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ramp-it-up · 22 hours

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Two Most Wanted Pt. 4...Anytime you Like

Pairing: Syverson x OFC Reader "Buttercup"

Summary: You have your way with Sy. Or is it him having his way with you? 🧐

Warnings: 18+ Only, Minors DNI. RPF. S MUT, talk of birth control, Graphic sex. Fingering, manual sex (f receiving) oral, Dom Sy is coming out to play, degredation AND praise kink, dirty talk kink, begging, raw p in v, size kink, pleasurable pain, rough sex, copious amounts of bodily fluids, some fluff and just a lil' angst at the end. This is 2.5k of porn with a teeny tiny bit of plot.

Read at your own risk. Not Beta’d. All errors my own.

A/N: This is the fourth installment of II Most Wanted. I'm in love with these two; they are bringing my writer heart back to life. If you like it, please reblog and comment.

I don't have a taglist. Please follow @rampitupandread and turn on notifications to learn when I post! 😘

I Do NOT Consent to my work being reposted, translated or presented on any other blog or site other than by myself.

Previous part here

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Sy gladly let you pull him into your rental.

Then, he took control.

He pushed you against the wall and placed his hands on your waist, bending down because of the height difference, even though you were wearing four inch-heels. You’d missed how tiny he made you feel.

Sy’s mouth was so close to yours as he queried you. His eyes were so intense.

“You’re not done with me yet, eh?”

You pouted and his lips tenderly touched yours, deepening the kiss as you parted your lips. His tongue insisted that you belonged to him and yours agreed, the two dancing passionately.

“Good girl. Opening up for me like that.”

Your head was spinning and you whined in your throat.

“Hm.”

Sy grunted and then smiled before he kissed you again. You were glad for the wall as you were weak for him again.

“Whatcha wanna do with me, Buttercup?”

Sy’s fingers were on your ribcage now, his large hands spanning your torso. Then, his hands were everywhere as he explored your body, from your breasts over your dress, to your back, down to your ass, which he squeezed as his mouth possessed yours again.

“I want to be your cum slut, Sy. Want you inside me.”

Sy stopped moving, resting his forehead on yours and his hands on your hips. He huffed into your face.

“Holy shit, Buttercup. I thought I was calm after what that mouth of yours did in the Bronco. But what that mouth of yours says…”

Sy’s hand was on your jaw and you turned your head to capture his thumb and suck it.

“Wan’ you to fill me up, Sy.”

You looked him straight in the eye as he pressed the rock hard length in his pants against you. His pupils were blown and you felt enormous power.

“Hm. The thoughts you think, Buttercup.”

Sy examined your face as he questioned you, his blue eyes making you shiver.

“You want me to fuck you raw…?”

You smiled at his lewd suggestion and the gravel in his voice, and lifted your arms, placing them on his shoulders, standing on tiptoe to whisper in his ear.

“I’m on the pill. And tested regularly. But only if you want to.”

The expression on his face was priceless.

“If I want to? Hell, Buttercup. I’ve wanted this for 20 years. Jesus, it's really happening.”

He looked as if he would devour you.

An unexpected joy at his want caused a giggle to bubble up in your throat as Sy rolled you around the corner, further into the room, and started trailing kisses down your jaw to your neck right below your ear. His hand was on your ass as you started to grind on air. He remembered your spot.

“Fuck, Sy!”

His other hand came up around your neck and tightened to let you know who was in charge, and you whimpered as he looked down at you and grinned.

You pouted at him, frustrated because you wanted to feel all of the things at once.

Sy’s hands roamed, finding your waist again and lifting your feet off the ground as he kissed you, making you heated at the show of his power. He set you down again, squeezing your breasts and sucking the tops of them in your dress as you writhed in his grip.

“Let me see you in the light, Buttercup.”

He reached around and wasted no time in pushing his shirt off your shoulders and unzipping your dress to let it fall to the floor.

Sy stepped back and took all of you in. You felt like a piece of art as he studied you. You concentrated on not covering up.

This was a long time in coming.

“Damn, Buttercup. You’re so beautiful. All of you. Better’n my dreams.”

Sy looked into your eyes after taking in your curves. Hungry.

“Kiss me, Sy.”

He did as you asked, hands on your breasts now, kneading them and weighing them in his hands, his thumbs thrumming you like an instrument. He kissed you fiercely, then looked into your eyes again as he slid down to inhale you, mouth sliding over your flesh, between, underneath, on top, and finally, sucking your nipples into his mouth with abandon.

You moaned as your pussy pulsed with need.

“Sy…please…”

“Don’t rush me now, baby. I’m gonna savor this.”

He kissed you again, and then slid his hand down your torso to your pussy, finding you still so wet for him.

“Hm. Such a good girl, with such a good pussy. Here. See.”

He held your gaze as he brought his fingers up and put them into your mouth, making you taste yourself.

It was so dirty that you practically came from the taste of your desire for Jacob Syverson.

“Thaaaat’s a girl. Get ‘em even wetter.”

He removed his hand and brought it back down to your cunt.

“I want you to cum for me. Right now.”

“S-Yyyyyyy!”

Most of his fingers went inside you while his thumb stroked your clit. He practically lifted you off the ground as he fucked you with his hand, watching your face as he alternated marking you up and sucking your nipples hard.

“So fuckin’ hot, Buttercup. Good girl.”

His voice was doing things to you. Sy grinned and his eyebrow arched as he felt you clench on his fingers. He brought his mouth close to your ear.

“Which is it, Buttercup? Are you a cum slut, or a good girl?”

Your head went back into the wall as you moaned, baring your throat to him again.

“Or is it both? Are you my good little cum slut?”

“Oh my fucking godddddd!!!!”

You came in his arms and Sy watched you, his mouth open in awe. He couldn’t wait anymore.

He picked you up and carried you into the bedroom, dropping you on the bed as he took off his shoes and clothes. You sat up to look at him.

He was massive. Sy had matured from a lithe youth to a grown man and he was thick all over. The curls on his head continued on his face and on his chest, a dark rush of it pointing down to his cock, which you knew was big, because you’d tried to swallow it earlier. But seeing it like this, hard and throbbing, curved against his hairy stomach, large mushroom tip leaking, thick shaft throbbing, made you lean back with your legs open.

‘I want that,’ you thought.

Sy took it in his hand and started stroking, causing precum to drip out and you to lick your lips.

“You’re about to get it, Buttercup. Anything you want. Look so fucking beautiful all laid out for me.”

You smiled as you realized you’d said that out loud and you opened your legs wider as he climbed between them. He handled you like a rag doll as he grabbed your thighs and pulled you closer to his legs as he knelt on the bed. He grabbed your knees and spread your legs up and apart as his long thick cock slid in between your legs, smearing your wetness all along the underside of his shaft.

“Mmmmmmmm, Sy, want more.”

He was skating in your slick, driving you wild with the tease of the cap of his cock catching on your clit as he moved back and forth.

“Patience, Buttercup. Need to lube myself up with your cream.”

Sy was enjoying how wet you were and the fact that he was actually between your legs after all this time. He watched, almost mesmerized, at his cock moving through your folds, and his dick jumped, slapping you on the clit and making you moan.

“Pleasepleasepleaseplease… OH shitttt. It’s too much!”

You’d gone from begging for his dick to pleading for mercy as his thick head breached you. You stared at Sy wide eyed as he grabbed his shaft and stopped moving. His heart clenched at the thought of hurting you.

“You good? Want me to…”

He made to pull out and then you implored him.

“No! I mean, it’s so big, Sy… but I want it. Need. It.”

You grabbed your breasts as you felt him cock jump within you.

“More, please.”

“Mmmmmmoooooahhhh,” Sy groaned deeply as he slowly eased into you and at the vision of you pulling your own nipples as he stretched out your soul.

He bottomed out and licked your exposed neck, causing you to shudder in his hands, which were gripping your ribcage. You looked like sin and felt like heaven around him.

“You good, Buttercup? Please say you’re good. I need you to be good, baby. ‘Cause I need to fuck you so bad….”

Sy was panting and his heartbeat was erratic.

As always, his words made you gush wetness and you arched as you kissed him, laying down fully and bringing your hands to his short curls.

“I’m good Sy,” you looked him in the eyes. “So fucking good, all full of you. Fuck me. Please… ah!”

As soon as you said ‘fuck me,’ Sy started moving slowly, dragging sparks with with each millimeter of movement inside you.

“More…”

You whispered it as all of your senses came alive and were overwhelming you.

Sy sped up and looked from your eyes to his cock destroying your pussy. He couldn’t focus on one thing for too long, your face, your hair splayed out beneath you, hour breasts with nipples erect and bouncing, the way he was moving you like a doll as he helped himself deliver the dick to your pussy.

“Good god Buttercup. This cunt is so tight and wet and hot for me. Shit, you stretched around me is so much better than my imagination….”

“Ooooh. Sy. Feels so…Your cock goes so deep.”

It had never been like this before. With anyone.

Sy gave you a mischievous grin as he leaned back and grabbed your knees, bringing them up and bending you in half so that he could plunge even deeper inside you.

Your head shot up to witness him ravaging you as he slowly fucked you with long and deep strokes. You dug your nails into his forearms, holding on for dear life. He fucked you so good that you gouged scratches down his arm and the pain sparked a new pleasure in him that he didn’t know he needed at the moment.

He was inspired to fuck you better, faster, harder.

Sy reached up behind your head and pulled it down by the thick curls at your nape as he leaned over you, caging you in with his massive body as he thoroughly and soundly tried to put you under the bed.

Your belly tightened, your insides in a vice grip of pleasure as you tried to run. There was nowhere to go, however, as Sy was all around you. He felt you tense up, heard your whimper and kept a steady pace, his balls tight against him, the notion of making you cum with just his cock a long held ideal.

“What’s wrong Buttercup?”

He looked you in the eyes before he kissed your lips.

“Afraid to let go? Don’t want to let me have the cum I’ve been waiting for?”

“Unh! Sy…”

You felt him in your belly, thick in your channel like he was made of you. You knew what was about to happen. And you wanted to get away from it.

Sy read the look on your face.

“Unh unh. You’re going to stay and take my cock like a woman. Not gonna run. You’re gonna take this orgasm, gimme your cum like I deserve it.”

Sy didn’t let up on the intensity, but he looked down and surveyed what he was doing to you.

“Look at all that beautiful cream. Looks so fucking good. Making me drool.”

You had an out of body experience as you watched the saliva leave Sy’s mouth and drip onto your clit and as soon as it made contact, you came, gushing more fluid in between you two.

Sy pounded you through it for a few thrusts, then he pulled out and rushed to collect some of you on his tongue.

“Goddamn. So fucking good, Buttercup. Taste yourself.”

He was up again and before you could protest, was back inside you, hand on your throat as he kissed you hard and deep, your eyes rolling into the back of your head as his resolute pounding and the taste of your cum combined. He trailed his hand down your neck to your breast, rolling your nipple for a second before finding your hand and holding it above your head as he looked into your eyes.

Suddenly, he became tender, looking as if he was about to say something that you didn’t want to hear, so your other hand found his ass as you encouraged him to find his own end.

“Gimme your cum, Sy. You owe me. Some. Cum.”

He licked his lips at the filth you were uttering and responded in kind.

“Anything you want, Buttercup. I’ve got so much, you’ll be leaking for days.”

You arched your back and bit your lip at his words and as the music of skin slapping on skin intensified. You felt yourself tighten impossibly around him again. And so did Sy.

“Oh…. no….”

You felt as if you couldn’t take another, but Sy wasn’t done with you yet.

“Oh, yes, baby. Just give me one… more….”

Sy’s thumb found your clit and as you came around him, he emptied all he had inside you.

“You feel like…like heaven, Buttercup.”

Your hands were on his face as you watched his ecstasy and as he pumped more and more of his seed inside you. You smiled and kissed his forehead as his head bent in exhaustion. You wanted to say that he was beautiful, but that would be more than you wanted to convey. You just kissed his lips when he looked back up at you again, and you collapsed on your sides, your bodily fluids between you and his slowly softening cock still inside you.

Sy pushed your hair back from around your sweaty face.

“Look, Buttercup, I know that you are holding back. But you can’t stop me from saying it again.”

“Sy-”

“Shhhh, Buttercup.”

Sy smiled. Handsome wasn’t the word.

“I love you. ‘Til the day I die.”

He brought your hand up to his mouth, kissing your knuckles.

“I know you’re still trying to process everything, and I can only imagine all of the things that are going on in that beautiful brain of yours, but you’re mine. I’m claiming you. Whether it's for the rest of our lives, or just for this weekend.”

You just looked at him and nodded, emotional and unable to speak.

“Just want you to know where I stand. This wasn’t just notalgia sex.”

He slipped out of you and rolled over on his back before he got up and headed toward the bathroom.

“And for whatever time period I have you, I’m yours. Anytime you like, Buttercup.”

He looked back at you with a saucy grin as he caught you ogling his ass.

You stared at the ceiling as you listened to him turn on the water. There was a lot going on in your head, but Sy had just told you that he wanted you and simultaneously taken the pressure off this weekend.

You thought about what you wanted. And what you wanted was currently taking a shower. You walked into the bathroom to have some more of him. You opened the shower door and Sy reached out and pulled you in.

“Get in here Buttercup, the water’s fine.”

That grin would do you in.

——

Hit Reblog if you like it!

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copperbadge · 2 days

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Immediate Writer's Block

Had a comment on another post where I thought I'd probably need more space than the notes in which to respond, so:

constant-state-of-self-discovery Oh I get the envy I feel it right now how the fuck do you manage to write without impassable writers block after 5-9 sentences because I haven't fucking figured it out lol

I do have some advice on this!

I think most writers get blocked from time to time, it's normal and my general strategy is just to wait it out, but if you're frequently blocked after only writing a very little bit, I think the problem is one of two things: either you don't know what you want to achieve with the scene you're writing, or you don't know what should happen next within the scene to achieve that goal. If you frame "I'm blocked" as "I don't have an answer I need" then often you move from just sitting there, sweating and staring at a blank page, to thinking productively about how you're going to get where you're going. It's the difference between not knowing an answer and not knowing an answer but knowing where to look for it.

An invaluable piece of advice for this, which I think I picked up from someone who got it off a National Novel Writing Month messageboard, is "When in doubt, ninjas attack." It's not meant to be literal, you don't need to have ninjas or fight scenes just because you don't know what to do, but it helps to get the creativity flowing again. If you don't know what should happen next, or you know but you're having trouble actually writing the scene, it can be very helpful to induce a moment of uncertainty or surprise -- to have a metaphorical ninja attack. One time I did this literally -- the POV character was just on the road somewhere and I didn't know how to get them from a pastoral country road to their actual destination in an interesting way, so I had them get attacked by highway bandits and have to fight them off, which also allowed me to demonstrate that the character had significant unarmed combat skills. But it can also just be like, two characters who are having a boring conversation can be interrupted by a third person, even just a stranger asking for directions, or there can be, IDK, an explosion, or something goes missing, or etc.

Sometimes it also helps to leave it alone but keep it in your mind and go do something else -- listen to a podcast, take a walk, read a book, not because those things are distracting but because all our inputs eventually feed into our brain and come out as reactions. If you're thinking about your book while you're wandering around a park, something you see in the park might have an impact on it. If you've got YOUR story in mind while reading someone else's, you might be more inclined to look at what they're saying and see what you think of it, how it might play into your work.

And honestly, sometimes you just gotta go past it. I'm working on the next Shivadh novel right now and it opens basically with Simon the chef getting into a spat with his love-interest-to-be over some cheese. He want the cheese, she won't sell him the cheese, so they get off to a very contentious start. But I suck at writing conflict especially when it's basically "A character I like is being pompous and another character I want people to find likable is being stubborn and somewhat unpleasant". I've been stalled on it for a while. But I know where the scene ends up, like I do know what the goal is, so I just...skipped it and went on to writing a scene I like better, where they meet a second time and actually discover each others' identity and that they're about to be forced into the grownup equivalent of a school project. Once I've gotten dug deeper into the story I'll come back and write it, and by then I'll have the benefit of knowing the love interest a bit better.

So yeah -- I think a lot of breaking a writer's block, especially when you don't need rest but are just stumped about what to do, is to twist and look at it from another angle. It's not that you don't know what to write, or don't want to write what you know you have to -- it's that you don't have the correct answer to a question, or you need to leave that part alone to ferment and come back to it later. At least, for me.

#writing #constant-state-of-self-discovery #writer's block #inspiration #archive

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sailor-aviator · 3 days

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Hey.

Go ahead and get settled because this will be...long, in true Liz fashion.

So, by now I'm sure most of you have heard what's happened. If not, you can search this blog for some answers or others for more.

I joined this fandom offiicially at the end of September after being a long time lurker. I had just lost my job and times were uncertain for me. I felt inspired to write, and as someone whose formative years were shaped by the fandom experience, I wanted to feel that sense of belonging again - to feel like a part of a community. I've talked about it on here before, but I started my fandom days in the original Hunger Games fandom when the first movie had just come out, and then I shifted gears towards the SuperWhoLock fandom. If you know anything about SuperWhoLock, then you know you had to have pretty tough fucking skin to be a part of any of it.

Of course, this was back in the day when fandom was an actual community and not authors having to beg for scraps of engagement and people thinking its a numbers game. I was a fairly large blog within the SuperWhoLock community (Waywardly-Carrying-On was the username), but I left fandom for a few years because life got hectic and I felt like I had outgrown the fandom itself as I was no longer watching any of the shows. As the years went on, I started to yearn for the fandom experience again, which is how I found myself dipping toes into several different ones.

I was so excited to publish my first fanfic. I had convinced myself that I wasn't a good writer (much to the chagrin of my irl friends), and I had put a pause on writing my original story. I wanted to write this idea about a cowboy and a girl using characters that I had grown to love like I did way back in my older days. So, I started posting, and I was so excited for the story, that I kept posting almost daily. MamaMay was one of the first people to embrace not only my story, but me as a person into the fandom. She made me feel welcomed and wanted.

Pretty much right off the bat I was already getting anons telling me that I was being too much and that I needed to calm down with all the posting. I was confused because...this is Tumblr. It's literally a blogging website? Why wouldn't I post? I decided to ignore the mean words (not before giving my opinion, of course) and kept on doing my thing. Well, the anons got continually worse and worse. I had a suspiscion as to who the anons could be, but I never had concrete proof. So, I experimented with blocking suspects until finally it worked. I'm not naming names because that's not my style, so don't even bother asking.

The fact of the matter is, some of you have entered fandom spaces for the first time, and you don't know how to act. You don't care to learn fandom etiquette as you've made abundantly clear by calling fandom olds every name under the sun while utilizing the anonymous feature. Newsflash, you're part of the problem. You're the reason why authors don't want to publish anymore. You are the reason that something that's supposed to be fun is starting to feel like a goddamn chore.

How many times can authors on here say that we aren't machines? We have lives outside of this website: family, friends, jobs, school, etc. Some of you really are just hellbent on making everyone around you miserable, and it's sad. You can't just leave well enough alone and let people enjoy something, no you feel like everyone has to enjoy it the same way as you.

Some of you go after authors on here because of some weird sense of jealousy too. I don't know why my shit blew up, babe, I really don't. But I started out with no followers and no support just like everyone else. I'll tell you what helped me though: following fandom etiquette and reaching out to other creators to build an actual community. None of this "I've reblogged three of your things and now I'm messaging you so that you return the favor." No, I reached out to make actual friendships which is what fandom is SUPPOSED to be. If someone was clearly not interested, it was fine!! I backed off and kept doing my own thing.

Some of you think being mean on the internet makes you big and bad. Guess what! It doesn't! It's loser mentality and I feel genuinely sorry for you. I'm sorry that people in your own life made you feel so small as to feel like you had to lash out at strangers on the internet who are just trying to have fun.

Anyway, this is my really long way of saying that I am taking a break for a little bit. I have no idea how long it will be - could be the weekend, could be a couple of weeks, could be forever. I need time to decide if this is something I want to keep persuing. If I come back, I don't know if I will remain a TGM blog or if I'll shift gears and hop into another fandom with a rebrand. Guess we'll just have to see.

To the people on here who have been a constant source of joy, laughter, and support: thank you. From the bottom of my heart. Your presence has meant everything to me, and I hope that my break sees me wanting to come back and giggle about the silly plane movie with you all again.

Nothing but love,

Liz 💛

#psa #public service announcement #this has been a psa #liz speaks #liz rambles #long post

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olderthannetfic · 2 days

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Sorry to ask this. I was going through a blog when I saw a callout post. I checked it out of curiosity. One of the things that was pointed out was : "when they were 31, they had sex with a 18 year old -they are a teenager!- and it's predatory! I (the writer of the callout) am 21 years old and even I don't have sex with 18 year olds because they are very young and it's very predatory!"

So, idk how to feel about that? Especially as someone who has never been in a relationship. I'm 20 years old, soon I'll be 21. Looking at myself at 18 and the future 21, I really didn't change that much? Physically or mentally. Yeah 18 is young but so is 21?? I don't think it's predatory, am I wrong?/serious question

And for the first part, yeah a 31 year old being with a 18 is weird for me, but aren't they both adults? They also said it's because 18 year olds lack experience, which can be true but that's assuming they have never been in a relationship before(with people their own age or similar). So, it can be weird but predatory? Is it?/serious question

I'm sorry if the questions are upsetting &/or weird but I really don't have anyone else to ask- parents are out of question, they literally think you should teach people about sex right before marriage- and I don't trust most online spaces. There's also zero books about such things in my country because "protect the children!!". So now we have an adult(me) who was raised to never ask question about these things and now is confused as hell. Hmm.....

It's all hogwash.

On average, I would assume that a 31-year-old having sex with an 18-year-old is a bit of a creep. However, it would depend entirely on the circumstances. Is this 18-year-old a naive high school student? Or are they someone who's been working a job for several years? Maybe the older person is their coworker whom they got to know.

A 21-year-old and an 18-year-old can be weird in the US if they only just met and one is a high school student while the other is a university student. But what if they met in some very different context where they're more in the same stage of life? Sure, I side-eye upperclassmen who start dating freshmen the first week of their freshman year, but what about later on in the year? What if both of these people aren't students at all and are, again, working a job together?

"You're mature for your age" is a line that creepers feed to younger people, but it can also be true. Some people just get along better with older partners.

We shouldn't be too draconian about any specific rule. You can only judge by the real circumstances of a specific set of people.

Predators are defined by their behavior, not ticky-box demographics. There is no absolute that lets you detect them and protect yourself. People wish there were because they would feel safer. That's what this kind of post is about.

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uniquepeanutcreatorfire · 2 days

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Newest HB Short

This short had some cute and fun moments with Millie and Sallie Mae. I liked the outfit Sallie wore throughout most of it and I'm glad she got some depth. While I'm glad these characters got some more screentime, I can't help but still feel disappointed as the short doesn't give us much insight to Millie as a main character.

In the short, Sallie expressed how Millie doesn't visit home that often and thinks Millie may be ashamed to have come from Wrath. My thing is that this doesn't tie into information already established about Millie.

You would think her parents would've made similar remarks, like Sallie, about her not visiting home in the Harvest Moon episode.

Sallie also said she was left in charge of the family when Millie left but we never seen Millie have any meaningful interactions with her brothers to get a sense of what their dynamic is like.

We also don't learn anything about why Millie left Wrath in the first place. Millie just only apologized to Sallie and said she'll try to visit more.

Did she leave because she met Chaz and maybe he convinced her to move to Pride?

Did she leave because of her validation issues? Like she didn't feel appreciated by her family enough (and for some reason she didn't tell her sister this).

Small Nitpicks

Sallie took a bus from Wrath to Pride ring. What happened to the elevator as the means to travel to different rings?

Sallie made no mention of Looloo Land. You know, the place where Millie said she and her family used to go in the past. Honestly, Sallie gave off the vibes that she hasn't been anywhere else besides Wrath.

The sibling rivalry Viv mentioned in her Millie thread doesn't appear true at all. Sure, they play fight roughly and compete when playing games but that seems more of a result of them being born and raised in Wrath. If they were really sibling rivals, I don't think they would have a close bond as they do now.

Another thing about Viv's Millie thread; she listed off things about Millie, but she never mentioned anything about her validation issues or wanting to feel important. Viv has no problem explaining her characters outside the shows, like she did with Alastor. This convinced me that she was more likely making stuff up about Millie at the time.

Conclusion

This was a fun and enjoyable short. However, I'm not convinced the writers have a clear idea or direction for Millie's character that's coherent. It seems they add stuff along the way. I understand Morgana wrote this short alone, but it doesn't seem like she was given enough information about Mille to make sure things were consistent. I guess we'll see what happen in the future.

#vivziepop critical #vivziepop criticism #spindlehorse critical #helluva boss critical #helluva boss critique #helluva boss criticism #spindlehorse criticism

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otrtbs · 14 hours

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Twitter people complaining about art heist baby and how u gave the women no personality whatsoever

there is not a single fanfiction in the marauders fandom that someone on twitter hasn't complained about. i know that this ask wasn't sent with good intentions whatsoever (along with the slew of other ones that you or others have been sending me since december) but i am going to say this. one time.

to paint ALL of the women in art heist baby as underdeveloped w no personality is extremely reductive. to say that all of the male characters in art heist baby were perfectly developed and fully fleshed-out characters is also reductive. i DO think that some of the characters are undeveloped in art heist. but not exclusively the women. to make that claim as some sort of moral argument/virtue signalling call for justification on why art heist is bad or why you are so much better than somebody else for not liking it is ridiculous and i would argue, unfounded. it is okay not to like things just because you don't like them.

furthermore, fanfiction is a place for BEGINNERS and AMATEURS to try out writing and to explore storytelling as hobby. nobody is going to be perfect at it their first go, and i certainly wasn't. sometimes it's not an "art heist baby is misogynist" issue and it's more of a "nat was trying to write 11 different characters all at the same time as a first time writer" issue. some of my characters were undeveloped, yes. but not just the women. but how is this, in any way, encouraging new people, or even repeat fanfic authors, to write stories if the baseline demand is that they be perfect at it? if the initial assumption is that the author has some moral or ethical failing for making common writing mistakes as a beginner? it hardly encourages anyone to try again or to try at all.

at the end of the day, people on twitter are going to complain and pick apart and be generally negative because that's how they get the most interaction and engagement. and i can talk until i'm blue in the face about how consumption of media in any form but ESPECIALLY fanfic consumption is not political praxis. nor is it a substitute for political praxis, but again, the target audience for that rant would not give a fuck. and finally. art heist baby is a jegulus fanfiction first and foremost. of course all the other characters are going to be fucking background side characters. they are not the stars of the show. enough of this.

#asks #art heist baby!#did u get what u want anon? are you pleased now? will people send me this post and tell me it's circulating around twt in 2-3 days perhaps.#everyone should just get better hobbies methinks. y'all have pissed me off so bad.

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kitsunefyuu · 2 days

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Did you notice how some AFO fans who used to like DFO Theory started to hate it and suddenly attack the same fans? Maybe this is due to generalizing DFO as OOC? I once saw someone saying that "to respect someone else's opinion, just remember that you have also changed your opinion several times" but these people only seem to attack what they once liked for no apparent reason, other than "nooooo my beautiful AFO is not like this 😭😭"

Yes, it is a trend that I did notice when I first came into the fandom that a lot of people would say they are former DFO. Then say how they realize how 'stupid' the theory was and unrealistic. As if suddenly now they are the pinnacle of rational and totally know everything about a fictional character.

I never claim my interpretation is the canon, because I know I could end up wrong. That just how it is and I'm always willing to adjust my headcanons with the source material. But honestly I think the AFO fans that liked DFO and now hate it only changed because other people started being hostile to the theory.

Like popular writers, artist, and all kinds of people begun to sneer at that interpretation beside those in the little community. Seeing it as just trying to 'soften' AFO or as something gross to do to the MC. Or worse some people like DFO but hate AFO so when the former DFO see that they change their mind to double down on disliking DFO as they LIKE AFO. As they see it as like you said 'softening' him to make him palatable. The theory itself, however, is only parentage.

Like it still be valid to assume AFO had Izuku with Inko from a One Night stand, and Hisashi Midoriya is just the guy that stepped up for single mom Inko. We have evidence of there possibly being more aware but if don't like it then that an option too.

DFO theory is simply the theory that Izuku Midoriya is RELATED to All for One. That is the bare bones minimum, I don't care if you are OH HE LOVES HIM or HE AN EXPERIMENT or whatever you want to believe. None of that really registers much to me nor should matter, like DFO can be used in many manner of ways.

The ones that seem to hate is most... Well they tend to either want Virgin All for One (for sexual reasons) or want him to be purely asshole(for sexual or just because love assholes that can go either way) or maybe fear of being the outsider. There also many who claim that every time he does a more evil act that it PROOF he never father a child.

Like tell me you never had a mentally unstable parent that does outrageous things. Anyone can have a kid, it sure doesn't take much for a guy to one and done for various reasons. We also literally been confirmed now he can change his face, DNA, and has actually done so. Also we've seen how he is with Yoichi, literal proof of his ability to love it just dark and twisted.

It why DFO is so interesting since if is the child of AFO it an avenue to explore his character. How WOULD AFO raise a child now that we knows what happened with Yoichi? Is he aware of Izuku? Does he care? We've seen him vault family and say how precious family is.

But then, none of that matters to the former DFO fans who now are DFO hates. They just don't want to be the weirdo outsiders believing in something that isn't even 'canon' and as I've said many times. I'm not exactly going to stop writing or enjoying it even if it NOT canon.

No one can dictate what I like and enjoy. And those people projecting hatred once they loved it?

I hope they know it ok to just like different things and change your mind. They should be happy with what they like instead of just wanting to be 'right'.

#izuku midoriya #all for one mha #my hero academia #boku no hero academia #dad for one bnha #Dad for One #dad for one mha #yoly's talks

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ghouljams · 3 days

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scrolling through tumblr instead of doing my college paperwork (why do they need my immunization records? weirdos. thanks for accepting my application in like three days though) and sinking my teeth into fallout ghost bro (also you wouldn’t happen to have dorm advice would you im desperate)

i love seeing writers i follow taking these boys and pushing them that nice apocalyptic dark.. there’s something that itches my brain about fallout in particular and it’s feeding the worms bc truly anything can go with narrative depending on where you stick em. all that to say loooooooooove ur fallout stuff it’s living in my head forever now and you can’t get rid of me <3333 :3c

Fallout is such a great mix of post-apocalyptic but also there is a society to play with. It's fun writing darker fic with the boys, I like when they're a little fucked up. There are different morals out in the wasteland, you gotta draw your own lines in the sand, decide where you stand and where you aren't going. Ghost's prerogative is survival and revenge, we're just unlucky enough to owe him a debt and get carted along for the ride.

As for Dorm advice... Get flipflops for the showers if you have communal bathrooms. Leave your door open when you can the first week or so, that way people can say hi and you'll know when people are going for food; it's way easier to make friends over lunch/dinner. Don't worry if your roommate isn't your best friend, just try to be cordial with them. My freshman roommate fucking hated me, I ended up spending most of my time in my friend's room since they lived down the hall and my room was just where I slept and studied, it was fine.

Having a roommate agreement sounds silly but is really helpful if you're having any sort of dispute, you can point to the paper you both agreed on and say "look you said you wouldn't bring people back here without giving me a heads up" or whatever. On the other end of that, if your agreement says you'll alternate taking out the trash and your roommate hasn't taken it out, just take it out. It's easier to just do things yourself most of the time. Maybe it's because I'm an oldest child but I tend to just fix things myself when they bother me, trying to get other people to do shit is pointless 75% of the time.

Honestly most people treat the dorms as just a place to sleep and study. It's your home, but it's also not. Which always feels weird to say but you'll get used to it fast. Don't sweat too much about it.

#ghoul speaks

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lostcryptids · 3 days

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Overall (not many people that even follow me watch or read the series but) I feel like the netflix city hunter movie was like, ok, it was fun, i think the casting was overall solid. They changed a LOT from the source material, from actual big plot points, to when characters meet, character traits, which is a little jarring. So it's pretty different from what most people familiar with the series know. I wish they had followed the first few chapters better. Because even the anime doesn't fully follow the manga continuity and censors some of the storyline that deals more heavily with the use for drugs. Like idk I guess since I was reading about the one piece netflix thing being faithful I kind of expected that, but they kinda wanted to make a new story..? Despite it being kinda cliche. Which isn't a bad thing, a lot of the actual series is very cliche, it just doesn't follow the cliches I know. You know.

I do wish they kept it in the 80s..though it would be nearly impossible I imagine to film city scenes and make it believably 80s. It does have a very "netflix" feeling to it. Like I wish it was a bit more gritty. Or sleazy. Felt a little too clean. Pretty big lack of sexual jokes and moments, though they did include some. The writers on the movie set some actual rules in writing Ryo's character to make him more palatable to modern audiences BUT...I do think they could have added some less offensive parts of his character into it. Like you don't really have to include groping but there are other things they cut that I think take away from his character. But I feel kinda confident that if they make another movie they might have more gags. Because it could have used more comedy overall. The comedy is my favorite part of CH overall like i LIKE the pervert humor and a lot of the other fans do so I see why they were upset I mean honestly they should use the same gags from the 80s because the whole point of the humor is that he's in the wrong and getting punished for it, by cutting out his bad behavior you cut out a huge part of his character + the gags surrounding it. Well overall I think it's fun and I'm just glad they made a city hunter movie in 2024, the lead actor is really really fun and enjoyable and carries the whole movie pretty much, I hope they're able to make a sequel (honestly I'd like a show more than anything lol) so that he can play Ryo again because he's really perfect. Also I want to see him naked again

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laurfilijames · 2 days

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"I'm gonna say something. Are you listening?"- Frankie "Catfish" Morales, Triple Frontier

Good. Thanks Frankie.

I've been doing a lot of thinking lately.

About fandom in general, interactions or lack thereof, how something you can feel so happy and passionate about can make you sad at the same time.

The idea of no longer sharing my fics has also been something that's crossed my mind on numerous occasions, but at the end of the day I WANT to share them. I am proud of them and I figure if they make me this happy, I hope they can make someone else happy too.

I continue to trek on, trying to compartmentalize my feelings and press on, creating fics I think others will enjoy as well, and praising the gorgeous man who plays gorgeous characters whose stories I love to change or extend.

Recently, I've felt guilt. Guilt that I haven't been creating and posting enough things for you to indulge in. And then I remember that in the last 4 weeks, I wrote and posted 3 fics.

3 fics where a majority of the reblogs are my own, and most of the notes are likes.

I'm feeling this way because of the lack of interaction. I'm not blaming or pointing fingers or trying to extend any guilt to any of you (and thank you endlessly to those who do reblog and comment and send messages and have conversations about them 💗) But I can safely say that this is a widespread issue across all fandoms alike.

It's disheartening. People leave and give up and have their creativity crushed to the point they no longer participate or share their wonderful art.

I came across a post that I reblogged yesterday that added another level onto all of this.

Artists and writers having to "market" and promote their work in hopes it'll help drum up excitement for what they have coming up.

As if taking the time and energy to create that fic of piece of art isn't enough, now we have to work like a full marketing team in hopes we will get a few more reblogs or comments.

I have seldom participated in tag games where you share snippets of WIPs etc because more often than not, the response to them are *crickets*. It's embarrassing and gives off that "no one is interested so why bother sharing it" vibe.

We shouldn't have to work that hard to get feedback on the things we share.

I know, and respect, that some people experience comment anxiety, but I promise you that if you're able to, whether it be a string of emojis or keysmashes or even a gif, you will be making a difference.

This happened to me yesterday.

Right when I felt like it's all fruitless, someone swooped in with a comment that gave me hope and reminded me why I do it. And it was on my least popular (and personal favourite) series to boot.

Because of this simple act of communication, my hope and motivation has been restored.

Now I know I'm going to get people saying "you should write for yourself" (I do) and I shouldn't rely on others to keep me motivated (I don't, I have Charlie Hunnam for that) but it's such a key component to all of this and I think most creators can agree to that.

So please, for the love of fandom and the things you love (the actors, the characters, the shows or films) PLEASE INTERACT WITH THE ARTISTS AND WRITERS WHO CREATE INCREDIBLE ART AND FICS FOR THEM.

You may not realize what an effect you have, but I promise you, you do, and it may even help save your favourite artist from abandoning it all.

#on fandom #commenting #reblogging #writing #sharing #laur is thinking out loud here

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hypewinter · 6 months

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Jazz wasn't crazy. People might argue that burning her childhood home to the ground with her parents still inside would be an indicator of insanity. But how else was she supposed to react after coming back home from college to find out her parents had brutally killed her brother via vivisection?

Dying her hair blonde wasn't crazy either before anyone asked. Plenty of girls dyed their hair when they needed a change. Besides, she could never live with herself if she kept the same hair color as that vile woman.

Admittedly Jazz would have to secede moving to Gotham had been a little crazy but it was the perfect place to start fresh and blend in despite her "quirks". She had even picked out a nice new identity for herself.

Clearly Jazz was not crazy as she had managed to land a job at Arkham Asylum as a psychiatrist. If she were really insane would they have ever hired her? No they wouldn't have.

Jazz was not crazy. She was very much sane. Just like her precious Mr. J.

#dp x dc #dc x dp #dpxdc #dcxdp #hyper prompts #winter's tales #not sure which one this fits under more #surprise! jazz is harley quinn #do not ask me how my brain concocted this for i truly have no idea #i was merely as vessel for my own crazy thoughts in this case #btw y'all i tried to look up whether harley was a psychologist or a psychiatrist because i couldn't remember #and i got conflicting answers #i think the general consensus is she's a psychiatrist who acts like a psychologist #because most writers don't know the difference #and by general consensus i mean i saw a total of one source that had that opinion #but it makes the most sense to me so i'm running with it #the same source (reddit) as theorized that she's a double major #which also makes sense because even in her origins she's studying psychology #but she's also going to med school!?#hello??#you don't even need to be an expert or anything #just open a dictionary!#look it up on google!#something!#anywho #her job switches depending on the era comic run writer etc #you know basic comic book shenanigans #sorry for the rant y'all #it was just so mind boggling that it actually became a little funny #so i thought i'd share

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hephaestuscrew · 7 months

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Thoughts on the patterns of who speaks the episode title phrases in Wolf 359

This analysis is based on the data I gathered in this spreadsheet and summarised with graphs in this post. Basically I've been looking at which character first says the episode title phrase (i.e. the exact words which form the name of that particular episode) in every episode of Wolf 359. Go and look at the spreadsheet if you want more context.

I think we can view the episode title phrases as often expressing the key problem or question of that episode. (I might talk about this in relation to individual examples another time.) Through this lens, the consideration of who speaks the title phrase is about which character gets to frame the key issue of the episode for the listener. This doesn't necessarily mean we are meant to share that character's view of the issue, but it's why I think there is some potentially significant analysis to be done on this topic. (See below the cut...)

The proportion of title phrases said by Eiffel reduces with each season. 69.2% of the Season 1 title phrases are (first) spoken by Eiffel, compared to 46.6% in Season 2, 22.2% in Season 3, and 20% in Season 4.

This is perhaps unsurprising. Eiffel is very much the main perspective character and the primary narrative voice at the start of the series. And, as someone with unusual speech patterns, he is excellent at coining a good memorable title phrase. However, while I'd argue that he never stops being the main protagonist, over the course of the series, the narrative focus broadens away from a singular emphasis on Eiffel's perspective. This perspective shift is reflected in episode titles being spoken by a greater range of characters.

I think the decreasing proportion of Eiffel title phrases also reflects the podcast's shift towards a generally more dramatic rather than comedic tone. While Eiffel is capable of being serious at times, I'd argue that his mode of speech is particularly well suited to generating amusing unusual turns of phrase that work well within a more comedic context (e.g. Succulent Rat-Killing Tar, What's Up Doc?, Bach to the Future). As the stakes become higher and the tone becomes less humorous, characters other than Eiffel, who are more often inclined to take things very seriously, are more likely to speak the title phrases.

There's also just the fact that as we get more characters involved in the action on the Hephaestus, the opportunity to speak the title phrase is spread between more characters.

Although Eiffel is by far and away the most common speaker of title phrases in Season 1, in the first three episodes of the whole show, we get all the characters of that season represented in the title phrases. Minkowski speaks the title phrase in the second episode and Hera does in the third episode - but probably quoting a phrase from Hilbert. This gives us a good early indication that, while Eiffel may be the focal point particularly in this season, this is going to be an ensemble show and all of these characters are going to be significant.

Hilbert's only title phrase is in Ep12 Deep Breaths, in the first stage of his mutiny, arguably the only point in the show where he appears to clearly have the upper hand while acting alone.

After the SI-5 are introduced at the beginning of Season 3, we get five Kepler or Jacobi title phrases in a row, which solidifies the SI-5's presence in the show. It also highlights the fact that the SI-5 have taken over the Hephaestus and are now (at least ostensibly) the ones determining the aims of the Hephaestus mission.

In addition, these patterns might be seen to reflect the shift in the show towards a more conflict-focused tone (related but not identical to the movement away from comedy). While Wolf 359 has always been a show full of conflict, the balance of this conflict shifts with the arrival of the SI-5. For the first team, our protagonists are facing a unified team of antagonists. The potential for violence feels higher, as do the stakes. This might explain why, while we only had one antagonist-spoken title phrase across Seasons 1 and 2 (Hilbert in Ep12 - Lovelace doesn't get a title phrase while she's serving as an antagonist), 44.4% of our Season 3 title phrases are first spoken by antagonists.

The only title phrase spoken by Maxwell is spoken by her in a recording that we hear after her death. This isn't even the only posthumous title phrase spoken from the past in Season 4 - we've got one from Commander Zhang of the Tiamat as well. It's an interesting kind of legacy, an interesting way to emphasize the questions characters leave behind after death, recalling similar themes to those explored in Ep46 Boléro.

#Wolf 359 #w359 #There's probably more to say but I'll leave it there #Sorry to end it kind of abruptly #I haven't got an overall conclusion #I don't necessarily think these patterns are conscious decisions by the writers btw #but I think they can be significant anyway #I know I said I was going to put these thoughts in a reblog to the original post #but this is too long for that #and I want to be able to put it in the tag again #Please feel free to add on your thoughts on the spreadsheet or anything #The moment when the episode title phrase is said could be thought of as the 'roll credits' moment #Idk if the significance feels different because they don't say the episode title in introducing the episode #but generally you have to see it when pressing play on the episode so most listeners will probably be vaguely aware of the episode title #the empty man posteth #I'm worried that there might be mistakes in my maths but not enough to check it

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edwardshundredyearoldspunk · 6 months

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stumbled across a ballad of songbirds and snakes critique video and I couldn't even watch it because the person so did not get what the book was doing and saying and the comments were complaining about the unnecessary romance when it's super obvious it's not intended to be a romance. suzanne collins is, yet again, ahead of her time because I remember the hate mockingjay got when it came out for killing prim and having katniss vote for new hunger games when those plot points are crucial and are meant to act as a commentary

#tbosbas #thg #i am and forever will be a ballad of songbirds and snakes defender #i firmly think that is suzanne collins' most cleverly crafted hunger games book #everything about it impresses me #the narrators voice being so different from katniss' reveals something about the writing that has me in awe #one criticism the trilogy got was the writing was too simple #and it's easy to assume this is just collins' style #until you read tbosbas and realize oh shit no she's just really good at writing voice #(which if you're a writer you'll know how hard it is to make your own style dissapear when trying to write voice)#also as a writer myself #I'm so tired of the criticism of ''why did she write about snow when she could have written about [insert any fan favorite character]''#because honestly i can understand if you're not interested in reading about snow #but to act like you're then entitled to a story of your choosing and suzanne collins shouldn't have a say in what she writes??#god that bothers me #i feel like readers forget that writers don't always write with an audience in mind #and that while you can be displeased about an author you enjoy going in a direction you aren't interested in reading #you don't have a say in how they choose to explore their creativity

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phantastragoria · 9 months

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do you have a favourite portrayal of a character in the gotg game!! who is it and why <3

Oh I think they're all great honestly!!! Part of why I love the game so much is that genuinely, the whole team + supporting characters are written with such obvious love of the source material and equal attention between them all. When I see comments of people saying who their favorite character was from the game and the answer always being different from each person I'm like!! That's how it SHOULD be!!! They're the Guardians of the Galaxy (plural) the focus shouldn't all fall on a singular character like most other GotG media usually ends up as 😭

The two (sorry I can't pick just one) whom I think benefit the most from the game though are Drax and Gamora because they're almost always sidelined both in-and-out of universe by most of the various writers (especially as of late) and in turn the viewers/readers. I've been told plenty of times that they're the most boring members of the "main" team, BUT IT DOESN'T HAVE TO BE THAT WAY! The amount of love the game versions get (by the few who've played it at least) proves that 🥺

I've never really liked 616 Drax shifting to being a complete clown during the 90s and such (and even less so when the MCU followed along 💀) So I appreciate the game taking a bit of his seriousness from the DnA run and just making him struggle with nuance and context clues in a less exaggerated way (autistic Drax I still believe in u) and I feel the focus put on him and how losing his original family + the aftermath deeply affected him hits pretty hard here because it's treated very seriously and shown in depth, especially with how his family (wife) gets actual focus. I cannot tell you anything about Yvette in comparison to Hovat, who actually seemed to have had a personality lol (AND she was on their village's council like omg imagine having more to you than just being The Housewife) Though I will say I flip and flop on my thoughts about Heather being disconnected from Drax's life in this universe... The TLDR is that I think his arc here specifically works stronger when he has to come to terms with losing his entire family and accepting the life he currently has with the Guardians. BUT!!! I very much appreciate that Heather is still confirmed to exist within this universe, even if that means her dad issues would have to be dealt with in a different context if we ever get to see her.

Also? Shoutout to the writers actually bringing up the intense paranoia that always kneecapped 616 Drax but having that be a turning point in his backstory here, with that conversation he has with Peter where he talks about how he was becoming so paranoid of everyone being a chitauri/Thanos conspirator to the point of literally turning into an obsessed maniac like Thanos, and realizing that he desperately needed to turn his life around, it's so ough.

Out of the already many great conversations throughout the game, I think the ones with him are the most poignant. My favorite scene in the whole game is Drax and Pete's little moment on Knowhere... makes me go wahhh

(l also love that out of everyone on the team, it's his headspace that we quite literally get to go into. You KNOW that if this was any other media it'd be going into Rocket or Groot's head and likely treated as a joke.)

And oh my god, Gamora...

I find it so extremely refreshing that her role in the plot doesn't revolve purely around the men in her life, and instead, it's nearly exclusively her connection with other women. Or in the most direct obstacle she has to deal with, being how she starts projecting to the millionth degree on Nikki's situation for reminding her of what happened to her and Nebula. I find that infinitely more fascinating as a reading of her character rather than just dating drama or her arc getting completely overtaken by a man's instead.

And especially in her friendship with Mantis, who, despite having all these futures she's constantly seeing and having to navigate, still makes time to do her best to help her 🥺 From saving her life and being the one who put her on the path to healing on Lamentis, to getting her to join the Guardians and still checking in on her when she's able 😭 Friendship between women can be so powerful... u love to see it (🏳️‍🌈)

I also find it nice that there's this emphasis on her recovering mentally, and the comparison between Thanos essentially teaching her to just Deal with the shit in her life through very simplistic meditation versus the priests of Pama actually teaching her something to help soothe the mind :^( and that she still has moments of relapsing essentially. I find that to be a realistic take on recovery because that's just part of the journey since healing is not linear... and I think it's very sweet that she finds comfort in collecting something ---girly--- like dolls. Love to see a person reclaim a part of their childhood that they weren't allowed to experience. And how she's allowed to make BAD JOKES?? Imagine a woman being written to have multiple dimensions, crazy and absolutely unthinkable, I know.

There's this extremely specific theme in relation to Gamora across media that's been rattling around in my brain since first playing the game. When near the end during the revisit to Knowhere, she's about to completely lose it when Peter tries talking -for- her on what she's so upset about before immediately shooting him down, and she explains what happened between her and Nebula and she starts crying. It really struck me right then that she's never given a moment to cry elsewhere (or in the 616's case, the quite literal inability to.) aside from her shedding a Single Manly Tear (Original Sin) or a single moment out of legit fear (MCU 💀) because she's a hashtag Strong Independant Woman who can't be vulnerable etc etc. But for her to cry in front of the people she's come to care about, It gives her a moment of true vulnerability that I don't think she's allowed ever in most other media.

That and all of the above hits hard and is what makes me genuinely believe that the writers cared about her in the narrative and tried to do right by her when every other bit of media really hasn't nor cared to the majority of the time since the 90s :'^/ Brings a tear to my eye that she's allowed to just... exist in the narrative on her own merits and not on what she can provide to someone else's story.

#lex thoughts #gotg thoughts #universe: eidos game #gotg2008 #sorry for asking for a question then immediately disappearing for a month 💔 I'm on the most stressful roadtrip ever #i 🫶 you for asking about them though the Eidos gotg are my everything and i won't shut up about them if given the chance #very funny to me that all these important moments happen on Knowhere. Strange things can happen at the end of the universe.#The end page of W&tIW 09 is the only other Gamora moment of vulnerability across media that i can specifically pinpoint #But it's more self reflection in a way of a heavily traumatic experience that I don't feel ever truly got resolved within the 616 IMO #And I find it a specific point to be made when Gamora is/isn't allowed to feel or literally denied things that are stereotypically-#-categorized as -feminine- (which is dumb to assign gender roles to a simple human emotion such as CRYING.-#-But you get what I mean I hope) We play fast and loose with gender around here pardner I think all of the gotg should cry more #but in Gamora's case specifically it Hits Different knowing her past and treatment throughout media #i could also heavily go into the way the game adapts Peter's character in relation to his element guns but that's an essay for another time #just because -i- find that extremely fascinating doesn't mean i think he should particularly be the main focus (and he isnt)#bc pete rocket and groot are the ones that already get all the attention (even if i dont agree with how they're written elsewhere)#i just find it more engaging for the other two main characters of the team that always get sidelined by the writers actually being put in-#-the spotlight with equal attention given to them for once to be sooo -shakes fist #sorry for the intense word salad i hope i make sense lol ESSAY/RANT OVER .🤐

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