynaeve has a similar problem, where she often tries to ‘instill backbone’ into those lower in the class system then her, then comes to regret it when that backbone ends up turned on her, and her leadership rejected or her position disrespected by those she had encouraged to reject leadership or not show respect to people in higher positions.

Interestingly, it’s Mat that most effectively manages to navigate various inter-class relationships, and who via the Band of the Red Hand builds a pretty equitable, merit-based army. He does this by following a simple rule: treating people how they wish to be treated. He accepts deference when it’s offered, but never demands it. He pushes back on the notion he’s a Lord often, but only makes it a serious bone with people who hold the aristocracy in contempt. He’s earnest in his dealings, fair minded, and good at reading social situations to adapt to how folks expect him to act, and when he breaches those expectations it’s usually a deliberate tactical choice.

This lets him maintain strong friendships with people of all backgrounds and classes– from Princes like Beslan to horse thieves like Chel Vanin. More importantly, it makes everyone under his command feel included, respected, and valued for what they are. Mat has Strong Ideas About Class (and about most things really), but he’s the only Two Rivers character who doesn't seem to be working from an assumption that everyone else ought to live by his ideals. He thinks anyone that buys into the feudal system is mad, but he doesn't actually let that impact how he treats anyone–probably from the knowledge that they think he’s just as mad.

Getting Creative With the Structure

The other thing I want to dig into is the ways in which Jordan, via his understanding of the feudal system, is able to play with it in creative and interesting ways that match his world. Succession is the big one; who rules after the current monarch dies is a massively important matter since it determines the flow of power in a country from one leader to the next. The reason so many European monarchies had primogeniture (eldest child inherits all titles) succession is not because everyone just hated second children, it’s because primogeniture is remarkably stable. Being able to point to the eldest child of the monarch and say them, that one, and their younger sibling if they're not around, and so on is very good for the transition of power, since it establishes a framework that is both easy to understand and very very hard to subvert. Pretty much the only way, historically, to subvert a primogeniture succession is for either the heir’s blood relationship to the monarch or the legitimacy of their parent’s marriage to be called into question.

And yet despite that, few of the countries in Jordan's world actually use primogeniture succession. Andor does, as do some of the Borderlands, but the majority of monarchies in Randland use elective succession, where the monarch is elected from among the aristocratic class by some kind of deliberative body. This is the way things are in Tarabon, Arad Doman,Ghealdan, Illian, and Malkier, who all elect the monarchs (or diarchs in the case of Tarabon- where two rulers, the Panarch and the King, share power) via either special council or some other assembly of aristocrats.

There are three countries where we don’t know the succession type (Arafel, Murandy, and Amadicia) but also one we know for sure doesn't use primogeniture succession: Cairhien. We know this because Moiraine’s claim to the Sun Throne as a member of House Damodred is seen as as legitimate enough for the White Tower to view putting her on the Sun Throne as a viable possibility, despite the fact that she has two older sisters whose claims would be considered superior to her own under primogeniture succession. We never find out for sure in the books what the succession law actually is (the country never stabilizes for a long enough period that it becomes important), but if I had to guess I would guess that it’s designated,where the monarch chooses their successor prior to their death, and that the civil war that followed the Aiel War was the result of both Laman and his designated heir(s) dying at the Bloodsnows (we are told by Moiraine that Laman and both his brothers are killed; likely one of them was the next in line).

One country that we know for sure uses designated succession is Seanchan, where the prospective heir is still chosen from among the children of the Empress, but they are made to compete with each other (usually via murder and plotting) for the monarch’s favor, the ‘best’ being then chosen to become the heir. This very closely models how the Ottoman Empire did succession (state sanctioned fratricide) and while it has the potential to ensure competence (by certain metrics, anyways) it also sows the seeds of potential instability by ensuring that the monarch is surrounded by a whole lot of people with bad will to them and feelings of being cheated or snubbed in the succession, or else out for vengeance for their favored and felled candidate. Of course, from the Seanchan’s point of view this is a feature not a bug: if you can’t win a civil war or prevent yourself from being assassinated, then you shouldn’t have the throne anyways.

Succession is far from the only way that Jordan plays with the feudal structure either. Population is something else that is very present in the world building, even though it’s only drawn attention to a handful of times. In our world, the global population steadily and consistently rose throughout the middle ages and the Renaissance (with only small dips for things like the plague and the Mongol Invasion), then exploded with the Industrial Revolution and has seen been on a meteoric climb year over year (something that may just now be stabilizing into an equilibrium again, only time will tell). This is one of the pressures that led to the collapse of feudalism in the real world, as a growing aristocratic class was confronted with finite land and titles, while at the same time the growing (and increasingly powerful) wealthy financial class of various countries were beginning to challenge the traditions and laws that kept them out of direct power. If you’ve ever read a Jane Austen novel (or really anything from the Georgian/Regency/Victorian eras) this tension is on display. The aristocratic class had never been as secure as people think, but the potential to fall into poverty and ruin had never been a greater threat, which had ripple effects for the stability of a nation, and in particular a monarch who derived much of their power from the fealty of their now-destabilized vassals.

In Jordan’s world however, we are told as early as The Great Hunt that the global population is steadily falling, and has been since the Hundred Years’ War (at least). No kingdom is able to actually control all the territory it has on a map, the size of armies have in particular shrunk consistently (to the point where it’s repeatedly commented on that the armies Rand puts together, some of no more than a few thousand, are larger than any ‘since Artur Hawkwing's day’), large swathes of land lay ungoverned and even more uninhabited or settled. Entire kingdoms have collapsed due to the inability of their increasingly small populations to hold together. This is the fate of many of the kingdoms Ingtar talks about in the Great Hunt: Almoth, Gabon, Hardan, Moredo, Caralain, to name just a few. They came apart due to a combination of ineffective leadership, low population, and a lack of strong neighbors willing or able to extend their power and stability over the area.

All of this means that there is actually more land than there are aristocrats to govern it; so much so that in places like Baerlon power is held by a crown-appointed governor because no noble house has been able to effectively entrench in the area. This has several interesting effects on the society and politics of Randland: people in general are far more aware of the fragility of the nation state as a idea then they would be otherwise, and institutions (even the intractable and mysterious White Tower) are not viewed by even their biggest partisans as invulnerable or perpetual. Even the most powerful leaders are aware, gazing out constantly, as they do, at the ruins of the hundreds of kingdoms that have risen and fallen since the Breaking of the World (itself nothing more, to their understanding, then the death of the ultimate kingdom) that there are no guarantees, no promises that it all won’t fall apart.

This conflict reflects on different characters in different ways, drawing out selfishness and cowardice from some, courage and strength from others. This is a factor in Andor’s surprisingly egalitarian social climate: Elayne and Morgase both boast that Andorans are able to speak their minds freely to their leaders about the state of things, and be listened to, and even the most selfish of leaders like Elenia Sarand are painfully aware that they stand on a tower built from ‘the bricks of the common folk’, and make a concentrated effort to ensure their followers feel included and heard. Conversely it also reflects on the extremely regimented culture of the Borderlands, were dereliction of duty can mean not just the loss of your life, but the loss of a village, a town, a city, to Trolloc raids (another pressure likely responsible for slow and steady decline of the global population).

The Borderlanders value duty, honor, and responsibility above all else, because those are the cornerstones holding their various nations together against both the march of time and the Blight. All classes place a high value on the social contract; the idea that everyone must fulfill their duty to keep society safe is a lot less abstract when the stakes are made obvious every winter through monsters raiding your towns. This is most obvious in both Hurin and Ingtar’s behavior throughout The Great Hunt: Hurin (and the rest of the non-noble class) lean on the assurance that the noble class will be responsible for the greater scale problems and issues in order to endure otherwise unendurable realities, and that Rand, Ingtar, Aglemar, Lan (all of whom he believes to be nobly born) have been raised with the necessary training and tools to take charge and lead others through impossible situations and are giving over their entire lives in service to the people. In exchange Hurin pays in respect, obedience, and (presumably) taxes. This frees Hurin up to focus on the things that are decidedly within his ken: tracking, thief taking, sword breaking, etc, trusting that Ingtar, and later Rand, will take care of everything else.

When Hurin comes up against the feudal system in Cairhien, where the failures of everyone involved have lead to a culture of endless backstabbing and scheming, forced deference, entitlement, and mutual contempt between the parties, he at first attempts to show the Cairhienin ‘proper’ behavior through example, in the hopes of drawing out some shame in them. But upon realizing that no one in Cairhien truly believes in the system any longer after it has failed the country so thoroughly (hence the willingness of vassals to betray their masters, and nobles to abandon their oaths–something unthinkable in the Borderlands) he reverts to his more normal shows of deference to Rand and Ingtar, abandoning excessive courtesy in favor of true fealty.

Ingtar (and later Rand) feel the reverse side of this: the pressure to be the one with the answers, to hold it all together, to be as much icon and object as living person, a figure who people can believe in and draw strength from when they have none of their own remaining, and knowing at the same time that their choices will decide the fates and lives of others. It’s no mistake that Rand first meets Hurin and begins this arc in the remains of Hardan, one of those swept-away nations that Ingtar talks about having been left nothing more than ‘the greatest stone quarry for a hundred miles’. The stakes of what can happen if they fail in this duty are made painfully clear from the start, and for Rand the stakes will only grow ever higher throughout the course of the series, as number of those ‘under his charge’ slides to become ‘a nation’ then ‘several nations’ and finally ‘all the world’. And that leads into one of the problems at the heart of Rand’s character arc.

This emphasis on the feudal contract and duty helps the Borderlands survive the impossible, but almost all of them (with the exception of Saldaea) practice cultures of emotional repression and control,spurning displays of emotion as a lack of self-control, and viewing it as weakness to address the pains and psychological traumas of their day to day lives. ‘Duty is heavier than a mountain, death lighter than a feather’, ‘There will be time to sleep when you’re dead’, ‘You can care for the living or mourn the dead, you cannot do both’: all common sayings in the Borderlands. On the one hand, all of these emphasize the importance of fulfilling your duty and obligations…but on the other, all also implicitly imply the only true release from the sorrows and wounds taken in the course of that duty is death. It is this, in part, that breaks Ingtar: the belief that only the Borderlands truly understand the existential threat, and that he and those like him are suffering and dying for ‘soft southlanders’ whose kingdoms are destined to go to ruin anyways. It’s also why he reveals his suffering to Rand only after he has decided to die in a last stand–he is putting down the mountain of his trauma at last. This is also one of those moments in the books that is a particular building block on the road to Rand’s own problems with not expressing his feelings or being willing to work through his trauma, that will swing back around to endanger the same world he is duty-bound to protect.

I also suspect strongly that this is the source of the otherwise baffling Saldean practice of….what we will call dedicated emotional release. One of the core cultural Saldean traits (and something that is constantly tripping up Perrin in his interactions with Faile) is that Saldeans are the only Borderlanders to reject the notion that showing emotion is weakness. In fact, Saldeans in general believe that shows of anger, passion, sorrow, ardor–you name it–are a sign of both strength and respect. Your feelings are strong and they matter, and being willing to inflict them on another person is not a burden or a betrayal of duty, it’s knowing that they will be strong enough to bear whatever you are feeling. I would hesitate to call even the Saldaens well-adjusted (I don’t know that there is a way to be well-adjusted in a society at constant war), but I do think there is merit to their apparent belief in catharsis, and their resistance to emotional repression as a sign of strength. Of course, that doesn't make their culture naturally better at communication (as Faile and Perrin’s relationship problems prove) but I do think it plays a part in why Bashere is such a good influence on Rand, helping push him away from a lot of the stoic restraint Rand has internalized from Lan, Ingtar, Moiraine, et al.

It also demonstrates that a functioning feudal society is not dependent on absolute emotional repression, or perfect obedience. Only mutual respect and trust between the parties are necessary–trust that the noble (or monarch) will do their best in the execution of their duties, and trust that the common folk in society will in turn fulfill their roles to the best of their ability. Faile’s effectiveness as Perrin’s co-leader/second in command is never hindered or even implied to be hindered by her temperament or her refusal to hide/repress her emotions. She is arguably the one who is doing most of the actual work of governing the Two Rivers after she and Perrin are acclaimed their lord and lady: seeing to public works projects, settling disputes, maintaining relationships with various official groups of their subjects.

The prologue from Lord of Chaos (a favorite scene of mine of the books) where Faile is holding public audience while Perrin is off sulking ‘again’ is a great great example of this; Faile is the quintessential Borderland noble heir, raised all her life in the skills necessary to run a feudal domain, and those skills are on prime display as she holds court. But that is not hindered by her willingness to show her true feelings, from contempt of those she thinks are wasting her time, to compassion and empathy to the Wisdoms who come to her for reassurance about the weather. This is one of those things that Perrin has to learn from her over the course of the series–that simply burying his emotions for fear they might hurt others is not a healthy way to go about life, and it isn’t necessary to rule or lead either. His prejudices about what constitutes a ‘good’ Lord (Lan, Agelmar, Ingtar) and a ‘bad’ one (literally everyone else) are blinding him, showing his lack of understanding of the system that his people are adopting, and his role in it.

Which is a nice dovetail with my next bit–

Outsiders And the Non-Feudal State

Another way Jordan effectively depicts the Feudal system is by having groups who decidedly do not practice it be prominent throughout the series–which is again accurate to real life history, where feudalism was the mode of government for much of (but by no means all) of Medieval and Renaissance Europe, but even in Europe their were always societies doing their own thing, and outside of it, different systems of government flourished in response to their environments and cultures; some with parallels to Feudalism, many completely distinct.

The obvious here are the Aiel who draw on several different non-feudal societies (the Scottish Highland Clans, the Iroquois Confederation, the Mongols, and the Zulu to name just a few) and the Seafolk (whose are a combination of the Maori and the Republic of Piracy of all things), but also firmly in these categories are groups like the communities in the Black Hills, Almoth Plain, and the Two Rivers.

Even though it’s an agrarian farming community made up primarily of small villages, the Two Rivers is not a feudal state or system. We tend to forget this because it looks a lot like our notion of a classic medieval European village, which our biases inherently equate to feudal, but Jordan is very good at remembering this is not the case, and that the Two Rivers folk are just as much outsiders to these systems as the Aiel, or the Seafolk.

Consider how often the refrain of ‘don’t even know they’re part of the Kingdom of Andor’ is repeated in regards to the Two Rivers, and how much the knowledge of Our Heroes about how things like Kingdoms, courts, war, etc, are little more than fairy tales to the likes of those Two Rivers, while even places unaffected directly by things like the Trakand Succession or the Aiel War are still strongly culturally, economically, and politically impacted.

Instead of deriving power and justice from a noble or even a code of law, power is maintained by two distinct groups of village elders (The Village Council and the Women’s Circle) who are awarded seats based on their standing within the community. These groups provide the day-to-day ordering of business and resolving of conflicts, aiding those in need and doing what they can for problems that impact the entire community. The Wisdom serves as the community physician, spiritual advisor, and judge (in a role that resembles what we know of pre-Christian celtic druids), and the Women’s Circle manages most social ceremonies from marriages to betrothals to funerals, as well as presiding over criminal trials (insofar as they even have them). The Mayor manages the village economics, maintaining relationships and arbitrating deals with outsider merchants and peddlers, collecting and spending public funds (through a volunteer collection when necessary, which is how we’re told the new sick house was built and presumably was how the village paid for things like fireworks and gleeman for public festivals), while the Council oversees civil matters like property disputes.

On the surface this seems like an ideal community: idyllic, agrarian, decentralized, where everyone cares more about good food and good company and good harvests than matters of power, politics, or wealth, and without the need for any broader power-structure beyond the local town leaders. It’s the kind of place that luddites Tolkien and Thomas Jefferson envisioned as a utopia (and indeed the Two Rivers it the most Tolkien-y place in Randland after the Ogier stedding, of which we see relatively little), but I think Jordan does an excellent job of not romanticizing this way of life the way Tolkien often did. Because while the Two Rivers has many virtues and a great deal to recommend it, it also has many flaws.

The people in the Two Rivers are largely narrow minded and bigoted, especially to outsiders; The day after Moiraine saves the lives of the entire village from a Trolloc attack, a mob turns up to try and burn her out, driven by their own xenophobia and fear of that which they don’t understand. Their society is also heavily repressed and regressive in its sex norms and gender relations: the personal lives of everyone are considered public business, and anyone living in a fashion the Women’s Circle deems unsuitable (such as widower and single father Tam al’Thor) is subject to intense pressure to ‘correct’ their ways (remarry and find a mother for Rand). There is also no uniformity in terms of law or government, no codified legal code, and no real public infrastructure (largely the result of the region’s lack of taxes). This is made possible by the geographic isolation and food stability–two factors that insulate the Two Rivers from many of the problems that cause the formation or joining of a nation state. It’s only after the repeated emergence of problems that their existing systems can not handle (Trolloc raids, martial law under the White Cloaks, the Endless Summer, etc) that the Two Rivers folk begin adopting feudalism, and even then it’s not an instantaneous process, as everyone involved must navigate not just how they are going to adopt this alien form of government, but how they are going to make it match to their culture and history as well.

This plays neatly with the societies that, very pointedly, do not adopt feudalism over the course of the series. The Aiel reject the notion entirely, thinking it as barbaric and backward as the Westerlanders think their culture is–and Jordan is very good at showing neither as really right. The Aiel as a society have many strengths the fandom likes to focus on (a commitment to community care, a strong sense of collective responsibility, a flexible social order that is more capable of accounting for non-traditional platonic and romantic relationships, as well as a general lack of repressive sex norms) but this comes at a serious cost as well. The Aiel broadly share the Borderlander’s response of emotional suppression as a way of dealing with the violence of their daily life, as well as serious problems with institutionalized violence, xenophobia, and a lack of respect for individual rights and agency. Of these, the xenophobia is probably the most outright destructive, and is one of the major factors Rand has to account for when leading the Aiel into Cairhien, as well a huge motivating factor in the Shaido going renegade, and many Aiel breaking clan to join them–and even before Rand’s arrival it manifested as killing all outsiders who entered their land, except for Cairhienin, whom they sold as slaves in Shara.

And yet, despite these problems Jordan never really suggests that the Aiel would be better off as town-or-castle dwelling society, and several characters (most notably the Maidens) explicitly reject the idea that they should abandon their culture, values, and history as a response to the revelations at Rhuidean. Charting a unique course forward for the Aiel is one of the most persistent problems that weighs on the Wise Ones throughout the second half of the series, and Aviendha in particular. Unlike many of the feudal states faced with Tarmon Gai’don, the Aiel when confronted with the end of days and the sure knowledge of the destruction of their way of life are mostly disinterested in ignoring, running from, or rejecting that revelation (those that do, defect to the Shaido). Their unique government and cultural structure gives them the necessary flexibility to pivot quickly to facing the reality of the Last Battle, and to focus on both helping the world defeat the Shadow, and what will become of them afterwards. This ironically, leaves them in one of the best positions post-series, as the keepers of the Dragon’s Peace, which will allow them to hold on to many of their core cultural values even as they make the transition to a new way of life, without having to succumb to the pressures to either assimilate into Westlands, or return to their xenophobic isolationism.

The Seafolk provide the other contrast, being a maritime society where the majority of the people spend their time shipboard. Their culture is one of strong self-discipline and control, where rank, experience, and rules are valued heavily, agreements are considered the next thing to sacred, and material prosperity is valued. Though we don’t spend quite as much time with them as the Aiel, we get a good sense of their culture throughout the mid-series. They share the Aiel’s contempt for the feudal ‘shorebound’, but don’t share their xenophobia, instead maintaining strong trade relationships with every nation on navigable water, though outside of the context of those trade relationships, they are at best frosty to non-Seafolk.

They are not society without problems–the implication of their strong anti-corruption and anti-nepotism policies is that it’s a serious issue in their culture, and their lack of a centralized power structure outside of their handful of island homes means that they suffer a similar problem to the likes of Murandy and Altara, where life on one ship might be radically different then life on another, in terms of the justice or treatment you might face, especially as an outsider. But the trade off is that they have more social mobility then basically any other society we see in Randland. Even the Aiel tend to have strongly entrenched and managed circles of power, with little mobility not managed by the Wise Ones or the chiefs. But anyone can rise high in Sea Folk society, to become a leader in their clan, or even Mistress of the Ships or Master of the Blades– and they can fall just as easily, for shows of incompetence, or failures to execute their duties.

They are also another society who is able to adapt to circumstances of Tamon Gai’don relatively painlessly, having a very effective plan in place to deal with the fallout and realities of the Last Battle. The execution gets tripped up frequently by various factors, but again, I don’t think it’s a mistake that they are one of the groups that comes out the other side of the Last Battle in a strong position, especially given the need that will now exist to move supplies and personnel for rebuilding post-Last Battle. The Seafolk have already begun working out embassies in every nation on navigable water, an important step to modernizing national relationships.

How does all this relate to feudalism and class? It’s Jordan digging into a fundamental truth about the world and people–at no point in our own history have we ever found a truly ‘perfect’ model for society. That’s something he’s constantly trying to show with feudalism–it is neither an ideal nor an abomination, it just is. Conversely, the Two Rivers, Aiel, Seafolk, and Ogier (who I don’t get into to much here for space, but who also have their own big problems with suffrage and independence, and their virtues in terms of environmental stability and social harmony) all exist in largely classes societies, but that doesn't exempt them from having problems or make them a utopia, and it certainly doesn't make them lesser or backwards either–Jordan expends a lot of energy to show them as complex, nuanced and flawed, in the same way he does for his pseudo-Europe.

Conclusion

To restate my premise: one of Jordan’s profound gifts as a writer is his capacity to set aside his own biases and write anything from his villains to his world with an honest, empathetic cast that defies simplification. Feudalism and monarchy more generally have a bad rep in our society, for good reasons. But I think either whitewashing or vilifying the feudal system is a mistake, which Jordan’s writing naturally reflects. Jordan is good at asking complicating questions of simple premises. He presents you with the Kingdom of Andor, prosperous and vast and under the rule of a regal much loved Queen and he asks ‘where does its wealth come from? How does it maintain law and order? How does the Queen exert influence and maintain her rule even in far-flung corners of the realm? How did she come to power in the first place and does that have an impact on the politics surrounding her current reign?’. And he does this with every country, every corner of his world–shining interesting lights on familiar tropes, and exploring the humanity of these grand ideas in a way that feels very real as a result.

The question of, is this an inherently just system is never really raised because it’s a simplifying question, not a complicating one. Whatever you answer–yes or no–does not add to the depiction of these systems or the people within them, it takes away. You make someone flat–be it a glorious just revolutionary opposing a cackling wicked King, or a virtuous and dutiful King suppressing dangerous radical dissidents, and you make the world flatter as a result.

I often think about how, when I began studying European history, I was shocked to learn that the majority of the royalists who rose up against the Jacobins were provincial peasants, marching against what they perceived to be disgruntled, greedy academic and financial elites. These were, after all, the same people that the Jacobins’ revolution claimed to serve and be doing the will of. Many of the French aristocrats were undeniably corrupt, indolent, and detached from their subjects, but when you look closer at the motives of many of the Jacobins you discover that motives were frequently more complex then history tends to remember or their propaganda tried to claim, and many were bitterly divided against each other on matters of tactics, or ideals, or simple personality difference. The simple version of the French Revolution assigns all the blame to the likes of Robespierre going mad with power, and losing sight of the revolutions’ higher ideals, but the truth was the Jacobins could never properly agree on many of their supposed core ideals, and Robespierre, while powerful, was still one voice in a Republic–and every person executed by guillotine was decreed guilty by a majority vote.

This is the sort of nuance lost so often in fantasy stories, but not in Jordan’s books. The story could be simpler–Morgase could just be a just and good high Queen archetype who is driven by love of her people, but Jordan depicts her from the beginning as human–with virtues and flaws, doing the best she can in the word she has found herself. Trying to be a just and good Queen and often succeeding, and sometimes falling short of the mark. The Tairen and Cairhienin nobility could just all be greedy, corrupt, out-of-touch monsters who cannot care for anything beyond their own pleasures–but for every Laman, Weairamon, or Colavaere, you have Dobraine, Moiraine, or Darlin. And that is one of the core tenets of Jordan’s storytelling: that there is no system wholly without merit or completely without flaw, and no group of people is ever wholly good or evil.

By taking this approach, Jordan’s story feels real. None of his characters or world come across like caricature or parody. The heinous acts are sharper and more distinct, the heroic choices more earned and powerful. Nothing is assumed–not the divine right of kings, or the glorious virtue of the common man. This, combined with a willingness to draw on the real complex histories of our own world, and work through how the unique quirks of fantasy impact them, is what renders The Wheel Of Time such a standout as a fantasy series, past even more classic seminal examples of the genre, and why its themes of class, duty, power, and politics resonate with its modern audiences.

189 notes · View notes

solarpunkani · 2 months

Note

what are some things we can do to make the world better?

Gosh, this is a big question. It's also definitely something that's been on my mind for a long, long time. I mean, honestly, how could it not be?

I'm not gonna be able to provide any revolutionary, mind bending answers on this. I'm honestly something more akin to a coward, if anything--I'm not gonna be able to recommend going to protests or rebel action without being a huge hypocrite.

I guess what I did is pick a couple of topics to try my best to learn as much about as possible, so I can know what I can do to help, and then try to do as much of that stuff as possible. So in my case right now its gardening. I basically went 'oh? Butterflies and bees and pollinators are at risk due to habitat loss? Is there anything I can do about it?' Learned about what I could do about it (start a garden, grow certain plants, avoid certain practices like using pesticides and herbicides in said garden, etc.), and then did as much of that stuff as is reasonable for me. And then I also shared what I was doing with other people, and encouraged and helped them do it too if they're interested.

Is my rinky dink mismatched chaotic pollinator garden changing the world? Making the whole entire place better? Not necessarily. Maybe it's making the world a bit better for the pollinators that stop by though, and if I can convince more and more people to start pollinator gardens then it can help more pollinators. I bounced off from pollinator gardening to grow vegetables too, which I can then share with my community (donating to food banks/community fridges, or just offering some to the neighbors) which can definitely help as well.

You can use this process in other aspects too. Monarchs and milkweeds is what caught my eye and drew me to pollinator gardening, but maybe it just doesn't hit for you. Maybe you're more interested in fish, or ecosystems in rivers and streams. You can look into ways to help, and maybe then you'll get into cleaning riverbanks and such. Or maybe you're moreso interested in something like food scarcity and food deserts, and you can then launch into making community gardens or a system of community fridges and harrassing legislators calling your local representatives to back initiatives that will help. I think asking yourself 'what can I do about abcxyz', learning about it, and then doing what you can is definitely a good place to start. And maybe what you learn will lead you to going to things like protests and doing rebellious actions--in which case that's fantastic! The world needs a lot more people who are a lot braver than the woman behind this Tumblr curtain. Or maybe it won't--and that's okay too. We can do what we can together.

Will you change the entire world? Make the whole world better? Probably not, and I probably won't either. I don't think one person alone can change the world. But we can improve the worlds of a few creatures in a local area, or make the world better for people in our communities. And I think that's at least worth an effort.

If anyone else wants to chime in, by all means feel free! And if my advice sucks I'm sorry.

#out of queue #ani rambles #answered asks #anonymous #solarpunk

186 notes · View notes

city-of-ladies · 1 month

Text

Genmei (661-721) was Japan's fourth empress regnant. She was Empress Jitō's half-sister and her match in terms of ambition and political skills. Her rule was characterized by a development of culture and innovations.

Ruling after her son

Like Jitō (645-703), Genmei was the daughter of Emperor Tenji but was born from a different mother. Jitō was both her half-sister and mother-in-law since Genmei had married the empress’ son, Prince Kusakabe (662-689). She had a son with him, Emperor Monmu (683-707).

Kusakabe died early and never reigned, which led to Jitō's enthronement. The empress was then succeeded by her grandson Monmu. The latter’s reign was short. In his last will, he called for his mother to succeed him in accordance with the “immutable law” of her father Tenji. Genmei accepted.

Steadfast and ambitious

Genmei was made from the same mold as her half-sister. She proved to be a fearless sovereign, undeterred by military crises.

She pursued Jitō's policies, strengthening the central administration and keeping the power in imperial hands. Among her decisions were the proscription of runaway peasants and the restriction of private ownership of mountain and field properties by the nobility and Buddhist temples.

Another of her achievements was transferring the capital at Heijō-kyō (Nara) in 710, turning it into an unprecedented cultural and political center. Her rule saw many innovations. Among them were the first attempt to replace the barter system with the Wadō copper coins, new techniques for making brocade twills and dyeing and the settlement of experimental dairy farmers.

A protector of culture

Genmei sponsored many cultural projects. The first was the Kojiki, written in 712 it told Japan’s history from mythological origins to the current rulers. In its preface, the editor Ō no Yasumaro praised the empress:

“Her Imperial Majesty…illumines the univers…Ruling in the Purple Pavillion, her virtue extends to the limit of the horses’ hoof-prints…It must be saif that her fame is greater than that of Emperor Yü and her virtue surpasses that of Emperor Tang (legendary emperors of China)”.

In 713, she ordered the local governments to collect local legends and oral traditions as well as information about the soil, weather, products and geological and zoological features. Those local gazetteers (Fudoki) were an invaluable source of Japan’s ancient tradition.

Several of Genmei’s poems are included in the Man'yōshū anthology, including a reply by one of the court ladies.

Listen to the sounds of the warriors' elbow-guards;

Our captain must be ranging the shields to drill the troops.

– Genmei Tennō

Reply:

Be not concerned, O my Sovereign;

Am I not here,

I, whom the ancestral gods endowed with life,

Next of kin to yourself

– Minabe-hime

From mother to daughter

Genmei abdicated in 715 and passed the throne to her daughter, empress Genshō (680-748) instead of her sickly grandson prince Obito. This was an unprecedented situation, making the Nara period the pinnacle of female monarchy in Japan.

Genmei would oversee state affairs until she died in 721. Before her death, she shaved her head and became a nun, becoming the first Japanese monarch to take Buddhist vows and establishing a long tradition.

Feel free to check out my Ko-Fi if you like what I do! Your support would be greatly appreciated.

Further reading

Shillony Ben-Ami, Enigma of the Emperors Sacred Subservience in Japanese History

Tsurumi Patricia E., “Japan’s early female emperors”

Aoki Michiko Y., "Jitō Tennō, the female sovereign",in: Mulhern Chieko Irie (ed.), Heroic with grace legendary women of Japan

#history #women in history #women's history #japan #japanese history #empress genmei #japanese empresses #historical figures #historyedit #herstory #nara #japanese art #japanese prints

166 notes · View notes

stealingyourbones · 2 years

Note

So, I'm new to DC. Your twin has been helping me get caught up on the basics. But from what I understand, the actual way Jason was brought back from the dead is either ignored or poorly explained. The pit came about when Talia found him after he already came back.

Now, what if when Jason died, he became a ghost and had a home island in the ghost zone. And became friends with the local reigning monarch (I like to think Danny was complaining about English and Jason heard and started tutoring him, but the how isn't very important).

Well, Jason is still caught up on his unfinished business in Gotham. The Zone doesn't have much need for a boy hero and he isn't ready to give that up. So he decides to go to Desiree and wish for his life back. She sends him back, but without his ghost core. Which is part of the reason he's so unstable. It has the side effect of him losing his memories of his time in the zone.

So Danny is in Gotham. Depending on the ship you like, he's looking at colleges for himself or Jazz. Or maybe it's a Casper High field trip and the fic is gen. And while there, Danny sees his friend Jason who disappeared into his core and hasn't been able to be helped since. All any ghost knows is that he was seeking out Desiree before whatever happened to him.

Anyway, I've no time to do anything with this. But it's an idea I had! Hope some others enjoy it.

Oh shit I’ve seen so many fics with Jason being a human with a core but having that prolonged rage because he lacks a core?! Oh that’s a fascinating concept.

Would he even be able to form another core at all? Is it unfixable? Does he have urges to, instead of brutally injuring someone, just flat out kill them instead? The reason being that he’s subconsciously trying to take the cores of the newly formed ghosts to continue living?

Oh god ok this is a completely separate idea now but I propose this: Jason is without a core and has to steal and consume ghost cores Vampire style to continue on living.

Ok back to the original idea: I absolutely adore it. Big question is how does Jason get his core back?

#danny phantom #dp x dc #dc comics #writing prompts #dpxdc #dp x dc prompt #bones replies #wolfjackle

2K notes · View notes

rebeccathenaturalist · 3 months

Text

I remember as a kid in the 80s that these iconic large butterflies were everywhere in our garden, along with swallowtails of several species. It's been so disheartening to see an insect that was so plentiful be on the brink of extinction just a few decades later.

Individually we can only do so much about the effects of anthropogenic climate change, but here are a few things you can do to help monarch butterflies if you're in their range:

--No pesticides! These chemicals don't discriminate, and will harm all sorts of insects, not just the intended targets. In fact, the fewer yard chemicals you use, the better for your local ecosystem.

--Plant milkweed that is native to your area; even a few plants in pots count! Live Monarch (US), Monarch Watch (US), and Little Wings (Canada) all have free native milkweed seeds on a limited basis--and they appreciate donations of funds to help pay for more, too. Be aware that a lot of the milkweed on the general market consists of non-native tropical species that host parasites and also bloom late enough that they may cause monarchs to stop migrating south to overwintering grounds.

--Put out a watering station consisting of a shallow dish with a layer of rocks on the bottom and just enough water to not quite cover them so the butterflies can land and safely drink water without falling in.

--Support organizations like the ones mentioned above, and the Xerces Society of Invertebrate Conservation, which all help to protect monarch butterflies and other invertebrates.

#monarch butterflies #Danaus plexippus #butterflies #insects #invertebrates #invertblr #arthropods #endangered species #North America #extinction #environment #environmentalism #conservation #ecology

163 notes · View notes

evilminji · 3 months

Text

Okay, but... now I'm wondering >.>

@the-witchhunter We talked about Danny being Morningstar's feral, probably engineering oils and ectoplasmic goo covered, mad scientist/himbo hybrid (attack) purse dog. His special lil guy.

But!

I seek your Knowledge(TM).

From second hand accounts? He seems to HATE the hypocrisy. The blaming HIM for humanity's own choices. The rat race and endless song n dance of "Righteous Good VS. Cartoonish Evil". Because it let's humanity paint themselves the helpless victims. Because it's all surface level. Because it is not so easy to escape the ugliness of your Sins, yet they keep trying to scapegoat him.

Fuck um.

He was tired of it.

But? He still has CONSIDERABLE POWER. It's probably written down. And the Ring Of Rage? Is proooobably not the loveliest of artifacts? I imagine, like the Crown, it's NOT leaving Danny alone. One of those "we don't CARE if there is no throne left to sit upon, you WILL wear us, as King" sort of systems.

It genuinely would not and DOES NOT matter, if not a single soul in all the Zone bows to him. Did he defeat the previous holder of their Right To Rulership? Yes or No.

If No, fuck off.

If Yes, new monarch.

Is it hurting him? Not the rings problem. Nor the Crown's. Heavy is the weight, etc etc. But! DANNY would certainly care. He is... is ANGRY all the time now. Has no idea who would even MAKE this bullshit ring. Why JUST Rage? Yeah, it makes ghosts stronger, but at what COST?

He can't even get rid of it!

......by himself.

Luckily, he's still clear headed enough to know that he's NOT in this by himself. And it's amazing what "mom, dad, this ring is trying to drive me insane. Help me" in a terrified and tearful voice, can brush over. No one threatens their baby and all that.

It would honestly be hilarious, seeing the extended Fenton clan decend like LOCUSTS on Pariahs Keep, searching for clues, terrifying the local ghosts, if... if he wasn't so tired.

God he's so tired.

It's Aunt Alecia who... "politely encourages" a passing scholar to lend them the book they need. Took the poor sucker right out of the sky. Guy never stood a chance. RIP.

He learns he has to head..... over? Like... 27 that-ish way, then up. Huh. 27 WHAT?

Realities, apparently. He's in the wrong bundle. Branch? Neighborhood? Eh. Clan Fenton rolls back out, he packs his bags, and hilariously enough? Goes off to the devils night club. Hopes he likes rings. Or hates them.

Thankfully, being "king" means the Zone? Kinda... humors him? Like... it still has RULES(tm). He can... can FEEL that now. But it's willing to bend some for him, if he asks. And anything NOT against the rules? If it's in the right mood? He need only ask. It's weird. Being suddenly so powerful, yet NOT, at the same time.

Cause none of it's his.

All he has is the Zone's attention. The ability to ask pretty please. If you don't mind. And then? The highways between... ALL will just? Shift and change for him. He can see how it went to Pariah's head. The Zone is pretty agreeable. Is by nature Amoral, cause it's not a Being, it's... well, it's the Zone.

And everyone wants him to ask things. Do things. Demand this or that. Use this power.

Maybe he doesn't WANT too! Maybe he didn't WANT to be king! Doesn't he have the right to say NO? To refuse? Why do they think he OWES them service? An eternity of politics and people trying to kill him, for something he never wanted in the FIRST PLACE.

He's so tired.

The nightclub's pretty cool.

So he comes to ask, politely of course, cause the guy's probably busy, if Morningstar could... dunno, fix or destroy it? Want a ring, maybe? Also he heard you MADE the stars. Huge fan of all of that. Can I ask about the process? Or are you in the middle of something?

And? Lucifer? Turns around, from where he's Leaning Seductive Yet Elegantly(tm) to see... scrawny. Tiny corpse child. No... half? Corpse? Alive. Dying. Alive yet dying. Huh. Well, that is different. And here he didn't think he'd get see anything NEW. You, child, are NOT a zombie. What are you?

Halfa.

I have no idea what that is. What do you want?

He gets shown the ugliest, crudest, peice of shit ring imaginable. A genuine foul little curse. Really stinks up the place. He destroys it, obviously. This club has STANDARDS. Hope that wasn't important?

Kid just smiles the biggest fangy lil grin. No. No it was not.

Obvious, lie, but cute lil teeth. He'll allow it.

He gets dragged into talking about the stars. And talking. And talking. Mostly bragging and explaining. Kid hangs off his every word. Follows him around as he makes his rounds. Asks good questions. Completely focused, dispite the booze and barely dressed dancing all around him.

Lucifer can't help notice the crown.

Lovely little thing. Space ice and star dust, glittering like jewels and light catching the mist. If he remembers right... that one iiiiiis..... not Limbo, it's.... Zone! That crown is the Zone, it changes to suit the wearer. He recognizes the vibe. Awfully young, aren't you?

And.... it all burst forth. He didn't even need to press. Use persuasive words and honeyed tones. Like an inflamed, festering wound. The merest brush is enough to spill everything.

Negligence, greed, blood lust. Bigotry and xenophobia. A tyrants endless quest for power. Ah, humans. They truly don't change do they? Realities away, dead or alive. Now they're harrasing a child. He honestly looks miserable. Whereas just a moment before, listening to Lucifer talk about his work on the stars, his soul practically GLOWED with light. A tiny little star unto himself.

.......maybe it's the big ol "I'm you BIGGEST FAN" eyes. The sad wet cat aura. Perhaps the scrawny "could snap you like a twig" teenager, all elbows and knees. The fact he is, in fact, NOT human; for all that he once was. But?? The kid? Is... not terrible company.

He'd even go so far as to say? It's like having a pet intern.

He can sleep on the couch.

Tell you what, you stay here? I'll keep taking about stars and YOU can do the chores I don't feel like doing. I'll take care of you and all that.

And Danny? Honestly was sold at the word "stars" but? This sounds like a phenomenally terrible idea... and he has yet to meet one of THOSE he hasn't made out sloppy still with, so deal! But as a minor, that DOES make you his new gaurdian for the next four-ish years. He's legally obligated to finish schooling.

Ah.

.....well shit.

(Just? Local stressed 14-15 year old Ghost King does RESPONSIBILE thing and finds Adultier Adult. With more qualified Adult powers. Unfortunately for everyone, the adult is Lucifer Morningstar, night club owner. Even MORE Unfortunately, said ghost kind has pack bonded with the Nice Star Man, who saved him from the Bad Ring, and effectively offered to let him crash on his swanky couchs.

Now Morningstar has to? Somewhat VAGUELY pretend he gives a shit local schooling system, as he puts his charge INTO it. Actively giving waking terrors to the magical community. What evil plot is afoot? Where did he get this tiny minor death god? What is his end goal FOR said child?

No one knooooows~

But Lucifer is just doing this cause he's a Being of his word. He hates the tedious minor chores he'll be foisting off onto Danny. And? Most importantly? Look at that face. *shoujo sparkly eyes of Star Sempai Noticed Me!* it's like having a golden retriever puppy. Ffs he has STANDARDS.)

(It'd be hilarious to watch the hostile 5th dimensional chess DC characters have going on in the background, all while? Danny is like? Man! Isn't this universe GREAT? Everyone here is so CHILL! And nice to me! I'm so relaxed now! Finally, I can finish my education in peace.)

@hdgnj @hypewinter @lolottes @babbling-babull @nerdpoe @mutable-manifestation

#dpxdc #dp x dc #dc x dp #dcxdp #dc x dp prompt #danny phantom #tw wounds #but only as euphemism for emotional state

957 notes · View notes

syoddeye · 5 months

Text

the christmas party

ceo!price x reader / smut free / ~2.8k words

A very belated Christmas drabble thing. Definitely not inspired by real life events. 👀 Featuring a fem!Reader x Price, background Ghost x Soap, and Gaz, the incredi-boss. Might fuck around make this a series, we'll see! Maybe I'll clean it up and throw it on AO3, too.

CW: alcohol, substance abuse (mentioned) inappropriate comments from coworkers

You came to expect drama at the company Christmas party. It was as traditional as the optional White Elephant gift exchange, the hired group of carolers, and the ugly sweater competition.

Last year, a 'mystery' baggie of powder and a credit card belonging to the former Head of Sales was found in a bathroom stall. Two years ago, it was the unexpectedly raunchy dancing between an engineer and a project manager you swore hated each other. Three years ago, a division head went home with someone who was definitely not her spouse.

You'd seen a lot in your tenure. The good, the bad, the ugly, the hilariously mortifying.

Coming up on your fifth year with The 141 Group, you were a rarity. Most folks job-hopped. More power to them, no shame in gaining good experience after a year or two to leave for greener pastures. The fact you stuck around labeled you a 'veteran', a cheeky if not sensational label, though there were times you certainly felt like you'd seen war. Acquisitions. Rebrands. Reorgs. Yeesh.

But life at 141 suits you. You are an executive assistant, a good one. It helps that your direct supervisor and the VP of Finance, Kyle Garrick, a fellow 'vet', was an incredible boss. He lets you work from when you need to, doesn't micromanage, and treats you like a person, unlike other execs. He had faith in your ability to manage his calendar, prep materials, book travel - in short, you organized his work life. In return, whenever some new hire got too fresh with you, all it took was one teensy mention in a morning meeting, and by lunch, the offending party had only apologies for you. Most importantly, though, the job nets enough money to make rent and let you pursue your hobbies.

With years of Christmas parties under your belt, you were looking forward to tonight's low-grade yet cataclysmic event. Pre-gaming and primping at a fellow assistant's house, Jordan, you clasp the silver holly leaf pendant around your neck where it lies just above your modest cleavage. The dress code was simply 'Christmas Color', another tradition. Formal attire was expected, if not an unsaid requirement, which meant slipping into a gorgeous dark green dress you spied weeks ago in a boutique window. You thank yourself for earning that last pay bump to afford it because you look fantastic, in your humble opinion.

Lacing her leather Oxfords, Jordan gives a low whistle when you turn away from the mirror. "Like a big, sexy pine tree."

You smirk. "Thanks. Remind me why we both couldn't wear red tonight?"

"Because of the two of us, red is my color. Do I not look like some kind of holiday vampire?" She asks, standing with a sweeping gesture down at her deep, red velvet suit.

"More bellboy, but-"

"Rude!"

The two of you lovingly bicker all the way out to the awaiting car. The 141 Group, ever mindful of its image, always reimbursed rideshares for its company parties. Given the amount of liquor that flowed at these events, it wasn't only generous but smart. Like the higher-ups needed a scandal. The car ferries you across town to the ritzy event space at a local art museum. Leaving your coats at the complimentary bag check, you enter the well-underway party.

The events team needs a raise, like yesterday. The sprawling space was completely done up. Several open bars, a champagne wall, a photo op with a to-scale Santa's Sleigh, and dining tables with place settings that probably rival a monarch. Silvery white birch trees enveloped in lights line the walls, with clusters of small fir trees fully decorated dotting the space. The dancefloor was already busy with a DJ fully dressed as Santa.

Four going on five years, and it was still quite the sight.

You gently elbow Jordan. "So. Cheesy themed cocktails first or canapes?"

"Obviously drinks. I just saw one with an ornament in it!"

Three hours in, it was a dead heat for Most Dramatic Event. Two separate calamities slowly built throughout the night.

At the nexus of the first, Chad from marketing was almost blacked out. After winning the ugly sweater with a true abomination of a sweater (working lights, a mini speaker, and an ungodly amount of sequins), he celebrated. A little hard. He bopped from open bar to open bar as the bartenders cut him off one by one. He was trying to convince a coworker to grab him another Mistletoe Martini, and it was progressively getting louder.

The second was from the rumor mill more than anything. Apparently, a developer named Scott brought the wrong gift for the exchange. As the story went, his wife used the same paper for an identically sized gift, one of a titillating nature, and now he was visibly paranoid that he nabbed the wrong one on the way out the door. The man stalked the pile of gifts as folks drew numbers.

Jordan bet on the first, and you bet on the second. From the corner, you watch, giggling behind a cup of Prancer's Punch.

The sound of your name drew your attention. Kyle, in a charcoal gray suit with a sleek snowflake tie bar and green tie, approaches with a Tiny Tim Collins in hand. Though you waved hello earlier in the night, he spent most of the evening in the company of who you deemed his 'buddies' - Johnny MacTavish, VP of Technology and Jordan's boss, and Simon Riley, the Chief Security Officer. You learned in your first month to leave the trio to it.

"Having fun, are we?" Kyle grins and turns to observe the twin events.

"I love this party. Every year, delivers just like Santa," Jordan gleefully said.

"Someone should stop them," You add, knowing nobody would. At least not Kyle.

And as if on cue, the man chuckles. "Not my circus, not my clowns."

The three of you chat, swapping bits of office gossip collected through the night. Not the most appropriate, but not the worst social crime, surely. You're the right amount of tipsy: warm and relaxed but solid.

The wager came up naturally.

"What do you want if you win, my pine tree?"

"Hmm. It's gotta be something outrageous but not a fireable offense. Hmm. Maybe I'll have you sing on a video call, pretend you thought you were on mute or something."

"...That's boring."

"Do I want to know?" Kyle asks, sipping his drink.

"We have a bet on who's gonna be this year's drama - Chad or Scott." You explain.

"Maybe I ought to get back…" Your boss said with a laugh. "Better not witness to whatever you two plan."

"Might be for the best. Night, Kyle," You accept the brief hug from the man, then poke a finger against his chest. "Listen, if I get one DM about work during the holiday, I'm switching your coffee to decaf."

Kyle claps a hand over his heart as if he's been shot. "Monstrous. Fine, have it your way, no work during Christmas…Now, behave yourself, both of you."

Watching him retreat back to MacTavish and Riley (who look quite cozy - perhaps another piece of gossip?), Jordan nudges you. "If I was into guys, that's who I'd be into."

"You and like fifty other people here," As Kyle's assistant, you're more than his Girl Friday; you're also a professional gatekeeper. You could wallpaper your apartment with the amount of cringy notes you've stopped from reaching his desk.

"Not your type, then?"

You whip your head back to Jordan, utterly horrified. "No way. Not that Kyle isn't an absolute dreamboat; he's just not my dreamboat. Plus, at this point, it would be so, so weird."

Jordan laughs. "Y'know, even though we've been work besties for a year, I don't think we've ever discussed this. What is your type? As dudes are not my specialty, I have no clue."

Your type, huh? As if you don't know. Your type's been the same for as long as you can remember. Big and brawny, the kind of guy who could haul you around. Dark hair. Well-groomed, well-dressed, well-endow–You could still make it onto the naughty list.

Using better and cleaner terms, you relay this information to Jordan.

"Huh. A man's man. Whodathunk–oh! Oh shit, look who it is!" The other woman pats your arm and gestures with a nod.

Joining Kyle and his buddies, is none other than John Price - CEO of The 141 Group. Fashionably late (very fashionably late), yet another tradition. Adorned in a Santa red suit jacket and a matching red tie, he somehow makes the boring dress code dashing. Flanking him is a pair of bodyguards. He's just in time for the wager to come to a head.

God, he looks good.

As Kyle's assistant, you see John fairly regularly. Not that he sees you. No one above a certain pay grade sees assistants. You kind of just blend right on in. Not even Mr. Riley, whom you've been introduced to a dozen times by Kyle himself, recalls your name. When you tag along to meetings to take notes for the boss man, you assume you're on the same level as a lamp or plant. That doesn't mean you haven't ogled John Price before. Kind of hard to not to, what with his commanding presence. You're kind of ogling him right now.

"Wow, you really do have a type," Jordan hums with a shit-eating grin.

"Shut up," You hiss into your drink and look away, just in time to see Chad from marketing lift a gift box-shaped ice sculpture and smash it onto the ground next to one of the open bars with a frustrated yell. The poor bartender and caterers jump back, and the music scratches to a halt. A thick silence fell over the party, impressive for a crowd of over a hundred, and your eyes flick to Mr. Price.

He glares daggers in Chad's direction, then nods at the taller of his bodyguards. Without hesitation, the man crosses the event space toward a petrified, drunk-crying Chad. As the guard hauls him away, your coworker, or former coworker, you assume, bursts into ugly tears and then disappears from sight. But your eyes are still on John, whose gaze turns to the DJ. The music starts again, as does the chatter.

"Fuck yes," Jordan giddily whispers.

"Well, shit."

"You know what this means, don't you?"

"...Unfortunately, yes. Yes, I do," You sigh and down the rest of your drink. "Before you swing the axe, let me grab another punch."

"Hurry back, I've got my thinking cap on," Jordan impishly smirks.

With a groan, you make your way to the nearest open bar. One far from Chad's little tantrum. Most folks are on the dance floor at this hour, leaving this particular bar quiet. Waiting in line behind other tipsy coworkers, a clearing throat behind you grabs your attention.

"D'you have a recommendation?" A low, gravelly voice from all your best dreams asks.

You turn, and the sweet Hallmark-worthy image that blossomed in your mind in the last two seconds promptly morphs into a nightmare. Not a running-for-your-life nightmare, but a you're-the-only-naked-person-in-class nightmare. Laughable, considering the topic of conversation not three minutes ago.

John Price stands tall behind you, arms crossed, testing the fabric of his red suit jacket. He smells like tobacco and something spicy, and his eyes are a shade of blue you hadn't noticed before. You never got this close. They narrow slightly, and you realize you haven't answered him.

"Prancer's Punch." The name sounds cornier aloud.

"Hmm. Brandy or rum?" He sounds unimpressed. Was he unimpressed?

You're quicker to answer this time. Except, you babble. "It's, uh, made with dark rum. It's delicious. I've had a few. The cranberry juice isn't too tart, compliments the sparkling wine and–It's good."

Santa, run me over with your reindeer.

Kyle would be humiliated to have heard all of that. You are humiliated for having said all of that.

To your surprise though, the corner of John's mouth hooks in a smirk, then he chuckles. "How many qualifies as 'a few'?"

You, apparently committed to acting moronically, answer honestly. "Five."

It gets you an actual laugh this time. His hand raises up to scritch at his cheek, flashing the band of a watch you're certain is worth more than your life, then juts his chin forward slightly. "You're up, miss."

"Oh, no, Mr. Price, I insist, please-" You start to sidestep to let him up in line, but his hand lowers immediately and stretches out to stop you. He doesn't touch you, but the hair of your arm stands up at the proximity.

John smiles again, and his head tips toward you. "I insist. Join me, Miss…?"

"Mr. Price?" A voice suddenly interrupts. The taller bodyguard that removed Chad steps up and steals away Mr. Price's attention. "The problem's been dealt with. Regarding…"

You don't hear the rest of the conversation because you hurriedly ask for a punch and bolt back to Jordan.

And Jordan saw everything. Your heart is racing, and you miss half of her teasing.

"You made him laugh. Twice. I don't think I've ever seen him smile, let alone laugh."

"Because I basically admitted to being drunk!"

"Calm down, you're not, you're solid," She reassures. "Besides. You saw that death glare at Chad. If he was upset, I reckon you'd be on the receiving end of one of those."

You groan and take a swig of punch. You hope you've had enough of the good stuff to burn away the memory of your embarrassing rambling. You look back to Jordan to say something and find your friend once again grinning devilishly at you.

"I just thought of what I want for my victory."

Any time, Santa. Put me out of my misery.

"What?"

"So…You know #AskPrice?"

You know where this is going, and your eyeballs nearly bulge out of their sockets. "Jordan. Please. No. Do not make me post something stupid there."

#AskPrice was the name of the open channel at work. Anyone across the company could post questions for Mr. Price to answer. More often than not, it was a venue for bootlickers and kiss-asses to rain praises and share bad proposals. Rarely was there a legitimate question or a good idea.

"Darling, of course not. I have something far funnier in mind," She started, and you swore you saw the flames of hell itself in her eyes. "You're going to direct message Mr. Price and ask what he wants for Christmas."

Jaw, meet floor. "Absolutely not!"

Jordan laughs and hooks an arm around your neck, pulling you in. "Come on. It's harmless. Believe me, I considered making you send a selfie or asking if you're on the naughty or nice list."

"He could fire me!"

"For what? It's just a question! He always says we're welcome to DM him."

To be fair, Mr. Price did say that at the end of every company-wide call or in email announcements. He always harps on 'transparency' and 'open channels of communication', hence #AskPrice. To your knowledge, however, no one ever takes him up on that, at least at your level.

"Jordan…Mercy. Please."

"My sweet pine tree, you lost fair and square," She releases you and pats your shoulder. "If it makes you feel better, I bet he gets a thousand messages a day. The notification will get lost in the noise."

It doesn't take much more prodding and encouragement from Jordan. Your phone ends up in your hand, and you tap into the chat app. Your hand shakes a little when you pull up John's username and open the message dialogue.

johnprice - invisible Hi, Mr. Price. I was wondering what you want for Christmas?

Short and to the point. Jordan calls it 'boring', but you're already putting your neck on the line for a stupid wager. You're not risking anymore by dressing it up. Bet fulfilled, you press send, quickly turn notifications off, and shove your phone back into your little purse. Jordan rewards you with a squeeze to the shoulder.

"That was terrifying." You whine.

"That was a rush. Come on. Let's dance."

The next morning, when you're all but molded to your couch and housing takeaway, there's a little ping from your phone. It's the chime of the chat app.

"Kyle, for the love of everything, it's Sunday–"

You nearly drop your phone.

johnprice - invisible Hi, Mr. Price. I was wondering what you want for Christmas? > World peace. > I'd settle for a drink, though.

#call of duty #john price #captain john price #captain price #price x you #price x reader #john price x you #john price x reader #john price x female reader #price x female reader #cod fanfic #cod fic #ceo!john price

231 notes · View notes