I saved some of those plastic blueberry/raspberry/cherry tomato containers and I washed them out really well. They're *perfect* for embroidery/sewing thread storage. The save a lot of space and there's a few different sizes that are stackable. I doubt this is new but I wanted to share this idea anyway
I also use them for jewelry cord, bottle caps, patches, fabric flowers and leaves, fabric scrap, etc
[Image ID: five images of three different plastic fruit containers in front of a gray wooden background. The first two images contain a container that is 9.5 inches long, 4.5 inches wide and 2 inches tall. It has two segments inside tha are filled with full bobbins of embroidery thread in multiple vibrant colors.
The next three images contain two empty containers, one that is about half the size of the full one but twoce as deep, and the last one is 6 inches long, 3.5 inches wide and 1.5-2 inches deep. End ID]
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Trying to decide if I should try and sell/market my embroidery thread box. I came up with the 3d printer design for it because most of the thread organisers I could find for sale would be too much effort to use - like you had to take the threads when you bought them and wrap them around special spools or poke them through holes. I just went for something where you could take the skeins of thread as you buy them and stick them in skein-shaped holes.
The bottom part is theoretically stackable (the printing I did for myself wasn’t great for this, but it was pretty close so it wouldn’t take much tweaking to get it to work) so you could have multiple of the holder part stacked on top of each other if you have lots of threads.
I feel like if I tried to sell this on etsy or somewhere, there would be other people who would want one. But with the time and effort involved and etsy fees, I’m not sure if it would be worth doing. Because I could spend the time tweaking the design, printing some different colours, photographing them, making the listing, paying for the fees to have an etsy store, etc. And then I might sell, like, one. Or none at all.
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EVERLARK OUTFITS: THE VICTORY TOUR
This part of “Catching Fire” is done (finally) so I put it all together;)
DISTRICT 11, THE SQUARE
I go to my compartment and let the prep team do my hair and makeup. Cinna comes in with a pretty orange frock patterned with autumn leaves. I think how much Peeta will like the color. <…> As the train is pulling into the District 11 station, Cinna puts the finishing touches on my outfit, switching my orange hairband for one of metallic gold and securing the mockingjay pin I wore in the arena to my dress. <…> I can hear the anthem beginning outside in the square. Someone clips a microphone on me. Peeta takes my left hand. // Catching Fire, ch. 4
I think this dress should be a little semi-official so I choose cape sleeve sheath midi dress. It’s perfect for autumn (and they have early autumn weather there in 11th). The hair is just plain + gold hairband = girlish innocent look like the one after the games (this tactics they choose for the Tour). Plus I wanted to draw Katniss with her natural straight hair because i draw her with her braid usually ;) And again nothing about Peeta’s outfit. You know I feel like Portia 😅 because I have to choose how to dress Peeta. I’m not complaining through. So it is black suit with golden buttons (matching Katniss’s hairband and pin), thin soft orange sweater and black leather shoes.
DISTRICT 11, THE DINNER
A pale pink strapless dress brushes my shoes. My hair is pinned back from my face and falling down my back in a shower of ringlets. Cinna comes up behind me and arranges a shimmering silver wrap around my shoulders. He catches my eye in the mirror. “Like it?” “It's beautiful. As always,” I say. “Let's see how it looks with a smile,” he says gently. // Catching Fire, ch.5
DISTRICT 7
Jackson has devised a game called «Real or Not Real» to help Peeta. He mentions something he thinks happened, and they tell him if it’s true or imagined, usually followed by a brief explanation. <...> But since Peeta’s greatest confusion centers around me—and not everything can be explained simply—our exchanges are painful and loaded, even though we touch on only the most superficial of details. The color of my dress in 7. My preference for cheese buns. The name of our math teacher when we were little. Reconstructing his memory of me is excruciating. Perhaps it isn’t even possible after what Snow did to him. But it does feel right to help him try. // Mockingjay, ch. 19
So we have only one sentence in “Mockingjay” about this outfit. And still I decided to draw it because I have a theory (head canon?) about it. I think Peeta remembers the color of her dress because it was special night for him (a lot of kisses and attempts to sneak away from everyone and maybe it felt very real at times) and also because she had two braids and the dress was red. RED is the color ❤️. / Peeta has dark red + black + a little bit gold which is also sexy color combination.
DISTRICT 5
I volunteer to take Annie back to my house in 12, where Cinna left a variety of evening clothes in a big storage closet downstairs. All of the wedding gowns he designed for me went back to the Capitol, but there are some dresses I wore on the Victory Tour. <…> Annie wears a green silk dress I wore in 5, Finnick one of Peeta’s suits that they altered— the clothes are striking. <…> As surely as the embroidery stitches in Annie’s gown were done by Cinna’s hand, the frosted flowers on the cake were done by Peeta’s. // Mockingjay, ch. 16
Katniss: green silk dress + wavy sleeves + sea waves embroidery / Peeta: ivory dress shirt + knitted green waistcoat with sea waves embroidery + tweed suit
DISTRICT 2
Girl talk. That thing I've always been so bad at. Opinions on clothes, hair, makeup. So I lie. “Yeah, he's been helping me design my own clothing line. You should see what he can do with velvet.” Velvet. The only fabric. I could think of off the top of my head. “I have. On your tour. That strapless number you wore in District Two? The deep blue one with the diamonds? So gorgeous I wanted to reach through the screen and tear it right off your back,” says Johanna. // Catching Fire, Chapter 15
This description gave me strong “Anastasia” feels 😅. So I loosely based Katniss dress on Anastasia’s ballet evening gown. For Peeta I chose tuxedo jacket similar to Salvatore Ferragamo design for FF 12/13. Neo classic, purple velvet, shiny shoes. Also I decided to include a cane, both to help Peeta to have some rest during all this Tour activities and as an accessory.
DISTRICT 12
When we reach the mayor's house, I only have time to give Madge a quick hug before Effie hustles me off to the third floor to get ready. After I'm prepped and dressed in a full-length silver gown, I've still got an hour to kill before the dinner, so I slip off to find her. <…> She [Madge] saw my reflection behind her and smiled. “Look at you. Like you came right off the streets of the Capitol.” // Catching Fire, ch.6
When I started drawing this one I just felt that I need to make it look very “Capitol”. So I added some feathers. A LOT of sparkling feathers, haha. Also there are some “moon and stars” accessories in Katniss’ hair because this silver gown gives me moonlight vibes. For Peeta I came up with classic suit but made him wear it casually.
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One of the (many) reasons I deeply dislike the "Annie and Finnick's wedding was only a propaganda move that meant absolutely nothing to anyone" take is that is... simply not accurate?
It is often claimed Plutarch had Finnick and Annie intentionally wear Peeta and Katniss' outfits to send some type of message, but that means to completely ignore how it was Katniss herself that offered to give Annie a dress for her wedding:
“when Plutarch has a fit over what the bride will wear — I volunteer to take Annie back to my house in 12, where Cinna left a variety of evening clothes in a big storage closet downstairs.”
How Peeta himself also made their wedding cake:
“As surely as the embroidery stitches in Annie’s gown were done by Cinna’s hand, the frosted flowers on the cake were done by Peeta’s.”
And to also disregard how everyone else felt and how happy and excited they were to be part of it:
“When it’s announced that children are wanted to sing District 4’s wedding song, practically every kid shows up. There’s no shortage of volunteers to help make decorations. In the dining hall, people chat excitedly about the event.”
All in all, it means to brush aside how everyone perceived their wedding as simply something good, genuinely so, and nothing linked to a false spectacle:
“Maybe it’s more than the festivities. Maybe it’s that we are all so starved for something good to happen that we want to be part of it.”
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If you read the novel Catch-22 (1961), about U.S. Army pilots & sundry stationed on a Greek island during World War II, you will encounter this off-hand description during the period where Yossarian is hiding in the field hospital:
At which you will either pause worryingly, or you’re normal.
I am not normal, because I have watched the television show M*A*S*H (1972-1983), about U.S. Army medical staff in a mobile surgical unit during the Korean War, and which features a character called Hawkeye Pierce, who frequently looks like this:
Now this bathrobe, iconic simply, appears red to the observer. However, deep into the run there is a line in which Hawkeye refers to it as "purple"—great consternation. But film cameras and light waves being what they are (capricious, devilish), it could very well be maroon in life. It could very well be maroon. It’s what I assumed after that comment. But what I'd never asked was, what is it made out of? Is that corduroy, could it be corduroy, could this be—
Oh noooooooo!
Why is Hawkeye the only one who is wearing the robe of patients from the last war, I ask you! Is it for the METAPHOR. To make me YELL. Did the costume department make it for him, or did they just already have one on hand in the WWII storage? Wait it wasn't real was it? Where is it, where is this robe!
Well babe, it’s in the Smithsonian:
A) of all, fucking fantastic, could not be a place I more want Alan Alda’s bathrobe as Hawkeye Pierce to be than the National Museum of American History. B) well well well well well, what do we have here:
[sic]
So looking THAT up brings you nothing that makes any sense, even trying to correct for spelling. But not to fear: historical re-enactors are here.
On the website of the “WW2 US Medical Research Centre,” an absolutely delightful combination of words and spelling brought to you by two European history buffs, and that’s Europeans who are obsessed with history, specifically American medical units in the 1940s, there’s a page for pajamas, and why look who’s here:
OH ho oh HO!
“Progressive Coat & Apron Mfg. Co.” is so similarly bizarre that I would be very willing to bet that something like idk, the imperfect process of digitizing thousands of records for a website catalog, could have absolutely resulted in “Agressive Coat and Manufacturing Company.” Which would mean yeah, yeah yeah: vintage World War II, slash Korea, just five years later. It was authentic, what they gave Alda to wear, along with his dog tags.
Just Hawkeye though still, which is what's odd.
BUT HANG ON.
Heeeeey now!
So I was recently reminded that in the pilot episode, but the pilot episode only, Wayne Rogers as Trapper John McIntyre also has the regulation corduroy MD/USA bathrobe! In fact, he actually has what would appear to become Hawkeye’s—observe the location of the embroidery. Pocket, like Hawkeye’s in every robe appearance after this first episode, the robe that ends up in the Smithsonian Museum. Whereas the one with the embroidery on the chest that's hanging above Hawkeye's cot here, a common variant that shows up when you’re searching around on military history websites, after this appearance I believe is seen just once more on a visiting colonel later in the first season, then quietly vanishes. Alda ends up in Trapper's, and stays in it for keeps, while Rogers gets, of all things, a cheery goldenrod terry number.
But like, why. Why just Hawkeye in the WWII surplus robe. Both Doyle and Watson have avenues here that I like to think about. For the Doylist side, I suspect it was a decision of like, this is simply too matchy. It’s 1972, our TV screens are small, we gotta take any chance we can get to distinguish these tall white men constantly wearing the same of two monochrome outfits.
In fact, I actually wonder if there was a world where Trapper might have stayed in the maroon and Hawkeye could have ended up in Henry’s robe.
The light blue & white striped bathrobe McLean Stevenson wore as Henry Blake was sold at auction in 2018, and the item description contains the curious detail of it having a handwritten tag inside reading “Hawkeye.” Well heeeyy again.
And here’s another curious detail:
There was a blue & white striped Army-issue robe as well
Now Henry’s is clearly NOT vintage WWII, lacking the pocket embroidery, being terry cloth, and also of course: pastel. But it’s INTERESTING, isn’t it? They had to have been GOING for that look, with that same unusual collar shape and that multi-stripe patterning.
(Also, for real 'what the hell even IS this color' fun, this militaria collectors purveyor has one of the maroon versions too, with photos you can page though and laugh as it flips between looking clearly purple and clearly red in every other photograph. Cameras!!!)
Anyway now we turn to the Watsonian explanation, which seems to run like this: the men at the 4077 were just casually passing their robes around to each other. It's about the intimacy in the face of war, etc. I can see bathrobes going missing when they bug out, getting stolen from the laundry by Klinger and scrapped for parts, being handed off to a poor cold Korean kid who needs it more, and then they need to get to the showers and one of them is like hey, just take mine, and then it’s his now. And eventually most of them end up in warmer-looking civilian robes than the Army holdovers that were being distributed early on, but Hawkeye, he just hung on to Trapper's.
And as a side effect, still looks like he's been injured in World War II.
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