sleeping with plushes is humiliating because they're the biggest snitches on your fucked up sleep acrobatics. every night i go to bed with a plush critter in my arms and every morning i wake up and they've somehow migrated to face the wall in shame like this
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i'll never understand people with adhd who are like "well it comes with its struggles of course but at least it helps me hyperfocus on my passion, its like a superpower", like good for you for being the chosen one but my adhd makes me play tetris for 5 hours straight without any bathroom breaks while a rotation of the same 3 shows ive seen a bajillion times is running in the background
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Tell us the sex stone joke
so this joke requires the light setup of, as the Resident Geologist, on any given hike my dad will have been subjected to a light barrage of Hey What's This Rock I Just Picked Up Off The Trail, answers ranging from "that's clearly serpentinite, the state rock of California—note the distinctive gray-green color and soapy texture" to "that's probably a local mudstone" to "that is a piece of concrete" to "that is tanbark."
the joke typically runs as follows:
you, presenting an interesting pebble for identification: hey, what's this rock i just picked up off the trail?
my dad, after a few seconds of thoughtful examination: ah, interesting. what you have there is what's known as a "sex stone."
you, slightly shocked by the apparent erotic provenance of what you thought was a random rock: oh! okay. i see. thanks.
my dad, slyly: would you like to know why they call it that?
you: um. yes?
my dad: BECAUSE IT'S JUST A FUCKING ROCK.
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[Storm Bringer]
“In fact, I was against using Adam for such a frivolous investigation from the very start,” Dr. Wollstonecraft began in a huff as she crossed her arms again. “The government is always like this. They send a mechanical detective, then blow him up once they’re done to keep any secret information from getting out. [..] I suppose this is the government’s way of saying we ought to neglect science in favor of human life!”
Dr. Wollstonecraft, ma'am, I think your ethically-dubious opinions on science are better saved for other audiences.
Dr. Wollstonecraft (aka Mary Shelley) based on @videogamelover99's design!
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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I don't know if it's just because I was bracing myself for something far worse, or because David Jenkins has made it clear that the show is the relationship so there's nothing to fear long-term, but I actually left those episodes feeling pretty good about Ed and Stede? No, break ups aren't fun, obviously, but
we got even more confirmation how much they love each other and how their instinct is to protect and look out for one another
we had both of them boosting each other up
Ed shared some of his fears and anxieties and communicated his feelings
Ed is doing something about it
Could that conversation have gone better? Absolutely. But they're 14-year-old boys. They love each other, they have so much in common, but when it comes to piracy, they're in very different stages of their lives.
Ed doesn't want to hold Stede back, but he doesn't want that life anymore. He doesn't want to put himself in that situation, and he doesn't want to get hurt again when (he assumes) Stede chooses a life of piracy over being with him.
Ed has so much trauma to work through. He knows that, but he doesn't know how, he just knows he has to "do something different."
All of these are actually really huge steps. It presents itself as conflict, and it is one. A BIG one. But it's an important one for them to go through if we're going to have Ed and Stede really thrive in their relationship, and be truly content both as a couple and as individuals.
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