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#approximately dead
not-rab · 4 months
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Evan, coming out of closet: I don't like ... women.
Barty, mouth agape: ...
Barty: yoU ARE A MISOGYNIST?!
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dailyloopdeloop · 2 months
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DAY 7: i miss my wife bonbon
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chiropteracupola · 3 months
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FINALLY! AT LAST! GRANDDAD’S HORNBLOWER BOOK COLLECTION!!
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amethystroselily · 9 months
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Wait!
I think Shen Yuan and Ming Fan might actually be the same age by the end of the book… That’s so funny actually.
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mbat · 1 month
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is this anything
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zerodaryls · 7 months
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it's so funny (read: sad) that if bigoted fuckheads didn't insist i was a woman simply by virtue of my body at birth, i'd probably be chill with she/her pronouns in addition to he/they. if my mom didn't insist i was her daughter, i'd probably let her call me that, and we could still have a relationship.
i'm nonbinary and 'gendered' words are hypothetically meaningless, but because there are so many people who are more interested in telling me who i am rather than lovingly and curiously letting me express my own sense of self, those words carry trauma.
there's no reason a nonbinary person like myself can't be a son and a child and a daughter. there's no reason a nonbinary person like me can't go by he, they, and she.
'she' is not a slur. 'daughter' is not derogatory. 'beautiful' 'pretty' 'gorgeous' 'feminine' are not insults.
to the contrary, they're parts of language that express certain facets of a multi-faceted human existence, like mine.
and i have this sad, mournful feeling that if it weren't for unloving, condescending people, i'd probably be down to be called any of those things alongside my usual masculine/neutral terminology.
but i'd rather die than let anyone tell me what i have to be called.
#i try to reclaim 'feminine' words for myself in private#calling myself 'babygirl' when i need to chill out. or saying i feel pretty. or going 'she needs help' when i'm struggling lmao.#but there's still so much fucking trauma in those words from the people who've forced them on me#who've snarled in my face that GOD made me ONE THING and ONE THING ONLY and that's a WOMAN (stepdad)#who've guilted me for taking their precious perfect daughter away as if i'm fucking dead (mother)#who've mocked me and everyone like me as if we're not the experts on our own sense of self (general transphobic public)#like. i'm not a fucking man. i'm not a fucking woman. i'm nonbinary. gender is absurdity as a concept. i'm done with it.#but being called a man or a son or a guy or 'he' or WHATEVER in that vein is fine and dandy because i've never had anyone say#'that is all you can EVER be'. or worse: 'that is what GOD made you to be and you have a ROLE to fill'#(christianity pls die approximately yesterday thanku 💖)#so yeah. idk. ranting yet again about Cis Audacity.#the complete lack of empathy. the lack of curiosity even.#the condescending bullshit. the 'i understand you better than you do'. the fucking AUDACITY.#i am the expert on myself. i am the ONLY expert on myself. period. no contest. not a debate.#i understand myself better than anyone else is CAPABLE of understanding me.#i could call myself 'she' and understand that i meant it in a nonbinary way.#in fact i could even see myself letting other trans people call me feminine terms at some point in the future. when i've healed more.#but cis people? probably not. they can call me 'he' or 'they' or they can fuck off & never get to know me because they don't wanna know ME#/end rant#any terfs/bigots that try to touch this post will be swiftly blocked and quite possibly cursed. have the day you deserve <3
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fagtainsparklez · 4 months
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to me. as long as you are in the slender mansion you don't actually age. so in my mind the characters that stay there nearly 100% of the time are still around the ages of their original stories (jeff, nina, etc), while characters that leave often still continue to age, if not a bit slowly (jane, tim, etc)
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wulfhalls · 2 months
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.
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hekateinhell · 2 months
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what if i wrote armand/lestat/marius omegaverse au with catboy elements
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onenicebugperday · 3 months
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found this little guy in a spiderweb! central mexico btw :)
RIP to the cricket but glad the spider had a tasty meal!
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cassandracain52 · 9 hours
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This weeks Tim/Steph content…
A friendly reminder of what these two’s first reaction to finding out the other is ok is
When Tim found out Stephanie was alive:
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Robin (1993) #174 When Stephanie found out Tim was alive:
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Detective comics #969
That’s all I’m gonna say about that<3 TimSteph they will never make me hate you
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bproccoli · 1 year
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do you know i could break beneath the weight?
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kanerallels · 8 months
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Just so you guys know. No matter how badly your day may have gone today. At least you didn't try and tape your headphones to your glasses frame so you didn't have to hold them in the right position so you could actually hear out of one of them
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rcmclachlan · 10 months
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I made a little phasmid friend on my stupid little serotonin walk this evening
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time-is-restored · 1 year
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more whinging bc i got negative hours of sleep last night and i need to stay awake somehow lol
cw: discussions of misogyny + abuse
god the more i think abt it the more exhausted i get by the gender politics of ted lasso.
like god i do genuinely think that rebecca's arc in s1 is one of the best depictions of a mean + cruel woman ive ever seen on TV specifically bc it manages to thread the needle so well? like they never tilt her balance too much and doom her to being either totally fucked up + evil OR totally soft and sweet and harmless. and ted's 'divorce makes u crazy' response to her apology STILL makes me crazy wrt the sheer. understanding and empathy there, and she's just. given so much more depth than ive come to expect, especially for an ensemble cast sitcom w a (then) p short run time.
but my fucking god. we literally don't learn a fucking thing about michelle. im pretty sure the one (1) concrete thing we know about her comes in the fucking finale, and it's that she's a teacher for... something. the two most important people in ted's life and we don't know anything abt them! they're literally just empty symbols representing the importance of Family™, and that vacancy does nothing but weigh ted's storyline down!
like, i liked michelle's episode/storyline in s1, bc the blinding novelty of a woman instigating a divorce not being the Actual Devil, as well as a just. generally very empathetic + nuanced take on how divorce shakes out between two ppl who really care for each other, was so 'WAIT TV CAN DO THIS??' that i felt satisfied with that being Her Arc™. divorce happens, life happens, people fall out of love, and it hurts but its ultimately okay. the show, at the time, was ultimately abt a football club and how caring abt that football club helped everyone around it.
but then the show sticks around, and her continued absence just... raises a lot of questions? how did the conversation abt ted going overseas happen? what conversations did they have abt henry? how long term was it intended to be? did money really not factor into it all? like it's one thing for a character's backstory to be vague when it's not really the focus of attention (s1 was ultimately rebecca's story before anyone else's), but when it's the load bearing stone of their '''''''arc''''''' in s3...????
like. god. and then it fucking infects every other woman on the show!
sassy + nora? well sure we'll give you a softball - you can have one (1) scene where a woman is able to resolutely and firmly reject a man asking her out without immediately being seen as cruel or gameplayey (not that the audience will see it that way! she's already a lecherous temptress for them!), but neither of them will ever be able to speak to rebecca onscreen again, even after the heart-wrenching scenes in s1 CLEARLY establishing them as a beating heart of rebecca's arc.
shandy? nope, don't even think abt her motivations/drives, just forget her. simi? LMAOOO imagine a black woman getting a personality beyond righteous anger. jack? three-four episodes, and we learn so little abt her that her conflict with keeley - which SHOULD'VE have been a huge emotional beat - just feels like a kick in the teeth (and while, yes, i absolutely agree that in a real world context, jack's rejection of keeley would be largely motivated by class, in Ted Lasso Land™ rebecca is just as rich - if not richer? - and we're never once encouraged to interrogate her priorities).
barbara's the one that really makes me miserable, bc i feel like on a show with less run time, she could've played REALLY well. she's a great contrast to keeley, has an amazing delivery, and the scene where keeley + her first discuss the snowglobes shows that she has the potential for some really moving vulnerability + pathos. but instead they give SO many of keeley's scenes to characters who ultimately get written out, so when barbara stays it's like... okay? sure? like, i was so stoked that barbara survived the Mass Exodus of side characters that i didn't wanna look the gift horse in the mouth but... wasn't the last thing we saw of her and keeley's relationship like. general resentment + distrust abt the shandy debacle? when did that improve? how???
i don't think i'll ever have enough mental real estate to explain how disappointed keeley + rebecca's 'arcs' in s3 made me, and at least there's the saving grace that. virtually no one other than jamie got a coherent arc this season, so at least it was on some levels an egalitarian screw up. but fuck dude. keeley was just forced to react to bad things that were happening to her, and we got to see her do her job (which, unbelievably, does actually involve things other than being an awkward manager!) precisely one (1) time.
i even like rebecca's arc on paper - i think it's really cool to see a character backslide so intensely in terms of obsessing over and struggling to come to terms w a past relationship, especially an abusive one, bc like. yeah! that shit sticks with you for longer than a season! and beyond that, seeing her regain her sense of self and what SHE actually gives a shit about was oftentimes just as sweet as s1. but her scenes were poorly connected, and she had to carry WAY too much of a burden as the Resident Speech Giver for any of her internal characterisation to make sense. like, sorry, but it's kind of hard to believe a character's Going Through It™ when they have to spent near 100% of their screen time giving Take It From Me, Kid, speeches. and then she's not even given a real opportunity TO fuck up + sabotage her relationships, even when she starts getting really weird w ted! it's all just so meaningless and like nothing that she does is ever going to matter. she never speaks to zava again, we don't get to see her interact w bex or kate, her pleas to ted get COMPLETELY shut down...
but the thing that REALLY makes me sick is this complete lack of interiority absolutely butchers the characters of jade + jane, who are otherwise RIFE with potential. like, jade is a completely unflinching, unapologetic asshole to nate + his family, and that's never interrogated. even in Sitcom Land™, it's more than reasonable to view jade's actions as racist, especially when she doesn't give the same treatment to others (at least not as i recall? honestly i usually watch the taste of athens scenes while peeking out behind my hands, so i could 100% be wrong here). and yet, suddenly, and completely inexplicably, she's charmed by nate. she wants to give him the time of day. she finds him attractive, and wants to date him, and generally take control of his life and force him into a decision that is literally the exact opposite of what he expressed wanting to do. except even that LAST thing isn't allowed to be interrogated, bc god FORBID a woman is enough of a fully realised creation to actually be culpable of the terrible shit they do!
and fucking jane??? beard's so head-over-heels for this woman that the emotional abuse + extremely controlling tendencies don't even make him bat an eye, and we don't get to know anything about her? she's literally just the suggestion of an alluring woman! good at sex! good at chess! fuck you if you wanna know more, even though the show ENDLESSLY hits you over the head with how painful their relationship is for beard - beard who is given virtually no other storyline. like, i literally can't read brendan's refusal to label jane as abusive as anything other than like. that bio-essentialism shit where ppl 'women are better than men <3' so hard that they end up genuinely and wholeheartedly arguing that someone's sex defines their morals - or worse, that their sex is a deciding factor in determining whether someone's actions are good or bad. not context, but a legitimate 'add points if woman, take away points if man' variable.
like that's so feminism 101 it's legitimately almost worse than nothing. that's like getting as far as 'hey so you know how we're all inundated with both implicit + explicit messaging abt what is Valued and Good for women vs men to-' before shoving ur earplugs in and going 'if you are oppressed by society we'll automatically stamp a 'good person' label on ur head and now we don't have to think abt any of our biases + internalised beliefs ever again <333'. the most useless and fucking pointless stand against the patriarchy ever, especially coming from the same show that ENDLESSLY slots characters into the 'loving gf/wife' archetype and then give them Literally Nothing Else. my comrades you have literally just done madonna/whore 2: oops all madonnas! this is not liberation!!!! this is a miserable cage!!!!!!!!!
im just. higgins' wife. mae. trent's daughter and anonymous 'her'. the women at the hotel and the restaurants and the firm and the fucking physios, fuck - dani's gfs! who are they? what do they want? where do they go when the camera stops rolling? can anyone hear me?? hello??? hello???? brendan hunt i am OUTSIDE YOUR HOUUUUUUSE
#ted lasso spoilers#ted lasso meta#ted lasso critical#dead girls by p.enelope s.cott has been stuck in my head for approximately a month bc of this fucking show#its so fucking nuts being treated to rebecca + keeley in s1 and then slowly realising w dawning horror that its literally only down from#here. and also listen nothing but respect to my comrades out there who can take michelle + henry as written#and immediately + painlessly extrapolate from their significance in ted's life to viewing them as like. important figures narratively#but to me they literally never got beyond the carboard cutout stage? like. yes thank you if u love ur family its sad when u leave them.#why'd he leave them then lol.#LIKE. if both michelle AND henry are just these. passive vessels who are neither invested in ted staying OR leaving london#and the only motivation we're EVER given for ted's move is 'michelle wanted space'. like sorry for wanting an actual deconstruction of ted'#motivations rather than the worst mystery box of all time! if i wanted a story abt 'man misses family :( please don't ask any questions abt#the family in question-' i could just close my eyes and imagine a stock image of a sad business man.#wagh. ted bud they gave you so much potential + so many demons and then just wiped them away w no exploration outside of like. two#scenes w sharon. u are also in this cage king but at least u got a good two seasons of mc character energy before they locked the door :(#something something sorry for having an ace attorney witness stand breakdown when the show i liked Was Bad. do u still want to be mutuals
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goblinbugthing · 3 months
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i must know about your ocs (no pressure)
which of the 250+ of them would you like to know about
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