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phoenix--flying · 1 year

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side character titan war aftermath vibes

(i do not know what i need to put TW for so pls tell me if i need to add something)

The Apollo cabin has hundreds of CDs, most of which they lose. Will keeps a few in the infirmary; Michael and Lee both burned CDs with their music and he plays those often when he's cleaning or alone. Both of those CDs had Stayin' Alive by Bees Gees since both of them liked it. Will forgot this little fact.

He'd been alone cleaning the infirmary after the titan war, playing music as usual when a certain song comes on. At first, he doesn't pay it any mind, then realizes what it is. Suddenly he's back in the elevator, covered in blood with a few bodies wrapped in different shrouds.

He finds out quickly enough that he's not the only person who can't listen to the song anymore.

bonus leo tries to play it in bunker nine with nyssa and jake once and jake just turns it off and whenever leo tries to play it again nyssa just stares at him Leo: ???? Nyssa: No.

Connor doesn't like Luke. Hates him, in fact. He's a monster, a traitor and a murderer. There's nothing else to it. He's not sad Lukes dead, why would he be? That's not his brother anymore. He stopped being his older brother the minute he started listening to Kronos. Luke deserves to be dead, and he's not sad. End of story.

He finds a photo of him and Luke. It was from before Connor had been claimed - Travis had been, he was still a little jealous of that one(did hermes just like travis more??). It was a bad photo, shaky since Luke had almost fallen while taking it. But the joy in the two boys' faces was evident. It was before Luke's quest, his face lacked the telltale scar Connor grew to hate. This photo was still his brother. His hero.

If Travis found him in the cabin, clutching the photo and sobbing, he didn't question it. Just provided the comfort his little brother required.

Jake can't stand being in the forges alone. A place he used to consider a safe place, it was like a second home. He loved the place, the heat was harsh, sure, but he'd found comfort in it. He couldn't be there alone anymore.

Being alone meant he had time to think about the space around him, remember. He couldn't stand hearing his late brother's voice, the memories of all that he was taught. Everything he knew, everything he taught his siblings, was all Beckendorf. Jake wasn't him, he never would be, he never wanted to be. He was nothing but a fraud. He couldn't handle the cabin like Beckendorf did, he wasn't a leader.

Nyssa never questioned it when he would ask her to accompany him to the forges late at night when they should definitely be asleep. She hated being alone there too.

Drew hated Silena, it was a known fact. Everything the late Aphrodite girl did, Drew hated. Of course, none of the new campers knew of her sudden shift in attitude, but then again, none of the older campers questioned it.

Drew loved Silena, she was her older sister, her best friend. She wanted to be exactly like her, her every move was fascinating. Silena was a goddess in the eyes of her younger sister. That image was forever marred.

How could someone so loving, so nurturing, do something like this? Drew didn't want to believe it. Silena had gone to get the Ares campers, she had been helping them, how could she be the spy? It wasn't possible.

She resented the fact. It shouldn't have been possible. Silena was too kind, to caring to betray them like this. Was it all a lie? Did she ever truly care about them? Her entire world felt upside down, nothing was right. If Silena was capable of something like this, was everyone around her? Who could she trust? She couldn't trust anyone.

Drew hated Silena. She hated the fact that her sister left her alone, she hated the fact that she could never get a proper answer. She hated that she didn't know why she would do this. She hated that she didn't know how she felt. She hated that she still loved her sister, hated that she missed her and hated that she felt empty without her.

Clarisse hates being alone. Being alone means remembering her voice, remembering her own mistakes. If she'd backed down and forked over the chariot, would he still be dead? Would she still be dead? Would they have had less casualties if she'd just swallowed her pride and sucked it up? She gave it to Apollo in the end, so what was the point? Why had it been Silena? Why couldn't it have been herself? She'd lost her own siblings, she hated that, watching her own sibling get eaten?

Ares doesn't show weakness, so she couldn't either. She was the Drakon slayer, but everyone around her was angry with her. Pulling out of the battle was a stupid decision, but all sense seemed to go out the window when it came to arguing with Michael. He'd just gotten much more irritable since the Labyrinth. She hated it.

She hated being alone.

Malcom didn't know how she did it. Annabeth carried their cabin with such strength and confidence. He wanted so badly to be upset with her, but he knew she couldn't lead their cabin. He hated that he wanted her to feel the guilt he felt watching their siblings die. But he had to, he was he second in command, it was his job to lead the cabin when she couldn't. But he wanted so badly, for her to feel how he felt. And it was wrong. She'd suffered so much for them, so why did he want to be upset with her?

He wanted to be upset with her but he didn't want to let her go. So when either of them woke up, panicking and crying from a nightmare, the other was right there. They may understand the others guilt, they may not. It didn't matter.

ignore my silly little drew rant. She deserved better writing, she was only there to make Piper look better(No hate to Piper I love her) and so many people forget her older sister literally got her face melted off. Not to mention the only cabin we know was there was Ares, pretty sure the other cabins were covering tunnels and bridges again. I might be wrong. Either way ✨️

I don't know if Malcom or Clarisse's made much sense. I feel like Malcom would have a lot of guilt in not being able to save his siblings in Manhattan since he's the one that lead them. He's aware Annabeth has her own guilt but he's young yk? He was like 13(inmyheadcannonsatleast) and leading his siblings to their deaths. Annabeth isn't much older but she has more experience leading their cabin. But in the end shes his older sister and he loves her. Clarisse has her own guilt about Silena and the chariot feud. Like if she'd given the chariot to Michael would he still be dead, would Silena be dead? If her cabin fought would the amount of death be lessened? Dunno

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pjocharacterdesign · 1 year

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CLARISSE MY HEART AND SOUL!! please and thank you <333

I heard a headcanon once that Clarisse's bandanas were a gift from Beckendorf and I love that lots. I also can never decide if I should make her hair darker or not cause even though she's described as blonde I originally pictured her with like dusty brown hair.

#pjo #riordanverse #clarisse la rue #chb #cabin five #ares kids #mars kids #Anonymous #character design #bonus chris beckendorf and silena lol

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goblinwithartsupplies · 7 months

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Ares of Persia is the god of healing, passion, loyalty, masculine strength and protection of the motherland.

he is also the patrons of domestic hearths and the defender of men, which brings soldiers home safely, it is to him that wives and mothers pray during wars.

There are his children in Camp half-blood.

An unclaimed demigod with healing powers. Everyone assumes that they’re a child of Apollo.

When Ares claims them everyone’s so confused.

A child of Ares who instinctively knows how to comfort their friends’ parents when their child doesn’t come back from a quest

A child of Ares who is just the camp dad to all the little boys. Who teaches them how to be kind and strong and how to be masculine in a healthy way.

#pjo #camp half blood #chb #chb chronicles #cabin five #cabin 5 #ares pjo

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soulless-bex · 1 year

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a child of ares that’s just a really agressive protester.

#they spit to the face of those pro life people #they’re really nice #just angry about all those social issues #pjo hcs #pjo headcanon #pjo #percy jackson hc #percy jackson and the olympians #child of ares #ares cabin #cabin five #pjo ares

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resetthestars-oncemore · 21 days

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Camp Half-Blood Cabin Aesthetics

Part III

☄. *. ⋆ Cabin 5: Ares ˏˋ°•*⁀➷

▼△▼△▼△▼△▼

Having Ares as your godly parent can feel like…

But it can also feel like this >:D

▼△▼△▼△▼△▼

*ೃ༄ Images are NOT mine. All photos are found on Pinterest with the following searches of “Ares aesthetic,” “ares Greek aesthetic,” “honor aesthetic,” “punk aesthetic,” and “red vintage aesthetic.”

#ares #ares pjo #ares percy jackson #ares kid #cabin five #cabin 5 #clarisse la rue #pjo hoo toa #percy jackon and the olympians #cabin aesthetic #demigods #camp half blood #pjo aesthetic

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starry-bi-sky · 20 days

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Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well:

He’s adopted.

He can’t remember anything else before that.

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.

It is a fast dream.

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods.

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)

—---

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom.

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #danyal al ghul au #amnesiac danyal al ghul au #songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart #musician danny has my heart and soul #yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks #implied good mom talia al ghul #danyal is a momma's boy send tweet #dpxdc ficlet #dpxdc prompts #dp x dc au #dp x dc fanfic #danyal is sTILL five years older than damian in this au #no beta no edits we die like danny fenton #poc danny fentons #i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense #ugh im gonna have forgotten to include things and im gonna be kicking myself later #morally ambiguous danny whoo! we love to see it #since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous #phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe #not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him

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mediumgayitalian · 19 days

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part two

———

Getting outrun for seven miles by an eight year old is a uniquely humbling experience. Compactly humiliating, coincidentally, is being outrun by an eight year old while dragging along a bouquet large enough that it cannot be adequately contained with two hands and must therefore be carried between two people.

Lee is having something of an afternoon.

“It starts in seven minutes!” shouts Will, at least twelve solid yards ahead of them and running backwards. He does not appear even to be sweating. “Hurry!”

“Could not be hurrying more if I tried,” Lee wheezes.

(It’s not that Lee isn’t a good runner. He is. It’s that Will is freakishly fast, because he has dimples when he smiles and has endeared himself to the dryads, who have been teaching him how to sprint like the hopped up little Energizer Bunny he is. Michael has been calling him Soda Boy for ages, on account of how he so closely resembles a can of pop that has been vigorously shaken, which he hates. Remembering it brings Lee some peace.)

“Let’s go let’s go let’s go!”

Clamping his mouth shut in a desperate attempt to preserve energy, Lee surges forward. Michael matches him, having to run significantly faster to keep up with his long legs. Their panting forms a discordant melody of despair. Poetic.

When they stumble through the door, chests heaving, Lee considers collapsing to the ground and weeping for joy. He will never run again. If a monster chases him, he will simply fight or accept his fate. He has reached his quota.

But, for perhaps the first time in his life, there is no time for dramatics. The lobby is devoid of the massive crowds it held earlier, shadows eerie in their absence, and only the final tail end of a line shuffles through the stage doors.

Despite his internal vow, Lee sprints forward to catch up with them.

“Hold it,” says a man in a venue volunteer! vest, holding up a hand. He glances at them, resting his gaze on Will’s messy hair, Michael’s scuffed shoes, Lee’s wrinkled shirt, and pausing for quite a while on the giant bouquet. The narrowed eyes and thinned lips are familiar. Lee stiffens.

“Go on in,” the man says to the middle aged couple in front of them, who’s crease-free jackets read ‘Dance Mom’ and ‘Prop Team Dad’ respectively. He shoos them inside, complimenting the honest-to-Apollo corsage in the woman’s hand, chortling along to the man’s joke. The laughter drops from his face the second the couple is guided through the doors, and the man turns back to the three of them.

“The show,” he says, nose upturned, “has begun. I can’t let anyone else in lest they cause any…disturbances.”

“The show starts on three minutes and forty-seven seconds!” Will protests, sticking his watch in the man’s face. Completely oblivious to his murderous look, he continues, “Forty-six seconds! Forty-five! Time’s-a-tickin’, let us in!”

The man bares his teeth in a smile. “Regrettably, you are too late. You’ll have to wait for the intermission.”

Will blinks at him. He looks at Lee, at the doors, then back at the man.

“But…we’re on time. And if we come back later, we’ll miss my sister’s dance!”

The man shrugs. “This will be a valuable lesson, then.” He purses his lips, glancing again at the bouquet. “Perhaps be more prepared, next time.”

Will turns back to Lee and Michael, crestfallen. He swipes quickly under his eyes, squeezing his thumb into fists, but the tears well up anyway. “We’re going to miss it?”

Michael snarls. In one quick move he shoves the massive bouquet entirely into Lee’s arms, yanks Will by the shoulders to stand behind him, and gets right in the man’s face.

“You listen here, you slimy ratbag, you had no fuckin’ trouble letting those last scragglers in so you better clean up your act quick before I —”

A loud crashing noise makes them all jump, interrupting him. Nearly crushing the flowers, Lee whips towards the source of the sound. One of the competition banners has been yanked down, metal frame collapsing on the tile floor. Fastening screws rattle to a slow stop beside it.

“What the —”

Another banner crashes to the floor. This time, the little hands that tore it down are a touch too slow to dart away, a blonde head not quick enough to duck behind a corner.

“Hey!” the man shouts. Shoving Michael aside, and moving quicker than Lee can think to stop him, he sprints towards the corner Will disappeared behind. “Get back here! You can’t do that!”

Lee curses, trying to manoeuvre the flowers to see and run at the same time. Michael runs ahead of him, on the man’s heels, chanting shit shit shit shit under his breath. Lee’s brain takes the initiative to alternate, chanting fuck fuck fuck fuck fuck every time he takes a breath.

They’re going to get kicked out for sure. Diana is going to kill them and it’s going to be justified, because Lee is going to have to live with the noble look he knows Cass will have on when she realises they’re not there to watch. The shakey, practiced smile she’ll slap over the disappointment in her dark eyes.

Shit shit shit shit indeed.

“Lee! Michael! Over here!” whispers a voice. Lee whirls around to face it — boy does he ever feel like a puppet on a stick right now — and, for the second time in as many minutes, feels his head pound at the disorienting frenzy of emotions that bubble up when he sees his baby brother’s face. Will stands half inside a doorway Lee hadn’t noticed on the way in, tucked in the shadow of a corner.

He is fast, holy shit.

“What the hell are you doing,” hisses Michael.

“Getting us inside! Hurry up!”

Lee doesn’t need further prompting, clock ticking in his brain. Gods, how long do they have left? Thirty seconds? Less?

“Most big theatres have sideline entrances,” Will explains after Michael helps shove the giant bouquet through the tiny door. He guides them, upright to their hunching, down a tight corridor. “They’re for performers to pop up in the audience without being seen. Mama and I race each other to find ‘em when she did shows.”

Lee had forgotten, for a moment, how much of his life Will has spent in and out of theatres, bars, stages. Naomi Solace has been growing more and more famous since…half of his life, at least. Lee remembers hearing about her four years ago, when she’d done a smaller show in Queens. A friend of his had gone.

Michael reaches out and tugs the mostly-undone ponytail he’d wrestled Will’s hair into that morning. “Good job, kid.”

He grins over his shoulder. “Thanks.”

They stumble into the darkened audience in the nick of time. The second Lee steps out of the cramped little corridor, dragging the stupid flowers (he is, in fact, regretting his choices at this point in time; when he has a free moment he will add this to the list of reasons he will be kicking his past self’s ass if the Hephaestus cabin successfully recreates DeLorean time machine) along with him, the stage lights come on. An announcer’s voice calls out, “Entry 109, Competitive Open Solo: Cass Hasapi.”

“Fuck,” Michael mutters. A quaint family of four gasps. He sneers at them. “Fuck, you see Diana?”

“No, is she maybe —”

“I think that’s her hair —”

“That person is way too tall, what are you —”

“I swear to the gods, I am going to kill you both,” whispers a beautifully familiar voice, and then Lee is being dragged. “Sit the hell down and shut the hell up. Will, baby, c’mere.”

Will climbs happily over the two empty seats, settling onto Diana’s lap and curling under her chin. He sticks his tongue out when Lee and Michael follow in behind him, struggling with the bouquet, muttering about favouritism.

“I’ve literally known you for six times longer than you’ve known him,” Michael mutters, sticking his tongue out right back. A grandmother with a severe bob whirls back and hushes him.

“Yeah, I’ve had all that time to get tired of your bullshit. Shut up.”

Before Michael can retort — Lee is sure he has an eloquent and devastating response, Lee has been helping him practice — soft piano drifts out from the speakers. A light turns on, pointed at the stage.

All four of them snap their mouths shut.

In the centre of the stage, Cass stands, poised. Her back is turned to the audience, arms extended above her and tilted to the right, as if reaching for the setting sun. Her hair, braided loosely back, brushes the edge of her thickly draping purple costume. Her knees are bent and locked and one bare foot sticks out like she’s trying to balance herself, like she’s mid fall.

A gravelly, male voice sings lowly along to the piano. How do you know which time might be the last? She moves along the dip of his voice, dragging her limbs through the rigid air. What I would give just to see you again? She moves with a swooping twist of her heels, twisting at the waist. Under the heat of the stage lights, her face contorts, forehead deeply wrinkled, mouth parted, breathing quickly. I’d walk to the depths of a world down below and demand to get back what some circumstance stole. She holds herself with such tension that Lee finds his own shoulders hiking up to his ears. Her chest moves rapidly, hands shaking, knees buckling. His breath goes stale in his lungs.

When the chorus starts, hard and heavy and sudden, I turned back one last time just to prove you were there, Cass hits the floor. He gasps with the rest of the audience, clutching the plush armrest, but it’s intentional, part of the dance. ‘Cause the last ray of sun made Eurydice cold. Collapsed on the floor, limbs bent, dress askew, she crawls, begging, towards the audience. Did she know? Did she know? Did she know? Did she know?

Cass does not move gracefully. She moves like a beached, gasping siren dragging herself back to the depths, like someone climbing out of a pit. Every movement looks heavy and painful. She looks at the audience and Lee is surging forward before he can stop himself, breath hitching, brain screaming: help her! help her! help her!

If I knew how it’d feel back then, I wouldn’t take another step.

Her body twists again, hair escaping her loose braid and sticking to her neck, her forehead. She claws at her throat like she’s suffocating, eyes accusing everyone watching like they’re holding her under. Each movement of her arms swell and sway on the beat, bare feet slapping the ground with every hit of the kettle drum. If you can see me it’s all in your head, but it feels real to me now, it felt real to me then.

Everything ends.

The piano fades out, the drums hit their last beat. All that’s left is the wretched guitar, taught like strings snapping, taught like the tense pull of her suspended muscles.

But I opened the door and went down the stairs; I turned back one last time to prove you were there.

As the last word fades, she drops. Not slowly, not evenly, but like whatever was holding her up crumbled to dust. Like she was shot. Her purple dress pools out around her like dark Hyacinth. She lays completely, entirely still.

The lights cut. The air in the audience goes heavy.

They come back on and no one says a word. Lee realises, as it drips onto his hands, that he is crying. Diana is, too, tear tracks too fresh to dry on her face, and Will is leaned forward so far he sways precariously. Michael’s hands are pressed harshly to his eyes.

Trancelike, Lee stands. All eyes snap, abruptly, towards him, but he ignores them. He looks straight across the rows of chairs and locks eyes with his sister, upright now, heaving, standing hesitant. She looks at him, and then beside him at Michael, and then at Will in Diana’s lap. They scramble quickly up next to him, and without any of them saying anything, they begin to cheer.

Cass’s face lights up.

With permission, much of the audience claps. No one stands as they do and as they continue hooting and hollering the claps fade quickly, replaced with stares and murmurs, but Cass still stands there, beaming, looking away and looking back like she can’t believe they’re there. That someone is there, that someone watched her, her, from beginning to end. A hand tugs on his sleeve.

“Can I sonic?” Will asks, raising his voice to be heard.

“Level four,” Lee allows.

He needs no further permission, grinning. He lets out a piercing whistle that makes everyone around them shout in alarm and Lee’s ears ring. But Cass laughs, loud and bright, so it’s worth it, and when Will looks at him in question he nods. The second whistle is definitely beyond a level four, but Lee doesn’t care. Cass looks the happiest he’s seen in a long time.

———

None of them care too much about staying for the other performances. But Cass has two more dances with her studio classes, spread out as they are, so Lee remains doomed to two hours of an aching ass and performances that come nowhere near Cass’s masterpiece. Will seems intrigued, though, by some of the pieces, so he grits his teeth and bares it. Besides, the rolled eyes he shares with Diana and Michael every time someone does something exceedingly cliche or tries and fails at depth (someone, often, being one of Cass’s teammates, shocker) makes it somewhat worth it.

By the time the judges call the last entry, though, Lee is ready to book it out of there.

The lights come back on and pop music plays through the speakers as dancers, in track suits over their costumes, congregate on the stage. Lee stands and stretches, letting Will stand on his shoulders and jump off into Michael’s arms to get some of his energy out. (And, also, ‘cause tossing a small child between them is fun. Diana jogs into the aisle so they can throw farther, but they all decide against it when a security guard glances over.)

After what feels like eight million years, the judges finally lumber over to the stage. The building voices hush as they climb the steps, standing in front of the gathered studios with cabled mics and stacks of foreboding envelopes.

“Welcome, dancers and families,” starts one judge.

She blabs on for several minutes about what an honour it was to judge and how wonderful everyone was. Blah, blah, blah. Lee spaces out about the time Diana’s eyes glaze over, and he looks instead to the gathered stage, observing. There are five different studios that he can see, each with about forty to fifty dancers. Mostly young women. They sit tangled together, legs on legs, arms around shoulders, feet tucked under thighs. Cass, he notices, sits on her own, at the very back of the stage. She sits straight-backed and proud, though. Chin lifted, braid resting over her shoulder.

Impossible to miss.

Two of her group dances win Diamond (Diana explains to them that this is Very Good. She thinks). Most others do not get this honour. Lee notices especially the older couple to their left looking quite sour. The glee he feels is indescribable.

“The winner for our open solo, for all age groups, was actually unanimous. It’s been a while since that happened!”

A girl near the front of the stage, who Lee recognises as the one to make a cruel joke about Cass’ mother, preens. Her solo was boring as hell. He’s not sure what she’s so smug about.

“With a score of 97.6, congratulations to Entry 109, Cass Hasapi!”

The four of them scream like lunatics.

They don’t even wait for scattered applause. Each one of them clambers up on the pristine chairs, covering them with scuff marks, and yell at the top of their lungs, jumping and cheering like chimps in a cage. Cass goes red, but she can’t hide her smile as she stands and accepts her award, grinning over at them. Michael holds up his camera and snaps a photo of her, pink-cheeked and wild-haired, glowing.

———

“Cass!”

Will sees her before the rest of them, sprinting towards the changeroom doors at top speeds and leaping up into her arms. She catches him easily, spinning them both around, pressing a thousand kisses to his hair and face.

“Hello, my darling! Hello hello hello!” Every word is punctuations with a kiss, or rather a press of her wide smile to anywhere she can reach. In seconds his cheeks are stained with her lipstick. “Oh, it has been weeks, darling boy, I missed you!”

Will clings to her sweater, face buried in the crook of her neck. She holds him just as tightly.

(Will has seen Cass more than Lee, in the past few months. He knows she’s made a few sudden trips to camp. But he also knows that she was the first one to welcome him into camp, the day his mother dropped him off, and when he was claimed she was the first to bring him home. She loves to tote him around, too, to have him trail after her for cabin inspections, holding the clipboard, or paint his nails when she’s bored. He misses her something fierce in the winters. She holds on tightly when she comes back home.)

Squeezing him one last time, she turns to the rest of them. Despite her wide smile, her mascara runs.

“You came,” she says, voice wobbling.

Michael clears his throat. “No shit.”

His voice wobbles, too.

“Come here, you goober.”

He’s the next to cling to her, inserting himself under her arm. She presses a kiss to his temple and he pinches her ribs, complaining, getting louder when she digs a knuckle into his hair. Diana jogs up and separates them, as she always does, flicking Michael on the forehead and pressing a kiss to her sister’s cheek.

“I’m so proud of you,” she whispers, squeezing her hand.

Cass’s tears spill over again. “Thank you.”

Lee clears his throat. He feels, suddenly, like a doofus, holding a bouquet of flowers the size of him, but Cass looks at them and grins again, chuckling.

“You sell your kidney for that or what?”

Lee snorts. “No, we exchanged Will. This is a clone.”

“Did not!”

Lee blows a raspberry. “Did too. Clone.”

“I’m not a clone! I’m me!”

“Nuh-uh.”

“Ya-huh!”

“Alright,” Cass interrupts, rolling her eyes fondly. She kisses the tip of Will’s nose again and sets him down, turning towards Lee, hands outstretched dramatically. “Hand me my dues.”

Because she is, at the core of her, a true daughter of Apollo, even though the amount of poise and grace that bleeds from her at any given time contradicts almost directly with the guy who beams Pocketful of Sunshine directly into their brains at five in the morning every single day without fail, she kneels with a flourish. Because Lee is, at the core of him, also a child of Apollo, he goes unquestioningly along with the bit, pulling out one of the flowers to knight her before resting the entire bouquet in her arms. She has to hold it with both hands.

“You guys are ridiculous,” she says, grinning.

“They are ridiculous,” Diana stresses. “Dumbasses were damn near late getting this for you. They already had flowers, mind you. They’re just dumb.”

Will holds up his hand with his watch. “I kept us from being late!”

Diana squishes his cheek. “Thank you, sweetpea. You’re already smarter than your brothers combined.”

“Stick out your tongue again and I’ll grab it, you little snitch,” Lee warns.

Will, darting to hide behind Diana, does not heed his warning. Because he’s a little shit. bc

The walk out of the building in a gaggle of movement. As other dancers and their families walk by, glowering at Cass’ flowers and at Cass in general, Lee makes a point to catch their eyes. To smirk. To let them know, without saying a word — you were wrong. Of course you were wrong. Look at how she’s better than your bitter ass without even trying.

It warms him inside, truly.

“I’m thinking,” Diana says, walking back to the car, “that we stop at Dairy Queen on the way home. On Michael’s dollar. Will, look real excited so Michael can’t say no.”

“I am excited,” Will says, turning to face him, “so that’s real easy.”

Michael sighs. He taps his foot on the pavement, glaring. He sighs again. “You’re getting s plain cone and that’s that. You understand me?”

Will takes that as code for ‘begin negotiating’. Diana joins him, the two of them chasing Michael to the car, yelling about Blizzards and sundaes. Cass falls into step next to Lee, adjusting the flowers.

“So,” she says, shooting him a small smile.

“So,” he intones.

“Diana told me you snuck the boys out of camp.”

“…Yes.”

“Organised the whole trip, basically.”

“It wasn’t hard. I just told Michael to pack his shit and he listened, for once. So.”

“Lee.” She waits for him to open the trunk, letting him stuff the ridiculous flowers inside before facing him, grabbing his hands and squeezing. “Thank you.”

“I don’t —”

He swallows past the lump in his throat. How can he say it? How can he tell her about being fourteen and older than half the unclaimed kids in Hermes, still reeling over camp as a whole, and the fear that had dissipated from his chest when she stood in front of camp and said, firmly, he’s ours? About the hours she spent listening to him ramble about Pokémon, learning the game for him, mailing him cards she finds around? About the letters she sends him every week without fail, even though she’s swamped with her own shit, because she remembers the night he cried, months and years of being weird and lonely and unlike anyone else he knew? How can he explain the bubbling in his chest, the ache for her, because of her?

“Of course, Cass.”

She opens her arms and he falls into them, forehead on her shoulder, arms tight around her waist. She grips around his back, pressing a kiss to his hair. His throat is dry, choking back the thickness of his tears.

“I love you.”

“Love you too, Lee.”

#AND WERE DONE #AND ITS FIVE THIRTY IN THE MORNING FUCK #percy jackson and the olympians #pjo #hoo #heroes of olympus #lee fletcher #will solace #michael yew #diana mckinney #cass hasapi #cabin seven #my writing #fic #longpost #song is orpheus by vincent lima btw #pjo hoo toa

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