Okay yeah I wasn't ever gonna be contained with just one post so, Callowmoore stuff that's on rotisserie in my brain from ep.94
Long and deep looks at each other and a hug right off the bat!
When asked by Laudna if they were okay in ep. 91, Ashton deflected with 'say that again?' and 'are any of us?', but when Fearne asks they give a genuine answer and then also ask her how she's feeling, because she's been quiet and they care
Ashton, despite hurting when they're touched and exhausted so the chronic pain is as intense as the first time, still wanting to cuddle with Fearne - and feeling at ease when they do
And like, the way they were trying to articulate it implies that they've wanted to ask for quite some time, but the timing has been off or situations have gotten in the way, and they don't want to wait any longer
But also they don't ask if they can cuddle they ask if Fearne wants to; they want to, but they ask Fearne if she doesn't want to sleep alone, because her comfort is as important or more important than their own
Fearne given her past experiences with people of course thinks they mean the other kind of company, which she notes she does want (so that's not off the table) but asks if they could just cuddle - to which Ashton doesn't entirely deny either, but notes that they're tired and in a lot of pain right now so they too was asking for the same
Also the fact that Fearne, who has been in a threesome inside a corrupted haunted wood, will later flirt with a dark echo of herself, and spooned with a ghost pirate captain, got so flustered about asking Ashton that she just wants to cuddle
Despite the awkwardness they still just laugh and joke together through it, they're awkward but it's in a sweet way
All of Ashton's immediate action the second they realised Fearne was missing - similar to how they wanted to find her after the shard incident but this time in a position where they could take action - no nonsense, no pissing contest with Chetney about her scent being on their bed, "Find. Them. Now."
And then still being soft after seeing Fearne again, because all that matters right now is that she's still here. And another post I saw said it better but, Ashton never seeks to change or 'correct' parts of who Fearne is; she can still follow cute animals just next time bring a buddy along (which given how they were in bed together would imply meaning them), they love her for her, fae and all, they just want her to be safe
Not entirely ep. 94 but given how on 91 Ashton pointed out that they needed to sleep and 'figure out who they wanted to be', and then here ask Fearne to be there beside them so they could have someone to wake up to, it to me at least says a lot about what Ashton has already decided; and how despite both of them having dealt with grief and anger and helplessness by bottling it up, hiding away, and shouldering it alone, this time they both wanted to just feel at ease with each other
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Hey so I have a question-
Is Rachel even contributing to LO's art anymore? Like, at all?
CAUTION: MILD FASTPASS SPOILERS AHEAD !!!
I've talked at length about the 'tells' of each assistant and artist, and while it doesn't guarantee that I can tell exactly who drew each panel, there's one thing there's been a lot less of in the most recent episodes that have caught my attention - things that I know Rachel would typically contribute.
And most of it comes down to her lineart.
The shading was always her, no doubt about that, you could tell with how consistently awful it is, how she would take actual decent flats from her assistants and proceed to butcher them with muddied shading.
AmyKim89's flats vs. after Rachel's gotten her hands on them:
(seriously Rachel why tf did you darken Persephone's legs here, it looked so much better before ??)
But there was also her lineart which, at first, I didn't realize who was drawing it. It didn't show up super often in LO but it was always very noticeable when it did so I knew it had to be someone on the team doing it:
The thickness of the lines and the extra little strokes added in along the knuckles and bends, that wasn't something that was really common in LO at this point... at least it hasn't been since S1:
And when comparing it to the lineart she used to do in The Doctor Pepper/Foxglove Show:
(look at the mouth in The Doctor Foxglove Show vs. Hera in the pilot version of LO, they're literally the same)
So yeah, it was certainly the revelation to discover that that one instance of "weirdly detailed lineart" wasn't one of her assistants having a little extra fun, it was Rachel herself. It was already so uncommon for her to contribute all the way back in S2 that her contributions seemed to be more of the exception rather than the norm.
And since seeing the art that's been in the newest FP episodes following the return of the series... is Rachel even drawing at all anymore? Because lately the lineart has felt very thin, in a way that I can't tell if it's her assistants just doing all the lineart now or if she's trying to emulate S1 LO more by using less lineart. But S1 didn't have thin lineart, it had very thick lineart, BUT only being used where necessary to emphasis shadows and depth.
Now the lineart feels very... dinky? Especially when you look at the eyelashes.
That said, there are moments from S1 that had similarly 'dinky' lineart, so take this with grains of salt. It still didn't feel as dinky though as it does today where the lines are practically non-existent in how thin they are.
There are also times when you can tell they're really trying to emulate that S1 look, the pieces are there but they aren't being put together very well:
So yeah at this point I wouldn't even be shocked if all Rachel's doing at this point is scripting and roughs. And considering there are definitely times where she'll just draw without knowing what to write, the 'scripting' is also practically non-existent. It's just her leaving her roughs off to the last second for her assistants to whip out with very little time to pay attention to what's being submitted.
Once again it's Rachel fundamentally missing the point of the criticism that's being made of her work. She's trying to forcefully emulate something that she didn't even have a process behind. I can attest as someone who's been trying to do studies of her past work to recreate it as faithfully as possible through Rekindled, it's very difficult to achieve the 'old LO' look because 'old LO' was literally just Rachel slapping down brush strokes until they looked good, there was no specific process or guidelines that she followed, she just made things look textured and colorful. Everything else was basically up to her figuring out what actually looked good, with panels often having their own vibes separate from others in isolation of one another.
Now she's trying to replicate that look while missing the point entirely that it's not something she can really replicate anymore. Though we do get the odd panel that's way closer to the point, those panels have one thing that she's clearly not putting into the comic as a whole anymore - love and effort.
(fr this panel is so gorgeous but I feel like at this point it was more sheer luck because of how rare it is to see panels like these nowadays, this feels like an accident LOL)
Case in point, this honorable mention towards Persephone's outfit which is literally just a color-swapped version of the sketch that Rachel posted to Blue Sky that got meme'd to death in the ULO sub:
Did you catch that though? The weird dark patch over her boob and the gap in the lineart of her cleavage?
That's because they copy pasted the first panel and then erased out the hands, but missed the part of the hand shading that was overlapping the breast and the gap in the lineart.
I shit you not, Rachel coming up with memes on Blue Sky that she's scraped out of shows she watched 20 years ago is basically the full extent of her writing at this point.
Haha take a thing and make it bigger! So funnyyyy!
(seriously Rachel's 'humor' feels like it's stuck in 2010)
Yep, you're really earning that #1 NYT Bestseller label that you haven't even gotten since Volume 3, Rachel. Put your hand down, there are no high fives for you here.
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