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#also hope this makes sense?
its-tortle · 3 months
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— taylor swift albums as months of the year —
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skyberia · 1 year
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on the agency of puppets
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teddylou · 23 days
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so. roommate’s cat likes being on top of the fridge. and usually he goes floor>counter>fridge, but sometimes he will attempt the floor>fridge shortcut. but he misses and this happens
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there’s a cork board that somehow supports his weight until one of us scoops him (or he falls)
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pucksandpower · 22 days
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Waking up to see Damon Hill criticizing Charles Leclerc for being too “emotional” and “depressed” because his teammate beat him in Suzuka of all places really just rubs me the wrong way.
This is the same driver who went out and won the F2 feature race in Baku barely four days after his father died.
This is the same driver who went out and won his first F1 race in Spa barely a day after his close friend was killed.
How dare anyone question his mental health, especially so callously.
Charles’ grief is not a tool for pundits to exploit. Charles’ performance in free practice and qualifying has nothing to do with his emotions and everything to do with motricity issues with the car as well as track evolution.
I will try to give Hill the benefit of the doubt about not realizing the implications of his words but the way he has repeatedly and hypocritically held Charles to ridiculous double standards needs to stop.
We were told that Charles needs to “assert himself more” but when he did so over the radio towards the end of FP3, he is “emotional,” “agitated,” and he “vents.”
What do you want from him then?
Sky Sports F1 is a huge media platform and words have far-reaching consequences.
Commentators are literally paid to think before they speak … let’s see that in action for once.
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twinstxrs · 1 month
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idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.
#riz gukgak#gorgug thistlespring#fantasy high#dimension 20#fantasy high junior year#fhjy#fhjy spoilers#these kids are all so self-sacrificing but i do think riz gorgug are the most clear (& juxtaposed) self-sacrificers#riz will mentally tear himself to pieces and get lost in cases and take on ungodly levels of stress for those he loves#gorgug will use himself as a human shield. he will take hit after hit if it means his friends are okay.#and they’d both do the other thing too. riz would let himself get hit for gorgug. gorgug would pull all nighters & take stress for riz.#even if mechanically they can’t or it wouldn’t make sense. they would if they could.#also#the starstruck barry mechanic of being a guard is so gorgug. it’s soooo gorgug like that’s literally him#anyways love this tall green guy & this short green guy so much#especially because gorgug is tall & considered intimidating but protective in a deeply kind way#while riz is short & underestimated but protective in a deeply vicious way (affectionate)#i hope this makes sense but i think riz is primarily ‘i would kill for you’ & gorgug is primarily ‘i would die for you’ maybe#this does not mean gorgug would not kill for riz or riz would not die for gorgug. they both would.#but those are the primary ways their love manifests due to the nature of their strengths/personalities. To Me#idk this is all just me saying stuff when i should be sleeping 😭#sorry if i missed a riz gorgug moment in the main post btw i’m tired
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strangertheories · 7 months
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I really despise the Marvelification of Stranger Things, because all the interviews nowadays are constantly referencing how fast paced and epic and big the finale will be but the reason people fell in love with the show wasn't special effects or long episodes; it was the plot, it was the characters, it was the mystery. Stranger Things 1 may have been a story about a government conspiracy and a monster, but that's not why we stuck around. The show can throw amazing CGI, Russians, a battle within the American army and an apocalypse at the audience with the biggest budget known to man but if they forget to ground it and keep it central, it'll just get lost amongst a plethora of other "epic" blockbusters. We want Steven King, not Avengers.
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wacuoms · 2 months
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sparebutton · 6 months
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The Marvels spoilers without context
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anemonet · 4 months
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this bad boy can fit so much sick symbolisms
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ghosts-cyphera · 7 months
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Everything you write is a banger 🫶 and you are RIGHT, ghost loves sloppy blowjobs but especially the noises like loves hearing his beautiful gf gag on his huge dick while staring up at him with watery eyes (please euthanize me)
you people are being so good to me like what on earth did I do to deserve this? I love you! thank you so, so much 💕🫶🏻 also… say fucking less, my love.
warnings/content: simon ‘ghost’ riley x gn!reader. blowjob, deep-throating, mentions of spit and tears. swallowing. slight degradation if you squint, but ghost only adores you! words: 762. 18+, mdni.
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Ghost’s calloused fingers caressed your cheek, and he lifted your head to look at him. On your knees before him you looked even softer and sweeter than you usually did.
So goddamn obedient.
From the sight, his cock—painfully erect—twitched above your face. Mere seconds earlier he had pulled it out of your throat, your lips releasing it with a soft pop: your body desperate for one of those breaths that he knew would burn your lungs from the mere intensity of your inhale.
He did love to push you to your limit. His sweetheart turned into a cock-drunk little thing. Lips glistening, eyes pleading for more. Your spit dripping down your jaw in a pretty little stream, lubing you up so fuckin’ nice and good for his use.
He’d been fucking your mouth—your throat—for so long, that by now, he knew your body felt empty without the weight of his thick length on your tongue.
And who the fuck was he to deny that from you, eh?
“Tongue out, darlin’.”
Not a hint of hesitation flashed in your eyes as you let him see the pretty pink of it. You were so goddamn fuckin’ beautiful like this: the sounds that passed your lips so goddamn pretty as he pushed back in.
“There ya fuckin’ go. Come on, luv, take it all, yeah?”
The thick weight of him in your mouth muffled out most of your gasps and moans, yet never the sound of your gags. So fuckin’ sweet, as he pushed into your throat, his hand on the back of your head helping you to align your throat better. To allow him deeper down.
“Fuckin’ ‘ell, baby, that’s it. Just like that—“
He could feel your throat relaxing around him once more. Your gags easing, your shoulders letting go of their nervous tension: the sudden ease allowing his balls to press against your bottom lip as he bottomed out.
“Fuckin’ right, doll.” He was downright seeing stars by then: your mouth so fuckin’ soft and warm and wet around him that had this been his first time using you like this, he would’ve damn sure passed out from the pure fuckin’ bliss. “My darlin’s takin’ it so fuckin’ good, yeah?”
Ghost’s fingers caressed your cheek, soft and adoring: so at odds with the mess that he was making of you. Sliding out, only to feed every last fuckin’ inch of his cock back down your throat, somehow only deeper than the last time.
“Fuckin’—eyes on me, yeah, luv?”
Your gaze found his in an instant: the beauty of your eyes only highlighted by the glimmer of your tears, accompanied by the softest twinkle of his darlin’ seeking his approval.
Your body was begging for more: only opening up further around the brutal size of his cock, allowing him to pick up his pace.
In and out: your spit running past your lips.
In and fuckin’ out, as you forced your eyes to stay locked with his. How fuckin’ scary he must’ve looked, towering over you with his goddamn mask on. 
Fuck, how he would make you feel so loved and adored after. Work so hard on showin’ you how much you meant to him.
Christ al-fuckin’-mighty.
His eyes blinking shut, Ghost leaned his head back as his fingers around your head tightened their grip. Now chasing after his orgasm, he listened to your gags and whimpers: the desperation of your spit dripping past your lips as he used you for his pleasure.
His sweet little thing.
His perfect fuckin' darlin’.
“So goddamn fuckin’ close, baby—“
Ghost forced his gaze to meet yours, and that—fuckin’ hell, that was all that he needed. Seeing the knit of your brows as your twinkling eyes begged for his cum down your throat, so fuckin’ well trained.
So fuckin’ sweet.
With a deep curse and a rumbling call for your name, his cock pumped thick ropes of his seed down your throat.
Chuckling, as your eyes watered.
Praising you, his voice low yet warm, as he felt you swallowing around him before he pulled out with a soft pop.
Smiling from pure pride, as Ghost crouched by you and drew you into the deepest of kisses, full of adoration for you.
For his sweetheart.
His little fuckin’ champ.
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masterlist | requests are open 💌
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buglaur · 5 months
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sims character page code
hii, ages ago i made a simple but customisable character page to try and get the hang of html and css, so i thought i'd release it. all of the instructions are within the code! the code will look like the first pic when you put it in your page but you can play around with it to get different looks. i tried to make it as beginner friendly as possible so even if you have no code knowledge you should be able to follow it :) but if not, don't hesitate to send me an ask!
preview | download code
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luxaofhesperides · 3 months
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Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke
Technically, Danny Fenton is innocent. Technically. 
Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries. 
It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham. 
So.
Danny Fenton is technically innocent.
Duke is trying to prove that he’s not. 
Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.
He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native. 
There’s a lot about Danny that doesn’t add up. 
Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.
He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.
Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras. 
But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them… 
It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.
A week of analysis in the Batcave and they still don’t know what it is. 
Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all. 
All these findings lead back to one person who may have answers: Danny Fenton.
According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything. 
And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own. 
He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort. 
It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking. 
Duke follows from above, bending the light around him to hide him from sight. 
He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds. 
He continues to follow Danny on the rooftops, walking along the edge to keep him in sight. 
Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—
Danny disappears.
Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground. 
The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.
He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading. 
It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes. 
The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924. 
The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom. 
He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds. 
Everything is still and silent. Danny’s nowhere to be found. 
Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?
But no, his ears pick up on the faint sound of clothes rustling. 
Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.
Then he moves along the wall, getting around the open door without bumping into anyone or anything. 
A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface. 
Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air. 
There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”
He steps back and bumps into Duke.
Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes. 
“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”
“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist. 
“I just have a few questions!”
“Well, I have a question: why?!”
“Will you hold still, we’re being too loud!”
Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.
“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.
“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I’m the only one active during the day.”
“All the Bats?” Danny repeats, losing what little color he had in his face.
He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”
Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch. 
“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”
There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”
That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.
“I think you’re gonna have to explain a little more.”
“Ghosts are real, alright?”
“Yes.”
Danny stops. Squints at him. “What do you mean, ‘yes’?”
“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”
“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”
“And that’s why you’re stealing random things?”
“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”
Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”
“Yeah, those people were already dead.”
The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure. 
“They were…”
“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”
“Okay… What about the green stuff we’ve been finding?”
“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”
Oh. If Danny has ectoplasm, does that mean…
“Are you dead?” Duke asks, heart dropping. 
Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”
“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”
“Yeah. Basically. They asked for help man, of course I was going to help them.”
Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts. 
“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.
It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow. 
He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”
Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions. 
Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.
Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen. 
“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.
“I’m sure I’ll be able to find you again.”
“Cool. I gonna go now!” 
He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before. 
As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it. 
For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER. 
If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.
He can’t wait to see what other kind of trouble Danny can get it into.
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saturngalore · 2 months
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afrofuturism🪐
☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆
mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3
this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.
to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.
blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).
in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow 😭).
last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333
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inkskinned · 1 year
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
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dumblebumblebee · 10 months
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no i genuinely think james wilson is insane and i will prove it right now. be amazed at my deductive reasoning.
in season two when wilson is temporarily staying with house as he looks for a new apartment, house ends up deleting a message from a realtor involving information regarding an available apartment wilson was interested in. we're led to believe that this is because house has realized that wilson staying with him means a cleaner environment and real food to eat, and he doesn't want to lose those perks.
but tbqfh i am almost positive that wilson did that on purpose. this man has his OWN phone, so why would he give out house's number for information that only pertains to him? he was 100% trying to gauge house's tolerance of him living there.
i mean, even in episode one it's explicitly stated that house shows affection through actions, rather than words. based on his actions, wilson knows that house cares about him, and also house likes to feel as though he is mischievous and one step ahead of everyone else at all times.
if house, for some reason (say, idk, delicious meals), changed his mind about wanting wilson to move out, would he really swallow his pride and ask wilson to stay? no he fucking would not. he could never admit that he actually is obsessed with wilson's cooking, because that is essentially saying that he's become dependent on something that someone who is NOT himself can provide.
so, instead of having a conversation like a sane person, wilson gave out house's number for information regarding his moving. This way, if house really wanted him to move out, he could shove the message in wilson's face. But, if not, he could start scheming like a cartoon villain for a devious little way to make sure wilson didn't have the opportunity. which is what happened.
wilson 100% orchestrated that entire interaction i am fucking positive
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marinaiguess · 7 months
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Small comic based on the headcanon that Blaze can sense it whenever Sonic goes Super through the Sol Emeralds (and their glowing). So, during the events of Frontiers, she grows extremely worried...
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