#atlanta stoners

[nympheri8]

kiss it kiss it better baby xx 🥮🍂

#self #me #face #atlanta #atlanta stoners #cannabis #cannabiscommunity #advocate #poc #lgbtq #nonbinary #girlswithpiercings #bohemian braids #passion twists #medusa piercing #alternativegirls #altgirls

[kvngvnte]

https://gofund.me/51fe6950

Repost. I’ve made it up to $300 please continue to share and get the word out. If you have a fundraiser message me and I will donate to support

#melanin #lgbt #lesbian #black girl #stud #black lgbt #lgbtbabes #gay girls #gay babes #smoke weed #stoner #atlanta #dykelife #dykes of tumblr #dreadhead #stoner girl #blackpower #gif #brownskin #dreads #trans pride #transmasc #trans ftm #transgender #trans man

[blaccbarbie]

#me #ebonycurves #black #curvy #ebonygoddess #french #black girl aesthetic #i sell custom content #mym #mymgirls #blackgirlmagic #blackyouth #black beauty #stoner gf #420stoner #420daily #420girl #420buds #skripper #strip club #atlanta #sexy tease #sexy ebony #sexy pose #vixenlife #pole dance #exotic beauty #exotic dancer #onlyfans tease #sexy black woman

[h3llcatay]

✨

#loner stoner #atlanta #college park #3upGang

[weshouldbethishigh]

@weshouldbethishigh

#Weshouldbethishigh #Tattoo #Tattoos #Bikini #Beach #waistbeads #Summer2022 #blackgirlmagic #Black girls rock #Viral #Trending #Melaninpoppin #Black girls #Blunt #Highlife #Stonerlife #Stoner #Nyc #Los Angeles #Atlanta #Thebahamas

[dripsset]

Instagram @wavecvrter

https://music.apple.com/us/album/kush-hot-wings-ep/1697306568

#stoner #art #memphis #wave cvrter #artist #cartoon #music #denver #kush #hotwings #houston #indie artist #DripSSet #HighSociety #4/20 #magic mushies #Kush and Hotwings #milwaukee #Atlanta

[skylarthedude]

#Atl #skylarthedude #g jones #dubstep #stoner #long hair #Atlanta #raves #EDM #Glitch #Jersey #It’s all in your head #Tumblr #follow my blog #high #selfie

[only-psilocin-fans]

𝔂𝓼𝓵, nigga, I'm like the pope•

#ysl #saint laurent #gunna #wunna #stoner #young thug #young stoner life #roddy ricch #yak gotti #complex mag #complex magazine #spotify #rap #atlanta #wunna flo #Spotify

[thatpinkkwitch]

planning trips w my husband for atlanta this spring, biltmore for our bdays in june, and nyc this fall!! plus we’re traveling a bit w our family which is so nice as well 🥺 soooo grateful for these opportunities

#lexi talks #personal blog #stoner witch #southern witch #pagan witch #witchcraft #paganism #paganblr #queer pagans #pagan #atlanta #biltmore estate #asheville #new york city #nyc

[imsosoulja]

Yall don’t understand

#free young thug #fashion #picture #explore #art #atlanta #soundcloud #playstation #young stoner life #swamp izzo #young thug

[kvngvnte]

🏳️‍⚧️

#melanin #lgbt #lesbian #stud #black lgbt #lgbtbabes #gay babes #smoke weed #stoner #atlanta #dykelife #dykes of tumblr #blackpower #brownskin #trans ftm #transmasc #transgender

[grdnofiii]

Infused THCheesecake

#infused #iii #me #stoner #baked #atlanta

[mybitchvamp2]

me nd my twin, we rockin ts 🦇 ⛦

#420daily #420culture #stoners #stonerlife #vamplife #vamps #atlanta #atl #all black #batgang

[xandirt]

RAJHHHH XANDER OC JUMPSCARE!!!!!!!!!!!

everyone say hi to cooper. he's my stupid idiot stoner oc :}

lore dump below the cut because i can!!!!!!! and also the link to my original cooper lore post cause i copy-pasted it from there

but anyways, here's the boy!!! cooper!!!! he was made as a science experiment who lived his life in a lab and escaped at some point. he lived in a vacant apartment in a big city (im thinking new york or atlanta maybe) and yeah. he doesnt have a job & is teaching himself english, so he's got a funny accent & he mixes up his words !!! that explains his funny speech

he's around 30 give or take (nobody knows for sure since he was artificially made) and he has 6 fingers, 4 eyes, point ears, and a few other features :3 he's a cis bi guy and yeah. stoner and stupid. very prone to saying dumbass shit & completely missing social norms because he's so used to literally being in a lab. but he's trying cooper's overall a really sweet dude and he's very affectionate - i think of him as a big lazy dog. he's not quick at all to anger or anything but he's defensive when need be but tends to just Hang About. hes my baba and i love him ok. he's kind of a piece of shit stoner and all that but who's counting. he's friendly enough and very sillay to me

he also has a fiew of his own body mods ehee piercings: smiley, gage, & nips

he wears green tactical pants (that are a size too big. idiot) and a weird glove. it covers the tattoo that marked him as an experiment and he thinks it makes it less obvious (spoiler it does not) Nd honestly he just walks around in socks and sometimes even used black converse .

he also. keeps his eyes closed becausr he thinks it will make jt less obvious hes high. it doesnt work he talks slow snd stupid. hes a big dumb "slightly" horny idiot

heres the post with more of coop :]

#ocs #stariginals #< haha new oc tag #original character #oc artwork #oc art #cooper tag #wow i really just had to say “boobs” and you guys are all over it #xandart

[thesinglesjukebox]

SCREAMING FEMALES - "BRASS BELL"

With John, we say goodbye to Screaming Females...

[7.19]

John S. Quinn-Puerta: This has been my song of the year since it came out. Maybe it's just the familiarity -- when a single is released in January, it has 12 months to make its way into my heart. Maybe it's that I saw Screaming Females for the first -- and last -- time in March at the EARL (East Atlanta Restaurant and Lounge), surrounded by friends I didn't have a year before. Maybe it's the rawness of Paternoster's guitar and vocals, her insistence on a rhythmic minor key riff that I just don't hear much without the layer of pretense that can surround it. There's no valorization of the '70s here, no bemoaning of what music used to be, but a reaffirmation of what the guitar always could be, of the idea that anyone, no matter how small and quiet they might seem, can close their eyes and yell and become a star, even if just in tiny rooms drenched in domestic beer and cigarette smoke. I did not know, when I submitted this song, my rediscovery of a band that I had first found doing college radio in 2012, that Screaming Females would announce their breakup a week later. I did not know that even as I wondered how I could possibly write a blurb for this, the most important song of my 2023 by any metric, would also be the swan song of an 18-year... it almost feels wrong to call the band a titan. That's never what Screaming Females was in ethos. They simply made the music they wanted to, beholden to no one but themselves. I have no means to eulogize them, but I still had to try. [10]

Nortey Dowuona: "I hope they keep going forever." -- Steve Albini [8]

Tara Hillegeist: Screaming Females may be the only grunge-indebted band to exist whose songs have only gotten better the clearer and prettier their production has become, and I've been on team "Marissa Paternoster is one of America's greatest living rock & roll singer-songwriters" since Castle Talk, without a single reason to betray my ideological loyalty in that regard in all the years up till now, either. And since "Brass Bell"'s got riffs that would make even Ratt bang their heads in appreciation, and lyrics like if Cocteau Twins wrote a Neil Young song -- in other words, it's a Screaming Females song... yeah, of course I think this is amazing. It'd take a harder sell and a colder heart than me to think anything else. [8]

Micha Cavaseno: Truly, I don't think of songs beginning with that kind of analog distortion as leading to the sort of gallop and retreating riff cycle pattern I associate with stoner rock and beard metal. I don't think in any of the times people would've mentioned this band I would've expected that I needed to make comparisons to Torche or Mastodon. And go figure: this first note is the note they're going out on. Hell of a way to go out, and just my luck really. [7]

Taylor Alatorre: Two weeks after Screaming Females released Desire Pathway, the J Mascis side project Heavy Blanket came out with Moon Is, an album of instrumental stoner-psych jams aimed squarely at those for whom "rip" is the default verb for guitar solos. There's no doubt that a similar path is open for Marissa Paternoster if she wants it; as if to confirm this, she played a show with the Dinosaur Jr. frontman just a few days after her band's break-up. "Brass Bell" is a solid showcase of the trio as a tight-knit riffing machine and not just a one-woman fireworks show, though there are a few too many concessions made for the radio airplay that never came. The flange effects feel like tacked-on regressions, and the wings of a high-flying, late-coming Paternoster solo are clipped after four terse measures. The sad reality is that the airwaves only seem to have room for one basement-band-doing-stadium-rock at a time, and if your name isn't White Reaper, you may just be out of luck. [6]

Ian Mathers: I mean, kudos to whoever made the wiki entry for this album list "punk blues" as the genre (follow your bliss!) but in every sense except the subcultural this is absolutely classic rock. The production, Marissa Paternoster's vocals and especially and gleefully so her soloing. It's great, in a way that makes me want to take up the air guitar and reach for words like "stentorian." [7]

Katherine St Asaph: I think I like this because of, not despite, the early-'00s radio rock feel. At times it almost feels like it's going to turn into Trapt (not an insult I swear). [7]

Brad Shoup: "Brass Bell" has something I always admired about Screaming Females, which is their uncanny ability to make nu-rock. They never really coded as "punk" for me: maybe stoner metal, but with a lighter guitar tone and an ability to write a hook. Because I grew up in butt rock's salad days, I guess I tend to hear it everywhere. But these riffs (the start-stop one and Phrygian-sounding one) and the way Marissa Paternoster punches into the chorus are modern-rock radio gold. Hell, the chorus even has the kind of fake-deep imagery that should get over. (Would a different alloy make living in a bell a tolerable situation?) Godspeed, Screaming Females. I'm sure all your subsequent bands will rock. [7]

Dorian Sinclair: Having spent the past three weeks on a placement where I learned, in great detail, about the history and function of carillons (bell towers, specifically those with two octaves of bells or more), I am definitively able to confirm: living in a brass bell would be really fucking loud! Central metaphor holds up! [7]

Rachel Saywitz: Sounds like a disaster on the horizon and a heroine's call to arms. [7]

Joshua Minsoo Kim: Everything starts to crumble once the actual verse arrives -- you can't feel the jaggedness of the start-stop guitar riff, and the band sounds all too eager to go straight into the chorus both the first and second time around. Unfortunately, the central metaphor there is too awkward, and is shouted with a conviction that leaves no room for it to be a proper hook. They almost convince me with the detours taken in the final third, but the radio-rock sheen is all too much: it sounds like I'm at a bar and the local band is trying way too hard to convince everyone of their energy. [3]

Alfred Soto: Marissa Paternoster's vocals are the right kind of arch and posh: when she complains, "It's too loud!" she sounds like a country club member sneering at Rodney Dangerfield. The rest of the riffage is not too loud, with interesting changes. [7]

David Moore: Every time I get really into a band a few years late they break up within the year. I take full responsibility and vow to stop listening to music. [8]

Daniel Montesinos-Donaghy: Long live Screaming Females, they rocked harder and longer than a lot (A LOT!) of posers, and they have songs that showcase their gnarled hookiness better than this (download "Ornament" for clear skin etc. etc.). [8]

Aaron Bergstrom: Thirty-five seconds of "When are they gonna get to the fireworks factory?" synth build, but we're talking about one of the most dependable indie bands of the past decade-plus, so you better believe they get there. Whether it's Marissa Paternoster screaming on guitar, or Marissa Paternoster just screaming, they've always lived up to their name. She deserves the plural all to herself. RIP to an institution. [7]

Frank Falisi: Screaming Females was an underrated experiment in texture. They could shift tactility live on the ridge of a dime. The big metal monster would suck in its woofer and start to strut different, guitar puffing over tom hits, which were doing the riffs. The bass was too big to hear and the bass was mercury. Something about playing live means performing life, which means playing the changes. Texture in music is a signal. It prepares your body to sound different. "Brass Bell" begins with washing electronics, a loop. It leers and jeers, like a Mica Levi film score on your fretting fingers. The mouth of sound is broad. "Brass Bell", Desire Pathway -- these are the descendants of All At Once (2018), of Marissa's Peace Meter (2021). Once you master bass and guitar and drum and the human voice, you can unmaster it, unwind it, break a string. "Brass Bell" breaks open after the noise into perfect form, crunched production, crisp like adenoidal panic. There's a perfect breakdown in the middle of the song, a perfect bring-it-all-down with a minute left before drumming back up, before one last chorus. "It's too loud!!" How many times have I said this at the Screaming Females gig? How many times has the sound entered my ears, all my complicated receptors and sets of crevasses ringing, only to feel my own texture quake at the sound? We talk sometimes of the collective frisson of the gig, of being a body among bodies. Divine. I think something like that happens on a studio sound too. Me and all my changes, a flange forever. [8]

[Read, comment and vote on The Singles Jukebox ]

#screaming females #music #rock #rock music #music writing #music reviews #music criticism #the singles jukebox #Youtube

[ddzzaaii]

#m